Focus Working Potters Diana Fayt
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focus MONTHLY working potters working Diana Fayt focus working potters JUNE/JULY/AUGUST 2009 $7.50 (Can$9) www.ceramicsmonthly.org Ceramics Monthly June/July/August 2009 1 The MONTHLY Publisher Charles Spahr Editorial [email protected] Robin Hopper telephone: (614) 895-4213 fax: (614) 891-8960 editor Sherman Hall assistant editor Holly Goring Trilogy assistant editor Jessica Knapp editorial assistant Erin Pfeifer The Robin Hopper Trilogy covers every important aspect of creating technical editor Dave Finkelnburg online editor Jennifer Poellot Harnetty ceramic art. The Ceramic Spectrum guides you through a non-mathe- Advertising/Classifieds matical easy-to-understand journey for getting the colors and glazes you [email protected] telephone: (614) 794-5834 want. In Functional Pottery, you’ll be able to develop your own designs fax: (614) 891-8960 classifi[email protected] and methods for the pots you use. And in Making Marks you’ll discover telephone: (614) 794-5843 advertising manager Mona Thiel the many possibilities of enriching your surfaces. advertising services Jan Moloney Marketing telephone: (614) 794-5809 marketing manager Steve Hecker Subscriptions/Circulation COLOR customer service: (800) 342-3594 [email protected] Design/Production production editor Cynthia Griffith The Ceramic Spectrum design Paula John Editorial and advertising offices A Simplified Approach to Glaze 600 Cleveland Ave., Suite 210 Westerville, Ohio 43082 & Color Development Editorial Advisory Board Linda Arbuckle; Professor, Ceramics, Univ. of Florida Scott Bennett; Sculptor, Birmingham, Alabama Val Cushing; Studio Potter, New York Dick Lehman; Studio Potter, Indiana Meira Mathison; Director, Metchosin Art School, Canada Bernard Pucker; Director, Pucker Gallery, Boston Phil Rogers; Potter and Author, Wales Jan Schachter; Potter, California Mark Shapiro; Worthington, Massachusetts Susan York; Santa Fe, New Mexico FORM Ceramics Monthly (ISSN 0009-0328) is published monthly, except July and August, by Ceramic Publications Company; a subsidiary of The American Ceramic Society, 600 Cleveland Ave., Suite 210, Westerville, Ohio 43082; www.ceramics.org. Periodicals Functional Pottery postage paid at Westerville, Ohio, and additional mailing offices. Opinions expressed are those of the contributors and do Form and Aesthetic not necessarily represent those of the editors or The American Ceramic Society. in Pots of Purpose The publisher makes no claim as to the food safety of published glaze recipes. Readers should refer to MSDS (material safety data sheets) for all raw materials, and should take all appropriate recom- mended safety measures, according to toxicity ratings. subscription rates: One year $38.45, two years $59.95. Canada: One year $40, two years $75. International: One year $60, two years $99. back issues: When available, back issues are $7.50 each, plus $3 shipping/handling; $8 for expedited shipping (UPS 2-day air); and $6 for shipping outside North America. Allow 4–6 weeks for delivery. change of address: Please give us four weeks advance SURFACE notice. 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All rights reserved. www.ceramicsmonthly.org Ceramics Monthly June/July/August 2009 2 Ceramics Monthly June/July/August 2009 3 Ceramics Monthly June/July/August 2009 4 JUNE/JULY/AUGUST 2009 / Volume 57 Number 6 MONTHLY focus working potters 30 Work and Play: The Potter’s Life 30 Naomi Cleary, Philadelphia, Pennsylvania 32 Paul Eshelman, Elizabeth, Illinois 34 Jennifer Allen, Morgantown, West Virginia 36 Simon Levin, Gresham, Wisconsin 38 Kathryn Finnerty, Pleasant Hill, Oregon 40 Maren Kloppmann, Minneapolis, Minnesota 42 Mark Hewitt, Pittsboro, North Carolina 44 Diana Fayt, San Francisco, California features 46 Nan Smith: Evoking Nostalgia by Glen R. Brown An artists goes beyond simple sentimentality and charges works with more complex issues of memory, family, cultural customs and sociological commentary, resulting in a balanced combination of the personal and the universal. 50 Kari Radasch and the Sweetness of Discovery by Katey Schultz Changing a popular body of work that hasn’t “run dry” in the marketplace might sound like a bad idea, but making work that doesn’t resonate with you as a maker is worse. recipes Redware, slip and glaze for cone 03 monthly methods Appliqué, Fondant and Stickers—Oh, My! by Kari Radasch 55 Susan Peterson, 1925–2009 by Margaret Carney A respected instructor, author and ceramics luminary passes. 56 Ron Rivera, 1948–2008 by Peter Chartrand Remembering a potter and social activist who has made immeasurable contributions to potters and populations around the world. 34 cover: Canteen vases, cylinder vases and pin vases, to 13½ in. (34 cm) in height, slip-cast stone- ware with underglazes, stains and glaze, fired to cone 5, by Diana Fayt, San Francisco, Califor- nia; page 44. Photo: Jeffery Cross. 36 42 30 Ceramics Monthly June/July/August 2009 5 departments 8 from the editor 10 letters from readers 12 answers from the CM technical staff 14 suggestions from readers 14 Tip of the Month: the vacuum dip method 16 upfront reviews, news and exhibitions 58 call for entries 58 International Exhibitions 59 United States Exhibitions 59 Regional Exhibitions 60 Fairs and Festivals 62 book review Choosing Craft: The Artist’s Viewpoint edited by Vicki Halper and Diane Douglas review by Matthew Kangas 64 calendar 64 Conferences 64 Solo Exhibitions 66 Group Ceramics Exhibitions 68 Ceramics in Multimedia Exhibitions 68 Fairs, Festivals and Sales 70 Workshops 78 classified advertising 79 index to advertisers 80 comment Got a Match? by Kevin and Linda Crowe online www.ceramicartsdaily.org information and inspiration from inside the artist’s studio Effortless by Erin Furimsky Features 21from the exhibition, “On Tips, techniques, profiles and more—delivered to your inbox. the Verge,” at the Ulrich Mu- seum of Art, Wichita, Kansas. Education Listings of colleges, classes, guilds, workshops and residencies. Galleries Artist gallery pages, plus our comprehensive listing of museums and galleries that showcase ceramic art. Bookstore Complete line of ceramic art books to inspire, inform and instruct. Free Gifts Handy downloadable resources for the studio, including projects, recipes, our annual Buyer’s Guide and more! Magazines Current and archived features, exhibition reviews, article index. 16 22 Ceramics Monthly June/July/August 2009 6 Ceramics Monthly June/July/August 2009 7 from the editor by Sherman Hall So, you want to be a potter, eh? No problem, current standard happens to be) and aug- just get some clay and start pinching out the ment as necessary. This could be why many undergraduate pots. Well, not exactly. Like anything worth younger potters have a good foothold in the doing . well, you know how it goes. You digital realm, while some established potters showcase can go to school if you want to, but there is still maintain a core of “traditional” fairs on In September 2009, Ceramics Monthly will nothing that says you have to. Most profes- their schedules. feature the works of undergraduate clay art- sional potters will tell you that theirs is a This à la carte approach to selling pots ists. Those enrolled in undergraduate ceramics volume business, and what you absolutely may not fit the “best practices” of many classes at accredited institutions are eligible. To need to do is make a lot of pots. Then after business advisors; however, the fact is that, if be considered, submit up to five professional- that, you need to make a lot of good pots. you don’t like to do something, you probably quality digital images (300 ppi resolution on My point here is that, school or no school, won’t do it. Don’t start a Facebook Fanpage CD); plus a color print of each image at 100% you will still need to study. During that pro- for your pottery if you can’t stand checking scale, with complete descriptions of works; cess, you will make many bad pots, which is email every day. Whatever benefit could be contact information including e-mail; artist’s a good thing as long as you notice that they gained will be severely offset by the fact that statement and résumé; instructors’ contact are bad and address the reasons why. you will probably not update your page very information; and the name of the institution Let’s assume you have been through often, letting it die a slow death, which is you attend.