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Transnationalism and Expatriate Political Engagement: the Case of the Italian and French Voting in Australia
Transnationalism and expatriate political engagement: The case of the Italian and French voting in Australia Dr Maryse Helbert Maryse joined Melbourne University and completed her PhD in international Relations and Political Economy in 2016. Prior to that, she was an advocate for and research on women’s participation in politics and decision-making for over a decade. She is now focusing on teaching and research in the fields of political Science and International Relations. Assoc. Professor Bruno Mascitelli Swinburne University of Technology, Melbourne Prior to joining Swinburne University of Technology, Bruno was employed by the Australian Consulate in Milan, Italy where he spent 18 years. In 1997 he joined Swinburne University and has since focused his teaching and research in areas related to European Studies. This has included four books on Italy and its expatriate community abroad looking at expatriate voting in particular. He is President of the European Studies Association in Australia. Abstract The aim of this paper is to provide an appreciation and analysis of the expatriate connectivity of Italian and the French citizens from their place of residency in Australia through their respective elections in their home country election. Specifically, the paper will examine the cases of Italians in Australia voting in the 2013 Italian elections and equally that of French citizens in Australia voting in the French Presidential and the following Legislative Elections in 20171. The paper examines the voting patterns there might be between those voting in the home country (Italy and France) and those voting in external electoral colleges in this case the relevant Australian college. -
Thesis Draft
! ! ! ! ! The Mobile Citizen: Canada’s Treatment of Mobility in Immigration, Citizenship, and Foreign Policy ! Alex M. Johnston ! ! Thesis submitted to the Faculty of Graduate and Postdoctoral Studies in partial fulfillment of the requirements for the degree of Master of Arts in Political Science ! ! School of Political Studies Faculty of Social Science University of Ottawa ! ! © Alex M. Johnston, Ottawa, Canada, 2017. The Mobile Citizen ii Abstract ! Mobility, as the ability among newcomers and citizens to move temporarily and circularly across international borders and between states, has become a pervasive norm for a significant portion of Canada’s population. Despite its pervasive nature and the growing public interest, however, current research has been limited in how Canadian policies are reacting to the ability of citizens and newcomers to move. This thesis seeks to fill that gap by analyzing Canada’s treatment of mobility within and across policies of immigration, citizenship and foreign affairs. An analytical mobility framework is developed to incorporate interdisciplinary work on human migration and these policy domains. Using this framework, an examination of policy developments in each domain in the last decade reveals that they diverge in isolation and from a whole-of-government perspective around the treatment of mobility. In some instances policy accommodates or even embraces mobility, and in others it restricts it. The Mobile Citizen iii Table of Contents Abstract i Table of Contents and List of Table and Figures ii Introduction -
The Language of Astonishment: a French-Australian Author's
THE LANGUAGE OF ASTONISHMENT: A FRENCH-AUSTRALIAN AUTHOR’S REFLECTIONS ON HER IDENTITY SOPHIE MASSON Towards the end of Russian-French writer Andreï Makine’s hauntingly beautiful novel of childhood, memory and divided loyalties, Le Testament français (1995), the narrator Alyosha, who all his young life has been shuttling between the visceral reality of his Russian Siberian childhood and his French grandmother’s poetic evocations of her past and her old country, has a sudden slip of the tongue which for a moment puts him in a disorienting position: that of being literally between two languages, between French and Russian, and understood in neither. But it is that very moment which transforms his life and his understanding of himself and his literary ambitions. The gap between the two languages, which as a dreamy child he simply accepted and as a rebellious teenager he reacted against, is not what he once thought it was—a frustrating barrier to understanding or a comforting bulwark against reality, depending on his mood at the time. No, it is something far stranger and much more exhilarating: a prism through which everything can be seen and felt even more clearly, sensually and intensely and not only because with two languages at your disposal you have even more opportunity to ‘nail’ the world, as it were. It is also because this between-two-languages phenomenon, common to all bilingual people, is actually a striking metaphor for the gap that exists between language per se and language lived—the sensual reality for all human beings. And it is in that gap that literature itself is born: literature which, in Makine’s beautiful words, is un étonnement permanent devant cette coulée verbale dans laquelle fondait le monde (Makine, 244).1 And it is that very ‘in-between’, that universal ‘language of astonishment’, which will turn Alyosha into a writer and by extension Makine himself, who included many autobiographical elements in the novel. -
Artonview 51.Pdf
artonview art o n v i ew ISSUE No.51 ISS ue SPRING n o.51 spring 2007 2007 NATIONAL GALLERY OF GALLERY AUSTRALIA Richard Bell Australian art it’s an Aboriginal thing 2006 synthetic polymer paint on canvas Acquired 2006 TarraWarra Museum of Art collection courtesy the artist and Bellas Milani Gallery 13 October 2007 – 10 February 2008 National Gallery of Australia, Canberra CELEBRATING¬¬YEARS A National Gallery of Australia Travelling Exhibition The National Gallery of Australia is an Australian Government agency nga.gov.au/NIAT07 Sculpture Gallery • rOBERT rauSchenBerG • Ocean tO OutBack OC E A N to OUTBACK Australian landscape painting 1850 –1950 The National Gallery of Australia’s 25th Anniversary Travelling Exhibition 1 September 2007 – 27 January 2008 Proudly supported by the National Gallery of Australia Council Exhibition Fund National Gallery of Australia, Canberra This exhibition is supported by the CELEBRATING¬¬YEARS nga.gov.au/Rauschenberg Embassy of the United States of America Russell Drysdale Emus in a landscape 1950 (detail) oil on canvas National Gallery of Australia, Canberra © Estate of Russell Drysdale Robert Rauschenberg Publicon – Station I from the Publicons series enamel on wood, collaged laminated silk and cotton, gold leafed paddle, light bulb, perspex, enamel on polished aluminium National Gallery of Australia, Canberra Purchased 1979 © Robert Rauschenberg Licensed by VAGA and VISCOPY, Australia, 2007 The National Gallery of Australia is an Australian Government agency artonview contents 2 Director’s foreword -
Intercultural Business Communication
Sixth Edition Intercultural Business Communication Lillian H. Chaney The University of Memphis Jeanette S. Martin The University of Mississippi Boston Columbus Indianapolis New York San Francisco Upper Saddle River Amsterdam Cape Town Dubai London Madrid Milan Munich Paris Montréal Toronto Delhi Mexico City São Paulo Sydney Hong Kong Seoul Singapore Taipei Tokyo Editor in Chief: Stephanie Wall Production Manager: Tom Benfatti Acquisitions Editor: Sarah McCabe Creative Director: Jayne Conte Director of Editorial Services: Ashley Santora Cover Designer: Susanne Duda Editorial Project Manager: Karin Williams Full Service Project Management: Moganambigai Editorial Assistant: Ashlee Bradbury Sundaramurthy/Integra Software Services Pvt. Ltd. Director of Marketing: Maggie Moylan Composition: Integra Software Services, Ltd. Marketing Assistant: Kim Lovato Text Font: 10/12, Times LT Std Credits and acknowledgments borrowed from other sources and reproduced, with permission, in this textbook appear on the appropriate page within text. Copyright © 2014 by Pearson Education, Inc. All rights reserved. Manufactured in the United States of America. This publica- tion is protected by Copyright, and permission should be obtained from the publisher prior to any prohibited reproduction, storage in a retrieval system, or transmission in any form or by any means, electronic, mechanical, photocopying, recording, or likewise. To obtain permission(s) to use material from this work, please submit a written request to Pearson Education, Inc., Permissions Department, One Lake Street, Upper Saddle River, New Jersey 07458, or you may fax your request to 201-236-3290. Many of the designations by manufacturers and sellers to distinguish their products are claimed as trademarks. Where those designations appear in this book, and the publisher was aware of a trademark claim, the designations have been printed in initial caps or all caps. -
Not Quite White: Lebanese and the White Australia Policy, 1880 to 1947 by Anne Monsour (Review)
Not Quite White: Lebanese and the White Australia Policy, 1880 to 1947 by Anne Monsour (review) Catriona Elder Mashriq & Mahjar: Journal of Middle East and North African Migration Studies, Volume 1, Number 2, 2013, (Review) Published by Moise A. Khayrallah Center for Lebanese Diaspora Studies For additional information about this article https://muse.jhu.edu/article/779776/summary [ Access provided at 28 Sep 2021 06:18 GMT with no institutional affiliation ] Mashriq & Mahjar 1, no. 2 (2013), 125-129 ISSN 2169-4435 ANNE MONSOUR, Not Quite White: Lebanese and the White Australia Policy, 1880 to 1947 (Brisbane: Post Pressed, 2010). Pp. 216. $45.65 paper. REVIEWED BY CATRIONA ELDER, Department of Sociology and Social Policy, University of Sydney, email: [email protected] After receiving Anne Monsour’s book Not Quite White to review, I put it on my bookshelf at work to read a little further down the track. Taking it home one day a few weeks later, I discovered I mistakenly had picked up the wrong book. I also had on the shelf a copy of a book by Matt Wray with the same main title, but the sub-title “white trash and the boundaries of whiteness.”1 Since I was not going to get to read Monsour’s book that evening, I flicked through Wray’s monograph instead. Though exploring a different topic – the emergence of the pejorative term “white trash” to describe a segment of the American population – there were sections of this book, that I discovered later, resonated with Monsour’s work. In setting out the theoretical framework for his argument Wary returns to the eugenics and scientific material of the late nineteenth century, where the “classifying impulse” was on show. -
A Comparative Analysis of Artist Prints and Print Collecting at the Imperial War Museum and Australian War M
Bold Impressions: A Comparative Analysis of Artist Prints and Print Collecting at the Imperial War Museum and Australian War Memorial Alexandra Fae Walton A thesis submitted for the degree of Doctor of Philosophy of the Australian National University, June 2017. © Copyright by Alexandra Fae Walton, 2017 DECLARATION PAGE I declare that this thesis has been composed solely by myself and that it has not been submitted, in whole or in part, in any previous application for a degree. Except where stated otherwise by reference or acknowledgement, the work presented is entirely my own. Acknowledgements I was inspired to write about the two print collections while working in the Art Section at the Australian War Memorial. The many striking and varied prints in that collection made me wonder about their place in that museum – it being such a special yet conservative institution in the minds of many Australians. The prints themselves always sustained my interest in the topic, but I was also fortunate to have guidance and assistance from a number of people during my research, and to make new friends. Firstly, I would like to say thank you to my supervisors: Dr Peter Londey who gave such helpful advice on all my chapters, and who saw me through the final year of the PhD; Dr Kylie Message who guided and supported me for the bulk of the project; Dr Caroline Turner who gave excellent feedback on chapters and my final oral presentation; and also Dr Sarah Scott and Roger Butler who gave good advice from a prints perspective. Thank you to Professor Joan Beaumont, Professor Helen Ennis and Professor Diane Davis from the Australian National University (ANU) for making the time to discuss my thesis with me, and for their advice. -
Are Muslim Immigrants Really Different
Are Muslim immigrants really different? Experimental Evidence from Lebanon and Australia Maleke Fourati∗ Danielle Hayeky August 12, 2019 Abstract This paper aims to identify the effect of religion on individual cooperative behaviour towards women and the poor by focusing on Muslim immigrants. In particular, it attempts to shed light on whether religion or the social environment of immigration influences the distinct behaviour exhibited by Muslim immigrants in Western destination countries. We test this by conducting a prisoner's dilemma game with the Lebanese population in Australia (destination country) and the Lebanese population in Lebanon (native country). This unique sample allows us to remove the effects of confounds such as economic institutions of country of ancestry, ethnolinguistic groupings and culture. In both countries, we compare Lebanese Muslims to Lebanese Christians to isolate the effect of religion. We find that in Lebanon, Muslims and Christians behave similarly, while in Australia, when compared to Christians, Muslims are more cooperative (i.e., send a higher share of their endowment) towards the poor and especially towards poor females. These results hold even after controlling for altruistic behaviour. We conclude that distinct behaviours displayed by Muslims are not driven by religion but rather migration status. Differing levels of social capital between these two religious groups in Australia seem to explain these findings. JEL Classification: D81, D03, Z12 Keywords: Behavioral Microeconomics, Field Experiment, Religion ∗University of Geneva, [email protected] ySchool of Economics, UNSW Business School, [email protected] 1 1. Introduction In recent decades, the issue of Muslim immigration has been at the forefront of countless political and intellectual debates in the Western World1. -
A Descriptive Cultural Study of Children's Play
PRETEND PLAY IN NORTH TEHRAN Pretend Play of Young Children in North Tehran: A Descriptive Cultural Study of Children’s Play and Maternal Values by Behnaz Shahidi A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Education in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Maryl Gearhart, Chair Professor Susan Holloway Professor Geoffrey Saxe Professor Kaiping Peng Fall 2010 PRETEND PLAY IN NORTH TEHRAN PRETEND PLAY IN NORTH TEHRAN ABSTRACT Pretend Play of Young Children in North Tehran: A Descriptive Cultural Study of Children’s Play and Maternal Values by Behnaz Shahidi Doctor of Philosophy in Education University of California, Berkeley Professor Maryl Gearhart, Chair The findings of this descriptive study on the cultural aspects of the pretend play of upper middle class children in North Tehran are based on an-hour long interview with mothers of 38 young ( n = 17) and old ( n = 21) preschool children (half were girls). Influences of children’s daily activities, cultural and family values and Tehran city-life conditions on children’s pretend play were investigated. Children’s daily life influenced time available for play; mothers believed that play time had decreased due to increased participation at enrichment classes, more time spent watching TV, frequently going out along with mother, and reduced number of siblings and children in general. Children mostly played pretend indoors due to pollution and hazardous traffic. Despite dislike of clutter, mothers allowed children to play anywhere in the house as long as safe and comfortable. Children had a wide range of toys, which lend to all themes of play; mostly toys were related to Everyday Activities ; girls played as frequently with Family Care and boys with Fantasy toys. -
Australian Curriculum: Languages French (Revised)
Australian Curriculum: Languages French (revised) For public viewing February 2014 www.acara.edu.au All material in this brochure is subject to copyright under the Copyright Act 1968 (C’th) and is owned by the Australian Curriculum, Assessment and Reporting Authority (ACARA) 2013. Licence Unless otherwise noted, all material in this brochure – except the logo of ACARA, third party icons and any material protected by trademark – is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Australia (CC BY NC SA) licence identified by the following logo: Under a CC BY NC SA Licence, you may download, copy, print and communicate material for personal or non-commercial purposes, including educational or organisational use, provided you attribute ACARA and licence any new work created incorporating material from this website under the same CC BY NC SA Licence. Attribution (Credit ACARA) All ACARA material licensed under the CC BY NC SA licence must be attributed in the following manner: Unmodified ACARA material: You must credit ACARA in the following manner: Source: Australian Curriculum, Assessment and Reporting Authority (ACARA). Modified ACARA material: You must credit ACARA in the following manner: Based on Australian Curriculum, Assessment and Reporting Authority (ACARA) materials. Copyright inquiries For all copyright inquiries, please email: [email protected] or phone: 1300 895 563 (if within Australia) or 61 2 8098 3100 (if outside Australia). AUSTRALIAN CURRICULUM: LANGUAGES FRENCH Context Statement The place of the French language and culture and in Australia and in the world French is a major world language, spoken as the first language in more than two dozen countries on five continents and as an official language in 33 countries. -
Artist's Palette Insight.Pdf
INSIGHT INSIGHT Lance Ross Pure Talent A self-described “all-rounder”, this artist has forged a successful career having dabbled in many creative avenues ance Ross is an established artist with over 50 years of experience, Lspecialising in fine art, marine art and illustration. Having always dabbled in the creative arts, the bulk of Lance’s working life was spent as a freelance commercial artist, writer and one-man advertising agency, working largely within other agencies giving him Lance to solely organise Australia’s a continuous supply of work. Lance’s largest ever art show in Melbourne’s break into the advertising industry Royal Exhibition Buildings with over started at 17 years of age when he was a 1500 paintings on show and scores of messenger boy in an advertising agency. art and craft demonstrations underway. Without having been to art school, Lance To ensure high quality, all artists were was moved into the art department two personally invited. weeks later when his boss liked the Throughout his career, Lance was doodles he created between deliveries. commissioned to provide thousands This opportunity kick-started what would of illustrations. The gaps allowed him be a stellar career for Lance. “Luckily, I to create scores of sidelines, including was placed at a drawing board between designing artists’ materials, publishing two ex-students of Sir William Dargie top selling magazines, best-selling books who won the Archibald Portrait Prize and contributing illustrations and stories eight times. In a telephone interview he to other magazines. In recent times, told me, “Back in my time, paintings Lance’s ‘sideline time’ has been spent were judged by how natural they creating products to sell, which can be looked.” Both my workmates were keen viewed on his website. -
Corowa (1893) and Bathurst (1896)
Papers on Parliament No. 32 SPECIAL ISSUE December 1998 The People’s Conventions: Corowa (1893) and Bathurst (1896) Editors of this issue: David Headon (Director, Centre for Australian Cultural Studies, Canberra) Jeff Brownrigg (National Film and Sound Archive) _________________________________ Published and Printed by the Department of the Senate Parliament House, Canberra ISSN 1031–976X Published 1998 Papers on Parliament is edited and managed by the Research Section, Department of the Senate. Copy editor for this issue: Kay Walsh All inquiries should be made to: The Director of Research Procedure Office Department of the Senate Parliament House CANBERRA ACT 2600 Telephone: (02) 6277 3078 Email: [email protected] ISSN 1031–976X ACKNOWLEDGEMENTS: Centre for Australian Cultural Studies The Corowa and District Historical Society Charles Sturt University (Bathurst) The Bathurst District Historical Society Cover design: Conroy + Donovan, Canberra Introduction When Henry Parkes delivered his Tenterfield speech in October 1889, declaring federation’s time had come, he provided the stimulus for an eighteen-month period of lively speculation. Nationhood, it seemed, was in the air. The 1890 Australian Federation Conference in Melbourne, followed by the 1891 National Australasian Convention in Sydney, appeared to confirm genuine interest in the national cause. Yet the Melbourne and Sydney meetings brought together only politicians and those who might be politicians. These were meetings, held in the Australian continent’s two most influential cities, which only succeeded in registering the aims and ambitions of a very narrow section of the colonial population. In the months following Sydney’s Convention, the momentum of the official movement was dissipated as the big strikes and severe depression engulfed the colonies.