DOCSLIB.ORG

A Critical Historiography of the Irish Short Story

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
A Critical Historiography of the Irish Short Story University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations Dissertations and Theses November 2015 A National Style: A Critical Historiography of the Irish Short Story Andrew Fox University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_2 Part of the Literature in English, British Isles Commons Recommended Citation Fox, Andrew, "A National Style: A Critical Historiography of the Irish Short Story" (2015). Doctoral Dissertations. 461. https://doi.org/10.7275/7393259.0 https://scholarworks.umass.edu/dissertations_2/461 This Open Access Dissertation is brought to you for free and open access by the Dissertations and Theses at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. A National Style: A Critical Historiography of the Irish Short Story A Dissertation Presented by ANDREW FOX Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY September 2015 English © Copyright by Andrew Fox 2015 All Rights Reserved A National Style: A Critical Historiography of the Irish Short Story A Dissertation Presented By ANDREW FOX Approved as to style and content by _________________________________________________ Margaret O’Brien, Chair _________________________________________________ Asha Nadkarni, Member _________________________________________________ Michael Gorra, Member _________________________________________________ Jenny Spencer, Department Head English Department ABSTRACT A NATIONAL STYLE: A CRITICAL HISTORIOGRAPHY OF THE IRISH SHORT STORY SEPTEMBER 2015 ANDREW FOX, B.A., UNIVERSITY COLLEGE DUBLIN M.A., UNIVERSITY COLLEGE DUBLIN M.Phil., TRINITY COLLEGE DUBLIN Ph.D., UNIVERSITY OF MASSACHUSETTS AMHERST Directed by: Professor Margaret O’Brien This dissertation examines the artistic, historical and theoretical concerns that, for the past century, have shaped the Irish short story, the Irish nation and the body of criticism that mediates between the two. In Ireland, I argue, the prevailing critical narrative of the short story’s emergence and ongoing literary purpose has been bound up with the political narrative of the nation state’s decolonization. This process I view as symptomatic of a broader critical tendency to view Irish cultural narratives as inextricable from national ones, whereby literary interventions either are viewed as mere reflections of, or are assimilated to systems of thought preoccupied with, the national question. It is my contention that this overcoding of Irish culture by Irish politics has impoverished contemporary scholarship on the subject of the Irish short story, depriving it of an adequate appreciation of the historically longer and spatially wider cultural milieu in which Irish literary production actually proceeds. What I establish in this dissertation is an image of the Irish short story as a site uniquely sensitive to a variety of historical contingencies and intellectual preoccupations, iv of which decolonizing nationalism is but one. I demonstrate how the form came about internationally, investigate how it functions and evaluate the historical context in which it first emerged in an Ireland bent on decolonization both political and cultural. I then explore the form’s capacity to mount diverse and sometimes vexed interpretations of national culture in a range of short stories from the Irish Literary Revival and counter- revival periods, and critique the role played by adversarial political positions in those stories’ later reception. Finally, I consider the form’s growing preoccupation, alongside the rise of Irish feminist and postmodern scholarships during the latter decades of the twentieth century, with the tensions inherent between national and gender identities. In so doing, I demonstrate the ways in which the short story has been shaped in Ireland not by the unfolding of a single historical narrative but by the ruptures and disruptions of successive historical moments, and suggest how it may have helped in some small way to shape those moments themselves. v TABLE OF CONTENTS Page ABSTRACT.......................................................................................................................iv CHAPTER 1. INTRODUCTION...........................................................................................................1 1.1 General Introduction..........................................................................................1 1.2 Cultural Nationalism..........................................................................................3 1.3 The Short Story and The Lonely Voice...............................................................8 1.4 Irish Studies and the Irish Short Story.............................................................13 2. ORAL NARRATIVES AND TRANSITIONAL TEXTS.............................................19 2.1 Introduction......................................................................................................19 2.2 Oral Traditions and Imagined Communities....................................................19 2.3 Archipelagic Identities.....................................................................................27 2.4 “What is a short story?”...................................................................................38 2.5 Traits and Stories of the Irish Peasantry.........................................................43 3. THE MODERN IRISH SHORT STORY......................................................................54 3.1 Introduction......................................................................................................54 3.2 “Spiritual Nationalism” and “Protestant Magic”.............................................54 3.3 In a Glass Darkly.............................................................................................61 3.4 The Theatre and the Mob.................................................................................67 3.5 Joyce’s Influences............................................................................................71 3.6 Dubliners..........................................................................................................77 4. COUNTER-REVIVALS................................................................................................87 vi 4.1 Introduction......................................................................................................87 4.2 From Free State to Republic: 1923-1949.........................................................88 4.3 A School of Satirists: Flann O’Brien and Liam O’Flaherty............................93 4.4 Lines of Communication: Sean O’Faolain and Frank O’Connor..................106 4.5 Naturalism and Lyricism................................................................................124 4.6 Samuel Beckett: The Last Naturalist.............................................................129 5. FEMINISMS AND POSTMODERNISMS.................................................................139 5.1 Introduction....................................................................................................139 5.2 “The Inscribing of Something Else”: Anti-phallogocentrism........................141 5.3 “And What Will I Say to That?”: Mary Lavin and Edna O’Brien.................145 5.4 The “Troubles”...............................................................................................155 5.5 Troubled Writing and the Proto-post-national...............................................160 5.6 “The Ache of Times Changing”: Field Day and The Portable Virgin..........172 5.7 A “Strangely Distorted Economy”.................................................................179 CONCLUSION................................................................................................................189 BIBLIOGRAPHY............................................................................................................192 vii CHAPTER 1 INTRODUCTION 1.1 General Introduction This dissertation tells a number of different stories at once. Examining the numerous artistic, historical and theoretical concerns that, for the past century, have shaped the Irish short story, the Irish nation and the body of criticism that interprets and mediates between the two, these five chapters privilege the multiple over the singular, the indeterminate over the definite. My aim here is at once to narrate the evolution of an enduringly protean form of literary expression and to reclaim that very proteanism from a diverse range of critical perspectives that each has posited its own fixed and singular conception of Irish culture, legislated for the expression of Irish cultural identity and vied with its combatants for control over the idea of “Irishness.” In the fight for Irish identity, I argue, the short story often has been a potent weapon, but perhaps just as often it has been a battleground: a tool with which Irish writers have mounted their resistance to the status quo, but also a site over which the establishment in various guises has sought continually to exert its influence. In Ireland, as I will show, the prevailing critical narrative of the short story’s emergence, evolution and ongoing literary purpose has been bound up in complicated ways with the political
Load more

Recommended publications
  • Stories from Early Irish History
    1 ^EUNIVERJ//, ^:IOS- =s & oo 30 r>ETRr>p'S LAMENT. A Land of Heroes Stories from Early Irish History BY W. LORCAN O'BYRNE WITH SIX ILLUSTRATIONS BY JOHN E. BACON BLACKIE AND SON LIMITED LONDON GLASGOW AND DUBLIN n.-a INTEODUCTION. Who the authors of these Tales were is unknown. It is generally accepted that what we now possess is the growth of family or tribal histories, which, from being transmitted down, from generation to generation, give us fair accounts of actual events. The Tales that are here given are only a few out of very many hundreds embedded in the vast quantity of Old Gaelic manuscripts hidden away in the libraries of nearly all the countries of Europe, as well as those that are treasured in the Royal Irish Academy and Trinity College, Dublin. An idea of the extent of these manuscripts may be gained by the statement of one, who perhaps had the fullest knowledge of them the late Professor O'Curry, in which he says that the portion of them (so far as they have been examined) relating to His- torical Tales would extend to upwards of 4000 pages of large size. This great mass is nearly all untrans- lated, but all the Tales that are given in this volume have already appeared in English, either in The Publications of the Society for the Preservation of the Irish Language] the poetical versions of The IV A LAND OF HEROES. Foray of Queen Meave, by Aubrey de Vere; Deirdre', by Dr. Robert Joyce; The Lays of the Western Gael, and The Lays of the Red Branch, by Sir Samuel Ferguson; or in the prose collection by Dr.
    [Show full text]
  • Irish History Links
    Irish History topics pulled together by Dan Callaghan NC AOH Historian in 2014 Athenry Castle; http://www.irelandseye.com/aarticles/travel/attractions/castles/Galway/athenry.shtm Brehon Laws of Ireland; http://www.libraryireland.com/Brehon-Laws/Contents.php February 1, in ancient Celtic times, it was the beginning of Spring and later became the feast day for St. Bridget; http://www.chalicecentre.net/imbolc.htm May 1, Begins the Celtic celebration of Beltane, May Day; http://wicca.com/celtic/akasha/beltane.htm. ------------------------------------------------------------------------------------ February 14, 269, St. Valentine, buried in Dublin; http://homepage.eircom.net/~seanjmurphy/irhismys/valentine.htm March 17, 461, St. Patrick dies, many different reports as to the actual date exist; http://www.newadvent.org/cathen/11554a.htm Dec. 7, 521, St. Columcille is born, http://prayerfoundation.org/favoritemonks/favorite_monks_columcille_columba.htm January 23, 540 A.D., St. Ciarán, started Clonmacnoise Monastery; http://www.newadvent.org/cathen/04065a.htm May 16, 578, Feast Day of St. Brendan; http://parish.saintbrendan.org/church/story.php June 9th, 597, St. Columcille, dies at Iona; http://www.irishcultureandcustoms.com/ASaints/Columcille.html Nov. 23, 615, Irish born St. Columbanus dies, www.newadvent.org/cathen/04137a.htm July 8, 689, St. Killian is put to death; http://allsaintsbrookline.org/celtic_saints/killian.html October 13, 1012, Irish Monk and Bishop St. Colman dies; http://www.stcolman.com/ Nov. 14, 1180, first Irish born Bishop of Dublin, St. Laurence O'Toole, dies, www.newadvent.org/cathen/09091b.htm June 7, 1584, Arch Bishop Dermot O'Hurley is hung by the British for being Catholic; http://www.exclassics.com/foxe/dermot.htm 1600 Sept.
    [Show full text]
  • Loughs Carra, Mask and Corrib; Resources, Borders and Passageways
    Loughs Carra, Mask and Corrib; resources, borders and passageways A National Heritage Week 2020 Project by the Joyce Country and Western Lakes Heritage Network Introduction: Loughs Carra, Mask and Corrib are all connected with all their waters draining into the Atlantic Ocean. Their origins lie in the surrounding bedrock and the moving ice that dominated the Irish landscape. Today they are landscape icons, angling paradise and drinking water reservoirs but they have also shaped the communities on their shores. This project, the first of the Joyce Country and Western Lakes Heritage Network, explores the relationships that the people from the local towns and villages have had with these lakes, how they were perceived, how they were used and how they have been embedded in their history. The project consists of a series of short articles on various subjects that were composed by heritage officers of the local community councils and members of the local historical societies. They will dwell on the geological origin of the lakes, evidence of the first people living on their shores, local traditions and historical events and the inspiration that they offered to artists over the years. These articles are collated in this document for online publication on the Joyce Country and Western Lakes Geopark Project website (www.joycecountrygeoparkproject.ie) as well as on the website of the various heritage societies and initiatives of the local communities. Individual articles – some bilingual as a large part of the area is in the Gaeltacht – will be shared over social media on a daily basis for the duration of National Heritage Week.
    [Show full text]
  • Scottish Migration to Ireland
    SCOTTISH MIGRATION TO IRELAND (1565 - 16(7) by r '" M.B.E. PERCEVAL~WELL A thesis submitted to the Faculty of er.duet. Studies and Research In partial fulfillment of the requirements of the Degree of Master of Arts. Department of History, McGIII UnIversity, Montreal. August,1961 • eRgFAcE ------..--- ---------------..--------------..------ .. IN..-g.JCTI()tf------------------..--·----------...----------------..-..- CHAPTER ONE Social and Economic Conditions in UI ster and Scotland..--.... 17 CtMPTER TWO Trade and Its Influence on Mlgratlon-------------------..-- 34 CHAPTER ItREE Tbe First Permanent Foothold---------..-------------------- 49 CHAPTER FOUR Scottish Expansion In Ir.land......-------------..-------......- 71 CHAPTER FIVE Rei 1910n and MIgratlon--------------·------------------------ 91 CHAPTEB SIX The Flnel Recognition of the Scottish Position In I reI and....-------·-----------------------------.....----------..... 107 COffCl,US IQN-..--------------------·---------·--·-----------..------- 121 BIBl,1 ~--------------.-- ....-----------------.-----....-------- 126 - 11 - All populatlons present the historian with certain questions. Their orIgins, the date of their arrival, their reason for coming and fInally, how they came - all demand explanatIon. The population of Ulster today, derived mainly from Scotland, far from proving 8n exception, personifies the problem. So greatly does the population of Ulster differ from the rest of Ireland that barbed wire and road blocks period­ Ically, even now, demark the boundaries between the two. Over three centuries after the Scots arrived, they stili maintain their differences from those who Inhabited Ireland before them. The mein body of these settlers of Scottish descent arrived after 1607. The 'flight of the earls,' when the earls of Tyron. and Tyrconnell fled to the conTinent, left vast areas of land In the hands of the crown. Although schemes for the plantation of U.lster had been mooted before, the dramatic exit of the two earls flnelly aroused the English to action.
    [Show full text]
  • Urban Planning, Irish Modernism, and Dublin
    Notes 1 Urbanizing the Revival: Urban Planning, Irish Modernism, and Dublin 1. Arguably Andrew Thacker betrays a similar underlying assumption when he writes of ‘After the Race’: ‘Despite the characterisation of Doyle as a rather shallow enthusiast for motoring, the excitement of the car’s “rapid motion through space” is clearly associated by Joyce with a European modernity to which he, as a writer, aspired’ (Thacker 115). 2. Wirth-Nesher’s understanding of the city, here, is influenced by that of Georg Simmel, whereby the city, while divesting individuals of a sense of communal belonging, also affords them a degree of personal freedom that is impossible in a smaller community (Wirth-Nesher 163). Due to the lack of anonymity in Joyce’s Dublin, an indicator of its pre-urban or non-urban status, this personal freedom is unavailable to Joyce’s characters. ‘There are almost no strangers’ in Dubliners, she writes, with the exceptions of those in ‘An Encounter’ and ‘Araby’ (164). She then enumerates no less than seven strangers in the collection, arguing however that they are ‘invented through the transformation of the familiar into the strange’ (164). 3. Wirth-Nesher’s assumptions about Dublin’s status as a city are not really necessary to the focus of her analysis, which emphasizes the importance Joyce’s early work places on the ‘indeterminacy of the public and private’ and its effects on the social lives of the characters (166). That she chooses to frame this analysis in terms of Dublin’s ‘exacting the price of city life and in turn offering the constraints of a small town’ (173) reveals forcefully the pervasiveness of this type of reading of Joyce’s Dublin.
    [Show full text]
  • Hugh Macdiarmid and Sorley Maclean: Modern Makars, Men of Letters
    Hugh MacDiarmid and Sorley MacLean: Modern Makars, Men of Letters by Susan Ruth Wilson B.A., University of Toronto, 1986 M.A., University of Victoria, 1994 A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY in the Department of English © Susan Ruth Wilson, 2007 University of Victoria All rights reserved. This dissertation may not be reproduced in whole or in part, by photo-copying or other means, without the permission of the author. ii Supervisory Committee Dr. Iain Higgins_(English)__________________________________________ _ Supervisor Dr. Tom Cleary_(English)____________________________________________ Departmental Member Dr. Eric Miller__(English)__________________________________________ __ Departmental Member Dr. Paul Wood_ (History)________________________________________ ____ Outside Member Dr. Ann Dooley_ (Celtic Studies) __________________________________ External Examiner ABSTRACT This dissertation, Hugh MacDiarmid and Sorley MacLean: Modern Makars, Men of Letters, transcribes and annotates 76 letters (65 hitherto unpublished), between MacDiarmid and MacLean. Four additional letters written by MacDiarmid’s second wife, Valda Grieve, to Sorley MacLean have also been included as they shed further light on the relationship which evolved between the two poets over the course of almost fifty years of friendship. These letters from Valda were archived with the unpublished correspondence from MacDiarmid which the Gaelic poet preserved. The critical introduction to the letters examines the significance of these poets’ literary collaboration in relation to the Scottish Renaissance and the Gaelic Literary Revival in Scotland, both movements following Ezra Pound’s Modernist maxim, “Make it new.” The first chapter, “Forging a Friendship”, situates the development of the men’s relationship in iii terms of each writer’s literary career, MacDiarmid already having achieved fame through his early lyrics and with the 1926 publication of A Drunk Man Looks at the Thistle when they first met.
    [Show full text]
  • Austin Clarke Papers
    Leabharlann Náisiúnta na hÉireann National Library of Ireland Collection List No. 83 Austin Clarke Papers (MSS 38,651-38,708) (Accession no. 5615) Correspondence, drafts of poetry, plays and prose, broadcast scripts, notebooks, press cuttings and miscellanea related to Austin Clarke and Joseph Campbell Compiled by Dr Mary Shine Thompson 2003 TABLE OF CONTENTS Introduction 7 Abbreviations 7 The Papers 7 Austin Clarke 8 I Correspendence 11 I.i Letters to Clarke 12 I.i.1 Names beginning with “A” 12 I.i.1.A General 12 I.i.1.B Abbey Theatre 13 I.i.1.C AE (George Russell) 13 I.i.1.D Andrew Melrose, Publishers 13 I.i.1.E American Irish Foundation 13 I.i.1.F Arena (Periodical) 13 I.i.1.G Ariel (Periodical) 13 I.i.1.H Arts Council of Ireland 14 I.i.2 Names beginning with “B” 14 I.i.2.A General 14 I.i.2.B John Betjeman 15 I.i.2.C Gordon Bottomley 16 I.i.2.D British Broadcasting Corporation 17 I.i.2.E British Council 17 I.i.2.F Hubert and Peggy Butler 17 I.i.3 Names beginning with “C” 17 I.i.3.A General 17 I.i.3.B Cahill and Company 20 I.i.3.C Joseph Campbell 20 I.i.3.D David H. Charles, solicitor 20 I.i.3.E Richard Church 20 I.i.3.F Padraic Colum 21 I.i.3.G Maurice Craig 21 I.i.3.H Curtis Brown, publisher 21 I.i.4 Names beginning with “D” 21 I.i.4.A General 21 I.i.4.B Leslie Daiken 23 I.i.4.C Aodh De Blacam 24 I.i.4.D Decca Record Company 24 I.i.4.E Alan Denson 24 I.i.4.F Dolmen Press 24 I.i.5 Names beginning with “E” 25 I.i.6 Names beginning with “F” 26 I.i.6.A General 26 I.i.6.B Padraic Fallon 28 2 I.i.6.C Robert Farren 28 I.i.6.D Frank Hollings Rare Books 29 I.i.7 Names beginning with “G” 29 I.i.7.A General 29 I.i.7.B George Allen and Unwin 31 I.i.7.C Monk Gibbon 32 I.i.8 Names beginning with “H” 32 I.i.8.A General 32 I.i.8.B Seamus Heaney 35 I.i.8.C John Hewitt 35 I.i.8.D F.R.
    [Show full text]
  • Seanad Éireann
    Vol. 207 Friday, No. 8 28 January 2011 DÍOSPÓIREACHTAÍ PARLAIMINTE PARLIAMENTARY DEBATES SEANAD ÉIREANN TUAIRISC OIFIGIÚIL—Neamhcheartaithe (OFFICIAL REPORT—Unrevised) Friday, 28 January 2011. Business of Seanad ………………………………385 Order of Business …………………………………385 Business of Seanad ………………………………403 Sittings of Seanad: Motion ……………………………403 Allocation of Time: Motion ……………………………403 Legal Proceedings: Motion ……………………………404 Finance Bill 2011: Second Stage ……………………………405 Adjournment Matters: School Placement ………………………………472 School Accommodation ……………………………473 SEANAD ÉIREANN ———— Dé hAoine, 28 Eanáir 2011. Friday, 28 January 2011. ———— Chuaigh an Cathaoirleach i gceannas ar 10.30 a.m. ———— Paidir. Prayer. ———— Business of Seanad An Cathaoirleach: I have notice from Senator Maria Corrigan that, on the motion for the Adjournment of the House today, she proposes to raise the following matter: The need for the Minister for Education and Skills to outline the steps being taken to alleviate the difficulties being experienced by parents seeking secondary school placements in Knocklyon and Rathfarnham in Dublin 16. I have also received notice from Senator Brendan Ryan of the following matter: The need for the Minister for Education and Skills to outline the reasons the long-standing application for a permanent building of six classrooms and two resource rooms remains unsuccessful at St. Sylvester’s infant school, Malahide, County Dublin. I have also received notice from Senator Brian Ó Domhnaill of the following matter: The need for the Minister for the Environment, Heritage and Local Government to give approval to Donegal County Council to seek tenders for the Dungloe and Glenties sewer- age scheme. I regard the matters raised by the Senators as suitable for discussion on the Adjournment and they will be taken at the conclusion of business.
    [Show full text]
  • The Annals of the Four Masters De Búrca Rare Books Download
    De Búrca Rare Books A selection of fine, rare and important books and manuscripts Catalogue 142 Summer 2020 DE BÚRCA RARE BOOKS Cloonagashel, 27 Priory Drive, Blackrock, County Dublin. 01 288 2159 01 288 6960 CATALOGUE 142 Summer 2020 PLEASE NOTE 1. Please order by item number: Four Masters is the code word for this catalogue which means: “Please forward from Catalogue 142: item/s ...”. 2. Payment strictly on receipt of books. 3. You may return any item found unsatisfactory, within seven days. 4. All items are in good condition, octavo, and cloth bound, unless otherwise stated. 5. Prices are net and in Euro. Other currencies are accepted. 6. Postage, insurance and packaging are extra. 7. All enquiries/orders will be answered. 8. We are open to visitors, preferably by appointment. 9. Our hours of business are: Mon. to Fri. 9 a.m.-5.30 p.m., Sat. 10 a.m.- 1 p.m. 10. As we are Specialists in Fine Books, Manuscripts and Maps relating to Ireland, we are always interested in acquiring same, and pay the best prices. 11. We accept: Visa and Mastercard. There is an administration charge of 2.5% on all credit cards. 12. All books etc. remain our property until paid for. 13. Text and images copyright © De Burca Rare Books. 14. All correspondence to 27 Priory Drive, Blackrock, County Dublin. Telephone (01) 288 2159. International + 353 1 288 2159 (01) 288 6960. International + 353 1 288 6960 Fax (01) 283 4080. International + 353 1 283 4080 e-mail [email protected] web site www.deburcararebooks.com COVER ILLUSTRATIONS: Our cover illustration is taken from item 70, Owen Connellan’s translation of The Annals of the Four Masters.
    [Show full text]
  • Manuel II Palaiologos' Point of View
    The Hidden Secrets: Late Byzantium in the Western and Polish Context Małgorzata Dąbrowska The Hidden Secrets: Late Byzantium in the Western and Polish Context Małgorzata Dąbrowska − University of Łódź, Faculty of Philosophy and History Department of Medieval History, 90-219 Łódź, 27a Kamińskiego St. REVIEWERS Maciej Salamon, Jerzy Strzelczyk INITIATING EDITOR Iwona Gos PUBLISHING EDITOR-PROOFREADER Tomasz Fisiak NATIVE SPEAKERS Kevin Magee, François Nachin TECHNICAL EDITOR Leonora Wojciechowska TYPESETTING AND COVER DESIGN Katarzyna Turkowska Cover Image: Last_Judgment_by_F.Kavertzas_(1640-41) commons.wikimedia.org Printed directly from camera-ready materials provided to the Łódź University Press This publication is not for sale © Copyright by Małgorzata Dąbrowska, Łódź 2017 © Copyright for this edition by Uniwersytet Łódzki, Łódź 2017 Published by Łódź University Press First edition. W.07385.16.0.M ISBN 978-83-8088-091-7 e-ISBN 978-83-8088-092-4 Printing sheets 20.0 Łódź University Press 90-131 Łódź, 8 Lindleya St. www.wydawnictwo.uni.lodz.pl e-mail: [email protected] tel. (42) 665 58 63 CONTENTS Preface 7 Acknowledgements 9 CHAPTER ONE The Palaiologoi Themselves and Their Western Connections L’attitude probyzantine de Saint Louis et les opinions des sources françaises concernant cette question 15 Is There any Room on the Bosporus for a Latin Lady? 37 Byzantine Empresses’ Mediations in the Feud between the Palaiologoi (13th–15th Centuries) 53 Family Ethos at the Imperial Court of the Palaiologos in the Light of the Testimony by Theodore of Montferrat 69 Ought One to Marry? Manuel II Palaiologos’ Point of View 81 Sophia of Montferrat or the History of One Face 99 “Vasilissa, ergo gaude...” Cleopa Malatesta’s Byzantine CV 123 Hellenism at the Court of the Despots of Mistra in the First Half of the 15th Century 135 4 • 5 The Power of Virtue.
    [Show full text]
  • Brian Ó Nualláin/O'nolan
    Brian Ó Nualláin/O’Nolan Scholarly Background & Foreground* Breandán Ó Conaire St Patrick’s College, Dublin City University ‘Ní fhéadaim cuimhneamh ar aon scríbhneoir mór anois a bhféadfá fear léannta a thabhairt air’ (I cannot think of any major writer at present who could be called a man of learning). – Seán Ó Ríordáin 1 ‘Brian Ó Nualláin, afterwards alias Myles na gCopaleen, alias Flann O’Brien, and, as it turned out, the most gifted bilingual genius of half a century’ – Cearbhall Ó Dálaigh, Irish President (1974–76)2 Family Background From his early years, Brian O’Nolan lived in a family environment in which education, literature, the Irish language, culture, and learning held significant importance. This milieu was reflected in the skills, talents, and accomplishments of members of the extended family. His paternal grandfather Daniel Nolan from Munster was a national teacher and taught music at the Model School in Omagh, Co. Tyrone. He was an excellent singer and an accomplished violinist. He had a special fondness for theatre and opera, performances of which he frequently attended with his young wife. A special concert was organised in his honour in Omagh prior to his transfer to Belfast in the early 1880s. In July 1867 Daniel married Jane Mellon3 a former pupil at the Omagh school and fourth daughter of James Mellon, a strong farmer from Eskeradooey in Co. Tyrone. The marriage took place at Knockmoyle Catholic Church in Cappagh parish where Jane was born. The parish priest, Rev. Charles McCauley, was the celebrant. In the national census entries for 1901 and for 1911, when Jane, also known as ‘Sinéad,’ lived with the O’Nolan family in Strabane, her competence in both Irish and English was recorded.
    [Show full text]
  • There's a Leader in You!: a Critical Mapping Of
    THERE’S A LEADER IN YOU!: A CRITICAL MAPPING OF LEADERSHIP DISCOURSE IN THE AMERICAN UNIVERSITY By NICOLE CAPRIEL FERRY A dissertation submitted in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY WASHINGTON STATE UNIVERSITY Department of Teaching and Learning MAY 2018 © Copyright by NICOLE CAPRIEL FERRY, 2018 All Rights Reserved © Copyright by NICOLE CAPRIEL FERRY, 2018 All Rights Reserved To the Faculty of Washington State University: The members of the Committee appointed to examine the dissertation of NICOLE CAPRIEL FERRY find it satisfactory and recommend that it be accepted. Pamela Bettis, Ph.D., Chair John Lupinacci, Ph.D. Pamela Thoma, Ph.D. Nishant Shahani, Ph.D. ii ACKNOWLEDGMENTS I want to thank the members of my dissertation committee, Dr. Pam Bettis, Dr. John Lupinacci, Dr. Pam Thoma, and Dr. Nishant Shahani for their patience, time, knowledge, and constant support. You all continually motivated me to push my thinking further. I am especially indebted to Dr. Bettis, my Dissertation Chair, who was always willing to take the time to listen to my stresses and worries throughout the process. Your emotional labor does not go unappreciated! Thank you to Eric Guthey, as well, for your encouragement and unending belief in the work that I do. I want to thank the Graduate School at Washington State University for awarding me the Dissertation Year Fellowship. This work would not have been possible without the financial support that gave me the time and space to bring this project to its fullest potential. I am also grateful for all my colleagues, friends, and family who have wholeheartedly supported my work and being throughout graduate school.
    [Show full text]