DOCSLIB.ORG

Art Treasures of North East England Castles, Chateau and Cathedrals – Ancient Durham’S Hidden Treasures

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Art Treasures of North East England Castles, Chateau and Cathedrals – Ancient Durham’S Hidden Treasures ITINERARY 2020 Art Treasures of North East England Castles, chateau and cathedrals – ancient Durham’s hidden treasures The Bowes Museum, Photo Visit County Durham Overview Immerse yourself in the spectacular art treasures of Durham one of Northern England’s most historic cities - voted best city in the UK by Condé Nast magazine. Durham’s strategic role in defending the border with Scotland, led to immense powers being conferred to the Bishop of Durham, the “Prince Bishop” with powers to raise armies, mint coins and levy taxes. For 800 years the Prince Bishops ruled a semi-autonomous buffer zone between the English and the Scots and the legacy of their wealth and power is written in the region’s palatial architecture, its reputation as place of learning and its libraries and its art works. Visiting some of the country’s finest buildings, including Durham Cathedral, Raby Castle and the Bowes Museum, this tour will take you to Durham’s UNESCO World Heritage site, dominated by its Norman Castle and 12th century Cathedral, as well as to the region’s traditional market towns and the rugged beauty of the Durham Dales - part of the North Pennines Area of Outstanding Natural Beauty. We will enjoy privileged access to the University’s outstanding modern art collection and behind the scenes tours with conservators at The Bowes Museum, the magnificent French style chateau built by John and Josephine Bowes in the 19th century to house their UK Countryside Tours, Art Treasures of North East England www.ukcountrysidetours.com TEL: (604) 899-9249 or Toll Free 1 855 900-9249 pg. 1 extraordinary and eclectic collection of textiles, ceramics and art works. The Bowes is home to one of the most exceptional collections of fine and decorative art in Europe, including its iconic Silver Swan - an 18th century musical automaton, which has been admired by visitors from around the world for over 200 years. Highlights Immerse yourself in the captivating city of Durham, with its winding cobbled streets, vibrant cafés and prestigious university. Discover Durham Cathedral, a place of worship and learning for 1000 years, housing the tombs of St Cuthbert and St Bede, the cradle of Christianity in Northern England. Enjoy exclusive behind the scenes access to the Bowes Museum, the jewel in the heart of the historic market town of Barnard Castle and home to one of the finest collections of fine and decorative art in Europe. Entry and departure points Manchester airport Tour Director and specialist contributors Jan Williams is an award-winning Blue Badge Guide, based in the North East of England with extensive experience of guiding for study groups and special interest groups, including the English speaking international market. Clients include USA operator Elder Hostel (now Road Scholar), Odyssey Traveller (Australia), British Council Summer Schools, Summer Academy (University of Durham), Tailored Travel (NADFAS groups), Ciceroni Travel and Heritage Group Travel. Jan is passionate about the North East and currently holds professional memberships of The British Guild of Tourist Guides and the Institute of Tourist Guides. Jan is also a Trainer and Examiner for the Institute of Tourist Guides. Outline Itinerary Day 1 Arrival into Manchester and transfer to Durham. Day 2 The day begins with a scene-setting, short guided walking tour of Durham City, before arrival at Durham Cathedral where an in-depth and extended tour of this UNESCO World Heritage Site will take place, exploring the Cathedral’s architectural development, history and its works of art. To conclude the day, afternoon tea will be enjoyed at historic Crook Hall and Gardens, a 13th century Grade I listed Medieval hall, close to the city’s busy market place overlooking the Hall’s idyllic English theme gardens. Day 3 Enjoy a tour of Durham University's modern art collection in the stunning Palatine Building, conducted by Henry Dyson, the University’s Keeper of Fine Art. Continue to UK Countryside Tours, Art Treasures of North East England www.ukcountrysidetours.com TEL: (604) 899-9249 or Toll Free 1 855 900-9249 pg. 2 Durham University’s Oriental Museum - the only museum in the North of England devoted entirely to the art and archaeology of the great cultures of Northern Africa and Asia – to enjoy a talk on the collection - Ancient Egypt to Modern China. Day 4 Discover the land of the Prince Bishops and their palatial residence at Aukland Castle, one of the best preserved examples of a medieval Bishop’s Palace in Europe . Uncover surprising parallels between the powers of the Bishop of Durham and the Charter for the governance of Maryland, granted by Lord Baltimore in 1632. Auckland Castle has a thousand years of history and is at the centre of a wider sacred Christian landscape which may be 1500 years old. Day 5 Visit historic market town, Barnard Castle and enjoy a specialist of the internationally renowned Bowes Museum. Discover its delightful collections of fine and decorative arts, and the romantic story which led wealthy businessman John Bowes and his French actress wife Josephine to create this exceptional French style chateau to house them. Continue to privately owned Rokeby Park, an outstanding 18th century Neo-Palladian villa set picturesquely in the Durham Dales countryside. Discover amongst its treasures the exquisite needlework “paintings” of Anne Eliza Morritt and connections to the Scottish writer and poet Sir Walter Scott, who was inspired whilst visiting to compose his epic poem “Rokeby”. Day 6 Explore Raby Castle - one of the best-preserved castles in Northern, Lord Barnard's home provides over 600 years of history and a glimpse of life throughout the ages. Raby was home to the medieval warrior family, the Earls of Westmorland, and birthplace of Cicely Nevill “the Rose of Raby” (1415-1495) - mother of two English kings who were at the heart of the Wars of the Roses - Edward IV and Richard III. Raby’s fine interiors and architecture span the Medieval, Victorian, Georgian and Regency periods providing a magnificent backdrop for the stunning art collection including works by Sir Joshua Reynolds, Anthony Van Dyck and the American Neo-classical sculptor Hiram Powers. A visit High Force waterfall, inspiration to many artists including JMW Turner completes this tour of Durham’s artistic. Day 7 Transfer to Manchester airport Activity level Moderately active (meaning walking in the countryside / parkland estate of a country estate – walking moderate distances on unsurfaced paths) For further information Please enquire for pre- or post-tour extension options. For further information contact UK Countryside Tours [email protected] or UK Countryside Tours, Art Treasures of North East England www.ukcountrysidetours.com TEL: (604) 899-9249 or Toll Free 1 855 900-9249 pg. 3 TEL: (604) 899-9249 or Toll Free 1 855 900-9249 UK Countryside Tours, Art Treasures of North East England www.ukcountrysidetours.com TEL: 01629 700648 or US Toll Free 1-844-221-3366 pg. 4 .
Load more

Recommended publications
  • Heim Gallery Records, 1965-1991
    http://oac.cdlib.org/findaid/ark:/13030/kt5779r8sb No online items Finding aid for the Heim Gallery records, 1965-1991 Finding aid prepared by Isabella Zuralski. Finding aid for the Heim Gallery 910004 1 records, 1965-1991 Descriptive Summary Title: Heim Gallery records Date (inclusive): 1965-1991 Number: 910004 Creator/Collector: Heim Gallery Physical Description: 120.0 linear feet(271 boxes) Repository: The Getty Research Institute Special Collections 1200 Getty Center Drive, Suite 1100 Los Angeles, California, 90049-1688 (310) 440-7390 Abstract: London gallery directed by Andrew Ciechanowieck. Records include extensive correspondence with museums, galleries, collectors, and other colleagues in Europe and the United States. Photographs document paintings, drawings, sculptures, and decorative art sold and exhibited by, and offered to the gallery. Stock and financial records trace acquisitions and sales. Request Materials: Request access to the physical materials described in this inventory through the catalog record for this collection. Click here for the access policy . Language: Collection material is in English Biographical / Historical Note Heim Gallery London began in June 1966 with François Heim (from Galerie Heim, Paris, begun 1954) and Andrew S. Ciechanowiecki as partners. Ciechanowiecki served as director in London while Heim remained in France. The emphasis of the gallery was Old Master paintings, especially French of the 15th - 18th century, Italian paintings of all periods, and sculpture (marble, terracotta and bronze) from the Renaissance to the 19th century. The gallery was known for its scholarly exhibitions and catalogs. Between 1966 and 1989 the gallery presented exhibitions two to three times a year. The gallery did business with museums and individual clients in Europe and the United States.
    [Show full text]
  • 2011: Durham University
    THE CLASSICAL ASSOCIATION ANNUAL CONFERENCE DURHAM UNIVERSITY FRIDAY 15TH APRIL - MONDAY 18TH APRIL 2011 CONFERENCE INFORMATION We are delighted to invite you to attend the 2011 Classical Association Annual Conference, which this year will be hosted by Durham University. Founded by Royal Charter in 1832, Durham University is among the contenders to the title of third oldest University of England; yet despite its ancient roots, Durham prides itself on combining tradition with innovation. The same is true of its Classics Department, one of the largest, youngest, and most international Classics Departments around. Two-thirds of staff in the department are non- British nationals: Germany, Italy, the Netherlands, Serbia, and the USA are all represented; current research postgraduates add Egypt, Greece, Hungary, Korea, and Japan to the list. All of this is testimony to our view that Classics not only continues to be relevant, but has become increasingly important as a shared cultural resource through which diverse contemporary cultures can communicate. In various ways, then, Durham Classics operates across boundaries of time and of space and stands for intellectual exchange across languages and cultures, and it is this spirit of open exchange and dialogue that we hope to enact and celebrate during the Classical Association Annual Conference as well. The Durham colleges allow us to return to the traditional format of the on-campus event, with both accommodation and academic sessions in the main conference venue, Collingwood College. It will however also be possible to book a room at the Business school, or at the Marriott; and Durham city offers a range of other possibilities.
    [Show full text]
  • The Social and Material Worlds of Alphonsine Bowes De Saint-Amand
    Beyond the Bowes Museum: The Social and Material Worlds of Al phonsine Bowes de Saint-Amand Lindsay Macnaughton The Bowes Museum in Barnard Castle is a public art museum built from 1869 and inaugurated in 1892 to display in technical and didactic ways the collection formed by a couple who lived most of their adult lives in Paris. The so-called founders’ collection combines items purchased with the museum in mind with an important collection of artworks and fur- nishings used in the couple’s own homes on both sides of the Channel. Today the museum presents to visitors a selective biography of its found- ers, John and Joséphine Bowes. John Bowes (1811–1885), the illegitimate son of the 10th Earl of Strathmore, inherited his father’s English estates, but not his title.1 Educated at Eton and Cambridge, he displayed a keen interest in theatre, history, and France. By 1847 Bowes had taken up resi- dence in Paris, marking an end to his career as a Whig MP for County Durham. An essential figure in exporting the British horseracing tradition into France and a wealthy bachelor from a landed family, Bowes joined the exclusive Cercle de l’Union in 1846 and was invited to join the Jockey Club.2 By contrast, Benoîte Joséphine Coffin dite Chevalier was born in Paris on 26 April 1825, the daughter of a clockmaker, originally from Lyons, and Madeleine Antoinette Sergent (1787–1866).3 Joséphine followed Laurent-Joseph Morin’s classes at the Conservatoire, and performed on the stage of the Théâtre Français.4 In September 1846 La Tribune dramatique reported that the young actress Mademoiselle Delorme (Joséphine’s stage name) would commence a three-year contract at the Théâtre des Variétés, which was bought outright in cash by John Bowes in 1847.5 They signed a 1 Charles Hardy, John Bowes and the Bowes Museum (Barnard Castle: Friends of the Bowes Museum, 1970), pp.
    [Show full text]
  • Dimaio Credits Chart Without Captions
    Figure 1: Nolli Plan of Rome, 1748, Giambattista Nolli, 1748, architect and engraver, engraving on copper; 12 plates or sectors, original copper plates (12 in number) stored in the Palazzo della Calcografia, National Institute for Graphic Design, Rome, reproduction, MAXXI, Public domain Figure 2: Roma Interrotta, 1978, Sponsor: Incontri Internazionali d'Arte; invited participants: Sartogo, Dardi, Grumbach, Stirling, Portoghesi, Giurgola, Venturi, Rowe (w/ DiMaio, Littenberg, Peterson, Carl), Graves, L. Krier, Rossi, R. Krier, MAXXI, Rome, Museo Nazionale delle Arti del XXI Secolo, exhibited, Trajan's Market, Rome, 1978 Figure 3: Nolli Plan of Rome, 1748, Giambattista Nolli, 1748 Figure 4: Roma Interrotta, 1978, based on Colin Rowe's History for Sector 8, ROME: The Lost and Unknown City (Roma Ignota e Perduta), Colin Rowe, Judith DiMaio, Barbara Littenberg, Steven Peterson, Peter Carl, 1978-1978, ink on mylar, sector 8, MAXXI, Rome, Museo Nazionale delle Arti del XXI Secolo, exhibited, Trajan's Market, Rome, 1978 Figure 5: Villa Madama, Rome, Robert Hubert, ca.1760, wash drawing, State Hermitage Museum, Saint Petersburg, Russia, Public domain Figure 6: The Emperor Napoleon in His Study at the Tuileries, Jacques-Louis David, oil on canvas, 1812, National Gallery of Art, Washington DC, Public domain Figure 7: Portrait du Pape Pie VII, Jacques-Louis David, oil on panel, 1805, Musée du Louvre, Paris, Public domain Figure 8: La Girandola di Castel Sant'Angelo, Franz Theodor Aerni, painting, ca. 1874, Museo di Roma, Trastevere, Rome, Public domain Figure 9: The Grand Carousel in Honor of Christina of Sweden, Filippo Gagliardi and Filippo Lauri, oil on canvas, Museo di Roma, Palazzo Braschi, Rome, Public domain Figure 10: Grand Cascade, Peterhof Palace and Gardens, Detail of the Samson and the Lion Fountain, B.
    [Show full text]
  • TRANSFERWARE COLLECTORS CLUB Museums and Places Of
    TRANSFERWARE COLLECTORS CLUB http://www.transcollectorsclub.org/ Museums and Places of Interest With Displays and Collections of Transfer Printed Pottery July 4, 2008 CONTENTS INTRODUCTION About this List Credits Photo Credits ASIA ............................................................................................................................................... 1 INDIA.......................................................................................................................................................1 Junagarh Fort, Bikaner, Rajastan ..........................................................................................................................1 EUROPE ........................................................................................................................................ 1 ENGLAND...............................................................................................................................................1 Ashmolean Museum of Art and Archaeology, Oxford.........................................................................................1 Bowes Museum, Barnard Castle, County Durham ...............................................................................................1 Brighton Museum and Art Gallery, Brighton .......................................................................................................2 Bristol City Museum and Art Gallery, Bristol......................................................................................................2
    [Show full text]
  • Del Cardinale Accademia Ottoboni Marco Ceccato MENU › Tracklist › Français › ENGLISH › Deutsch
    IL VIOLONCELLO DEL CARDINALE ACCADEMIA OTTOBONI MARCO CECCATO MENU › TRACKLIST › FRANÇAIS › ENGLISH › DEUTSCH IL VIOLONCELLO DEL CARDINALE PIETRO GIUSEppE GAETANO BONI (1686-c.1741) SONATA IN C MaJOR, OP.1 No.8 1 I. LARGO 4’41 2 II. AllEGRO ‘AllA FRANCESE’ 1’54 3 III. LARGO 2’37 4 IV. AllEGRO 0’57 FILIppO AMADEI (1690-1730) SONATA IN D MINOR WD 896/10 5 I. ANDANTE 2’48 6 II. ANDANTE E CANTABilE ASSAI 2’22 NICOLA FRANCESCO HAYM (1678-1729) SONATA No.1 IN A MINOR/E MINOR 7 I. ADAGIO 1’24 8 II. AllEGRO ASSAI 0’37 9 III. ADAGIO 0’55 10 IV. PRESTO 1’01 GIUSEppE MARIA PERRONI (fl. 1699-1737) SONATA No.2 IN D MaJOR 11 I. ADAGIO 1’45 12 II. AllEGRO 2’03 13 III. GRAVE 0’58 14 IV. AllEGRO E STACCATO 1’36 PIETRO GIUSEppE GAETANO BONI SONATA IN G MINOR, OP.1 No.9 15 I. LARGO 3’27 16 II. AllEGRO AllA FRANCESE 1’43 17 III. AllEGRO 2’15 GIOVANNI BATTISTA COSTANZI (1704-1778) SINFONIA A VIOLONCELLO soLO IN D MaJOR WD 551 18 I. ADAGIO ASSAI 2’03 19 II. AllEGRO 3’30 20 III. AMOROSO 1’59 21 IV. AMOROSO 1’43 GIUSEppE MARIA PERRONI SONATA No.1 IN A MaJOR 22 I. ADAGIO ED AFFETTUOSO 1’56 23 II. PRESTO 1’20 24 III. GRAVE 1’15 25 IV. AllEGRO 1’28 GIOVANNI BONONCINI (1670-1747) SONATA IN A MINOR 26 I. ANDANTE 3’38 27 II. AllEGRO 1’41 28 III.
    [Show full text]
  • Sunderland the City by the Sea in the Heart of North East England
    Sunderland | 1 Sunderland The city by the sea in the heart of North East England Welcome to our city by the sea! Sunderland is a confident, vibrant, welcoming city situated on the coast, at the mouth of the River Wear. Once the biggest shipbuilding town in the world, Sunderland is a proud city that continues to evolve into a vibrant and exciting place to live and visit. Only minutes from the open North Sea, Port of Sunderland offers two lock-free river berths just a stroll away from the busy, culture-rich city centre where you will find unique visitor attractions such as the National Glass Centre, Sunderland Museum & Winter Gardens and St Peters Church (AD674), one of the UK’s earliest stone-built Anglo-Saxon churches and the home of Saint Bede. Those that like to stroll a little further, will be rewarded with the stunning sandy beaches and landscaped promenades of Roker and Seaburn, and the opportunity to visit one of many delightful cafés or indulge in some of the best fish & chips! Sunderland offers cruise visitors a range of truly memorable experiences not easily found elsewhere. Why not try a guided tour of the ‘secret tunnel’ beneath the historic Roker pier and lighthouse, an intimate Sunderland | 2 brass-band performance in the historic Holy Trinity, Sunderland’s first parish church or feel the heat of the furnace during one of the six daily glass making demonstrations at the National Glass Centre which is built on the 7th century site of the very first stained-glass production in Great Britain.
    [Show full text]
  • Annual Report for 2016/17
    ART FUND IN 2016/ 17 We know these are difficult times for UK museums and that, for many, the future looks uncertain. Over the past year our work – not just as a funder, but also as an advocate of and ally to arts organisations – has never seemed more important, or more crucial. Art Fund is an independent charity and does not receive government funding. In 2016 our income totalled £15.2m (up from £14.8m in 2015) and so, rather than cutting back, we began investing in activities to extend our membership and increase the funds we raise. This will mean we are able to do even more to support museums in the years ahead. In 2016 we gave over £4.7m in acquisition grants to help museums build their collections, 75% of which were awarded to organisations outside CONTENTS London. We have seen our support have a real impact. The Scottish National Gallery of Modern Art, for example, became the first UK museum to own a work by a Czech Surrealist, Toyen’s The Message of the Forest, while the Bowes Museum acquired a rare and important picture from the workshop of the pioneering painter Dieric Bouts the Elder that would have otherwise been sold to a buyer abroad. Page 2 BUILDING COLLECTIONS We also continued to fund development opportunities for curators across The acquisitions we support the UK, fulfilling a need that many museum budgets cannot meet. This year we helped curators travel to six of the seven continents to carry out Page 18 DEVELOPING TALENT 3 vital research for their exhibitions or collections through our Jonathan 4 Ruffer Curatorial Grants programme.
    [Show full text]
  • Visions of the Roman North Art and Identity in Northern Roman Britain
    Visions of the Roman North Art and Identity in Northern Roman Britain Iain Ferris Archaeopress Roman Archaeology 80 Archaeopress Publishing Ltd Summertown Pavilion 18-24 Middle Way Summertown Oxford OX2 7LG www.archaeopress.com ISBN 978-1-78969-905-0 ISBN 978-1-78969-906-7 (e-Pdf) © Iain Ferris and Archaeopress 2021 All rights reserved. No part of this book may be reproduced, or transmitted, in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior written permission of the copyright owners. This book is available direct from Archaeopress or from our website www.archaeopress.com Contents List of Figures.................................................................................................................................iii Image Credits ..................................................................................................................................x Dedication ......................................................................................................................................xi Acknowledgements ����������������������������������������������������������������������������������������������������������������������xii Preface ..........................................................................................................................................xiv Chapter One: A Land Apart ...........................................................................................................1 Regional Character ...................................................................................................................8
    [Show full text]
  • Music Graduate
    MUSIC GRADUATE FOR EPTEMBER S 2021 INFORMATION FOR APPLICANTS BARNARD CASTLE SCHOO L | BARNARD CASTLE | COUNTY DURHAM DL12 8UN | UNITED KINGDOM Welcome from the Headmaster Dear Candidate Barnard Castle School is looking for a Graduate Music Teacher for a 1-year fixed term contract for the 2021 - 2022 academic year to work in both the Senior and Prep schools. This full-time role is flexible and can be tailored to the strengths and experience of the successful applicant. Duties will include assisting with and teaching classroom lessons; assisting the Director of Music in planning concerts; rehearsal and performance work; working with individual pupils who need additional support; department administration, as well as boarding duties. There are also opportunities to build rehearsal, conducting and leadership skills with our ensembles as well as assisting with elements of Music Technology. The successful applicant will be enthusiastic, well-organised, and keen to engage young musicians of all abilities. The ability to play the organ and piano to a high standard alongside strong sight-reading skills would be particularly welcome, but candidates with a high level of playing in non-keyboard instruments are still encouraged to apply. Candidates should be educated to a minimum of degree-level or equivalent in a relevant subject. This is a superb opportunity for a graduate wishing to gain experience in the education sector, and who may be considering a career in education. The closing date for applications is 9am on Monday 2nd November. Interviews will be held during the week commencing Monday 9th November. For more information on Barnard Castle School, the Music Department and a full Job Description, please see the Applicant Information Pack for this role.
    [Show full text]
  • Recent Acquisitions at the Bowes Museum, Barnard Castle
    SUP.JUNE.Pg.proof_ma.nov.coop/plaz.pp.corr 16/05/2012 16:11 Page 457 The Michael Marks Charitable Trust Supplement Recent acquisitions at The Bowes Museum, Barnard Castle THE BOWES MUSEUM at Barnard Castle in County Durham is housed in an immense French-style château built by Jules Pellechet as a museum for John Bowes, son of the 10th Earl of Strathmore, and his wife, Joséphine. Their collection was chiefly formed in Paris in the period 1862–74, adding to a modest group of early Italian pictures acquired by Bowes in the 1840s. The couple purchased extensively, not just paintings and sculpture but ceramics, glass, furniture, tapestries and objets d’art of all kinds. Most unusually for this period, Bowes bought El Greco’s The tears of St Peter, one of several Spanish works in the collection; his wife, an amateur painter, added con - temporary works by Boudin and Courbet to earlier paintings by Boucher and Tiepolo. Outstanding in the col lections are fine examples of German faience; Sèvres porcelain; and Second Empire furniture. The Museum opened to the public in 1892 and gifts and purchases have continued to be added to its holdings. After threatened closure in 1998–99, The Bowes Museum reverted in 2000 to governance by a separate body of Trustees and a Director dedicated to transforming it into one of the world’s finest non-national museums. This change in gover- nance enabled the Museum to take maximum advantage of the public and private grants offered for improvements to facilities, display and amenities, which now include a new roof, picture store, textile, metalwork and picture galleries, as well as a newly catalogued library and archive.
    [Show full text]
  • Inspiring Sites:Art and Heritage in the North East North the in Heritage and Sites:Art Inspiring
    Contact us for additional copies of this leaflet leaflet this of copies additional for us Contact Registered charity no: 1126578 Registered company no: 6730565 no: company Registered 1126578 no: charity Registered T: +44 (0)20 7251 8142 E: [email protected] www.wmf.org.uk [email protected] E: 8142 7251 (0)20 +44 T: 70 Cowcross Street, London EC1M 6EJ EC1M London Street, Cowcross 70 World Monuments Fund Britain Fund Monuments World to Meg Bernstein at the YCBA for permission to use photographs. use to permission for YCBA the at Bernstein Meg to the Yale Center for British Art, Paul Mellon Collection. Photograph of Prudhoe Castle, copyright courtesy of English Heritage. Thanks also Thanks Heritage. English of courtesy copyright Castle, Prudhoe of Photograph Collection. Mellon Paul Art, British for Center Yale the copyright courtesy of The Bowes Museum, Barnard Castle, Co. Durham. Thomas Girtin, Tynemouth Priory, Northumberland, courtesy o courtesy Northumberland, Priory, Tynemouth Girtin, Thomas Durham. Co. Castle, Barnard Museum, Bowes The of courtesy copyright f copyright courtesy of the Tyne and Wear Archives and Museums, Laing Art Gallery, Newcastle upon Tyne. Thomas Hearne, Barnard Ca Barnard Hearne, Thomas Tyne. upon Newcastle Gallery, Art Laing Museums, and Archives Wear and Tyne the of courtesy copyright stle: Northumberland, and Samuel and Nathaniel Buck, The South West View of Jarrow Monastery in the Bishopric of Durham: all images all Durham: of Bishopric the in Monastery Jarrow of View West South The Buck, Nathaniel and
    [Show full text]