DOCSLIB.ORG

The Brisbane Sound

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

THE BRISBANE SOUND Scott Bradley Regan BMus, BMus (Hons) DOCTORAL THESIS By CREATIVE WORKS Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Creative Industries Faculty Queensland University of Technology 2019 Abstract What is the Brisbane Sound, and what does it actually sound like? Many cities are said to have their own musical ‘sound’, for example, the Liverpool Sound (Cohen 1994), the Dunedin Sound (McLeay 1994; Mitchell 1996; Bannister 2006), and the Canterbury Sound (Bennett 2002). Brisbane, Australia is no different. Since the late 1970s, music journalists and other cultural intermediaries (Bourdieu 1984) have constructed the idea of a ‘Brisbane Sound’, and used it to consecrate a specific cohort of bands that emerged during the ‘five golden years’ of Brisbane music history, between 1978 and 1983. Yet, despite the cultural currency and prevalence of the trope in subcultural parlance, this so-called Brisbane Sound has remained entirely absent from existing scholarly literature about the local Brisbane music scene. This Doctoral Thesis by Creative Works aims to remedy this gap, and in doing so, contributes new knowledge to our understanding of Brisbane popular music history and cultural memory. It also proposes a novel way of addressing the perennial conundrum of music’s ineffability, by using music to explain music. I take an interdisciplinary approach to answer the question ‘what does the Brisbane Sound sound like?’ by adapting methods from three key fields: cultural studies, popular musicology, and creative practice. First, I collate and analyse how the Brisbane Sound trope has been defined in media discourses over time. Second, I apply music analysis to a primary corpus of Brisbane Sound exemplars to verify and elucidate these claims, supporting my findings with audio examples. Finally, I use the above processes to inform my own creative practice of songwriting, performance, and recording, to produce five original songs that aim to sound like the Brisbane Sound. The Brisbane Sound i Keywords Agents, Australian Music, Bourdieu, Brisbane, Brisbane Music History, Brisbane Sound, Creative Practice, Cultural Capital, Cultural Intermediaries, Cultural Memory, Discourse Analysis, Habitus, Media Studies, Music Analysis, Music and Language, Music Journalism, Music Performance, Music Production, Music Scenes, Music Subcultures, Music-speak, Popular Music, Popular Musicology, Queensland, Rock Music, Songwriting. ii The Brisbane Sound Statement of Original Authorship The work contained in this thesis has not been previously submitted to meet requirements for an award at this or any other higher education institution. To the best of my knowledge and belief, the thesis contains no material previously published or written by another person except where due reference is made. QUT Verified Signature The Brisbane Sound iii Acknowledgements This research was funded by an Australian Post Graduate Award (APA) Scholarship (2015-2018) and a Australian Government Research Training Program Stipend (RTP) (2017-2019). I would like to thank my primary supervisor, Dr Kiley Gaffney, for guiding me through every step, stumble and page of my journey as a post-graduate student. Thank you very much for your endless encouragement, knowledge, reading, editing, and patience. Thanks also to my associate supervisor Dr John Willsteed for your dry wit, wisdom and insight into the scene; Dr Lachlan ‘Magoo’ Goold for mixing the recordings; and James See for engineering, relentless cheeriness and willingness to chat anytime about anything other than this. This thesis would not have been possible without the immense help, love and support of my extended family: John, Kay, Johnathan and Ita; Jeff and Es; Nathan and Kristina. Special thanks to Lisa for the endless encouragement, meals and lifts. Finally, this thesis is dedicated to my best friend and darling wife, Erin. Thank you monka two one. We did it. iv The Brisbane Sound Links to Supplementary Audio Data Note to reader: this is a Thesis by Creative Works A Thesis by Creative Works is a type of PhD that includes research in the form of artistic practice. The creative works component consists of five original songs that the author wrote, recorded and produced. These Creative Works can be streamed^ via the author’s website, here: http://scottregan.com/research/phd-creative-works/ In addition, the music analyses in Chapter 7 are supplemented with audio listening examples, designed to be heard in correlation with reading the text and/or graphical notation. There are signposts within Chapter 7 that indicate to the reader when each audio clip should be played, for example: Listen: Example 06—Heaven Says in 7/4 with Count (Verse) These audio listening examples can be streamed via the following link: http://scottregan.com/research/phd-research/ ^Note: These songs © Scott Regan 2018. All rights reserved. Please do not copy, share, broadcast or publicly perform these works in any way without authorised permission from the copyright holder. The Brisbane Sound v Table of Contents Abstract ........................................................................................................................................................ i Keywords ..................................................................................................................................................... ii Statement of Original Authorship............................................................................................................... iii Acknowledgements ......................................................................................................................................iv Links to Supplementary Audio Data ............................................................................................................. v Table of Contents.........................................................................................................................................vi Chapter 1: Introduction ................................................................................................................................ 1 Introductory Statement ........................................................................................................................... 1 Prelude: It sounded so Brisbane… ......................................................................................................... 1 Thesis Type ............................................................................................................................................ 2 Research Questions ................................................................................................................................ 3 Thesis Aims ............................................................................................................................................ 3 Problem Statement.................................................................................................................................. 6 The Creative Works ................................................................................................................................ 9 Contribution to Knowledge .................................................................................................................. 10 Limitations and Scope .......................................................................................................................... 10 Assumptions ......................................................................................................................................... 12 Does the Brisbane Sound really exist? ................................................................................................. 13 Conclusion ................................................................................................................................................. 14 Chapter 2: Contextual and Literature Review .......................................................................................... 15 Contextual Review ..................................................................................................................................... 15 Introducing Brisbane ............................................................................................................................ 15 Scholarly and other Writing About Brisbane ....................................................................................... 17 Temporal Framework of this Study ...................................................................................................... 18 Related Fields and Disciplines .................................................................................................................. 22 Cultural Studies and Subcultural Theory ............................................................................................. 23 Popular Musicology.............................................................................................................................. 25 Music Scenes : Local, Translocal and Virtual ...................................................................................... 26 Cultural Memory and Heritage ............................................................................................................. 28 Cultural Geography .............................................................................................................................. 30 Literature about other ‘City Sounds’
Recommended publications
  • Dutch Visitors K-6 Foundation

    Dutch Visitors K-6 Foundation

    MAGAZINE PIN OAK ISSUE 16: TERM 2, MAY 15, 2015 Foundation Day Dutch Visitors K-6 Contents 3 Headmaster’s Report 4 Big Issue 5 Films, Music, Books 6 K - 6 News 7 More K-6 MINDFULNESS 8 Feature Article Have you ever had a moment when all you can think about is how stressed you are about how you 10 Deputy Reports : Learning & Pastoral haven’t finished the assignment that is due this week or you are really worried because you think In the Spotlight that you failed the exam last week. Seriously! Chill! 11 You need to bring yourself back to the moment and MusicArtDrama think about what is going on right now! This is called 12 mindfulness. On the Branch John Teasdale invented the cognitive theory of 13 Mindfulness in 1991. To practice mindfulness we Gallery need to be aware of where we are, what we are 14 feeling and what is going on right now? To be mindful we need to notice when we are worrying 15 Calendar about the future or stressing about what has happened in the past and bring ourselves back to the 16 Sport moment we are in. After all we can’t change what’s already happened and the only way to influence the future is to achieve something in the present. Being Pin Oak Team in the moment can also benefit our relationships Student Editorial Team because we are more present to the people around Alexia Cheaib, Ruben Seaton, Evangeline us. We listen more effecively and engage more. To Larsen, Evelyn Bratchford, Ryan Tan, Kaarina get your mind back in the moment, become aware of Allen, Maddie Thomas, Heidi Bevan, Cate your senses.
  • Australian Events 2016 Major Events, Australia - from September 2016 to February 2017

    Australian Events 2016 Major Events, Australia - from September 2016 to February 2017

    AUSTRALIAN EVENTS 2016 MAJOR EVENTS, AUSTRALIA - FROM SEPTEMBER 2016 TO FEBRUARY 2017 Month Event Date More Info ADELAIDE, SOUTH AUSTRALIA January Australia Day 26 January, 2017 australiadayinthecity.com.au BRISBANE, QUEENSLAND September Brisbane Festival 3-24 September, 2016 brisbanefestival.com.au January Australia Day 26 January, 2017 qld.australiaday.org.au February Brisbane Comedy Festival 27 February – 23 March, 2016 brisbanepowerhouse.org/festivals/brisbane-comedy- festival-2016/ CANBERRA, AUSTRALIAN CAPITAL TERRITORY September Floriade 17 September – 16 October, floriadeaustralia.com 2016 January Australia Day 26 January, 2017 australiaday.org.au/act DARWIN, NORTHERN TERRITORY December New Year’s Eve Concert and 31 December, 2016 northernterritory.com/sitecore/atdw/regions/darwin- Fireworks and-surrounds/events/9002710 January Australia Day 26 January, 2017 nt.australiaday.org.au GOLD COAST, QUEENSLAND October Gold Coast 600 21-23 October, 2016 supercars.com/gold-coast January Australia Day 26 January, 2017 goldcoast.qld.gov.au/thegoldcoast/australia-day- celebrations-20389.html MACKAY, QUEENSLAND September Pioneer Valley Country Music 30 September – 2 October, 2016 mackayregion.com/events/event/100442-pioneer- Festival valley-country-music-festival January Australia Day 26 January, 2017 qld.australiaday.org.au MELBOURNE, VICTORIA September Royal Melbourne Show 17-27 September, 2016 royalshow.com.au Spring Racing Carnival 1 September, 2016 springracingcarnival.com.au October AFL Grand Final 1 October, 2016 afl.com.au November Melbourne
  • Perth Music Interviews Ben Stewart (Filmmaker) Amber Flynn

    Perth Music Interviews Ben Stewart (Filmmaker) Amber Flynn

    Perth Music Interviews Ben Stewart (Filmmaker) Amber Flynn (Rabbit Island) Sean O’Neill (Hang on Saint Christopher) Bill Darby David Craddock (Davey Craddock and the Spectacles) Scott Tomlinson (Kill Teen Angst) Thomas Mathieson (Mathas) Joe Bludge (The Painkillers) Tracey Read (The Wine Dark Sea) Rob Schifferli (The Leap Year) Chris Cobilis Andy Blaikie by Benedict Moleta December 2011 This collection of interviews was put together over the course of 2011. Some of these people have been involved in music for ten years or more, others not so long. The idea was to discuss background and development, as well as current and long-term musical projects. Benedict Moleta [email protected] Ben Stewart (Filmmaker) Were you born in Perth ? Yeah, I was born in Mt Lawley. You've been working on a music documentary for a while now, what's it about ? I started shooting footage mid 2008. I'm making a feature documentary about a bunch of bands over a period of time, it's an unscientific longitudinal study of sorts. It's a long process because I want to make an observational documentary with the narrative structure of a fiction film. I'm trying to capture a coming of age cliché but character arcs take a lot longer in real life. I remember reading once that rites of passage are good things to structure narratives around, so that's what I'm going to do, who am I to argue with a text book? Fair call. I guess one of the characteristics of bands developing or "coming of age" is that things can emerge, change, pass away and be reconfigured quickly.
  • Beats of Your Town

    Beats of Your Town

    BEATS OF YOUR TOWN On the eve of the release of their new album ‘Ocean’s Apart’, Grant McLennan, co-leader of watershed Brisbane pop group, The Go-Betweens, takes the time to grant Robiter an interview. Matthew ‘The Rock Lobbster’ Lobb reports The Clowns Come To Town – Film School Rejections and UQ Librarians Long before Queensland art tangled at a pretty summit with pop music (the years prior to LP wonderworks such as Before Hollywood, Liberty Belle And The Black Diamond Express and 16 Lovers Lane) , one Grant McLennan had been knocked back from film and television school on account of his 16 years. Enrolment in an arts program at the University of Queensland came, therefore, as a sort of edifying compromise. Once at St. Lucia, the undergraduate - a brainy eldest child from rural Queensland - befriended a gracefully mincing eccentric named Robert Forster who played guitar and wrote his own songs. The two bonded over shared tastes in skewered pop culture and spent a lot of time at the Humanities library reading, in import copies of The Village Voice, about emerging bands like Television and Talking Heads. Go-Betweens circa '78: Librarians Beware No doubt McLennan was more OCEAN’S APART PICKED APART Grant talks Robiter through the new studious than his pal who failed both at arts and at convincing him to album form a rock group. While a disciplined McLennan passed classes with focused endeavour, Forster was crashing heavily and channelling his ‘Here Comes A City’ (the first vigour into composing songs about would-be love interests.
  • Department of English and American Studies English Language And

    Department of English and American Studies English Language And

    Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Jana Krejčířová Australian English Bachelor’s Diploma Thesis Supervisor: PhDr. Kateřina Tomková, Ph. D. 2016 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Author’s signature I would like to express my sincere gratitude to my supervisor PhDr. Kateřina Tomková, Ph.D. for her patience and valuable advice. I would also like to thank my partner Martin Burian and my family for their support and understanding. Table of Contents Abbreviations ........................................................................................................... 6 Introduction .............................................................................................................. 7 1. AUSTRALIA AND ITS HISTORY ................................................................. 10 1.1. Australia before the arrival of the British .................................................... 11 1.1.1. Aboriginal people .............................................................................. 11 1.1.2. First explorers .................................................................................... 14 1.2. Arrival of the British .................................................................................... 14 1.2.1. Convicts ............................................................................................. 15 1.3. Australia in the
  • PUNK/ASKĒSIS by Robert Kenneth Richardson a Dissertation

    PUNK/ASKĒSIS by Robert Kenneth Richardson a Dissertation

    PUNK/ASKĒSIS By Robert Kenneth Richardson A dissertation submitted in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY WASHINGTON STATE UNIVERSITY Program in American Studies MAY 2014 © Copyright by Robert Richardson, 2014 All Rights Reserved © Copyright by Robert Richardson, 2014 All Rights Reserved To the Faculty of Washington State University: The members of the Committee appointed to examine the dissertation of Robert Richardson find it satisfactory and recommend that it be accepted. ___________________________________ Carol Siegel, Ph.D., Chair ___________________________________ Thomas Vernon Reed, Ph.D. ___________________________________ Kristin Arola, Ph.D. ii ACKNOWLEDGEMENTS “Laws are like sausages,” Otto von Bismarck once famously said. “It is better not to see them being made.” To laws and sausages, I would add the dissertation. But, they do get made. I am grateful for the support and guidance I have received during this process from Carol Siegel, my chair and friend, who continues to inspire me with her deep sense of humanity, her astute insights into a broad range of academic theory and her relentless commitment through her life and work to making what can only be described as a profoundly positive contribution to the nurturing and nourishing of young talent. I would also like to thank T.V. Reed who, as the Director of American Studies, was instrumental in my ending up in this program in the first place and Kristin Arola who, without hesitation or reservation, kindly agreed to sign on to the committee at T.V.’s request, and who very quickly put me on to a piece of theory that would became one of the analytical cornerstones of this work and my thinking about it.
  • 2021-Brisbane-Reclink-Community

    2021-Brisbane-Reclink-Community

    2021 BRISBANE RECLINK COMMUNIT Y CUP A VERY BIG T HANK YOU TO... Our sponsors Gage Roads Brew Co., MEAA, 4ZZZ, 12.00PM Netherworld, Meat at Billy’s, and Inspire Health Services. Our supporters Red Octopus, Viking Rentals, Tivoli, T HE DOUBLE HAPPINESS The Princess Theatre, Great Mates Great Gals, Gigawatt, Mr Sparkle, Pepe’s Mexican Restaurant, Airlock Studios, 1.15PM Sonic Sherpa, Steve Minnikin MP, and Minuteman Press Fortitude Valley. WELCOME TO COUNT RY The 2021 Organising Committee: Amy, James, Megan, Grace, Michelle (Miki), Jacqui, Shaz, Stephen (Stocky), Jeremiah, & OFFICIAL OPENING Tamara, and Reclink Australia Regional Manager Chris Dickons. 1.30PM The staff at Reclink HQ (Melbourne). Everton Wolves Junior AFC and Mayne Tigers AFC for the KICK OFF! use of their fields and facilities for training and game day. Moorooka AFC for the use of their facilities for night training. T HE 2021 BRISBANE Goal Umpires: Elize Mwandu & Liam Green. Boundary Umpires: Brendan McMahon & John Muldowney. RECLINK COMMUNIT Y CUP Field Umpires: Bill Smith, Alexis Pink & Jeremiah Stewart. The Bands: The Double Happiness, Melaleuca and Beddy Rays. HALF T IME ENT ERTAINMENT Our MC: Steve “Belly” Bell from Sonic Sherpa Record Store. MELALEUCA The 4ZZZ Outside Broadcast team for the game commentary and live broadcast. Our wonderful volunteers who have helped make the POST-MATCH ENT ERTAINMENT day possible. BEDDY RAYS The ROCKING HORSES and the BRISBANE LINES. To everyone who has attended the game, made a donation, cheered on the teams and supported
  • Kool'zine (The Go-Betweens)

    Kool'zine (The Go-Betweens)

    Hard On For Love 38.776 caracteres alrededor de The Go- Betweens CANCIONES DE AMOR. irresponsabilidad. Todas esas cosas vienen de en - tonces; sería bonito recuperarlo, pero son otros í. Lo sé. Cuadrar al toro más lidia - tiempos…Para mi, son ideas falsas ahora. do de la música popular adolescen - Todavía creo que hay un millón de buenas razo - Ste. Conseguir que se le ericen los nes para la rebeldía…pero la gente lo esta ha - pelillos de la nuca a la puta más revisita - ciendo a partir de un esquema que existió en los da en cinco décadas de cultura musical ‘50, y la primera mitad de los ‘60. De ahí toda juvenil. Hacer CANCIONES. Punto. esa retorica y esos estúpidos sueños que la gente El Tópico entre los Tópicos, y a la vez su sigue a pesar de que están caducos desde hace propia razón de ser. treinta años…Lo veo como una trampa real, ”La fuerza que me impulsa al componer es una trampa en la que la gente joven cae, a la hacer algo totalmente inspirado y brillante, cap - que se adapta .” (RF, 2)– , y no es difícil com - turar mi vida en una canción... realmente me prender su condición de cronistas privile - gustaría escribir una canción como ‘Young Girls giados de los mil y un recorridos de la pa - Are Coming To The Canyon’ de Mamas and sión; una pasión que en un tiempo de una Papas: me gustaría escribir una realmente real - austeridad emocional espartana, obliga mente buena canción pop de tres acordes. Eso es -ineludiblemente, a cada segundo- a luchar en lo que pienso en este momento” (RF, 2).
  • The Sound of Ruins: Sigur Rós' Heima and the Post

    The Sound of Ruins: Sigur Rós' Heima and the Post

    CURRENT ISSUE ARCHIVE ABOUT EDITORIAL BOARD ADVISORY BOARD CALL FOR PAPERS SUBMISSION GUIDELINES CONTACT Share This Article The Sound of Ruins: Sigur Rós’ Heima and the Post-Rock Elegy for Place ABOUT INTERFERENCE View As PDF By Lawson Fletcher Interference is a biannual online journal in association w ith the Graduate School of Creative Arts and Media (Gradcam). It is an open access forum on the role of sound in Abstract cultural practices, providing a trans- disciplinary platform for the presentation of research and practice in areas such as Amongst the ways in which it maps out the geographical imagination of place, music plays a unique acoustic ecology, sensory anthropology, role in the formation and reformation of spatial memories, connecting to and reviving alternative sonic arts, musicology, technology studies times and places latent within a particular environment. Post-rock epitomises this: understood as a and philosophy. The journal seeks to balance kind of negative space, the genre acts as an elegy for and symbolic reconstruction of the spatial its content betw een scholarly w riting, erasures of late capitalism. After outlining how post-rock’s accommodation of urban atmosphere accounts of creative practice, and an active into its sonic textures enables an ‘auditory drift’ that orients listeners to the city’s fragments, the engagement w ith current research topics in article’s first case study considers how formative Canadian post-rock acts develop this concrete audio culture. [ More ] practice into the musical staging of urban ruin. Turning to Sigur Rós, the article challenges the assumption that this Icelandic quartet’s music simply evokes the untouched natural beauty of their CALL FOR PAPERS homeland, through a critical reading of the 2007 tour documentary Heima.
  • A Study of British Migration to Western Australia in the 1960S, with Special Emphasis on Those Who Travelled on the SS Castel Felice

    A Study of British Migration to Western Australia in the 1960S, with Special Emphasis on Those Who Travelled on the SS Castel Felice

    University of Notre Dame Australia ResearchOnline@ND Theses 2007 From Dream to Reality: A study of British migration to Western Australia in the 1960s, with special emphasis on those who travelled on the SS Castel Felice Hilda June Caunt University of Notre Dame Australia Follow this and additional works at: http://researchonline.nd.edu.au/theses Part of the Arts and Humanities Commons COMMONWEALTH OF AUSTRALIA Copyright Regulations 1969 WARNING The am terial in this communication may be subject to copyright under the Act. Any further copying or communication of this material by you may be the subject of copyright protection under the Act. Do not remove this notice. Publication Details Caunt, H. J. (2007). From Dream to Reality: A study of British migration to Western Australia in the 1960s, with special emphasis on those who travelled on the SS Castel Felice (Master of Arts (MA)). University of Notre Dame Australia. http://researchonline.nd.edu.au/theses/34 This dissertation/thesis is brought to you by ResearchOnline@ND. It has been accepted for inclusion in Theses by an authorized administrator of ResearchOnline@ND. For more information, please contact [email protected]. Chapter Five ‘‘‘It‘It was even better than they advertisedadvertised’’’’ Settling in to life in Western Australia In such promotional material distributed in Britain as ‘Australia invites you’, prospective migrants were promised a ‘British way of life’ in Australia, social security, a healthy lifestyle, and, indeed a better standard of living ‘among the highest in the world’.1 Immigration propaganda was certainly persuasive; so much so that Knightley suggests the Australian government offered bribes to the British immigrants.2 But the promise of a better life looked for many, on arrival, to be unattainable.
  • Phonographic Performance Company of Australia Limited Control of Music on Hold and Public Performance Rights Schedule 2

    Phonographic Performance Company of Australia Limited Control of Music on Hold and Public Performance Rights Schedule 2

    PHONOGRAPHIC PERFORMANCE COMPANY OF AUSTRALIA LIMITED CONTROL OF MUSIC ON HOLD AND PUBLIC PERFORMANCE RIGHTS SCHEDULE 2 001 (SoundExchange) (SME US Latin) Make Money Records (The 10049735 Canada Inc. (The Orchard) 100% (BMG Rights Management (Australia) Orchard) 10049735 Canada Inc. (The Orchard) (SME US Latin) Music VIP Entertainment Inc. Pty Ltd) 10065544 Canada Inc. (The Orchard) 441 (SoundExchange) 2. (The Orchard) (SME US Latin) NRE Inc. (The Orchard) 100m Records (PPL) 777 (PPL) (SME US Latin) Ozner Entertainment Inc (The 100M Records (PPL) 786 (PPL) Orchard) 100mg Music (PPL) 1991 (Defensive Music Ltd) (SME US Latin) Regio Mex Music LLC (The 101 Production Music (101 Music Pty Ltd) 1991 (Lime Blue Music Limited) Orchard) 101 Records (PPL) !Handzup! Network (The Orchard) (SME US Latin) RVMK Records LLC (The Orchard) 104 Records (PPL) !K7 Records (!K7 Music GmbH) (SME US Latin) Up To Date Entertainment (The 10410Records (PPL) !K7 Records (PPL) Orchard) 106 Records (PPL) "12"" Monkeys" (Rights' Up SPRL) (SME US Latin) Vicktory Music Group (The 107 Records (PPL) $Profit Dolla$ Records,LLC. (PPL) Orchard) (SME US Latin) VP Records - New Masters 107 Records (SoundExchange) $treet Monopoly (SoundExchange) (The Orchard) 108 Pics llc. (SoundExchange) (Angel) 2 Publishing Company LCC (SME US Latin) VP Records Corp. (The 1080 Collective (1080 Collective) (SoundExchange) Orchard) (APC) (Apparel Music Classics) (PPL) (SZR) Music (The Orchard) 10am Records (PPL) (APD) (Apparel Music Digital) (PPL) (SZR) Music (PPL) 10Birds (SoundExchange) (APF) (Apparel Music Flash) (PPL) (The) Vinyl Stone (SoundExchange) 10E Records (PPL) (APL) (Apparel Music Ltd) (PPL) **** artistes (PPL) 10Man Productions (PPL) (ASCI) (SoundExchange) *Cutz (SoundExchange) 10T Records (SoundExchange) (Essential) Blay Vision (The Orchard) .DotBleep (SoundExchange) 10th Legion Records (The Orchard) (EV3) Evolution 3 Ent.
  • 16 Lovers Lane Was Just One of Those Defining Moments in My Education

    16 Lovers Lane Was Just One of Those Defining Moments in My Education

    Amanda Brown - perform the album in full, as well as some b-sides and classic favourites such as Cattle and Cane. To bring this much-loved collection of songs to life, the band is completed by Dan Kelly, Danny Widdicombe and Luke Peacock, plus an all-star line-up of guest vocalists including Jen Cloher, Alex Gow, Dave Graney, Laura Jean, Paul Kelly, Clare Moore, Rob Snarski, and Romy Vager. Melbourne Festival Artistic Director Jonathan Holloway said: ‘The great thing about coming to Australia from Europe is you actually have to learn everything there is to know about Australiana and 16 Lovers Lane was just one of those defining moments in my education. To hear it recreated by original Go-Betweens members and some of Melbourne’s greatest musicians of today will be something you won’t want to miss.’ ‘One of the most literary albums ever made by an Australian band. Pull apart any of the lyrics and you have lines that could stand alone as poetry.’ -The Guardian ‘People still love these timeless songs and fully appreciate their importance to our cultural fabric.’ - The Music AUSTRALIA // MUSIC 16 LOVERS LANE Lindy Morrison, Amanda Brown, John Willsteed and special guests Arts Centre Melbourne, State Theatre A band whose legacy is proving timeless, Brisbane’s The Sat 6 Oct Go-Betweens created songs that formed a meaningful 8pm backdrop to many Australian lives. $39 - $79 Their 1988 release 16 Lovers Lane is recognised as one of festival.melbourne the finest Australian albums of all time and has a devoted Arts Centre Melbourne 1300 182 183 international following.