Helmut Weiss Ç”Μå½± Ä¸²È¡Œ (Å¤§Å…¨)

Total Page：16

File Type：pdf, Size：1020Kb

Helmut Weiss ç”µå½± ä¸²è¡Œ (å¤§å…¨) Every Day Isn't Sunday https://zh.listvote.com/lists/film/movies/every-day-isn%27t-sunday-105637551/actors Silence in the Forest https://zh.listvote.com/lists/film/movies/silence-in-the-forest-1170336/actors Drei Mann in einem Boot https://zh.listvote.com/lists/film/movies/drei-mann-in-einem-boot-1257079/actors Die Feuerzangenbowle https://zh.listvote.com/lists/film/movies/die-feuerzangenbowle-13359969/actors The Disturbed Wedding Night https://zh.listvote.com/lists/film/movies/the-disturbed-wedding-night-1557112/actors Tell the Truth https://zh.listvote.com/lists/film/movies/tell-the-truth-15867716/actors Tromba https://zh.listvote.com/lists/film/movies/tromba-16911954/actors Einmal am Rhein https://zh.listvote.com/lists/film/movies/einmal-am-rhein-17321392/actors King of Hearts https://zh.listvote.com/lists/film/movies/king-of-hearts-21035664/actors Youth Comes Only Twice https://zh.listvote.com/lists/film/movies/youth-comes-only-twice-21035809/actors Quax in Africa https://zh.listvote.com/lists/film/movies/quax-in-africa-2122489/actors Love and Trumpets https://zh.listvote.com/lists/film/movies/love-and-trumpets-21646661/actors Hubertus Castle https://zh.listvote.com/lists/film/movies/hubertus-castle-2244814/actors Verlobung am Wolfgangsee https://zh.listvote.com/lists/film/movies/verlobung-am-wolfgangsee-2516919/actors Das Geheimnis der roten https://zh.listvote.com/lists/film/movies/das-geheimnis-der-roten-katze-2673600/actors Katze Don't Dream, Annette https://zh.listvote.com/lists/film/movies/don%27t-dream%2C-annette-27590204/actors My Friend the Thief https://zh.listvote.com/lists/film/movies/my-friend-the-thief-27590608/actors Lemke's Widow https://zh.listvote.com/lists/film/movies/lemke%27s-widow-30668005/actors The First Day of Spring https://zh.listvote.com/lists/film/movies/the-first-day-of-spring-33133481/actors.

Copy Link

Recommended publications

Germans Suffering in Spain: Cold War Visions of the Spanish Civil War In
Document generated on 09/24/2021 3:42 p.m. Cinémas Revue d'études cinématographiques Journal of Film Studies Germans Suffering in Spain: Cold War Visions of the Spanish Civil War in Fünf Patronenhülsen (1960) and Solange du lebst (1955) La souffrance des Allemands en Espagne : points de vue de la guerre froide sur la guerre civile espagnole dans Fünf Patronenhülsen (1960) et Solange du lebst (1955) Stefan Soldovieri Mémoires de l’Allemagne divisée. Autour de la DEFA Article abstract Volume 18, Number 1, automne 2007 Since 1989 connections between the once geopolitically divided German movie industries have received increasing attention. This article considers how two URI: https://id.erudit.org/iderudit/017846ar films of the early post-war period—one produced in East Germany and one DOI: https://doi.org/10.7202/017846ar from the West—mobilized in different ways figurations of German suffering and sacrifice. The author argues that despite their diverging politics, the two See table of contents films participate in a trans-German discourse of suffering that persisted in historically variable ways throughout the Cold War period. Publisher(s) Cinémas ISSN 1181-6945 (print) 1705-6500 (digital) Explore this journal Cite this article Soldovieri, S. (2007). Germans Suffering in Spain: Cold War Visions of the Spanish Civil War in Fünf Patronenhülsen (1960) and Solange du lebst (1955). Cinémas, 18(1), 53–69. https://doi.org/10.7202/017846ar Tous droits réservés © Cinémas, 2008 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online.
[Show full text]
German Videos - (Last Update December 5, 2019) Use the Find Function to Search This List
German Videos - (last update December 5, 2019) Use the Find function to search this list Aguirre, The Wrath of God Director: Werner Herzog with Klaus Kinski. 1972, 94 minutes, German with English subtitles. A band of Spanish conquistadors travels into the Amazon jungle searching for the legendary city of El Dorado, but their leader’s obsessions soon turn to madness.LLC Library CALL NO. GR 009 Aimée and Jaguar DVD CALL NO. GR 132 Ali: Fear Eats the Soul Director: Rainer Werner Fassbinder. with Brigitte Mira, El Edi Ben Salem. 1974, 94 minutes, German with English subtitles. A widowed German cleaning lady in her 60s, over the objections of her friends and family, marries an Arab mechanic half her age in this engrossing drama. LLC Library CALL NO. GR 077 All Quiet on the Western Front DVD CALL NO. GR 134 A/B Alles Gute (chapters 1 – 4) CALL NO. GR 034-1 Alles Gute (chapters 13 – 16) CALL NO. GR 034-4 Alles Gute (chapters 17 – 20) CALL NO. GR 034-5 Alles Gute (chapters 21 – 24) CALL NO. GR 034-6 Alles Gute (chapters 25 – 26) CALL NO. GR 034-7 Alles Gute (chapters 9 – 12) CALL NO. GR 034-3 Alpen – see Berlin see Berlin Deutsche Welle – Schauplatz Deutschland, 10-08-91. [ Opening missing ], German with English subtitles. LLC Library Alpine Austria – The Power of Tradition LLC Library CALL NO. GR 044 Amerikaner, Ein – see Was heißt heir Deutsch? LLC Library Annette von Droste-Hülshoff CALL NO. GR 120 Art of the Middle Ages 1992 Studio Quart, about 30 minutes.
[Show full text]
German Videos Use the Find Function to Search This List
German Videos Use the Find function to search this list Aguirre, The Wrath of God Director: Werner Herzog with Klaus Kinski. 1972, 94 minutes, German with English subtitles. A band of Spanish conquistadors travels into the Amazon jungle searching for the legendary city of El Dorado, but their leader’s obsessions soon turn to madness.LLC Library CALL NO. GR 009 Aimée and Jaguar DVD CALL NO. GR 132 Ali: Fear Eats the Soul Director: Rainer Werner Fassbinder. with Brigitte Mira, El Edi Ben Salem. 1974, 94 minutes, German with English subtitles. A widowed German cleaning lady in her 60s, over the objections of her friends and family, marries an Arab mechanic half her age in this engrossing drama. LLC Library CALL NO. GR 077 All Quiet on the Western Front DVD CALL NO. GR 134 A/B Alles Gute (chapters 1 – 4) CALL NO. GR 034-1 Alles Gute (chapters 13 – 16) CALL NO. GR 034-4 Alles Gute (chapters 17 – 20) CALL NO. GR 034-5 Alles Gute (chapters 21 – 24) CALL NO. GR 034-6 Alles Gute (chapters 25 – 26) CALL NO. GR 034-7 Alles Gute (chapters 9 – 12) CALL NO. GR 034-3 Alpen – see Berlin see Berlin Deutsche Welle – Schauplatz Deutschland, 10-08-91. [ Opening missing ], German with English subtitles. LLC Library Alpine Austria – The Power of Tradition LLC Library CALL NO. GR 044 Amerikaner, Ein – see Was heißt heir Deutsch? LLC Library Annette von Droste-Hülshoff CALL NO. GR 120 Art of the Middle Ages 1992 Studio Quart, about 30 minutes. Masterpieces of the Hermitage – Museum of St.
[Show full text]
Zimmermann-Quantificational Structures In
On the Functional Architecture of DP and the Feature Content of Pronominal Quantifiers in Low German 1. Introduction The article discusses the syntax and semantics of quantificational and interrogative DPs in Low German, the language variety traditionally spoken in the Northern parts of Germany. * Drawing mostly on original fieldwork, and contributing to the growing body of literature on the complex structure of DPs in Germanic, we focus on the functional architecture of nominal expressions and on the formal feature content of functional elements in Low German. Particular attention is paid to the following phenomena: (i.) the structural realization of complex pronominal quantifiers such as jeder-een ‘everyone’, keen-een ‘no-one’ and mannich-een ‘some, many a’; (ii.) the syntactic and semantic behavior of the simplex indefinite expressions een ‘someone’ and wat ‘something’; (iii.) the syntactic distribution and feature specification of the expression wat , which – unlike een – can occur as a relative pronoun, as an interrogative pronoun in wh -questions, and as a complementizer in embedded yes/no -questions, in addition to its use as a plain indefinite. A central insight of the discussion is that complex pronominal quantifiers in Low German provide overt evidence for a complex DP-structure and for the existence of an intermediate functional projection between NP and DP, namely NumP, which has been argued for on independent grounds by Heycock & Zamparelli (2005), among many others. In addition, the indefinite element wat ‘some’ is argued to be underspecified in its feature content, as previously argued for its High German counterpart was in Jäger (2000) and Bayer (2002).
[Show full text]
Historical Dictionary of German Cinema
07_677 (01) FM.qxd 1/15/08 6:20 PM Page i HISTORICAL DICTIONARIES OF LITERATURE AND THE ARTS Jon Woronoff, Series Editor 1. Science Fiction Literature, by Brian Stableford, 2004. 2. Hong Kong Cinema, by Lisa Odham Stokes, 2007. 3. American Radio Soap Operas, by Jim Cox, 2005. 4. Japanese Traditional Theatre, by Samuel L. Leiter, 2006. 5. Fantasy Literature, by Brian Stableford, 2005. 6. Australian and New Zealand Cinema, by Albert Moran and Er- rol Vieth, 2006. 7. African-American Television, by Kathleen Fearn-Banks, 2006. 8. Lesbian Literature, by Meredith Miller, 2006. 9. Scandinavian Literature and Theater, by Jan Sjåvik, 2006. 10. British Radio, by Seán Street, 2006. 11. German Theater, by William Grange, 2006. 12. African American Cinema, by S. Torriano Berry and Venise Berry, 2006. 13. Sacred Music, by Joseph P. Swain, 2006. 14. Russian Theater, by Laurence Senelick, 2007. 15. French Cinema, by Dayna Oscherwitz and MaryEllen Higgins, 2007. 16. Postmodernist Literature and Theater, by Fran Mason, 2007. 17. Irish Cinema, by Roderick Flynn and Pat Brereton, 2007. 18. Australian Radio and Television, by Albert Moran and Chris Keating, 2007. 19. Polish Cinema, by Marek Haltof, 2007. 20. Old-Time Radio, by Robert C. Reinehr and Jon D. Swartz, 2008. 21. Renaissance Art, by Lilian H. Zirpolo, 2008. 22. Broadway Musical, by William A. Everett and Paul R. Laird, 2008. 23. American Theater: Modernism, by James Fisher and Felicia Hardison Londré, 2008. 24. German Cinema, by Robert C. Reimer and Carol J. Reimer, 2008. 07_677 (01) FM.qxd 1/15/08 6:20 PM Page ii 07_677 (01) FM.qxd 1/15/08 6:20 PM Page iii Historical Dictionary of German Cinema Robert C.
[Show full text]
Verleihkopien
Mitglied der Fédération D FF – Deutsches Filminstitut & Tel.: +49 (0)611 / 97 000 10 www.dff.film Wiesbadener Volksbank Internationale des Archives Filmmuseum e.V. Fax: +49 (0)611 / 97 000 15 E-Mail: wessolow [email protected] IBAN: D E45510900000000891703 du Film (FIAF) Filmarchiv BIC: WIBADE5W XXX Friedrich-Bergius-Stra ß e 5 65203 Wiesbaden 8 / 2019 Verleihkopien Eine Auswahl aus unserem Archiv-Bestand Wir bieten16mm und 35mm Filmkopien, sowie DVDs und DCPs für den nichtkommerziellen Verleih an. Die angegebenen Preise verstehen sich pro Vorführung (zzgl. 7% MwSt. und Transportkosten). * Preis ohne Vorführrechte; Details erfragen Sie bitte im Filmarchiv Darüber hinaus stehen Ihnen noch weitere Filme zur Verfügung. Auskunft über den technischen Zustand der Kopien erhalten Sie im Filmarchiv. Erläuterung viragiert = ganze Szenen des Films sind monochrom eingefärbt koloriert = einzelne Teile des Bildes sind farblich bearbeitet ohne Angabe = schwarz/weiß restauriert = die Kopie ist technisch bearbeitet rekonstruiert = der Film ist inhaltlich der ursprünglichen Fassung weitgehend angeglichen Kurz-Spielfilm = kürzer als 60 Minuten russ./ eUT = russisch mit englischen Untertiteln dtUT = mit deutschen Untertiteln dt.vorh./engl.vorh. = deutsche oder englische Zwischentitel-Liste vorhanden Einige der Stummfilme sind auch mit Musik vorhanden Zwischen- Stummfilm Titel / Land / Jahr Regie / Darsteller Titel / Format Preis € Tonfilm Sprache Abend der Gaukler Regie: Ingmar Bergman GYKLARNAS AFTON Tonfilm Darsteller: Harriet Andersson Hasse Ekman deutsch
[Show full text]
Cinema As a Political Media. Germany and Italy Compared, 1945-1950S
Lutz Klinkhammer Clemens Zimmermann (Eds.) Cinema as a Political Media. Germany and Italy Compared, 1945–1950s HEIDELBERG UNIVERSITY PUBLISHING Cinema as a Political Media Online-Schriften des DHI Rom. Neue Reihe | Pubblicazioni online del DHI Roma. Nuova serie Bd. | vol. 5 Lutz Klinkhammer, Clemens Zimmermann (Eds.) Cinema as a Political Media Germany and Italy Compared, 1945–1950s HEIDELBERG UNIVERSITY PUBLISHING Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche National bibliografie; detailed bibliographic data are available in the Internet at http://dnb.dnb.de. This work is proteced by copyright and/or related rights, but accessible free of charge. Use, in particular reproduction, is only permitted within the legal limits of copyright law or with the consent of the copyright holder. Published by Heidelberg University Publishing (heiUP) Heidelberg 2021. The electronic open access version of this work is permanently available on Heidelberg University Publishing’s website: https://heiup.uni-heidelberg.de URN: urn:nbn:de:bsz:16-heiup-book-651-9 DOI: https://doi.org/10.17885/heiup.651 Text © 2021 by the authors. Typesetting: werksatz · Büro für Typografie und Buchgestaltung, Berlin ISSN (Print) 2700-144X ISSN (Online) 2700-1458 ISBN 978-3-96822-017-8 (Hardcover) ISBN 978-3-96822-016-1 (Softcover) ISBN 978-3-96822-015-4 (PDF) Contents Clemens Zimmermann Introduction: Cinema as a Political Medium – Germany and Italy Compared from 1945 to the 1950s. The Aims of this Volume 1 Claudia Dillmann Film Policies and Cinema Audiences in Germany 19 Ina Merkel Narrative Patterns in Anti-Fascist American, Soviet and European Films (1940–1950) 35 Daniel Jonah Wolpert Bodies of Evidence, Burdens of Proof.
[Show full text]
AUTHENTICITY and the CRITIQUE of the TOURISM INDUSTRY in POSTWAR AUSTRIAN LITERATURE DISSERTATION Presented in Partial Fulfillme
AUTHENTICITY AND THE CRITIQUE OF THE TOURISM INDUSTRY IN POSTWAR AUSTRIAN LITERATURE DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Nikhil A. Sathe, M.A. * * * * * The Ohio State University 2003 Dissertation Committee: Approved by Professor John Davidson Professor Nina Berman _________________________________ Adviser Professor Linda Rugg Germanic Languages and Literatures Copyright by Nikhil Anand Sathe 2003 ABSTRACT Since 1945 the tourism industry has wielded an undeniable influence on Austrian society in social, cultural, political, and especially economic terms. This pervasive presence is evident in postwar literature as well, where numerous authors, especially since the 1970s, have addressed tourism and its myriad consequences for Austrian society. This dissertation examines three postwar Austrian texts that reflect on the impacts of the tourism industry and its imbrication in issues of national identity. This project argues that the concept of authenticity is a unifying element to these works and that it allows the artists to censure the industry and its diverse impacts, to address questions of national identity, and to pursue individual aesthetic or thematic concerns. Functioning as an index of tourism’s negative effects, the concept of authenticity enables the authors to portray the industry as transforming people and place into someone or something other than what they once were. While theorists of tourism have recognized shortcomings of this concept, such as viewing tourism as the sole catalyst of change or assuming a culture’s previous stability and wholeness, this project contends that authenticity, which must be understood as a construction serving rhetorical or ideological aims, remains integral for an understanding of the literary portrayal of tourism.
[Show full text]
Jürgen Dinkel Dekolonisation Und Film – Ein Literaturbericht
THEMA ■ Jürgen Dinkel Dekolonisation und Film – Ein Literaturbericht Die öffentlichen Reaktionen auf den Film Africa Addio (1966) der italienischen Regisseure Gualti- ero Jacopetti und Franco Prosperi fielen höchst unterschiedlich aus. In Italien erhielt der Film mit dem David di Donatello einen der bedeutendsten italienischen Filmpreise, und in Westdeutsch- land verlieh die Filmbewertungsstelle (FBW) der Länder in Wiesbaden Africa Addio das Prädikat »wertvoll«. Zugleich verurteilten in Italien, der Bundesrepublik, Großbritannien und den USA liberale und linke Zeitungen, Abgeordnete sowie Minister, die Studentenbewegung und nicht zuletzt afrikanische Studierende dessen öffentliche Aufführung auf das Schärfste und protestierten 7 dagegen.1 Ausgangspunkt des Skandals um Africa Addio waren Jacopettis und Prosperis Beschreibungen und Bewertungen der zeitgenössischen Unabhängigkeitsprozesse im südlichen und östlichen Af- rika. Während die einen den Ausführungen der Produzenten folgten, dass der Film den Verlauf der Dekolonisierung Afrikas dokumentarisch festhalte, kritisierten andere die rassistische und erniedrigende Darstellung der Afrikaner, die gezeigten Gewaltszenen sowie die unverhohlen revi- sionistische Aussage des Films, dass mit dem Rückzug der Europäer die Selbstzerstörung Afrikas begonnen habe.2 Der Skandal um Africa Addio steht damit beispielhaft für eine ganze Reihe überwiegend in den 1960er Jahren ausgelöster Kontroversen, in denen etablierte Narrationen der europäischen Kolonialherrschaft und eurozentristische Bilder außereuropäischer
[Show full text]
1995 – 2020 25 Years
1995 – 2020 25 Years Seminar 1995 EXPLORING NEW HORIZONS Intercultural and interreligious Care and Counselling over more than 25 Years ISSN: 143-8962 Nr. 33 Interkulturelle Seelsorge EXPLORING NEW HORIZONS und Beratung Intercultural and interreligious Care and Intercultural Counselling over more than 25 Years Pastoral Care Short Introduction and Counselling BEGINNINGS Harald Bredt, Board of the Rhenish Association for Pastoral Schriftenreihe der Care, Pastoral Psychology and Supervision, Düsseldorf Gesellschaft für Ursula Riedel Pfäfflin, Dresden, Germany Interkulturelle Seelsorge und Helmut Weiß / Klaus Temme, SIPCC Beratung Ronaldo Sathler-Rosa, Sao Paulo, Brazil Solomon Victus, Madurai, India Magazine of the Society for Intercultural DEVELOPMENTS Pastoral Care and Counselling, SIPCC Kathleen Greider, Claremont, California, USA Mary Rute Gomes Esperandio , Curitiba, Brazil Nr. 33: Brenda Consuelo Ruiz, Managua, Nicaragua EXPLORING NEW HORIZONS Itumeleng Julius Pudule , South-Africa Intercultural and interreligious Daniel S. Schipani, Elkhart, Indiana, USA Care and Counselling in more Amnon Daniel Smith, London, UK than 25 Years Cemal Tosun, Ankara, Turkey Anniversary edition LEARNING COMMUNITIES AND COOPERATIONS Düsseldorf October 2020 Ronaldo Sathler-Rosa, Sao Paulo, Brazil Editor and Layout: Jean-Charles Kaiser – Martin Wehrung, AFfsp, France Helmut Weiß János Tódt, Gyökössy Institute, Budapest, Hungary Mercy Anna Saragih, GKPS, Indonesia SIPCC Rhoda Chamshama, SIPCC Branch Tanzania Friederike-Fliedner-Weg 72 Su Myat Thet and Team, YMCA Counselling Centre Yangon, D - 40489 Düsseldorf Myanmar Tel.: + 49 (0)211-4790525 John Joseph Masih, All Nation Churches, Karachi, Pakistan Fax: + 49 (0)211-4790526 Helmut Weiss, ICPCC and SIPCC Heike Komma, ECPCC, Bayreuth, Germany www.sipcc.org E-Mail: GOING INTO THE FUTURE [email protected] Daniel J.
[Show full text]