DOCSLIB.ORG

And the Sitar Gently Weeps

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
And the Sitar Gently Weeps A Publication of the Embassy of India, Washington, D.C. January 1, 2013 I India RevieI w Vol. 9 Issue 1 www.indianembassy.org Bharat Ratna Pandit Ravi Shankar, who took Indian classical music to the world, passed away on December 11. And the sitar gently weeps... n India, ASEAN n Call for ‘Second n Focus on energy upgrade ties Green Revolution’ exporting nations Cover STORY Sitar maestro Pandit Ravi Shankar and daughter Anoushka Shankar during a performance at The Dover Lane Music Conference in Kolkata on February 7, 2009. (Photo: AFP) And the sitar gently weeps ... ‘Godfather of world music’ Pandit Ravi Shankar, who took Indian classical music to the world, leaves behind an unparalleled legacy of commitment to his art e was a classical musician complications from a heart surgery, students who trained at the Ravi in the purest sense and leaves behind his wife Sukanya and Shankar Foundation in the U.S. and was also dubbed the ‘god - daughters Anoushka, the heir to his in the national capital, where he had H father of world music’ by legacy, and singer Norah Jones. built a gurukul-like school. Shankar 2 Beatles friend George Harrison. Ravi “God has blessed me with Lakshmi spent his early years touring Europe Shankar, who took Indian classical and Saraswati,” he would often say of and India with Uday Shankar. But he music to the world in the 1950s and his daughters. took to instrumental music in 1934 effortlessly bound two worlds with the The dancer-turned-instrumentalist and studied for 10 years under his stirring notes of his sitar, leaves behind was born Robindro Shaunkar mentor. Before embarking on a for - an unparalleled legacy of commitment Chowdhury on April 7, 1920 in mal musical career, Shankar worked to his art. Varanasi. He gave up dancing in his as a composer setting the score for India's most effective cultural illustrious brother Uday Shankar’s Satyajit Ray’s Apu Trilogy. ambassador, who died on December troupe in 1938 to study music under Later, with George Fenton, he 11 at the age of 92 in a hospital near Allaudin Khan — bequeathing his art shared the Oscar for the music of the his south California home following to daughter Anoushka and legions of epic Gandhi that released in 1982. In January 2013 India Review Cover STORY Ravi Shankar was a national treasure: PM andit Ravi Shankar was a global “I pray that Pandit Ravi Shankar’s soul ambassador of India’s cultural heritage finds eternal peace and that (his) family Pand a national treasure, Prime Minister members be granted the strength and forti - Dr. Manmohan Singh said in New Delhi on tude to bear this loss,” he added. December 12 while condoling the death of In his condolence message, the External the sitar maestro in a San Diego hospital. Affairs Minister Salman Khurshid described “An era has passed away with Pandit Ravi Pandit Ravi Shankar as one of the foremost 3 Shankar. The nation joins me to pay tributes to exponents of India’s classical music tradition this unsurpassable genius, his art and his and praised his capacity to bridge cultures humility, a national treasure and global ambas - and make India’s ancient tradition accessible sador of India’s cultural heritage,” the Prime to the world. Minister’s Office (PMO) said in its message. Ambassador Nirupama Rao visited “India has lost an eminent son, the world of Encinitas, California to convey her deep condo - sitar has lost one of its ablest exponents ever lences to Sukanya Shankar and Pandit Ravi and a shining light in the firmament of music Shankar’s two daughters Norah Jones and has been extinguished,” added the message. Anoushka Shankar on December 15. “The nation was fortunate not only to be Consul General of India in San Francisco able to enjoy his music, but also to have him N. Parthasarthi attended the memorial service as one of its most effective cultural convened in Encinitas and presented flowers ambassadors across the world. His human - contacts that served the world of music and on behalf of the people and the Government of ism, combined with his musical genius, benefited humanity at large,” the Prime India as a mark of tribute to the life and lega - helped him in building cross-civilizational Minister said in his message. cy of Pandit Ravi Shankar on December 20. the same year, he composed the Orchestra under Andre Previn. ‘Swagatam’ welcome song for the As music director of All India Radio A man of numerous ninth Asian Games. (1949-56), Shankar composed the awards, recognitions The mid-1950s were the key to classical version of ‘Saare Jahan Shankar’s contribution to making Accha’ that was sung by Lata Some achievements of the iconic musician: Indian classical music a world genre. Mangeshkar. He was awarded India’s In 1956, Ravi Shankar crossed the highest civil honor Bharat Ratna in l He received the Padma Bhushan in 1967, Padma Vibhushan in 1981 and seas with his music to Europe and 1999 and won three Grammy Awards. Bharat Ratna in 1999. US. Throughout the sixties and for Shankar was nominated for anoth - l He is also a three-time Grammy award the better part of the seventies, he er Grammy for 2013, the news of winner. He bagged a nomination again taught abroad and collaborated with which reached him just a day before for the 2013 Grammy Awards for his legends like Yehudi Menuhin and his surgery. album ‘The Living Room Sessions Part-1’. Beatles star George Harrison, who Performer till the very end, he was l He was named a Lifetime Achievement drew from Shankar’s ragas for his last seen on stage on November 4, Grammy Award recipient, a day after repertoire, most famously in 2012 in Long Beach when he played his death at 92 in a U.S. hospital. l He shared an Oscar with George ‘Norwegian Wood’. with Anoushka. Fenton for the original musical score Harrison produced and participat - He was also nominated to the for the 1982 movie Gandhi . ed in two record albums, ‘Shankar Rajya Sabha between 1986 and l He received the Music Council UNESCO Family & Friends’ and ‘Festival of 1992. award in the year 1975. India’; both composed by Shankar. “How does one put the spiritual sig - l He received the Kalidas Samman from Shankar also played in the epic nificance of music on paper? Music the government of Madhya Pradesh for concert Woodstock, performing after transcends all barriers and is one of the 1987-88 and the Ramon Magsaysay Joan Baez. The maestro was perhaps most beautiful communicative skills Award in 1992. l In 2001, Shankar was made Honorary the first musician to write a concerti one can have. Music makes us all expe - Knight Commander of the Order of the for sitar and orchestra — ‘Concerto rience different emotions or the British Empire by Queen Elizabeth II for for Sitar and Orchestra’ which was navarasa as well call it,” the maestro his “services to music”. performed by the London Symphony would often say about his music. January 2013 India Review India-ASEAN SUMMIT Prime Minister Dr. Manmohan Singh in a group photograph with the Heads of State/Government, at the India-ASEAN Commemorative Summit, 2012, in New Delhi on December 20. (Photo: AFP) India, ASEAN upgrade ties to strategic plane Leaders of India and ASEAN countries agreed to work toward intensification of trade and investments, closer security cooperation and enhanced physical and cultural connectivity at the India-ASEAN Commemorative Summit in New Delhi nveiling the vision of a strategic partnership,” said the vision “Our shared values, convergent resurgent and integrated document which was unanimously world views and similarities in Asia, India and the adopted by the leaders of India and approaches to the region should help U 10-nation ASEAN on ASEAN countries at the end of the ple - us make the India-ASEAN relationship December 20 declared the conclusion nary session of the India-ASEAN more comprehensive and elevate it to a of negotiations on a Free Trade Commemorative Summit. Strategic Partnership for the next Agreement (FTA) in services and The leaders agreed to work toward decade and beyond.” investments and upgraded their ties to “the full, effective and timely imple - The focus was clearly on scaling up a strategic partnership that includes mentation of the ASEAN-India dia - economic ties to new heights, with the 4 closer cooperation in political, eco - logue relations across the whole spec - leaders airing their collective confi - nomic and security areas. trum of political and security, eco - dence to achieve $100 billion bilateral Prime Minister Dr. Manmohan nomic, social and development coop - trade by 2015. Currently, trade Singh held wide-ranging talks with eration.” Placing the strategic part - between India and ASEAN is around leaders of 10 Association of Southeast nership in context, Prime Minister $80 billion. Asian Nations (ASEAN) that included Singh said: “This is a time of great The showpiece of the summit was intensification of trade and invest - flux and transition, with several the formal declaration of the successful ments, closer security cooperation and unsettled questions and unresolved conclusion of negotiations on a Free enhanced physical and cultural con - issues in our region. Our responsibil - Trade Agreement in services and nectivity. “We declare that the ASEAN- ity to work for peace has increased investments. India partnership stands elevated to a and become more urgent.” Addressing the plenary of the January 2013 India Review India-ASEAN SUMMIT Car rally symbol of ASEAN-India partnership: Prime Minister fter travelling nearly 8,000 km through nine countries, the ASEAN-India car Arally was flagged in by Prime Minister Dr.
Load more

Recommended publications
  • Anoushka Shankar Thursday, May 2, 2019 at 8:00Pm This Is the 939Th Concert in Koerner Hall
    Anoushka Shankar Thursday, May 2, 2019 at 8:00pm This is the 939th concert in Koerner Hall Anoushka Shankar, sitar Ojas Adhiya, tabla Pirashanna Thevarajah, mridangam Ravichandra Kulur, flute Danny Keane, cello & piano Kenji Ota, tanpura Anoushka Shankar Sitar player and composer Anoushka Shankar is a singular figure in the Indian classical and progressive world music scenes. Her dynamic and spiritual musicality has garnered several prestigious accolades, including six Grammy Award nominations, recognition as the youngest – and first female – recipient of a British House of Commons Shield, credit as an Asian Hero by TIME magazine, an Eastern Eye Award for Music, and a Songlines Best Artist Award. Most recently, she became one of the first five female composers to have been added to the UK A-level music syllabus. Deeply rooted in the Indian classical music tradition, Shankar studied exclusively from the age of nine under her father and guru, the late Ravi Shankar, and made her professional debut as a classical sitarist at the age of 13. By the age of 20, she had made three classical recordings for EMI/Angel and received her first Grammy nomination, thereby becoming the first Indian female and youngest-ever nominee in the world music category. She is also the first Indian artist to perform at the Grammy Awards. In addition to performing as a solo sitarist, her compositional work has led to cross-cultural collaborations with artists such as Sting, M.I.A., Herbie Hancock, Pepe Habichuela, Karsh Kale, Rodrigo y Gabriela, and Joshua Bell, demonstrating the versatility of the sitar across musical genres.
    [Show full text]
  • Anoushka Shankar: Breathing Under Water – ‘Burn’, ‘Breathing Under Water’ and ‘Easy’ (For Component 3: Appraising)
    Anoushka Shankar: Breathing Under Water – ‘Burn’, ‘Breathing Under Water’ and ‘Easy’ (For component 3: Appraising) Background information and performance circumstances The composer Anoushka Shankar was born in 1981, in London, and is the daughter of the famous sitar player Ravi Shankar. She was brought up in London, Delhi and California, where she attended high school. She studied sitar with her father from the age of 7, began playing tampura in his concerts at 10, and gave her first solo sitar performances at 13. She signed her first recording contract at 16 and her first three album releases were of Indian Classical performances. Her first cross-over/fusion album – Rise – was released in 2005 and was nominated for a Grammy, in the Contemporary World Music category. Her albums since Breathing Under Water have continued to explore the connections between Indian music and other styles. She has collaborated with some major artists – Sting, Nithin Sawhney, Joshua Bell and George Harrison, as well as with her father, Ravi Shankar, and her half-sister, Norah Jones. She has also performed around the world as a Classical sitar player – playing her father’s sitar concertos with major orchestras. The piece Breathing Under Water was Anoushka Shankar’s fifth album, and her second of original fusion music. Her main collaborator was Utkarsha (Karsh) Kale, an Indian musician and composer and co-founder of Tabla Beat Science – an Indian band exploring ambient, drum & bass and electronica in a Hindustani music setting. Kale contributes dance music textures and technical expertise, as well as playing tabla, drums and guitar on the album.
    [Show full text]
  • Sukanya an Opera by Ravi Shankar
    Sukanya an opera by Ravi Shankar Royal Opera House London Philharmonic Orchestra BBC Singers Ravi Shankar was one of the most influential musicians of all time. He inspired people from all walks of life and musicians from all genres of music. These included legendary names such as George Harrison, Yehudi Menuhin, John Coltrane and Philip Glass. Ravi Shankar’s music rapidly spread throughout the world, crossing all cultural and generational boundaries. Ravi Shankar envisaged Sukanya as a truly ground-breaking piece of musical theatre which will explore the common ground between the music, dance and theatrical traditions of India and the West. Ravi Shankar was in a unique position to visualise the common ground between East and West. He was steeped in the ancient musical and dramatic traditions of India through his guru Baba Allaudhin Khan and he also gained a deep knowledge of the music and drama of the west from a very young age. And yet he lived in an age where jet travel, radio, television and recorded music opened up the world and introduced him to musicians from across the globe that he could share and learn music with. As a young man Shankar experienced the reaction of Westerners to hearing Indian music for the first time: although many found it exciting he realised that it needed to be presented very carefully for the untrained Western ear to realise its depths. Thus, Ravi Shankar became the first Indian musician to explain these concepts to his audiences. Shankar had a vision for Sukanya that would break the mould of traditional opera: a truly ground-breaking work which will explore the common ground between the music, dance and theatrical traditions of India and the West.
    [Show full text]
  • David Pontbriand and Brian Shankar Adler
    music presents David Pontbriand and Brian Shankar Adler Saturday, March 20, 2021 Live-Streamed from the Olin Concert Hall 7:30 pm About the Concert Sitarist David Pontbriand and percussionist/composer Brian Shankar Adler perform an evening of pieces and songs connected (in one way or another) to India. Unusual settings of sitar with vibraphone, drum set, and bomba legüero, engage in textural dialogue with the more customary duo of sitar and tabla. The program includes improvisations, original compositions, and folk songs, as well as works by Ellington/Strayhorn and Lennon/McCartney. Program Introduction Drone (Adler) is inspired by the subtle, hypnotic hum of the tamboura, a plucked string instrument from India. In this piece, I am seeking to create a similarly meditative effect through the use of weaving rhythms that stretch and contract; a palindrome, with no fixed beginning or ending. –BSA Alaap is the name for the exploratory opening section of a raga performance, where the raga theme is gradually unfolded and developed, in free time. In the Indian classical tradition, ragas are melodic frameworks based on one or more modal scales, each with specific conventions of phrasing that suggest a distinct melodic shape, or flavor. Within this framework, the artist creates a unique spontaneous composition with each performance. My alaap is an original conception, for sitar solo, combining melodic elements from two different raga forms with elements of free improvisation, in a “stream of consciousness” series of episodic variations. The vibes provide an atmospheric envelope, gently framing and supporting the melodic variations. –DP Gat is a composition for sitar and tabla, where the themes developed in the alaap are further explored in a rhythmic framework called tala.
    [Show full text]
  • Downbeat.Com December 2014 U.K. £3.50
    £3.50 £3.50 . U.K DECEMBER 2014 DOWNBEAT.COM D O W N B E AT 79TH ANNUAL READERS POLL WINNERS | MIGUEL ZENÓN | CHICK COREA | PAT METHENY | DIANA KRALL DECEMBER 2014 DECEMBER 2014 VOLUME 81 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Art Director LoriAnne Nelson Contributing Designer Žaneta Čuntová Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Associate Kevin R. Maher Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman,
    [Show full text]
  • 1481186712P4M12TEXT.Pdf
    PAPER 4 Detail Study Of Kathak, Nautch Girls, Nritta, Nritya, Different Gharana-s, Present Status, Institutions, Artists Module 12 Pioneers Of Kathak 1930-1950 Pioneers are those who show the path not attempted before. They lead us to light to the new ways of doing something. These are people with vision to fulfill a mission and they are given divine support by history and circumstances to do so. Thus, pioneers are people, ordinary in appearance but with special abilities and mind backed by hard work. Once a form that was long forgotten and got known and established as Kathak, many stars of other forms, most notably Bharatanatyam and Kathakali did much to learn and promote Kathak and help it reach national acclaim. In this, Bharatanatyam trained Ram Gopal, Kathakali trained Uday Shankar and pioneers in films like Menaka and Sadhona Bose took this form further and can be called pioneers, in addition to the generation that followed their example. It would not be wrong to call Uday Shankar a cult figure of the early part of the 20th century. He was a showman, a creator of magical spectacles and a dancer par excellence. He was not a trained dancer, so his movements flowed from the heart. He 1 created the Indian ballet scene because nothing like it existed before. Originally a painter, on his museum visits to delve into books, Uday got fascinated with pictures of sculptures of Hindu gods and goddesses in varied poses. He began imitating the poses. Although unfamiliar with dance techniques, the images provided inspiration to translate into dance movement.
    [Show full text]
  • The Sixth String of Vilayat Khan
    Published by Context, an imprint of Westland Publications Private Limited in 2018 61, 2nd Floor, Silverline Building, Alapakkam Main Road, Maduravoyal, Chennai 600095 Westland, the Westland logo, Context and the Context logo are the trademarks of Westland Publications Private Limited, or its affiliates. Copyright © Namita Devidayal, 2018 Interior photographs courtesy the Khan family albums unless otherwise acknowledged ISBN: 9789387578906 The views and opinions expressed in this work are the author’s own and the facts are as reported by her, and the publisher is in no way liable for the same. All rights reserved No part of this book may be reproduced, or stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without express written permission of the publisher. Dedicated to all music lovers Contents MAP The Players CHAPTER ZERO Who Is This Vilayat Khan? CHAPTER ONE The Early Years CHAPTER TWO The Making of a Musician CHAPTER THREE The Frenemy CHAPTER FOUR A Rock Star Is Born CHAPTER FIVE The Music CHAPTER SIX Portrait of a Young Musician CHAPTER SEVEN Life in the Hills CHAPTER EIGHT The Foreign Circuit CHAPTER NINE Small Loves, Big Loves CHAPTER TEN Roses in Dehradun CHAPTER ELEVEN Bhairavi in America CHAPTER TWELVE Portrait of an Older Musician CHAPTER THIRTEEN Princeton Walk CHAPTER FOURTEEN Fading Out CHAPTER FIFTEEN Unstruck Sound Gratitude The Players This family chart is not complete. It includes only those who feature in the book. CHAPTER ZERO Who Is This Vilayat Khan? 1952, Delhi. It had been five years since Independence and India was still in the mood for celebration.
    [Show full text]
  • RTI Handbook
    PREFACE The Right to Information Act 2005 is a historic legislation in the annals of democracy in India. One of the major objective of this Act is to promote transparency and accountability in the working of every public authority by enabling citizens to access information held by or under the control of public authorities. In pursuance of this Act, the RTI Cell of National Archives of India had brought out the first version of the Handbook in 2006 with a view to provide information about the National Archives of India on the basis of the guidelines issued by DOPT. The revised version of the handbook comprehensively explains the legal provisions and functioning of National Archives of India. I feel happy to present before you the revised and updated version of the handbook as done very meticulously by the RTI Cell. I am thankful to Dr.Meena Gautam, Deputy Director of Archives & Central Public Information Officer and S/Shri Ashok Kaushik, Archivist and Shri Uday Shankar, Assistant Archivist of RTI Cell for assisting in updating the present edition. I trust this updated publication will familiarize the public with the mandate, structure and functioning of the NAI. LOV VERMA JOINT SECRETARY & DGA Dated: 2008 Place: New Delhi Table of Contents S.No. Particulars Page No. ============================================================= 1 . Introduction 1-3 2. Particulars of Organization, Functions & Duties 4-11 3. Powers and Duties of Officers and Employees 12-21 4. Rules, Regulations, Instructions, 22-27 Manual and Records for discharging Functions 5. Particulars of any arrangement that exist for 28-29 consultation with or representation by the members of the Public in relation to the formulation of its policy or implementation thereof 6.
    [Show full text]
  • Tradition and the Individual Dancer
    1: Tradition and the Individual Dancer History and Innovation in a Classical Form Critical accounts and promotional materials frequently refer to bharata natyam as “ancient.” The dance form’s status as traditional and classical seems to render it fixed, even timeless. A connection to the past appears to be a given for this dance practice. Even on closer examination, a relationship to the past seems integral to the dance form’s identity, its content, and its structure. Present-day bharata natyam choreography draws from the dance practices of earlier decades and centuries. Its movement vocabulary derives from sadir, the solo dance per- formed by temple and court dancers in precolonial and colonial South India. The margam—the concert order that determines when in a program each dance piece appears—was standardized in the nineteenth century by the renowned musician- composers of the Thanjavur Quartet. The roots of bharata natyam extend still further back. For example, the mudras, or hand gestures, used today accord in both shape and meaning with those described in the Natyasastra, a Sanskrit dra- maturgical text, dating from the beginning of the Christian era. Similarly, an arangetram, or initial performance, described in the fifth-century Tamil epic Silappadikaram correlates with that of devadasi practitioners of the nineteenth century, which then established the protocol for twentieth-century debuts. Bharata natyam’s repertoire consists largely of songs written between the sev- enteenth and twentieth centuries. The poems of love and religious devotion that form the basis of the bharata natyam canon emerged from the musical and lit- erary traditions of previous centuries.
    [Show full text]
  • Pandit Ravi Shankar—Tansen of Our Times
    Occ AS I ONAL PUBLicATION 47 Pandit Ravi Shankar—Tansen of our Times by S. Kalidas IND I A INTERNAT I ONAL CENTRE 40, MAX MUELLER MARG , NEW DELH I -110 003 TEL .: 24619431 FAX : 24627751 1 Occ AS I ONAL PUBLicATION 47 Pandit Ravi Shankar—Tansen of our Times The views expressed in this publication are solely those of the author and not of the India International Centre. The Occasional Publication series is published for the India International Centre by Cmde. (Retd.) R. Datta. Designed and produced by FACET Design. Tel.: 91-11-24616720, 24624336. Pandit Ravi Shankar—Tansen of our Times Pandit Ravi Shankar died a few months ago, just short of his 93rd birthday on 7 April. So it is opportune that we remember a man whom I have rather unabashedly called the Tansen of our times. Pandit Ravi Shankar was easily the greatest musician of our times and his death marks not only the transience of time itself, but it also reminds us of the glory that was his life and the immortality of his legacy. In the passing of Robindro Shaunkar Chowdhury, as he was called by his parents, on 11 December in San Diego, California, we cherish the memory of an extraordinary genius whose life and talent spanned almost the whole of the 20th century. It crossed all continents, it connected several genres of human endeavour, it uplifted countless hearts, minds and souls. Very few Indians epitomized Indian culture in the global imagination as this charismatic Bengali Brahmin, Pandit Ravi Shankar. Born in 1920, Ravi Shankar not only straddled two centuries but also impacted many worlds—the East, the West, the North and the South, the old and the new, the traditional and the modern.
    [Show full text]
  • Red River Radio Ascertainment Files October - December 2013
    Red River Radio Ascertainment Files October - December 2013 Kate Archer Kent’s Newscast Story Log October 2013 – December 2013 1,792 Story: Nacogdoches researchers prepare to repatriate Caddo artifacts Aired: Oct. 1, 2013 Interview: Zachary Selden, research associate, Center for Regional Heritage Research, Stephen F. Austin State University Type: Newscast wrap 1,793 Story: Safety-net hospitals in Shreveport and Monroe go private Aired: Oct. 2, 2013 Interview: Dr. John George, president, Biomedical Research Foundation of Northwest Louisiana; Steve Skirvanos, board chairman, Biomedical Research Foundation of Northwest Louisiana Type: Newscast wrap 1,794 Story: Filmmaker emotions run high on eve of Louisiana Film Prize in Shreveport Aired: Oct. 3, 2013 Interview: Christopher Raines, producer and director, Raines Down Productions; Candace McGowen, actor and producer, Raines Down Productions Type: Newscast wrap 1,795 Story: Centenary College plans to take all freshmen to Paris Aired: Oct. 4, 2013 Interview: Dr. David Rowe, president, Centenary College; Dana Kress, French professor, Centenary College Type: Newscast wrap 1,796 Story: Former U.S. Congressman Jim McCrery: „Lawmakers drew lines in the sand too soon‟ Aired: Oct. 7, 2013 Interview: Jim McCrery, steering committee member, Campaign to Fix the Debt Type: Newscast wrap 1,797 Story: East Texas father-son painters on exhibit in Shreveport Aired: Oct. 8, 2013 Interview: Carlton Herbert, master of fine arts student, Stephen F. Austin State University in Nacogdoches; Frank Herbert, adjunct art instructor, Kilgore College Type: Newscast wrap 1,798 Story: „Planet Money‟ creator to give economics lecture at Southern Arkansas Universityin Magnolia Aired: Oct. 9, 2013 Interview: Adam Davidson, creator, “Planet Money” and New York Times Magazine columnist Type: Newscast wrap 1,799 Story: Filmmakers screen gun violence documentary in their hometown of Shreveport Aired: Oct.
    [Show full text]
  • Library Catalogue
    Id Access No Title Author Category Publisher Year 1 9277 Jawaharlal Nehru. An autobiography J. Nehru Autobiography, Nehru Indraprastha Press 1988 historical, Indian history, reference, Indian 2 587 India from Curzon to Nehru and after Durga Das Rupa & Co. 1977 independence historical, Indian history, reference, Indian 3 605 India from Curzon to Nehru and after Durga Das Rupa & Co. 1977 independence 4 3633 Jawaharlal Nehru. Rebel and Stateman B. R. Nanda Biography, Nehru, Historical Oxford University Press 1995 5 4420 Jawaharlal Nehru. A Communicator and Democratic Leader A. K. Damodaran Biography, Nehru, Historical Radiant Publlishers 1997 Indira Gandhi, 6 711 The Spirit of India. Vol 2 Biography, Nehru, Historical, Gandhi Asia Publishing House 1975 Abhinandan Granth Ministry of Information and 8 454 Builders of Modern India. Gopal Krishna Gokhale T.R. Deogirikar Biography 1964 Broadcasting Ministry of Information and 9 455 Builders of Modern India. Rajendra Prasad Kali Kinkar Data Biography, Prasad 1970 Broadcasting Ministry of Information and 10 456 Builders of Modern India. P.S.Sivaswami Aiyer K. Chandrasekharan Biography, Sivaswami, Aiyer 1969 Broadcasting Ministry of Information and 11 950 Speeches of Presidente V.V. Giri. Vol 2 V.V. Giri poitical, Biography, V.V. Giri, speeches 1977 Broadcasting Ministry of Information and 12 951 Speeches of President Rajendra Prasad Vol. 1 Rajendra Prasad Political, Biography, Rajendra Prasad 1973 Broadcasting Eminent Parliamentarians Monograph Series. 01 - Dr. Ram Manohar 13 2671 Biography, Manohar Lohia Lok Sabha 1990 Lohia Eminent Parliamentarians Monograph Series. 02 - Dr. Lanka 14 2672 Biography, Lanka Sunbdaram Lok Sabha 1990 Sunbdaram Eminent Parliamentarians Monograph Series. 04 - Pandit Nilakantha 15 2674 Biography, Nilakantha Lok Sabha 1990 Das Eminent Parliamentarians Monograph Series.
    [Show full text]