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2021-Brisbane-Reclink-Community
2021 BRISBANE RECLINK COMMUNIT Y CUP A VERY BIG T HANK YOU TO... Our sponsors Gage Roads Brew Co., MEAA, 4ZZZ, 12.00PM Netherworld, Meat at Billy’s, and Inspire Health Services. Our supporters Red Octopus, Viking Rentals, Tivoli, T HE DOUBLE HAPPINESS The Princess Theatre, Great Mates Great Gals, Gigawatt, Mr Sparkle, Pepe’s Mexican Restaurant, Airlock Studios, 1.15PM Sonic Sherpa, Steve Minnikin MP, and Minuteman Press Fortitude Valley. WELCOME TO COUNT RY The 2021 Organising Committee: Amy, James, Megan, Grace, Michelle (Miki), Jacqui, Shaz, Stephen (Stocky), Jeremiah, & OFFICIAL OPENING Tamara, and Reclink Australia Regional Manager Chris Dickons. 1.30PM The staff at Reclink HQ (Melbourne). Everton Wolves Junior AFC and Mayne Tigers AFC for the KICK OFF! use of their fields and facilities for training and game day. Moorooka AFC for the use of their facilities for night training. T HE 2021 BRISBANE Goal Umpires: Elize Mwandu & Liam Green. Boundary Umpires: Brendan McMahon & John Muldowney. RECLINK COMMUNIT Y CUP Field Umpires: Bill Smith, Alexis Pink & Jeremiah Stewart. The Bands: The Double Happiness, Melaleuca and Beddy Rays. HALF T IME ENT ERTAINMENT Our MC: Steve “Belly” Bell from Sonic Sherpa Record Store. MELALEUCA The 4ZZZ Outside Broadcast team for the game commentary and live broadcast. Our wonderful volunteers who have helped make the POST-MATCH ENT ERTAINMENT day possible. BEDDY RAYS The ROCKING HORSES and the BRISBANE LINES. To everyone who has attended the game, made a donation, cheered on the teams and supported -
Phonographic Performance Company of Australia Limited Control of Music on Hold and Public Performance Rights Schedule 2
PHONOGRAPHIC PERFORMANCE COMPANY OF AUSTRALIA LIMITED CONTROL OF MUSIC ON HOLD AND PUBLIC PERFORMANCE RIGHTS SCHEDULE 2 001 (SoundExchange) (SME US Latin) Make Money Records (The 10049735 Canada Inc. (The Orchard) 100% (BMG Rights Management (Australia) Orchard) 10049735 Canada Inc. (The Orchard) (SME US Latin) Music VIP Entertainment Inc. Pty Ltd) 10065544 Canada Inc. (The Orchard) 441 (SoundExchange) 2. (The Orchard) (SME US Latin) NRE Inc. (The Orchard) 100m Records (PPL) 777 (PPL) (SME US Latin) Ozner Entertainment Inc (The 100M Records (PPL) 786 (PPL) Orchard) 100mg Music (PPL) 1991 (Defensive Music Ltd) (SME US Latin) Regio Mex Music LLC (The 101 Production Music (101 Music Pty Ltd) 1991 (Lime Blue Music Limited) Orchard) 101 Records (PPL) !Handzup! Network (The Orchard) (SME US Latin) RVMK Records LLC (The Orchard) 104 Records (PPL) !K7 Records (!K7 Music GmbH) (SME US Latin) Up To Date Entertainment (The 10410Records (PPL) !K7 Records (PPL) Orchard) 106 Records (PPL) "12"" Monkeys" (Rights' Up SPRL) (SME US Latin) Vicktory Music Group (The 107 Records (PPL) $Profit Dolla$ Records,LLC. (PPL) Orchard) (SME US Latin) VP Records - New Masters 107 Records (SoundExchange) $treet Monopoly (SoundExchange) (The Orchard) 108 Pics llc. (SoundExchange) (Angel) 2 Publishing Company LCC (SME US Latin) VP Records Corp. (The 1080 Collective (1080 Collective) (SoundExchange) Orchard) (APC) (Apparel Music Classics) (PPL) (SZR) Music (The Orchard) 10am Records (PPL) (APD) (Apparel Music Digital) (PPL) (SZR) Music (PPL) 10Birds (SoundExchange) (APF) (Apparel Music Flash) (PPL) (The) Vinyl Stone (SoundExchange) 10E Records (PPL) (APL) (Apparel Music Ltd) (PPL) **** artistes (PPL) 10Man Productions (PPL) (ASCI) (SoundExchange) *Cutz (SoundExchange) 10T Records (SoundExchange) (Essential) Blay Vision (The Orchard) .DotBleep (SoundExchange) 10th Legion Records (The Orchard) (EV3) Evolution 3 Ent. -
The Queensland Music Awards Launch New Emerging Artist of the Year Award for 2020 Plus $24,000 Songwriting Prize
FOR IMMEDIATE RELEASE MONDAY OCTOBER 21, 2019 Amy Shark, 2019 Queensland Music Awards Performing Artist. Image by Bianca Holderness. The Queensland Music Awards launch new Emerging Artist Of The Year Award for 2020 plus $24,000 Songwriting Prize The 2020 Queensland Music Awards (QMAs), produced by QMusic and taking place on Tuesday 3 March 2020 at The Fortitude Music Hall, has unveiled an exciting new Major Award category with the Emerging Artist Of The Year Award. Open to all early-career Queensland musicians, entries are open now and close midnight, Thursday 24 October 2019. The Emerging Artist Of The Year Award will recognise the valuable contributions made by Queensland’s newest musicians. Artists with up to five years professional songwriting experience and with a modest body of artistic work will be automatically eligible for the Major Award on submission to a self-nominating category. The winner of the Emerging Artist of the Year will receive a Noisegate Producer Package valued at $2905. FOR IMMEDIATE RELEASE MONDAY OCTOBER 21, 2019 They will also receive a one-on-one session with a leading booking agent, manager and publicist as well as a QMusic one-on-one session and an invitation to attend the 2020 Amplify Songwriting Retreat. (Ts&Cs) “QMusic has introduced the Emerging Artist of the Year Award to showcase our commitment to supporting and developing emerging artists in our local music industry,” said QMusic CEO and QMAs Executive Producer Angela Samut. “We support the careers of artists at every stage in their careers and with this new Emerging Award, we endeavour to identity new and exciting talent in Queensland and to be able to work with them in putting in place career pathways to help them achieve success. -
Music Business and the Experience Economy the Australasian Case Music Business and the Experience Economy
Peter Tschmuck Philip L. Pearce Steven Campbell Editors Music Business and the Experience Economy The Australasian Case Music Business and the Experience Economy . Peter Tschmuck • Philip L. Pearce • Steven Campbell Editors Music Business and the Experience Economy The Australasian Case Editors Peter Tschmuck Philip L. Pearce Institute for Cultural Management and School of Business Cultural Studies James Cook University Townsville University of Music and Townsville, Queensland Performing Arts Vienna Australia Vienna, Austria Steven Campbell School of Creative Arts James Cook University Townsville Townsville, Queensland Australia ISBN 978-3-642-27897-6 ISBN 978-3-642-27898-3 (eBook) DOI 10.1007/978-3-642-27898-3 Springer Heidelberg New York Dordrecht London Library of Congress Control Number: 2013936544 # Springer-Verlag Berlin Heidelberg 2013 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. Exempted from this legal reservation are brief excerpts in connection with reviews or scholarly analysis or material supplied specifically for the purpose of being entered and executed on a computer system, for exclusive use by the purchaser of the work. Duplication of this publication or parts thereof is permitted only under the provisions of the Copyright Law of the Publisher’s location, in its current version, and permission for use must always be obtained from Springer. -
Annual Report 2020
2020 ANNUAL REPORT WAAX at Valley Fiesta. Photo by Dave Kan. OUR VISION To support and promote a thriving contemporary live and recorded music industry that transforms lives and delivers artistic, cultural, social and economic value to Queensland. QMUSIC 3/374 Brunswick Street PO Box 878 Fortitude Valley Qld 4006 Australia T (07) 3257 0013 E [email protected] W www.qmusic.com.au Queensland Music Network Incorporated ABN 14 083 014 720 CONTENTS PRESIDENT’S REPORT ...............................................................................................................................4 CEO’S REPORT ....................................................................................................................................................6 FIRST NATIONS PROGRAMMER AND PRODUCER REPORT .......8 PROGRAMMING .......................................................................................................................................10 PROGRAM OF ACTIVITIES ..........................................................................................................11 INDUSTRY ADVOCACY ....................................................................................................................27 PARTNERSHIPS ...............................................................................................................................................29 QMUSIC FEATURES ...............................................................................................................................30 QMUSIC’S REACH ....................................................................................................................................36 -
No. 248 Secret Sounds
Submission No 248 INQUIRY INTO THE MUSIC AND ARTS ECONOMY IN NEW SOUTH WALES Organisation: Secret Sounds Date received: 28 February 2018 Submission to NSW Parliamentary Inquiry into music & arts industries BACKGROUND Secret Sounds is an Australian-grown diversified music company operating in Australia with interests extending into New Zealand and Asia. We employ over 80 permanent staff year- round, and have offices in 5 key locations (Byron Bay, NSW; Brisbane, QLD; Sydney, NSW; Melbourne, VIC and Lorne, VIC). When running events, our contract staff number in the thousands. Our core business initially developed since the late 90’s from running music festivals, managing artists, promoting artist tours and booking artist tours; in recent years our business has diversified, leaving us today as one of Australia’s largest full service music businesses. Our interests & partners comprise: - FESTIVALS o Splendour in the Grass : Australia’s leading multi-day camping festival. In 2017 Splendour hosted 219 acts and performance artists over 4 days performing to a sold-out 32,500 capacity crowd with total daily visitation of 117,500 people; o Falls Festival : music & arts festival held over the new year period in 4 locations (Lorne, Victoria; Marion Bay, Tasmania; Byron Bay, New South Wales and Fremantle, Western Australia). Most recently, in late 2017/early 2018, Falls Festival hosted over 80,000 patrons in 4 locations over a total of 12 event days with total daily visitation of more than 200,000; o Sydney City Limits : the inaugural festival was held in Sydney on Saturday 24 September in Centennial Park; o Download Melbourne : a new rock & heavy music festival being held in Melbourne in late March. -
BTS' 'Life Goes On' Launches As Historic No. 1 on Billboard Hot
BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth NOVEMBERAirplay 30, 2020 Page 1 of 36 Leader; Travis Denning Makes History INSIDE BTS’ ‘Life Goes On’ Launches as Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music GroupHistoric Nashville), debuts at No. 1 on No. Billboard’s 1lion on audience Billboard impressions, up 16%). Hot 100 Top• CountryBTS Earns Albums Fifth chartNo. dated April 18. In its first week (ending April 9), it earned1 Album 46,000 on Billboardequivalent album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cording200 toChart Nielsen With Music/MRC ‘Be’ Data. and totalBY GARY Country TRUST Airplay No. 1 as “Catch” (Big Machine Label Group) ascends Southside marks Hunt’s second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chart• and Why fourth The Musictop 10. It followsBTS freshman’ “Life Goes LP On” soars onto the Billboard Hot ending Nov. 26,Young’s according first ofto six Nielsen chart entries,Music/MRC “Sleep With- Publishing Market Is Montevallo, which arrived at the summit songs in chart No - at No. 1. Data. It alsoout earned You,” 410,000 reached No.radio 2 in airplay December audience 2016. He Still Booming — And 100 vember 2014 and reigned for nine weeks.The song To date, is the South Korean septet’s third Hot 100 impressionsfollowed in the week with the ending multiweek Nov. -
Interview: Patrick Stickles of Titus Andronicus,Album of the Week
Interview: Patrick Stickles of Titus Andronicus Patrick Stickles of Titus Andronicus (Photo: Jorge Chantre) Ever since their start in Glen Rock, NJ, in 2005, Titus Andronicus have been lauded for their energetic live performances. Frontman and guitarist Patrick Stickles sings intensely from the heart in unapologetic fashion. It’s musical honesty with a punk rock foundation that’s absolutely incredible. The band has their fifth studio album currently out, A Productive Cough, which was released Mar 2 through Merge Records. Stickles and pianist Alex Molini will be rolling through AS220 on Empire Street in Providence on March 9 to perform stripped down versions of Titus Andronicus’ songs with Rick Maguire from Boston indie rock act Pile kicking things off. I had a talk with Stickles recently about the influence of ‘90s hip hop on his lyrics, heart-on-the-sleeve ballads, hope and optimism for the state of DIY venues and not lamenting about the festival season. Rob Duguay (Motif): Your lyrics have a poetic tone while encompassing a lot of empathetic emotion. Whom do you consider your main influences when it comes to writing lyrics? Do you lean more towards musicians or do you lean more towards poets? Patrick Stickles: Some of the best musicians are also some of the best poets, I gotta say. My lyrical inspirations mostly come from the rap music world. Not even necessarily their subject matter, but their attention to detail and the high standard of excellence that the best ones seem to adhere to. It’s a very lyrically driven form, or it certainly was at one point but less so today. -
QMUSIC 2019 Qmusic Acknowledges the Many Traditional Custodian Groups All Across What Is Now Referred to As Queensland
QMUSIC 2019 QMusic acknowledges the many Traditional Custodian groups all across what is now referred to as Queensland. We pay our respect to all elders: past, present and emerging. We also acknowledge the important role that music has played and continues to play on these lands since the very first sunrise. - IMAGE TENGAZI. PHOTO CREDIT: AIMEE CATT. QMUSIC 3/374 Brunswick Street PO Box 878 Fortitude Valley QLD 4006 Australia T (07) 3257 0013 E [email protected] wwww.qmusic.com.au Queensland Music Network Incorporated 1 ABN 14 083 014 720 OUR VISION To support and promote a thriving contemporary live and recorded music industry that transforms lives and delivers artistic, cultural, social and economic value to Queensland. CONTENTS PRESIDENT’S REPORT..............................................2 TREASURER’S REPORT..............................................5 CEO’S REPORT....................................................6 INDUSTRY CONNECT REPORT.........................................9 AMPLIFY REPORT.................................................11 GRANT ADMINISTRATION...........................................13 SXSW BRUNCH....................................................14 LEVI’S® MUSIC PRIZE............................................15 BIGSOUND OVERVIEW...........................................17-32 QUEENSLAND MUSIC AWARDS........................................33 QMUSIC REACH...................................................34 WOMEN IN BUSINESS..............................................36 QMUSIC MANAGEMENT COMMITTEE.................................37-42 -
Introducing: the Fortitude Music Hall Brisbane's New
INTRODUCING: THE FORTITUDE MUSIC HALL BRISBANE’S NEW PREMIER LIVE MUSIC VENUE BACKED BY LEADING PROMOTER LIVE NATION BRISBANE (Wednesday 5 September): Key players in the Australian music scene including John ‘JC’ Collins (former member of Powderfinger/owner of Brisbane venue The Triffid), Paul Piticco (Co-Founder of Secret Sounds), along with Scott Hutchinson (Chairman of Queensland based Hutchinson Builders) and Live Nation, the world’s leading live entertainment company, have come together to launch a world-class, live music venue – The Fortitude Music Hall. Set to become Brisbane’s premier live music destination; the 3,300 capacity venue will also include a mixed retail and special events space. Located in Brunswick Street Mall in the heart of Fortitude Valley – Brisbane’s foremost music destination – the venue will showcase incredible state-of-the-art production while paying homage to the iconic Brisbane venue Festival Hall, which was home to Brisbane’s iconic live music venue between 1959 and 2003. “It’s always been our dream and mission to build a venue that fills the void left by Festival Hall and we are proud of the vision we’ve created for The Fortitude Music Hall. The masterplan is well and truly rolling out for a venue and space that will enhance the area and one that the community will enjoy and benefit from for many years to come. We are doing this for Brisbane!” said JC. The concept first started when Scott Hutchinson of Hutchinson Builders, Australia’s biggest private construction company, purchased a large commercial building in the heart of the Brunswick Street Mall. -
Bury Me Deep in Isolation: a Cultural Examination of a Peripheral Music Industry and Scene
CORE Metadata, citation and similar papers at core.ac.uk Provided by Research Online @ ECU Edith Cowan University Research Online Theses: Doctorates and Masters Theses 2013 Bury me deep in isolation: A cultural examination of a peripheral music industry and scene Christina Ballico Edith Cowan University Follow this and additional works at: https://ro.ecu.edu.au/theses Part of the Arts Management Commons, and the Other Music Commons Recommended Citation Ballico, C. (2013). Bury me deep in isolation: A cultural examination of a peripheral music industry and scene. https://ro.ecu.edu.au/theses/682 This Thesis is posted at Research Online. https://ro.ecu.edu.au/theses/682 Edith Cowan University Research Online Theses: Doctorates and Masters Theses 2013 Bury me deep in isolation: A cultural examination of a peripheral music industry and scene Christina Ballico Edith Cowan University Recommended Citation Ballico, C. (2013). Bury me deep in isolation: A cultural examination of a peripheral music industry and scene. Retrieved from http://ro.ecu.edu.au/theses/682 This Thesis is posted at Research Online. http://ro.ecu.edu.au/theses/682 Edith Cowan University Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorize you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. -
MY CHEMICAL ROM Emo's Most Theatrical Band Grows from Myspace to Massi PLUS: Three More Rock Bands on the Brink >P.24
MY CHEMICAL ROM Emo's Most Theatrical Band Grows From MySpace To Massi PLUS: Three More Rock Bands On The Brink >P.24 OCT 14, 2006 www.billboard.com INSIDE www.billboard.biz US $6.99 CAP! $8.99 UK £5 50 RETAIL'S THIRD QUARTER $6.99U $8.99CAN r 41> MI , #BXFCTCC SCII 3 -DIGIT 907 MAR08 REG A04 00 /001 #BL24C80430 E 13 11111111111111111111111111/ 11111111111111111111111111 MONTY GREENLY 0064 374( ELM AVE # A 0 71 S6 4 205 9 LONG BEACH CA 90807 -3402 001073 www.americanradiohistory.com Southern California's Premier Entertainment Venue Has A New Name... HONDA Center formerly Arrowhead Pond www.hondacenter.com 2695 East Katella Ave. Anaheim, CA 92806 For booking information, please contact Mike O' Donnell at 714 -704 -2402 or modonnell @hondacenter.com www.americanradiohistory.com ON THE CHARTS ALBUMS PAGE ARTIST / TITLE uts LUDACRIS / THE BILLBOARD 200 62 RELEASE THERAPY OLD CROW MEDICINE SHOW / TOP BLUEGRASS 70 RIG IRON WORLD JOSHUA BELL / TOP CLASSICAL 75 VOICE OF THE VIOLIN ANDREA BOCELLI / TOP CLASSICAL CROSSOVER 75 AMORE LIKAH JACKSON / TOP COUNTRY 70 LIKE RED ON A ROSE 76 JOHN MAYER! TOP DIGITAL CONTINUUM 73 SCISSOR SISTERS / TOP ELECTRONIC TA -OAH 77 GEORGE LOPEZ / TOP HEATSEEKERS EL MAS CHINGON DAVE MATTHEWS BAND / ` TOP INTERNET 76 FENWAY PARK. BOSTON, MA JULY 7 -8. 2006 75 DIANA KRALL / TOP JAZZ FROM THIS MOMENT ON 75 S INEY JAMES / TOP CONTEMPORARY JAZZ SHINE LUNY TUNES & TAINT / UPFRONT TOP LATIN 172 I MRS FLOW: LOS BENJAMINS 5 DON'T KILL ROCK 16 Making The Brand, H COOK ! TOP POP CATALOG 76 THEM The Publishers' Place HAJERMM FUL IF SWALLOWED STARS -SIGN JANET JACKSON / A venerable indie 18 Digital Entertainment TOP R &B /HIP-HOP 67 20 Y0 label 20 On The Road BEENIE MAN / undergoes TOP REGGAE UNDISPUTED restructuring; founder 21 Touring moves to Nonesuch.