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The First Amendment, the Public-Private Distinction, and Nongovernmental Suppression of Wartime Political Debate Gregory P
Working Paper Series Villanova University Charles Widger School of Law Year 2004 The First Amendment, The Public-Private Distinction, and Nongovernmental Suppression of Wartime Political Debate Gregory P. Magarian Villanova University School of Law, [email protected] This paper is posted at Villanova University Charles Widger School of Law Digital Repository. http://digitalcommons.law.villanova.edu/wps/art6 THE FIRST AMENDMENT, THE PUBLIC -PRIVA TE DISTINCTION, AND NONGOVERNMENTAL SUPPRESSION OF WARTIME POLITICAL DEBATE 1 BY GREGORY P. MAGARIAN DRAFT 5-12-04 TABLE OF CONTENTS INTRODUCTION ......................................................................................... 1 I. CONFRONTING NONGOVERNMENTAL CENSORSHIP OF POLITICAL DEBATE IN WARTIME .................. 5 A. The Value and Vulnerability of Wartime Political Debate ........................................................................... 5 1. The Historical Vulnerability of Wartime Political Debate to Nongovernmental Suppression ....................................................................... 5 2. The Public Rights Theory of Expressive Freedom and the Necessity of Robust Political Debate for Democratic Self -Government........................ 11 B. Nongovernmental Censorship of Political Speech During the “War on Terrorism” ............................................... 18 1. Misinformation and Suppression of Information by News Media ............................................ 19 2. Exclusions of Political Speakers from Privately Owned Public Spaces. -
Annual Report and Accounts 2004/2005
THE BFI PRESENTSANNUAL REPORT AND ACCOUNTS 2004/2005 WWW.BFI.ORG.UK The bfi annual report 2004-2005 2 The British Film Institute at a glance 4 Director’s foreword 9 The bfi’s cultural commitment 13 Governors’ report 13 – 20 Reaching out (13) What you saw (13) Big screen, little screen (14) bfi online (14) Working with our partners (15) Where you saw it (16) Big, bigger, biggest (16) Accessibility (18) Festivals (19) Looking forward: Aims for 2005–2006 Reaching out 22 – 25 Looking after the past to enrich the future (24) Consciousness raising (25) Looking forward: Aims for 2005–2006 Film and TV heritage 26 – 27 Archive Spectacular The Mitchell & Kenyon Collection 28 – 31 Lifelong learning (30) Best practice (30) bfi National Library (30) Sight & Sound (31) bfi Publishing (31) Looking forward: Aims for 2005–2006 Lifelong learning 32 – 35 About the bfi (33) Summary of legal objectives (33) Partnerships and collaborations 36 – 42 How the bfi is governed (37) Governors (37/38) Methods of appointment (39) Organisational structure (40) Statement of Governors’ responsibilities (41) bfi Executive (42) Risk management statement 43 – 54 Financial review (44) Statement of financial activities (45) Consolidated and charity balance sheets (46) Consolidated cash flow statement (47) Reference details (52) Independent auditors’ report 55 – 74 Appendices The bfi annual report 2004-2005 The bfi annual report 2004-2005 The British Film Institute at a glance What we do How we did: The British Film .4 million Up 46% People saw a film distributed Visits to -
What Inflamed the Iraq War?
Reuters Institute for the Study of Journalism Fellowship Paper, University of Oxford What Inflamed The Iraq War? The Perspectives of American Cartoonists By Rania M.R. Saleh Hilary Term 2008 1 ACKNOWLEDGEMENT I would like to express my deepest appreciation to the Heikal Foundation for Arab Journalism, particularly to its founder, Mr. Mohamed Hassanein Heikal. His support and encouragement made this study come true. Also, special thanks go to Hani Shukrallah, executive director, and Nora Koloyan, for their time and patience. I would like also to give my sincere thanks to Reuters Institute for the Study of Journalism, particularly to its director Dr Sarmila Bose. My warm gratitude goes to Trevor Mostyn, senior advisor, for his time and for his generous help and encouragement, and to Reuter's administrators, Kate and Tori. Special acknowledgement goes to my academic supervisor, Dr. Eduardo Posada Carbo for his general guidance and helpful suggestions and to my specialist supervisor, Dr. Walter Armbrust, for his valuable advice and information. I would like also to thank Professor Avi Shlaim, for his articles on the Middle East and for his concern. Special thanks go to the staff members of the Middle East Center for hosting our (Heikal fellows) final presentation and for their fruitful feedback. My sincere appreciation and gratitude go to my mother for her continuous support, understanding and encouragement, and to all my friends, particularly, Amina Zaghloul and Amr Okasha for telling me about this fellowship program and for their support. Many thanks are to John Kelley for sharing with me information and thoughts on American newspapers with more focus on the Washington Post . -
Film Club Sky 328 Newsletter Freesat 306 AUGUST/SEPT 2020 Virgin 445
Freeview 81 Film Club Sky 328 newsletter Freesat 306 AUGUST/SEPT 2020 Virgin 445 Dear Supporters of Film and TV History, Hoping you are all well and enjoying a Lyons Maid or two on the hotter days while watching Talking Pictures TV – your own personal trip to the flicks every day and no fleas! This month we bring you a wonderful new DVD Box set from Renown Pictures – The Comedy Collection Volume 3! We thought it was time we all had a jolly good laugh and with 11 films over 3 discs, starring some of the greatest British character actors you will see, it’s an absolute bargain at £20 for all 3 discs with free UK postage. Titles include: A Hole Lot of Trouble with Arthur Lowe, Victor Maddern and Bill Maynard; A Touch of The Sun with Frankie Howerd, Ruby Murray and Alfie Bass, once lost British comedy Just William’s Luck, fully restored to its former glory, Come Back Peter, with Patrick Holt and Charles Lamb, also once lost and never before released on DVD, as well as Where There’s A Will with George Cole and Kathleen Harrison, plus many more! More details overleaf. There’s an extra special deal on our Comedy Collection Volumes 1 and 2 as well. Regarding our events this year and next year, there is good news and bad news. Finally, the manager at the St Albans Arena has come back to the office and has secured 28th March 2021 for us. Sad news as it doesn’t look like we will be able to go ahead with any other event this year, including Stockport on Sunday 4th October. -
Journal of Visual Culture
Journal of Visual Culture http://vcu.sagepub.com/ Just Joking? Chimps, Obama and Racial Stereotype Dora Apel Journal of Visual Culture 2009 8: 134 DOI: 10.1177/14704129090080020203 The online version of this article can be found at: http://vcu.sagepub.com/content/8/2/134 Published by: http://www.sagepublications.com Additional services and information for Journal of Visual Culture can be found at: Email Alerts: http://vcu.sagepub.com/cgi/alerts Subscriptions: http://vcu.sagepub.com/subscriptions Reprints: http://www.sagepub.com/journalsReprints.nav Permissions: http://www.sagepub.com/journalsPermissions.nav Citations: http://vcu.sagepub.com/content/8/2/134.refs.html >> Version of Record - Nov 20, 2009 What is This? Downloaded from vcu.sagepub.com at WAYNE STATE UNIVERSITY on October 8, 2014 134 journal of visual culture 8(2) Just Joking? Chimps, Obama and Racial Stereotype We are decidedly not in a ‘post-racial’ America, whatever that may look like; indeed, many have been made more uneasy by the election of a black president and the accompanying euphoria, evoking a concomitant racial backlash in the form of allegedly satirical visual imagery. Such imagery attempts to dispel anxieties about race and ‘blackness’ by reifying the old racial stereotypes that suggest African Americans are really culturally and intellectually inferior and therefore not to be feared, that the threat of blackness can be neutralized or subverted through caricature and mockery. When the perpetrators and promulgators of such imagery are caught in the light of national media and accused of racial bias, whether blatant or implied, they always resort to the same ideological escape hatch: it was only ‘a joke’. -
Summer Catalog 2020
5)&5*/:#00,4503& Summer Catalog 2020 Summer books for readers of all ages Arts and Crafts……………………………………………………………. p.1 Biography and Autobiography………………………………...……. p. 1-2 Business and Economics……………………………………...……….. p. 2-4 Comics and Graphic Novels……………………………..…………… p. 4-6 Computers and Gaming………………………………...…….……….. p. 6 Cooking……………………………………………………………………… p. 6 Education…………………………………………………………………… p. 6 Family and Relationships………………………………...……………. p. 6 Adult Fiction………………………………………………….……………. p. 7-10 Health and Fitness…………………………………………..…………… p. 10 History……………………………………………………………………….. p. 10 Humor…………………………………………………………….………….. p. 11 Kids Fiction for Kids…………………………………………………… p. 11-18 Nonfiction for Kids……………………………………………… p. 18-20 Social Studies Language Arts………………………………………...........…….. p. 21 Law………………………………………………………….….....….. p. 21 Literary Collections……………………………………..…........ p. 21 Math…………………………………………………………..…....... p. 21 Philosophy…………………………………………………..…...... p. 21 Table of Contents of Table Politics…………………………………………………………........ p. 21-22 Psychology…………………………………………………......…. p. 23 Religion……………………………………....…………………..… p. 23 Science………………………………………....…………………... p. 23 Self-Help……………………………………………….………………....... p. 23-25 Social Science…………………………………………………………….. p. 25 Sports………………………………………………………………………… p. 25 True Crime…………………………………………………………………. p. 25 Young Adult Fiction……………………………………………………................ p. 25-27 Nonfiction……………………………………………................… p. 27-28 Buy Online and Pick-up at Store or Shop and Ship to Home tinybookspgh.com/online -
“Jumping Through Hoops”
“JUMPING THROUGH HOOPS”: A MANITOBA STUDY EXAMINING THE EXPERIENCES AND REFLECTIONS OF ABORIGINAL MOTHERS INVOLVED WITH CHILD WELFARE AND LEGAL SYSTEMS RESPECTING CHILD PROTECTION MATTERS A project report prepared for Ka Ni Kanichihk Inc. and the Steering Committee of the Family Court Diversion Project Winnipeg, Manitoba By Marlyn Bennett First Nations Child & Family Caring Society of Canada July 2008 The research and production of this report was funded by Status of Women Canada. This document presents perspectives and opinions which do not represent official policies and/or opinions of the Status of Women Canada, Ka Ni Kanichihk Inc. or the First Nations Child & Family Caring Society of Canada Inc. Painting featured by Mark Houston II | Examing the Experiences and Reflections of Aboriginal Mothersand Legal Systems DEDICATION: This study is dedicated also to the memory of my mother Virginia Beaulieu/Roulette, who I have come to This study is dedicated to all the women who gave know better in spirit than when she walked this earth. of their time and energy to fill out the personal The women who participated in this study have taught information form and participated in the talking circles and helped me to understand the complexity of my and interview components of this study. Your strong own mother’s life, both as an Aboriginal woman and voices, stories and shared experiences have taught us as a mother, who struggled with child welfare many many things about your personal strengths through times throughout her own life before she passed into which we have come to understand, with greater the spirit world at 32 years of age in 1976. -
Shail, Robert, British Film Directors
BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter. -
Trump, Biden Fight It out to The
P2JW308000-6-A00100-17FFFF5178F ****** TUESDAY,NOVEMBER 3, 2020 ~VOL. CCLXXVI NO.106 WSJ.com HHHH $4.00 DJIA 26925.05 À 423.45 1.6% NASDAQ 10957.61 À 0.4% STOXX 600 347.86 À 1.6% 10-YR. TREAS. À 3/32 , yield 0.848% OIL $36.81 À $1.02 GOLD $1,890.40 À $13.00 EURO $1.1641 YEN 104.75 What’s AP News PEREZ/ MICHAEL P; Business&Finance /A /PTR arket turbulence has DUNLAP Mdisrupted adriveby nonbank mortgagefirms to SHANE P; raise capital through public /A listings, with two major lend- ersrecently delaying IPOs. A1 HARNIK TwitterCEO Dorsey’s job appearssafeafter aboard ANDREW committeerecommended P; /A that the current management AR structureremain in place. B1 PUSK J. Chinese regulators met GENE with Jack Ma and topAnt : Group executives,days before LEFT the company’sstock is set P to begin trading publicly. B1 TO OM Walmart has ended its FR effort to use roving robots WISE in store aisles to keep OCK track of its inventory. B1 CL In Pennsylvania on Monday, President Trump spoke at a rally at the Wilkes-Barre/Scranton airport; Joe Biden attended a rally in Monaca; Vice President Factories across the Mike Pence, along with his wife, Karen, and daughter Charlotte were in Latrobe; and vice-presidential candidate Sen. Kamala Harris was in Pittston. globe bounced back strongly in October, as manufactur- ers hired more people and ramped up production. A2 Trump,Biden FightItOut to theEnd U.S. stocks rose, with the Dow, S&P 500 and against abackdrop of concerns states were steeling themselves Trump spent the closing days of astate,Ohio,that shifteddeci- Nasdaq gaining 1.6%, 1.2% Election officials steel over the vote-counting process foradrawn-out vote-counting the campaign questioning ex- sively behind Mr.Trump and and 0.4%, respectively. -
Our Doors Are Always Open
Our doors Dear Abby Pat Oliphant are always open. Ziggy Roger Ebert Pooch Café The Argyle Sweater Cynthia Tucker Stone Soup Sales and Editorial Contacts at: Cul de Sac Pet Connection www.amuniversal.com/ups Fact Sheet • September 2008 4520 Main St. • Kansas City, MO 64111 800-255-6734 • 816-932-6600 TJ Tomasi, Golf Insider Close to Home PRICKLY CITY by Scott Stantis • Daily and Sunday COMIC PANELS — 1/3 st., 1/4 st., 1/3 tab BUSINESS & FINANCE THE ARGYLE SWEATER by Scott Hilburn • STONE SOUP by Jan Eliot • Daily and Sunday THE MOTLEY FOOL • Weekly • Composed Daily and Sunday —1/3 st., 1/4 st., 1/3 tab — 1/3 st., 1/4 st., 1/3 tab half-page of lively investment advice CLOSE TO HOME by John McPherson • Daily TANK McNAMARA by Jeff Millar and Bill Hinds SCOTT BURNS by Scott Burns • 2x weekly and Sunday — 1/3 st., 1/4 st., 1/3 tab • Daily and Sunday — 1/3 st., 1/4 st., 1/3 tab • Savvy advice to put your finances in order CORNERED by Mike Baldwin • Daily color or b/w TOM THE DANCING BUG by Ruben Bolling and Sunday — 1/3 st. • Weekly (oversized) COLOR & GRAPHIC SERVICES THE 5TH WAVE by Rich Tennant • Weekly FACES IN THE NEWS by Kerry Waghorn • Available in color or b&w SUNDAY–ONLY FEATURES • 3 images offered weekly • Color and b&w THE FLYING MCCOYS by Glenn and Gary McCoy BIOGRAPHIC by Steve McGarry • Boldly illustrated • Established master caricaturist • Daily and Sunday — 1/3 st., 1/4 st., 1/3 tab personality profiles — 1/3 st., 1/4 st., full tab PRIMARY COLOR created by Harriet Choice • Four IN THE BLEACHERS by Steve Moore • Daily * FAMILY TIME CROSSWORD by Timothy Parker • categories can be purchased all together or and Sunday — 1/3 st., 1/4 st., 1/3 tab Crossword puzzle for kids and parents to work separately. -
UPS Fact Sheet 9/04B
Fact Sheet • June 2006 4520 Main St. • Kansas City, MO 64111 800-255-6734 • 816-932-6600 www.amuniversal.com/ups CORNERED by Mike Baldwin • Daily color FOCUS • Full page • National and international ADVICE or b/w and Sunday news and analysis CONSEJOS by Liliana Gundlach, Catherine Jagers THE 5TH WAVE by Rich Tennant • Weekly GENERATIONS • Half-page • Feature news for the and Daniel Ramirez • Weekly • Bilingual advice • Available in color or b&w growing mature readership from three personable, hip young Latino THE FLYING MCCOYS by Glenn and Gary GOLF INSIDER • Full page • Coverage of pro professionals • Available in Spanish McCoy • Daily and Sunday tours and expert instruction from T.J. Tomasi, DEAR ABBY by Abigail Van Buren • 7x weekly; IN THE BLEACHERS by Steve Moore • Daily a Top 100 teaching pro available as composed column • The one and only and Sunday THE GREAT OUTDOORS • Half-page • Hunting FOCUS ON THE FAMILY by Dr. James Dobson NON SEQUITUR by Wiley • Daily and Sunday and fishing, hiking and camping • Weekly • Forum on family values with a REAL LIFE ADVENTURES by Lance Aldrich and HEALTHY LIVING • Full page • Columns and Christian perspective • Available in Spanish Gary Wise • Daily and Sunday news features about personal health and fitness THE LAST WORD IN ASTROLOGY by ZIGGY by Tom Wilson • Daily and Sunday LIFESTYLES • Full page • Entertainment, home Eugenia Last • 7x weekly; available as composed • Available in Spanish improvement, fashion and consumer tips column • Multimedia astrologer brings an ancient NASCAR INSIDER • Full -
Introduction
SYMPOSIUM Introduction artoons come in many shapes and sizes, ists are notoriously difficult to mobilize, but C from gag cartoons and comic strips, to the specter of job losses taps into larger con- comic books and graphic novels. A more or cerns about opinion-based cartooning and the less respectable cartoon format is the news- future of the newspaper. The prize-winning paper editorial cartoon. This symposium con- cartoonists Clay Bennett and Ann Telnaes siders the state of editorial cartooning around touch on these issues in their symposium inter- the globe, from representations of gender, reli- views ~Margulies 2007; Harrison 2007!. gion, student life, and popular culture in the As a commercial art form, the editorial car- United States, to visual politics in Indonesia, toon is linked to the development of the modern Yemen, Turkey, and South Africa. daily newspaper. But the editorial cartoon may The term editorial cartoon typically refers to also be viewed as one form that cartooning can the topical outbursts of image and text that assume along a continuum of formats, styles, punctuate and enliven the daily newspaper edi- and genres. In recent years, the influential work torial page. Ideally, the editorial cartoon enjoys of Scott McCloud ~1993! has encouraged re- a certain degree of autonomy from the columns searchers to think of comics as a medium of of print that surround it. A capable editorial car- sequences and juxtapositions, which places the toonist can use this autonomy to “grab people by editorial cartoon in an awkward conceptual the lapels, shake them and say, ‘Don’t you un- relationship with multi-panel and multi-page derstand what’s happening?’ ” ~Tom Tomorrow, cartooning, even though plenty of editorial car- quoted in Lamb 2004, 233!.