Penland School of Cra fts Annual Report / Fiscal Year 2013 / May  – April  Penland School of Crafts Penland School of Crafts is an international center for craft educa - Front cover: Alison Collins installing her piece Temps Perdu in the tion dedicated to helping people live creative lives. Located in Dye Shed. Alison was one of four artists who created installations ’s Blue Ridge Mountains, the school offers workshops on the Penland campus as part of the 0 to 60 project (see page  ). in books and paper, clay, drawing and painting, glass, iron, metals, Using a dye pigmented with rust, Alison copied the opening section photography, printmaking and letterpress, textiles, wood, and other of Marcel Proust’s In Search of Lost Time onto hundreds of yards of media. Penland sponsors artist residencies, a gallery and visitors muslin, which she used to completely line the Dye Shed. center, and community education programs. Penland’s focus on Back cover: A detail of an installation, titled Forest for the Trees, cre - excellence, its long history, and its inspiring retreat setting have ated at the North Carolina Museum of Art by resident artist Tom made it a model of experiential education. Penland School of Crafts Shields as part of the 0 to 60 project (see page  ). Tom mounted is a nonprofit, tax-exempt institution. (in a way that minimized impact on the trees) thirty-one found chairs in a grove of trees on the museum’s campus. Penland’s Mission Inside front cover: The spring  clay class—under the guid - The mission of Penland School of Crafts is to support individual ance of Kevin Crowe and Dan Finnegan—building a new wood kiln. and artistic growth through craft. Inside back cover: Student Abby Christ creating a sandblasting mask on a glass vessel during the  fall workshop taught by Pablo Soto. The Penland Vision Penland is committed to providing educational programs in a total- Annual Report Credits immersion environment that nurtures individual creativity. Editor: Robin Dreyer; design: Eleanor Annand; writing: Elaine Bleakney, Penland’s programs embrace traditional and contemporary Robin Dreyer, Jean McLaughlin; assistance: Elaine Bleakney, Marie Fornaro, approaches that respect materials and techniques while encourag - Joan Glynn, Tammy Hitchcock, Nancy Kerr, Polly Lórien, Susan McDaniel, ing conceptual exploration and aesthetic innovation. Jean McLaughlin; photographs: Robin Dreyer, except where noted. Penland School of Cra fts Annual Report / Fiscal Year 2013 / May  – April 

Penland School of Crafts receives support from the North Carolina Arts Council, an agency funded by the State of North Carolina and the National Endowment for the Arts, which believes that a great nation deserves great art. Introduction

Instructor John Horn and a student pulling a print from the large hand press in the letterpress studio.

Penland days are filled with individual discoveries, risky leaps of faith, and lots of per - sonal and professional growth. Challenges are the stuff we are made of. Celebrating the creative spirit in each of us is what we do. Our workshops are inventive and engaging because of the combined energy of inspiring instructors and dedicated students. With your support, we continue the legacy of this great educational experiment, bringing people together from all walks of life. Some students use Penland to reinvent themselves or to advance careers and build strong networks. Many young people use our workshops to supplement their college education or to fill a gap year. There are those whose professions lie elsewhere, but whose hearts and hands seek the special experience of participation in Penland’s creative community. If you’ve never taken a Penland workshop, we encourage you to do so. It’s the best way to fully appreciate “the Penland experience” and how it can change lives. Penland attracts students of all skill levels, of a wide range of ages, and from varied cultural and ethnic backgrounds. In fiscal year  , students came to Penland from forty-nine states and worked alongside students from Australia, the Bahamas, Belgium, Brazil, Canada, Chile, Germany, Ireland, Israel, Japan, Kuwait, the Netherlands, Peru, Switzerland, Taiwan, and the United Kingdom. Among our instructors were artists from Australia, Belgium, Canada, Germany, the Netherlands, and Peru. This diversity makes for engaging and wide-ranging conversations in the studios and the dining hall. Costs continue to be the greatest hurdle for many who want to take part in our pro - grams, making scholarships increasingly important. With your help we were able to provide financial assistance to  percent of our students.

Penland School of Crafts Annual Report May  ‒ April  Introduction

Many friends helped to advance The Campaign for Penland’s Future. In fiscal year  , the campaign raised $  , , . As we print this annual report, it has raised a total of $  , , from  foundations, , individuals, and  organizations, businesses, or other types of donors. We started an ambassadors program this year to enable former students and instruc - tors to share information about Penland in a simple and accessible way. A PowerPoint presentation with a script and instructions can be downloaded from our website. In this inaugural year we had twenty volunteer ambassadors whose presentations reached more than a thousand people. We also produced Artists for Penland cards that anyone can have on hand to pass out—the cards are easy to distribute to potential students from a studio or classroom or sales venue like a fair or festival. The Penland story was shared at several events across the country and internationally. Jean McLaughlin and Rob Pulleyn We thank friends Steve and Ellen Le Blanc (Santa Fe, NM), Drew Oliver and Eve Perry at the Sculpture, Objects, (West Jefferson, NC), Polly Allen (Chicago, IL), and Mina Levin and Ron Schwartz Functional Art + Design fair in (Raleigh, NC) who hosted events for Penland in fiscal year  . Penland hosted a trip Chicago. to Japan in which twenty-seven travelers visited artist studios, gardens, temples, and museums in Kyoto and Tokyo. A meeting with the Asian Cultural Council presented leaders in Japan with artist opportunities available at Penland. The Association of Israeli Decorative Arts sponsored a trip during which Penland presentations were made to stu - dents at Bezalel Academy, Shenkar College of Engineering and Design, and Tel Hai College. Please enjoy our annual report and accept our most sincere thanks for the part you have played in our success. Your support had a direct impact on the creative lives of  , people served by our programs. Their experiences start at Penland and spread throughout our country—and the world.

Jean W. McLaughlin, executive director Rob Pulleyn, chair, board of trustees

Students assembling the prow of a wooden boat in a workshop taught by Tim Lee. 

Penland School of Crafts Annual Report May  ‒ April  Workshops

Workshops have always been the core of Penland’s program. These intensive, total- immersion classes offer a uniquely effective way to learn. Focusing on one subject with few distractions allows students to absorb an incredible amount of information in a short period of time. Penland’s guest instructors are full-time studio artists, most of whom generally teach only in workshop programs like Penland’s; or they are college or university faculty who are normally available only to students in their home institu - tions. Each year, about half of Penland’s  instructors have taught at the school in the past—creating continuity in the program. The other half are new to Penland—which helps keep things fresh. In fiscal year  , the school offered workshops in books and paper, clay, drawing and painting, iron, metals, photography, printmaking and letterpress, textiles, and wood. There was also a workshop in making public art proposals and one in writing and illustrating for children. Among the  summer workshops offered were classes in Japanese bookbinding, printing on clay, neon sculpture, early-American hardware, Asian metalsmithing, paper sculpture, leatherworking, guitar making, building wooden boats, and one in which students created forms, made molds from those forms, and then cast them in both porcelain and glass. In the fall and spring, the format expands to eight weeks, enough time to create a body of work and advance skills to a whole new level. These longer workshops are sometimes used to accommodate ambitious projects, such as the spring  class that gave clay students a rare opportunity to build a wood-fired kiln. Students in these long sessions are joined periodically by people taking one-week workshops. In fiscal year  , Penland’s fall and spring sessions offered a total of fourteen eight-week workshops Student Agnes Camara Raynes and twenty-three one-weekers . cutting a linoleum block in a class on relief printing and letterpress taught by Laura Richens. Agnes received a Lucy Morgan Scholarship.

Instructor Kevin Snipes talking glazes with students in his workshop on ceramic vessels as a medium for storytelling.

Penland School of Crafts Annual Report May  ‒ April  Workshops

Wes Stitt Penland Workshops Fiscal Year 2013

Students: 1,454 Instructors: 155 Workshops: 135 Studios: 15 States: 49 Countries: 16

Student Rachel Goolsby, studio assistant Sophena Kwon, and instructor Charllotte Kwon working in the textiles studio during Charllotte’s summer workshop on natural dyes. Charllotte is the director of the Maiwa organization, and she has studied indigenous textiles and natural dye materials all over the world.

The content of each workshop is determined by the instructor in consultation with Penland’s program director. Instructors write the descriptions used to market the class - es, and it’s easy to see by scanning through them how diverse and personal the program can be. David Chatt, who makes sculpture from tiny glass beads, told potential stu - dents, “I have invented techniques, variations of techniques, and variations of variations. Now you can learn what I have learned and lose track of huge chunks of time in pur - suit of the perfect beaded curiosity.” Glass instructor Pablo Soto suggested that “some - times we have an elusive idea that is spoiled by a simple formality we overlooked dur - ing the making process or because we couldn’t find the mark that would have made the piece perfect.” And blacksmith David Court explained, “blacksmithing is a direct process in which the maker controls the results by attention to detail and diligent appli - cation of muscle energy.” Although Penland offers some workshops tailored for advanced students, most of them are open to students of all skill levels. It is a testament to the generosity of Penland’s instructors and the flexibility of the workshop format that these classes routinely meet the needs of beginning and experienced students at the same time. Core fellow Bob Biddlestone making a hammer in the Penland iron studio with some assistance from studio coordinator Daniel Beck.

Penland School of Crafts Annual Report May  ‒ April  Resident Artists

Dana Moore

“Penland started out as a place to transition from previous work,” Penland resident artists in 2012 (left to right): David Eichelberger, Micah Evans, Rachel says resident artist Rachel Meginnes, Tom Shields, Robin Johnston, gwendolyn yoppolo, Dustin Farnsworth Meginnes. “It took me some time to move out of the freelance work In  , director Bill Brown saw an opportunity to use Penland’s studios when work - I was doing when I arrived, but I shops weren’t in session, and he established a residency program, which he envisioned finally gave that up. I would have as something akin to a medical internship: artists would have focused time and space to been losing out if I hadn’t. I have determine a path for their life’s work. Brown also hoped that some resident artists been producing more work and would settle near the school and create an artistic community. larger work than I ever have, get - Over the last fifty years, this vision has been realized and then some. Penland resi - ting back into teaching, partici - dent artists have a dedicated studio complex and seven apartments, the scope of the pating in national and interna - program has expanded to include artists at different transitional points in their careers, tional shows, and really pushing and the local community includes more than fifty former residents; more than one- hundred and forty have participated in the program since its inception. myself to produce and deliver as Resident artists spend three years at Penland working out of the Barns studios, much as I possibly can. As a where they open their doors to the school community once each session. Resident result, my work is growing in artists interact with Penland instructors, students, and staff, exhibit their work in the many different directions all at Penland Gallery, teach occasionally, and exemplify how to lead a life in craft. While at once and although it feels hard to Penland, this year’s resident artists prepared work for gallery and museum exhibitions keep up, I feel this intensity is key across the country, including The Bellevue Arts Museum in Washington, Santa Fe Clay to my growth and success. in New Mexico, and Blue Spiral I in Asheville, North Carolina. Tom Shields created a Teaching, writing, and putting my large wall piece and an environmental installation for the 0 to 60 exhibition at the work out in the world as a resi - North Carolina Museum of Art. (See page  for more information about this project.) dent artist at Penland have made Resident artists in fiscal year  were potter David Eichelberger, glass sculptor me more aware of how art, craft, Micah Evans, figurative sculptor Dustin Farnsworth, weaver Robin Johnston, textile artist and design (three worlds I’m part Rachel Meginnes, wood sculptor Tom Shields, and potter gwendolyn yoppolo. of) come together, and how they can come together in the studio.”

Penland School of Crafts Annual Report May  ‒ April  Core Fellows

Penland’s core fellows arrive as emerging artists to explore choices available to them as they pursue lives—at Penland and beyond—as independent artists. They bring adventure, openness, and intelligence to Penland’s workshops and studios where they experiment and create new work. They are also the lifeblood of the school: working on the grounds and in the kitchen, running events, collaboratively installing an annual show of their work, and engaging with workshop students, staff, and instructors on a daily basis. Selected through a competitive process, Penland’s nine core fellows live and work together for two years while crafting their own exploration of time and materials. More than two hundred artists have participated in the core fellowship program. Four core fellows culminated their fellowship in February  : ceramicist Bob Biddlestone, clay and metal artist Rachel Garceau, metalsmith Seth Gould, and metal - smith and furniture maker Jack Mauch. Returning for their second year were Zee Boudreaux, Liz Koerner, Michael Krupiarz, Rachel Mauser, and Molly Spadone. Four new core fellows arrived in March of  : Audrey Bell, Sarah Brown, Angela Eastman, and Will Lentz. “Penland definitely is a magical Wes Stitt place and I’ve had a wild two years here,” says core fellow Rachel Mauser. “I’m a book artist and when I arrived at Penland, I found that book artists usually know letterpress and how to make paper. Before I came here, I’d never done either. In addition to my experiences in the studio, I’ve also learned the vocabulary of craft. I remember getting here and hearing people talk about ‘slip casting.’ I had no idea what that was! Now I know exactly what it is and how it’s done. I’m so much more familiar with the language of different crafts, which means a lot to me. Being a core fellow at Penland is an incredible blend of being an artist, a staff member, a student, and living in a very close community. Everything is intense: Core fellows Liz Koerner and Jack Mauch with the beautiful table they made for the new core so much more than I think it nor - residence. The building has not been built yet, but when it is complete, the dining room will mally would be. Living with the be graced by Liz and Jack’s work. other core fellows and learning from them—as artists, as col - leagues, as people—has been amazing.”

Penland School of Crafts Annual Report May  ‒ April  Scholarships

Each year, almost half of those who attend Penland’s workshops do so with some form n o s l i of financial assistance. Most of the school’s scholarships come in the form of work-study W n e r or studio assistantships, both of which require the student to do some work for the u a L l

e school during their session. There are also a number of full scholarships that do not have i r A a work requirement, and in  Penland created a new class of partial scholarships, which give students a $ , discount on tuition. Penland also partners with other institutions to create scholarships, and there is a program of discounts for school teach - ers and local residents and who take unfilled spaces just before classes begin. In fiscal year  , generous donors provided Penland with ten new scholarships, six of these are annually funded while four will be funded through new endowments. In all,  students received work-study scholarships,  were studio assistants,  received full scholarships, and  had stand-by discounts. Thirty college and university students attended Penland with the support of scholarships partially funded by their academic institutions, and ten recent graduates of the North Carolina School of the Arts received full scholarships funded by the Thomas S. Kenan Institute for the Arts. Penland scholarship programs are made possible by donations to the annual fund, foundations, the sale of work at end-of-session auctions, Penland’s general operating budget, and individual scholarship endowments. For a list of specially funded or endowed  Israeli designer and silversmith scholarships, see page . Amir Friedman received a scholar - Ariel Lauren Wilson ship from the Association of Israeli Decorative Arts, to attend Jana Brevick’s 2012 metals workshop. “When the workshop began,” he said, “I felt as if I was walking inside my own dreams. All the machinery was spotless, shiny, and in order just like little soldiers waiting to join in the action. I’ve been trying to cut my sleep and meal times so I can squeeze in as much bench time as I physically can. . . . Encountering designers from different disciplines, I can truly say that I will leave this heaven on earth with even greater desire to create and with a broad - er sense of the properties of metal. . . . I cannot wait to go back to my studio in Israel and go on Adrienne McKenzie, who received the Cynthia and Edwina Bringle Scholarship to attend Rachel Miller’s textiles workshop titled Sculptural/Wearable . She’s working on a piece titled I experimenting with the new tech - do and I don’t, which is an interpretation of a wedding dress made from cheesecloth, reeds, niques and approaches that I and hundreds of cotton facial cleaning pads. “All of the projects, new techniques, and vari - came across here.” Amir was invit - ous materials have succeeded in providing me with new and exciting ideas which I will take ed back to Penland to teach in with me for inspiration into my final year of graduate school,” she said. “Without the schol - the summer of 2013 . arship, my teacher’s guidance, and the contributions and collaborations of my studio and friends, I would not have found as many diverse and new ways of thinking about my craft!” 

Penland School of Crafts Annual Report May  ‒ April  Community Collaboration

Wes Stitt

Blacksmiths working together in downtown Spruce Pine during the annual Fire on the Abbigayle Atkins cleaning up a Mountain Blacksmithing Festival, an event co-sponsored by Penland School that attracts printing screen during the 2013 people from all over the region. community open house. Abbigayle is a student at Mitchell High School. She was one of Penland maintains a lasting partnership in arts education with the local community. several high school students who Part of this partnership is the Teaching Artist Initiative in the Mitchell County public worked with art teacher Jennifer  schools. In fiscal year , teaching artist Meg Peterson focused on making handmade Robinson, artist John Hartom, books in concert with school curriculum in science, social studies, literature, and fam -  and Penland staff members to ily culture. The initiative reached students in grades three, four, and nine, and an design a small, inspirational additional group of tenth grade students. poster for the open house. The In November  , six high school students studied pinhole photography in a day- long workshop as part of Penland’s professional craft study program for high school design was set up on several students. The program also connects local art students with artist mentors and offers a screens so that visitors to the scholarship to a high school senior. Subs with SuitCASES (Creative Approaches to open house could make a copy of Substitute Education), a growing Penland initiative, empowers substitute teachers to it for themselves. Abbigayle and integrate the arts in the classroom. three other Mitchell High School Penland’s Kids Camp hosted  kids in  classes during the summer of  . students helped visitors make Forty-four attendees received some form of scholarship to participate in fun, hands-on, their posters in the print studio. process-oriented classes in craft and art. Kids Camp continued its partnership with The open house, which takes Centro Latino, Safeplace Women’s Shelter, and Communities in the Schools to provide place every March, was attended students in need with funds for transportation, meals, and language assistance. by 430 guests and involved more    The community open house on March , welcomed guests to Penland, than 100 volunteers. with more than  artist volunteers making activities in all the studios a success. Penland also participated in the annual Fire on the Mountain festival, celebrating black - smithing in the region, among many other events and art initiatives in the community.

Penland School of Crafts Annual Report May  ‒ April  Special Programs

Former Penland resident artist Anne Lemanski in the textiles North Carolina Museum of Art visitors looking at Dan Bailey’s piece, Looking Down: North studio in March  sewing Carolina Museum of Art. Dan did two versions of this piece: one on the museum campus and elements for her installation titled one at Penland as part of the collaborative project 0 to 60: The Experience of Time through Extirpated, which she created Contemporary Art. Both pieces were made from thousands of images captured by a small, as part of the  to  project. The digital camera suspended from a helium balloon. The images were scaled and carefully term “extirpated” refers to a species pieced together on top of satellite imagery of the same landscape. that has disappeared from an ecosystem with no hope of return. Penland’s special programs and activities fall outside of the normal span of the school’s For this piece, Anne created cloth workshop calendar and bring fresh voices and opportunities for individuals to create.  silhouettes of seven animals that Penland collaborated with the North Carolina Museum of Art in the spring of have been extirpated from Mitchell to present 0 to 60: The Experience of Time through Contemporary Art. New work was featured County, North Carolina (two of at both sites, with Penland instructors Dan Bailey, Kyoung Ae Cho, Alison Collins, and Anne Lemanski creating installations at Penland. Eleven Penland-affiliated artists partic - them are extinct). She created a ipated in the exhibition at the museum, including jeweler Jana Brevick, textile artist clothesline structure whose steel , photographer Dan Estabrook, and sculptors David Chatt, Hoss Haley, Beth supports described the profile of Lipman, and Tom Shields; the four artists who made the Penland installations also had the Kentucky long rifle. The ani - work in the museum show. The exhibition, which was accompanied by a beautiful cata - mal silhouettes were hung from the log, was a great success, and a smaller version of it was presented at the Pratt Manhattan clothesline creating an eerie sense Gallery in New York City from November  through January  . of loss and sadness. This piece was In June  , scholar and author Christopher Benfey arrived at Penland for the one of five Penland installations Andrew Glasgow Writers Residency, established in  to give writers, scholars, and created for the project. The others curators time for research and writing on topics advancing the field of craft. Christopher were by photographer and video delivered a lecture entitled Memory, Craft, and Writing, and enjoyed his immersion in  artist Dan Bailey and mixed- Penland life (see page ).  media artists Alison Collins and In the winter of , sixty individuals rented Penland studios for independent study. Kyoung Ae Cho. Emily Arthur of the University of and Rory Sparks, co-founder of Em Space Book Arts Center in Portland, Oregon, led Penland’s annual winter residency in print - making and letterpress. Designed for artists and writers with any level of printing expe - rience, the January  residency provided time and space for sixteen residents to pur - sue independent projects. The residencies livened up a cold and quiet month with two enthusiastic presentations of work by the participants. 

Penland School of Crafts Annual Report May  ‒ April  Archives

For eleven years, archivist Michelle Francis tended the Penland School of Crafts Jane Kessler Memorial Archives, named in memory of former Penland trustee Jane Kessler. Collected and preserved in its holdings are photographs, correspondence, administra - tive notes, news clippings, publications, art works, objects, and ephemera dating from Penland’s beginning in the  s to present day. In September of  , Michelle Francis retired to pursue her own letterpress work, rounding out a thirty-eight-year career in the archive field. In a letter to her colleagues on the occasion of her retirement, she wrote, “Without a doubt, my work here at Penland has been the most personally rewarding I have undertaken. I passionately believe in the importance of the creative process. To have been a part of an institution that is committed to helping people live creative lives has been a great privilege.” Documentation is part of sustaining creative life at Penland and a component of that documentation involves Penland’s role in the historical craft movement in Western North Carolina. This is at the heart of the Craft Revival Project , a collaborative web- based digital history project launched in  that led Michelle to the digitization of many of Penland’s earliest records and photographs. Selecting and organizing Penland’s contributions to the project, and making Penland holdings available to researchers trac - ing the story of craft in our region was critical to her. When asked if there are images of Penland that are especially potent for her, two pho - Michelle Francis in the Jane Kessler tographs from the archives came to Michelle’s mind. One is a  s snapshot of Memorial Archives, which she carefully Penland founder Lucy Morgan, stepping over a stile and smiling. “Just a snapshot, one tended for eleven years. of those charming moments captured,” she said. Another image that resonates for her is a photograph of ceramicist Cynthia Bringle in the early  s, throwing a pot during one of the first clay concentrations while her students look on. “The students are look - ing so intensely at what’s she’s doing,” Michelle said. “And today you see the same inten - sity of attention in Penland students.” This is something Michelle has seen firsthand many times—most recently in the summer of  , when she returned to Penland to work as her friend Lisa Blackburn’s studio assistant. It was a workshop in bookmaking called Simple Books, Endless Possibilities. Thinking of Michelle Francis’s movement from her career as Penland’s archivist to creative time in her home letterpress studio, that title fits just right.

Potter Cynthia Bringle with a class in the early 1970s—one of Michelle Francis’s favorite  pictures from the archives. Penland School of Crafts Annual Report May  ‒ April  Gallery and Visitors Center

David Ramsey Penland Gallery 2012 Exhibitions

Paper Plate, Plastic Plate, White Plate, Artist Plate A collection of artist-made din - ner plates with the artists’ reflections about food

Studio Practice Studio artists: their work, their working environments, and their sources of inspiration

Forecast A new wave of artistic talent

A display at the Penland Gallery. The work in the front (left to right) is by John Littleton Core Show 2012 and Kate Vogel, Ken Carder, Naomi Dalglish and Michael Hunt, and Kenneth Baskin. The Work by Penland’s core fellows framed pieces on the mantel are by Jessica Calderwood.

The Penland Gallery and Visitors Center presents work in all media by artists affiliat - ed with Penland. It hosts work by Penland instructors and others, and provides infor - mation to those interested in Penland School and its artists. Twice-weekly tours of the campus are organized by the gallery staff. The Penland Gallery also connects prospec - tive patrons with Penland artists and advises artists on selling their work. In  , the gallery presented four special exhibitions and launched a new exhibi - tion series, the Focus Gallery, which shows work by individual artists for four to six weeks in a newly created space. The Penland Gallery played a key role in 0 to 60: The Experience of Time through Contemporary Art, a collaboration between Penland and the North Carolina Museum of Art. Dan Bailey’s Looking Down: Penland School of Crafts was installed in the Penland Gallery lobby in April  . The gallery provided information about all of the 0 to 60 installations on the Penland campus and coordinated an opening reception and tour with artist talks for the installations. Gallery staff also assisted the artists during the installation process. The Penland Gallery attracted  , visitors during fiscal year  . The gallery exhibited work by  artists, generated sales of $  , ( percent of this went back to the artists in commissions), and  individuals experienced Penland through tours organized by the gallery with the help of a newly revised guidebook for docents.

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Penland School of Crafts Annual Report May  ‒ April  Facilities

Walking up Dora’s Trail (the main drive through campus), it’s easy to see that Penland’s facilities and grounds team is always at work. With  acres and  struc - tures, the team is responsible for painting (and repainting), repairing, replacing, plumb - ing, pruning, plowing, installing, and more verbs than we can pack in this sentence. In fiscal year  , design development was completed on the books, drawing, and painting studio with Cannon Architects. The new Northlight complex, which will house photography and papermaking studios and a social hall, moved through schematic design with Ratio Architects. And design was completed for the new core fellows house, also by Ratio. Former core fellow Ian Henderson designed a relief tile wall for the house. The wall will gather solar heat in the winter. He created the patterned tiles dur - ing an Arts/Industry Residency at the Kohler Co. in Wisconsin. He was assisted by for - mer core fellows Daniel Beck, Andrew Hayes, and Mark Warren (see photo on page  ). During the winter, a climate-controlled storage facility, designed by Dail Dixon, was built to create much-needed professional storage for services, archives, art donat - ed to the benefit auction, and other purposes. In addition to a number of completed building-reserve-fund projects, the facilities crew supervised the design and building of a walking trail from the top of Penland’s central campus to the top of Otter Knobs. The trail, which is . miles long with a rise in elevation of  feet, was built by Trail Dynamics of Brevard, North Carolina. It was named in honor of potter, book artist, poet, and teacher Paulus Berensohn.

Gardener Bronwyn May and maintenance technician Ray Bell moving gravel—just one of the innumerable tasks required for the general upkeep of Penland’s beautiful campus.

A climate-controlled storage facility, designed by Dail Dixon, was completed in the spring of 2013. It is being used for art, archives, services, and other purposes.

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Penland School of Crafts Annual Report May  ‒ April  Annual Benefit Auction

27th Annual Benefit Auction August 10 – 11, 2012

Works sold: 237 Contributing artists: 248 Volunteers: 217 Attendees: 636 Total income: $656,896

Auction Sponsors

Auction Patron ($5,000) American Craft magazine Blue Ridge Printing Ernst & Young, LLP Tryon Distributing Hallmark Capital Management Our State magazine Auctioneer Mark Oliver and volunteers Kristina Glick and Margaret Couch Cogswell selling a David H. Ramsey Commercial wood wallpiece by Thomas Hucker Photography SOFA CHICAGO 2012 Penland’s  th Annual Benefit Auction on August  and  ,  was a smashing WNC magazine success, with a total income (including ticket sales, art sales, donations, advertising, and corporate sponsorship) of $  , , for a net income of $  , . New records were Auction Supporter ($2,500) set for ticket sales and donations to the Fund-a-Need request. The Fund-a-Need, which American Style magazine   Blue Ridge Soap Shed invites patrons to make direct contributions to a particular project, raised $ , to equip Penland’s new drawing, painting, and book arts studios. Auction Associate ($1,500) During the weekend, Penland honored Jason Pollen, textile artist, former president Classic Event Rental of the National Surface Design Association, retired chair of the fiber department at the EbenConcepts Kansas City Art Institute, and expert tango dancer, as the  Outstanding Artist Jon Ellenbogen and Educator. Rebecca Plummer Lucy Morgan Leaders, Penland’s most generous donors, were treated to a special Norman Sound & Productions, Inc. luncheon in the wood studio. Following the luncheon they had a choice of a hands-on workshop in textile marbling or a preview of the auction pieces with Kathryn Gremley, Penland’s gallery director; David Houston, curator of the Crystal Bridges Museum of American Art; and glass artists and Daniel Clayman. Penland’s resident artists welcomed patrons to their studios on Saturday morning for the ever-popular Coffee at the Barns event, and the core fellows showed their work in an impressive open house. Thanks, as always, to the generous artists and volunteers who make this important event a success, year after year.



Penland School of Crafts Annual Report May  ‒ April  Lucy Morgan Leaders

Donor Profile: Jim Hackney and Scott Haight Jim Hackney and Scott Haight have no trouble explaining why they support Penland. “We just think it’s so important for so many reasons,” said Jim. “We are craft collectors, and we see the importance of Penland as a leadership place providing training for the next generation of artists, but it’s much deeper than that. We see Penland as a place that gets it right: the way people are treated, the atmosphere, the good food, the creative conversations, and there’s a respect for all different kinds of people. The whole feeling that’s created at Penland makes it the kind of place we think needs to be nurtured and supported. It represents something we wish the rest of the world could be more like.” Jim first visited the school more than twenty years ago when he was working in development and communications at the Mint Museum in Charlotte, NC. He was on the visual arts panel for the North Carolina Arts Council, and participated in site visits related to the funding Penland receives from the council. After he left the Mint Museum to join an -based firm that does fundraising consultation for organizations across the country, he returned to Penland to help shape the Preserve Penland campaign, which raised $  . million dollars for the school between  and  . Since that time, he has taken several classes and attends the auction regularly with his partner, Scott, an insurance underwriter who has also been a student at Penland. “Penland is one of our philanthropic priorities and it’s in our wills,” Jim continued. “But we are not wealthy. We didn’t inherit a lot of money; we are earning the money we give away. Penland spends a dollar as well as any nonprofit I know of, so Scott and I know that the money we give to Penland will be spent wisely and will go toward some - Scott Haight and Jim Hackney in front thing that is really creating excellence.” –Robin Dreyer of the Weaving Cabin at Penland.

Lucy Morgan Leaders Penland’s Lucy Morgan Leaders are a special leadership group of annual fund donors who con tribute $ , or more each year to support the annual operating needs of the school. These gifts directly benefit studio operations, and scholarships. Lucy Morgan Leaders honor and contin - ue the work of Penland’s founder, Lucy Morgan, by investing in Penland and helping all who come here to develop the ideas and skills needed to grow personally and artistically. The list that follows names donors who have made gifts of $ , or more between May ,  and April  ,  . Lucy Morgan Leader art donors are listed on page 32 .

Penland Benefactor Flora Family Foundation ($25,000 and above) Susan Parker Martin and Alan Belzer Robyn and John Horn Tom and Toni Oreck Windgate Charitable Foundation Laura Taft Paulsen and William F. Paulsen Rob Pulleyn Bill Brown Visionary The Seth Sprague Educational and ($10,000 –$24,999) Charitable Foundation Anonymous ( ) Harley and Helgi Shuford James D. Clubb Lutu and Tom Coffey  Penland School of Crafts Annual Report May  ‒ April  Lucy Morgan Leaders

Craft Leader Bobby and Claudia Kadis ($5,000 –$9,999) Thomas S. Kenan, III Anonymous Richard Koopman, Jr. Cathy and Alan Adelman Virginia Kraus and Jay Westwater Polly Allen Barbara Laughlin Elizabeth Aralia and Nicholas Graetz Drs. Kent and Bob Leslie John and Jennifer Culver John Marek The Dana Foundation David Marshall Laura Edwards In memory of Alan Wiesenthal Sarah Lee Elson and Louis Goodman Elson Elizabeth Matheson Fenwick Foundation Barbara N. McFadyen and Douglass Phillips Ed and Sue Glass Charitable Trust Charles L. McMurray Laura and Michael Grace Ron and Susan Meier Dorothy S. Hines Sharon Mills George H. Lanier Patricia Nevin Dr. and Mrs. John E. Lee Sandy and Anne Overbey Sara and Bob McDonnell Edith S. Peiser With funds matched by the Bank of America Eric S. Rohm and Amy Hockett Matching Gifts Program Seymour and Marcia Sabesin Jean W. McLaughlin and Thomas H. Spleth Mary Schnelly and Gene Phelps David and Suzu Neithercut Lisa and Charles Shepherd Kaola and Frank Phoenix Cindy Spuria Hellena and Isaiah Tidwell Cynthia A. Toth With funds matched by the Lincoln Financial Ira and Phyllis Wender Penland trustee, former board chair, and Group Foundation, Inc. Rob Williams and Warren Womble Lucy Morgan Leader Glen Hardymon, Wehadkee Foundation Mike Wright and Bob Glascock who, after years and years of supporting In honor of Cathy Adelman and Alice Vaughan Penland, recently decided it was time Artist Advocate to start taking classes. This picture was Studio Sustainer ($1,000 –$2,499) ($2,500 –$4,999)  taken during a one-week glass work - Anonymous ( ) shop taught by Tim Tate. Anonymous Stephen and Enee Abelman Barbara Benisch and Jacque Allen Marla and Joel Adams Suzanne and Walter Allen John and Judy Alexander Lisa and Dudley Anderson Patricia L. Amend and Stephen M. Dean Paulus Berensohn John S. Arrowood Fleur Bresler Mary Lou and Jim Babb Cynthia Bringle Daniel W. Bailey and Emily Stanley David Charak Dawn Barrett and R.D. Oxenaar Clemson University Joan Baxt Katy and Mark Cobb Helga and Jack Beam Bob and Peggy Culbertson Eric and Jill Becker Lisbeth C. Evans and Jim Lambie Jill Beech John and Linda Garrou Bill and Belk Adrienne and Harvey Gossett Katherine M. Belk Robin Hanes Sanford R. Berlin G. Felda and Dena Hardymon Eddie and Angela Bernard Glen and Florence Hardymon Elizabeth and James Bethune Jim and Marlene Hubbell Daniel A. Bloom and Barry Golivesky Jerry Jackson and Jeff Harris Philip and Amy Blumenthal Thomas P. Johnson, Jr. and Ina Smith Chris and Barbara Bonaduce

 Penland School of Crafts Annual Report May  ‒ April  Lucy Morgan Leaders

Kristin Hills Bradberry and John Bradberry Ann and Pegram Harrison Elaine Reily Larry Brady Andrew and Hathia Hayes Sally and Russell Robinson In honor of family & friends Marty Hayes and Michael Cucchiara Betsy and Marcus Rowland Wade and Brenda Brickhouse Marian S. Heiskell Harry and Ann Santen Edwina Bringle John A. Helms* and Pamela P. Helms Gary C. Scales Philip Broughton and David Smith Randy Hinson Stella Schloss and Dr. Neil Parker Harold and Kathryn Brown Dwight M. Holland Dasha Shenkman Joseph M. Bryan, Jr. Garnett L. Hughes and Donna Moran Christina Shmigel and Patrick Moreton Lee Carter and Greg L. Bradley James and Peggy Hynes William M. Singer and In honor of Larry Brady Joia Johnson Catherine Sweeney Singer Joan Levy Coale Jan Katz and Jim Derbes Gay Smith Dorothy and Clyde Collins Betty P. Kenan James W. Smith and Pam Troutman Robert and Elizabeth Cooper In honor of Barbara McFadyen Karen Smith-Lovejoy and F. Bentley Lovejoy Ann and Thomas Cousins Ruth DeYoung Kohler Jonathan and Fei St. Onge John Cram and Matt Chambers Dr. Thomas T. Jefferson and Joseph Lampo David L. Staub and Susan Edwards Rebecca M. Crowell Peter J. Larson, MD Joy Stember William A. and Betty Gray Davis In honor of Larry Brady and Amy McGrath Steven Stichter and Mark Ewert Ellen and Bert Denker Peter J. Larson, MD C. Matthew Taylor Andy Dews and Tom Warshauer Susan and David Larson In honor of Penland’s development team Ginger Duensing Carol and Seymour Levin Dr. Russell Tippins and Randy New Richard and Bridget Eckerd Mina Levin and Ronald Schwarz Caroline To Lynn and Barry Eisenberg Frank D. Lortscher BC Burgess Trust, Ellen B. Turner Bert and Shan Ellentuck Isaac and Sonia Luski Jonathan M. and Gwen G. Van Ark Catharine Ellis and Kent Stewart Simone and Scott Lutgert Charlotte Vestal Wainwright and Suzanne and Edward Elson Adrian and Page Luxmoore Steve Wainwright Spencer and Mary Ann Everett Cameron MacGuire Barbara Waldman and Dennis Winger Alida Fish and Stephen Tanis Andrea and Bob Maricich Charlene Diana Walker Pepper and Donald Fluke Brian and Gail McCarthy Don and Karen Walker Betty and Wes Foster Patricia McCauley Wendy Weiner and Delia Champion With funds matched by Lane Industries, Inc. Bonnie and Chaffe McIlhenny Barbara and Sam Wells Linda T. Fox Katherine and Ulrich Merten Rick and Brenda Wheeler Gusti and Daniel Frankel With funds matched by the Chevron Texaco William and Pat Williamson Gary Fuquay Matching Gifts Program Julia Wilson Michael and Libba Gaither Judith and Jim Moore Lana Wilson Elizabeth Gant Bette Mueller-Roemer and Paul Wisotzky Dr. Carlos Garcia-Velez and Dr. Kent Davis James Walter Crocker Martha H. Womble Barbara and Jim Goodmon Scott Mullennix and Hilary M. Wilson Foster Young Bill and Patty Gorelick Linda Neely Ann Ziegler Shelton and Carol Gorelick Brian H. Neill and Lori Cahoon Neill Harriett Green New Morning Galleries, John Cram Daniel Greenberg and Susan L. Steinhauser Ginny Newell and Bob Wilkins Dr. Lewis I. Greenwald and Sanford and Barbara Orkin Dr. Olive Greenwald Myrna and Sheldon Palley Barbara D. Greiss Greg Parker and Randy Dickerson Gary and Patricia Griffin Jennifer Phelps Ted and Susie Gross Gina Phillips James R. Hackney and Scott T. Haight John D. and Ann Porter With funds matched by RLI Insurance Ronald C. Porter and Joe Price Matching Gift Program Joe Sam and Kate Queen Charlotte Hanes Mary Regan

*deceased  Penland School of Crafts Annual Report May  ‒ April  Annual Fund

The Annual Fund May 1, 2012 – April 30, 2013 The Penland annual fund supports the annual operations of the school, from utilities that keep our buildings heated and our lights on, to propane for studio operation, to scholarship assistance for many deserving students. The annual fund provides essential support each year and helps ensure the quality of the Penland experience for both students and instructors. In fiscal year  , 810 donors to the annual fund contributed $ 765,953 to the school, pro viding critical operating support for our mis - sion. Penland is grateful for the generosity of our annual fund donors. The list that follows names donors who have made gifts of $  or below between May ,  and April  ,  . Gifts of more than $ , are listed in the Lucy Morgan Leader section, beginning on page  . Art donors are listed beginning on page 32. We have made every effort to recognize donors who have made gifts during this timeframe. If your name does not appear as you believe it should, please contact the development office so that we may correct our records. Gifts made after April  ,  will be recognized in our next annual report.

Penland Friends—Patrons Alice Rose ($500 –$999) Barbara Jo Ruble Anonymous Tommie Rush and Richard Jolley Christopher and Bridget Amundsen Catherine Schroeder and Phil McMillan Margaret F. Averyt With funds matched by the Microsoft Hoyt Bailey Matching Gifts Program In honor of William Knight Jan Serr and John K. Shannon Ann Batchelder and Henri Kieffer Randy Shull and Hedy Fischer Frank and Ranlet Bell Emily and Zach Smith David and Laura Brody Laura P. Smith Linda Carter Strickland Family Foundation Marilue M. Cook Dennis R. Trombatore William J. Craemer The Penland School of Crafts Fund Sue M. Daughtridge at the Winston-Salem Foundation Mark and Sue Denny Lauren and David Worth Sarah and Gerard Griffin Penland Friends—Sponsors Edwin F. Harris, Jr. and Susan Arrendell ($250 –$499) James Hatley Anonymous ( ) In honor of Mike Davis Welborn and Patty Alexander Linda and John Hillman Sheila and Kevin Avruch Tom Huang Beverly and Gene Ayscue Geoffrey Isles Joanne and Steve Beam John R. Jesso and Stacy Sumner Jesso In honor of Morgan and Jack Horner Mr. and Mrs. Jerome A. Kaplan David and Lauren Benson Core fellows Molly Spadone and Rachel Nancy J. Kerr Charlotte and Charles Bird Fund at the San Mauser transporting lampshades while Arthur and Anita Kurtz Diego Foundation getting the campus ready for incoming Nancy Lopez-Ibanez Sandra Blain students. Core fellows live at Penland Bruce and Diane MacEwen Alan and Rosalie Blumenthal for two years, taking classes through - and Bill Schairer Christopher M. Brookfield out the year and working part-time for Martha Brim and Ken May Cathy Chen-Rennie the school. Katherine McCarty Daniel G. Clayman George and Frances Newman Robert Cmarik In honor of Holbrook Newman Dr. Felicia R. Cochran Jeff and Diane Pettus Thomas and Cindy Cook J.Timothy Prout Scott and Kim Cunningham  Penland School of Crafts Annual Report May  ‒ April  Annual Fund

Jo Ann Czekalski Patsy and Harold Hopfenberg Millie Ravenel Lucy C. Daniels Martin and Irina Horn Ché Rhodes John J. Davis, III Cheryl Walker and Jeff Huberman Sang Parkinson Roberson Patsy Davis Arthur H. Johns Norm and Gloria Schulman Debra Diz and Mark Chappell Sally and William Johnson Rev. Alfred Shands Robin Dreyer and Tammy Hitchcock Reena and Pradith Kashyap C. Miller Sigmon Lee Ellis Diane Solomon Kempler Clarissa T. Sligh and Kimberly Grey Purser Dorothy Essig Stuart Kirsner Dana Smith Ilene Fine Kenn and Michelle Kotara Kathleen and Darwin Stanley Kathleen A. FitzGerald Mark Levine Kathy and Scott Steinsberger Barry E. Friedberg and Charlotte Moss Paula Lombardi Ruth T. Summers and Bruce W. Bowen Susan Fulton Richard and Yvonne McCracken Sheila Sweetser Martha Giberson Nathan and Carole Metzger Mary E. Tevington Amy C. Gilbert C. James and Laurel Meyer In honor of Betsy Rowland Molloy and Summer Golden Steve Miller and Desmond Lim Ellie and Jon Totz Judy Gordon John and Stephanie Mitchell Carolyn Watson Elliott L. Grosh Scott and Julia Moen In honor of the marriage of Mark Ewert Kimberlee Hall Lee H. Moore-Crawford and Steven Stichter Lawrence Hamel-Lambert and David C. Crawford Nick Wheeler Anna and John Hammond Robin Nicholson Gladys Whitney Frank Hamrick In honor of John and Robyn Horn F. Borden and Ann Hanes, Jr. Jeannie Pearce Julia R. Woodman Lindsay Hearn Jane Quimby Sally Higgins and Ray Owens Laurel and Perrin Radley Cheryl Holland and Doug Quackenbush Haywood and Sabine Rankin

Kohler Arts Center Former core fellow Ian Henderson with a group of tiles he created during a three-month residency that was part of the Arts/Industry program at Kohler Co. in Wisconsin. The tiles will be installed on a heat-gathering wall in the new core fellows house. (Construction is waiting for full funding of the project.) Ian was assisted during the residency by three other former core fellows: Daniel Beck, Andrew Hayes, and Mark Warren. Arts/Industry is a joint program of Kohler Co. and the John Michael Kohler Arts Center (Sheboygan, WI).

 Penland School of Crafts Annual Report May  ‒ April  Annual Fund

Penland Friends—Partners Jeanne Cook ($100 –$249) Doug Cooke Anonymous ( ) Cristina Córdova and Pablo Soto John and Peggy Acorn John Coyne Erika Adams Jane Crowe Robert and Kathleen Anderson Hayes P. Crumbley Mr. and Mrs. Shepard L. Ansley Whit and Cathy Daily Elmer Art William P. Daley Peg and Steve Bachenheimer Mr. Park Davidson Laurie Ballenger Israel Davis In honor of the marriage of Steven Stichter Daria de Koning and Mark Ewert Maggi DeBaecke Megan Barber Lucy V. Dierks Ruth and William Barnett Kim L. Dolce Nancy Baron Patrick and Linda Dougherty James R. Barrows Ruth L. Doyle Constance M. Baugh and Carolyn Benson Frank E. Driscoll and Mary Cain Driscoll Sue Baum Ginger Duensing Allen Berk and Geiselle Thompson In memory of John Horn’s mother, Kathleen Harold Black Mignon Durham Terry Tyson and Susan Bock In memory of Bo Sibilsky Nini and Henry Bodenheimer Mignon Durham Anna and Christian Boll Rosanne Elkins In honor of Daniel B. & Ruth Jordan Jon Ellenbogen and Rebecca Plummer Michael Bondi Deborah Ellis Elizabeth E. and Henry M. Booke Dave and Wendy Ellsworth Natalie R. Boorman Dawn E. Enochs Mixed-media sculptor Kyoung Ae Cho Julie Balogh Brand Louise Erskine installing her piece, Shining Ground, Frances Brenner In honor of Sally Prasch on the front wall of the Northlight Fay and Phelan Bright Dan Estabrook building. The piece was made from Ed Brinkman David and Yvonne Evans wood, cloth, pins, and fragments of Tama Brooks Edward and Kathleen Evans mica gathered from the banks of the Richard Burkett and Nan Coffin Rebecca and Richard Faulk Toe River. It was structured in Susan E. Burnes Susan Feagin response to the building’s board-and- Leslie Byers Fred Fenster and Susan Doane batten siding. Kyoung Ae’s installation J. David Caldwell Lowell and Laraine Fine was part of the 0 to 60 project, a col - Laura M. Campbell Hayes and Anita Fletcher laboration with the North Carolina Larry Carden C. Robert Friedman and Vernon Mosheim Museum of Art (see page 10.) Ellen Cassilly and Frank Konhaus Steve and Marsha Funk Kyoung Ae Cho Celia Gelfman Robert and Jan Clayton Martin Gellert In memory of Vivian Cathey Womack Arthur González and Christine Ciavarella David Clemons and Mia Hall M. Cissel Gott James and Marie Cohen Louis Gottlieb Leigh Cohen Sally Gould Ken and Mary Beth Collins Mark and Tina Granville Adam and Shelley Colvin With funds matched by the Thomson Reuters Lydia and Howard Colwell Matching Gifts Program Julie Connaghan Mary Gray Elizabeth Conner Lloyd Greenberg

 Penland School of Crafts Annual Report May  ‒ April  Annual Fund

Bill and Ellen Griffin Ron and Harriet McClain Jane and Ronald Schagrin In honor of the marriage of Mark Ewert Louise McConnell Jack Schmidt and Steven Stichter Kirby and Risden McElroy Joe and Valerie Schnaufer Helen C. Hanes Amy K. McGrath Mrs. John T. Scott Martha D. Harper Roy Baroff and Caroline McLaughlin Charlene Sevier Robert Harper Barbara Middleton Annie Silverman Deborah M. Harris Carlton Midyette Arlene Silvers Jeff and Susan Harris Robert and Karen Milnes Stephanie L. Smart and Allen Vander Meulen Josephine C. Harris Myra Mimlitsch-Gray and Ken Gray Bonnie and Jere Smith Jane Wells Harrison Kate Missett Paul J. Smith Mary Flo and Keith Hatcher Jennifer and Alex Moeller Mary Smoak Frederick Heath and Merrily Orsini Ken Moore and Kathleen Buck Susan Sommer Phil Henderson Amanda Murdaugh Sydney R. Sonneborn Lloyd E. Herman In memory of Dick Woodman Denise Stephenson Howard and June Hicks Cathie Murdaugh Susan and Edward Stickney Dorothy D. Hodges In memory of Dick Woodman, Rebekah Strickland Kim Howell from Cathie and Trey Sue Moss Sullivan Rogers and Victoria Howell Helen Neithercut Jim and Janet Suter Patricia and Darko Hreljanovic Carolyn P. Nelson In memory of Donald Swanson Julie Hubble Jean Nevins Janet Taylor In honor of the marriage of Mark Ewert Sam Newbury and Jan Myers-Newbury Dan and Rebecca Terrible and Steven Stichter Kim Nikles M. Thomas Tiernan Patti Hughes Margaret and Kincaid Patterson Joe Todd Monica Hunter Brian S. Pearson Bob and Jane Trotman Lauri and Richard Huss Rosemary L. Peduzzi Jack Troy and Carolanne Currier Trish Hutchens Roi Malott Penton Carl W. Tyler, Jr. Thomas Hynes Jeff and Pam Peters Tyler Glass Guild David and Robbie Irvin Jon A. Philippi Anna R. Upchurch Lisanne Jacobson Smith Margaret Phillips Ursula Vann Patricia N. Jay Reginald Yazid Pointer James and Jean Veilleux Lisa and Nick Joerling Lynn Pollard Stacey Wagner Klugh Jordan Paul W. Popish In honor of the marriage of Mark Ewert Ruth and Dan Jordan Suzanne Pugh and Steven Stichter Sandy and Lindsay Jordan Cynthia Quesenberry Ned Walley Thornton F. Jordan Victoria Rabinowe Susie Ward Kenneth and Virginia Karb Grete E. Reppen Janet Warner Tamasin and Nicholas Kekic Neil Richter and Constance A. Schulze David Warshauer and Michele Maynard Timothy Knight Conny and James Riddell Ardath and Reagan Weaver Mary Pierce Lafleur Chris Rifkin In memory of Neta Riley Ashley and Peter Larkin Jennifer Root Rita and Steve Weisskoff Delores Lecky Don Rorke Howard Werner and Michelle Stuhl Amanda Lee In memory of Jean R. Rorke Charlotte Wickham Julia A. Leonard Suzie and Dennis Ross Andrea C. Willey Doug Lewis Nancy H. Rossi Catherine and Mason Williams June D. Lockhart Geoff Roupas Mr. and Mrs. Michael Wirsing Douglas A. Long Greg and Aida Saul Robbie Wolff Randy Long Dorothy Saxe Jean Woodall Robert Lynch Barbara C. Greiss and Dennis Scearce Stephen Lowe Young Suzanne Marsh In honor of Barbara D. Greiss Paula W. Zellner William P. Massey Lawrence and Irene Schaffner

 Penland School of Crafts Annual Report May  ‒ April  Annual Fund

Penland Friends—Associates Vicki E. Cohen (under $100) Eli Corbin Anonymous ( ) Carol Cowan-Lanyon Karin Abromaitis In memory of John Metcalf Deane and Roger Ackerman Gail Cozart Williams Renee B. Altman Allison Dahle and Lou Pounder Jesse Anderson Linda Darty and Terry A. Smith Harvard L. Armus Lynne H. Davis Julia Arredondo Charles M. Davis Charlotte Arrendell Ivy M. Derderian Martha Ashby Lance and Lenore Deutsch Barbara Pitts Aycock Deborah L. Dillaway and Alan Lifson John and Lee Ann Aylward Joe Dinwiddie Herb Babcock Ellen Dissanayake Eve and Stephen Balboni Margaret Donaldson Nancy Baldwin Taylee Dragovan Dorothy Gill Barnes Donna Jean Dreyer Kay Barrow Lynn Duryea LaTonia Barto Fay Davis Edwards Rebecca Barton Stanley and Rhoda Epstein Mary A. Batsch Cecelia Erwin Patrick Beggs Thomas W. Eshelman and Jeanne Finan Chris Beloni Cary Esser Sandra Belozercovsky and Alan Weiner Cass and Andy Faller Camille Ames, an art major at Alfred Astrid H. Bennett Kayla Farrell University in New York, took four Susan E. Bergman Jeni Cecil Feeser Penland workshops in a row during Peter Bernett Len and Joyce Fidler the summer of 2012 (she received Florence Berryhill Heather Fletcher college credit for all of them). She took Marcel Biland W. Ann Forbes a workshop in textiles, one in flame - Nisa Blackmon Nita Forde worked glass, and two in ceramics. “I Jeremy and Anne Bonner Marie Fornaro had a productive year in college,” she Meredith Knapp Brickell and Ray Duffey Judith H. Foster said, “and I just wanted to keep Kathryn S. Brock Arthur L. Fox, Jr. and Jeanne W. Fox going. I have been able to see myself Dariel Buczek Mary Francis progress so much this summer. Lorimer Burns Ed and Sue Frankel Bernard Y. Calvert, III Jose Fumero and Herbert Cohen I found that all of the classes Jeanne Campbell Ben Galata informed each other in terms Michael and Mary Jo Campbell Donna J. Globus of surface and form.” Alice Cappa Pat Glowa and Don Kollisch Vivianne L. Carey Martin I. Goldstein Linda Casbon M. A. Gonzalez Daniel Cater Maria L. Grandinette Johannes Causey Suzanne E. Grinnan Cynthia Cetlin Ted and Susie Gross Norma Cheren In honor of Bill & Linda Farthing Sheila Clark Gregory W. Guenther Morgan Clifford Frances Guerra Clover School District Beverly Halpert In memory of Mrs. Betsy Shirley Robert W. Hamilton Margaret and Dan Cogswell Cheryl A. Harper

 Penland School of Crafts Annual Report May  ‒ April  Annual Fund

Sarah S. Harvey Danielle Luscombe Michael F. Rohde Ross R. Hatch and Phyllis H. Hatch Sandra MacDonald Joyce Rosenfeld SueMac Hatcher Roger Mandel Jill Ruhlman Michael Dwayne Hawks Melissa L. Marschner Lynette K. Russell Lana Heckendorn and Michael Meketon Judith and Todd Marshall Michael and Ruth Rutkowsky Alix Hitchcock Kathleen Martinson Arturo Alonzo Sandoval Dorothy D. Hodges Carole McCracken Paula Satinoff In honor of Larry Brady Dale McEntire Alice and Bruce Schlein Sheila Hoffman Pamela and Mike McKee Kaete Brittin Shaw Roald Hoffmann Tasha McKelvey Marjorie Simon Christopher M. Hoina, Sr. Nanc Meinhardt Ethel Simpson Claire Holliday Roger Mellick J. Paul Sires and Ruth Ava Lyons Cathy Holt Alice C. Merritt Karen Skrinde Phil Homes Nancy Merritt Malena Smither April Horton Ron and Hester Meyers Shirley A. Sparr Human & Rohde, Inc. Bonnie Miller Teresa Stack Izach Hyde James R. Miller Mrs. Julia Stebbins Marcy Irby Abby Minor In memory of Elizabeth “Betsy” William K. Jackson Ann Montera Ewing Shirley Florence K. Jaffa Beverly Barr Moore Steven R. Stegner Kati James Sarah Morgan Wingfield B. Stewart Joyce and Gilbert Johnson Herman Lester Morris Brigitta Elise Stoner In memory of Ernest Morgan Bobby B. Mosley Sarah Swanson Audrey W. Jones David Mullis and Phyllis Long Mullis Paul Sykes Lane Jones Sana Musasama Allison Taylor In honor of Mike Wright and Bob Glascock Charles and Cynthia Nash Pat Thibodeaux and Glenn Squires Satoko Kajima-Best Alan R. Newman and Wendy Saul Adam G. Thomson, III Lydia A. Kalyna Holbrook Newman Louise M. Todd Laura E. Kellar Kate L. Newsom Peggy Hale Towson Janet Kelman Lucy Nims-La Fleche Nancy Tsipolitis Dorlin and Susan Kerr Robin Noble-Lehan In memory of Betsy Shirley Barbara Kiger John O’Connor Joeseph C.P. Turner Joyce and Gary King Elmerina and Paul Parkman Tom F. Urban Laura Kolinski-Schultz Fredrick Parrish Nancy B. Ustach Janet Koplos Andra Patterson Betsy B. Vaden Sylvia and Jim Kortan Deborah Patton Valueprint, Inc Karen F. Krieger Thomas Paulson Corinne W. Vargas Suzanne Krill Barbara J. Payne Alice Vaughan Betsy Kruger Laura Peery Kimberlie Wade Mec and Larry Lacewell Jane Peiser Barbara Lankford Watts Adryin Lackey Dan J. Peterman Mary Weiss Mollie Lakin-Hayes Robert Poe Rachel Williams June and Ken Lambla Harold C. Poole, Jr. Regina and William Willoughby Joe S. Lee Evelyn Pursley Barbara V. Wishy Marc Leuthold Mary Ann Rahe C. Lincoln and Denielle Wolfe Theresa Livingston Tut and Harry Riddick Marguerite Wood Thomas Loeser and Bird Ross Rosalind Rich Rieser Sherri L. Wood Carol and David Lombardo Ann Robinson Janie Yates Laurel Lovrek Johnie and Lorraine Robinson Susan Zepeda

 Penland School of Crafts Annual Report May  ‒ April  Andrew Glasgow Writers Residency

Resident Writer: Christopher Benfey As the writer selected for the  Andrew Glasgow Writing Residency, Christopher Benfey was at Penland for two weeks that spanned two sessions and included the July  parade and a massive thunderstorm that left the campus without power for a day. He began an evening program by reading a poem he wrote about the power outage (see page 41 ). and followed that with a series of readings from his recent book Red Brick, Black Mountain, White Clay, which intertwines memoir, family history, and cultural history. Christopher is the Mellon Professor of English at Mount Holyoke College in Massachusetts. He has written a series of books about American arts and letters and contributes regularly to the The New York Review of Books, The New York Times Book Review, The New Republic, and other magazines. I had a chance to sit and talk with him about his stay at Penland and began by simply asking for his impressions. “Well, I’m in love with the place,” he replied. “I came under the best possible circumstances: I was invited with no clear duties beyond interacting with people and doing my work, doing a reading, and soaking up the vibes. I guess the biggest surprise for me has been a sense of shared pur - pose between Penland and Black Mountain College. Now that I’m at the center of American higher education—as acting dean of faculty at Mount Holyoke—I spend a lot of time thinking about where American education has gone wrong and what glimmers of possibility there are in the past for a different way to do things. “We live in a time where the stress is so much on testable outcomes. Places like Black Mountain and—as I can see it and feel it now—Penland, are places that have, I think, Writer Christopher Benfey watching a great urgency as alternative paths. There’s some kind of irony in the fact that some of demonstration by clay instructor our most experimental and exciting and truly alternative schools started at the time of Martina Lantin. the Depression. You know, in times of scarcity when civilization has gone down a few dead ends, you hope that those are going to be times of some kind of creativity, some kind of attempt at finding another way. And that, miraculously, seems to have happened in the  s. “Our own, post-  or maybe post-  response seems to be retrenchment. It’s almost as though all our schools now are vocational schools in the sense that they are preparing students to be part of a kind of highly productive social machinery. And we know at some level that’s crazy, that’s not why students have been coming to American colleges and universities for the past sixty or seventy years. So I’m sort of hoping that we will see soon, if it’s not happening already, a sense that we need to breath some sort of new spirit into higher education. “So I think Black Mountain and schools like Penland came up with this idea of these short residencies where people are trying new things starting now! Sunday night, go! You barely get moved in and we are already doing it. There are demonstrations, instruc - tions, and doors opened by highly skilled artists, and the students are just pushed in and, go do it! And if you mess up, so what? A lot of people here have talked about being nonjudgmental but with high standards. It’s like these twinned energies. You can fall flat on your face, we aren’t giving grades, but we still have high standards. And in some ways the educational world I see is almost the opposite. It’s like the grades are so important and the standards are almost a different thing. “So my overall sense is that people have a wonderful time here and it really feels like—it really is— an experiment in education.” –Robin Dreyer

 Penland School of Crafts Annual Report May  ‒ April  Other Gifts

Government and Foundation Grants Penland receives support each year from a variety of private foundations and local, state, and federal government agencies. These awards support - ed the operating and capital needs of the school including Penland’s studio operations, community collaborations, scholarships, housing, and his - toric preservation. Penland manages and reports on each grant according to the time frame and guidelines of the granting institutions. This report includes institutions from which grant funds were received in Penland’s fiscal year  (May ,  to April  ,  ).

Beattie Foundation Mitchell County Board of Education Charles E. and Ellen H. Taylor Blumenthal Foundation National Endowment for the Arts Family Foundation Bresler Foundation Nicholson Foundation Thomas S. Kenan Foundation Cousins Foundation, Inc. North Carolina Arts Council Thomas S. Kenan Institute for the Arts Dana Foundation Paulsen Family Foundation United Way of Mitchell County Flora Family Foundation Samuel L. Phillips Family Foundation Wells Fargo Foundation Golden Pearl Foundation The Seth Sprague Educational and William Randolph Hearst Foundation Grable Foundation Charitable Foundation William States Lee Foundation I.A. O’Shaughnessy Foundation Strickland Family Foundation Windgate Charitable Foundation Julian Price Family Foundation Sustainable Arts Foundation

Special Events Contributions These supporters served as hosts of Penland Friends and alumni gatherings during fiscal year  (May ,  to April  ,  ). This also includes individuals who were participants in off-site educational experiences, such as the Japan trip, during the same timeframe.

Michael Adams Jim and Marlene Hubbell Rob Pulleyn Cathy and Alan Adelman Bobby and Claudia Kadis Sam T. Reynolds Lisa and Dudley Anderson Mina Levin and Ron Schwarz Yolanda Sanchez Patsy Beyer Susan Parker Martin and Alan Belzer Jan Serr and John K. Shannon Janet Farber Elkan and James M. Elkan Suzanne Mellichamp Ms. Phyllis Shapiro Fenwick Foundation Mary and Mike Parker Claudia and Milton Williams Jan Freeman Laura Taft Paulsen and William F. Paulsen Julia R. Woodman Louise Glickman Jon Slaughter Pelegrin Dr. Wallace C. Wu and Mona Wu Glen and Florence Hardymon Kaola and Frank Phoenix Barbara Young Patti Quinn Hill

Andrew Glasgow Writers Residency The Andrew Glasgow Writers Residency provides emerging and established writers, scholars, and curators with time to conduct research and write on topics that advance the craft field. This program is intended for writers who would benefit from focused time in a retreat environment, who have project goals related to craft, and who want to interact with studio artists in the Penland community. The following individuals made gifts during fiscal year 2013 (May 1, 2012 to April 30, 2013 ) to support this program.

Ann Batchelder and Henri Kieffer Andrew Glasgow

 Penland School of Crafts Annual Report May  ‒ April  Other Gifts

The auctions that take place at the end of each session are an important source of support for Penland’s schol - arship programs. For more than fifteen years, David Little (second from right) presided over these auctions as MC and auctioneer. David died suddenly of a heart attack in the spring of 2013. Through these auction he helped Penland raise more than a mil - lion dollars for scholarships. In addi - tion to being an excellent auctioneer, he was always up for a bit of fun and was never thrown off by the enthusias - tic silliness that is often part of these events. We greatly miss his presence.

Restricted Gifts 0 to 60: The Experience of Time Community Education Kids Camp through Contemporary Art Rebecca Banner Cass and Andy Faller Lisa and Dudley Anderson Paulus Berensohn Rachael and Senator Thom Goolsby The Andy Warhol Foundation for the Cynthia Bringle Rebecca Lance Visual Arts Edwina Bringle Rotary Club of Spruce Pine W. Kent Davis Jane Crowe Kelly Rothe and Jeff Polgar Fenwick Foundation Kerstin Davis St. Thomas Episcopal Church Hedy Fischer and Randy Shull Susan Dunn United Community Banks Carlos Garcia-Velez Debra Frasier JDavis Architects, PLLC Lori and Ken Gilcrist Metals Studio Bobby and Claudia Kadis Jeffrey M. Goodman and Margot Atuk Stella Schloss and Dr. Neil Parker Mina Levin and Ron Schwarz Ryan Helsel Barbara N. McFadyen and Douglass Phillips Amanda Hollifield Miscellaneous North Carolina Department of Elizabeth Kelly Windgate Charitable Foundation Cultural Resources Michael Kline and Stacey Lane North Carolina Museum of Art Julia A. Leonard Penland General Endowment Foundation, Inc. Courtney Martin Robyn and John Horn Barbara and Sam Wells North Carolina Arts Council William R. Kenan Jr. Endowment for Wes Stitt Wood Studio Educational Exhibitions Cindy Taylor Sarah Lee Elson and Louis Goodman Elson Windgate Charitable Foundation Taylor Townsend, D.D.S. In honor of John Lee's 80 th birthday United Way of Mitchell County Administration Susan van der Vorst Anonymous Amy Weinmeister

 Penland School of Crafts Annual Report May  ‒ April  Scholarships

Scholarships These individuals made gifts in fiscal year  (May ,  to April  ,  ) to establish or increase the endowments of named scholarship funds. Endowed scholarship funds are an important source of support for a stable scholarship program. These funds will ensure that artists for generations to come are able to study at Penland and pursue their artistic dreams. A full Penland scholarship can be endowed for $  , and a work-study scholarship can be endowed for $  , . If you are interested in learning more about creating or supporting an endowed scholarship fund, please contact our development office. “Principal gift to fund” refers to gifts of $  , or more.

Janet Taylor Acosta Memorial Marcia Macdonald Scholarship Fund Lisa Blackburn and John Hartom Scholarship Fund Mary Anderson Robbie and Larry Blackwell Martha Morrill Sandra Blain Meredith College Scholarship Fund Jerri Blumenthal Larry Brady and Edward Jones Anne Dahle The Blumenthal Foundation Scholarship Fund Principal gift to fund Judith and Robert Boardman Richard P. Hurley Sue Moser Boggs Frank Sutton and Eric Martinez Jane Peiser Scholarship Fund Mr. and Mrs. Bruce Boker Anonymous ( ) Natalie R. Boorman Elizabeth Brim Scholarship Fund Sarah Ackerman Alice Bost Drs. Kent and Bob Leslie Judy Adler Elizabeth Boxley Finn Alban Lillian Bradford Cynthia Bringle and Edwina Bringle Jane Alexander Larry Brady Scholarship Fund John and Judy Alexander Anita Wilkinson Brame C. Matthew Taylor Lillian Alexander Frances Brenner Heather Allen Pam Brewer Orville and Pat Chatt Memorial Marcia K. Allen Cynthia Bringle Scholarship Fund Louise Allred Edwina Bringle George and Frances Newman Carole Anders Mark and Cathy Brown Mary Schnelly and Gene Phelps Stanley and Karen Andersen Martha and Joe Buck Julie Anderson Wanda W. Burnett Lenore Davis and Bill Helwig Lisa and Dudley Anderson M. Blake Caldwell Scholarship Fund Margaret Anderson Christopher Lee Campbell Estate of Bill Helwig Rebecca C. Anderson Claire Cannon Christopher Principal gift to fund Mary Anglin Mary Carrigan Ariel Gallery Janis G. Chapman Paul H. and Ginger S. Duensing William and Linda Ashendorf Rob and Lacy Chapman Scholarship Fund Gerson and Wilma Asrael Mary Charles and Robert Boyett Ginger Duensing Jane and Robert Avinger Marion L. Johnson Church Barbara Pitts Aycock Lutu and Tom Coffey Horn Scholarship Fund Beverly and Gene Ayscue Ruffin Collett and Jim Crisp Robyn and John Horn Mary Lou and Jim Babb Jim Congleton and Bill Fuller Principal gift to fund Robert J. Bahr Jane Mills Conlan Baldwin Davis Group Patricia K. Conlon Bobby Kadis Scholarship Fund Ruth and William Barnett Patti Connor-Greene Danny and Caroline Kadis Kay Barrow Marti Corwin Donna Kadis Tim and Sarah Belk Melinda Covington Jeff and Shauna Kadis James and Patricia Bent Nancy Craemer Paulus Berensohn Martha and Greg Crampton Lasater Drawing and Painting William and Katherine Bernstein Judith Crouch Scholarship Fund Harold and Anita Berry Jane Crowe Robin Hanes Elizabeth and James Bethune Bob and Peggy Culbertson Principal gift to fund Sara Bissette Carol Dabbs  Penland School of Crafts Annual Report May  ‒ April  Scholarships

Kevin Davis Morgan and Jack Horner Judy Dechar Judith Bennett Howard Ellen and Bert Denker Elizabeth Huber Lance and Lenore Deutsch In memory of Catherine C. Huber “By awarding me this wonderful Roz Dever Robert and Barbara Hunter experience, you have lightened Susan and Dennis Devereux Terri and Steve Huntley my financial burden, which allows Robert Dillard Marcy Irby me to focus more on learning Donna Jean Dreyer Pauline Ireland skills that will bring my artwork Frank E. Driscoll and Mary Cain Driscoll Millicent Iris to a new level. Without this Cary F. Driver Frances and Wayne Irvin Dr. Charles and Carolyn Duckett Flora L. Jacobson scholarship, I would never have Mr. and Mrs. William B. Duncan Lisa and Nick Joerling been able to come to Penland. I In memory of Eileen Sharpe Lauren Johnson hope to take what I have learned Barbara Eastwood Leah Joseph during my stay here and help Patricia T. Edwards Peggy Joyce push the arts and influence others Jon Ellenbogen and Rebecca Plummer Florence Kendall and Donita Dunbar around me.” Elizabeth Ellett Sally Kennedy –Daniel Grant Kelso, who received a Betty Epanchin Aisha King Annie and Jim Erneston Linda King-Thomas Higher Education Partners Scholarship Janice C. Farley Kathy and Larry Krabill from Penland and Murray State Susan Feagin Susan and David Larson University in Kentucky to attend a Cynthia Fedder Joslin LeBauer woodcarving workshop with Hunt W. Ann Forbes Matthew LeBauer Clark Steven Forbes-deSoule Diane Lee John T. and Patricia Ford Donna Lee Ariel Lauren Wilson Sandra Foy In memory of Vivian Wommack Joyce Fritz W.C. Lee Don and Marcia Gabriel Norman Levin Jock and Mickey Gault Rob and Wanda Levin Terry Gess and Carmen Grier Emil Liddell Sally Gore Suze Lindsay and Kent McLaughlin Susan Carr Gossman Little Art Gallery Inc. Laura and Michael Grace Suzanne Lockett Becky Gray and Richard Kennedy Isaac and Sonia Luski Kate Green Jean Lynch Sara Gress Beth and Rob Mangum Carole Guyton Andrea and Bob Maricich Barbara Haliburton James G. Martin and Dorothy M. Martin Barbara Hall Kathleen D. Martin Mebane Ham John and Dee Mason Fletcher Hassenfelt Mary Ann and C. Knox Massey, Jr. Jane Hatcher William P. Massey Linda Henderson Frances and Samuel Maury M. Hessberg Mamie Caycie McAlister Pat Hillhouse Nedra F. McCraw Truman and Debbie Hobbs Connie McCreary Dorothy D. Hodges Sara and Bob McDonnell Dwight M. Holland Linda and Mike McFarling Mrs. R. Calvin Holland Paula McGuire Keith and Marquitta Holtsclaw Grace and John McKinnon Lonni Hopkins Studio Jewelry Jean W. McLaughlin and Thomas H. Spleth  Penland School of Crafts Annual Report May  ‒ April  Scholarships

Susan and Pac McLaurin Shirley Scarbrough Nancy White Barbara Millhouse Katherine Schoellhorn Sarah Whittington Sharon Mills Laura P. Schulman, MD Sarah and Worth Williamson Kate Missett Norm and Gloria Schulman Rosalind Willis and Gregory Olson Richard Montgomery Lizz and Frie Schulz Patricia R. Wilson Patricia A. Moorehead Sharon Schuster Emily C. Winburn Martha Morrill Kenneth and Connie Sedberry Kay Workman Sandy Morris Martha and Gregory Selby Mike Wright and Bob Glascock Betsy W. Moser Jean Selman Patricia Kilguss Wright Michelle Mullen Douglas Sheafor Ann P. Mullican Linda Silber Penland Clay Scholarship Fund Cathie and Amanda Murdaugh Melanie and Russ Sizemore Anonymous Louise Napier Lisa M. Slatt and Alan Spanos Scott Mullennix and Hilary M. Wilson Sheila Naughton Betsy Smith The Signature Gallery Dina Nelson Star Smith Steve Noggle Carol Smithwick Penland Drawing and Painting Thomas and Patty Norman Barbara and Arthur Sohn Scholarship Fund Michale M. Nuccio Harry V. Souchon Anna Reamer Baker Peggy Oliver Steven R. Stegner Nancy Baldwin Jim and Shirl Parmentier Connie Stockdale August and Christie Pattin Buzz and Polly Strasser Penland Metals Scholarship Fund Mark Peiser David and Frances Strawn Anonymous Carol H. Pharr Charles and Martha Sutton Principal gift to fund Carolyn Phillips Janet Taylor Sheila Gaddie Gina Phillips Patricia and John Tector The Signature Gallery Robert and Suzanne Plati Natalie Teichman Sandra Player Brenda Thomas School Teachers Scholarship Fund J.Timothy Prout Drs. John A. Thompson, Jr. Mical Heyman Schneider Rob Pulleyn and Lee Rocamora In honor of the marriage of Joshua Tepper Dosty and Alex Quarrier Katy Thompson and Sofia Ikura and in memory of Albert John and Johanne Ramsey Meredith Thompson and Dorthy Heyman Tom and Kay Rankin E.M. and Anita Toler Christine and Richard Rappoport Nancy Townsend Windgate Scholarship Fund Polly Redd Heather Houska Trimlett Robyn and John Horn Wendy S. Reid Bill and Sue Troutman Windgate Charitable Foundation Ted and Rita Reynolds Rick Tupper Principal gift to fund Joan Rich and Nyla Ahrens Linda Turner Rising Sun Pottery Daisy Wade Bridges Linda M. Roberts Don and Karen Walker Susan L. Robinson Marvin and Diane Walker Susan P. Rouse Diana Parrish and Max Wallace Jill Ruhlman Sue Walser Edwin and Leslie Rusgo Susie Ward Joan C. Rutledge Sandra J. Weaver With funds matched by the Reynolds Ann Weil American Foundation Matching Jane C. Weir Grant Program Barbara and Sam Wells Erika Sanger and John Vasquez Malcolm and Dottie West Steve and Yorke Sartorio Dale White Peggy Kepley Savas Doug and Mary White

 Penland School of Crafts Annual Report May  ‒ April  Scholarships

Scholarship Student Profile: Kayo Yokoyama It’s impossible to miss the ghostly trees in Australia-based glass artist Kayo Yokoyama’s recent work. Frozen in the surface of the glass, Kayo’s engraved branches and leaves evoke both rootedness and groundlessness—two impulses present when she talks about her time at Penland. Kayo first came to Penland in  as an Isaac and Sonia Luski Scholarship recipient. The award is given annually to provide a full scholarship to a student of exceptional tal - ent for a summer session. Kayo joined a workshop taught by glass sculptors Richard Meitner and Michael Rogers. “Being given the time to work was amazing,” Kayo said of her experience. “Working in the evenings or anytime, without any constraints, was real - ly valuable.” This grounded time reconnecte d her with her own roots as a glass artist, which she set down in the late nineties, when she first stepped into a public glass studio in Japan for a workshop. In the summer of  , Kayo returned to Penland as a studio assistant for a class taught by fellow Australian glass artist Masahiro Asaka. Being back in the studio with an artist she knew was freeing to Kayo, and supporting students drew her to explore with others the potential of the medium in new ways. Kayo laughed heartily when I asked about her strongest memory of the summer, and then recalled the freak thunderstorm that flooded the glass studio and felled a tree nearby—a time she won’t forget, as it sent everyone in the studio scattering to block the water coming in and to get the kilns back on. Something about the event—and how everyone in the studio leapt into action to keep the space Kayo Yokoyama, who received the intact—is etched in Kayo’s definition of Penland. “It’s the people you meet at Penland, Isaac and Sonia Luski Scholarship, being around other people and artists, that is unique,” she said. working in the Penland glass studio. Looking closely at Kayo’s trees in glass, one senses the importance of place in her work—places where one can enter a more meditative space, and sit apart from the ani - mated world for awhile. “Penland is a long way from Australia, and I’m so glad to have been able to travel there twice,” she said. “I hope to make it back.” –Elaine Bleakney

Named Scholarships These endowed and annually funded scholarships were awarded in fiscal year  (May ,  to April  ,  ). Most of Penland’s named scholarships are awarded during our summer classes but several of them apply to spring and fall concentrations. If you are interested in learning more about how to establish an endowed or annually funded scholarship, please contact our development office.

Endowed Scholarships Janet Taylor Acosta Memorial Scholarship Fund Abby Watkins Bernon Scholarship Fund Established in memory of a woman who deeply Established in memory of Abby Watkins Bernon appreciated Penland Larry Brady and Edward Jones Samuel A. Almon Scholarship Fund Scholarship Fund Established in memory of Samuel Almon Established by Larry Brady and friends and Milton Baxt Scholarship Fund family of Edward K. Jones (  - ) Established in memory of Milton Baxt Carey G. Bringle, Jr. Memorial Dr. Jerrold Belitz Scholarship Fund Scholarship Fund Established through a bequest from Established by friends and family in memory of  Jerrold Belitz Carey G. Bringle, Jr. Penland School of Crafts Annual Report May  ‒ April  Scholarships

Cynthia Bringle and Edwina Bringle David and Pat Nevin Scholarship Fund Annually Funded Scholarships Scholarship Fund Established by Pat Nevin Benisch-Allen Scholarship Established by the Charles E. and Ellen H. Betty Oliver Scholarship Fund Funded by Barbara Benisch and Jacque Allen Taylor Family Foundation in honor of Cynthia Established by the friends and family of Birkhill Glass Scholarship Bringle and Edwina Bringle Betty Oliver Funded by the Birkhill Family Foundation Orville and Pat Chatt Memorial Mark Peiser Scholarship Fund Elizabeth Brim Scholarship Scholarship Fund Established by Judy and Jim Moore in honor Funded by Dr. Kent Leslie Established by Mary Schnelly, Gene Phelps, and of Mark Peiser Bob and Peggy Culbertson Scholarship David Chatt Penland Flameworking Scholarship Fund Funded by Bob and Peggy Culbertson Collins, Evans, Massey Scholarship Fund Established by Judy and Jim Moore Dana Foundation Glass Scholarship Established in honor of Mr. and Mrs. T. Clyde Penland Vision Scholarship Fund Funded by the Birkhill Family Foundation Collins, Lisbeth C. Evans, and William P. Massey Established by Judy and Jim Moore in honor of Heart of Los Angeles (HOLA) Scholarship Paul H. and Ginger S. Duensing Jimmy, Heather, Colin, Tyler, and Eliza Royal Funded by Cathy and Alan Adelman Scholarship Fund Michael Pierschalla Scholarship Fund Higher Education Partnership Scholarships Established by friends and family in memory of Established in memory of Michael Pierschalla Funded by recipient colleges and universities, Paul Hayden Duensing Richard Ritter Scholarship Fund Windgate Charitable Foundation, and Eastern North Carolina Scholarship Fund Established by Judy and Jim Moore in honor Penland School Established by Lisa and Dudley Anderson and of Richard Ritter William R. Kenan Institute Fellowships Eastern North Carolina friends of the school Betsy and Marc Rowland Scholarship Fund Funded by the Thomas S. Kenan Institute Glass/Apple Scholarship Fund Established by Betsy and Marc Rowland for the Arts Established by Ed and Sue Glass and the Apple Tommie Rush and Richard Jolley Scholarship Isaac and Sonia Luski Scholarship Foundation Fund Funded by Isaac and Sonia Luski Grovewood Gallery Scholarship Fund Established by Ron and Lisa Brill and family McMurray Scholarship Established by the Grovewood Gallery of in honor of Tommie Rush and Richard Jolley Funded by Charles McMurray Asheville in honor of Doug Sigler School Teachers Scholarship Fund Ron and Sue Meier Scholarship Huntley-Tidwell Scholarship Fund Established by friends and family of Funded by Ron and Sue Meier Established by Hellena Huntley Tidwell and Dorothy Heyman Mitchell High School Scholarship Isaiah Tidwell Norm and Gloria Schulman Scholarship Fund Funded by Penland School Bobby Kadis Scholarship Fund Established by friends of Norm and Patricia Nevin Scholarship Established by the family of Bobby Kadis Gloria Schulman Funded by Pat Nevin LeBlanc Scholarship Fund Steele-Reese Scholarship Fund Marcia and Seymour Sabesin Scholarship Established by Steve and Ellen LeBlanc Established by the Steele-Reese Foundation Funded by Marcia and Seymour Sabesin John and Ione Lee Scholarship Fund Lenore G. Tawney Scholarship Fund Mary Anna Box and Established by John and Ione Lee Established by the Lenore G. Tawney Foundation Melvin Sidney Stanforth Scholarship Harvey and Bess Littleton Scholarship Fund Teacher Training Scholarship Fund Funded by Jerry Jackson and Jeff Harris Established by the Hellers of Heller Gallery Established anonymously Antony Swider Art Education Scholarship and Harvey and Bess Littleton Sarah Everett Toy Memorial Scholarship Fund Funded by the Penland Endowment for Art Marcia Macdonald Scholarship Fund Established by Sarah Lee Elson and Louis Education Established in loving memory of Marcia Goodman Elson, John and Ione Lee, and UNC Chapel Hill Minority Macdonald Janet Lee Student Scholarship Ann Skipper McAden Scholarship Fund Windgate Scholarship Fund Funded by Dr. Olive Greenwald and Established by the estate and family of Ann Established by the Windgate Charitable UNC-Chapel Hill Art Department Skipper McAden Foundation Mendes Family Scholarship Fund Christy Wright Endowment for Glass Art Established by Jenny Mendes and the Joseph Established by friends and family of Mendes and Molly Mendes Family Charitable Christ y Wright Fund Lucy C. Morgan Scholarship Fund Established in honor of Penland’s founder John Neff Memorial Scholarship Fund Established by friends of John Neff  Penland School of Crafts Annual Report May  ‒ April  Art Donations

Art Donations Penland benefits from the extraordinary generosity of its community of artists. Each year, many current and former instructors, core fellows, and resident artists donate work to the annual ben - efit auction. Artists also donate to Art for Penland, a web-based art-sales program, and to special exhi bitions in galleries around the country. Lucy Morgan Leader art donors contributed work valued at $ , or more. This list includes work donat ed to the  annual benefit auction.

Lucy Morgan Leader Art Donors Shane Fero Cathy Adelman Alida Fish Joseph Anderson Steven Forbes-deSoule Junichiro Baba Phillip Garrett Dan Bailey Carmen Grier Miles Bair Susan Hagen Alice Ballard Hoss Haley Boris Bally Douglas Harling Tom Bartel Pinkney Herbert Rick Beck Deborah Horrell Daniel T. Beck Thomas M. Huang John Beerman Thomas Hucker Paulus Berensohn Martin Janecky Alex Gabriel Bernstein Keith Johnson William Bernstein Daniel Johnston Janis Miltenberger Richard Jolley Joe Bova Alicia Keshishian Jana Brevick Stoney Lamar Elizabeth Brim Jeong Ju Lee Cynthia Bringle Anne Lemanski Lola Brooks Beth Lipman This steel kimono, made from a Thor Bueno Carmen Lozar recycled barrel by artist Gordon Jennifer Bueno Jeannine Marchand Chandler, was part of the Mark Burleson Daniel Marinelli David Butler Rachel Meginnes 2012 auction. Susan Goethel Campbell Jenny Mendes Gordon Chandler Stephanie Metz David K. Chatt Rachel Miller Jeffrey Clancy Bea Nettles Daniel G. Clayman Gary Lee Noffke James D.W. Cooper Dennis O’Neil Cristina Córdova Kelly Phelps and Kyle Phelps Beatrice Coron Kenny Pieper Jim Cotter Jason Pollen Kimberly L. Cridler Dean Pulver Pearl Dick Ché Rhodes Steve Dixon Richard Ritter Dail Dixon Holly Roberts Stephen D. Edwards Michael Rogers Matt Eskuche Tommie Rush Daniel Essig Phil Sanders Vicki Essig Micah Evans Natasha Seedorf Dustin Farnsworth Tom M. Shields  Fred Fenster Clarissa Sligh

Penland School of Crafts Annual Report May  ‒ April  Art Donations

Tom Spleth David Eichelberger Clarence Morgan Jim Stone Jon Ellenbogen and Rebecca Plummer Sana Musasama Billie Ruth Sudduth Kim Ellington Lilith Eberle Nielander Tim Tate Catharine Ellis Leslie Noell Shoko Teruyama and Matt Kelleher Bridget Elmer Richard Notkin Anna Tomczak Angela Fina Chandler O’Leary Triesch Voelker Lisa Frank Kathryn Osgood Jo Whaley April D. Franklin Winnie Owens-Hart John Wood Gail Fredell Roger Parramore Julia Woodman Susan Ganch Maxine Payne Terry Gess Goedele Peeters Other Art Donations Marguerite Jay Gignoux Chris Peregoy Kristi Glick Ronan K. Peterson Stanley Mace Andersen John Glick Suzanne Pugh Jennifer Anderson Jenna Goldberg Amy Putansu Daniel J. Anderson Joanna Gollberg Robyn A. Raines Eleanor R. Annand Maricela Gutierrez Campos Laura Richens Phillip Baldwin Susan Halls Sang Parkinson Roberson Kenneth Baskin Susanne Halvorson Alyssa C. Salomon Hayne Bayless Frank Hamrick Beth Schaible Scott Benefield Abie Harris Jon Shearin Jamie Bennett Peggy Hart Marjorie Simon Chris Berti Yukari Hayashida Brent Skidmore Lisa Blackburn Kreh Mellick Dolph Smith Sandra Blain Andrew S. Hayes Gertrude Graham Smith Ken Bova Sarah Heimann McKenzie Smith George Bowes Chuck Hindes Kevin Snipes Christina Boy Gina Hubler Aaron Sober Deborah Brackenbury Michael Hunt and Naomi Dalglish Lisa Sorrell Edwina Bringle Nicholas Joerling Liz Sparks Jean Buescher-Bartlett Robert Johnson Jessica Spring Jason Bige Burnett Beth Ross Johnson Sam Stang Jay Burnham-Kidwell Robin Johnston Hillary Steel Judy Byron Aimee Joyaux Amy Tavern Geoff Calabrese Gail M. Kendall Janet R. Taylor Joseph S. Cavalieri Kathy King Bob Trotman Jon Chapman Lisa Klakulak Jack Troy Fong Choo Martina Lantin Marlene True Sam Chung James Lawton Ruthanne Tudball David Clemons Jacquelyn Tait-Leebrick Caroline H. Vaughan Margaret Couch Cogswell Yoav Liberman James Viste David Court Kent McLaughlin Terri Warpinski Marianne Dages Suze Lindsay Mark Warren Shane Darwent Janet Link Susan Webster Virginia Derryberry Sarah Loertscher Heather F. Wetzel Daniel Dicaprio Steven Loucks Catherine White Courtney L. Dodd Kaeko Maehata Lana Wilson Sondra L. Dorn Kate F. Meleney Paul Wong Judith Duff C. James Meyer Hiroko Yamada Kate Missett gwendolyn yoppolo

 Penland School of Crafts Annual Report May  ‒ April  Annual Benefit Auction

Penland’s 27th Annual Benefit Auction In addition to providing significant resources for Penland’s annual operations, the benefit auction is an opportunity for collectors and art lovers to visit Penland and to see and acquire exceptional works of contemporary craft. Penland received the support of  artists who donated work and  volunteers who made the weekend a great success. We thank our patrons, artists, sponsors and volunteers who made the  th Annual Benefit Auction held on August  &  ,  a great success. Auction Sponsors

Auction Patron ($5,000) American Craft magazine $2,500 –$4,999 Blue Ridge Printing Polly Allen Ernst & Young, LLP Alex and Ashlea Bollendorf Hallmark Capital Management Wade and Brenda Brickhouse Tryon Distributing Lisbeth C. Evans and Jim Lambie Our State magazine Glen and Florence Hardymon David H. Ramsey Commercial Photography Susan Parker Martin and Alan Belzer SOFA CHICAGO  Sharon Mills WNC magazine David and Clemmer Montague Kay and Robert Norris Auction Supporter ($2,500) Rob Williams and Warren Womble American Style magazine Blue Ridge Soap Shed $1,000 –$2,499 Stephen and Enee Abelman Auction Associate ($1,500) Suzanne and Walter Allen Classic Event Rental Mary Lou and Jim Babb EbenConcepts Elizabeth and James Bethune Jon Ellenbogen and Rebecca Plummer Philip and Amy Blumenthal Norman Sound & Productions, Inc. Larry Brady Fleur Bresler Fay and Phelan Bright Painter Pinkney Herbert blowing Auction Patrons Janis G. Chapman a harmonica riff before asking auction These are auction patrons who made contribu - Adam and Shelley Colvin Jane Mills Conlan patrons to raise their paddles in tions through ticket purchases, artist sponsor - John and Jennifer Culver support of Penland’s new drawing ships, outright gifts, and the purchase of art and painting studio. Greg Cumbaa above retail value. Anne Dahle Christa and Robert Faut Auction Contributions Fenwick Foundation $10,000 and above John and Linda Garrou Robyn and John Horn Adrienne and Harvey Gossett Ann and Thomas Cousins Laura and Michael Grace Marc and Tamra Grossberg $5,000 –$9,999 D. Lowrance and Brucie Harry Cathy and Alan Adelman Pinkney and Janice Herbert Lisa and Dudley Anderson Morgan and Jack Horner James D. Clubb The Thomas S. Kenan Foundation Ed and Sue Glass Jack and Candy Kruesi Barbara and Jim Goodmon George H. Lanier Shelton and Carol Gorelick Michel and Whit Moore Barbara N. McFadyen and Douglass Phillips Richard Osborne Tom and Toni Oreck Kaola and Frank Phoenix Rob Pulleyn Mary Regan  Penland School of Crafts Annual Report May  ‒ April  Annual Benefit Auction

Eric S. Rohm and Amy Hockett Wes Kenney and Rich Cauthen John S. Arrowood Jim Samsel and Kim McGuire Clay and Linda King Eve and Stephen Balboni Mary Schnelly and Gene Phelps Henry LaBrun Judith Barr and Robert Giammelle William M. Singer and Steven and Ellen LeBlanc Ardis Bartle Catherine Sweeney Singer Laura and Jon Levinson Helga and Jack Beam Dr. Russell Tippins and Randy New Wesley Mancini and Bob Scheer Bill and Georgia Belk Caroline To Sara and Bob McDonnell Mary Berkelhammer Wells Fargo Bank Dwight and Deborah Messinger Jay Biles Edward Westreicher and Phillip E. Hoover Judith and Jim Moore Rosemarie G. Bowie Rick and Brenda Wheeler Lorraine Mulligan Tricia and John Boyer Mike Wright and Bob Glascock Linda Neely Kristin Hills Bradberry and John Bradberry Patricia Young Laura Taft Paulsen and William F. Paulsen Edward Bresler Toni M. Perrone and Nina Cloaninger Harold and Kathryn Brown $500 –$999 Megan Phillips and Jackie Mickle Walker Brown Robert Annas and Doug Shaw Elizebeth Raft Claudia Burke Stanley Asrael Tommie Rush and Richard Jolley John W. Burress and Mary Louise Burress John and Maureen Ausura Harley and Helgi Shuford David Butler Eric and Jill Becker Melanie and Russ Sizemore Elizabeth and Al Campbell Sanford R. Berlin Karen Smith-Lovejoy and F. Bentley Lovejoy Ellen and Robert Carr Daniel A. Bloom and Barry Golivesky Tom and Melinda Stacy Adam and Cindy Cave Dorothy and Clyde Collins Kathleen and Darwin Stanley The Center for Craft Creativity & Design Paul Cookson and Jim Walsh Eric Steenlage and Pinecca Patel Seth Chapman Bob and Peggy Culbertson Drs. John A. Thompson, Jr. and Lee Rocamora Sheila Conroy Charles M. Davis Gallery at University of Arkansas, Little Rock Ellen and Dail Cox Beverly W. Dawson Wendi Williams and Aprille Shaffer Thorns and Perry Craven Andy Dews and Tom Warshauer Frankie and Vernon Winters Arthur L. Criscillis Jane and Jim Fernandes Daniel and Jane Zureich Brad Cushman and Bobby Williams Jerry Dell Gimarc and Benjamin Gimarc Susan and John Davenport Jeff and Bari Gorelick Under $500 Sara Jane and William DeHoff James R. Hackney and Scott T. Haight Peter and Nedra Agnew Katharine DeShaw and Mark McConnell Frances and Wayne Irvin Janice and James Anderson Lance and Lenore Deutsch Jan Katz and Jim Derbes Pat Arnold and Dennis McCloud Jill Dinwiddie and Bernie Hargadon

The Friday evening auction in process under the big tent (with weather in the distance).

 Penland School of Crafts Annual Report May  ‒ April  Annual Benefit Auction

Maureen Dorney and Bruce Sinift Arthur and Anita Kurtz Ross and Cate Pfeiffer Nancy S. Dowdy Peter J. Larson, MD Gina Phillips Lynn and Barry Eisenberg Susan and David Larson David Pollart Sarah Lee Elson and Louis Goodman Elson Kay and Michael Layman Suzanne and Mickey Pollock Jeff Fagan Mark R. Leach and Laura Park-Leach John D. and Ann Porter Suzanne and Elmar Fetscher Dr. and Mrs. John E. Lee Cindy Dawn Powell Arthur L. Fox, Jr. and Jeanne W. Fox Dr. Kent and Dr. Bob Leslie Pamola Powell and Guy Lescault Gusti and Daniel Frankel Janet Link and Carl Dahle Joe Sam and Kate Queen Michael and Libba Gaither Irvin Lippman Maynette Regan Christopher Gardner John Littleton and Kate Vogel Jay and Arthur Richardson Sherry Garner Nunzio Lupo and Michael Grover Dabney and Walker Sanders Grassy Creek Hardware John and Betty Mauceri Lori Sanderson Harriett Green Martha Brim and Ken May Catherine Schroeder and Phil McMillan Jean P. Greer and Scott Radway Brian and Gail McCarthy Barbara B. Seiler and Robert L. Seiler The Gregg Museum of Art & Design Patricia McCauley Michael and Margery Sherrill Ted and Susie Gross David McClurkin Randy Siegel and Don Baker J. Richard Gruber and Sharon W. Gruber Richard and Yvonne McCracken Wilma Siegel Jeff Harris Amy K. McGrath Janet Singerman and Court Fulton James Hatley John and Tina McGuire Robin A. Sirkin Ann Hawthorne Frances Milks Eric and Jane Sowder Jerry Heindel and Renee Rux The Mint Museum of Craft + Design Janet and Roger Luther Hodges Robert Molpus Jacqueline Spetz Cheryl Holland and Doug Quackenbush Andrew Geer and Susan Moore Cindy Spuria Phil Homes Dahlia Morgan David L. Staub and Susan Edwards Benjamin and Giselle Huberman Scott Mullennix and Hilary M. Wilson Ruth T. Summers and Bruce W. Bowen Cheryl Walker and Jeff Huberman National Ornamental Metal Museum David Sutton Susanne Jackson Nancy Neely and Skip Hudspeth Paul and Tish Szurek Kathleen Jameson and John Bryant Steve and Susan Pannill Jacqueline Urow Beverly Jaynes Greg Parker and Randy Dickerson Anne Washington and Ann Newcomb John R. Jesso and Stacy Sumner Jesso Dolly Patton Laura Way and Edie Carpenter Joia Johnson Philip and Mary Ruth Payne Wendy Weiner and Delia Champion Nancy Joyner Edith S. Peiser Julia Wilson Bobby and Claudia Kadis Mark Peiser Julia R. Woodman Nancy Kalin Alan Peterson and Priscilla Kistler Patricia Zoder Stephen Keeble and Karen Depew Nicole Peterson

Textile artist Jason Pollen and Penland’s director Jean McLaughlin at the benefit auction where Jason was celebrated as the 2012 Penland School of Crafts Outstanding Artist Educator. Jason has been the chair of the fiber department at Kansas City Art Institute and the president of the Surface Design Association. He has also been on the faculty of the Royal College of Art (London), Pratt Institute (NYC) and Parsons School of Design (NYC), and he has taught many Penland workshops. In addition to teaching and making his own artwork, he has designed textiles for fashion and home-furnishing firms and worked as a scenic designer for the Kansas City Ballet.

 Penland School of Crafts Annual Report May  ‒ April  The Campaign for Penland’s Future

Donor/Trustee Profile: Barbara McFadyen Barbara McFadyen first heard of Penland when she was an undergraduate student mak - ing jewelry in an independent study, and the name stayed in the back of her mind as she pursued jewelry-making after college. She apprenticed to a silversmith in Vermont, moved briefly to New York City for enameling school, and then sought out masters in the field. “I wanted to branch out into my own voice,” she remembered, citing the per - vasive influence of medieval design in cloisonné (an important enameling technique) at the time. This desire brought her to Penland for her first summer workshop in  . The word “cloisonné” comes from the French verb “to compartmentalize.” However, since her first Penland experience, Barbara’s relationship with the school has resisted compartment or closure. Her life has become intertwined with Penland. As a young artist, Barbara put aside plans for an MFA when the good news of an impending adop - tion of a baby girl came through for her family. Suddenly a mother, artist, and wife, Barbara found herself styling her own graduate-level education with Penland as a main resource for her study. But life, like art, takes unpredictable turns. When her husband died from cancer, Barbara found creative work impossible, and she took ten years away from making. When the impulse returned, she turned again toward Penland. “Penland is my restart button,” she said. “It surfaced as a place to come for healing and for restarting my career.” Barbara McFadyen working in the Over the years, Barbara has become a vital part of the Penland family: serving on the Penland metals studio. board, and extending—through her family foundations—generous gifts for Penland’s metals studio, the new Northlight building, the Teaching Artist Initiative, and others. As we sat together in the upper metals studio, talking about her deep engagement with the school, she beamed. “Penland has a creative energy, magnified by everyone who comes here.” Fifteen workshops later, Barbara’s relationship with Penland evolves. Her husband, Douglass Phillips, has joined her, taking workshops in the wood studio. And in the sum - mer of  , Barbara will teach her first Penland workshop, in enameling. “Penland’s done so much for me,” she said warmly, before heading down to the lower metal stu - dio again to work. –Elaine Bleakney

Campaign for Penland’s Future The following gifts were received, or written gift intentions completed, prior to April  ,  . The Campaign for Penland’s Future is a compre - hensive campaign to secure increased annual giving, grow the endowment, and address needed capital improvements. The campaign was endorsed by the Board of Trustees in April  and will continue until the goal is achieved. These individuals and foundations have committed their support toward Penland’s future programs, facilities, and services. This list reflects the campaign’s cumulative gifts.

$5,000,000 and above $500,000 –$999,999 $100,000 –$249,999 Windgate Charitable Foundation The Kresge Foundation Suzanne and Leslie Baker The Blumenthal Foundation $1,000,000 –$4,999,999 $250,000 –$499,999 Lutu and Tom Coffey Robyn and John Horn Anonymous Randolph D. Fox Trust The Nicholson Foundation Laura Edwards John Wesley and Anna Hodgin Samuel L. Phillips Family Foundation Laura Taft Paulsen and William F. Paulsen Hanes Foundation Steven and Ellen LeBlanc  Penland School of Crafts Annual Report May  ‒ April  The Campaign for Penland’s Future

Ariel Lauren Wilson William States Lee Foundation $10,000 –$24,999 Susan Parker Martin and Alan Belzer Anonymous I.A. O’Shaughnessy Foundation Cathy and Alan Adelman Rob Pulleyn Suzanne and Walter Allen Betsy and Marcus Rowland The Apple Foundation The Seth Sprague Educational and Elizabeth Aralia and Nicholas Graetz Charitable Foundation Daniel W. Bailey and Emily Stanley Helga and Jack Beam $50,000 –$99,999 Beattie Foundation Anonymous Elizabeth and James Bethune Polly Allen The Shlenker Block Fund, Gay Block Lisa and Dudley Anderson Kristin Hills Bradberry and John Bradberry The Cannon Foundation Fleur Bresler Lydia and Howard Colwell David K. Chatt Bob and Peggy Culbertson The Cousins Foundation, Inc. Fenwick Foundation Marion Stedman Covington Foundation Robin Hanes John and Jennifer Culver Glen and Florence Hardymon The Dana Foundation William Randolph Hearst Foundation Davie Construction Estate of Bill Helwig Charles Michael Davis Bobby and Claudia Kadis William A. and Betty Gray Davis Dr. and Mrs. John E. Lee Bert and Shan Ellentuck Barbara N. McFadyen and Douglass Phillips Alida Fish and Stephen Tanis “My time at Penland has been Kaola and Frank Phoenix Flora Family Foundation amazing! I’m a junior at Kent Jean W. McLaughlin and Thomas H. Spleth Gusti and Daniel Frankel State University and I’ve learned Tom and Toni Oreck Gary Fuquay more here in two weeks than I C. Matthew Taylor Shelton and Carol Gorelick could have learned in an entire Ira and Phyllis Wender Adrienne and Harvey Gossett semester. Israel Davis has been a Laura and Michael Grace wonderful instructor. He’s always $25,000 –$49,999 Harriett Green available for extra input and sug - Larry Brady Edwin F. Harris, Jr. and Susan Arrendell gestions and has helped me grow Wade and Brenda Brickhouse Hillsdale Fund, Inc. Cynthia Bringle Dorothy S. Hines as an artist. He’s taught me to James D. Clubb Randy Hinson think in new ways and build on Cristina Córdova and Pablo Soto Ruth DeYoung Kohler my skill set. I’m so thankful for Anne Dahle George H. Lanier this opportunity and I can’t wait Sarah Lee Elson and Louis Goodman Elson Susan and David Larson to take what I’ve learned back to Shane and Sallie Fero Mary R. Lynn Kent. I don’t think I’ll ever forget John and Linda Garrou Dr. Fletcher H. McDowell my time here. I’m applying again Ed and Sue Glass Charitable Trust John and Tina McGuire next summer for the glaze chem - Joia Johnson C. James and Laurel Meyer istry class because we don’t have Barbara Laughlin Scott Mullennix and Hilary M. Wilson Dr. Kent and Dr. Bob Leslie David and Suzu Neithercut that class at Kent and I feel the Mina Levin and Ronald Schwarz Patricia Nevin need to come back.” Estate of Ann Skipper McAden Ché Rhodes – Felicia Bonaduce, who received a Sara and Bob McDonnell Richard Ritter and Jan Williams Higher Education Partners Scholarship Judith and Jim Moore Christina Shmigel and Patrick Moreton from Penland and Kent State Randleigh Foundation Trust Buck and Helgi Shuford University to take a clay workshop Mary Schnelly and Gene Phelps William M. Singer and with Israel Davis Barbara and Sam Wells Catherine Sweeney Singer

 Penland School of Crafts Annual Report May  ‒ April  The Campaign for Penland’s Future

FedEx Corporation G. Felda and Dena Hardymon Cynthia A. Toth On behalf of Frederick W. Smith Andrew and Hathia Hayes Jerry Uelsmann and Maggie Taylor Laurie Snyder and John Wood* Jim and Marlene Hubbell Wehadkee Foundation Ellen Taylor Jerry Jackson and Jeff Harris Rob Williams and Warren Womble Hellena and Isaiah Tidwell Danny and Caroline Kadis Mike Wright and Bob Glascock Bob and Jane Trotman Donna Kadis Charlotte Vestal Wainwright and Jeff and Shauna Kadis Under $5,000 Steve Wainwright Thomas S. Kenan, III Anonymous (  ) Lana Wilson Richard Koopman, Jr.  Hands Gallery Julia R. Woodman Virginia Kraus and Jay Westwater Stephen and Enee Abelman Frank D. Lortscher Karin Abromaitis $5,000 –$9,999 Isaac and Sonia Luski Deane and Roger Ackerman Anonymous John Marek Sarah Ackerman Barbara Benisch and Jacque Allen Charles L. McMurray John and Peggy Acorn John Andrew and Jenna Robinson Ron and Susan Meier Regina Acosta Tobin Dawn Barrett and R.D. Oxenaar Sharon Mills Iwan Adami Jill Beech Sandy and Anne Overbey Ashleigh and Michael Adamosky Paulus Berensohn Patina Gallery Erika Adams William and Katherine Bernstein Brook Reynolds Jim Adams Edward Bresler Eric S. Rohm and Amy Hockett Marla and Joel Adams Edwina Bringle Seymour and Marcia Sabesin Pamela and Orlando Adan David Charak Dasha Shenkman Milton Adelman Katy and Mark Cobb The Signature Gallery Judy Adler Dail and Artie Dixon Clarissa T. Sligh and Kimberly Grey Purser Deborah Ahalt Ecology Wildlife Foundation James W. Smith and Pam Troutman Finn Alban Jon Ellenbogen and Rebecca Plummer Steven Stichter and Mark Ewert Kim Alderman Lisbeth C. Evans and Jim Lambie Ruth T. Summers and Bruce W. Bowen Jane Alexander Elizabeth Gant Caroline To John and Judy Alexander *deceased

Metals instructor Suzanne Pugh demonstrating one of the steps in the casting process, out on the porch of the metals studio.

 Penland School of Crafts Annual Report May  ‒ April  The Campaign for Penland’s Future

“I am over 40 and just finished my Lillian Alexander Mary Lou and Jim Babb MFA. I have a husband and an Welborn and Patty Alexander Herb Babcock eight year old at home who rely Heather Allen Peg and Steve Bachenheimer Marcia K. Allen Posey Bacopoulos on me, so long residencies away Thomas M. Allen Robert J. Bahr are difficult for us in terms of Louise Allred Hoyt Bailey both time and resources. Because Renee B. Altman Jim Bailey I received this scholarship, I was Stuart and Jeanne Altmann Anna Reamer Baker able to come here and work hard, Patricia L. Amend and Stephen M. Dean Bryan Christopher Baker but also my husband could get Cathryn and Dante Amidei Will Baker and Joy Tanner help at home . . . so my little Christopher and Bridget Amundsen Eve and Stephen Balboni family also benefited from the Carole Anders Nancy Baldwin scholarship.” Stanley and Karen Andersen Baldwin Davis Group Erica Anderson Don Ball –Lise Currie, who received the Lenore Jesse Anderson Laurie Ballenger Tawney Scholarship to take a textiles Julie Anderson Boris Bally workshop with Pat Hickman Margaret Anderson Tina Bambauer Margaret Anderson Bruce C. Bangert Mary Anderson Megan Barber Rebecca C. Anderson Dorothy Gill Barnes Robert and Kathleen Anderson Barbara Barnett “The creative and nurturing atmos - Marilyn Andrews and Andrew Van Assche Ruth and William Barnett phere of Penland is so unlike any Benares Angeley Nancy Baron other art training I’ve received. Mary Anglin Margaret L. Barrick As a college student, I am always Robert Annas and Doug Shaw Kay Barrow Mr. and Mrs. Shepard L. Ansley James R. Barrows searching for that sense of com - Elizabeth Apple LaTonia Barto munity that is so inspirational in Judy Applebaum Rebecca Barton creative fields and not always Linda Arbuckle and Lee Shaw Joan M. Bass easy to find in a large university Phillip Arensberg and Kit Murphy Pinky Bass setting. The small class size and Ariel Gallery Sue Bass one-on-one attention from Alex Armstrong Ann Batchelder and Henri Kieffer instructors and studio assistants Harvard L. Armus Mary A. Batsch here is indispensable.” Pat Arnold and Dennis McCloud Constance M. Baugh and Carolyn Benson Karen Arp-Sandel Anne and John Baum –China Langford, who received the Julia Arredondo Sue Baum Abby Watkins Bernon Scholarship to Charlotte Arrendell Joan Baxt take a photography workshop with John S. Arrowood Carol Baxter Michelle Bates Elmer Art Hayne Bayless Martha Ashby Joanne and Steve Beam William and Linda Ashendorf Eric and Jill Becker Robert Asman Patricia and Bruce Becker Asparagus Valley Potters Deborah Bedwell and Richard L. Hill Gerson and Wilma Asrael John Beerman Stanley Asrael Patrick Beggs Ruby Dale Austin and Gary Jones Bill and Georgia Belk Jeannette Austin Selvaggi Katherine M. Belk Margaret F. Averyt Tim and Sarah Belk Jane and Robert Avinger Elizabeth Bell Sheila and Kevin Avruch Frank and Ranlet Bell Barbara Pitts Aycock Juliet Bell John and Lee Ann Aylward Robert and Lynell Bell Beverly and Gene Ayscue Lee Ann Bellon B.C. Burgess Trust Chris Beloni  Penland School of Crafts Annual Report May  ‒ April  The Campaign for Penland’s Future

Sandra Belozercovsky and Alan Weiner Astrid H. Bennett Laurie Benoit and Barry Del Castilho David and Lauren Benson Summer Storm Two-Step James and Patricia Bent   Susan E. Bergman (Penland, July , ) Allen Berk and Geiselle Thompson Gerald and Allison Berkowitz Fireworks on the mountain! Sanford R. Berlin Three nights early for the Fourth of July. Eddie and Angela Bernard Peter Bernett Barbara Berntson The power hammers in the Iron Studio go silent. Harold and Anita Berry Bullfrogs take over the night shift. Mikel and Cecelia Berry Florence Berryhill Doug Beube Sign at breakfast: “NO COFFEE” Deirdre Bialo-Padin How long do you steep a teabag in cold water? Kim and Bill Biddix Marcel Biland Charles and Charlotte Bird Fund Why did the oak tree cross the road? at the San Diego Foundation So the poison ivy could get to the other side. Fred and Jeannie Birkhill Sara Bissette Jean: “Don’t take a shower unless you really need to.” Harold Black Lisa Blackburn and John Hartom King Lear: “O reason not the need.” Marion L. Blackburn Nisa Blackmon Crafts  : Which studio needs the least electricity? Robbie and Larry Blackwell Sandra Blain John Horn: “These presses don’t need no electricity.” Helen Blanchard Rachel Bleil Start stoking the wood-fired kiln Blevins Oil Company in time for the auction. Cati Blitz Daniel A. Bloom and Barry Golivesky Thomas and Melinda Blue We built a fire and boiled the water Alan and Rosalie Blumenthal and made the coffee and Jerri Blumenthal Philip and Amy Blumenthal Judith and Robert Boardman “I wanted to give up coffee anyway.” Terry Tyson and Susan Bock “I wanted to unplug anyway.” Nini and Henry Bodenheimer Sue Moser Boggs Mr. and Mrs. Bruce Boker Parade in two days. Anna and Christian Boll Bullfrogs are spreading the news. Alex and Ashlea Bollendorf Chris and Barbara Bonaduce Michael Bondi Christopher Benfey Jeremy and Anne Bonner Elizabeth E. and Henry M. Booke Mary Beth Boone Natalie R. Boorman This poem was written by resident writer Christopher Benfey after a thunderstorm felled Alice Bost a huge tree, which landed on a power line across the road, knocking out power to the Joe Bova and Linda Shafer whole campus for a day. See page 24 for more about Christopher Benfey. Ken Bova  Penland School of Crafts Annual Report May  ‒ April  The Campaign for Penland’s Future

Rosemarie G. Bowie Jan Brooks Nathan and Marcy Bursac Linda and William Bowman Lola Brooks Robert Bush Elizabeth Boxley Tama Brooks David Butler Clara Boza and Steven Vaughan-Nichols Philip Broughton and David Smith Harlan Butt Deborah Brackenbury William C. Brouillard Leslie Byers Lillian Bradford Harold and Kathryn Brown Greg and Mary Lou Cagle Christopher Brady and Laurie Paratore-Brady James D. and Mary Brown Jessica Calderwood Colin and Sandra Brady Jane Comfort Brown Debbie Caldwell Dorothy D. Bragdon Mark and Cathy Brown J. David Caldwell Anita Wilkinson Brame Walker Brown M. Blake Caldwell Carolyn Branch Teri Brozak Deborah and Michael Caliva Julie Balogh Brand Jane Bruce Wendy Call Steven and Ellen Branfman Joseph M. Bryan, Jr. Anna Marie Calluori Holcombe Frances Brenner Braden Buchanan Bernard Y. Calvert, III Jana Brevick Nick Buchholz and Mary Ker Christopher Lee Campbell Pam Brewer Martha and Joe Buck David and Susan Goethel Campbell David and Lisa Brewster Dariel Buczek Jeanne Campbell Emily Breyer Jean Buescher-Bartlett John and Ann Campbell Meredith Knapp Brickell and Ray Duffey Kathryn Bufano and Chris Foster Kathleen Campbell Fay and Phelan Bright Raissa Bump Laura M. Campbell Phoebe Leona Briley Valerie Bunnell Michael and Mary Jo Campbell Jessie Couch Brinkley Claudia Burke Claire Cannon Christopher Ed Brinkman Betty Burkes Molly Cantor Kathryn S. Brock Richard Burkett and Nan Coffin Alice Cappa David and Laura Brody Susan E. Burnes Janet Capra Christopher M. Brookfield Wanda W. Burnett Larry Carden Allen L. Brooks Lorimer Burns Rose and Joseph Cardone

Warning: this is the most complicated caption in this publication. The boat in this photograph was made during a wooden-boat building workshop taught by Tim Lee. The whole class worked together on this project. Penland supplied the materials, and the boat was donated to the annual benefit auction. In this picture, auction volunteers are moving it to the Northlight lawn where it was displayed.

The guy with the balloon is Dan Bailey, who spent many days at Penland in 2012 making low-altitude aerial photographs with a camera attached to a helium bal - loon. After the volunteers set the boat down, Dan reeled the balloon up a ways and captured some images of the volunteers standing around the boat. This picture became part of his installation titled Looking Down: Penland School of Crafts, which was part of the 0 to 60 project, a collaboration with the North Carolina Museum of Art. You can read a little more about that project on page 10. To see the interac - tive digital version of Dan’s piece, visit penland.org/lookingdown.

 Penland School of Crafts Annual Report May  ‒ April  The Campaign for Penland’s Future

Vivianne L. Carey John Cogswell and Barbara E. Chapman “Thank you so much for this oppor - Frances Barr Cargill Margaret and Dan Cogswell tunity. . . . I know now that art is Anna L. Carlton Bruce D. Cohan and Carol Shapiro the path of my life. I feel more Lucianne B. Carmichael Cecilia Cohen Syd Carpenter James and Marie Cohen confidence in myself, my art, and Mary Carrigan Leigh Cohen who I am. I feel ready to start my Susan Carruth Michael S. Cohen career fearless. I have a vision for Bill and Judy Carson Vicki E. Cohen my future. Thank you for being Robin Carson Don and Nancy Ackerman Cole that spark in my life. Thank you Keith Carter Judith and Arthur Cole for igniting my aspirations once Lee Carter and Greg L. Bradley Sue Coleman again, but most of all, for believ - Linda Carter Ruffin Collett and Jim Crisp ing and having trust in me.” Claudia Carucci Dorothy and Clyde Collins Linda Casbon Ken and Mary Beth Collins –Colleen O’Neill, who received a Lucy Brooke Cassady Adam and Shelley Colvin Morgan Scholarship to take a clay Ellen Cassilly and Frank Konhaus Jim Congleton and Bill Fuller workshop with Arthur González Colleen Castle Jane Mills Conlan Daniel Cater Patricia K. Conlon MacFarlane and Marguerite Cates Julie Connaghan Johannes Causey Elizabeth Conner Paul and Caroline Cercone Julia Connor Cynthia Cetlin Patti Connor-Greene “I do not exaggerate when I say Janis G. Chapman Jeanne Cook that these classes, the people, Rob and Lacy Chapman Marilue M. Cook and Penland have changed my Wynn and Katherine Charlebois Thomas and Cindy Cook life. I have found more joy creat - Mary Charles and Robert Boyett Doug Cooke ing here than I have in the past The Charlotte Lesbian and Gay Fund Board Paul Cookson and Jim Walsh two years at university. Every day Cathy Chen-Rennie Robert and Elizabeth Cooper I wake up eager to see what new Norma Cheren Josh Copus things I will learn and how to Louis Cherry Eli Corbin push my art and craft. I could Kyoung Ae Cho Marianne Cordyack Christa Faut Gallery Marti Corwin not have attended Penland with - Lucy Christopher Mimi Corwin out your generous support. I Sam Chung Nancy M. Corwin and Mark Phillips would like to thank you with my Marion L. Johnson Church Jim Cotter whole heart. Truly, this has been Lisa Clague Cappy Counard and Greg Gehner a gift to experience and shall for - Christine Clark Ann and Thomas Cousins ever remain a treasured memory.” Geraldine Plato and John Clark Melinda Covington –Rosalynn Villaescusa, who received Mrs. Charles Clark Carol Cowan-Lanyon Nancy Clark Helen Romayne Cox the Paul H. and Ginger S. Duensing Sheila Clark John Coyne Scholarship to take a letterpress Carol Clarkson Gail Cozart Williams workshop with Laura Richens Daniel G. Clayman Linda J. Crabill Robert and Jan Clayton Nancy Craemer David Clemons and Mia Hall William J. Craemer Clemson University Natalie Craig Morgan Clifford Paula Craige Clover School District John Cram and Matt Chambers Robert Cmarik Martha and Greg Crampton Joan Levy Coale Thorns and Perry Craven Dr. Felicia R. Cochran Alfred and Ann Crompton Nelly Bly Cogan Judith Crouch  Penland School of Crafts Annual Report May  ‒ April  The Campaign for Penland’s Future

Jane Crowe Daria de Koning Taylee Dragovan Rebecca M. Crowell Maggi DeBaecke Donna Jean Dreyer Thomas and Victoria Crowell Judy Dechar Robin Dreyer and Tammy Hitchcock Richard Crown Cynthia Deitch Frank E. Driscoll and Mary Cain Driscoll Hayes P. Crumbley Ellen and Bert Denker Cary F. Driver Carl Cruse Mark and Sue Denny Dr. Charles and Carolyn Duckett Greg Cumbaa Jessica Depp Ginger Duensing Scott and Kim Cunningham Ivy M. Derderian Judith and Royle Duff Paula J. Curran Lance and Lenore Deutsch Mr. and Mrs. William B. Duncan Brad Cushman and Bobby Williams Roz Dever Noel L. Dunn and Mia Celena Jo Ann Czekalski Susan and Dennis Devereux Tesa DuPre Carol Dabbs Andy Dews and Tom Warshauer Mignon Durham Allison Dahle and Lou Pounder Susan Dewsnap Lynn Duryea Whit and Cathy Daily Angela Dickerson Lauren Dyer William P. Daley Lucy V. Dierks Barbara Eastwood Lucy C. Daniels Robert Dillard Robert Ebendorf and Aleta Braun Linda Darty and Terry A. Smith Deborah L. Dillaway and Alan Lifson Richard and Bridget Eckerd Sue M. Daughtridge Joe Dinwiddie Fay Davis Edwards Mr. Park Davidson Ellen Dissanayake Patricia T. Edwards Israel Davis Debra Diz and Mark Chappell Lynn and Barry Eisenberg John I. Davis Robert Frank Dogens June Ekman John J. Davis, III Kim L. Dolce Julie Elkins Joseph B. Davis, Jr. and C. Dwight and Kathi Jo Donaldson Rosanne Elkins Dr. Ann Hoscheit-Davis Margaret Donaldson Elizabeth Ellett Kevin Davis Patrick and Linda Dougherty Catharine Ellis and Kent Stewart Lynne H. Davis Cindylou Douglas Deborah Ellis Malcolm Davis* and Judy Davis Jeanne Douillard Lee Ellis Patsy Davis Dover Foundation, Inc. Dave and Wendy Ellsworth Beverly W. Dawson Ruth L. Doyle Suzanne and Edward Elson

*deceased

The spring metals concentration, taught by Ruth Reifen, had a strong emphasis on developing marketable jewelry. The class also included discussions about aspects of presenting and selling work, including different approaches to display. At the end of the session, the class hosted a sale of earrings and created this innovative display system made from painted tree branches.

 Penland School of Crafts Annual Report May  ‒ April  The Campaign for Penland’s Future

Dawn E. Enochs Hayes and Anita Fletcher Renne Ensley Heather Fletcher Betty Epanchin Becca Floyd Stanley and Rhoda Epstein Pepper and Donald Fluke Annie and Jim Erneston Charles and Edna Forbes Louise Erskine W. Ann Forbes Cecelia Erwin Steven Forbes-deSoule Thomas W. Eshelman and Jeanne Finan John T. and Patricia Ford Cary Esser Nita Forde Dorothy Essig Marie Fornaro Dan Estabrook Betty and Wes Foster Estate of Virginia B. McEwen Gene and Tate Foster David and Yvonne Evans Judith H. Foster Edward and Kathleen Evans Arthur L. Fox, Jr. and Jeanne W. Fox Kressa Evans Linda T. Fox Spencer and Mary Ann Everett Chris and Susie Fox Diane Falkenhagen Sandra Foy Cass and Andy Faller Mary Francis Keith and Kiki M. Farish Michelle Francis and Harry Keiner Janice C. Farley Sandy Frank Paul and Kym Farr Ed and Sue Frankel Kayla Farrell Don Franklin and Billy Bolton Bill and Linda Farthing Debra Frasier Rebecca and Richard Faulk Robert R. Freedman Christa and Robert Faut William and Sally Freelove Students in the spring clay Susan Feagin Elissa L. Freud concentration unloading the Cynthia Fedder Barry E. Friedberg and Charlotte Moss wood kiln. Jeni Cecil Feeser Miles Frieden Greg and Cindy Feltus C. Robert Friedman and Vernon Mosheim Fred Fenster and Susan Doane Joyce Fritz Bruce R. Ferguson Susan Fulton Ellie Fernald Jose Fumero and Herbert Cohen Gerard Ferrari Steve and Marsha Funk Jennifer Ferreira Don and Marcia Gabriel Leslie Ferrin and Donald Clark Dennise Gackstetter Leslie Fesperman Sheila Gaddie Len and Joyce Fidler Michael and Libba Gaither Marty Fielding Ben Galata Susan Filley Aran Galligan Angela Fina and Francine Ozereko Dr. Carlos Garcia-Velez and Dr. Kent Davis Doris Fina Sherry Garner Fil and Joan Fina Jock and Mickey Gault Mark Fina Barbara Gaye-Gonzales Mary Jane Fina Kinosian Susanna Gee and Toney Harris Ilene Fine Celia Gelfman Lowell and Laraine Fine Martin Gellert JoAnna and Richard Fireman Liz Gerard Arline Fisch Terry Gess and Carmen Grier Karen Fisher and Robert Warren George and Susan Gibbins Diane Fitzgerald Martha Giberson Kathleen A. FitzGerald Amy C. Gilbert Melissa Fitzgerald Jennifer and Scott Gilomen Regina M. Flanagan Jane Gish Brigid Flannery Karen Glaser  Penland School of Crafts Annual Report May  ‒ April  The Campaign for Penland’s Future

Andrew Glasgow Gary and Patricia Griffin Ross R. Hatch and Phyllis H. Hatch Louise Glickman Sarah and Gerard Griffin Jane Hatcher Donna J. Globus Suzanne E. Grinnan Mary Flo and Keith Hatcher John and Ann Glover Elliott L. Grosh SueMac Hatcher Pat Glowa and Don Kollisch Ted and Susie Gross James Hatley Steve Godwin Marc and Tamra Grossberg David and Rose Hausman Israel and Majorie Goldberg Jo Ellen and William Grubbs Michael Dwayne Hawks Jenna Goldberg Gregory W. Guenther Ann Hawthorne Scott Goldberg Frances Guerra Andrew S. Hayes and Kreh Mellick Molloy and Summer Golden Bill and Mary Ellen Gumerson John and Barbara Hayes Stephanie Golden Carole Guyton Marty Hayes and Michael Cucchiara Eric Goldschmidt James R. Hackney and Scott T. Haight Lindsay Hearn Martin I. Goldstein Henry and Sandra Halem Frederick Heath and Merrily Orsini Joanna Gollberg and Jamie Sterling Hoss Haley and Leslie Noell Lana Heckendorn and Michael Meketon Scarrain and Geraldo Gomes Barbara Haliburton Robyn W. Heeks Miguel A. Gómez-Ibáñez and Fay Larkin Barbara Hall Sarah Heimann M. A. Gonzalez Charity Hall Jerry Heindel and Renee Rux Arthur González and Christine Ciavarella Jeremy Hall Marian S. Heiskell Alvin and Rachel Goodman Kimberlee Hall Kay and Roderick Heller Jeffrey M. Goodman and Margot Atuk Beverly Halpert Pamela and John Helms Barbara and Jim Goodmon Mebane Ham Hemby Neonatal Intensive Care Unit Harriet Goodwin Lawrence Hamel-Lambert Linda Henderson Bill Goolsby Robert W. Hamilton Mrs. Anne J. Henderson Kathy Goos and Barry Werth Anna and John Hammond Phil Henderson Judy Gordon Frank Hamrick James Henkel Caroline Gore Lee and John Hancock Sue Henshaw Sally Gore Jack and Doris Hancox Pinkney and Janice Herbert Bill and Patty Gorelick Charlotte Hanes Lloyd E. Herman Jeff and Bari Gorelick F. Borden and Ann Hanes, Jr. Nancy Herman Susan Carr Gossman Helen C. Hanes M. Hessberg M. Cissel Gott Patricia and Frank Hankins Mark and Carol Hewitt Louis Gottlieb Anne and Lewis Hansen Howard and June Hicks Sally Gould Cara Hardinger Kristy Higby and Mark Flowers Charlotte H. Gower Cheryl A. Harper Sally Higgins and Ray Owens Charlotte Graham-Clark Marc Harper Highwater Clays Inc. Maria L. Grandinette Martha D. Harper Pat Hillhouse Mark and Tina Granville Robert Harper Linda and John Hillman Becky Gray and Richard Kennedy Deborah M. Harris Alix Hitchcock Mary Gray Edwin R. Harris and Mildred Harris Bonnie and Jeff Hitchcock Rusty Gray Jeff and Susan Harris Truman and Debbie Hobbs John R. Green Jenna Harris Dorothy D. Hodges Kate Green Josephine C. Harris Kim Hodges Meredith Green Ann and Pegram Harrison Sheila Hoffman Daniel Greenberg and Susan L. Steinhauser Eleanor A. Harrison Roald Hoffmann Lloyd Greenberg Jane Wells Harrison Mary Jane Hofmann and Daniel S. Greenfeld Lee Ann Harrison Charles H. Hofmann, Sr. Dr. Lewis I. Greenwald and Lucia Harrison Brigid L. Hogan Dr. Olive Greenwald D. Lowrance and Brucie Harry Christopher M. Hoina, Sr. Jean P. Greer and Scott Radway Kimberly Hart Cheryl Holland and Doug Quackenbush Barbara D. Greiss Dale and Bonnie Harvey Dwight M. Holland Sara Gress Sarah S. Harvey Mrs. R. Calvin Holland Bill and Ellen Griffin Fletcher Hassenfelt Claire Holliday

 Penland School of Crafts Annual Report May  ‒ April  The Campaign for Penland’s Future

May and Howell Hollis Patricia N. Jay Cathy Holt Greg Jenkins and Shawn Rawleigh Keith and Marquitta Holtsclaw John R. Jesso and Stacy Sumner Jesso Phil Homes Sue E. Jester Patsy and Harold Hopfenberg Lisa and Nick Joerling Lonni Hopkins Studio Jewelry Arthur H. Johns Thomas Horan Joyce and Gilbert Johnson Martin and Irina Horn Keith Johnson Morgan and Jack Horner Lauren Johnson April Horton Nels Johnson Gene P. Hotaling Robert and Mary Johnson Judith Bennett Howard Sally and Paul Johnson Kim Howell Sally and William Johnson Rogers and Victoria Howell Thomas P. Johnson, Jr. and Ina Smith Patricia and Darko Hreljanovic Dan and Jennifer Turner Joiner Tom Huang Audrey W. Jones Julie Hubble Fred Jones Elizabeth Huber Jacqueline and Sean Jones Cheryl Walker and Jeff Huberman Jean and Edwin Jones Joyce Hudson Lane Jones Caroline Hughes Richard E. Jones Garnett L. Hughes and Donna Moran Vicki Jones Patti Hughes Klugh Jordan Benjamin and Eileen Hulsey Ruth and Dan Jordan Human & Rohde, Inc. Sandy and Lindsay Jordan Jane Hunter Thornton F. Jordan Monica Hunter Leah Joseph Robert and Barbara Hunter Joseph Mendes and Mollie Mendes Family Terri and Steve Huntley Charitable Fund Mi-Sook Hur Aimee and Alain Joyaux “Coming to Penland is like redis - Richard P. Hurley Peggy Joyce covering the joy of creating; I feel Jan and Sam Hurt Mitchell Kahan Lauri and Richard Huss Satoko Kajima-Best the same awe and creative energy Trish Hutchens Lydia A. Kalyna as my eight-year-old self pinching Elliott Hutten Carol Kaminsky my first clay pot for my mother at Izach Hyde Mr. and Mrs. Jerome A. Kaplan elementary school. The emotions I James and Peggy Hynes Deb Karash feel among other dedicated and Thomas Hynes Kenneth and Virginia Karb highly talented artists is a feeling In Situ Studio Eva Karczag of being in a place where people Marcy Irby Elisabeth Karpov speak the same universal lan - Pauline Ireland Reena and Pradith Kashyap guage—a language that utilizes Millicent Iris Barbara Johnson Kasler David and Robbie Irvin Emily Kass and Charles Weinraub one’s hands, mental and creative Frances and Wayne Irvin Andrew Kastanas capacities, and even whole bodies. Geoffrey Isles Jan Katz and Jim Derbes I see Penland as a new home now, Andre Jackson Linda Kaye-Moses and Evan Soldinger a place that I will come back to William K. Jackson Tamasin and Nicholas Kekic as often as possible.” Flora L. Jacobson Laura E. Kellar –Jing Niu, who received a William R. Lisanne Jacobson Smith Janet Kelman Kenan Institute Fellowship to take a Florence K. Jaffa Diane Solomon Kempler Kati James Betty P. Kenan clay workshop with Tom Bartel Alison Jarvis Thomas S. Kenan Foundation

 Penland School of Crafts Annual Report May  ‒ April  The Campaign for Penland’s Future

Florence Kendall and Donita Dunbar June and Ken Lambla Nunzio Lupo and Michael Grover Gail M. Kendall Dr. Thomas T. Jefferson and Joseph Lampo Jane and Robert Lurie Maureen Kennedy Lois Langston Staton Danielle Luscombe Sally Kennedy Ashley and Peter Larkin Simone and Scott Lutgert Kay E. Kennerty Carl Larson Sara Luttrell Jo Kenney Peter J. Larson, MD Adrian and Page Luxmoore Dorlin and Susan Kerr Jim and Lillian Lawrence Jean Lynch Nancy J. Kerr Leita Leavell Robert Lynch Kristen Kieffer Joslin LeBauer Elizabeth Lyne Barbara Kiger Matthew LeBauer Shaunna Lyons Madonna Ann Kilborn Delores Lecky David and Dorcas MacDonald Sun Kyoung Kim Amanda Lee Elizabeth MacDonald Aisha King Diane Lee Sandra MacDonald Clay and Linda King Donna Lee Bruce and Diane MacEwen Deanna King Joe S. Lee Theresa MacFarland J. Scott King Mary E. Lee Cameron MacGuire Joyce and Gary King Rick Lee Maya D. Machin Kathy King W.C. Lee Warren and Nancy MacKenzie Linda King-Thomas Gil and Jacquelyn Leebrick Susan MacLean Stuart Kirsner Ted Leger and Allen Taylor Terriss Maddrey Betty Kjelson Leah Leitson Nancy Magnusson Jeana E. Klein and Mark Schurman Julia A. Leonard James Malenda Mark Klett Margaret Lepo Barbara Maloney Michael Kline and Stacey Lane Renee Lessner John and Nancy Maloney Allan Kluber Marc Leuthold Wesley Mancini and Bob Scheer Allison Knight Carol and Seymour Levin Roger Mandel Timothy Knight Hannah Levin Beth and Rob Mangum Mary Knightly Norman Levin Richard Margolis and Sherry Phillips Eric Knoche Rob and Wanda Levin Andrea and Bob Maricich Barbara Knutson Mark Levine Melissa L. Marschner Liz Koerner Jane L. Levy David L. Marsh and Kenneth Hanson George and Cindy Kokis Marge Levy Suzanne Marsh Laura Kolinski-Schultz Doug Lewis David Marshall Janet Koplos Emil Liddell Judith and Todd Marshall Sylvia and Jim Kortan Suze Lindsay and Kent McLaughlin Ms. Joanna R. Marsland Kenn and Michelle Kotara Janet Link and Carl Dahle Courtney Martin Kathy and Larry Krabill Micki Lippe James G. Martin and Dorothy M. Martin Karen F. Krieger Little Art Gallery Inc. Kathleen D. Martin Suzanne Krill Theresa Livingston Mary M. Martin Lisa L. Kriner Suzanne Lockett Frank Sutton and Eric Martinez Jack and Candy Kruesi June D. Lockhart Kit Martinez Betsy Kruger Sarah Loertscher Jessica Martinkosky Yih-Wen Kuo Thomas Loeser and Bird Ross Kathleen Martinson Lynn Kurisko Joseph P. Logan Wendy Maruyama and Bill Schairer Arthur and Anita Kurtz Paula Lombardi The Mary Duke Biddle Foundation Henry LaBrun Carol and David Lombardo Marion and Kingsbury Marzolf Mec and Larry Lacewell Douglas A. Long John and Dee Mason Adryin Lackey Randy Long Mary Ann and C. Knox Massey, Jr. Mary Pierce Lafleur Betty Helen Longhi William P. Massey Mollie Lakin-Hayes Nancy Lopez-Ibanez Elizabeth Mather Elaine W. Lamb Laurel Lovrek Elizabeth Matheson Kate M. Lambeth Lorinna W. Lowrance Heath Matysek-Snyder

 Penland School of Crafts Annual Report May  ‒ April  The Campaign for Penland’s Future

Jack Mauch Meg McGrew Nancy Merritt Linda A. Mauck Paula McGuire Katherine and Ulrich Merten Frances and Samuel Maury Bonnie and Chaffe McIlhenny Matthew Metz and Linda Sikora Warren and Nancy Mauterer Salley and Michael McInerney Nathan and Carole Metzger Pamela and Mike McKee Ron and Hester Meyers Martha Brim and Ken May Tasha McKelvey Barbara Middleton Mamie Caycie McAlister Ryan McKerley Raine Middleton Sarah T. McArdle Grace and John McKinnon Carlton Midyette Brian and Gail McCarthy Roy Baroff and Caroline McLaughlin Bonnie Miller Tom and Julia McCarthy Susan and Pac McLaurin Chris H. Miller Katherine McCarty Harry McLean Dorothy Miller Patricia McCauley John and Linda McLean James and Sharon Miller Ron and Harriet McClain Sunny McLinn James R. Miller McColl Center for Visual Art Lynn McLure Sequoia Miller Louise McConnell Scott McMahon Steve Miller and Desmond Lim Ruth M. McConnell Janice McRorie Barbara Millhouse Carole McCracken Robert and Patricia McTaggart Robert and Karen Milnes Richard and Yvonne McCracken Bob McWilliams Myra Mimlitsch-Gray and Ken Gray Nedra F. McCraw Elizabeth and Michael Mears Abby Minor Connie McCreary John A. Mecham Kate Missett John and Marjorie McCurrach Nanc Meinhardt John and Stephanie Mitchell Deborah McDevitt Roger Mellick LeeAnn Mitchell and Jim Buonaccorsi Kirby and Risden McElroy John Menapace* Jennifer and Alex Moeller Dale McEntire Jenny Mendes and Mark Roegner Scott and Julia Moen Linda and Mike McFarling Elizabeth and Fred Menger Ann Montera Amy K. McGrath Alice C. Merritt Richard Montgomery

*deceased

Each session Penland’s resident artists host an open house at their studios. Here, students and instructors are visiting the studio of sculptor and furniture maker Dustin Farnsworth.

 Penland School of Crafts Annual Report May  ‒ April  The Campaign for Penland’s Future

Ariel Lauren Wilson Andrew Geer and Susan Moore Laura Foster Nicholson Beverly Barr Moore Robin Nicholson Dana Moore Audrey Niffenegger John Moore and Olga Ronay Kim Nikles Ken Moore and Kathleen Buck Lucy Nims-La Fleche Lee H. Moore-Crawford and Robin Noble-Lehan David C. Crawford Steve Noggle Patricia A. Moorehead Nonah Craft House Clarence Morgan and Arlene Burke Morgan Nancy Nord Sarah Morgan Wingfield Thomas and Patty Norman Martha Morrill Bruce and Nancy Novell Herman Lester Morris Michale M. Nuccio Sandy Morris Kelly O’Briant Susan Morrison Dennis and Gloria O’Connell Betsy W. Moser John O’Connor Chris Moses Jeff Oestreich Bobby B. Mosley Marc and Celene Oken Sandra Moy Andrew B. Oliver David Battick and Rebecca Moyer Mary Oliver Bette Mueller-Roemer Peggy Oliver Tom and Sharona Muir Gary Michael Olsen Michelle Mullen Diane T. O’Malley Ann P. Mullican Adam Orden David Mullis and Phyllis Long Mullis Sanford and Barbara Orkin “This has been my first visit to Amanda Murdaugh Dell Orr and David Vandre Penland, and it has been a fabu - Cathie and Amanda Murdaugh Kristen Orr lous journey. I could not be more Joan Murray Richard Osborne pleased with the quality of the Ana M. Musachio Jere Osgood equipment, facilities, and instruc - Sana Musasama C. Lynne Osterman and Michael Newman tion. and I was fortunate to find Woodworker S.A. and Ben Owen good company in my fellow Mira Nakashima Frank and Francine Ozereko Yun Dong Nam James and Laura Page students. It is nice to be able Louise Napier Polly Pagliai to talk about your art, your Lisa Naples Myrna and Sheldon Palley process, your ideas, and your Charles and Cynthia Nash Rhana Paris ambitions to someone with a sym - National Trust for Historic Preservation Greg Parker and Randy Dickerson pathetic ear. I took the course in Sheila Naughton John Parker lamp making, which helped bring Linda Neely Mary and Mike Parker together my existing interests in Brian H. Neill and Lori Cahoon Neill Elmerina and Paul Parkman both furniture and lighting design. Helen Neithercut Jim and Shirl Parmentier The design process for furniture Carolyn P. Nelson Fredrick Parrish Dina Nelson Keith Parsley pieces was already familiar to me, Bea Nettles Dr. Timothy N. Patselas but virtually every tool used in New Morning Galleries, John Cram Andra Patterson the fabrication process was new Pamela Neumann Margaret and Kincaid Patterson to me and really stretched Jean Nevins August and Christie Pattin my abilities.” Sam Newbury and Jan Myers-Newbury Deborah Patton – Ellen Hohmann, who received the Ginny Newell and Bob Wilkins Gerald Paul Cary G. Bringle Scholarship to take a Alan R. Newman and Wendy Saul Caroline Paulsen wood workshop with Peter George and Frances Newman Thomas Paulson Holbrook Newman Barbara J. Payne Schlebecker Kate L. Newsom Philip and Mary Ruth Payne Lou Raye Nichol Tina Peak  Penland School of Crafts Annual Report May  ‒ April  The Campaign for Penland’s Future

Jeannie Pearce Laura H. Prozes and Andy Prozes Lisa C. Robey Mary Pearse Suzanne Pugh Ann Robinson Brian S. Pearson Jana Pullman Johnie and Lorraine Robinson Rosemary L. Peduzzi Evelyn Pursley Judy Robinson Laura Peery Nol Putnam Lee Robinson and Jerry Winakur Edith S. Peiser Dosty and Alex Quarrier Sally and Russell Robinson Jane Peiser Joe Sam and Kate Queen Susan L. Robinson Mark Peiser Cynthia Quesenberry Kathy Rodgers Arnold Penland, Jr. Jane Quimby Patricia and B.D. Rodgers Roi Malott Penton Victoria Rabinowe Victoria Rogers Chris Peregoy Carol Tefft Radin Michael F. Rohde Flo Perkins and William Agnew Laurel and Perrin Radley James Romanella and Pat Cardone David Perrin and Anne Kenan Mary Ann Rahe Dr. Robert and Lauryn Ronis Toni M. Perrone and Nina Cloaninger John and Johanne Ramsey Jennifer Root Dan J. Peterman Haywood and Sabine Rankin Don Rorke Jeff and Pam Peters Samuel C. Rankin Alice Rose Meg Peterson Tom and Kay Rankin Anne and Alan Rose Ronan K. Peterson and Kara Ikenberry Christine and Richard Rappoport Karen Rose Jeff and Diane Pettus Betty and Dennis Rash Lindsey Rosen John Pfahl Millie Ravenel Deborah Rosenbloom David M. Pfeffer Joy M. Raynor Joyce Rosenfeld Carol H. Pharr Polly Redd Wendy and David Rosenfeld Jennifer Phelps Karla Reed Suzie and Dennis Ross Ron Philbeck Mary Regan Margaret L. Rossi Jon A. Philippi Frances Reid Nancy H. Rossi Laura and Stephen Philipson Wendy S. Reid Stephen Rothrock and Karen Nickless Carolyn Phillips Liz and Jerry Reilly Brooke and Justin Rothshank Claire Phillips Elaine Reily Geoff Roupas Gina Phillips Keramet Ann Reiter Susan P. Rouse Margaret Phillips Ann Anderson Rennie Barbara Jo Ruble Megan Phillips and Jackie Mickle Grete E. Reppen Richard Ruff Sandi Pierantozzi and Neil Patterson Susan and Matthew Reynolds Jill Ruhlman Winfred Pierce Ted and Rita Reynolds Marie M. Runyon Jodi Pinault Harry Rhodes Edwin and Leslie Rusgo Robert and Suzanne Plati Jay Rich Tommie Rush and Richard Jolley Katrina Plato Joan Rich and Nyla Ahrens Rachel E. Russ Sandra Player James S. Richards Lynette K. Russell James F. Plowden, MD Warren and Jayne Richmond Cami Ruth Clemo Robert Poe Anne Richter Michael and Ruth Rutkowsky Reginald Yazid Pointer Neil Richter and Constance A. Schulze Joan C. Rutledge Lynn Pollard Conny and James Riddell John J. Ryan and Wesley Chenault Harold C. Poole, Jr. Tut and Harry Riddick Jeanne Ryder Shepherd and Grey Poole Susan Ridenour Jacob Sadler Paul W. Popish Gail Rieke Mary Sadler John D. and Ann Porter Rosalind Rich Rieser Alyssa C. Salomon and Bill Lupoletti Ronald C. Porter and Joe Price Chris Rifkin Judith Salomon and Jerry Weiss Cindy Dawn Powell Carolyn Riley Bonnie Salund and Mark Beck David and Sally Powers Rising Sun Pottery Jim Samsel and Kim McGuire Presbyterian Health Care Foundation Murray Riss Amy and Brian Sanders April C. Price Sang Parkinson Roberson Phillip and Sara Sanders Dan Price Diane Roberts Arturo Alonzo Sandoval Joseph and Elisabeth Price Holly Roberts and Robert Wilson Erika Sanger and John Vasquez J.Timothy Prout Linda M. Roberts Harry and Ann Santen  Penland School of Crafts Annual Report May  ‒ April  The Campaign for Penland’s Future

Steve and Yorke Sartorio Terri Sigler Akira Satake C. Miller Sigmon Paula Satinoff Linda Silber Amanda Sauer Dr. Les Silberstein Greg and Aida Saul Silver Peak REIT, Inc. Peggy Kepley Savas Annie Silverman Dorothy Saxe Marc and Mattye Silverman Gary C. Scales Arlene Silvers Shirley Scarbrough Maxine and Gary Silverstein Barbara C. Greiss and Dennis Scearce Laura Simmelink Lawrence and Irene Schaffner Ward Simmons Jane and Ronald Schagrin Marjorie Simon Mary Ann Scherr Ethel Simpson Alice and Bruce Schlein John Simpson Stella Schloss and Dr. Neil Parker Joe Singewald Jack Schmidt Kelli Sinner JoAnn Schnabel J. Paul Sires and Ruth Ava Lyons Joe and Valerie Schnaufer Linda Siska Katherine Schoellhorn Melanie and Russ Sizemore Catherine Schroeder and Phil McMillan Wesley Sizemore Laura P. Schulman, MD Karen Skrinde Norm and Gloria Schulman Lisa M. Slatt and Alan Spanos Lizz and Frie Schultz Paul and Roslyn Slovic Sharon Schuster Stephanie L. Smart and Allen Vander Meulen Brad Schwieger Claudia Smigrod Virginia Scotchie Betsy Smith Mrs. John T. Scott Bonnie and Jere Smith David and Sally Seavey Cinda B. Smith Gretchen E. Sedaris Dana Smith Kenneth and Connie Sedberry Dolph and Jessie Smith Martha and Gregory Selby Emily and Zach Smith Diana and Samuel Self Gay Smith Gail M. Sells Lanty and Margaret Smith Adrienne Heinbaugh, who was a stu - Jean Selman Lark and Steve Smith dent in Tom Spleth’s spring workshop Charlene Sevier Laura P. Smith in mold-making and slip casting, made Rev. Alfred Shands Paul J. Smith a series of pieces based on the forms C.J. Shane Star Smith of microscopic plankton, including this Jan Serr and John K. Shannon Ted Smith one, which became a lamp. Dr. and Mrs. Alvin Shapiro Melissa W. Smitheal Harold Shapiro Malena Smither Mark Shapiro and Pam Thompson Karen Smith-Lovejoy and F. Bentley Lovejoy Sharon and Bobby Sharp Carol Smithwick Kaete Brittin Shaw Mary Smoak Douglas Sheafor Sam Smoak* and Cindy Smoak Lisa and Charles Shepherd Barbara and Arthur Sohn Jenny Lou Sherburne and Buck Pollard Alan Solomon and Andrea Cartwright Sondra Sherman Susan Sommer Michael and Margery Sherrill Sydney R. Sonneborn Mary Ann Shirk Gabriel Soren and Marie-France Labbe Denise Shoukas Harry V. Souchon Randy Shull and Hedy Fischer Shirley A. Sparr Lindy Shuttleworth Michael and Jessica Spence Randy Siegel and Don Baker Amy Sperry  *deceased Penland School of Crafts Annual Report May  ‒ April  The Campaign for Penland’s Future

Spruce Pine Batch Company Shirley Tassencourt Tom F. Urban Elizabeth Spungen Sharon G. Tate Nancy B. Ustach Cindy Spuria Amy Tavern Betsy B. Vaden Jonathan and Fei St. Onge Allison Taylor Valueprint, Inc Teresa Stack Janet Taylor Jonathan M. and Gwen G. Van Ark Christopher and Katharine Staley Judy Taylor Alison J. Van Dyk Beth Stanfield Melissa Taylor Sarah Van Keuren Melvin and Mary Stanforth Terry Taylor Ursula Vann Dr. Michael A. Stang and Mrs. E. K. Stang Marcia and Charles Teal Corinne W. Vargas Kathleen and Darwin Stanley Patricia and John Tector Alice Vaughan David L. Staub and Susan Edwards Natalie Teichman Caroline H. Vaughan Mrs. Julia Stebbins Dan and Rebecca Terrible James and Jean Veilleux Steven R. Stegner Shoko Teruyama and Matt Kelleher Deborah Velders Kathy and Scott Steinsberger Mary E. Tevington Margaret vonRosen Elizabeth Steinvorth Pat Thibodeaux and Glenn Squires Diana and Albert Voorthuis Joy Stember Veronica M. Thighe Kimberlie Wade Denise Stephenson Allen Thomas Daisy Wade Bridges Susan Finch Stevens Brenda Thomas KC Wagner B. Stewart Drs. John A. Thompson, Jr. and Stacey Wagner Susan and Edward Stickney Lee Rocamora Barbara Waldman and Dennis Winger George and Barbara Stinson Katy Thompson Charlene Diana Walker Connie Stockdale Meredith Thompson Don and Karen Walker Ann Stokes Adam G. Thomson, III Holly Walker and Geof Finkels Elizabeth Stokes Linda and Jim Threadgill Marvin and Diane Walker Jim Stone M. Thomas Tiernan Merlene Walker Brigitta Elise Stoner Suan Ying Tillman Diana Parrish and Max Wallace Deb Stoner Dr. Russell Tippins and Randy New Ned Walley Audrey Straight Mariemma Tischer Margot Wallston Buzz and Polly Strasser Leslie To Sue Walser David and Frances Strawn Joe Todd Pat Walsh Martha Strawn Louise M. Todd Paul Andrew Wandless Evon Streetman E.M. and Anita Toler Randall and Susan Ward Rebekah Strickland Anna Tomczak Susie Ward Strickland Family Foundation Ellie and Jon Totz Janet Warner Linda S. Strong Nancy Townsend Sarah Kathleen Warner and Corrado Baratti Leigh Suggs Peggy Hale Towson Terri Warpinski Sue Moss Sullivan Patti Tracey and Chris Hudson David Warshauer and Michele Maynard Eva J. Summer and Sharon K. Little Linnie Trettin Shirley Waters Clifford and Deborah Summey Heather Houska Trimlett Carolyn Watson Scott and Katie Sundby Dennis R. Trombatore Barbara Lankford Watts Tom Suomalainen Bill and Sue Troutman Laura Way and Edie Carpenter Superior School of Real Estate, Inc. Jack Troy and Carolanne Currier Ardath and Reagan Weaver Jim and Janet Suter Marlene True Sandra J. Weaver Madeline Sutter Nancy Tsipolitis Susan Webster and Stuart Kestenbaum Charles and Martha Sutton Michelle Tuegel Reid M. Weigner David Sutton Rick Tupper Ann Weil Sarah Swanson Ellen B. Turner Wendy Weiner and Delia Champion Sheila Sweetser Joeseph C.P. Turner Arlene Weinsier Paul Sykes Linda Turner Jane C. Weir Constance Talbot Carl W. Tyler, Jr. Erica Weiss Jim Tanner Tyler Glass Guild Mary Weiss Sheila Tarshis and Theodore Johnson Anna R. Upchurch Rita and Steve Weisskoff  Penland School of Crafts Annual Report May  ‒ April  The Campaign for Penland’s Future

Mary E. Wellehan Wendi Williams and Aprille Shaffer Bob Woo Clara Wellons Sarah and Worth Williamson Marguerite Wood Susan Wells William and Pat Williamson Sherri L. Wood Howard Werner and Michelle Stuhl Rosalind Willis and Gregory Olson Jean Woodall Judith West Regina and William Willoughby Albert Woodard Malcolm and Dottie West Teresa K. Wilpers Lynalise Woodlief Steve West Angela and David Wilson Kay Workman Heather F. Wetzel Julia Wilson Lauren and David Worth Jo Whaley Patricia R. Wilson Patricia Kilguss Wright Nick Wheeler Arthur and Heather Wimble Hiroko Yamada Rick and Brenda Wheeler Emily C. Winburn Katherine and Ronald Yankee John Whisnant Kathleen Winn Janie Yates Dale White Paula and Robert Winokur Patricia R. Yenawine Doug and Mary White The Penland School of Crafts Fund at gwendolyn yoppolo Nancy White TheWinston-Salem Foundation Foster Young Steve and Charlotte White Frankie and Vernon Winters Patricia Young Gladys Whitney Mr. and Mrs. Michael Wirsing Stephen Lowe Young Sarah Whittington Barbara V. Wishy Jeff Zamek Emily Wicke Paul Wisotzky Paula W. Zellner Charlotte Wickham Michelle Witherspoon Susan Zepeda Carole Ann Fer and Ellen Wieske Pamela and Paul Wittfeld Ann Ziegler Andrea C. Willey Bebe Wolfe Daniel and Jane Zureich Catherine and Mason Williams C. Lincoln and Denielle Wolfe Catherine Williams Robbie Wolff Rachel Williams Martha H. Womble

A performance by students in Rachel Miller’s workshop titled Wearable/Sculptural. The work - shop description said, “This class is for artists interested in the endless possibilities for interac - tion between garments, materials, sculpture, and performance.”

 Penland School of Crafts Annual Report May  ‒ April  Circle of Hands

Circle of Hands Penland’s Circle of Hands includes donors who have chosen to make a legacy gift to the school through a bequest or other planned or deferred gift. Circle of Hands donors demonstrate their com mitments to Penland’s future by establishing a gift process now that will benefit the school at a future time. These gifts can assure that the donor’s current support will continue. If you are con sidering a legacy gift to Penland, please con - tact the development office.

Anonymous ( ) Dr. and Mrs. John E. Lee Polly Allen Drs. Kent and Bob Leslie Lisa and Dudley Anderson Betty Helen Longhi Jill Beech Mary R. Lynn Robbie Bell and Robert Heffron William P. Massey Barbara Benisch Jean W. McLaughlin and Thomas H. Spleth Larry Brady Charles L. McMurray Wade and Brenda Brickhouse Dana Moore Cynthia Bringle Irene and William Munroe Edwina Bringle Sana Musasama Jan Brooks Laura Taft Paulsen and William F. Paulsen Paula L. Brown-Steedly Rosemary L. Peduzzi Dorothy and Clyde Collins Mark Peiser Bob and Peggy Culbertson William L. Perry William A. and Betty Gray Davis Jason Pollen Jan Detter Rosalind Rich Rieser Tesa DuPre Karen Skrinde Mignon Durham Frances and Charles Symes Mariana Roumell Gasteyer James W. Smith and Pam Troutman James R. Hackney and Scott T. Haight Alan Solomon and Andrea Cartwright Francesca Heller Steven Stichter and Mark Ewert Dr. Albert Heyman* Constance Stumin Cathy Holt Hellena and Isaiah Tidwell Core fellows Molly Spadone (left) and Molly E. Holt* Louise M. Todd Patricia N. Jay KC Wagner Rachael Garceau (right) pouring slip Lisa and Nick Joerling Rick and Brenda Wheeler into a plaster mold. Rachel was creat - Bobby and Claudia Kadis Julia R. Woodman ing a series of porcelain umbrellas Mary D. Kahlert that became part of a memorable installation on the Northlight porch. *deceased

 Penland School of Crafts Annual Report May  ‒ April  In-Kind Donations

The folks on the left are students in the spring clay class that built a new wood kiln for the school (see inside cover). They are mixing concrete for the arches of the kiln. Driving the forklift is Jim Wunch of Larkin Refractory Solutions in Lithonia, Georgia. Jim had done some consulting on the kiln and got quite interested in the project. On the weekend when the arches were cast, he drove up from Georgia hauling his gas-powered con - crete mixer. He also brought some spe - cial refractory materials and served as forklift driver.

In-Kind Donations These individuals made non-cash gifts to Penland during fiscal year  (May ,  to April  ,  ). These in-kind donations range from gifts of land and art, to equipment and supplies, to goods, services, and lodging.

$5,000 and above C. Matthew Taylor Jane Hahn Carl Dickinson William Weigle Glen and Florence Hardymon Ledger Hardware Jim Wunch Robert Harris Gail A. Magnuson and Hal Maskeill Sandy and Lindsay Jordan Under $1,000 Greg Jundanian $2,500 –$4,999 Cathy and Alan Adelman Richard Jundanian Margaret Earley-Theiele Rhoda Adler Knife & Fork Elizabeth Holt Elizabeth Aralia and Nicholas Graetz Charllotte Kwon William and Katherine Bernstein Patricia McCauley $1,000 –$2,499 Elizabeth and James Bethune Betsy and Marcus Rowland Bullseye Glass Company Biltmore Company Randy Shull and Hedy Fischer Thorns and Perry Craven Paul Casey Gertrude Graham Smith Charles M. Davis John E. Clifford Sysco Food Services Liz Koerner Dorothy and Clyde Collins Drs. John A. Thompson, Jr. and Jack Mauch Andy Dews and Tom Warshauer Lee Rocamora Robert Oberg Alida Fish and Stephen Tanis Ellie and Jon Totz Ann and Joseph Shumard J. Richard Gruber and Sharon W. Gruber Troy & Sons Distillers Speedball Art Products

 Penland School of Crafts Annual Report May  ‒ April  Volunteers

Volunteer Profile: Lee Rocamora On a fall afternoon, when the leaves were just hitting their peak reds and yellows, Lee Rocamora drove over to Penland to talk to us about his work as a Penland volunteer. It took him thirty seconds to get right to the quick of things: what makes him so devot - ed this place. “It captured me,” he said, simply. Lee’s steadfast connection to Penland twists like a mountain road. He grew up in Asheville, where his mother’s love for glass and glass collecting made him aware of Penland early on. By the early nineties, he was actively collecting art and meeting sup - porters, donors, and artists tied to Penland. “And it just sort of went from there,” he notes. “Getting to know Penland artists and the thoughts behind their work—the per - son behind the object—that’s so important to me.” Lee, who is a doctor of internal medicine, lives in Blowing Rock with his partner, John Thompson. He now practices medicine solely pro bono and gives countless hours to Penland’s development office. He serves as doctor on call at the benefit auction as well as helping with preparations the week before. He does registration and acts as “the money man”—taking payments— for all eight annual work-study scholarship auctions. “He’s one of the team,” says development associate Nancy Kerr. One of Lee’s favorite volunteer activities is getting on the phone with artists to thank them personally for their donations to the Penland benefit auction—over  phone calls. “Engaging with the artists, talking about what their contribution means, and keep - ing people engaged with Penland is something I enjoy,” he says. I asked Lee if he’d ever taken a Penland workshop. I was expecting him to say yes, but he laughed and shook his head: “No, I’ve promised Cynthia Bringle that I will— Dr. Lee Rocamora outside the development probably in photography, which I used to pursue.” We’re putting this in print, so there’s office, where he has spent many hours no turning back. The photo studio will be lucky to have Lee’s generous presence. volunteering. –Elaine Bleakney

Auction Volunteers Jonathan Belcher Margaret Cogswell Jack Abgott Audrey Bell Peter Collin Cathy Adelman Robbie Bell Grady Cousins Rachael Anderson Pat Benard Caroline Daniel Joanna Angell Bob Boardman Kerstin Davis Sarina Angell Judi Boardman Tony Deal Claire Ashby Paul Boeker Bert Denker Sissy Ashby Berta Borukhova Ellen Denker Barbara Atkinson Margaret Boynton Courtney Dodd Emma Badia Cynthia Bringle Ben Dombey Sarah Bandy Edwina Bringle Ben Dory William Barnes Lori Buff Claire Drogula Anja Bartels Mackenzie Bullard Merrick Earle Cat Bates Allie Burleson Lee Ellis Stan Beach Ranjeev Cardoza Kiki Farish Marie Beach Jillian Carway Susan Feagin Helga Beam Amber Chambers Collette Gabrielle Jack Beam Lucy Clark Trey Gehring Patrick Beggs Charles Coffey Kristi Glick  Penland School of Crafts Annual Report May  ‒ April  Volunteers

Elaine Gordon Richard Lloyd Kaiya Rainbolt Julia Woodman David Gordon Shana Loconsole David Ramsey Haley Woodward Iris Gottlieb Polly Lorien Neil Richter Steven Wright Dave Green Frank Lortscher Carolyn Riley Christal Yost Gillian Gussack Libby Lynn Lee Rocamora Daniel Zentmeyer Taylor Hale Janet Macy Theron Ross Diane Zimmerman Lynn Hall Tom Madison Catherine Russell Brittany Hamlin Sara Marks Renee Rux Community Open House Shaan Hassan Christa Marquez Jacob Sadler Volunteers Tim Hayes Suzanne Marsh Zoe Sasson Kate Adams Bonnie Hayes William May Bill Schmitz Jim Adams Robbie Heffron Sarah McDermott Joe Schnaufer Jacque Allen Laura Hein Edna McKee Valerie Schnaufer Abbigayle Atkins Jerry A. Heindl Caroline McLaughlin Charles Schultz Denise Baker Robb Helmkamp Marsha McLawhorn Deborah Seay Marc Banks Ian Henderson Devan McVay Laura Sims Dan Barron Carrie Hettler Eric Meeker William M. Singer Rick Beck Megan Hicks Ron Meier Amy Sledge Val Beck Randy Hinson Sue Meier Gay Smith Robbie Bell Dolly Holmes Barbara Middleton Jim Smith Pat Benard Donna Holt Heather Miller Rebecca Snavely Barbara Benisch Darko Hreljanovic Timothy Miron Charlotte Sommers Billy Bernstein Kathy Huie Michelle Moode Jacqueline Spetz Katie Bernstein Alex Irvine Jessi Moore Kent Stewart Priscilla Bonner Patricia Jay Wick Mott Lexie Stoia Pam Brewer Lisa Joerling Cathie Murdaugh Ruth Summers Elizabeth Brim Anna Johnson Liz Murray Janet Taylor Edwina Bringle Carola Jones Shannon Myers Diane Tchakirides Thor Bueno Fred Jones Lauri Newkirk Grace Tolley Matt Bugnaski Alain Joyaux Katie Nicholson Susan Treadway David Burtt Aimee Joyaux Mary Nicholson Lana Trettin Rebecca Catrett Bobby Kadis Dwight Nykel Pam Troutman Cristina Córdova Matthew Karkutt Stephanie Ott Gwen Van Ark Kerstin Davis Sally Kemp Susan Owen Jon Van Ark Ellen Denker Kay Kennerty Michael Panciera Daniel Van Ark Indigo DeSouza Jesalyn Keziah Dean Pardue Elizabeth Vaughn Rachel Feece Grace Kim Sharron Parker KC Wagner Kristen Flournoy Mark Koven Sandra Payson Christa Wagner Vinson Marla George Rona Kritzer Molly Pearlstein Linda Wagoner Kathleen Gouveia Elaine Lamb Mark Pehanich Evan Waksler Imani Gouveia Risa Larsen Lauren Pelletier Char Walker Eileen Hallman Donna Lashof Dana Perrotti Karen Walker Michael Hatch Rebekah Lashof Jen Phelps Donald Walker Miles Henry John Leavitt Alexandra Phillips Yolanda Walker Hope Henson Katie Lee Benjamin Plato Rebecca Waller Sarah Holt Joe Lee Neil Prime George Weiss Alex Irvine Kent Leslie Tony Prince Emily Wheat Anna Johnson Mark Levine Richard Prisco Mary Wilcox Gregg Johnson David Little Ann Prock Amelia Wilson Robin Johnston Catherine Lloyd Rob Pulleyn Robbie Wolff Rachel Kirk

 Penland School of Crafts Annual Report May  ‒ April  Volunteers

Risa Larsen Jonathon Gartland Rob Levin Sarah Holt Sherry Lovett Noah Hughey-Commers Kasey Lyons William K. Jackson Daniel Marinelli Joe S. Lee David Martinez Carolyn Lorence Billy McClain Marsha McLawhorn Carol McLaurin Eileen Madden Liz Mears Lorimay Orillo Victoria Moffitt Dan Price Cyndi Ollis Rob Pulleyn Susan Owen Lee Rocamora Marian Parkes Marcia Sabesin Diane Puckett Valerie Schnaufer Wendy Reid Gloria Schulman Richard Ritter Connie Schulze Jan Ritter Carl Ulaszek Linda Sacra Charlene Diana Walker Jake Sadler Robin Warden Beth Schaible Jim Wunch Gay Smith David Smith Penland Ambassadors Jim Sockwell Edwina Bringle Paloma Soto Jason Burnett Caleb Taylor Critz Campbell Auction volunteer Darko Hreljanovic demonstrating Terry Taylor Daniel Clayman grace and style as he helps clear tables at the Louise Bahia Thompson Charles M. Davis annual benefit auction. Mike Travers Diane Fine Kathleen Turczyn Joanna Gollberg Karen Walker Wendy Huhn Char Walker Kelly Malec-Kosak Don Walker C. James Meyer Tracie Walters Sabiha Mujtaba Amy Weinmeister Kelly O’Briant John Welzenbach Winnie Owens-Hart Caron Baker Wike Neil Patterson Jim Wike Dan Price James Wilson Hunter Stamps Hayden Wilson Lin Stanionis Kayla Wolhart Tim Tate Lana Wilson Other Volunteers Mary Ann Zotto Aushra Abouzeid Dean Allison, Sr. Tim and Carol Benson Anita Blackwell Elizabeth Brim Edwina Bringle Volunteer Thor Bueno assisting a visitor at Penland’s Trish Early annual community open house. Sue Elgar

 Penland School of Crafts Annual Report May  ‒ April  Financial Information

Operating Financial Information

Fiscal Year 2013 Fiscal Year 2012

e Contributions and grants 1,624,288 1,403,802

m Auctions and special events 679,009 641,369

o

c 2,204,244 2,047,315

n Tuition, room, board, and fees

I Sales* 667,935 656,226

g

n 15,653 19,591

i Investment return

t

a Change in beneficial interest in trust** 120,644 120,000

r

e Other income 112,762 43,642

p O Operating income 5,424,535 4,931,945 Funds released from restriction 95,681 205,827 Total operating income 5,520,216 5,137,773 s e

s Administration 662,921 528,771 n

e Development 684,811 657,252 p

x Programs 2,046,406 2,032,545 E 1,006,085 952,338

g Services

n 712,628 721,982 i Facilities t a

r Total operating expenses 5,112,851 4,892,888 e

p 200,000 236,000

O Allocation to reserve funds***

Change in net operating assets 207,365 8,885

*Sales includes gallery, supply store, coffee house, visitor meals, and studio materials.

**Beneficial interest in trust includes the John Evan Haun Endowment.

***Allocation to the building reserve and equipment reserve funds.

Depreciation expense for the year was $ , and is not reflected in the above operating expenses. It is included in the audited financial statements.

Financial information about this organization and a copy of its license are available from the Charitable Solicitation Licensing Section at .... The license is not an endorsement by the State of North Carolina.

 Penland School of Crafts Annual Report May  ‒ April  Financial Information

Operating Expenses, Fiscal Year 2013 Services and facilities expenses directly support the operation of Penland’s educational programs. Tuition, Operating Income, Fiscal Year 2013 room, and board revenues covered 43% of Penland’s This chart reflects unrestricted operating income. operating expenses. The remainder was funded by con - tributions, grants, sales, and other sources.

Endowment and other income 10% Contributions and Facilities 15% Administration 11% Sales 12% grants 27%

Services 19% Development 13%

Auctions and special events 12%

Tuition, room, board, and fees 39% Programs 42%

Audited Financial Information

Balance Sheet Information 4/30 /13 4/30 /12 Assets Cash and investments 22,851,699 17,069,123 Property and equipment, net 12,593,768 12,653,653 Other 330,205 288,001 Total assets 35,775,702 30,010,777

Liabilities and Net Assets Liabilities 4,420,783 3,676,880 Net assets 31,354,919 26,333,897 Total liabilities and net assets 35,775,702 30,010,777

Audited financial statement highlights: Total assets for the organization increased by $ . million due primarily to Campaign for Penland’s Future contributions and new endowments . Total liabilities increased by approximately $ , due to an increase in deferred revenue. Total support and revenue increased approximately $ . million, of which $ . million is due to cam - paign gifts and , is the result of increased unrestricted contributions. Tuition, room, board, and fees were approximately , higher than the prior year. Investment return increased approximately , over the prior year. Total expenses increased $ , over the prior year, $ , of which was an increase in depreciation. On April ,  , permanently restricted funds totaled $ . million, an increase of . million over the prior year. A full copy of the audited financial statement is available from the director’s office.  Penland School of Crafts Annual Report May  ‒ April  Penland Board of Trustees

Board o f Trustees Harriett Green Trustee rotations occur in November of each year. This listing includes Director of visual arts, Arts Commission, all trustees who served between May 2012 and April 2013 . Columbia, SC Glen Hardymon, chair (through November 2012 ) Tom Huang Collector, attorney, K & L Gates, LLP, Mooresville, NC Studio artist, educator at University of Kansas, Lawrence, KS Rob Pulleyn, chair (beginning November 2012 ) Joia Johnson Publisher, Lark Books (retired), ceramic artist, Marshall, NC Lawyer, executive vice president, Hanesbrands Inc., Winston-Salem, NC John Garrou, vice chair Attorney, Winston-Salem, NC John E. Lee Physician (retired), woodworker, Atlanta, GA John Culver, treasurer Lawyer, collector, Charlotte, NC Julie Leonard Book artist, educator, University of Iowa, Iowa City, IA Gertrude Graham Smith, secretary Potter, teaching artist, Bakersville, NC Frank Lortscher President, Array Analytics, printmaker, Penland, NC Cathy Adelman Bookbinder, collector, Malibu, CA Susan Parker Martin Fundraising professional (retired), New York, NY Suzanne Allen CPA, retired, Memphis, TN Sara McDonnell Attorney, senior vice president, Bank of America, Charlotte, NC Polly Allen Arts advocate, collector, artist, Chicago, IL Barbara McFadyen Metalsmith, enamelist, jewelry artist, Chapel Hill, NC Dawn Barrett Dean of architecture and design, professor of design, Rhode C. James Meyer Island School of Design, Barrington, RI Metalsmith, professor emeritus from Virginia Commonwealth University, Midlothian, VA Betsy Bethune Volunteer, collector, Winston-Salem, NC Tom Oreck Chief executive officer, Asheville, NC Kristin Hills Bradbury Fundraising professional, Charlotte, NC Laura Taft Paulsen Finance, Paulsen Ventures, New York, NY Larry Brady Neonatologist, Charlotte, NC Kaola Phoenix Artist, arts advocate, Chapel Hill, NC Dan Clayman Glass artist, East Providence, RI Ché Rhodes Glass artist, educator, University of Louisville, Louisville, KY David Clemons Metalsmith, educator, Little Rock, AR Eric Rohm Attorney, Charlotte, NC Sarah L. Elson Art historian, consultant, collector, London, England William M. Singer Architect, New York, NY Alida Fish Artist, dean at University of the Arts, Philadelphia, PA Clarissa Sligh Artist, lecturer, Asheville, NC Gusti W. Frankel Attorney (retired), Yadkinville, NC Lana Wilson Ceramic artist, Del Mar, CA Laura Babb Grace Volunteer, collector, Charlotte, NC Mike Wright Senior vice president and managing broker, Harry Norman, Realtors, Atlanta, GA  Penland School of Crafts Annual Report May  ‒ April  Penland Staff

Staff Shannon Moon, community education April 30, 2013 Michelle Moode, gallery Penland’s staff includes full-time, part-time, Sean Morrissey, studio coordinator and seasonal employees. Liz Murray, studio coordinator Leslie Noell, director of programs Jean W. McLaughlin, executive director Stephanie Ott, school store Susan Pendley, housekeeper Dale Allison, services manager Meg Peterson, community collaborations Dean Allison, studio coordinator Richard Pleasants, food services manager Beverly Ayscue, Campaign for Penland’s Future Mikey Pumphrey, studio coordinator Daniel T. Beck, studio coordinator Grace Reff, development Ray Bell, facilities John T. Renick III, kitchen Mark Boyd, information technology Dave Sommer, director of facilities and grounds David Chatt, kitchen Keith Southworth, coffeehouse Jane Crowe, development Wes Stitt, communications Betsy Dewitt, studio coordinator, program coordinator Sheila Sweetser, office coordinator Day Dotson, kitchen Loring Taoka, coffeehouse Robin Dreyer, communications Crystal Thomas, coffeehouse manager Susan Feagin, studio coordinator Gretchen Travers, registrar Sallie Fero, school store Simone Travisano, studio manager Melanie Finlayson, studio coordinator Kyle Forbes, housekeeping Anna Gardner, housekeeping Lisa Gluckin, development Scott Graham, kitchen Kathryn Gremley, gallery director Stephanie Guinan, development Tammy Hitchcock, gallery Amanda Hollifield, registration Cheryl Hughes, housekeeping Bill Jackson, kitchen Jerry Jackson, deputy director Marvin Jensen, facilities Gary Jobe, nighttime security Nancy Kerr, development Y-Sam Ktul, kitchen April Lambert, accounting Stacey Lane, community collaborations Zac Lopez-Ibanez, studio coordinator Bronwyn May, gardener Sarah McClary, gallery Susan McDaniel, director of finance Clay studio coordinator Susan Feagin using her camouflaged flashlight to Jasmin McFayden, assistant to the director gather important information about one of the many kilns entrusted to her Abigail McKinney, office coordinator care. Victoria Moffitt, Campaign for Penland’s Future

 Penland School of Crafts Annual Report May  ‒ April  Penland Instructors

Books and Paper Glass Elliott Pujol Charllotte Kwon Bridget Elmer Rick Beck Ruth Reifen Victoria May Frank Hamrick Giles Bettison Susan Saul Rachel Miller Yukari Hayashida Jon Chapman Natasha Seedorf Michael Rohde Bea Nettles Einar de la Torre Kristin Mitsu Shiga Laura Sims Kathleen O’Connell Jamex de la Torre Hiroko Yamada Lisa Sorrell Kathy Steinsberger Pearl Dick Hillary Steel Laura Wait Matt Eskuche Photography Jody Williams Shane Fero Michelle Bates Wood Paul Wong Arlo Fishman Dan Estabrook Hunt Clark Jacob Fishman Lisa A. Frank Yann Giguere Clay Kate Fowle Meleney Maxine Payne Wayne Henderson Dan Anderson Deborah Horrell Neal Rantoul Tim Lee Tom Bartel Beth Lipman Steve Rosenthal Yoav Liberman Kevin Crowe Richard Meitner Jim Stone Michael Peyton Israel Davis David Naito Peter Vanderwarker Richard Prisco Dan Finnegan Joe Peters Heather F. Wetzel Brian Reid Arthur González Janusz Pozniak Nick Wheeler Tom Shields Deborah Horrell Michael Rogers John Woodin Peter Shlebecker Matt Kelleher Emilio Santini Bill Thomas MaPo Kinnord-Payton Pablo Soto Print and Letterpress Martina Lantin Tim Tate Jason Bige Burnett Special Classes Jim Lawton Leo Tecosky Steve Miller Paulus Berensohn Jenny Mendes David Willis Macy Chadwick Marguerite Jay Gignoux Kate Missett Micah Currier Caverly Morgan Kelly Phelps Iron Flo Hatcher Susie Wilde Kyle Phelps David Burtt John Horn Charlie Riggs David Court Beth Lambert Movement Linda Riggs L. Japheth Howard Chandler O’Leary Sadie Chanlett-Avery Kevin Snipes Shawn Lovell Dennis B. O’Neil Diann Fuller Tom Spleth Jim Masterson Goedele Peters Danielle Goldstein Shoko Teruyama LeeAnn Mitchell Laura Richens Cathy Holt James C. Watkins John Rais Phil Sanders Hannah Levin Catherine White Jon Shearin Matthew Shlian Holbrook Newman Jeff Zamek James Viste Jessica Spring Amanda Plyler Barbara Tetenbaum Donna Marie Vigilante Drawing and Painting Metals Susan Webster John Beerman Jana Brevick Mary Wehner Michael Dixon Jeffrey Clancy Susan Goethel Campbell David Clemons Textiles Erin Goodwin-Guerrero James D.W. Cooper Heather Allen-Swarttouw Pinkney Herbert Daniel DiCaprio Edwina Bringle Robert Johnson Richard Elaver Natalie Chanin Beverly McIver Aran Galligan David Chatt Ken Moore Michael Gayk Catharine Ellis Lisa Pressman Kristina Glick Carmen Grier Nicholas M. Raynolds Joanna Goldberg Suzanne Halvorson Elizabeth Rideout Caroline Gore Peggy Hart Holly Roberts Marvin Jensen Pat Hickman Suzanne Pugh Robin Johnston

Penland School of Crafts Annual Report May  ‒ April 

Penland School of Crafts Post Office Box  / Penland, NC  – / .. / www.penland.org Helping people live creative lives