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Decades of Science Fiction Quarter 4 – 2016 – Reading & Assignment Schedule Read Each Story with the Class And/Or on Your Own
Decades of Science Fiction Quarter 4 – 2016 – Reading & Assignment Schedule Read each story with the class and/or on your own. Write or type your short answers to the five Discussion Questions you will find at the end of each story. These are thoughtful, interpretive questions, so your answers will be original and unique. ____________________________________________________________________________________________________________ March 30: “The Disintegration Machine” by Sir Arthur Conan Doyle, pages 65-75 Due April 1 Doyle is the creator of the character Sherlock Holmes. Respond to Discussion Questions 1 through 5 on pages 75 & 76. ____________________________________________________________________________________________________________ April 1: “The Metal Man” by Jack Williamson, pages 78-87 Due April 5 Answer all five Discussion Questions on page 87. ____________________________________________________________________________________________________________ April 5: “Misfit” by Robert Heinlein, pages 119-137 Due April 7 Robert Heinlein is perhaps most well-known for his 1959 novel Starship Troopers. “Misfit” is also military science fiction. Discussion Questions 1 through 5 are on page 137. Answer them all. ____________________________________________________________________________________________________________ April 7: “Robbie” by Isaac Asimov, pages 149-165 Due April 11 “Robbie” is one of Asimov’s collected stories in I, Robot. Asimov created the “Three Laws of Robotics” in his extensive Robot series. “1. A Robot may not injure a human being, or, through inaction, allow a human being to come to harm. 2. A robot must obey the orders given it by human beings, except where such orders would conflict with the First Law. 3. A robot must protect its own existence, except where such protection would conflict with the First or Second Law.” Answer Discussion Questions 1, 2, 3, 4, & 5 on page 165. -
Hugo Award -- Britannica Online Encyclopedia
10/10/2017 Hugo Award -- Britannica Online Encyclopedia Hugo Award Hugo Award, any of several annual awards presented by the World Science Fiction Society (WSFS). The awards are granted for notable achievement in science �ction or science fantasy. Established in 1953, the Hugo Awards were named in honour of Hugo Gernsback, founder of Amazing Stories, the �rst magazine exclusively for science �ction. Hugo Award. This particular award was given at MidAmeriCon II, in Kansas City, Missouri, on August … Michi Trota Pin, in the form of the rocket on the Hugo Award, that is given to the finalists. Michi Trota Hugo Awards https://www.britannica.com/print/article/1055018 1/10 10/10/2017 Hugo Award -- Britannica Online Encyclopedia year category* title author 1946 novel The Mule Isaac Asimov (awarded in 1996) novella "Animal Farm" George Orwell novelette "First Contact" Murray Leinster short story "Uncommon Sense" Hal Clement 1951 novel Farmer in the Sky Robert A. Heinlein (awarded in 2001) novella "The Man Who Sold the Moon" Robert A. Heinlein novelette "The Little Black Bag" C.M. Kornbluth short story "To Serve Man" Damon Knight 1953 novel The Demolished Man Alfred Bester 1954 novel Fahrenheit 451 Ray Bradbury (awarded in 2004) novella "A Case of Conscience" James Blish novelette "Earthman, Come Home" James Blish short story "The Nine Billion Names of God" Arthur C. Clarke 1955 novel They’d Rather Be Right Mark Clifton and Frank Riley novelette "The Darfsteller" Walter M. Miller, Jr. short story "Allamagoosa" Eric Frank Russell 1956 novel Double Star Robert A. Heinlein novelette "Exploration Team" Murray Leinster short story "The Star" Arthur C. -
Teacher (Last Name) Title and Author of Book Brief Summary Secura the Hate You Give--Angie Thomas “Sixteen-Year-Old Star
Teacher Title and author Brief summary (Last of book Name) Secura The Hate You “Sixteen-year-old Starr Carter moves between two worlds: Give--Angie the poor neighborhood where she lives and the fancy Thomas suburban prep school she attends. The uneasy balance between these worlds is shattered when Starr witnesses the fatal shooting of her childhood best friend Khalil at the hands of a police officer. Khalil was unarmed.What everyone wants to know is: what really went down that night? And the only person alive who can answer that is Starr.” This book addresses controversial issues of interest to many adolescents and includes scenes and language that reflect mature content. Imbarus Out of the Dr. Aura Imbarus vividly details Christmas Day 1989, Transylvania when she, her parents and hundreds of shoppers drew Night--Aura sudden sniper fire as Romania descended into the Imbarus violence of a revolution that challenged one of the most draconian regimes in the Soviet bloc. Aura recalls a grisly execution that rocked the world and led to five harrowing days of bloody chaos as she and her family struggled to survive. The next day, Communist-controlled television released photos showing that dictator Nicolae Ceausescu and his wife had been assassinated-though many Romanians, the author included, believed the executions had been staged since Ceausescu was known for using stand-ins to pose for him. Nevertheless, Aura tries to convince herself that life post-revolution will be different, but little changes. On May 7, 1997, with two pieces of luggage and a powerful dream, Aura and her new husband flee to America. -
FAHRENHEIT 451 by Ray Bradbury This One, with Gratitude, Is for DON CONGDON
FAHRENHEIT 451 by Ray Bradbury This one, with gratitude, is for DON CONGDON. FAHRENHEIT 451: The temperature at which book-paper catches fire and burns PART I: THE HEARTH AND THE SALAMANDER IT WAS A PLEASURE TO BURN. IT was a special pleasure to see things eaten, to see things blackened and changed. With the brass nozzle in his fists, with this great python spitting its venomous kerosene upon the world, the blood pounded in his head, and his hands were the hands of some amazing conductor playing all the symphonies of blazing and burning to bring down the tatters and charcoal ruins of history. With his symbolic helmet numbered 451 on his stolid head, and his eyes all orange flame with the thought of what came next, he flicked the igniter and the house jumped up in a gorging fire that burned the evening sky red and yellow and black. He strode in a swarm of fireflies. He wanted above all, like the old joke, to shove a marshmallow on a stick in the furnace, while the flapping pigeon- winged books died on the porch and lawn of the house. While the books went up in sparkling whirls and blew away on a wind turned dark with burning. Montag grinned the fierce grin of all men singed and driven back by flame. He knew that when he returned to the firehouse, he might wink at himself, a minstrel man, Does% burntcorked, in the mirror. Later, going to sleep, he would feel the fiery smile still gripped by his Montag% face muscles, in the dark. -
Australian SF News 26
SNOW QUEEN Wins Hugo THE 1981 HUGO AWARDS were presented at THE BEST NON-FICTION Award went to Carl DENVENTION, 39th World Science Fiction Sagan's "Cosmos", the book based on Convention, held in Denver,Colorado , his TV series. THE BEST PROFESSIONAL on the Sunday evening of the 6th of EDITOR Award went to Edward L.Ferman, September. The BEST NOVEL AWARD went to editor of The Magazine of Fantasy and THE SNOW QUEEN by Joan Vinge. (Dial and Science Fiction. Michael Whelan won the Dell USA and Sidgwick & Jackson and BEST PROFESSIONAL ARTIST. BEST FANZINE Futura U.K.). Gordon R.Dickson won was again won by Locus. BEST FAN ARTIST both THE BEST NOVELLA and THE NOVELETTE AWARD went to Victoria Poyser. The late Awards with "Lost Dorsai" (Destinies Susan Wood was voted the BEST FAN WRITER February /March '80) and "The Cloak and Award. "The Empire Strikes Back" won the the Staff"(Analog - August '80). Co BEST DRAMATIC PRESENTATION Award. The Guest of Honor at the World Con with multi-talented Somtow Sucharitkul was C.L.Moore, Clifford D.Simak, won the the recipient of the JOHN W. CAMPBELL ?EST SHORT STORY Award with "Grotto of, Award for Best New Writer. JOAN VINGE the Dancing Deer" (Analog - April '80). Photo Jay K.Klein Baltimore To Hold 1983 - Melbourne Bids For 1985 BALTIMORE won the bid to hold the 1983 getting around to the various venues. World SF Convention. Australia put up One professional correspondent reports a very good show,but not good enough that it was a waste of money for her against the very strong bid by the and other editorial friends. -
Ray Bradbury, Lo Scrittore Di Fantascienza Che Non Credeva Nel
Tribunale Bologna 24.07.2007, n.7770 - ISSN 2239-7752 Direttore responsabile: Antonio Zama Ray Bradbury, lo scrittore di fantascienza che non credeva nel futuro Un autore grande e curioso, che non ha mai preso la patente e odiava Internet e gli e-book 21 Maggio 2021 Luca Martini Ray Bradbury (1920 - 2012) è stato un grande scrittore americano, eccellente nel genere fantascientifico, fantastico e futuribile, con romanzi e racconti per i quali è rimasto celebre, come “Fahreneith 451”, “Cronache marziane” e “Il popolo dell’autunno”. Nonostante la sua proiezione narrativa verso la fantasia, il futuro e le tecnologie, la sua vita è stata più o meno l’esatto contrario delle sue intuizioni. Ray Bradbury non ha mai preso la patente Il motivo è da ricondursi al fatto che a 16 anni assistette ad un tragico incidente d’auto e rimase talmente traumatizzato da non volere mettersi alla guida di un autoveicolo, che considerava un mezzo pericoloso per chiunque. Non amava nemmeno gli arei, che evitava accuratamente di prendere. Ray Bradbury era contrario all’edizione digitale delle sue opere, perché considerava il libro cartaceo l’unica forma giusta di divulgazione per un romanzo. Ha resistito fino al 2001, quando a 90 anni suonati ha acconsentito alla pubblicazione in formato elettronico del suo romanzo “Fahrenheit 451”, sostenendo però di preferire il formato cartaceo. Ray Bradbury odiava i computer e non sopportava Internet, che riteneva uno strumento inutile e potenzialmente molto pericoloso. Anche il suo nome e cognome, Ray Bradbury, come accaduto anche ad altri grandi scrittori, è stato utilizzato per attribuire nomi a oggetti nello spazio: “Dandelion Crater”, attribuito durante la spedizione dell’Apollo 15 per chiamare un cratere lunare; “9766 Bradbury” per identificare un asteroide, mentre la NASA ha chiamato “Bradbury Landing” il terreno del pianeta Marte sul quale si è posato la sonda Curiosity. -
Son-Wsfa 192 Miller 1975-08-20
SON OF THE WSFA JOONAL . SF/Fantasy News/Info ’Zine '(Supplement to THE WSFA JOURNAL) — Vol,32“^ G?1927 Editor & Publisher: Don Miller----------jO^ ea,, 8/()2.00 —------------- 20 Aug, ■.197$ In This Issue — , IN THIS ISSUE; IN BRIEF (misc. notes/announcements)■ ............................... pg 1 ODDS & ENDS: THE FOREIGN SCENE; MISCELLANY .....................................................; pg 2 THE STEADY STREAM....: Of Announcements, Books, Prozines, Semi-Pro zines, -h- & Fanzines (Genzines & Personalzines) Received During July T7U.............. pp. 3-10 THE CON GAI®: Sept. 197$ ............................................... pg 16 ' In Brief — . _ ■ .: Lots of last-minute things to pass on: (1) Effo w/issue #193? SOTWJ will be no more, but will be simply ".THE JOURNAL SUPPLEMENT". And TWJ will be renamed "THE SF&F JOURNAL". There will be other changes—in scheduling, in pricing, in distri bution, in contents, and in relationships—see the attached M-PRESS Information Sheet. The retrenchment is finally complete, and our policies finalized. Please read the info sheet carefully, and let us know asap whether you want your subs under the revised Class A or B (you will be automatically under Class A unless you tell us otherwise—libraries and overseas subbers included). #}/ (2) Mark Owings just phoned in a bit of AUSSIECON news: 197 b Hugo Awards: BEST NOVEL, The Dispossessed, by Ursula K. LeGuin (Harper, 3FBC, Gollancz, Avon); BEST NOVELLA, "A Song for Lya", by George R.R. Martin (ANALOG 6/?U); BEST NOVELETTE, "Adrift Just Off the Islets of Langerhans: Latitude 38°$b’N, Longitude 77°OO '13"W", by Harlan Ellison (F&SF io/?b); BEST SHORT STORY, "The Hole Man", by Larry Niven (ANALOG l/?b); BEST DRAMATIC PRESENTATION, Young Frankenstein; BEST PROFESSIONAL EDITOR, Ben Bova; BEST. -
Portsmouth Christian Academy at Dover Upper School Recommended Summer Reading June 2013
Portsmouth Christian Academy at Dover Upper School Recommended Summer Reading June 2013 Portsmouth Christian Academy’s Upper School library recommends the following books for your summer reading enjoyment and to keep your reading skills sharp for the coming year! You’ll find various genres represented here: current popular titles and classic works, fiction and nonfiction, Christian and secular titles: in other words, something for every reading interest, so enjoy! Note: Different books are appropriate for and appeal to different ages, reading levels, personalities, interests, beliefs and lifestyles. As always, please use both your own discretion and your parents’ guidance in choosing what to read. NOTE: In this year’s reading list, articles on dystopian fiction and on the author Ray Bradbury are followed by the general reading list. Dystopian Fiction: I want a book like The Hunger Games! Suggestions: Card, Orson Scott. Ender’s Game and Ender in Exile. Cashore, Kristen. Graceling and Bitterblue. Condie, Ally. Matched, Crossed, Reached. Dashner, James. The Maze Runner, The Scorch Trials, Death Cure, The Kill Order. Lowry, Lois. The Giver, Gathering Blue, Messenger, Son. Lu, Marie. Legend, Prodigy. Roth, Veronica. Divergent, Insurgent. 1 Suzanne Collins’ runaway bestseller trilogy The Hunger Games was a product of the author’s love for military history and also her fascination with the gladiators of ancient Rome. The admittedly horrifying idea of children being forced to fight to the death, or otherwise manipulated in a dystopian society, finds echoes in other books published before and since, such as Ender’s Game and Ender in Exile by Orson Scott Card. -
Physicians, Society, and the Science Fiction Genre in the Film Versions of Invasion of the Body Snatchers: Or Doctors with a Serious Pod Complex
Brigham Young University BYU ScholarsArchive Theses and Dissertations 2010-07-14 Physicians, Society, and the Science Fiction Genre in the Film Versions of Invasion of the Body Snatchers: or Doctors with a Serious Pod Complex Brett S. Stifflemire Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Film and Media Studies Commons, and the Theatre and Performance Studies Commons BYU ScholarsArchive Citation Stifflemire, Brett S., "Physicians, Society, and the Science Fiction Genre in the Film Versions of Invasion of the Body Snatchers: or Doctors with a Serious Pod Complex" (2010). Theses and Dissertations. 2268. https://scholarsarchive.byu.edu/etd/2268 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Physicians, Society, and the Science Fiction Genre in the Film Versions of Invasion of the Body Snatchers: or Doctors with a Serious Pod Complex Brett S. Stifflemire A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Arts Darl E. Larsen, Chair Sharon L. Swenson Dean W. Duncan Department of Theatre and Media Arts Brigham Young University August 2010 Copyright © 2010 Brett S. Stifflemire All Rights Reserved ABSTRACT Physicians, Society, and the Science Fiction Genre in the Film Versions of Invasion of the Body Snatchers: or Doctors with a Serious Pod Complex Brett S. Stifflemire Department of Theatre and Media Arts Master of Arts Close textual analysis of the four extant film versions of Invasion of the Body Snatchers reveals that each film modifies the original story such that it reflects changing societal attitudes toward physicians and the medical profession, as well as depictions of military and government in the science fiction genre. -
Working Materials
PROJECT No - 2016-1-HR01-KA201-022159 Handbook for reluctant, struggling and poor readers http://www.angelfire.com/or/grace/marionettes.html Marionettes, Inc. By Ray Bradbury, from "The Illustrated Man" Beginning of the 1st excerpt They walked slowly down the street at about ten in the evening, talking calmly. They were both about thirty-five, both eminently sober. "But why so early?" said Smith. "Because," said Braling. "Your first night out in years and you go home at ten o'clock." "Nerves, I suppose." "What I wonder is how you ever managed it. I've been trying to get you out for ten years for a quiet drink. And now, on the one night, you insist on turning in early." "Musn't crowd my luck," said Braling. "What did you do, put sleeping powder in your wife's coffee?" "No, that would be unethical. You'll see soon enough." They turned a corner. "Honestly, Braling, I hate to say this, but you HAVE been patient with her. You may not admit it to me, but marriage has been awful for you, hasn't it?" "I wouldn't say that." "It's got around, anyway, here and there, how she got you to marry her. That time back in 1979 when you were going to Rio-----" "Dear Rio. I never DID see it after all my plans." "And how she tore her clothes and rumpled her hair and threatened to call the police unless you married her." September, 2017 Training materials for 1 “Marionettes, Inc.” PROJECT No - 2016-1-HR01-KA201-022159 Handbook for reluctant, struggling and poor readers "She was always nervous, Smith, understand." "It was more than unfair. -
Zen in the Art of Writing – Ray Bradbury
A NOTE ABOUT THE AUTHOR Ray Bradbury has published some twenty-seven books—novels, stories, plays, essays, and poems—since his first story appeared when he was twenty years old. He began writing for the movies in 1952—with the script for his own Beast from 20,000 Fathoms. The next year he wrote the screenplays for It Came from Outer Space and Moby Dick. And in 1961 he wrote Orson Welles's narration for King of Kings. Films have been made of his "The Picasso Summer," The Illustrated Man, Fahrenheit 451, The Mar- tian Chronicles, and Something Wicked This Way Comes, and the short animated film Icarus Montgolfier Wright, based on his story of the history of flight, was nominated for an Academy Award. Since 1985 he has adapted his stories for "The Ray Bradbury Theater" on USA Cable television. ZEN IN THE ART OF WRITING RAY BRADBURY JOSHUA ODELL EDITIONS SANTA BARBARA 1996 Copyright © 1994 Ray Bradbury Enterprises. All rights reserved under International and Pan-American Copyright Conventions. Owing to limitations of space, acknowledgments to reprint may be found on page 165. Published by Joshua Odell Editions Post Office Box 2158, Santa Barbara, CA 93120 Library of Congress Cataloging-in-Publication Data Bradbury, Ray, 1920— Zen in the art of writing. 1. Bradbury, Ray, 1920- —Authorship. 2. Creative ability.3. Authorship. 4. Zen Buddhism. I. Title. PS3503. 167478 1989 808'.os 89-25381 ISBN 1-877741-09-4 Printed in the United States of America. Designed by The Sarabande Press TO MY FINEST TEACHER, JENNET JOHNSON, WITH LOVE CONTENTS PREFACE xi THE JOY OF WRITING 3 RUN FAST, STAND STILL, OR, THE THING AT THE TOP OF THE STAIRS, OR, NEW GHOSTS FROM OLD MINDS 13 HOW TO KEEP AND FEED A MUSE 31 DRUNK, AND IN CHARGE OF A BICYCLE 49 INVESTING DIMES: FAHRENHEIT 451 69 JUST THIS SIDE OF BYZANTIUM: DANDELION WINE 79 THE LONG ROAD TO MARS 91 ON THE SHOULDERS OF GIANTS 99 THE SECRET MIND 111 SHOOTING HAIKU IN A BARREL 125 ZEN IN THE ART OF WRITING 139 . -
Fragmentary Futures: Bradbury's Illustrated Man Outlines--And Beyond
2015 Fragmentary Futures: Bradbury's Illustrated Man Outlines--and Beyond Jonathan R. Eller Indiana University-Purdue University Indianapolis Indianapolis, Indiana, USA IUPUI ScholarWorks This is the author’s manuscript: This article was puBlished as Eller, Jonathan R. “Fragmentary Futures: Bradbury's Illustrated Man Outlines--and Beyond” The New Ray Bradbury Review 4 (2015): 70- 85. Print. No part of this article may Be reproduced, stored in a retrieval system, transmitted, or distriButed, in any form, by any means, electronic, mechanical, photographic, or otherwise, without the prior permission of Kent State University Press. For educational re-use, please contact the Copyright Clearance Center (508-744- 3350). For all other permissions, please contact Carol Heller at [email protected]. https://scholarworks.iupui.edu Fragmentary Futures: Bradbury’s Illustrated Man Outlines—and Beyond “I believe first drafts, like life and living, must be immediate, quick, passionate. By writing a draft in a day I have a story with a skin around it.” Ray Bradbury’s creative coda originated long before he fashioned this concise version of it for his December 1964 Show magazine interview. His daily writing habit had become a quotidian fever by the early 1940s, and he soon learned to avoid interruptions from any other voices—including his own rational judgments. Each day became a race between subconscious inspiration and the stifling effects of his own self-conscious thoughts—the more logical thought patterns that he desperately tried to hold at bay during the few hours it would take him to complete an initial draft. Bradbury was convinced that the magic would dissolve away if he failed to carry through on a story idea or an opening page at first sitting, and it’s not surprising that his Show interview coda came with a cautionary corollary: “If one waits overnight to finish a story, quite often the texture one gets the next day is different.