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1592213370-Monetize.Pdf
Table of Contents 1. Online Monetization: How to Turn Your Following into Cash 1.1 What is monetization? 1.2 How to monetize your website, blog, or social media channel 1.3 Does a monetization formula exist? Chapter 1 Takeaways 2. How to Monetize Your Blog The Right Way 2.1 Why should you start monetizing with your blog? 2.2 How to earn money from blogging 2.3 How to transform your blog visitors into loyal fans 2.4 Blog monetization tools you should know about Chapter 2 Takeaways 3. Facebook Monetization: The What, Why, Where, and How 3.1 How Facebook monetization works 3.2 Facebook monetization strategies Chapter 3 Takeaways 4. How to monetize your Instagram following 4.1 Before you go chasing that Instagram money... 4.2 The four main ways you can earn money on Instagram 4.3 Instagram monetization tools 4.4 Ideas to make money on Instagram Chapter 4 Takeaways 5. Monetizing a YouTube Brand Without Ads 5.1 How to monetize Youtube videos without Adsense 5.2 Essential Youtube monetization tools 5.3 Factors that determine your channel’s long-term success Chapter 5 Takeaways 1. Online Monetization: How to Turn Your Following into Cash 5 Stop me if you’ve heard this one before. Jenn, a customer service agent at a car leasing company, is fed up with her job. Her pay’s lousy, she’s on edge with customers yelling at her over the phone all day (they actually treat her worse in person), and her boss ignores all her suggestions, even though she knows he could make her job a lot less stressful. -
Crossing Over: from Black Rhythm Blues to White Rock 'N' Roll
PART2 RHYTHM& BUSINESS:THE POLITICAL ECONOMY OF BLACKMUSIC Crossing Over: From Black Rhythm Blues . Publishers (ASCAP), a “performance rights” organization that recovers royalty pay- to WhiteRock ‘n’ Roll ments for the performance of copyrighted music. Until 1939,ASCAP was a closed BY REEBEEGAROFALO society with a virtual monopoly on all copyrighted music. As proprietor of the com- positions of its members, ASCAP could regulate the use of any selection in its cata- logue. The organization exercised considerable power in the shaping of public taste. Membership in the society was generally skewed toward writers of show tunes and The history of popular music in this country-at least, in the twentieth century-can semi-serious works such as Richard Rodgers and Lorenz Hart, Cole Porter, George be described in terms of a pattern of black innovation and white popularization, Gershwin, Irving Berlin, and George M. Cohan. Of the society’s 170 charter mem- which 1 have referred to elsewhere as “black roots, white fruits.’” The pattern is built bers, six were black: Harry Burleigh, Will Marion Cook, J. Rosamond and James not only on the wellspring of creativity that black artists bring to popular music but Weldon Johnson, Cecil Mack, and Will Tyers.’ While other “literate” black writers also on the systematic exclusion of black personnel from positions of power within and composers (W. C. Handy, Duke Ellington) would be able to gain entrance to the industry and on the artificial separation of black and white audiences. Because of ASCAP, the vast majority of “untutored” black artists were routinely excluded from industry and audience racism, black music has been relegated to a separate and the society and thereby systematically denied the full benefits of copyright protection. -
English Song Booklet
English Song Booklet SONG NUMBER SONG TITLE SINGER SONG NUMBER SONG TITLE SINGER 100002 1 & 1 BEYONCE 100003 10 SECONDS JAZMINE SULLIVAN 100007 18 INCHES LAUREN ALAINA 100008 19 AND CRAZY BOMSHEL 100012 2 IN THE MORNING 100013 2 REASONS TREY SONGZ,TI 100014 2 UNLIMITED NO LIMIT 100015 2012 IT AIN'T THE END JAY SEAN,NICKI MINAJ 100017 2012PRADA ENGLISH DJ 100018 21 GUNS GREEN DAY 100019 21 QUESTIONS 5 CENT 100021 21ST CENTURY BREAKDOWN GREEN DAY 100022 21ST CENTURY GIRL WILLOW SMITH 100023 22 (ORIGINAL) TAYLOR SWIFT 100027 25 MINUTES 100028 2PAC CALIFORNIA LOVE 100030 3 WAY LADY GAGA 100031 365 DAYS ZZ WARD 100033 3AM MATCHBOX 2 100035 4 MINUTES MADONNA,JUSTIN TIMBERLAKE 100034 4 MINUTES(LIVE) MADONNA 100036 4 MY TOWN LIL WAYNE,DRAKE 100037 40 DAYS BLESSTHEFALL 100038 455 ROCKET KATHY MATTEA 100039 4EVER THE VERONICAS 100040 4H55 (REMIX) LYNDA TRANG DAI 100043 4TH OF JULY KELIS 100042 4TH OF JULY BRIAN MCKNIGHT 100041 4TH OF JULY FIREWORKS KELIS 100044 5 O'CLOCK T PAIN 100046 50 WAYS TO SAY GOODBYE TRAIN 100045 50 WAYS TO SAY GOODBYE TRAIN 100047 6 FOOT 7 FOOT LIL WAYNE 100048 7 DAYS CRAIG DAVID 100049 7 THINGS MILEY CYRUS 100050 9 PIECE RICK ROSS,LIL WAYNE 100051 93 MILLION MILES JASON MRAZ 100052 A BABY CHANGES EVERYTHING FAITH HILL 100053 A BEAUTIFUL LIE 3 SECONDS TO MARS 100054 A DIFFERENT CORNER GEORGE MICHAEL 100055 A DIFFERENT SIDE OF ME ALLSTAR WEEKEND 100056 A FACE LIKE THAT PET SHOP BOYS 100057 A HOLLY JOLLY CHRISTMAS LADY ANTEBELLUM 500164 A KIND OF HUSH HERMAN'S HERMITS 500165 A KISS IS A TERRIBLE THING (TO WASTE) MEAT LOAF 500166 A KISS TO BUILD A DREAM ON LOUIS ARMSTRONG 100058 A KISS WITH A FIST FLORENCE 100059 A LIGHT THAT NEVER COMES LINKIN PARK 500167 A LITTLE BIT LONGER JONAS BROTHERS 500168 A LITTLE BIT ME, A LITTLE BIT YOU THE MONKEES 500170 A LITTLE BIT MORE DR. -
Your Money, Your Goals: a Financial Empowerment Toolkit!
SPREAD WITH 0.125” BLEED June 2020 YOUR MONEY, YOUR GOALS A financial empowerment toolkit Consumer Financial Protection Bureau Table of contents Introduction ......................................................................................................................................... 6 About the toolkit .......................................................................................................... 6 The power of financial empowerment ....................................................................... 7 Incorporating the toolkit into your work ................................................................... 7 Financial decisions are about more than money ..................................................... 9 Tool: Financial empowerment self-assessment ...................................................... 13 Tool: My money picture ............................................................................................. 21 Module 1: Setting Goals .................................................................................................................. 24 Hopes and dreams can be turned into goals .........................................................25 Creating effective goals ............................................................................................25 Setting goals for life events and large purchases .................................................. 26 Tool: Setting SMART goals ........................................................................................29 Tool: Putting -
Jacek Drozda Grime Jako Muzyka I Etnografia Kryzysu : Od Broadwater Fram Do Brexitu
Jacek Drozda Grime jako muzyka i etnografia kryzysu : od Broadwater Fram do Brexitu Kultura Popularna nr 3 (53), 34-42 2017 Interakcje z architekturą 34 kultura popularna 2017 nr 3 (53) Jacek Drozda Grime jako muzyka i etno- grafia kryzysu Od Broadwater Farm do Brexitu DOI: 10.5604/01.3001.0010.8264 Interakcje z architekturą Jacek Drozda Grime jako muzyka i etnografia kryzysu 35 Jacek Drozda – kultu- Wejście Wielkiej Brytanii na drogę do opuszczenia Unii Europejskiej stało roznawca, badacz teorii się w latach 2016 – 2017 głównym tematem w debacie publicznej. Minimalne politycznych, ruchów zwycięstwo zwolenników Brexitu w referendum wywołało nie tylko doniosłe społecznych i kultur sportu. Opublikował reperkusje stricte polityczne, ale też silny rezonans kulturowy. Sama referen‑ m.in. książki Postfutbol. dalna decyzja uruchamiająca zawiłą procedurę stanowiła zaledwie element Antropologia piłki szerszego, wieloletniego procesu. Jest nim utrwalanie rozbudowanej polityki nożnej (z M. Czubajem i J. Myszkorowskim) dyscyplinowania społeczeństwa. Wydatne ograniczenie nakładów państwa oraz Opór kulturowy. na politykę społeczną oraz komercjalizacja instytucji ‑symboli w rodzaju Na‑ Między teorią a prak- tional Health Service należy odczytywać dziś jako składniki dalekosiężnej tykami społecznymi. strategii. Skłania to do przyjrzenia się, jak brytyjski pejzaż popkulturowy kształtuje się pod wpływem kryzysu. Jeśli przystaniemy na posługiwanie się dekadą jako narzędziem periodyzacji kultury popularnej, będziemy raczej skłonni zgodzić się, że czas rozkwitu robotniczej popkultury (z naciskiem na muzykę alternatywną) w latach 80. stanowił bezpośrednią reakcję na politykę thatcheryzmu, a entuzjazm dla wszystkiego, co kulturowe (cultural manage- ment, kulturowej różnorodności, lokalnej i globalnej popkultury), właściwy był latom 90. (zob. Hesmondhalgh i in., 2015). Oznacza to, że owa periody‑ zacja kulturowa jest ściśle związana ze splotem artystycznych i społecznych tendencji z projektami politycznymi rozwijanymi w makroskali. -
Upfront and Extremely Personal
z z u b DIIV Upfront and Extremely Personal PHOTO BY COLEY BROWN by Katherine Yeske Taylor because the lyrics have never been [sic] “#soberville #day12 #killme thanks where it’s like, if I picked up a guitar Caulfield says it was an easy decision During a call from Los Angeles, where important in the past—I think people to everyone for all the support. send and started playing “Human” [from to work on songs this way, due to DIIV’s the members of DIIV all live, zone out and listen along musically. your #soberstories to me they're so Oshin ] right now, I would think of a special nature. “There is something singer/guitarist Zachary Cole Smith, But this is a vocal-driven record, where inspiring.” Then, in August, he posted, festival we playe d in Europe—the songs really specific about this band, guitarist Andrew Bailey, and bassist the core of every song is like a singer- “6 months clean/sober --- time (doesn't) remind me of the experiences that I’ve especially live, where we can play the Colin Caulfield, are open and honest songwriter type [of] song, rather than fly but in all reality my life is so much shared with them, rather than what same song for the two-thousandth time about the potentially sensitive subject just guitar layers or cool effects.” better for it.” they’re actually about.” and still, there’s something there that matter on their third album, Deceiver , This upfront approach is in keeping Through it all, Smith’s bandmates As the one band member who can’t feels new. -
2010 Shorter University Lady Hawks Volleyball
2010 SHORTER UNIVERSITY LADY HAWKS VOLLEYBALL WE MEAN BUSINESS. TABLE OF CONTENTS / QUICK FACTS Introduction ................................................. 3-13 School Information Quick Facts .............................................. 3 Location .................................... Rome, Georgia The New U ............................................. 4-5 Founded ................................................ 1873 Winthrop-King Centre ................................ 6-7 Enrollment ............................................ 2,900 President, Dr. Harold E. Newman .................. 8-9 President .......................... Dr. Harold E. Newman Director of Athletics, Bill Peterson .............. 10-11 Director of Athletics .........................Bill Peterson We Mean Business .................................. 12-13 Nickname .......................................Lady Hawks Colors ..................................Royal Blue & White Season Preview ........................................... 14-19 Affiliation ...................................NAIA Division I 2010 Outlook ....................................... 14-15 Conference..............Southern States Athletic (East) 2010 Schedule .......................................... 16 2010 SSAC East Opponents ........................... 17 Home Court ........................Winthrop-King Centre 2010 Rosters ............................................ 18 Capacity ............................................... 2,500 2010 Media Roster ..................................... 19 Athletic -
Law Is Too Small to Contain Social Justice Sounds Like 1000 Kittens Being Mur- by JOHN WINSTEAD Under Local Antidiscrimination Ordi- to Turn to the U.S
Western Kentucky University TopSCHOLAR® WKU Archives Records WKU Archives 3-24-2016 UA12/2/1 College Heights Herald, Vol. 91, No. 15 WKU Student Affairs Follow this and additional works at: https://digitalcommons.wku.edu/dlsc_ua_records Part of the African American Studies Commons, Higher Education Administration Commons, Journalism Studies Commons, Lesbian, Gay, Bisexual, and Transgender Studies Commons, Mass Communication Commons, and the Sports Studies Commons Recommended Citation WKU Student Affairs, "UA12/2/1 College Heights Herald, Vol. 91, No. 15" (2016). WKU Archives Records. Paper 6456. https://digitalcommons.wku.edu/dlsc_ua_records/6456 This Other is brought to you for free and open access by TopSCHOLAR®. It has been accepted for inclusion in WKU Archives Records by an authorized administrator of TopSCHOLAR®. For more information, please contact [email protected]. LADY TOPPERS TEQUILA CRUSHERS: MOVE ON TO FINAL THE FACES BEHIND 16 OF WNIT MEXICO'S TOP NEW SPORTS, PAGE B4 DRINK PHOTO, PAGE A6 THURSDAY,THURSDAY, MARCHMARCH 24,24, 20162016 > WESTERNWESTERN KENTUCKYKENTUCKY UUNIVERSITYNIVERSITY > VVOLUMEOLUME 991,1, IISSUESSUE 1515 WKU mourns over loss of Kathryn Costello BY HANNAH SHAFFER [email protected] A former WKU administrator known for her positivity and passion for the university died Sunday of complica- tions from lung cancer. Kathryn Costello, the former vice president for development and alumni relations, retired from the position in December 2015. During her time in this position, Costello impacted many of those she worked with and left a lasting impression on the WKU community. “I think that a number of circum- stances in my life came together, and this was the time,” Costello told the Herald in its April 28, 2015, issue about her impending retirement. -
JAMAICA MUSIC COUNTDOWN Mar 2
JAMAICA MUSIC COUNTDOWN BY RICHARD ‘RICHIE B’ BURGESS MAR 2 - 8, 2018 TOP 25 DANCE HALL SINGLES TW LW WOC TITLE/ARTISTE/LABEL 01 3 15 Kremlin – Vybz Kartel – Head Concussion (1wk@#1) U-2 02 1 19 10 Outta 10 – Massicka – Good Good Productions (1wk@#1) D-1 03 2 17 Hot Tool – Aidonia – 4th Genna Music (2wks@#1) D-1 04 7 12 Suave - Alkaline – Chimney Records U-3 05 5 14 Bridget’s & Desert – Tommy Lee & Shensea – Romeich Ent. & Guzu Musiq NM 06 9 12 Graveyard – Tarrus Riley – Head Concussion Records U-3 07 8 14 Roll Clean – Masicka – Dunwell Productions U-1 08 4 17 All Aboard – Vybz Kartel – TJ Records (2wks@#1) D-4 09 6 16 Jump – Major Lazer feat. Busy Signal – Mad Decent (pp#4) D-3 10 11 10 Yabba Dabba Doo – Vybz Kartel – Purple Skunk Records U-1 11 13 10 Duh Better Than This – Bounty Killer – Misik Muzik U-2 12 14 9 Lebeh Lebeh – Ding Dong – Romeich Entertainment U-2 13 15 7 Family – Popcaan – Pure Music Productions U-2 14 16 7 Pine & Ginger – Amindi K. Fro$t, Tessellated & Valleyz – Big Beat Records U-2 15 10 16 Bruk Foreigner – Kalado – K.O.G. Music & Tek Ova Records (pp#6) D-5 16 18 6 Body Of A Goddess – Mitch & Dolla Coin – Emperor Productions U-2 17 20 5 A Mill Fi Share – Shane O – Kswizz Music U-3 18 21 4 They Don’t Know – Masicka – TMG Production U-3 19 19 6 Rolling – Sean Paul feat. -
Right on the Money
This toolkit was developed for the Family and Youth Services Bureau by JBS International, Inc., under Contract # GS10F0205K from the Administration on Children, Youth and Families; Administration for Children and Families, U.S. Department of Health and Human Services, to manage the National Clearinghouse on Families & Youth. Originally compiled in November 2009, the toolkit was updated in November 2010. The articles here, as well as other information about fundraising and sustainability for youth and family service agencies, can be found at http://ncfy.acf.hhs.gov. NCFY P.O. Box 13505 Silver Spring, MD (301) 608-8098 (301) 608 8721 (fax) [email protected] http://ncfy.acf.hhs.gov The listing of a website in this toolkit does not imply endorsement by the Family and Youth Services Bureau, the U.S. Department of Health and Human Services, or the National Clearinghouse on Families & Youth. Moreover, the points of view or opinions expressed on these websites do not necessarily represent the official position, policies, or views of FYSB, HHS, or NCFY. Table of Contents FINANCIAL MANAGEMENT ........................................................................................................... 1 Facing the Economic Downturn Head-on ......................................................................................................... 2 Staying on Course Amid the Recession ............................................................................................................. 3 Tough Times Mean Belt Tightening for Youth Programs ............................................................................... -
1990S Playlist
1/11/2005 MONTH YEAR TITLE ARTIST Jan 1990 Too Hot Loverboy Jan 1990 Steamy Windows Tina Turner Jan 1990 I Want You Shana Jan 1990 When The Night Comes Joe Cocker Jan 1990 Nothin' To Hide Poco Jan 1990 Kickstart My Heart Motley Crue Jan 1990 I'll Be Good To You Quincy Jones f/ Ray Charles and Chaka Khan Feb 1990 Tender Lover Babyface Feb 1990 If You Leave Me Now Jaya Feb 1990 Was It Nothing At All Michael Damian Feb 1990 I Remember You Skid Row Feb 1990 Woman In Chains Tears For Fears Feb 1990 All Nite Entouch Feb 1990 Opposites Attract Paula Abdul w/ The Wild Pair Feb 1990 Walk On By Sybil Feb 1990 That's What I Like Jive Bunny & The Mastermixers Mar 1990 Summer Rain Belinda Carlisle Mar 1990 I'm Not Satisfied Fine Young Cannibals Mar 1990 Here We Are Gloria Estefan Mar 1990 Escapade Janet Jackson Mar 1990 Too Late To Say Goodbye Richard Marx Mar 1990 Dangerous Roxette Mar 1990 Sometimes She Cries Warrant Mar 1990 Price of Love Bad English Mar 1990 Dirty Deeds Joan Jett Mar 1990 Got To Have Your Love Mantronix Mar 1990 The Deeper The Love Whitesnake Mar 1990 Imagination Xymox Mar 1990 I Go To Extremes Billy Joel Mar 1990 Just A Friend Biz Markie Mar 1990 C'mon And Get My Love D-Mob Mar 1990 Anything I Want Kevin Paige Mar 1990 Black Velvet Alannah Myles Mar 1990 No Myth Michael Penn Mar 1990 Blue Sky Mine Midnight Oil Mar 1990 A Face In The Crowd Tom Petty Mar 1990 Living In Oblivion Anything Box Mar 1990 You're The Only Woman Brat Pack Mar 1990 Sacrifice Elton John Mar 1990 Fly High Michelle Enuff Z'Nuff Mar 1990 House of Broken Love Great White Mar 1990 All My Life Linda Ronstadt (f/ Aaron Neville) Mar 1990 True Blue Love Lou Gramm Mar 1990 Keep It Together Madonna Mar 1990 Hide and Seek Pajama Party Mar 1990 I Wish It Would Rain Down Phil Collins Mar 1990 Love Me For Life Stevie B. -
New Release Reviews
If I Think Of Love, I Think Of You: New Release Reviews Music | Bittles’ Magazine: The music column from the end of the world With the autumn season firmly upon us most of us want nothing more than to lock our doors and peacefully hibernate for a month or two. What we need now are records made for listening to in the cosiness of your own home (or at least a club with a decent heating system). This week I will be raving about some new releases which make the perfect soundtrack for escaping the perils of the outside world. By JOHN BITTLES We have the leftfield pop of Carla Dal Forno and Bat For Lashes, the hypnotic urgings of DIIV, Octo Octa’s euphoric rave rush, Insta:mental’s deconstructed drum ‘n’ bass and lots more. So, close the windows, tug the duvet tight, and let us begin… Carla Dal Forno’s You Know What It’s Like was one of 2016’s best LPs. Merging pop melodies with post-punk rhythms, fractured electronics and just a tinge of dub, it sounded like nothing else around. This month she returns to the album format with the dreamy DIY aesthetic of Look Up Sharp. Clearer and punchier than its predecessor, the album is, quite simply, an unmitigated success. No Trace gets things off to a great start, wistful vocals combining with a fabulously loose bassline to create a song which instantly sets up home in your head. Recalling the spectral ambiance of the Cocteau Twins, or a more sedate Grimes, No Trace is bordering on the sublime.