1995 – 2020 25 Years

Total Page:16

File Type:pdf, Size:1020Kb

1995 – 2020 25 Years 1995 – 2020 25 Years Seminar 1995 EXPLORING NEW HORIZONS Intercultural and interreligious Care and Counselling over more than 25 Years ISSN: 143-8962 Nr. 33 Interkulturelle Seelsorge EXPLORING NEW HORIZONS und Beratung Intercultural and interreligious Care and Intercultural Counselling over more than 25 Years Pastoral Care Short Introduction and Counselling BEGINNINGS Harald Bredt, Board of the Rhenish Association for Pastoral Schriftenreihe der Care, Pastoral Psychology and Supervision, Düsseldorf Gesellschaft für Ursula Riedel Pfäfflin, Dresden, Germany Interkulturelle Seelsorge und Helmut Weiß / Klaus Temme, SIPCC Beratung Ronaldo Sathler-Rosa, Sao Paulo, Brazil Solomon Victus, Madurai, India Magazine of the Society for Intercultural DEVELOPMENTS Pastoral Care and Counselling, SIPCC Kathleen Greider, Claremont, California, USA Mary Rute Gomes Esperandio , Curitiba, Brazil Nr. 33: Brenda Consuelo Ruiz, Managua, Nicaragua EXPLORING NEW HORIZONS Itumeleng Julius Pudule , South-Africa Intercultural and interreligious Daniel S. Schipani, Elkhart, Indiana, USA Care and Counselling in more Amnon Daniel Smith, London, UK than 25 Years Cemal Tosun, Ankara, Turkey Anniversary edition LEARNING COMMUNITIES AND COOPERATIONS Düsseldorf October 2020 Ronaldo Sathler-Rosa, Sao Paulo, Brazil Editor and Layout: Jean-Charles Kaiser – Martin Wehrung, AFfsp, France Helmut Weiß János Tódt, Gyökössy Institute, Budapest, Hungary Mercy Anna Saragih, GKPS, Indonesia SIPCC Rhoda Chamshama, SIPCC Branch Tanzania Friederike-Fliedner-Weg 72 Su Myat Thet and Team, YMCA Counselling Centre Yangon, D - 40489 Düsseldorf Myanmar Tel.: + 49 (0)211-4790525 John Joseph Masih, All Nation Churches, Karachi, Pakistan Fax: + 49 (0)211-4790526 Helmut Weiss, ICPCC and SIPCC Heike Komma, ECPCC, Bayreuth, Germany www.sipcc.org E-Mail: GOING INTO THE FUTURE [email protected] Daniel J. Louw, South-Africa ISSN: 1431- 8962 2 A short introduction When the "Society for Intercultural Pastoral Care and Counselling - SIPCC" was founded on 17 October 1995, nobody could have guessed how this association would develop. The vision, however, was to create opportunities for encounters and training and further education in pastoral care and counselling. People from all countries, cultures, religions worldviews were to be invited to work together how they themselves and their fellow human beings could keep hope in life-threatening and violent times and how they could help each other in times of need. Now, after 25 years, it is clear that SIPCC with its members and its activities has gone far beyond what was then a timid vision. For "intercultural pastoral care" was a complete novelty in the German-speaking world and it was often unclear what could be meant by it. However, when the first theoretical approaches were described in the International Seminars and then also in the "Handbook of Intercultural Pastoral Care", published in German by SIPCC in 2002, it became clear that pastoral care is usually intercultural, i.e. that in every pastoral contact, different "sign systems" come together which require special sensitivity. And then it also became clear that cultural and religious attitudes are so closely connected with each other that one cannot separate them - certainly not in care and counselling - even if they are always to be distinguished. In SIPCC we are indeed in the process of discovering "new horizons" again and again. If one reads the following contributions of very different kinds, which have also been deliberately left in their diversity, something stands out: SIPCC has the quality of forming community, and this on several levels. The people who come to our events from many different parts of the world feel that they are being received as human beings; SIPCC sees itself as a learning community for care, counselling and working for human well-being; in all religious and ideological diversity, there are connections among us as a spiritual community. SIPCC has been involved in pastoral education in several countries, some of which have been running for many years. SIPCC has created its own forms of work: time and again the differences between the Seminars and conferences are mentioned. But read for yourself, take part in the diversity and enjoy the colourfulness. The contributions are divided into the following different chapters: Beginnings / Developments / Learning communities and Cooperation. They are followed by an article by Daniel J. Louw with the title: “Towards a Spirituality of Acknowledgement (Anagnorisis) and Orthopathy in Pastoral Encounters and Intercultural Dialogues" which is giving us some directions how to find “Ways into the future" for SIPCC. Helmut Weiß Beginnings RASPuS and SIPCC - common beginnings Harald Bredt1 A Jubilee in times of Corona will not allow for person-to-person encounters at a large celebration. At the same time, encounter is one of the concepts that is of the utmost importance for our two associations - the "Rheinische Arbeitsgemeinschaft für Seelsorge, Pastoral Psychologie und Supervision - RASPuS" (Association for Pastoral Care, Pastoral Psychology and Supervision in the Rhineland) and SIPCC - and so it is a real pity that we cannot come together for this anniversary meeting. Our two associations, which were both founded in Düsseldorf in 1995, have a common forerunner, RAKSA, the Rhenish Association for Clinical Pastoral Care Training, which had already existed for 25 years until our associations went their separate ways. After the demand arose in the USA in the first quarter of the last century that pastors should be trained in pastoral care, this idea was taken up in Germany after the Second World War, from the USA and via the Netherlands. And then it took a while until people came together in the Rhineland who made the importance of pastoral training their concern and demanded that their church provide training and further education in pastoral care. Among the church officials, there was first of all more reservation and scepticism than insight and breakup. That is why an association was needed, which worked constantly to ensure that pastoral education received its important place in the training of pastors in education and pastors in congregations. This was the birth of an association for Clinical Pastoral Education in the Rhineland (RAKSA). From then on, the motto was: drill thick planks. In retrospect, much of what is taken for granted today in pastoral care in our churches was difficult to achieve. It was a rocky road that nevertheless led to success. For many years, RAKSA and then following 1 Harald Bredt, RASPuS board-member and chairman from 2012-18, (teaching) supervisor, retired pastor 4 RASPuS took over the organization of further training for pastors in pastoral care through courses. Already with the foundation of RASPuS it was clear that there were also other pastoral trainings which were equal to the CPE and that the field of supervision should be established as an independent form of counselling, since the reflection of work in the church and its professional actors could be helpful for pastoral activities. Here again more work of conviction, support and encouragement was needed with regard to church-leading action. From today's point of view the reluctance of the church authorities is almost incomprehensible, since supervision has become a matter of course in the church now. Even though the CPE courses have not been organized by RASPuS for some years, it was necessary as an association to push again and again in this direction, to emphasize pastoral care as an important part of pastoral work and to promote training. Even if the slogan "Pastoral care is the mother tongue of the church" came from the Rhineland Regional Church, it must still be reminded again and again to this day to take pastoral care and the pastoral fields seriously, to promote and maintain training with clear and high standards and to establish places that stand for professionally qualified pastoral care in society. The fact that volunteers are also trained and working in this personnel-intensive pastoral work today is only due to the high value of professional pastoral care. The board of RASPuS 2020 Helmut Weiß, who was also the chairman of RASPuS for many years, and Klaus Temme were the ones who ensured close contact and constant information from SIPCC at RASPuS. This is the reason why the international pastoral work of the SIPCC has been supported financially for many years up to this day. Helmut Weiß was the pioneer, who often took the leading role and who, in addition to the pastoral topics, also pushed the form of organisation, so that our two associations can now look back on 25 years of existence. For this we thank him especially! The connection between RASPuS and SIPCC should be further strengthened due to the common history and the common task to promote pastoral care. In the Rhineland - i.e. on a local level - we can only learn from pastoral experiences in other areas of the world and reflect 5 on our own work again and again. We are primarily connected by the joy of and concern for good pastoral work. Pastoral care as the "mother tongue of the Church" - and perhaps even of the religions - also connects us across language barriers. In addition, there is also a purely legal connection through our statutes, which, in the event of dissolution of one association, allows the existing assets to benefit the other association. That is the way it is in families - also in our pastoral care association family! Even if we wish that neither RASPuS nor SIPCC will be dissolved in the next 25 years, the common interest in strengthening pastoral care remains of great value for the society we live in. Therefore: All the best - SIPCC! 25 years SIPCC - a success story of intercultural resonance experiences Ursula Riedel-Pfäfflin2 Complexity: how do we understand and process what we encounter? All over the world, we experience crises that manifest themselves alongside and in the midst of terrible dramas of war, movements of flight and dictatorial demonstrations of power, in illnesses which are experienced and their consequences.
Recommended publications
  • Germans Suffering in Spain: Cold War Visions of the Spanish Civil War In
    Document generated on 09/24/2021 3:42 p.m. Cinémas Revue d'études cinématographiques Journal of Film Studies Germans Suffering in Spain: Cold War Visions of the Spanish Civil War in Fünf Patronenhülsen (1960) and Solange du lebst (1955) La souffrance des Allemands en Espagne : points de vue de la guerre froide sur la guerre civile espagnole dans Fünf Patronenhülsen (1960) et Solange du lebst (1955) Stefan Soldovieri Mémoires de l’Allemagne divisée. Autour de la DEFA Article abstract Volume 18, Number 1, automne 2007 Since 1989 connections between the once geopolitically divided German movie industries have received increasing attention. This article considers how two URI: https://id.erudit.org/iderudit/017846ar films of the early post-war period—one produced in East Germany and one DOI: https://doi.org/10.7202/017846ar from the West—mobilized in different ways figurations of German suffering and sacrifice. The author argues that despite their diverging politics, the two See table of contents films participate in a trans-German discourse of suffering that persisted in historically variable ways throughout the Cold War period. Publisher(s) Cinémas ISSN 1181-6945 (print) 1705-6500 (digital) Explore this journal Cite this article Soldovieri, S. (2007). Germans Suffering in Spain: Cold War Visions of the Spanish Civil War in Fünf Patronenhülsen (1960) and Solange du lebst (1955). Cinémas, 18(1), 53–69. https://doi.org/10.7202/017846ar Tous droits réservés © Cinémas, 2008 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online.
    [Show full text]
  • German Videos - (Last Update December 5, 2019) Use the Find Function to Search This List
    German Videos - (last update December 5, 2019) Use the Find function to search this list Aguirre, The Wrath of God Director: Werner Herzog with Klaus Kinski. 1972, 94 minutes, German with English subtitles. A band of Spanish conquistadors travels into the Amazon jungle searching for the legendary city of El Dorado, but their leader’s obsessions soon turn to madness.LLC Library CALL NO. GR 009 Aimée and Jaguar DVD CALL NO. GR 132 Ali: Fear Eats the Soul Director: Rainer Werner Fassbinder. with Brigitte Mira, El Edi Ben Salem. 1974, 94 minutes, German with English subtitles. A widowed German cleaning lady in her 60s, over the objections of her friends and family, marries an Arab mechanic half her age in this engrossing drama. LLC Library CALL NO. GR 077 All Quiet on the Western Front DVD CALL NO. GR 134 A/B Alles Gute (chapters 1 – 4) CALL NO. GR 034-1 Alles Gute (chapters 13 – 16) CALL NO. GR 034-4 Alles Gute (chapters 17 – 20) CALL NO. GR 034-5 Alles Gute (chapters 21 – 24) CALL NO. GR 034-6 Alles Gute (chapters 25 – 26) CALL NO. GR 034-7 Alles Gute (chapters 9 – 12) CALL NO. GR 034-3 Alpen – see Berlin see Berlin Deutsche Welle – Schauplatz Deutschland, 10-08-91. [ Opening missing ], German with English subtitles. LLC Library Alpine Austria – The Power of Tradition LLC Library CALL NO. GR 044 Amerikaner, Ein – see Was heißt heir Deutsch? LLC Library Annette von Droste-Hülshoff CALL NO. GR 120 Art of the Middle Ages 1992 Studio Quart, about 30 minutes.
    [Show full text]
  • German Videos Use the Find Function to Search This List
    German Videos Use the Find function to search this list Aguirre, The Wrath of God Director: Werner Herzog with Klaus Kinski. 1972, 94 minutes, German with English subtitles. A band of Spanish conquistadors travels into the Amazon jungle searching for the legendary city of El Dorado, but their leader’s obsessions soon turn to madness.LLC Library CALL NO. GR 009 Aimée and Jaguar DVD CALL NO. GR 132 Ali: Fear Eats the Soul Director: Rainer Werner Fassbinder. with Brigitte Mira, El Edi Ben Salem. 1974, 94 minutes, German with English subtitles. A widowed German cleaning lady in her 60s, over the objections of her friends and family, marries an Arab mechanic half her age in this engrossing drama. LLC Library CALL NO. GR 077 All Quiet on the Western Front DVD CALL NO. GR 134 A/B Alles Gute (chapters 1 – 4) CALL NO. GR 034-1 Alles Gute (chapters 13 – 16) CALL NO. GR 034-4 Alles Gute (chapters 17 – 20) CALL NO. GR 034-5 Alles Gute (chapters 21 – 24) CALL NO. GR 034-6 Alles Gute (chapters 25 – 26) CALL NO. GR 034-7 Alles Gute (chapters 9 – 12) CALL NO. GR 034-3 Alpen – see Berlin see Berlin Deutsche Welle – Schauplatz Deutschland, 10-08-91. [ Opening missing ], German with English subtitles. LLC Library Alpine Austria – The Power of Tradition LLC Library CALL NO. GR 044 Amerikaner, Ein – see Was heißt heir Deutsch? LLC Library Annette von Droste-Hülshoff CALL NO. GR 120 Art of the Middle Ages 1992 Studio Quart, about 30 minutes. Masterpieces of the Hermitage – Museum of St.
    [Show full text]
  • Zimmermann-Quantificational Structures In
    On the Functional Architecture of DP and the Feature Content of Pronominal Quantifiers in Low German 1. Introduction The article discusses the syntax and semantics of quantificational and interrogative DPs in Low German, the language variety traditionally spoken in the Northern parts of Germany. * Drawing mostly on original fieldwork, and contributing to the growing body of literature on the complex structure of DPs in Germanic, we focus on the functional architecture of nominal expressions and on the formal feature content of functional elements in Low German. Particular attention is paid to the following phenomena: (i.) the structural realization of complex pronominal quantifiers such as jeder-een ‘everyone’, keen-een ‘no-one’ and mannich-een ‘some, many a’; (ii.) the syntactic and semantic behavior of the simplex indefinite expressions een ‘someone’ and wat ‘something’; (iii.) the syntactic distribution and feature specification of the expression wat , which – unlike een – can occur as a relative pronoun, as an interrogative pronoun in wh -questions, and as a complementizer in embedded yes/no -questions, in addition to its use as a plain indefinite. A central insight of the discussion is that complex pronominal quantifiers in Low German provide overt evidence for a complex DP-structure and for the existence of an intermediate functional projection between NP and DP, namely NumP, which has been argued for on independent grounds by Heycock & Zamparelli (2005), among many others. In addition, the indefinite element wat ‘some’ is argued to be underspecified in its feature content, as previously argued for its High German counterpart was in Jäger (2000) and Bayer (2002).
    [Show full text]
  • Historical Dictionary of German Cinema
    07_677 (01) FM.qxd 1/15/08 6:20 PM Page i HISTORICAL DICTIONARIES OF LITERATURE AND THE ARTS Jon Woronoff, Series Editor 1. Science Fiction Literature, by Brian Stableford, 2004. 2. Hong Kong Cinema, by Lisa Odham Stokes, 2007. 3. American Radio Soap Operas, by Jim Cox, 2005. 4. Japanese Traditional Theatre, by Samuel L. Leiter, 2006. 5. Fantasy Literature, by Brian Stableford, 2005. 6. Australian and New Zealand Cinema, by Albert Moran and Er- rol Vieth, 2006. 7. African-American Television, by Kathleen Fearn-Banks, 2006. 8. Lesbian Literature, by Meredith Miller, 2006. 9. Scandinavian Literature and Theater, by Jan Sjåvik, 2006. 10. British Radio, by Seán Street, 2006. 11. German Theater, by William Grange, 2006. 12. African American Cinema, by S. Torriano Berry and Venise Berry, 2006. 13. Sacred Music, by Joseph P. Swain, 2006. 14. Russian Theater, by Laurence Senelick, 2007. 15. French Cinema, by Dayna Oscherwitz and MaryEllen Higgins, 2007. 16. Postmodernist Literature and Theater, by Fran Mason, 2007. 17. Irish Cinema, by Roderick Flynn and Pat Brereton, 2007. 18. Australian Radio and Television, by Albert Moran and Chris Keating, 2007. 19. Polish Cinema, by Marek Haltof, 2007. 20. Old-Time Radio, by Robert C. Reinehr and Jon D. Swartz, 2008. 21. Renaissance Art, by Lilian H. Zirpolo, 2008. 22. Broadway Musical, by William A. Everett and Paul R. Laird, 2008. 23. American Theater: Modernism, by James Fisher and Felicia Hardison Londré, 2008. 24. German Cinema, by Robert C. Reimer and Carol J. Reimer, 2008. 07_677 (01) FM.qxd 1/15/08 6:20 PM Page ii 07_677 (01) FM.qxd 1/15/08 6:20 PM Page iii Historical Dictionary of German Cinema Robert C.
    [Show full text]
  • Verleihkopien
    Mitglied der Fédération D FF – Deutsches Filminstitut & Tel.: +49 (0)611 / 97 000 10 www.dff.film Wiesbadener Volksbank Internationale des Archives Filmmuseum e.V. Fax: +49 (0)611 / 97 000 15 E-Mail: wessolow [email protected] IBAN: D E45510900000000891703 du Film (FIAF) Filmarchiv BIC: WIBADE5W XXX Friedrich-Bergius-Stra ß e 5 65203 Wiesbaden 8 / 2019 Verleihkopien Eine Auswahl aus unserem Archiv-Bestand Wir bieten16mm und 35mm Filmkopien, sowie DVDs und DCPs für den nichtkommerziellen Verleih an. Die angegebenen Preise verstehen sich pro Vorführung (zzgl. 7% MwSt. und Transportkosten). * Preis ohne Vorführrechte; Details erfragen Sie bitte im Filmarchiv Darüber hinaus stehen Ihnen noch weitere Filme zur Verfügung. Auskunft über den technischen Zustand der Kopien erhalten Sie im Filmarchiv. Erläuterung viragiert = ganze Szenen des Films sind monochrom eingefärbt koloriert = einzelne Teile des Bildes sind farblich bearbeitet ohne Angabe = schwarz/weiß restauriert = die Kopie ist technisch bearbeitet rekonstruiert = der Film ist inhaltlich der ursprünglichen Fassung weitgehend angeglichen Kurz-Spielfilm = kürzer als 60 Minuten russ./ eUT = russisch mit englischen Untertiteln dtUT = mit deutschen Untertiteln dt.vorh./engl.vorh. = deutsche oder englische Zwischentitel-Liste vorhanden Einige der Stummfilme sind auch mit Musik vorhanden Zwischen- Stummfilm Titel / Land / Jahr Regie / Darsteller Titel / Format Preis € Tonfilm Sprache Abend der Gaukler Regie: Ingmar Bergman GYKLARNAS AFTON Tonfilm Darsteller: Harriet Andersson Hasse Ekman deutsch
    [Show full text]
  • Cinema As a Political Media. Germany and Italy Compared, 1945-1950S
    Lutz Klinkhammer Clemens Zimmermann (Eds.) Cinema as a Political Media. Germany and Italy Compared, 1945–1950s HEIDELBERG UNIVERSITY PUBLISHING Cinema as a Political Media Online-Schriften des DHI Rom. Neue Reihe | Pubblicazioni online del DHI Roma. Nuova serie Bd. | vol. 5 Lutz Klinkhammer, Clemens Zimmermann (Eds.) Cinema as a Political Media Germany and Italy Compared, 1945–1950s HEIDELBERG UNIVERSITY PUBLISHING Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche National bibliografie; detailed bibliographic data are available in the Internet at http://dnb.dnb.de. This work is proteced by copyright and/or related rights, but accessible free of charge. Use, in particular reproduction, is only permitted within the legal limits of copyright law or with the consent of the copyright holder. Published by Heidelberg University Publishing (heiUP) Heidelberg 2021. The electronic open access version of this work is permanently available on Heidelberg University Publishing’s website: https://heiup.uni-heidelberg.de URN: urn:nbn:de:bsz:16-heiup-book-651-9 DOI: https://doi.org/10.17885/heiup.651 Text © 2021 by the authors. Typesetting: werksatz · Büro für Typografie und Buchgestaltung, Berlin ISSN (Print) 2700-144X ISSN (Online) 2700-1458 ISBN 978-3-96822-017-8 (Hardcover) ISBN 978-3-96822-016-1 (Softcover) ISBN 978-3-96822-015-4 (PDF) Contents Clemens Zimmermann Introduction: Cinema as a Political Medium – Germany and Italy Compared from 1945 to the 1950s. The Aims of this Volume 1 Claudia Dillmann Film Policies and Cinema Audiences in Germany 19 Ina Merkel Narrative Patterns in Anti-Fascist American, Soviet and European Films (1940–1950) 35 Daniel Jonah Wolpert Bodies of Evidence, Burdens of Proof.
    [Show full text]
  • AUTHENTICITY and the CRITIQUE of the TOURISM INDUSTRY in POSTWAR AUSTRIAN LITERATURE DISSERTATION Presented in Partial Fulfillme
    AUTHENTICITY AND THE CRITIQUE OF THE TOURISM INDUSTRY IN POSTWAR AUSTRIAN LITERATURE DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Nikhil A. Sathe, M.A. * * * * * The Ohio State University 2003 Dissertation Committee: Approved by Professor John Davidson Professor Nina Berman _________________________________ Adviser Professor Linda Rugg Germanic Languages and Literatures Copyright by Nikhil Anand Sathe 2003 ABSTRACT Since 1945 the tourism industry has wielded an undeniable influence on Austrian society in social, cultural, political, and especially economic terms. This pervasive presence is evident in postwar literature as well, where numerous authors, especially since the 1970s, have addressed tourism and its myriad consequences for Austrian society. This dissertation examines three postwar Austrian texts that reflect on the impacts of the tourism industry and its imbrication in issues of national identity. This project argues that the concept of authenticity is a unifying element to these works and that it allows the artists to censure the industry and its diverse impacts, to address questions of national identity, and to pursue individual aesthetic or thematic concerns. Functioning as an index of tourism’s negative effects, the concept of authenticity enables the authors to portray the industry as transforming people and place into someone or something other than what they once were. While theorists of tourism have recognized shortcomings of this concept, such as viewing tourism as the sole catalyst of change or assuming a culture’s previous stability and wholeness, this project contends that authenticity, which must be understood as a construction serving rhetorical or ideological aims, remains integral for an understanding of the literary portrayal of tourism.
    [Show full text]
  • Jürgen Dinkel Dekolonisation Und Film – Ein Literaturbericht
    THEMA ■ Jürgen Dinkel Dekolonisation und Film – Ein Literaturbericht Die öffentlichen Reaktionen auf den Film Africa Addio (1966) der italienischen Regisseure Gualti- ero Jacopetti und Franco Prosperi fielen höchst unterschiedlich aus. In Italien erhielt der Film mit dem David di Donatello einen der bedeutendsten italienischen Filmpreise, und in Westdeutsch- land verlieh die Filmbewertungsstelle (FBW) der Länder in Wiesbaden Africa Addio das Prädikat »wertvoll«. Zugleich verurteilten in Italien, der Bundesrepublik, Großbritannien und den USA liberale und linke Zeitungen, Abgeordnete sowie Minister, die Studentenbewegung und nicht zuletzt afrikanische Studierende dessen öffentliche Aufführung auf das Schärfste und protestierten 7 dagegen.1 Ausgangspunkt des Skandals um Africa Addio waren Jacopettis und Prosperis Beschreibungen und Bewertungen der zeitgenössischen Unabhängigkeitsprozesse im südlichen und östlichen Af- rika. Während die einen den Ausführungen der Produzenten folgten, dass der Film den Verlauf der Dekolonisierung Afrikas dokumentarisch festhalte, kritisierten andere die rassistische und erniedrigende Darstellung der Afrikaner, die gezeigten Gewaltszenen sowie die unverhohlen revi- sionistische Aussage des Films, dass mit dem Rückzug der Europäer die Selbstzerstörung Afrikas begonnen habe.2 Der Skandal um Africa Addio steht damit beispielhaft für eine ganze Reihe überwiegend in den 1960er Jahren ausgelöster Kontroversen, in denen etablierte Narrationen der europäischen Kolonialherrschaft und eurozentristische Bilder außereuropäischer
    [Show full text]
  • Helmut Weiss Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨)
    Helmut Weiss 电影 串行 (大全) Every Day Isn't Sunday https://zh.listvote.com/lists/film/movies/every-day-isn%27t-sunday-105637551/actors Silence in the Forest https://zh.listvote.com/lists/film/movies/silence-in-the-forest-1170336/actors Drei Mann in einem Boot https://zh.listvote.com/lists/film/movies/drei-mann-in-einem-boot-1257079/actors Die Feuerzangenbowle https://zh.listvote.com/lists/film/movies/die-feuerzangenbowle-13359969/actors The Disturbed Wedding Night https://zh.listvote.com/lists/film/movies/the-disturbed-wedding-night-1557112/actors Tell the Truth https://zh.listvote.com/lists/film/movies/tell-the-truth-15867716/actors Tromba https://zh.listvote.com/lists/film/movies/tromba-16911954/actors Einmal am Rhein https://zh.listvote.com/lists/film/movies/einmal-am-rhein-17321392/actors King of Hearts https://zh.listvote.com/lists/film/movies/king-of-hearts-21035664/actors Youth Comes Only Twice https://zh.listvote.com/lists/film/movies/youth-comes-only-twice-21035809/actors Quax in Africa https://zh.listvote.com/lists/film/movies/quax-in-africa-2122489/actors Love and Trumpets https://zh.listvote.com/lists/film/movies/love-and-trumpets-21646661/actors Hubertus Castle https://zh.listvote.com/lists/film/movies/hubertus-castle-2244814/actors Verlobung am Wolfgangsee https://zh.listvote.com/lists/film/movies/verlobung-am-wolfgangsee-2516919/actors Das Geheimnis der roten https://zh.listvote.com/lists/film/movies/das-geheimnis-der-roten-katze-2673600/actors Katze Don't Dream, Annette https://zh.listvote.com/lists/film/movies/don%27t-dream%2C-annette-27590204/actors My Friend the Thief https://zh.listvote.com/lists/film/movies/my-friend-the-thief-27590608/actors Lemke's Widow https://zh.listvote.com/lists/film/movies/lemke%27s-widow-30668005/actors The First Day of Spring https://zh.listvote.com/lists/film/movies/the-first-day-of-spring-33133481/actors.
    [Show full text]