The Ukrainian Weekly 1996, No.5
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The Pomegranate Cycle
The Pomegranate Cycle: Reconfiguring opera through performance, technology & composition By Eve Elizabeth Klein Bachelor of Arts Honours (Music), Macquarie University, Sydney A PhD Submission for the Department of Music and Sound Faculty of Creative Industries Queensland University of Technology Brisbane, Australia 2011 ______________ Keywords Music. Opera. Women. Feminism. Composition. Technology. Sound Recording. Music Technology. Voice. Opera Singing. Vocal Pedagogy. The Pomegranate Cycle. Postmodernism. Classical Music. Musical Works. Virtual Orchestras. Persephone. Demeter. The Rape of Persephone. Nineteenth Century Music. Musical Canons. Repertory Opera. Opera & Violence. Opera & Rape. Opera & Death. Operatic Narratives. Postclassical Music. Electronica Opera. Popular Music & Opera. Experimental Opera. Feminist Musicology. Women & Composition. Contemporary Opera. Multimedia Opera. DIY. DIY & Music. DIY & Opera. Author’s Note Part of Chapter 7 has been previously published in: Klein, E., 2010. "Self-made CD: Texture and Narrative in Small-Run DIY CD Production". In Ø. Vågnes & A. Grønstad, eds. Coverscaping: Discovering Album Aesthetics. Museum Tusculanum Press. 2 Abstract The Pomegranate Cycle is a practice-led enquiry consisting of a creative work and an exegesis. This project investigates the potential of self-directed, technologically mediated composition as a means of reconfiguring gender stereotypes within the operatic tradition. This practice confronts two primary stereotypes: the positioning of female performing bodies within narratives of violence and the absence of women from authorial roles that construct and regulate the operatic tradition. The Pomegranate Cycle redresses these stereotypes by presenting a new narrative trajectory of healing for its central character, and by placing the singer inside the role of composer and producer. During the twentieth and early twenty-first century, operatic and classical music institutions have resisted incorporating works of living composers into their repertory. -
The Ukrainian Weekly 2001, No.16
www.ukrweekly.com INSIDE: • “CHORNOBYL: THE FIFTEENTH ANNIVERSARY” Special section — pages 4-10. Published by the Ukrainian National Association Inc., a fraternal non-profit association Vol. LXIX No. 16 THE UKRAINIAN WEEKLY SUNDAY, APRIL 22, 2001 $1/$2 in Ukraine HE YuschenkoKRAINIAN government hangsEEKLY on, for now U.S.T grants asylum U W by Roman Woronowycz Rada, which last week submitted 237 law- Kyiv Press Bureau makers’ signatures in support of the propos- to Melnychenko, al. A simple majority of 226 signatures was KYIV – The government of Victor needed to table the proposal. The parlia- Yuschenko was left hanging by a thread on mentary session accepted the motion on Myroslava Gongadze April 19 after Ukraine’s Parliament voted in April 17 prior to a report by Prime Minister by Roman Woronowycz support of a resolution criticizing the work Yuschenko on the progress made in 2000 Kyiv Press Bureau of his Cabinet in 2000 as unsatisfactory. on implementation of the government’s The lawmakers decided to schedule a vote KYIV – The wife of Heorhii Gongadze, economic revival plan, called “Reforms for on a motion of no confidence within a the missing journalist feared dead who is at Well-Being.” week, which if passed would lead automati- the center of a huge political crisis in Kyiv, The Social Democrats (United), Labor and a former presidential bodyguard who cally to the dissolution of the government. Ukraine and the Democratic Union are con- produced tape recordings that seemingly The stormy session was marked by a sidered the bastions of the business oli- implicate the president in the disappearance near tragedy as National Deputy Lilia garchs and are led respectively, by Viktor have received political asylum in the United Hryhorovych of the Rukh faction doused Medvedchuk, Viktor Pinchuk and States, revealed the U.S. -
CHERES Hailed to Be “The Best Purveyor of Authentic Ukrainian Folk
CHERES Hailed to be “the best purveyor of authentic Ukrainian folk music in the United States” by the former head of the Archive of Folk Culture at the Library of Congress, Cheres brings to life melodies from the Carpathian mountains in Western Ukraine and neighboring Eastern European countries. Since its founding in 1990 by students of the Kyiv State Conservatory in the Ukraine, the ensemble has enthralled North American audiences with their rousing renditions of folk music performed on the cymbalum, violin, woodwinds, accordion, bass, and percussion. Virtuoso musicians join spirited dancers, all donned in traditional Western Ukrainian hand-embroidered garments, to paint a vivid picture of Ukrainian folk art. The musicians, most of whom are from Halychyna in western Ukraine, are united by an artistic vision to preserve their traditions. “Cheres” is actually a little known Ukrainian term for a metal- studded leather belt formerly used as a bulletproof vest during the Middle Ages. Today, the group Cheres has adopted this Medieval protective shield as their name to symbolize the safeguarding of vanishing folk art traditions from the Carpathian mountains. This seasoned ensemble has performed in nightclubs and concerts in New York City; music festivals in the Tri-State area, including Lincoln Center’s Out of Doors Festival in 2006 and Folk Parks in 2000, as well as colleges and universities on the east coast. Cheres has appeared on television on NBC’s Weekend Today show, as well as the Food Network’s Surprise! show. Tracks from their latest CD, Cheres: From the Mountains to the Steppe” have been played on WNYC’s New Sounds program, as well as other stations in the region. -
Chapter IX: Ukrainian Musical Folklore Discography As a Preserving Factor
Art Spiritual Dimensions of Ukrainian Diaspora: Collective Scientific Monograph DOI 10.36074/art-sdoud.2020.chapter-9 Nataliia Fedorniak UKRAINIAN MUSICAL FOLKLORE DISCOGRAPHY AS A PRESERVING FACTOR IN UKRAINIAN DIASPORA NATIONAL SPIRITUAL EXPERIENCE ABSTRACT: The presented material studies one of the important forms of transmission of the musical folklore tradition of Ukrainians in the United States and Canada during the XX – the beginning of the XXI centuries – sound recording, which is a component of the national spiritual experience of emigrants. Founded in the 1920s, the recording industry has been actively developed and has become a form of preservation and promotion of the traditional musical culture of Ukrainians in North America. Sound recordings created an opportunity to determine the features of its main genres, the evolution of forms, that are typical for each historical period of Ukrainians’ sedimentation on the American continent, as well as to understand the specifics of the repertoire, instruments and styles of performance. Leading record companies in the United States have recorded authentic Ukrainian folklore reconstructed on their territory by rural musicians and choirs. Arranged folklore material is represented by choral and bandura recordings, to which are added a large number of records, cassettes, CDs of vocal-instrumental pop groups and soloists, where significantly and stylistically diversely recorded secondary Ukrainian folklore (folklorism). INTRODUCTION. The social and political situation in Ukraine (starting from the XIX century) caused four emigration waves of Ukrainians and led to the emergence of a new cultural phenomenon – the art and folklore of Ukrainian emigration, i.e. diaspora culture. Having found themselves in difficult ambiguous conditions, where there was no favorable living environment, Ukrainian musical folklore began to lose its original identity and underwent assimilation processes. -
The History of Ukraine Advisory Board
THE HISTORY OF UKRAINE ADVISORY BOARD John T. Alexander Professor of History and Russian and European Studies, University of Kansas Robert A. Divine George W. Littlefield Professor in American History Emeritus, University of Texas at Austin John V. Lombardi Professor of History, University of Florida THE HISTORY OF UKRAINE Paul Kubicek The Greenwood Histories of the Modern Nations Frank W. Thackeray and John E. Findling, Series Editors Greenwood Press Westport, Connecticut • London Library of Congress Cataloging-in-Publication Data Kubicek, Paul. The history of Ukraine / Paul Kubicek. p. cm. — (The Greenwood histories of the modern nations, ISSN 1096 –2095) Includes bibliographical references and index. ISBN 978 – 0 –313 – 34920 –1 (alk. paper) 1. Ukraine —History. I. Title. DK508.51.K825 2008 947.7— dc22 2008026717 British Library Cataloguing in Publication Data is available. Copyright © 2008 by Paul Kubicek All rights reserved. No portion of this book may be reproduced, by any process or technique, without the express written consent of the publisher. Library of Congress Catalog Card Number: 2008026717 ISBN: 978– 0– 313 – 34920 –1 ISSN: 1096 –2905 First published in 2008 Greenwood Press, 88 Post Road West, Westport, CT 06881 An imprint of Greenwood Publishing Group, Inc. www.greenwood.com Printed in the United States of America The paper used in this book complies with the Permanent Paper Standard issued by the National Information Standards Organization (Z39.48 –1984). 10 9 8 7 6 5 4 3 2 1 Every reasonable effort has been made to trace the owners of copyright materials in this book, but in some instances this has proven impossible. -
Twenty-Seventh Congress of the Communist Party of the Soviet Union
TMUN TWENTY-SEVENTH CONGRESS OF THE COMMUNIST PARTY OF THE SOVIET UNION MARCH 1986 COMITTEEE DIRECTOR VICE DIRECTORS MODERATOR SIERRA CHOW NATHALIA HERRERA DAVIS HAUGEN TESSA DI VIZIO THE TWENTY-SEVENTH CONGRESS OF THE TMUN COMMUNIST PARTY OF THE SOVIET UNION A Letter from Your Director 2 Topic A: Economic Reform and Institutional Restructuring 3 Uskorenie 3 Glasnost 6 Perestroika 7 Questions to Consider 9 Topic B: National Movements and Satellite States 10 Russian Nationalism 10 Satellite States 11 Hungarian Revolution, 1956 12 Prague Spring Czechoslovakia, 1968 13 Poland Solidarity, 1980 14 The Baltics 17 Kazakhstan 19 Questions to Consider 21 Topic C: Foreign Policy Challenges 22 The Brezhnev Era 22 Gorbachev’s “New Thinking” 23 American Relations 25 Soviet Involvement in Afghanistan 26 Turning Point 28 Questions to Consider 30 Characters 31 Advice for Research and Preparation 36 General Resources 37 Topic A Key Resources 37 Topic B Key Resources 37 Topic C Key Resources 38 Bibliography 39 Topic A 39 Topic C 41 1 THE TWENTY-SEVENTH CONGRESS OF THE TMUN COMMUNIST PARTY OF THE SOVIET UNION A LETTER FROM YOUR DIRECTOR Dear Delegates, Welcome to the 27thCongress of the Communist Party of the Soviet Union. This event represents a turning point in the Soviet Union’s history, as Mikhail Gorbachev, a champion of reform and reorientation, leads his first Congress as General Secretary. My name is Sierra Chow, and I will be your Director for the conference. I am a third-year student at the University of Toronto, enrolled in Political Science, Psychology, and Philosophy. Should you have any questions about the topics, the committee, the conference, or University of Toronto in general, please reach out to me via email and I will do my best to help. -
University of California UNIVERSITY of CALIFORNIA
UCLA UCLA Electronic Theses and Dissertations Title Ukrainian Identity in Modern Chamber Music: A Performer's Perspective on Valentyn Silvestrov's Violin Sonata "Post Scriptum" and its Interpretation in the Context of Ukrainian Chamber Works. Permalink https://escholarship.org/uc/item/8874s0pn Author Khomik, Myroslava Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Ukrainian Identity in Modern Chamber Music: A Performer’s Perspective on Valentyn Silvestrov’s Violin Sonata “Post Scriptum” and its Interpretation in the Context of Ukrainian Chamber Works A dissertation submitted in partial satisfaction Of the requirements for the degree Doctor of Musical Arts By Myroslava Khomik 2015 © Copyright by Myroslava Khomik 2015 ABSTRACT OF THE DISSERTATION Ukrainian Identity in Modern Chamber Music: A Performer’s Perspective on Valentyn Silvestrov’s Violin Sonata “Post Scriptum” and its Interpretation in the Context of Ukrainian Chamber Works. by Myroslava Khomik Doctor of Musical Arts University of California, Los Angeles, 2015 Professor Movses Pogossian, Chair Ukrainian cultural expression has gone through many years of inertia due to decades of Soviet repression and censorship. In the post-Soviet period, since the late 80s and early 90s, a number of composers have explored new directions in creative styles thanks to new political and cultural freedoms. This study focuses on Valentyn Silvestrov’s unique Sonata for Violin and Piano “Post Scriptum” (1990), investigating its musical details and their meaning in its post- Soviet compositional context. The purpose is to contribute to a broader overview of Ukraine’s classical music tradition, especially as it relates to national identity and the ii current cultural and political state of the country. -
The Ukrainian Weekly 1989, No.4
www.ukrweekly.com И5Ьегі by the Ukrainian National Association Inc., a fraternal non-profit association| ШraiHH V Vol. LVII No. 4 THE UKRAINIAN WEEKLY SUNDAY, JANUARY 22, 1989 50 cents Shelest confirms he was purged Vienna agreement strengthens for ''Uferainfon nafiona/fsm'' commitments 0П human rights by Bohdan Nahaylo the 80-year-old "private pensioner VIENNA - Thirty-five states meet for the first time since what has become confirms that he was removed for his ing here since November of 1986 to known as the Helsinki process began, a The former Ukrainian Communist alleged "Ukrainian nationalism" and review compliance with the 1975 Hel formal mechanism was established Party leader and Politburo member reveals that Mikhail Suslov was the sinki Accords agreed on a concluding whereby countries may complain to Petro Shelest has finally managed to main force behind his dismissal. document that strengthens human others about human rights abuses. explain why he was dismissed over 15 The latest interview with Mr. Shelest rights safeguards. The agreement, Under the new mechanism, the Post years ago and made a "non-person." appears in Argumenty і Fakty, a rather made public in Vienna on January 16, ' noted, a government must reply if After a decade and a half of enforced more influential publication than Stro- was hailed by diplomats as the most another government requests informa silence, another interview with Mr. itelnaya Gazeta, on whose pages the significant to come out of the Con tion about suspected abuses of human Shelest has appeared in the Soviet press, veteran Ukrainian Communist made ference on Security and Cooperation in rights. -
Abn Correspondence Bulletin of the Anti-Bolshevik Bloc of Nations
FREEDOM FOR NATIONS ! CORRESPONDENCE FREEDOM FOR INDIVIDUALS! JANUARY-FEBRUARY 1989 CONTENTS: Carolling Ukrainian-Style ....................... 2 The Autobiography of Levko Lukyanenko ..................... 3 European Freedom Council Meeting ..............................16 Statement of the European Freedom Council .............. 16 Hon. John Wilkinson, M.P. Eastern European Policy for Western Europe .............. 19 Genevieve Aubry, M.P. Is Switzerland Ready for a New Challenge with the European Nations .......................... 26 Sir Frederic Bennett Can the Soviet Russian Empire Survive? ....................... 31 Bertil Haggman Aiding the Forces of Freedom in the Soviet Empire ................................... 34 Ukrainian Christian Democratic Front Holds Inaugural Meeting ........... 40 David Remnick Ukraine Could be Soviets’ Next Trouble Spot ..............41 Bohdan Nahaylo Specter of the Empire Haunts the Soviet Union ..........45 Appeal to the Russian Intelligentsia ......... ......................47 Freedom for Nations! Freedom for Individuals! ABN CORRESPONDENCE BULLETIN OF THE ANTI-BOLSHEVIK BLOC OF NATIONS Publisher and Owner (Verleger und Inha It is not our practice to pay for contribut ber): American Friends of the Anti-Bolshevik ed materials. Reproduction permitted only Bloc of Nations (AF ABN), 136 Second Avenue, with indication of source (ABN Corr.). New York, N.Y. 10003, USA. Annual subscription: 27 Dollars in the Zweigstelle Deutschland: A. Dankiw, USA, and the equivalent of 27 US Dollars in Zeppelinstr. 67, 8000 München 80. all other countries. Remittances to Deutsche Editorial Staff: Board of Editors Bank, Munich, Neuhauser Str. 6, Account Editor-in-Chief: Mrs. Slava Stetsko, M.A. No. 3021003, Anna Dankiw. Zeppelinstr. 67 Schriftleitung: Redaktionskollegium. 8000 München 80 Verantw. Redakteur Frau Slava Stetzko. West Germany Zeppelinstraße 67 Articles signed with name or pseudonym 8000 München 80 do not necessarily reflect the Editor’s opinion, Telefon: 48 25 32 but that of the author. -
Romanian Traditional Musical Instruments
GRU-10-P-LP-57-DJ-TR ROMANIAN TRADITIONAL MUSICAL INSTRUMENTS Romania is a European country whose population consists mainly (approx. 90%) of ethnic Romanians, as well as a variety of minorities such as German, Hungarian and Roma (Gypsy) populations. This has resulted in a multicultural environment which includes active ethnic music scenes. Romania also has thriving scenes in the fields of pop music, hip hop, heavy metal and rock and roll. During the first decade of the 21st century some Europop groups, such as Morandi, Akcent, and Yarabi, achieved success abroad. Traditional Romanian folk music remains popular, and some folk musicians have come to national (and even international) fame. ROMANIAN TRADITIONAL MUSIC Folk music is the oldest form of Romanian musical creation, characterized by great vitality; it is the defining source of the cultured musical creation, both religious and lay. Conservation of Romanian folk music has been aided by a large and enduring audience, and by numerous performers who helped propagate and further develop the folk sound. (One of them, Gheorghe Zamfir, is famous throughout the world today, and helped popularize a traditional Romanian folk instrument, the panpipes.) The earliest music was played on various pipes with rhythmical accompaniment later added by a cobza. This style can be still found in Moldavian Carpathian regions of Vrancea and Bucovina and with the Hungarian Csango minority. The Greek historians have recorded that the Dacians played guitars, and priests perform songs with added guitars. The bagpipe was popular from medieval times, as it was in most European countries, but became rare in recent times before a 20th century revival. -
The Ukrainian Weekly 2012, No.52-53
www.ukrweekly.com ХРИСТОС НАРОДИВСЯ! CHRIST IS BORN! THEPublished U by theKRAINIAN Ukrainian National Association Inc., a fraternal W non-profit associationEEKLY Vol. LXXX No. 52-53 THE UKRAINIAN WEEKLY DECEMBER 23-DECEMBER 30, 2012 $1/$2 in Ukraine Self Reliance New York presents Yanukovych cancels trip to Moscow $25,000 for Holodomor Memorial as Customs Union membership looms by Zenon Zawada experts and people familiar with the situa- Special to The Ukrainian Weekly tion spoke of uniting with Moscow as a nearly resolved matter.” KYIV – Ukraine came as close as ever The newspaper described a Kremlin this week to losing its independence as arrangement that resembled a scam. The President Viktor Yanukovych was within Russians arranged just 15 minutes of dis- hours of signing away Ukraine’s Euro- cussion between the two presidents before integration future in Moscow, reported the the scheduled signing, preventing any Kommersant-Ukrayina newspaper, a Kyiv- attempt by Mr. Yanukovych to negotiate based business daily published in the only partial conformity to the Customs Russian language. Union, which was his administration’s stat- At midnight at December 18, he can- ed goal. No advisors were invited to the celed a trip that was to take place the fol- 15-minute meeting. lowing afternoon to the Kremlin, where Only afterwards did the Kremlin sched- Russian President Vladimir Putin was wait- ule talks between the two delegations, ing for him with a stack of documents that including leading ministers, a scenario that would have sealed Ukraine’s membership Kommersant described as “unprecedented in the Customs Union, a precursor to the for international meetings.” In the days Eurasian Union that is aimed at reviving leading up to the trip, its status had been the Russian empire. -
Book Reviews
Canadian Slavonic Papers Revue Canadienne des Slavistes ISSN: 0008-5006 (Print) 2375-2475 (Online) Journal homepage: https://www.tandfonline.com/loi/rcsp20 Book Reviews Alexandra Popoff, Serhy Yekelchyk, David Goldfrank, Andriy Zayarnyuk, Robert Collis, Kazimiera J. Cottam, Alla Nedashkivska, Irina Astashkevich, Maxim Tarnawsky, Max Bergholz, Brian Horowitz, Sharon A. Kowalsky, Christopher Ely, Alexander M. Martin, Ralph Lindheim, Gerald M. Easter, Gunter Schaarschmidt, Eugene Miakinkov, George Chuchman, Nadine Thielemann, George Thomas, George Cummins, Zarema Kumakhova, Céline Marangé, Christopher Burton, Vera Tolz, Megan Swift, Kevin Kain, George Soroka, Alison Rowley, Seth Graham, J.-Guy Lalande, Jan Raska, Katharine Hodgson, John Stanley, Harold Schefski, Geneviève Cloutier, Barbara Henry, Andrew Demshuk, Martina Björklund, Gerhard Schildberg-Schroth, Zina Gimpelevich, Andrew Dombrowski, N.G.O. Pereira, Lasha Tchantouridzé, Karen Gammelgaard, John Dingley, Sarah Clovis Bishop, Yuri Leving, Laurie Bernstein, Lynne Viola, Annie Gérin, Ljiljana Šarić, Tristan Landry, Victor Taki, Julia Vaingurt, Leonard Friesen, Donald J. Raleigh & M. Mark Stolarik To cite this article: Alexandra Popoff, Serhy Yekelchyk, David Goldfrank, Andriy Zayarnyuk, Robert Collis, Kazimiera J. Cottam, Alla Nedashkivska, Irina Astashkevich, Maxim Tarnawsky, Max Bergholz, Brian Horowitz, Sharon A. Kowalsky, Christopher Ely, Alexander M. Martin, Ralph Lindheim, Gerald M. Easter, Gunter Schaarschmidt, Eugene Miakinkov, George Chuchman, Nadine Thielemann, George Thomas,