Gerard Hoffnung
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The Alphorn Through the Eyes of the Classical Composer
The Alphorn through the Eyes of the Classical Composer by Frances Jones Series in Music Copyright © 2020 Vernon Press, an imprint of Vernon Art and Science Inc, on behalf of the author. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of the copyright holder and Vernon Art and Science Inc. www.vernonpress.com In the Americas: In the rest of the world: Vernon Press Vernon Press 1000 N West Street, Suite 1200, C/Sancti Espiritu 17, Wilmington, Delaware 19801 Malaga, 29006 United States Spain Series in Music Library of Congress Control Number: 2020940993 ISBN: 978-1-64889-044-4 Also available: 978-1-64889-060-4 [Hardback, Premium Color] Product and company names mentioned in this work are the trademarks of their respective owners. While every care has been taken in preparing this work, neither the authors nor Vernon Art and Science Inc. may be held responsible for any loss or damage caused or alleged to be caused directly or indirectly by the information contained in it. Every effort has been made to trace all copyright holders, but if any have been inadvertently overlooked the publisher will be pleased to include any necessary credits in any subsequent reprint or edition. Cover design by Vernon Press. Cover image: Lai da Palpuogna, Canton Graubunden, eastern Switzerland, photo Frances Jones. Table of Contents Table of Figures v Preface xxi Foreword xxiii Chapter 1 The Alphorn 1 Chapter 2 The Alphorn in Christmas Music, the Pastorella 29 Chapter 3 Leopold Mozart’s Sinfonia Pastorella for Alphorn and Strings 97 Chapter 4 ‘That Air’: The Appenzell Kühreien 131 Chapter 5 Alphorn Motifs in Romantic Repertoire 185 Chapter 6 The Alphorn for the Modern Composer 273 Appendix : Works that include Alphorn Motifs 295 Bibliography 299 Index 307 List of Figures and Tables Figures Fig. -
Malcolm Arnold Catalogue
FM174-Malcolm4ppCover 18/12/03 4:32 pm Page 1 Sir Malcolm Arnold The complete catalogue of published works FM174-Malcolm32ppText 18/12/03 4:34 pm Page 1 Sir Malcolm Arnold The complete catalogue of published works CONTENTS THE MUSIC OF MALCOLM ARNOLD .........................2 BIOGRAPHICAL NOTE..............................................................6 List of published works ...........................................8 INDEX Abbreviations ...............................................................................8 Stage Works............................................................................... 10 Orchestra................................................................................... 10 Solo Instrument(s) & Orchestra .............................................. 15 Chamber Orchestra .................................................................. 16 String Orchestra........................................................................ 17 Chamber Ensemble................................................................... 19 Instrumental.............................................................................. 20 Piano.......................................................................................... 21 Choral........................................................................................ 22 Vocal .......................................................................................... 23 Brass Band................................................................................. 24 Brass Ensemble -
The Hoffnung Interplanetary Music Festival, 1958
THE Hof thes INTERPLANETARY MUSIC FESTI L “ROYAL FESTIVAL HALL, 21st @ 22 nab N.0 V oe ting pins Kg , 4 , ae od 2 MS Pl a a ath eae cae Oe Maes, * YS Es "atts Bs. U \( met Ay Mi | ip We gl Hof fneG INTERPLANETARY MUSIC FESTIVAL Presented by HAROLD HOLT LTD. at the ROYAL FESTIVAL HALL, 21st & 22nd NOVEMBER 1958 AN EXTRAVAGANT EVENING Introductory Music played in the Foyer OF SYMPHONIC CARICATURE DEVISED BY GERARD HOFFNUNG with JOHN AMIS * MALCOLM ARNOLD « FRANCIS Hoffnung Festival Overture BAINES * OWEN BRANNIGAN * APRIL CANTELO * EDITH COATES * JOHN DOBSON « DAME EDITH EVANS * EDGAR EVANS « P. RACINE FRICKER » Metamorphosis on aBed time Theme PETER GLOSSOP * GERARD HOFFNUNG * JOSEPH HOROVITZ * OTAKAR KRAUS * GLORIA LANE » ELIZABETH POSTON * SHEILA REX * DUNCAN ROBERTSON * LIONEL SALTER * MATYAS SEIBER Sugar Plums ¢ JAN WALLACE *« THE HOFFNUNG FESTIVAL OPERA COMPANY and CHORUS THE HOFFNUNG (alias MORLEY COLLEGE) SYMPHONY | ORCHESTRA (Leader: Michael Jones) Conductor: NORMAN DEL The Famous Tay Whale THE BAND AND TRUMPETERS OF THE ROYAL MILITARY SCHOOL OF MUSIC (by permission of the Commandant and Lt.-Col. David McBain, O.B.E.) THE DOLMETSCH ENSEMBLE Carl Dolmetsch + Cécile Dolmetsch + Nathalie Dolmetsch * Joseph Saxby * Layton Ring * Michael Walton Concerto for Conductor and Orchestra Festival Manager: JACK PHIPPS Producer: COLIN GRAHAM Notes: T. E. BEAN, C.B.E. Punkt Contrapunkt “Hoffnung, aided and abetted by his many gifted collaborators, has done it again, to the The United Nations delight of the 6000 odd music-lovers who at- tended the two performances, and to the envy of the many thousands unable to gain admis- Waltz for Restricted Orchestra sion...Dare we look forward to a third edi- tion? They say, after all, that Hoffnung springs eternal...” Thomas Heinitz, Saturday Review Let’s Fake an Opera io 35800 MERGING from the relative obscurity of the lower brass section of the but coughing and polite applause. -
RUMON GAMBA CHAN 10323 BOOK.Qxd 15/9/06 12:02 Pm Page 2
CHAN 10323 Booklet cover.qxd 15/9/06 11:55 am Page 1 CHANDOS CHAN 10323 RUMON GAMBA CHAN 10323 BOOK.qxd 15/9/06 12:02 pm Page 2 The Film Music of Francis Chagrin (1905–1972) premiere recordings (except track 1) 1 Overture from ‘Helter Skelter’ 6:34 From ‘An Inspector Calls’ (arranged and orchestrated by Philip Lane) 2 Portrait of Eva 3:25 Photograph courtesy of Nicolas Chagrin From ‘The Colditz Story’ 3:31 (arranged by Philip Lane) 3 Prelude 2:00 4 Finale 1:31 Suite from ‘Greyfriars Bobby’ 11:42 (arranged by Philip Lane) 5 Main Titles and Opening Scene 3:50 6 Bobby escapes to Edinburgh 5:22 7 Finale 2:30 From ‘The Four Just Men’ 3:05 (edited by Philip Lane) 8 Theme 1:28 9 Main Titles 1:37 10 ‘The Hoffnung Symphony Orchestra’ 5:19 (arranged by Philip Lane) Francis Chagrin 3 CHAN 10323 BOOK.qxd 15/9/06 12:02 pm Page 4 Four Orchestral Episodes from ‘The Intruder’ 11:11 (edited by Philip Lane) The Film Music of Francis Chagrin 11 Preamble 1:48 12 Conflagration 3:21 Francis Chagrin described himself as ‘Rumanian popular songs. When he had saved enough, he 13 Pursuit at night 3:58 by birth, British by nationality and cosmopolitan enrolled in 1933 at the École normale for two 14 Vindication 2:04 by inclination’. He was born Alexander Paucker years, where his teachers included Paul Dukas in Bucharest on 15 November 1905 to wealthy and Nadia Boulanger. He began writing From ‘Easy Money’ Jewish parents who expected their son to take modest film scores, but sensing that war was (edited by Philip Lane) his rightful place in the family business. -
NOT NOW, BERNARD and Other Stories
NOT NOW, BERNARD and other stories Alexander Armstrong, narrator Orchestra of the Swan Tom Hammond, conductor Music by Judith Weir, Malcolm Arnold, John Ireland & Bernard Hughes Not Now, Bernard and other stories Bernard Hughes Not Now, Bernard 1 Part 1 5.06 2 Part 2 6.00 Malcolm Arnold Toy Symphony, Op.62 3 I. Allegro 2.25 4 II. Allegretto 3.23 5 III. Vivace 2.02 Bernard Hughes Isabel’s Noisy Tummy 6 Part 1 6.04 7 Part 2 5.36 8 Part 3 4.51 John Ireland 9 Annabel Lee 3.55 Bernard Hughes The Knight Who Took All Day 10 Part 1 6.06 11 Part 2 5.31 Judith Weir Thread! 12 Part I 6.30 13 Part II 7.09 14 Part III 3.30 Total time 68.11 Alexander Armstrong, narrator Orchestra of the Swan 2 Tom Hammond, conductor Bernard Hughes writes Not Now, Bernard was always a favourite book of mine as a child – not least because I shared my unusual name with the protagonist. As a book it is brilliant for carrying different messages at the same time: for children it is a story about a boy being eaten by a monster, for adults it is a cautionary tale about being too busy to engage with our children. When conductor Tom Hammond asked me to write a family-concert piece I had no doubt which book I wanted to set. The commission was from the British Police Symphony Orchestra, the national orchestra for those associated with the police force, and they gave the premiere at Symphony Hall in Birmingham in December 2010. -
Journal56-1.Pdf
July t977, Number 56 The Delius Society Full Membership €3.00 Per Year Students f,l.50 Subscripttonto Libraries (Journal only) f2.00 per year Presidenr Eric Fenby OBE, Hon RAM Vice Presidents The Rt Hon Lord Boothby KBE, LLD Felix Aprahamian Roland Gibson M Sc, Ph D (Founder Member; Sir Charles Groves CBE StanfondRobinson OBE, ARCM (Hon), Hon CSM Meredith Davies MA, B Mus, FRCM, Hon RAM Chairman R B Meadows 5 WestbourneHouse, Mount Park Road, Harrow, Middlesex Treasurer G H Parfitt 3l Lynwood Grove, Orpington,Kent BR6 OBD Secretarv J K White 16 SladeClose, Walderslade, Chatham, Kent Editor Christopher Redwood 4 Tabor Grove,London SW19 4EB Telephone: 0l-946 5952 The Delius Society Journal Contents Editorial Five Little Piecesby Delius, orchsstratedFenby, by David Tall ... News from the U.S.A. lt Delius Society AGM and Dinner 1977 t2 Dolius on Record t8 Bock Reviews... 20 Fc,rthcoming Events ?4 L Cover lllustration F Delius by Dawn Redwood (after Kapp) Publishedquarterly, in January,April, July and October Material for inclusion should reach the Editor by the lst of the monih prior to that of publication Additional copiesof this issue50p each,inclusive of postage rssN-0305-0371 EDITORIAL For the secondyear in successionthe AGM and Dinner of the Delius Society were blessed with warm and sunny weather. By a happy coincidence,too, another event of major interest was held t*o evenings previously as had happened last year. This time it was the talk given by our President at Limpsfield as part of the local Church Festival. Clearly the weather is a factor over which we have no control, but it is obvious that in the secondcase a p,recedenthas been set, and efforts will have to be made in future vears to find similar entertainment for the many me'mberswho make th6ir ways to London for the AGM. -
Boston Symphony Orchestra Concert Programs, Summer, 1983, Tanglewood
. ^ 5^^ mar9 E^ ^"l^Hifi imSSii^*^^ ' •H-.-..-. 1 '1 i 1^ «^^«i»^^^m^ ^ "^^^^^. Llii:^^^ %^?W. ^ltm-''^4 j;4W»HH|K,tf.''if :**.. .^l^^- ^-?«^g?^5?,^^^^ _ '^ ** '.' *^*'^V^ - 1 jV^^ii 5 '|>5|. * .««8W!g^4sMi^^ -\.J1L Majestic pine lined drives, rambling elegant mfenor h^^, meandering lawns and gardens, velvet green mountain *4%ta! canoeing ponds and Laurel Lake. Two -hundred acres of the and present tastefully mingled. Afulfillment of every vacation delight . executive conference fancy . and elegant home dream. A choice for a day ... a month . a year. Savor the cuisine, entertainment in the lounges, horseback, sleigh, and carriage rides, health spa, tennis, swimming, fishing, skiing, golf The great estate tradition is at your fingertips, and we await you graciously with information on how to be part of the Foxhollow experience. Foxhollow . an tver growing select family. Offerings in: Vacation Homes, Time- Shared Villas, Conference Center. Route 7, Lenox, Massachusetts 01240 413-637-2000 Seiji Ozawa, Music Director Sir Colin Davis, Principal Guest Conductor Joseph Silverstein, Assistant Conductor One Hundred and Second Season, 1982-83 Trustees of the Boston Symphony Orchestra, Inc. Abram T. Collier, Chairman Nelson J. Darling, Jr., President Leo L. Beranek, Vice-President George H. Kidder, Vice-President Mrs. Harris Fahnestock, Vice-President Sidney Stoneman, Vice-President Roderick M. MacDougall, Treasurer John Ex Rodgers, Assistant Treasurer Vernon R. Alden Mrs. John H. Fitzpatrick William J. Poorvu J. P. Barger Mrs. John L. Grandin Irving W. Rabb Mrs. John M. Bradley David G. Mugar Mrs. George R. Rowland Mrs. Norman L. Cahners Albert L. Nickerson Mrs. George Lee Sargent George H.A. -
LCMS Newsletter Issue 2 Autumn 2010
Visual Arts: Kings Place Gallery Chamber Music Notes In October 2008, Nico Widerberg’s inaugural exhibition at Kings Place Gallery was honoured with a visit by the Crown Prince of Support and Norway and on the same day his commissioned sculpture was THE LCMS unveiled by the King of Norway at our sister gallery in Newcastle . Sponsorship Other equally memorable exhibitions have included Albert The LCMS sponsorship scheme Irvin’s vibrant canvases; Francis at Kings Place is now well under Giacobetti’s striking but stark way, and a wide range of photographs of Francis Bacon ; possibilities is available, including and Ian McKeever’s monumental Temple Paintings . More recent sponsoring one work or a exhibitions include Ørnulf complete concert. ISSUE 2 AUTUMN 2010 Opdahl’s Mood Paintings of the There is also the opportunity to Newsletter North and Sophie Benson’s commission a new work , with the premiere Vanishing Points , both a sober to be given at one of our Sunday concerts. contrast to Frans Widerberg’s Early in the 2010 spring season the Allegri Welcome! After Eden exhibition of Quartet gave the first performance of This has been a most successful season so far paintings in blazing primary Thomas Hyde’s string quartet, colours. both artistically and administratively. I would like commissioned by the John S Cohen to thank our partners at Kings Place—the box - Jane Bown’s exhibition Foundation. Other generous supporters office staff, duty managers, stage managers, t n Exposures , organized in have included Susan and Walter Rudeloff, a n technical staff, admin staff and ushers, whose n collaboration with the currently trustees of the LCMS, at a concert a H contributions make the concerts run so smoothly. -
Rudolf Serkin Papers Ms
Rudolf Serkin papers Ms. Coll. 813 Finding aid prepared by Ben Rosen and Juliette Appold. Last updated on April 03, 2017. University of Pennsylvania, Kislak Center for Special Collections, Rare Books and Manuscripts 2015 June 26 Rudolf Serkin papers Table of Contents Summary Information....................................................................................................................................3 Biography/History..........................................................................................................................................4 Scope and Contents....................................................................................................................................... 6 Administrative Information........................................................................................................................... 6 Related Materials........................................................................................................................................... 7 Controlled Access Headings..........................................................................................................................7 Collection Inventory...................................................................................................................................... 9 I. Correspondence.................................................................................................................................... 9 II. Performances...................................................................................................................................274 -
2002 Mini Festival Wigmore Hall
Partnership with Andante Chairman, Pierre Berge; President, Alain Coblence The JMI International Forum for Suppressed Mu sic is ,\ l'.' J) (( l\: T E delighted to be presenting these concerts together with Andante, the new website and record label. Launched in April 2001, the Andante website provides a single, convenient location for information about classical music for music-lovers, professionals and curi ous newcomers alike. At www.and ante.com vi sitors will find news, reviews, commentary,' profe~sional and educational tools and access by subscription to a growing library of audio and vid eo programmes, including both new and historic recordings and current performances. The Andante co llection of co mpact discs, prese nted with ex tensi ve notes and illustrations, has been designed to preserve and advance the world's recorded classical music heritage, providing music lovers with a definitive library of the classical music essentials performed by the greatest artists of the twentieth and twenty-first centuries. In addition, beginning with these concerts, Andante is embarking on a long-term project of performances and live recordings of albums dedicated to 'Forbidden Mu sic', a worldwide his torical survey of important pieces of music written by persecuted com po sers and suppressed by tyrannies. These recordings will be available for purchase at the website's on -line shop, To become an Andante member, go to www.andante.com and click on Andante membership. Continental Britons: Jewish Refugees from Nazi Europe The Jewish Museum, 129-131 Albert Street, Camden Town, London NW1 7NB 8 May-20 October 2002, Mon-Thurs 10.00am-4.00pm, Sundays 10.00am-5.00pm Closed Jewish Festivals and Public Holidays. -
571371 Bk Chagrin EU
Francis CHAGRIN Symphonies Nos. 1 and 2 BBC Symphony Orchestra • Martyn Brabbins Francis Chagrin (1905-72): Symphonies Nos. 1 and 2 His friends remember him as incredibly industrious, particularly marked. The first is violent and passionate When Francis Chagrin arrived in Britain in 1936, he had studied Russian. but selfless, resourceful, urbane, and with a great with echoes of the recent hostilities, the second, slow and already left his native Romania, for largely family reasons, Soon after his move to Britain he took an Irish bride generosity of heart. His fellow composer, Benjamin very lyrical, while the third is a Presto scherzando that has and adopted France for political ones. However, he who presented him with two sons, Julian and Nicolas, Frankel, who wrote several obituaries of him, struck the a reflective section and also a quasi-Viennese waltz embraced his new found home totally, and became very both of whom would make their mark in the acting right tone when he wrote that Chagrin was ‘always able to passage, brutally interrupted by discordant brass – maybe much part of the British musical scene for the rest of his profession – Julian most famously as the white-faced see the lighter aspect of serious effort’. I met him just the war was not yet so far from the memory. The fourth life, summing up his personality makeup as ‘Romanian by mime artist in the park in Antonioni’s Blow-Up, and once when I was a student. He had come to an inner-city movement, Allegro, in addition to its own new material, birth, British by nationality, and cosmopolitan by Nicolas as Puck in the first Covent Garden production of Arts Centre to talk about writing for films. -
From Constable to Koons Books Inscribed by Artists
From Constable to Koons Books Inscribed by Artists Benjamin Spademan Rare Books The descriptions in the catalogue are brief. Fuller descriptions are available on request. FROM CONSTABLE TO KOONS All the books are in fine condition, unless otherwise stated. The reproductions are not the actual size. BOOKS INSCRIBED BY ARTISTS Benjamin Spademan Rare Books 14 Mason’s Yard, London SW1Y 6BU + 44 (0)7768 076772 [email protected] www.benjaminspademan.com Cover Henri Matisse. Verve, Revue artistique et littéraire, n° 66. Title page D. G. Rossetti. A Treasure of English Sonnets, n° 82. BENJAMIN SPADEMAN RARE BOOKS I started putting together this group of books, almost by chance some ten years ago, when I acquired in Paris a monograph on Henry Moore, with an original drawing and presentation by the artist on the title page. Next came a Francis Bacon, and thereafter gradually a collection began to form. To qualify for inclusion, books had to have been personally transformed by the artist, usually as a gift to another person. The criteria for selection were drawn broadly, to include visual artists of all kinds - painters, sculptors, illustrators, cartoonists, stage & fashion designers - and allowing all kinds of art, from highly finished drawings, collages and watercolours to fairly minimal interventions. The books too covered a wide range of types, from livres d’artistes, to standard monographs, to periodicals, exhibition catalogues and ephemera such as invitations. In the process of selection, the focus was always on the quality of the image and the interest of the inscription.The earliest examples, John Constable and Dante Gabriel Rossetti, are both intensely personal family affairs.