DOCSLIB.ORG

Southern Celts

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Southern Celts 2015 Southern Celts AN INVESTIGATION OF HOW PEOPLE WITH A CELTIC/GAELIC BACKGROUND LIVE OUT THEIR TRADITIONS IN AOTEAROA NEW ZEALAND CELINE PATRICIA KEARNEY Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy College of Education Victoria University Melbourne, Australia 21 November 2015 Abstract Southern Celts, a practise-led narrative inquiry (Arnold, 2007; Gray, 1997; Stewart, 2001), explores how people with Scottish and Irish backgrounds live out their cultural connections to the northern hemisphere homelands, while living in Aotearoa New Zealand. Using narrative as method and text (Clandinin, 2007; Clandinin & Connelly, 2000; De Fina & Georgakopoulou, 2012; Reissman, 2008), the inquiry combines journalistic (Jeppesen & Hansen, 2011), autoethnographic (Bochner & Riggs, 2014; Chang, 2008; Ellis & Bochner, 2000; Holman-Jones, Adams & Ellis, 2013), and arts- based methods (Butler-Kisber, 2010; Chilton & Leavy, 2014; Leavy, 2009), with ethnographic and phenomenological insights (Maddison, 2008; Tedlock, 2000; Van Manen, 1990) to represent 25 of 40 interviews in an artefact, a book of interview narratives, intended to engage and inform a wide audience of general readers. These “lived and told stories” (Pinnegar & Danes, 2007) are situated in a visual metaphor from traditional Celtic art, that of spirals which envisage life moving across time and place. This movement is paralleled in the exegesis by the use of Clandinin and Connelly’s (2000) three frames of narrative inquiry: time (past, present and future), place, and the intersection of the personal and the social, to view the narratives which record the lives of individuals, multi-generational families, communities geographic and cultural, past and present, and illustrate the discursive construction of culture/s and identity/ies (Fong & Chang, 2004; Norton, 1995, 2000, 2010; Weedon 1997, 2004). Much already published work which explores the lives of the Scottish and Irish in New Zealand does so through the major lens of ethnicity, and uses a range of sources that offer insider and outsider perspectives, (Akenson 1990, 2000; Brooking & Coleman, 2003; Brooking & McAloon, 2013; Bueltmann, 2011; Fraser, 2000; McCarthy, 2007, 2011; Paterson,). In contrast, Southern Celts’ narratives offer “insider” perspectives which allow readers opportunity to read with rather than about the narrative (Bochner & Riggs, 2014) and to bring their own experience to the engagement (Benson, 2013; Clandinin & Connelly, 2000; Reissman, 2008). That process is intended to enable readers to put themselves in the place of the narrators and so to gain insights into the social and political factors which have shaped and continue to shape individuals and communities in Aotearoa New Zealand (Liu, Creanor, MacIntosh, & Teaiwa, 2005): ii insights which may offer possibilities for living into a more equitable future in Aotearoa. Informed by postmodern and poststructural theoretical understandings, I, the researcher, writer, and a Southern Celt of Irish background, am situated in the same three dimensional inquiry space as other narrators (Clandinin & Connelly 2000). Thus my own story is visible in the artefact and in the exegesis where it becomes “situated academic narrative” (Arnold, 2011). Using Writing as Method (Richardson & St Pierre, 2005; Richardson, 2000) the inquiry process becomes a site of identity formation. The exegesis explores issues that are integral to narrative, including memory (Mishler, 2006, Ricoeur, 1981), truth (Bochner, 2012; Muncey, 2010) and voice (Chase, 2005, 2011), while discussion of cultural memory (Frawley 2011, 2012) places this inquiry as part of wider diaspora writings. The exegesis attempts as well to assess what the artefact might offer readers using four criteria: substantive contribution, aesthetic merit, reflexivity and impact (Richardson & Pierre 2005; Richardson 2000). It acknowledges that readers, both general and academic, will be final arbiters of this. This document is ordered so that the artefact appears first, then the exegesis. It is suggested they are read in this order. iii Doctor of Philosophy Declaration iv Acknowledgements I acknowledge Swinburne and Victoria Universities for the scholarship that has allowed me to engage in this inquiry. Warmest thanks and appreciation to my supervisors, Dr Martin Andrew and Professor Josie Arnold, whose skill, patience and generosity created and held the space for me to achieve more than I could ever have dreamed. My life is immeasurably enriched through your skills and experience. My deep appreciation to my partner Andy, who found books for me, listened and discussed ideas for these five years, and attended to domestic issues when I had no mind for them. Also for driving through the Southern Alps with me to the South Island’s West Coast, to do interviews. My thanks to Dr Pamela Gerrish Nunn, who directed me back to my own ideas. My thanks to my interviewees who generously shared their experience and understanding which are the heart of this inquiry. Thanks to Anna Rogers for an earlier edit of the artefact. My gratitude to Dr Rachel Le Rossignol for her meticulous attention to detail and sensitive handling of both these texts. She professionally copy edited this thesis according to the Australian Standards for Editing Practice. Finally, my appreciation to my extended family who assisted me in any way they could, including the quiet presences and strength of those beyond the veil of this physical world, who have been my companions throughout this endeavour. v Table of Contents Abstract ............................................................................................................................. ii Doctor of Philosophy Declaration ............................................................................... iv Acknowledgements ....................................................................................................... v Table of Contents ............................................................................................................ vi Southern Celts: The Artefact .......................................................................................... 11 Introduction .................................................................................................................... 11 The Celts and the Gaels .............................................................................................. 23 The Scots and Irish in New Zealand ........................................................................... 24 Interviewees and interviews ........................................................................................ 27 Interviews ....................................................................................................................... 29 Doing Business ........................................................................................................... 29 Ann Corry, kiltmaker, Helean Kilts........................................................................ 29 Fraser Milne, owner/director of Whisky Galore .................................................... 36 Speaking Gaelic .......................................................................................................... 46 Evelyn Entwhistle, Scots Gaelic teacher ................................................................ 46 Michael Godfrey, Scots Gaelic teacher .................................................................. 50 Performing Arts: Music and Singing ......................................................................... 60 Marianne Hepple, Uilleann pipe player .................................................................. 60 Evey McAuliffe, singer .......................................................................................... 66 Bain McGregor, Highland piper ............................................................................. 72 Writing the Stories ...................................................................................................... 79 Keri Hulme, writer .................................................................................................. 79 Michael O’Leary, publisher, novelist ..................................................................... 86 Bernadette Hall, poet .............................................................................................. 93 Laura Mills, journalist .......................................................................................... 106 vi Showing the Pictures ................................................................................................ 112 Kathleen Gallagher, writer and film maker .......................................................... 112 Malcolm Adams, master carver ............................................................................ 120 Denis O’Connor, sculptor, visual artist ................................................................ 125 Spirituality and Religion ........................................................................................... 138 John Hunt, Presbyterian minister ......................................................................... 138 Ann Dooley, religious studies teacher .................................................................. 145 Playing sport ............................................................................................................. 150 Charlie Dunn, boxer ............................................................................................
Load more

Recommended publications
  • This Action Thriller Futuristic Historic Romantic Black Comedy Will Redefine Cinema As We Know It
    ..... this action thriller futuristic historic romantic black comedy will redefine cinema as we know it ..... XX 200-6 KODAK X GOLD 200-6 OO 200-6 KODAK O 1 2 GOLD 200-6 science-fiction (The Quiet Earth) while because he's produced some of the Meet the Feebles, while Philip Ivey composer for both action (Pitch Black, but the leading lady for this film, to Temuera Morrison, Robbie Magasiva, graduated from standing-in for Xena beaches or Wellywood's close DIRECTOR also spending time working on sequels best films to come out of this country, COSTUME (Out of the Blue, No. 2) is just Daredevil) and drama (The Basketball give it a certain edginess, has to be Alan Dale, and Rena Owen, with Lucy to stunt-doubling for Kill Bill's The proximity to green and blue screens, Twenty years ago, this would have (Fortress 2, Under Siege 2) in but because he's so damn brilliant. Trelise Cooper, Karen Walker and beginning to carve out a career as a Diaries, Strange Days). His almost 90 Kerry Fox, who starred in Shallow Grave Lawless, the late great Kevin Smith Bride, even scoring a speaking role in but there really is no doubt that the been an extremely short list. This Hollywood. But his CV pales in The Lovely Bones? Once PJ's finished Denise L'Estrange-Corbet might production designer after working as credits, dating back to 1989 chiller with Ewan McGregor and will next be and Nathaniel Lees as playing- Quentin Tarantino's Death Proof. South Island's mix of mountains, vast comes down to what kind of film you comparison to Donaldson who has with them, they'll be bloody gorgeous! dominate the catwalks, but with an art director on The Lord of the Dead Calm, make him the go-to guy seen in New Zealand thriller The against-type baddies.
    [Show full text]
  • The Cambridge Companion to Modern Irish Culture Edited by Joe Cleary, Claire Connolly Index More Information
    Cambridge University Press 978-0-521-52629-6 — The Cambridge Companion to Modern Irish Culture Edited by Joe Cleary, Claire Connolly Index More Information Index Aalto, Alvar, 286, 295–6 Daniel O’Connell’s strategy, 30 Abbey Theatre, 326–31 Politics and Society in Ireland, 1832–1885, see also Deevey, Teresa; Dublin Trilogy by 29–30 Sean O’Casey; Yeats, W. B. flexibility of Gladstone’s politics, 32–3 Casadh an tSug´ ain´ , 327, 328 implications of Home Rule, and colonial administration, 329 32–3 Lionel Pilkington’s observations on, W. E. Vaughan on advanced reforms 329 and, 31–2 The Shewing Up of Blanco Posnet, 329 relation to Belfast Agreement, 39–40 Gabriel Fallon’s comments on tradition Act of Union between Great Britain and Ireland, of, 332–3 The, 310 George Russell on creation of medieval administration, colonial. See colonial theatre, 327–8 administration and theatre new building for by Michael Scott, 333 Adorno, Theodor, 168 Playboy of the Western World, 328–9 affiliation, religious, see power and religious as state theatre, 329–31 affiliation Thompson in Tir-na-nOg´ ,328 Agreement, Belfast. See Belfast Agreement Abhrain´ Gradh´ Chuige´ Chonnacht. See Love-Songs Agreement, Good Friday, 199–200 of Connacht All Souls’ Day,221 abortion alternative enlightenment, 5–6 Hush-a-Bye-Baby,217–18 America, United States of. See race, ethnicity, The Kerry Babies’ case, 218 nationalism and assimilation About Adam,221–2 Amhran´ na Leabhar,272 Absentee, The,255 Amongst Women,263 assimilation, cultural, 49 An Beal´ Bocht, 250 Academy, Royal Hibernian,
    [Show full text]
  • SEPTEMBER 2005 Cataloguing It
    Oral history news Elayne retires from MOTAT Elayne Robertson worked with great NOHANZ enthusiasm at MOTAT in various Newsletter roles from 2001 to 2005. She found her metier in the Walsh Memorial Library and worked with the tenacity Volume 19, number 3 of a bloodhound researching the MOTAT photograph collection and SEPTEMBER 2005 cataloguing it. But really Elayne’s lasting achievement was the establishment EXECUTIVE COMMITTEE of the MOTAT Oral History section. In 2002 the new MOTAT Director, President: Jeremy Hubbard, took advice from Lesley Hall the existing staff and volunteers and approached Elayne. Executive Committee: Emma Dewson His faith was very well rewarded Linda Evans when Elayne immediately drew up Gillian Headifen equipment lists, plans, and budgets. Megan Hutching She recruited volunteers to carry out Alison Laurie interviews and brought all the Rachel Morley resources together, organised Rachael Selby training for us in interview Anne Thorpe techniques, machine operation and project planning. She was a model of Distance members of committee: how to do things and was unflagging Mary Donald (Auckland) in her energy which even extended Anna Green (Auckland) to assisting with organising the 2003 Marie Burgess (Gisborne) NOHANZ conference in Auckland. Ruth Greenaway (Christchurch) She and Ian gave many, many hours Jacqui Foley (Oamaru) of their weekends to the hard work Helen Frizzell (Dunedin) of copying and time coding, liaising with Alexander Turnbull Library and monitoring the output of the www.oralhistory.org.nz interviews as well as arranging and training staff. So it was with great sadness that we allowed Elayne to resign from the Newsletter: We seek news and Walsh Memorial Library and the Oral views from around the country about History Section.
    [Show full text]
  • Singapore Campus a Coup for Massey
    MasseyAuckland • Palmerston North • Wellington • Extramural News26 Haratua, May 2008 Issue 7 Rare kakariki take fl ight in new home Page 3 Future leader’s march with recent graduates during the procession following the ceremony to honour Mäori graduates. Graduation Palmerston North Writers’ Read in the capital Celebrating the collaboration with Singapore Polytechnic are, from left: Acting Vice-Chancellor Professor Ian Warrington, Principal of Singapore Polytechnic Page 6 Tan Hang Cheong, New Zealand High Commissioner to Singapore Martin Harvey, Senior Minister of State Lui and Dr Thomas Chai. On the table is a drink developed by Singapore Polytechnic and some Zespri gold and green kiwifruit. Singapore campus a coup for Massey A unique collaboration between Massey University and Education, Rear-Admiral Lui Tuck Yew, speaking at the Singapore Polytechnic will see the University’s fi rst offshore launch, said the collaboration was a strategic and timely campus developed. The venture, launched in Singapore last move given the value of the food and beverage industry in week, allows top polytechnic students to complete the fi nal Singapore reaching $SG17.6 billion ($NZ16.6 billion). two years of a Bachelor in Food Technology through Massey “Massey University’s Food Technology Institute is papers offered in Singapore. ranked among the top fi ve in the world,” Mr Yew said. “The To have the University’s food technology honours degree ministry has done a lot of groundwork and comparative selected from would-be providers all around the world is a studies before granting this degree tie-up and I am Graduation Wellington signifi cant achievement, Head of the Institute of Food Nutrition confi dent the programme will be of very high quality and and Palmerston North and Human Health Professor Richard Archer says.
    [Show full text]
  • Introduction to Baking and Pastries Chef Tammy Rink with William R
    Introduction to Baking and Pastries Chef Tammy Rink With William R. Thibodeaux PH.D. ii | Introduction to Baking and Pastries Introduction to Baking and Pastries | iii Introduction to Baking and Pastries Chef Tammy Rink With William R. Thibodeaux PH.D. iv | Introduction to Baking and Pastries Introduction to Baking and Pastries | v Contents Preface: ix Introduction to Baking and Pastries Topic 1: Baking and Pastry Equipment Topic 2: Dry Ingredients 13 Topic 3: Quick Breads 23 Topic 4: Yeast Doughs 27 Topic 5: Pastry Doughs 33 Topic 6: Custards 37 Topic 7: Cake & Buttercreams 41 Topic 8: Pie Doughs & Ice Cream 49 Topic 9: Mousses, Bavarians and Soufflés 53 Topic 10: Cookies 56 Notes: 57 Glossary: 59 Appendix: 79 Kitchen Weights & Measures 81 Measurement and conversion charts 83 Cake Terms – Icing, decorating, accessories 85 Professional Associations 89 vi | Introduction to Baking and Pastries Introduction to Baking and Pastries | vii Limit of Liability/disclaimer of warranty and Safety: The user is expressly advised to consider and use all safety precautions described in this book or that might be indicated by undertaking the activities described in this book. Common sense must also be used to avoid all potential hazards and, in particular, to take relevant safety precautions concerning likely or known hazards involving food preparation, or in the use of the procedures described in this book. In addition, while many rules and safety precautions have been noted throughout the book, users should always have adult supervision and assistance when working in a kitchen or lab. Any use of or reliance upon this book is at the user's own risk.
    [Show full text]
  • Nz Film Productions, 1990-2016
    NZ FILM PRODUCTIONS, 1990-2016 PRODUCTION TITLE PRODUCERS SCRIPT DIRECTOR DOP PROD. DESIGNER COSTUME DESIGNER EDITOR SOUND DESIGNER 43,000 FEET * Feature 2012 Amber Easby Matt Harris Campbell Hooper Andrew Stroud Campbell Hooper Bruce Langley Heather Lee 800 WORDS * Teleseries 2015-2016 Chris Bailey James Griffin Mike Smith Fred Renata Gary Mackay Sarah Aldridge Eric De Beus John Holmes Maxine Fleming Pino Amenta Dave Garbett Greg Allison Paul Sutorius Kelly Martin Timothy Balme Michael Hurst Gary Hunt Julie McGauran Kate McDermott Murray Keane Chris Hampson Natalie Medlock Sarah-Kate Lynch 50 WAYS OF SAYING FABULOUS * Michele Fantl Stewart Main Stewart Main Simon Raby Ken Turner Kirsty Cameron Peter Roberts Peter Scholes Feature 2005 6 DAYS * Feauture 2016 Matthew Metcalfe Glenn Standring Toa Fraser Aaron Morton Liz McGregor Dan Kircher 7 DAYS * Teleseries 2009 Jon Bridges Josh Samuels Nigel Carpenter Luke Thompson Jason Pengelly A SONG OF GOOD * Feature 2008 Mark Foster Gregory King Gregory King Virginia Loane Ashley Turner Natalija Kucija Jonathan Venz ABANDONED * Telemovie 2014 Liz DiFiore Stephanie Johnson John Laing Grant McKinnon Roger Guise Jaindra Watson Margot Francis Mark Messenger ABERRATION * Feature 1997 Chris Brown Darrin Oura Tim Boxell Allen Guilford Grant Major Chris Elliott John Gilbert David Donaldson ABIOGENESIS * Feature 2012 Richard Mans Michelle Child AFTER THE WATERFALL * Feature Trevor Haysom Simone Horrocks Simone Horrocks Jac Fitzgerald Andy McLaren Kirsty Cameron Cushia Dillon Dick Reade 2010 ALEX * Feature
    [Show full text]
  • Māori and Aboriginal Women in the Public Eye
    MĀORI AND ABORIGINAL WOMEN IN THE PUBLIC EYE REPRESENTING DIFFERENCE, 1950–2000 MĀORI AND ABORIGINAL WOMEN IN THE PUBLIC EYE REPRESENTING DIFFERENCE, 1950–2000 KAREN FOX THE AUSTRALIAN NATIONAL UNIVERSITY E PRESS E PRESS Published by ANU E Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] This title is also available online at http://epress.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Author: Fox, Karen. Title: Māori and Aboriginal women in the public eye : representing difference, 1950-2000 / Karen Fox. ISBN: 9781921862618 (pbk.) 9781921862625 (ebook) Notes: Includes bibliographical references and index. Subjects: Women, Māori--New Zealand--History. Women, Aboriginal Australian--Australia--History. Women, Māori--New Zealand--Social conditions. Women, Aboriginal Australian--Australia--Social conditions. Indigenous women--New Zealand--Public opinion. Indigenous women--Australia--Public opinion. Women in popular culture--New Zealand. Women in popular culture--Australia. Indigenous peoples in popular culture--New Zealand. Indigenous peoples in popular culture--Australia. Dewey Number: 305.4880099442 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover image: ‘Maori guide Rangi at Whakarewarewa, New Zealand, 1935’, PIC/8725/635 LOC Album 1056/D. National Library of Australia, Canberra. Cover design and layout by ANU E Press Printed by Griffin Press This edition © 2011 ANU E Press Contents Acknowledgements . vii Abbreviations . ix Illustrations . xi Glossary of Māori Words . xiii Note on Usage . xv Introduction . 1 Chapter One .
    [Show full text]
  • Facing the Future in Migration's Past
    Double Time: Facing The Future in Migration’s Past Derek Duncan By picturing our wishes as fulfilled, dreams are after all leading us into the future. But this future, which the dreamer pictures as the present, has been moulded by his indestructible wish into a perfect likeness of the past. --Sigmund Freud, Interpretation of Dreams Trauma is not necessarily a single event, but a series of events that affects the imaginary and the symbolic. --Maureen Turim, Flashbacks in Film In La mia casa è dove sono, Igiaba Scego explores the imaginary and real geographies of memory and belonging as she maps the contours of her identity as an Italian woman of Somali origin. Scego paints a vivid picture of her native city’s new materiality: “Una Roma dove la globalizzazione si è fatta carne” (2010, 157). She recounts the astonishment of her brother on his first visit from England when he sees a group of Italian boys playing cricket with some Sri Lankan friends. Scego is quite happy with the new diversity reflecting that “[l]e mazze di cricket e i sari non sono altro che i segni di un futuro che non solo verrà, ma che è già qui da discreto tempo” (157). In the gendered symbolism of the cricket bats and the saris, Scego foresees a multicultural future that has already become past. In a gesture that is characteristic of many attempts to envisage what the nation will become, she then immediately returns to more distant times: “Qui ci sono passati tutti, arabi, normanni, francesi, austriaci. C’è passato Annibale, condottiero africano, con i suoi elefanti” (157-58), a historical fact, she reminds the reader, recalled relatively recently by the Neapolitan hip-hop band Almamegretta.
    [Show full text]
  • September 1984
    1ST, POLL EM ICK, SET VIEW S & FEMINIST FANNY l f I I SONJA DAVIES LIBRARY - AUCK! AND FIVE OTHERS DISK* LECTION m BULLSHIT, GERMAINE! HE FULL ALKON ISASTER \ 0 \<r* / $ ? * \ o v y / / < Ov PA? ^s . /^ V '^<$r} v4& O ‘W j r ■ ey *p* . • ^ V V W -<V / dr gr *sr < / v ,<>• ^ »* / ^v° ^ *%voS^<l?V^«nr.Np A>N <* ■■ 7 ✓ V* A\°. <<y g& • • > v / oi ;<S ^ A* &>fif & ► s^e> i V \\ <^y>'>‘ ■& ■■* X / \<^ A»* s^> c$>> ' xPi V«p* ^o /0 ^o^ v \A V ..■ ■ V,- A' A v«> <4A \^ ,■•' , < V > ' . S J * A A j >\ o^v>«w'AcW -^>V° ^ ^ ^ ^^ V > V 0 ^ V ) V q oV *1 ^ *^ *< #w # ^ ° v^ ,s > V vX- • # «P ^ CONTENTS f u t u h s COMMENT ON THE ELECTION and the new women MPs THE FULL DALKON SHIELD DISASTER from Phillida Bunkle jiEX AND DESTINY or Bullshit, Germaine! TEAMWORK Maori and Pacific Island Netball FEMINIST FANNY Broadsheet's Own Agony Column OUR PUBLIC FACE The Media on Homosexuality and Rape ARTS DOESNT ANYONE REALLY LISTEN A poem by Gillian Edwin REVIEWS Narratives of Women: The Auckland Film Festival/ Shona Boys: Painting-ConstructionT An A ngel at my Table/The Price of Salt/Daughters of a Coral Dawn/The Clever Princess/ Desire: The Politics of Sexuality/The Sexual Dynamics of History/Top Girls REGULARS LETTERS and Fronting Up POLL EMICK and SET VIEWS BEHjND THE NEWS Beyond ANZUS/Australian Feminist Visions/Hell-Hole-Cum-Haven: Housing Evictions in Tauranga/Robin Morgan To Visit/Stanley Roche SISTERS INTELLIGENCE SERVICE Wet T-Shirts in Tauranga/ Singing For Peace in Napier/Rape Hui at Hangarau Marae HIT LIST COMMENT Val Upton on Women and Punitive Welfare WHAT'S NEW? ON THE SHELF Bookshop Advertisement HOGWASH CORRECTION: CLASSIFIED Advertisements BROADSHEET’S COVER Sonja Davies PHONE NUMBER byG im an!yCE Netballers on the Windmil1 Road Courts, Mt Eden, during June/July 1984 photographed IS 794 751 THE BROADSHEET COLLECTIVE Sarah Calvert, Sandra Coney, Lyn Crossley, Bernadette Doolan, Sandi nail, Heather McLeish, Claire-Louise McCurdy, Diane Quin, Jenny Rankine and Renee.
    [Show full text]
  • ND to Mntinue Need-B6nd Admissions Guzman
    THE The Independent Newspaper Serving Notre Dame and Saint Mary's OLUME 43: ISSUE 53 FRIDAY, NOVEMBER 14,2008 NDSMCOBSERVER.COM ND to mntinue need-b6nd admissions Guzman As economy worsens, University financial aid office says policies will remain the same discusses United States in "typical Notre ByJENN METZ Dame fashion," Joseph Russo, ~ li'Jk!J (fXil[} ~ News Editor Director of Student Financial Pinochet Strategies in the Office of 7Jfiljjj~ With the stock market down, Student Financial Services told college affordability has The Observer. By IRENA ZAJICKOVA become a significant issue for "We're staying steady, News Writer li'!l9ijllfl@ffil (gi@01iji"jj) _- G:;If,J(qj ~@.~@ @}f)il(q) ~fi.,F,)!J'@: families across the country. focused in a positive direction Recent articles in national ... we're typically very deliber­ Juan Guzman, the Chilean newspapers like The New York ate and pretty conservative," judge famous for indicting dic­ 200/- $35,190 $9,290 $44,480 Times have examined the state he said. "In terms of our tator Augusto Pinochet, dis­ 2001:1 of financial aid and the feasi­ finances, we're one of the most cussed the human rights vio­ bility of a need-blind admis­ stable institutions in higher lated during Pinochet's dicta­ sions process in today's econo­ education." torship and how some human 2001:1- 4.9% lnccdasa 2009 my. Russo said he agrees with rights continue to be violated The University of Notre representatives from other col­ in Chile, at the Hesburgh Dame will remain committed leges and universities who say Center Thursday.
    [Show full text]
  • Downloaded from Downloaded on 2020-06-06T01:34:25Z Ollscoil Na Héireann, Corcaigh
    UCC Library and UCC researchers have made this item openly available. Please let us know how this has helped you. Thanks! Title A cultural history of The Great Book of Ireland – Leabhar Mór na hÉireann Author(s) Lawlor, James Publication date 2020-02-01 Original citation Lawlor, J. 2020. A cultural history of The Great Book of Ireland – Leabhar Mór na hÉireann. PhD Thesis, University College Cork. Type of publication Doctoral thesis Rights © 2020, James Lawlor. https://creativecommons.org/licenses/by-nc-nd/4.0/ Item downloaded http://hdl.handle.net/10468/10128 from Downloaded on 2020-06-06T01:34:25Z Ollscoil na hÉireann, Corcaigh National University of Ireland, Cork A Cultural History of The Great Book of Ireland – Leabhar Mór na hÉireann Thesis presented by James Lawlor, BA, MA Thesis submitted for the Degree of Doctor of Philosophy University College Cork The School of English Head of School: Prof. Lee Jenkins Supervisors: Prof. Claire Connolly and Prof. Alex Davis. 2020 2 Table of Contents Abstract ............................................................................................................................... 4 Declaration .......................................................................................................................... 5 Acknowledgements ............................................................................................................ 6 List of abbreviations used ................................................................................................... 7 A Note on The Great
    [Show full text]
  • An Chomhairle Ealaíon the Arts Council an Chomhairle Ealaíon the Arts Council
    ANNUAL REPORT 1995 An Chomhairle Ealaíon The Arts Council An Chomhairle Ealaíon The Arts Council ANNUAL REPORT 1995 An Ceathrú Tuarascáil Bhliantúil Daichead maille le Ráitis Airgeadais don bhliain dar chríoch 31 Nollag 1995. Tíocaladh don Rialtas agus leagadh faoi bhráid gach Tí den Oireachtais de bhun Altanna 6 (3) agus 7 (1) den Acht Ealaíon, 1951. Forty-fourth Annual Report and Financial Statements for the year ended 31st December 1995. Presented to the Government and laid before each House of the Oireachtas, pursuant to Sections 6 (3) and 7 (1) of the Arts Act, 1951. ISBN 0 906627 70 2 ISSN 0790-1593 70 Merrion Square, Dublin 2, Ireland Tel: +353 1 661 1840 Callsaver: 1850 392492 Fax: +353 1 676 1302 email: [email protected] http://www.artscouncil.ie COVER ILLUSTRATIONS Top: ‘Ruin hath taught me’, relief printing and etching by Mary Rose O’Neill Bottom Right: ‘Reel Luck and Straight with Curves’, Jim White and Ella Clarke, CoisCéim Dance Theatre (Photo by Kip Carroll) Bottom Left: Jade Cleary enjoying Craft Workshop, part of Summer Fun 1995 in Wexford Library ii ANNUAL REPORT 1995 Contents A N C HOMHAIRLE E ALAI´ ON/THE A RTS C OUNCIL 1 F OREWORD BY C HAIR OF C OUNCIL 5 F INANCE 9 MEMBERSHIP, STAFF-RELATED MATTERS, PUBLICATIONS 15 A OSDA´ NA 19 L ITERATURE 23 Frankfurt Book Fair 31 V ISUAL A RTS AND A RCHITECTURE 35 F ILM 47 D RAMA 51 Theatre Review 57 D ANCE 61 O PERA 65 M USIC 69 M ULTI–DISCIPLINARY A RTS 77 Community Arts And Festivals 83 Arts Centres 85 L OCAL A UTHORITIES AND P ARTNERSHIPS 89 N ORTH-SOUTH C O - OPERATION 93
    [Show full text]