DOCSLIB.ORG

Museum of Arts and Design 2009 Annual Report Dear Friends

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Museum of Arts and Design 2009 Annual Report Dear Friends mad museum of arts and design 2009 annual report Dear Friends, 2009 marked not just our first full year at 2 Columbus Circle, but an entire year of extraordinary firsts for MAD. Among them: welcoming our 500,001st visitor to our new home; our first performing arts series,The Mix; our first film series,French New Wave Essentials, presented in collaboration with the Museum of the Moving Image; our first wine bar, MADCrush; our first satellite location for The Store at MAD; our first Family Day, celebrating our Upper West Side neighbors; and, of course, our first restaurant,Robert at MAD. Other firsts deserve a special mention, among them our inaugural graduating class of ArtsLife interns—six young people who, thanks to Cathy Seligman and Bonnie Eletz, got an on-the-ground education in running a New York City museum in the summer of 2009—and our Open Studios, where daily, artists welcomed countless visitors who questioned, probed, and came to understand viscerally the connection between materials, making, and process. 2009 was also the first time MAD had operated at 2 Columbus Circle with nearly twice the annual expense budget that it had on West 53rd Street—in a faltering economy. We are proud that, because of the efforts of our untiring Board of Trustees and staff, we succeeded in finishing the year with a small operating surplus—and that we were able to stretch our resources to accommodate public demand by enhancing programming and even, remarkably, adding a sixth public opening day in 2009. Left: Guests enjoy Most exciting to each of us at MAD is the chance to bring the ever-changing world of a MAD opening. photo: Liz Ligon. contemporary arts and design to a new audience. Our online MADblog has been a particular hit. We’ve heard comments including, “it’s so fun to be in this building that was such a On our cover: mystery for New Yorkers for so many years;” “the encouraged interaction with the museum MAD’s education and its art is amazing,” and, “as a long time fan of the Museum of Contemporary Crafts, department produced an amazing vairety then the American Craft Council, and now the Museum of Arts and Design, I wish you of behind-the-scenes great success! The building and its renovation are smashing.” Thank you to the hundreds programs in 2009. From schoolchildren to of bloggers who complimented us on the visitor experience at 2 Columbus Circle—and to seniors, and from our the hundreds of thousands of visitors who joined us, discovered us, or rediscovered us at Open Studios to our ArtsLife Internships, 2 Columbus Circle in 2009. all were welcome. For more information, see page 6. As we move forward with our plans for 2010—including new and expanded programs to Cover photos by: accommodate your needs—we extend our thanks especially to Barbara Tober, Chairman Alan Klein; Emerita, and Nanette L. Laitman, former President of our Board of Trustees, for their Sara Silverstein; IrinaSarnetskaya; remarkable and spirited leadership over the past years. Their unwavering commitment to Christina Latimer; MAD and to our mission is unmatched. We are grateful that we will continue to benefit Katie Sokoler. from their counsel for many years to come. We hope to see you at MAD soon. Holly Hotchner Lewis Kruger Nanette L. Laitman Director Chairman, Board of Trustees 2/3 M Annual Report 2009 exhibitions3MAD’S EXHIBITIONS PROGRAM HAS GREATLY EXPANDED IN ITS NEW HOME AT 2 COLUMBUS CIRCLE. IN 2009, THE MUSEUM SHOWCASED TWELVE DISTINCT EXHIBITIONS IN THE NANETTE L. LAITMAN GALLERIES. AS WELL AS MAD’S SIGNATURE DIGITAL INTERACTIVES— AVAILABLE THROUGHOUT THE EXHIBITION GALLERIES—VISITORS COULD DIAL IN TO FREE AUDIO CELL PHONE TOURS FEATURING CURATORS, ARTISTS, AND OUTSIDE EXPERTS SPEAKING ABOUT WORKS IN MAD’S COLLECTIONS AND EXHIBITIONS e r t Second Lives: Remixing the e Object Factory: The Art of u Slash: Paper Under the Knife Ordinary Industrial Ceramics October 7, 2009–April 4, 2010 September 27, 2008–April 19, 2009 May 6–September 13, 2009 The third installment in MAD’s MAD’s inaugural exhibition at 2 Object Factory—showcasing 200 Materials and Process series, Slash Columbus Circle—extended by objects by 50 artists, designers, explored the rediscovery and use popular demand—featuring work by and industrial manufacturers of traditional craft materials and 50 established and emerging artists from 18 nations—was the fi rst techniques by an innovative group from all fi ve continents who created major international survey of of international artists, who created objects and installations from everyday industrial ceramic production and works that were scissored, knife-cut, functional goods. contemporary ceramic products, burned, torn, laser-cut, or shredded. designs, and art. Elegant Armor: The Art r Read My Pins: The Madeleine of Jewelry Gord Peteran: Furniture Meets Albright Collection September 27, 2008–July 5, 2009 its Maker September 30, 2009–January 31, 2010 Innovative pieces of contemporary May 27–August 16, 2009 An exhibition of the distinctive art jewelry from our permanent The fi rst solo exhibition and brooches that became former collection, dating from the 1940s to monograph fully documenting Secretary of State Madeleine the present. Works ranged from the the work of Canadian artist Gord Albright’s personal signature during subtle to the fl amboyant, from the Peteran, today’s leading conceptual and after her years in offi ce— purely geometric to the organic, and furniture maker. expressions of femininity, badges of from narrative to sculptural forms. individuality, and diplomatic tools for GlassWear delivering messages to world leaders, Permanently MAD: Revealing July 15–September 20, 2009 politicians, the American public and the Collection Organized jointly by MAD and beyond. September 27, 2008–ongoing the Schmuckmuseum, Pforzheim, Permanently MAD, presented in MAD’s Germany, GlassWear showcased more Totally Rad: Karim Rashid Does collections galleries, showcases than 120 imaginative and visually Radiators approximately 250 works at a time exciting glass works by 60 leading March 4–May 17, 2009 from our permanent collection of international jewelry artists. The fi rstMADprojects exhibition, more than 2,200 objects. showcasing the most exciting Abraaj Capital Art Prize examples of new radiator design—30 Klaus Moje: Painting with Glass August 26–October 7, 2009 beautifully crafted and intelligently April 29–September 20, 2009 The Prize encourages collaborations conceived steam-heat designs in Painting with Glass featured 68 between contemporary artists production today, each selected by objects by master artist Klaus Moje, from the Middle East, North Africa leading industrial designer Karim including a new large-scale mural and South Asia (MENASA) and Rashid. and many never-before-shown works established and internationally from private collections. acclaimed curators—bridging the t Ghost Stories: New Designs from gap between the Middle Eastern Nendo and Western art worlds and offering October 27, 2009–January 10, 2010 selected artists opportunities to A transformation by Canadian/ realize ambitious art projects. In Japanese design team Nendo of the late 2009, the work of the fi rst three MADProjects gallery into a magical winning teams was on view at MAD. landscape of new designs that imbued chairs, vases, and lamps with whimsy and optical illusion. u Photos left: Matthew J. Cox. 4/5 M Annual Report 2009 education3OUTREACH PROGRAMS ARE A HALLMARK OF THE MAD EXPERIENCE. IN 2009, MAD’S EDUCATION DEPARTMENT EXPANDED ITS SIGNATURE OFFERINGS FOR CHILDREN, TEACHERS, YOUTH, FAMILIES, AND ADULTS, MAINTAINING MAD’S PROFILE AS AN EDUCATIONAL INSTITUTION FIRST AND FOREMOST. HIGHLIGHTS INCLUDED BELOW. PROGRAMS FOR STUDENTS lectures and workshops that supple- Cultural Collective AND TEACHERS mented the teachers’ knowledge of The Collective is a gathering point contemporary art, craft, and design for groups and organizations that u MADlab K—12 practices. have goals similar to MAD’s, but lack MAD’s fl agship arts in education the space or resources for public program served more than 7,500 PROGRAMS FOR MUSEUM presentations and meetings. In 2009, students in 2009. The start of the VISITORS we presented more than 50 programs 2009/2010 academic year saw a throughout MAD—including in our strong increase in the number of e Open Studios theater—with our 25 partners: high school partnerships; a new Arts This signature behind-the-scenes Access expansion program offered view of the craft of making features American Craft Magazine • American free standards-based workshops and artists working daily on MAD’s sixth Institute of Graphic Artists, New tours for Title I schools with little or fl oor, completing projects in materials York Chapter • Art Matters • Bard no access to basic arts and design such as ceramics, fi ber, mixed media, Graduate Center • Carnegie Mellon education programs. glass, and metals while talking (Entertainment Technology Center) with visitors about their processes, Church of Craft • Creative Capital r ArtsLife Internships materials, and concepts. In 2009, 24 Design Onscreen • Etsy • Greenwich In 2009, MAD inaugurated paid artists participated in the program; House Pottery • High 5 • International summer internships for 8 New York many worked closely with MAD’s Association of Art Critics, NY City high school students, providing artist/educators to enrich the MADlab • IRUBNY • La Than Imperial real work experience in the arts. The programs. Embroidery • MoreArt • Museum focus was especially on underserved of the Moving Image • Smithsonian neighborhoods and at-risk youth; Studio Sundays National Museum of the American applicants were required to apply Intergenerational workshops led by Indian • New York Foundation for the formally to the program, submit two MAD’s professional artist/educators— Arts • Performa • Peters Valley Craft letters of support, and have active focused on materials, process, making, Center • Scholastic Achievement parental involvement in the program and learning with your hands—were Awards • SlowLab • Society of in order to participate.
Load more

Recommended publications
  • Weaverswaver00stocrich.Pdf
    University of California Berkeley Regional Oral History Office University of California The Bancroft Library Berkeley, California Fiber Arts Oral History Series Kay Sekimachi THE WEAVER'S WEAVER: EXPLORATIONS IN MULTIPLE LAYERS AND THREE-DIMENSIONAL FIBER ART With an Introduction by Signe Mayfield Interviews Conducted by Harriet Nathan in 1993 Copyright 1996 by The Regents of the University of California Since 1954 the Regional Oral History Office has been interviewing leading participants in or well-placed witnesses to major events in the development of Northern California, the West, and the Nation. Oral history is a modern research technique involving an interviewee and an informed interviewer in spontaneous conversation. The taped record is transcribed, lightly edited for continuity and clarity, and reviewed by the interviewee. The resulting manuscript is typed in final form, indexed, bound with photographs and illustrative materials, and placed in The Bancroft Library at the University of California, Berkeley, and other research collections for scholarly use. Because it is primary material, oral history is not intended to present the final, verified, or complete narrative of events. It is a spoken account, offered by the interviewee in response to questioning, and as such it is reflective, partisan, deeply involved, and irreplaceable. ************************************ All uses of this manuscript are covered by a legal agreement between The Regents of the University of California and Kay Sekimachi dated April 16, 1995. The manuscript is thereby made available for research purposes. All literary rights in the manuscript, including the right to publish, are reserved to The Bancroft Library of the University of California, Berkeley. No part of the manuscript may be quoted for publication without the written permission of the Director of The Bancroft Library of the University of California, Berkeley.
    [Show full text]
  • Graphic Recording by Terry Laban of the Global Health Matters Forum on March 25, 2020 Co-Hosted by Craftnow and the Foundation F
    Graphic Recording by Terry LaBan of the Global Health Matters Forum on March 25, 2020 Co-Hosted by CraftNOW and the Foundation for Advancement of International Medical Education and Research With Gratitude to Our 2020 Contributors* $10,000 + Up to $500 Jane Davis Barbara Adams Drexel University Lenfest Center for Cultural Anonymous Partnerships Jeffrey Berger Patricia and Gordon Fowler Sally Bleznack Philadelphia Cultural Fund Barbara Boroff Poor Richard’s Charitable Trust William Burdick Lisa Roberts and David Seltzer Erik Calvo Fielding Rose Cheney and Howie Wiener $5,000 - $9,999 Rachel Davey Richard Goldberg Clara and Ben Hollander Barbara Harberger Nancy Hays $2,500 - $4,999 Thora Jacobson Brucie and Ed Baumstein Sarah Kaizar Joseph Robert Foundation Beth and Bill Landman Techné of the Philadelphia Museum of Art Tina and Albert Lecoff Ami Lonner $1,000 - $2,499 Brenton McCloskey Josephine Burri Frances Metzman The Center for Art in Wood Jennifer-Navva Milliken and Ron Gardi City of Philadelphia Office of Arts, Culture, and Angela Nadeau the Creative Economy, Greater Philadelphia Karen Peckham Cultural Alliance and Philadelphia Cultural Fund Pentimenti Gallery The Clay Studio Jane Pepper Christina and Craig Copeland Caroline Wishmann and David Rasner James Renwick Alliance Natalia Reyes Jacqueline Lewis Carol Saline and Paul Rathblatt Suzanne Perrault and David Rago Judith Schaechter Rago Auction Ruth and Rick Snyderman Nicholas Selch Carol Klein and Larry Spitz James Terrani Paul Stark Elissa Topol and Lee Osterman Jeffrey Sugerman
    [Show full text]
  • Hall of Fame Takes Five
    Friday, July 24, 2009 Volume 81, Number 1 Daily Bulletin Washington, DC 81st Summer North American Bridge Championships Editors: Brent Manley and Paul Linxwiler Hall of Fame takes five Hall of Fame inductee Mark Lair, center, with Mike Passell, left, and Eddie Wold. Sportsman of the Year Peter Boyd with longtime (right) Aileen Osofsky and her son, Alan. partner Steve Robinson. If standing ovations could be converted to masterpoints, three of the five inductees at the Defenders out in top GNT flight Bridge Hall of Fame dinner on Thursday evening The District 14 team captained by Bob sixth, Bill Kent, is from Iowa. would be instant contenders for the Barry Crane Top Balderson, holding a 1-IMP lead against the They knocked out the District 9 squad 500. defending champions with 16 deals to play, won captained by Warren Spector (David Berkowitz, Time after time, members of the audience were the fourth quarter 50-9 to advance to the round of Larry Cohen, Mike Becker, Jeff Meckstroth and on their feet, applauding a sterling new class for the eight in the Grand National Teams Championship Eric Rodwell). The team was seeking a third ACBL Hall of Fame. Enjoying the accolades were: Flight. straight win in the event. • Mark Lair, many-time North American champion Five of the six team members are from All four flights of the GNT – including Flights and one of ACBL’s top players. Minnesota – Bob and Cynthia Balderson, Peggy A, B and C – will play the round of eight today. • Aileen Osofsky, ACBL Goodwill chair for nearly Kaplan, Carol Miner and Paul Meerschaert.
    [Show full text]
  • Oral History Interview with Merry Renk
    Oral history interview with Merry Renk Funding for this interview was provided by the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America. Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 General............................................................................................................................. 2 Scope and Contents........................................................................................................ 1 Scope and Contents........................................................................................................ 1 Biographical / Historical.................................................................................................... 1 Names and Subjects ...................................................................................................... 2 Container Listing ...................................................................................................... Oral history interview with Merry Renk AAA.renk01 Collection
    [Show full text]
  • The Factory of Visual
    ì I PICTURE THE MOST COMPREHENSIVE LINE OF PRODUCTS AND SERVICES "bey FOR THE JEWELRY CRAFTS Carrying IN THE UNITED STATES A Torch For You AND YOU HAVE A GOOD PICTURE OF It's the "Little Torch", featuring the new controllable, méf » SINCE 1923 needle point flame. The Little Torch is a preci- sion engineered, highly versatile instrument capa- devest inc. * ble of doing seemingly impossible tasks with ease. This accurate performer welds an unlimited range of materials (from less than .001" copper to 16 gauge steel, to plastics and ceramics and glass) with incomparable precision. It solders (hard or soft) with amazing versatility, maneuvering easily in the tightest places. The Little Torch brazes even the tiniest components with unsurpassed accuracy, making it ideal for pre- cision bonding of high temp, alloys. It heats any mate- rial to extraordinary temperatures (up to 6300° F.*) and offers an unlimited array of flame settings and sizes. And the Little Torch is safe to use. It's the big answer to any small job. As specialists in the soldering field, Abbey Materials also carries a full line of the most popular hard and soft solders and fluxes. Available to the consumer at manufacturers' low prices. Like we said, Abbey's carrying a torch for you. Little Torch in HANDY KIT - —STARTER SET—$59.95 7 « '.JBv STARTER SET WITH Swest, Inc. (Formerly Southwest Smelting & Refining REGULATORS—$149.95 " | jfc, Co., Inc.) is a major supplier to the jewelry and jewelry PRECISION REGULATORS: crafts fields of tools, supplies and equipment for casting, OXYGEN — $49.50 ^J¡¡r »Br GAS — $49.50 electroplating, soldering, grinding, polishing, cleaning, Complete melting and engraving.
    [Show full text]
  • Morris Gallery Curatorial Records
    Morris Gallery Curatorial records Collection ID: RG.02.01.08 Finding Aid prepared by Hoang Tran The Pennsylvania Academy of the Fine Arts 118-128 North Broad Street Philadelphia, PA 19102 [email protected] 215-972-2066 Prepared May 2015 Morris Gallery Curatorial records (RG.02.01.08) Summary Information Repository The Pennsylvania Academy of the Fine Arts, Dorothy and Kenneth Woodcock Archives Creator Morris Gallery curators (various) Title Morris Gallery Curatorial records Date [bulk] Date [inclusive] 1978-2010 Extent 11 document boxes Location note Language English Language of Materials note English Abstract The collection comprises of curatorial files for managing and curating exhibitions in PAFA’s Morris Gallery from 1978-2010. Additional curatorial materials can be found in Julien Robson curatorial records (RG.02.01.15) and Alex Baker Curatorial records (RG.02.01.14) and photographs for exhibitions found in PC.01.12. Preferred Citation note [identification of item], Title of Collection, Collection ID#, The Pennsylvania Academy of the Fine Art, Dorothy and Kenneth Woodcock Archives, Philadelphia, PA. Page 1 Morris Gallery Curatorial records (RG.02.01.08) Historical note Scope and Contents note Arrangement note Arranged chronologically. Administrative Information Conditions Governing Access note Collection is open for research. The archives reserves the right to restrict access to materials of sensitive nature. Please contact the department for further information. Conditions Governing Use note The collection is the physical property of the Pennsylvania Academy of the Fine Arts, Archives. The Museum holds literary rights only for material created by Museum personnel or given to the Museum with such rights specifically assigned.
    [Show full text]
  • 2020 Impact Report
    20 20 IMPACT REPORT Demond Melancon, Big Chief of the Young Seminole Hunters – 2020 COVID-19 Relief Grant Recipient, New Orleans, Louisiana, Photo courtesy of Christopher Porché West OUR MISSION A Letter from CERF+ Plan + Pivot + Partner CERF+’s mission is to serve artists who work in craft disciplines by providing a safety In the first two decades of the 21st century,CERF+ ’s safety net of services gradually net to support strong and sustainable careers. CERF+’s core services are education expanded to better meet artists’ needs in response to a series of unprecedented natural programs, resources on readiness, response and recovery, advocacy, network building, disasters. The tragic events of this past year — the pandemic, another spate of catastrophic and emergency relief assistance. natural disasters, as well as the societal emergency of racial injustice — have thrust us into a new era in which we have had to rethink our work. Paramount in this moment has been BOARD OF DIRECTORS expanding our definition of “emergency” and how we respond to artists in crises. Tanya Aguiñiga Don Friedlich Reed McMillan, Past Chair While we were able to sustain our longstanding relief services, we also faced new realities, which required different actions. Drawing from the lessons we learned from administering Jono Anzalone, Vice Chair John Haworth* Perry Price, Treasurer aid programs during and after major emergencies in the previous two decades, we knew Malene Barnett Cinda Holt, Chair Paul Sacaridiz that our efforts would entail both a sprint and a marathon, requiring us to plan, pivot, Barry Bergey Ande Maricich* Jaime Suárez and partner.
    [Show full text]
  • Ceramics Monthly Nov83 Cei11
    William C. Hunt ........................................ Editor Barbara Tipton ...................... Associate Editor Robert L. Creager ........................ Art Director Ruth C. Butler.............................. Copy Editor Valentina Rojo....................... Editorial Assistant Mary Rushley.............. Circulation Manager Connie Belcher ... Advertising Manager Spencer L. Davis.................................. Publisher Editorial, Advertising and Circulation Offices 1609 Northwest Boulevard, Box 12448, Columbus, Ohio 43212 (614) 488-8236 Ceramics Monthly (ISSN 0009-0329) is published monthly except July and August by Professional Publications, Inc.—S. L. Davis, Pres.; P. S. Emery, Sec.: 1609 North­ west Blvd., Columbus, Ohio 43212. Second class postage paid at Columbus, Ohio. Subscription Rates:One year SI 6, two years $30, three years $40. Add $5 per year for subscriptions outside the U.S.A. Change of Address:Please give us four weeks advance notice. Send both the magazine wrapper label and your new address to Ceramics Monthly, Circulation Office, Box 12448, Columbus, Ohio 43212. Contributors: Manuscripts, photographs, color separations, color transparencies (in­ cluding 35mm slides), graphic illustrations, texts and news releases dealing with ceramic art are welcome and will be considered for publication. A booklet describing procedures for the preparation and submission of a man­ uscript is available upon request. Send man­ uscripts and correspondence about them to The Editor, Ceramics Monthly, Box 12448, Columbus, Ohio 43212. Indexing:Articles in each issue of Ceramics Monthly are indexed in the Art Index. A 20-year subject index (1953-1972) covering Ceramics Monthly feature articles, Sugges­ tions and Questions columns is available for $1.50, postpaid from the Ceramics Monthly Book Department, Box 12448, Columbus, Ohio 43212. Additionally, each year’s arti­ cles are indexed in the December issue.
    [Show full text]
  • 2010 16Th Annual SAG AWARDS
    CATEGORIA CINEMA Melhor ator JEFF BRIDGES / Bad Blake - "CRAZY HEART" (Fox Searchlight Pictures) GEORGE CLOONEY / Ryan Bingham - "UP IN THE AIR" (Paramount Pictures) COLIN FIRTH / George Falconer - "A SINGLE MAN" (The Weinstein Company) MORGAN FREEMAN / Nelson Mandela - "INVICTUS" (Warner Bros. Pictures) JEREMY RENNER / Staff Sgt. William James - "THE HURT LOCKER" (Summit Entertainment) Melhor atriz SANDRA BULLOCK / Leigh Anne Tuohy - "THE BLIND SIDE" (Warner Bros. Pictures) HELEN MIRREN / Sofya - "THE LAST STATION" (Sony Pictures Classics) CAREY MULLIGAN / Jenny - "AN EDUCATION" (Sony Pictures Classics) GABOUREY SIDIBE / Precious - "PRECIOUS: BASED ON THE NOVEL ‘PUSH’ BY SAPPHIRE" (Lionsgate) MERYL STREEP / Julia Child - "JULIE & JULIA" (Columbia Pictures) Melhor ator coadjuvante MATT DAMON / Francois Pienaar - "INVICTUS" (Warner Bros. Pictures) WOODY HARRELSON / Captain Tony Stone - "THE MESSENGER" (Oscilloscope Laboratories) CHRISTOPHER PLUMMER / Tolstoy - "THE LAST STATION" (Sony Pictures Classics) STANLEY TUCCI / George Harvey – “UM OLHAR NO PARAÍSO” ("THE LOVELY BONES") (Paramount Pictures) CHRISTOPH WALTZ / Col. Hans Landa – “BASTARDOS INGLÓRIOS” ("INGLOURIOUS BASTERDS") (The Weinstein Company/Universal Pictures) Melhor atriz coadjuvante PENÉLOPE CRUZ / Carla - "NINE" (The Weinstein Company) VERA FARMIGA / Alex Goran - "UP IN THE AIR" (Paramount Pictures) ANNA KENDRICK / Natalie Keener - "UP IN THE AIR" (Paramount Pictures) DIANE KRUGER / Bridget Von Hammersmark – “BASTARDOS INGLÓRIOS” ("INGLOURIOUS BASTERDS") (The Weinstein Company/Universal Pictures) MO’NIQUE / Mary - "PRECIOUS: BASED ON THE NOVEL ‘PUSH’ BY SAPPHIRE" (Lionsgate) Melhor elenco AN EDUCATION (Sony Pictures Classics) DOMINIC COOPER / Danny ALFRED MOLINA / Jack CAREY MULLIGAN / Jenny ROSAMUND PIKE / Helen PETER SARSGAARD / David EMMA THOMPSON / Headmistress OLIVIA WILLIAMS / Miss Stubbs THE HURT LOCKER (Summit Entertainment) CHRISTIAN CAMARGO / Col. John Cambridge BRIAN GERAGHTY / Specialist Owen Eldridge EVANGELINE LILLY / Connie James ANTHONY MACKIE / Sgt.
    [Show full text]
  • 2008–2009 Season Sponsors
    2008–2009 Season Sponsors The City of Cerritos gratefully thanks our 2008–2009 Season Sponsors for their generous support of the Cerritos Center for the Performing Arts. Season 08/09 YOUR FAVORITE ENTERTAINERS, YOUR FAVORITE THEATER If your company would like to become a Cerritos Center for the Performing Arts sponsor, please contact the CCPA Administrative Offices at (562) 916-8510. THE CERRITOS CENTER FOR THE PERFORMING ARTS (CCPA) thanks the following CCPA Associates who have contributed to the CCPA’s Endowment Fund. The Endowment Fund was established in 1994 under the visionary leadership of the Cerritos City Council to ensure that the CCPA would remain a welcoming, accessible, and affordable venue in which patrons can experience the joy of entertainment and cultural enrichment. For more information about the Endowment Fund or to make a contribution, please contact the CCPA Administrative Offices at (562) 916-8510. Benefactor Morris Bernstein Linda Dowell Ping Ho $50,001-$100,000 Norman Blanco Gloria Dumais Jon Howerton José Iturbi Foundation James Blevins Stanley Dzieminski Christina and Michael Hughes Michael Bley Lee Eakin Melvin Hughes Patron Kathleen Blomo Dee Eaton Marianne and Bob Hughlett, Ed.D. $20,001-$50,000 Marilyn Bogenschutz Susie Edber and Allen Grogan Mark Itzkowitz Linda and Sergio Bonetti Gary Edward Grace and Tom Izuhara National Endowment for the Arts Patricia Bongeorno Jill Edwards Sharon Jacoby Ilana and Allen Brackett Carla Ellis David Jaynes Partner Paula Briggs Robert Ellis Cathy and James Juliani $5,001-$20,000 Darrell Brooke Eric Eltinge Luanne Kamiya Bryan A. Stirrat & Associates Mary Brough Teri Esposito Roland Kerby Chamber Music Society of Detroit Dr.
    [Show full text]
  • Altruism, Activism, and the Moral Imperative in Craft
    Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2009 Altruism, Activism, and the Moral Imperative in Craft Gabriel Craig Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the Fine Arts Commons © The Author Downloaded from https://scholarscompass.vcu.edu/etd/1713 This Thesis is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. © Gabriel Craig 2009 All Rights Reserved Altruism, Activism, and the Moral Imperative in Craft A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts at Virginia Commonwealth University by Gabriel Craig Bachelor of Fine Arts (emphasis in Metals/ Jewelry), Western Michigan University, 2006 Director: Susie Ganch Assistant Professor, Department of Craft/ Material Studies Virginia Commonwealth University Richmond, Virginia May 2009 Acknowledgements I would like to acknowledge several people who have contributed to my success and development as an artist, writer, and as a person of good character in general. First, I would like to thank my father, without whose support the journey would have been much more difficult, Amy Weiks whose unwavering love and support has provided the foundation that allows me to take on so many projects, Susie Ganch, whose mentorship, honesty, and trust have helped me to grow like a weed over the past two years, Natalya Pinchuk whose high standards have helped me to challenge myself more than I thought possible, Sonya Clark who baptized me into the waters of craft and taught me to swim, and Dr.
    [Show full text]
  • Download New Glass Review 15
    eview 15 The Corning Museum of Glass NewGlass Review 15 The Corning Museum of Glass Corning, New York 1994 Objects reproduced in this annual review Objekte, die in dieser jahrlich erscheinenden were chosen with the understanding Zeitschrift veroffentlicht werden, wurden unter that they were designed and made within der Voraussetzung ausgewahlt, daB sie inner- the 1993 calendar year. halb des Kalenderjahres 1993 entworfen und gefertigt wurden. For additional copies of New Glass Review, Zusatzliche Exemplare der New Glass Review please contact: konnen angefordert werden bei: The Corning Museum of Glass Sales Department One Museum Way Corning, New York 14830-2253 Telephone: (607) 937-5371 Fax: (607) 937-3352 All rights reserved, 1994 Alle Rechte vorbehalten, 1994 The Corning Museum of Glass The Corning Museum of Glass Corning, New York 14830-2253 Corning, New York 14830-2253 Printed in Frechen, Germany Gedruckt in Frechen, Bundesrepublik Deutschland Standard Book Number 0-87290-133-5 ISSN: 0275-469X Library of Congress Catalog Card Number Aufgefuhrt im Katalog der Library of Congress 81-641214 unter der Nummer 81 -641214 Table of Contents/lnhalt Page/Seite Jury Statements/Statements der Jury 4 Artists and Objects/Kunstlerlnnen und Objekte 10 Bibliography/Bibliographie 30 A Selective Index of Proper Names and Places/ Ausgewahltes Register von Eigennamen und Orten 58 etztes Jahr an dieser Stelle beklagte ich, daB sehr viele Glaskunst- Jury Statements Ller aufgehort haben, uns Dias zu schicken - odervon vorneherein nie Zeit gefunden haben, welche zu schicken. Ich erklarte, daB auch wenn die Juroren ein bestimmtes Dia nicht fur die Veroffentlichung auswahlen, alle Dias sorgfaltig katalogisiert werden und ihnen ein fester Platz in der Forschungsbibliothek des Museums zugewiesen ast year in this space, I complained that a large number of glass wird.
    [Show full text]