ACADEMIC CAREER Hossein Ziai Academic Career
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Art in Between Empires: Visual Culture & Artistic
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Columbia University Academic Commons ART IN BETWEEN EMPIRES: VISUAL CULTURE & ARTISTIC KNOWLEDGE IN LATE MUGHAL DELHI 1748-1857 Yuthika Sharma Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 © 2013 Yuthika Sharma All rights reserved ABSTRACT Art in between Empires: Visual Culture & Artistic Knowledge in Late Mughal Delhi 1748 -1857 Yuthika Sharma This dissertation focuses on the artistic culture of late Mughal Delhi spanning the last century of Mughal rule and the administration of the English East India Company in North India, from the mid-eighteenth to the mid-nineteenth centuries. It brings a hitherto unrecognized period of artistic accomplishment to light and studies the transformations within painting culture in the multicultural Anglo-Mughal society of Delhi. Rather than being fixated on the continuum of Mughal painting over centuries, this dissertation suggests that the art of the late Mughal period should be studied on its own terms as a response to immense socio-political and cultural changes. At its core this study is concerned with dissolving the stylistic barriers between Mughal and Company painting in the late eighteenth and nineteenth centuries. I take up the question of what the term ‘late Mughal painting’ entails and discuss how the term privileges the notion of a court centric culture of painting in an era when the Mughal court was only one of many venues of artistic expression. On the other hand, I highlight the inadequacy of the term ‘Company painting’ to address the variegated nature of works produced under East India Company patronage in this period. -
Contributors
© Copyright, Princeton University Press. No part of this book may be distributed, posted, or reproduced in any form by digital or mechanical means without prior written permission of the publisher. Contributors Ahmed Abdel Meguid, Syracuse University Meir M. Bar-Asher, Hebrew University of Jerusalem Ash‘aris; free will; human nature; prophecy Druze As‘ad AbuKhalil, California State University,Stanislaus Michael Barry, Princeton University Lebanon Afghanistan Camilla Adang, Tel Aviv University Abbas Barzegar, Georgia State University Ibn Hazm ayatollah; commanding right and forbidding Asma Afsaruddin, IndianaUniversity wrong; source of emulation; al-Zawahiri, Ayman martyrdom Shahzad Bashir, Stanford University Ahmed Afzaal, Concordia College messianism nonviolence Orit Bashkin, University of Chicago Irfan Ahmad, Monash University (Australia) ‘Abd al- Raziq, ‘Ali Aligarh; Jama‘at- i Islami; Mawdudi, Abul al- A‘la; Sayyid Ahmad Mangol Bayat, Independent scholar Khan al- Afghani, Jamal al-Din Sadaf Ahmad, Lahore University of Management Sciences (Pakistan) Amira K. Bennison, University of Cambridge veil Algeria; Berbers; Morocco; North Africa Farish Ahmad- Noor, Nanyang Technological University (Singapore) Lindsay J. Benstead, University of Michigan andErasmusUniversiasMuhamadiyahSurakarta,Yogjarta(Indonesia) parliament Pan-Malaysian Islamic Party (PAS) Herbert Berg, University of North Carolina,Wilmington Rafiuddin hmed,A Elmira College Muhammad, Elijah; Nation of Islam Bangladesh Jonathan P. Berkey, Davidson College Shahrough Akhavi, University of South Carolina madrasa communism; guardianship of the jurist; socialism Michal Biran, Hebrew University of Jerusalem Mehmetcan Akpinar, University of Chicago Transoxiana Mawardi Khalid Yahya Blankinship, Temple University Omar Alí-de Unzaga, Institute of Ismaili Studies (London) Malik b. Anas; obedience; al-Shaybani, Muhammad b. al-Hasan Brethren of Purity Antoine Borrut, University of Maryland Adel Allouche,YaleUniversity ‘Umar b. -
King of the Birds
KING OF THE BIRDS Print of a peacock. Catherine Hettler. SPRING 2020 50 KRISTEN HICKEY KING OF THE BIRDS: MAKING SYMBOL, SUBJECT, AND SCIENCE IN THE SKIES OF HINDUSTAN When the Mughals founded an empire in Hindustan, they sought to legitimize their budding dynasty through diverse sources of power. In the texts and art produced by emperors and their courts during the sixteenth and seventeenth centuries, these performances of power constantly featured birds. Birds, enfleshed and imagined, were used as motifs that positioned the Mughals as the cultural descendants of a long Islamic tradition of storytelling and spirituality. Wild and captive birds became an extension of the imperial court as emperors strove to model the legendary rule of King Solomon, who was renowned for his just power over all creatures. During this age of scientist-kings, avians also became catalysts for experimentation and the production of knowledge. This intricate relationship between birds and power reveals a Mughal conception of empire, defined by fluid boundaries between the human and animal kingdoms. Kristen Hickey Written for Ruling Hindustan (HIST 494) Dr. Lisa Balabanlilar In the Hindustani empire of the Mughals, birds were companions, partners in the hunt, playthings, and sources of great entertainment. They were fascinating airborne creatures, worthy of great scientific attention. The subject of unimaginable hours of artistic labor, they appeared in countless folios, with their feathers adorning the jeweled turbans of only the most powerful emperors.1 The presence of birds illuminated and defined the seat of the Mughal emperor as a ruler in an ancient tradition of powerful kingships. -
Postmodernism in Iran and Its Consequences
Available online at www.behaviorsciences.com Reef Resources Assessment and Management Technical Paper ISSN: 1607-7393 RRAMT 2014- Vol. 43, 2014, 4 Postmodernism in Iran and its Consequences Mahdi Rahimi*, Reza Delavari M.A. Graduated from Islamic Azad University, Qom Branch, Humanities Faculty, Politics Department; Member of Youth Researchers Society PhD on Politics, Visiting Professor at Islamic Azad University, Qom Branch Abstract Postmodernism is often known as a school of thought and a form of ideology which considers a philosophical criticism on meta-narratives. Our interpretation of this concept is thus similar to that of Fredric Jameson who refers to postmodernism as a "theoretical discourse". The main purpose of the present article is to identify the typology of the advocates of postmodernism presence in Iran and its consequences. In this regard, the compatible viewpoints and its related characteristics are first investigated, afterwards; the consequences resulting from this process, such as traditionalism and anti-traditionalism, dominance of relativism logic, preservation and negation of the status quo, growth of nihilism and tendency towards Inquiry and contemplation will be described. Through studying the degree and quality of this presence and investigating the ideological foundation of its proponents in Iran, this article is going to find the intellectual-political consequences organized by these advocate trends which have benefited from this school, played an effective role in its supporting and highlighting, and identified themselves in this new status. Accordingly, the following conclusions are resulted: A. The presence of postmodernism in Iran is incomplete and somehow pseudo-postmodernism due to the selective use of methodological tools by its proponents in achieving their goals. -
In Memoriamdariush Shayegan (1935‒2018), Scholar of Comparative Philosophy and Cultural Critic
Iranian Studies ISSN: 0021-0862 (Print) 1475-4819 (Online) Journal homepage: http://www.tandfonline.com/loi/cist20 In MemoriamDariush Shayegan (1935‒2018), Scholar of Comparative Philosophy and Cultural Critic Ramin Jahanbegloo To cite this article: Ramin Jahanbegloo (2018): InMemoriamDariush Shayegan (1935‒2018), Scholar of Comparative Philosophy and Cultural Critic, Iranian Studies, DOI: 10.1080/00210862.2018.1477408 To link to this article: https://doi.org/10.1080/00210862.2018.1477408 Published online: 19 Jul 2018. Submit your article to this journal View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=cist20 Iranian Studies, 2018 https://doi.org/10.1080/00210862.2018.1477408 In Memoriam Dariush Shayegan (1935‒2018), Scholar of Comparative Philosophy and Cultural Critic Dariush Shayegan, the eminent Iranian philosopher, passed away on 22 March 2018, at the age of 83, after spending nearly two months at a Tehran hospital following a cerebral stroke. Born in Tabriz on 2 February 1935 to a Georgian mother and an Iranian Azeri merchant father, Dariush Shayegan grew up in a multi-lingual environ- ment. From his early childhood, Shayegan was fluent in Azeri, Persian, and French. He attended the French Saint Louis School in Tehran, which was managed by the Lazarist friars. After several years in an English boarding school, he studied comparative phil- osophy, Sanskrit, and literature in Geneva. After his return to Tehran in the early 1960s, Shayegan was introduced to Shiʿi studies. Through his close association with Seyyed Hossein Nasr, professor of Islamic philosophy, he met the prominent Shiʿi scholar Mohammad Hossein Tabātabāʾi (1903‒81) and Henry Corbin (1903‒78), the French philosopher and noted scholar of Iranian mystic tradition and Ismāʿili thought. -
UCLA UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Constitutionalism and the Republic: Understanding Iranian Constitutional Development from 1906 to 1989 Permalink https://escholarship.org/uc/item/2q15q2j4 Author Radd, Benjamin Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Constitutionalism and the Republic Understanding Iranian Constitutional Development from 1906 to 1989 A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Political Science by Benjamin Radd 2015 © Copyright by Benjamin Radd 2015 ABSTRACT OF THE DISSERTATION Constitutionalism and the Republic Understanding Iranian Constitutional Development from 1906 to 1989 by Benjamin Radd Doctor of Philosophy in Political Science University of California, Los Angeles, 2015 Professor Leonard Binder, Co-Chair Professor Steven Spiegel, Co-Chair Iranian constitutionalism has been in existence since the early twentieth century, and has taken many forms. Despite these decades of experience, Iranian constitutional development has yet to reach maturity, as reflected by the domestic turmoil of its various form of governance. Nevertheless, the Iranian constitutional experiment serves as a valuable case study of constitutional development, especially with respect to Islamic societies. This dissertation derives three principles from Iran's constitutional history and development that provide a foundation for understanding greater constitutional development in the region: (1) constitutionalism is a process-driven, rather than event-driven, phenomenon; (2) constitutional development performs best in conjunction with a republican form of government; and (3) judicial agency, in the form of an empowered judicial branch, is critical to any lasting constitutional process. -
Dara-Shikoh Shooting Nilgais : Hunt and Landscape in Mughal Painting
FREER GALLERY OF ART ARTHUR M. SACKLER GALLERY Occasional apers Dara-Shikoh Shooting Nilgais Hunt and Landscape in Mughal Painting Ebba Koch SMITHSONIAN INSTITUTION WASHINGTON, D.C. Dara-Shikoh Shooting Nilgais: Hunt and Landscape in Mughal Painting 1 Dara-Shikoh Shootir Hunt and Landscape in Mughal F Ebba Koch Occasional Papers 1998/voL FREER GALLERY OF ART ARTHUR M. SACKLER GALLERY SMITHSONIAN INSTITUTION —— — HO 10(0 ©1998 Smithsonian Institution Funding for this publication was provided All rights reserved by the Freer and Sackler Galleries' Publications Endowment Fund, initially Aimed at the specialist audience, the established with a grant from the Andrew Occasional Papers series represents W, Mellon Foundation and generous important new contributions and inter- contributions from private donors. pretations by international scholars that advance art historical and conservation The paper used in this publication meets research. Published by the Freer Gallery the minimum requirements for the of Art and the Arthur M. Sackler Gallery, American National Standard for Smithsonian Institution, the series is a Permanence of Paper for Printed Library revival ot the original Freer Gallery of Materials, Z39. 48-1984. Art Occasional Papers. Contributions, including monographic studies, transla- Note: Dimensions given throughout are tions, and scientific studies oi works of in centimeters; height precedes width. art, span the broad range of Asian art. Each publication draws its primary Photo credits: emphasis from works ot art in the Freer Frontispiece -
Postrevolutionary Iran a POLITICAL HANDBOOK
ASSOCIATION FOR IRANIAN STUDIES انجمن ایران پژوهی http://associationforiranianstudies.org AIS Newsletter | Volume 39, Number 1 | Spring 2018 PRESIDENT’S NOTE Dear Colleagues, I am writing to you about the Association for Iranian Studies Conference which is to be held at the Dr. Samuel M. Jordan Center for Persian Studies at the University of California, Irvine. Thanks to the hard work of Dr. Mateo Farzaneh and Dr. Camron Amin, we have our final program ready to be printed. We will have a number of special panels dealing with the impact of the travel ban, Abbas Amanat’s monumental book on the history of Modern Iran, and the importance of the late Iranian intellectual Dariush Shayegan. We are all set for the conference which will have many attendees, as well as lots of Persian food! One of our main concerns is the visa situation for our colleagues in Iran. As the President of AIS, I have written letters for all those who are planning to attend and are attempting to receive a U.S. visa. Unfortunately, some of our colleagues from Iran have been denied visas to attend the conference. I hope that in the coming months there will be a change in the policies of some of the U.S. embassies in the Persian Gulf countries and the rest of the Middle East. Touraj Daryaee, President of AIS LIKE OUR AIS FACEBOOK PAGE! HTTPS://WWW.FACEBOOK.COM/ASSOCIATIONFORIRANIANSTUDIES/ Please note that the Association’s web address has changed to http://associationforiranianstudies.org/ Please update your bookmarks. Association for Iranian Studies Founded in 1967 AIS 2018 OFFICERS AIS Newsletter | Volume 39, Number 1 | Spring 2018 EXECUTIVE COMMITTEE 2018 MEMBER NEWS AIS CONFERENCE NEWS TOURAJ DARYAEE Abbas Amanat’s new book Iran: A Modern History has been published Conference Chair Mateo Farzaneh and Program Chair Cameron Amin have finalized PRESIDENT UNIVERSITY OF CALIFORNIA, IRVINE by Yale University Press, 2017. -
Association for Iranian Studies Conference
12tʰ Biennial . Iranian Studies Conference 45 Program Overview Conference Registration Tuesday, August 14, 2018 | 2:00 pm – 5:30 pm | Humanities Gateway Patio AIS Council Meeting (Council Members Only) Tuesday, August 14, 2018 I 4:00 pm – 6:00 pm I Humanities Gateway 1341 American Association of Teachers of Persian (Members Annual Meeting) Tuesday, August 14, 2018 I 4:30 pm – 6:00 pm I Humanities Gateway 1010 Opening Reception and Welcome Tuesday, August 14, 2018 I 6:00 pm – 8:00 pm I Claire Trevor School of the Arts Plaza AIS Presidential Address and Award Ceremony Thursday, August 16, 2018 I 6:00 pm – 8:00 pm I Humanities Inst ruct ional Building 100 Association for Iranian Studies Member Assembly Friday, August 17, 2018 I 3:45 pm – 5:15 pm I Humanities Inst ruct ional Building 100 46 12tʰ Biennial . Iranian Studies Conference Featured Films 12tʰ12tʰ BiennialBiennial . IranianIranian Studies ConferenceCoC nference 474 Films at Humanities Gateway 1070 (McCormick Screening Room) Taq-e Kasra: Wonder of Architecture, 2018 Wednesday, August 15, 2018 | 10:45 AM - 12:15 PM | Humanities Gateway 1070 A Pejman Akbarzadeh documentary Post Screening Discussion with Pejman Akbarzadeh A Dying King, 2017 Wednesday, August 15, 2018| 3:45 PM - 5:30 PM | Humanities Gateway 1070 A Bobak Kalhor documentary Post Screening Discussion with Bobak Kalhor and Mateo Farzaneh Lalehzar, 2018 Thursday, August 16, 2018| 10:45 AM - 12:15 PM | Humanities Gateway 1070 A Mehrdad Zahedian documentary Post Screening Discussion with Mehrdad Zahedian and Jane Lewisohn Sons of Sinbad, 2017 Thursday, August 16, 2018| 3:45 PM - 5 PM | Humanities Gateway 1070 A Reza Haeri and Ali Parsa documentary Gavaznha, 1974 Friday, August 17, 2018 | 10:45 AM-1:30 PM | Humanities Gatway 1070 A Masoud Kimiai drama Post Screening Discussion with Behrouz Vossoughi and Jane Lewisohn 48 12tʰ Biennial . -
Autobiography in the Muslim World (ISLA 739)
Course name: Autobiography in the Muslim World (ISLA 739) Term: Fall 2017 Location: Morrice Hall, Room 313 Times: Tuesday, 9.35 to 11.25 AM Professor: Prashant Keshavmurthy Institute of Islamic Studies Office 311, Morrice Hall Office hour: Wednesday 3.00 –4.00 or by appointment In accord with McGill University’s Charter of Students’ Rights, students in this course have the right to submit in English or in French any written work that is to be graded. McGill University values academic integrity. Therefore all students must understand the meaning and consequences of cheating, plagiarism and other academic offences under the Code of Student Conduct and Disciplinary Procedures (see Academic Integrity for more information). L'université McGill attache une haute importance à l’honnêteté académique. Il incombe par conséquent à tous les étudiants de comprendre ce que l'on entend par tricherie, plagiat et autres infractions académiques, ainsi que les conséquences que peuvent avoir de telles actions, selon le Code de conduite de l'étudiant et des procédures disciplinaires (pour de plus amples renseignements, veuillez consulter le site Academic Integrity. Description: This course addresses the rhetoric of selfhood. That is, rather than only ideas of the self, it is the linguistic forms of such ideas that will mainly preoccupy us. This emphasis on how language informs the ways in which the self was understood in the past will keep our attention focused on the wider cultures of rhetoric – courtly speech-situations, intimate circles of Sufi adepts, royal harems, trans-national print-communities, modern political parties – in which apparently abstract ideas of selfhood circulated. -
Politics, Poetry and Pluralism: Bulleh Shah in the Late Mughal Empire
Politics, Poetry and Pluralism: Bulleh Shah in the Late Mughal Empire Ashna Hussain Thesis submitted for Master of Research Western Sydney University 2018 Dedication To my parents, for believing in me. Acknowledgements First and foremost, I would like to thank my principal supervisor, Dr. Milad Milani, for all the support and guidance he has provided me over the last two years. Sir, without your encouragement I would never have made it this far – thank you. I would also like to thank my second supervisor, Dr. Alison Moore, who gave me some wonderful feedback on my ideas and encouraged me to present my research at a seminar. To all my colleagues from the Friday discussion group, our conversations resulted in some great insights and inter-religious dialogue. Thank you for all the wonderful conversations and the poetry shared – the poetic inspiration for my thesis came from here. Finally, I am indebted to my friends and family who supported me throughout these two years. To my father, for inspiring me to pursue higher degree research, and my mother for always believing in me – thank you. A huge thank you to my sister, Kinza, for her sharp eyes and incredible proofreading skills – your ability to pick out the smallest of typos and mistakes is appreciated. A special thanks to my best friend and cousin, Azkaa, who, despite being across the seas in a different continent, put up with my rants and periodical frustration – thank you for allowing me to vent without judgement. Statement of Authentication The work presented in this thesis is, to the best of my knowledge and belief, original except as acknowledged in the text. -
Rashīd Al-Dīn and the Making of History in Mongol Iran
Rashīd al-Dīn and the making of history in Mongol Iran Stefan T. Kamola A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2013 Reading Committee: Joel Walker, Chair Charles Melville (Cambridge) Purnima Dhavan Program Authorized to Offer Degree: History ©Copyright 2013 Stefan Kamola University of Washington Abstract Rashīd al-Dīn and the making of history in Mongol Iran Stefan T. Kamola Chair of the Supervisory Committee: Associate Professor Joel Walker History The Jāmiʿ al-tawārīkh (Collected histories) of Rashīd al-Dīn Ṭabīb (d. 1318) has long been considered the single richest witness to the history of the early Mongol Empire in general and its Middle Eastern branch, the Ilkhanate, in particular. This has created a persistent dependence on the work as a source of historical data, with a corresponding lack of appreciation for the place it holds within Perso-Islamic intellectual history. This understanding of Rashīd al-Dīn and the Jāmiʿ al-tawārīkh, however, does not match certain historiographical and ideological strategies evident in the work itself and in other works by Rashīd al-Dīn and his contemporaries. This dissertation reads beyond the monolithic and uncritical use of the Jāmiʿ al-tawārīkh that dominates modern scholarship on Mongol and Ilkhanid history. Instead, it fits Rashīd al-Dīn and his work into the difficult process of transforming the Mongol Ilkhans from a dynasty of foreign military occupation into one of legitimate sovereigns for the Perso-Islamic world. This is the first study to examine a full range of Persianate cultural responses to the experience of Mongol conquest and rule through the life and work of the most prominent statesman of the period.