Harrison Bergeron," Which First Appeared in Fantasy Ture Or a Pretty Face, Would Feel Like Something the Cat Drug In
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HARRISON BERGERON by Kurt Vonnegut, Jr
HARRISON BERGERON by Kurt Vonnegut, Jr. THE YEAR WAS 2081, and everybody was finally equal. They weren't only equal before God and the law. They were equal every which way. Nobody was smarter than anybody else. Nobody was better looking than anybody else. Nobody was stronger or quicker than anybody else. All this equality was due to the 211th, 212th, and 213th Amendments to the Constitution, and to the unceasing vigilance of agents of the United States Handicapper General. Some things about living still weren't quite right, though. April for instance, still drove people crazy by not being springtime. And it was in that clammy month that the H-G men took George and Hazel Bergeron's fourteen-year-old son, Harrison, away. It was tragic, all right, but George and Hazel couldn't think about it very hard. Hazel had a perfectly average intelligence, which meant she couldn't think about anything except in short bursts. And George, while his intelligence was way above normal, had a little mental handicap radio in his ear. He was required by law to wear it at all times. It was tuned to a government transmitter. Every twenty seconds or so, the transmitter would send out some sharp noise to keep people like George from taking unfair advantage of their brains. George and Hazel were watching television. There were tears on Hazel's cheeks, but she'd forgotten for the moment what they were about. On the television screen were ballerinas. A buzzer sounded in George's head. His thoughts fled in panic, like bandits from a burglar alarm. -
Being in the Early Novels of Kurt Vonnegut
A MORAL BEING IN AN AESTHETIC WORLD: BEING IN THE EARLY NOVELS OF KURT VONNEGUT BY JAMES HUBBARD A Thesis Submitted to the Graduate Faculty of WAKE FOREST UNIVERSITY GRADUATE SCHOOL OF ARTS AND SCIENCES in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS English May 2015 Winston-Salem, North Carolina Approved By: James Hans, Ph.D., Advisor Barry Maine, Ph.D., Chair Jefferson Holdridge, Ph.D. Table of Contents Table of Contents ii Abstract iii Chapter 1: Introduction 1 Chapter 2: Being Thrown 7 Chapter 3: Being as a Happening of Truth 27 Chapter 4: Projecting the Poetry of Being 47 References 53 Curriculum Vitae 54 ii Abstract In this this paper I will address notions of being in four of Kurt Vonnegut’s novels using Martin Heidegger’s aesthetic phenomenology. The four novels that this paper will address are Player Piano, Sirens of Titan, Slaughterhouse-Five, and Breakfast of Champions. Player Piano and Sirens of Titan are Vonnegut’s first two novels, and they approach being in terms of what Heidegger referred to as “throwness.” These initial inquiries into aspects of existence give way to a fully developed notion of being in Slaughterhouse-Five and Breakfast of Champions. These novels are full aware of themselves has happenings of truth containing something of their author’s own being. Through these happenings, Vonnegut is able to poetically project himself in a way that not only reveals his own being, but also serves as a mirror that can reveal the being of those reflected in it. iii Chapter 1: Introduction Kurt Vonnegut’s literary significance is due, at least in part, to the place that he has carved out for himself in popular culture. -
Vonnegut's Criticisms of Modern Society Candace Anne Strawn Iowa State University
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1972 Vonnegut's criticisms of modern society Candace Anne Strawn Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the American Literature Commons, and the Literature in English, North America Commons Recommended Citation Strawn, Candace Anne, "Vonnegut's criticisms of modern society" (1972). Retrospective Theses and Dissertations. 34. https://lib.dr.iastate.edu/rtd/34 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. ---~- ~--~-~- - Vonnegut's criticisms of modern society by Candace Anne Strawn A Thesis Submitted to the Graduate Faculty in Partial Fulfillment of The Requirements for the Degree of MASTER OF ARTS Major: English Iowa State University Ames, Iowa 1972 ii. TABLE OF CONTENTS Page I. SOME PERSPECTIVES OF MODERN SOCIETY 1 II. IRRATIONALITY OF HUMAN BEHAVIOR 19 III. DEHUMANIZATION OF THE INDIVIDUAL 29 IV. MAN'S INHUMANITY TO MAN 37 v. CONCLUSION 45 VI. A SELECTED BIBLIOGRAPHY 48 1 I. SOME PERSPECTIVES OF MODERN SOCIETY In his age-old effort to predict the future, man has tried many methods, including a careful study of past history. Although the act of predicting social events is largely theoretical--since it is necessarily a tentative process--numerous historians, sociologists, theologians, scientists, and artists persist in discovering trends or seeing patterns in the movement of history. -
Context and Neglect: Kurt Vonnegut and the Middleclass Magazine
Context and Neglect: Kurt Vonnegut and the Middleclass Magazine The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:37945101 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Context and Neglect: Kurt Vonnegut and the Middleclass Magazine. Lori Philbin A Thesis in the Field of English for the Degree of Master of Liberal Arts in Extension Studies Harvard University May 2018 Copyright 2018 Lori Philbin Abstract The scholarship focusing on the work of Kurt Vonnegut, Jr. has largely centered on his novels. Most studies have neglected Vonnegut’s start in the popular magazine market writing short stories. A few notable scholars have focused on the stories: Jerome Klinkowitz, Peter J. Reed, Jeff Karon, James Thorson, and Steve Gronert Ellerhoff. Even with the work of such scholars, there have been few studies that consider the context of Vonnegut’s earliest stories and how the influence of the middleclass magazine market not only shaped Vonnegut’s career but had continued impact on his later novels. This study explores Vonnegut’s first eight stories: “Report on the Barnhouse Effect,” “Thanasphere,” “EPICAC,” “All the King’s Horses,” “Mnemonics,” “The Euphio Question,” “The Foster Portfolio,” and “More Stately Mansions.” The stories are considered within the context of their first publication venue, the magazine Collier’s, and how that context shows connections between the stories and his novels such as Player Piano, Cat’s Cradle, and Slaughterhouse-Five. -
2015-2016 Illumination
Digital Proofer illumination 2015-2016 Authored by mgccc 6.0" x 9.0" (15.24 x 22.86 cm) Black & White on White paper 84 pages ISBN-13: 9781530434558 ISBN-10: 1530434556 Please carefully review your Digital Proof download for formatting, grammar, and design issues that may need to be corrected. We recommend that you review your book three times, with each time focusing on a different aspect. Check the format, including headers, footers, page 1 numbers, spacing, table of contents, and index. 2 Review any images or graphics and captions if applicable. 3 Read the book for grammatical errors and typos. Once you are satisfied with your review, you can approve your proof and move forward to the next step in the publishing process. To print this proof we recommend that you scale the PDF to fit the size of your printer paper. illumination the literary journal of Mississippi Gulf Coast Community College Each year, Mississippi Gulf Coast Community College students are encouraged to submit their best compositions for our annual writing contest. This journal includes winners of the 2014-2015 contest in the categories of Personal Essay, Critical Essay, Short Story, Structured Verse, Free Verse, and Original Stage Play. Artwork was contributed by the students of Jefferson Davis Campus. Front Cover Art: Kim Iglesia, “The Most Beautiful Moment in Life” Back Cover Art: Kim Iglesia, “Coastal Goddess” Contest Coordinators: Colter Cruthirds, Denise Maguire, Tammy Townsend Contest Committee: Language Arts of Jefferson Davis Campus Journal Sponsors: the Jefferson -
Kurt Vonnegut, Jr.: Morality-Myth in the Antinovel
Kurt Vonnegut, Jr.: Morality-Myth in the Antinovel DAVID MYERS, University of Adelaide In his seven novels to date, from Player Piano to Breakfast of Champions,1 Vonnegut has contributed to the creation of a mythology .of our times.2 In much the same way as Hemingway's The Sun Also Rises captured the mood of the lost generation, and Steinbeck's The Grapes of Wrath the bitterness of the thirties depression, Vonnegut has expressed the authentic spirit of the nuclear age generation. World-weary, pessimistic, cynical, and flippant, Vonnegut is tolerant of human behavior to the point of being overindulgent, sadly convinced that human beings cannot be otherwise than the monsters that they are, and yet paradoxically given to both satire and sermon as though driven on by a hope beyond hopelessness that he may yet turn man from his stupidity and evil. It is the aim of this article to examine the morality myth that Vonnegut has created and at the same time to characterize features of the antinovel with which he expresses this myth. By means of this analysis I hope to demonstrate that Vonnegut's popularity is not to be ascribed to a mere fad, but that in content and form he has represented an important aspect of the outlook of our age. Aesthetically, Vonnegut's early works owe much to science fiction and the canons of Pop Art,3 but his art transcends their hackneyed conventions and should be regarded as serious and original literature. Fiedler contends that we should regard Vonnegut's novels as Pop Art because they focus on fantasy, myth, plot, and entertainment rather than on characterization and demanding symbolism. -
A Study of the Protagonists in the First Six Novels of Kurt Vonnegut, Jr
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE SEARCH FOR A HERO: A STUDY OF THE PROTAGONISTS IN THE FIRST SIX NOVELS OF KURT VONNEGUT, JR. A thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in English by Kathy Hada May, 1984 The Thesis of Kathy Hada is approved: Dr. Richard Abcarian Dr. Richard Lid Dr. rt Noreen. ommittee Chair California State University, Northridge ii TABLE OF CONTENTS Page ABSTRACT v INTRODUCTION 1 ChaEters 1 Pla,ler Piano 6 2 The Sirens of Titan 15 3 Mother Night 28 4 Gat's Cradle 39 5 God Bless You, Mr. Rosewater 52 6 Slaughterhouse-Five 68 NOTES 83 BIBLIOGRAPHY 87 iii 11 Art: to maintain self against the disruptive whole ... - Theodore Roethke iv ABSTRACT SEARCH FOR A HERO: A STUDY OF THE PROTAGONISTS IN THE FIRST SIX NOVELS OF KURT VONNEGUT, JR. by Kathy Hada Master of Arts in English In the opening chapter of Slaughterhouse-Five, Kurt Vonnegut says, 11 When I got home from the Second World War ••• , I thought it would be easy for me to write about the destruction of Dresden, since all I would have to do would be to report what I had seen 11 (p. 2). In fact, however, he could not write about his experiences in the war--the firebombing of Dresden in particular--for twenty three years, after writing five novels. As numerous critics have noted and Vonnegut himself has alluded, the destruction of Dresden was the destruction of Kurt Vonnegut. He went to war with a world view founded on order, stability, and justice, but encountered a world filled with insanity, absurdity, and irrationality. -
Kurt Vonnegut Jr. Confronts the Death of the Author Justin Philip Mayerchak Florida International University, [email protected]
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by DigitalCommons@Florida International University Florida International University FIU Digital Commons FIU Electronic Theses and Dissertations University Graduate School 4-1-2016 Kurt Vonnegut Jr. Confronts the Death of the Author Justin Philip Mayerchak Florida International University, [email protected] Follow this and additional works at: http://digitalcommons.fiu.edu/etd Part of the Literature in English, North America Commons Recommended Citation Mayerchak, Justin Philip, "Kurt Vonnegut Jr. Confronts the Death of the Author" (2016). FIU Electronic Theses and Dissertations. Paper 2440. http://digitalcommons.fiu.edu/etd/2440 This work is brought to you for free and open access by the University Graduate School at FIU Digital Commons. It has been accepted for inclusion in FIU Electronic Theses and Dissertations by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. FLORIDA INTERNATIONAL UNIVERSITY Miami, Florida KURT VONNEGUT JR. CONFRONTS THE DEATH OF THE AUTHOR A thesis submitted in partial fulfillment of the requirements for the degree of MASTERS OF ARTS in ENGLISH by Justin Philip Mayerchak 2016 To: Dean Michael R. Heithaus College of Arts, Sciences and Education This thesis, written by Justin Philip Mayerchak, and entitled Kurt Vonnegut Jr. Confronts the Death of the Author, having been approved in respect to style and intellectual content, is referred to you for judgment. We have read this thesis and recommend that it be approved. _______________________________________ Bruce Harvey _______________________________________ Ana Lusczynka _______________________________________ Nathaniel Cadle, Major Professor Date of Defense: April 1, 2016 The thesis of Justin Philip Mayerchak is approved. -
Reel Hope: Literature and the Utopian Function of Adaptation
REEL HOPE: LITERATURE AND THE UTOPIAN FUNCTION OF ADAPTATION A dissertation submitted to Kent State University in partial fulfillment of the requirements for the degree of Doctor of Philosophy by Alexander Charles Oliver Hall August, 2013 Dissertation written by Alexander Charles Oliver Hall B.A. Miami University, USA, 2007 M.A. University of Arkansas, USA, 2009 Ph.D. Kent State University, USA, 2013 Approved by ___________________________________, Chair, Doctoral Dissertation Committee Willie J. Harrell, Jr. Associate Professor of English ___________________________________, Member, Doctoral Dissertation Committee Babacar M’Baye, Associate Professor of English ___________________________________, Member, Doctoral Dissertation Committee Donald M. Hassler, Professor of English ___________________________________, Member, Doctoral Dissertation Committee Paul Haridakis, Professor of Communication Studies ___________________________________, Member, Doctoral Dissertation Committee Leonne Hudson, Associate Professor of History Accepted by ___________________________________, Chair, Department of English Robert W. Trogdon ___________________________________, Dean, College of Arts and Sciences Raymond A. Craig ii TABLE OF CONTENTS INTRODUCTION: THE UTOPIAN FUNCTION OF ADAPTATION . 1 I. THE UTOPIAN FUNCTION OF DISSEMINATION . 20 1. JOSÉ SARAMAGO’S BLINDNESS GETS THE MEIRELLES TREATMENT 2. “HARRISON BERGERON” MEETS CHANDLER TUTTLE IN 2081 3. LINDSAY’S DEXTER COMES TO THE SMALL SCREEN II. THE UTOPIAN FUNCTION OF REACTIVATION . 70 1. CUARÓN’S THE CHILDREN OF MEN INDICTS IMMIGRATION POLICY 2. ALAN BALL REACTIVATES DEAD UNTIL DARK THROUGH LGBT LENS 3. SAGAL EXPOSES COLD WAR FEARS VIA THE OMEGA MAN III. THE UTOPIAN FUNCTION OF FRAMING . .. 116 1. LIBMAN AND WILLIAMS BUILD A BRAVE NEW WORLD 2. BRUCE PITTMAN BRINGS “HARRISON BERGERON” TO SHOWTIME 3. JOFFÉ’S INFAMOUS ADAPTATION OF THE SCARLET LETTER CONCLUSION . 156 Notes . -
By Sarah J Griffith
THE MORAL EGOTIST: EVOLUTION OF STYLE IN KURT VONNEGUT’S SATIRE by Sarah J Griffith The Moral Egotist: Evolution of Style in Kurt Vonnegut’s Satire by Sarah J Griffith A thesis presented for the B.A. Degree with Honors in The Department of English University of Michigan Spring 2008 © 2008 Sarah J Griffith Acknowledgements I would like to thank my teachers, advisors, friends, and family without whose support this project may never have become a reality. My thesis advisor, Eric Rabkin, has been an absolutely invaluable resource of both support and tough-love. He earned my respect on the first day we met and I felt compelled to spend the following weeks drafting a project statement grand enough to satisfy his high standards. He is a phenomenal mentor and academic from whom I have learned more about writing in six months than ever before. During the writing process, my teammates and friends were constant sources of alternate encouragement, guidance, and comic relief. Many thanks to Tyler Kinley for providing a tireless and creative ear for the development of my ideas, though I am fortunate in that this comes as no surprise. Most importantly, much appreciation goes to my overwhelmingly supportive parents who affirmed their love for me one more time in soldiering through the early drafts of my writing. Thanks to my father from whom I get my passion for language and my mother whose unmatched patience and compassion have buoyed me up time and again throughout this intensive project. Gratitude is also due to both of them for my opportunity to attend the University of Michigan to meet and work with all of the incredible individuals mentioned above. -
Unit the World of a Story Plot, Setting, and Mood
unit The World of a Story 1 plot, setting, and mood • In Fiction • In Nonfiction • In Media • In Poetry 25 VA_L10PE-u01-uo.indd 25 3/28/11 8:43:38 AM unit Share What You Know 1 Which stories are WORTH reading? So many activities compete for your time and attention. You can spend your leisure time watching television, playing video games, or surfing the Internet. If you decide to invest your time reading a book, you want value for that investment. You want to be sure the story is worth reading, making you laugh, cry, or gasp in surprise. ACTIVITY Which stories made you glad you had read them? What qualities made these stories so good? Create a list of your criteria for a “great read.” Think about the following: • Do you care more about the characters or the events that happen to them? • Does suspense play a role in the stories you like? • Are there certain places you like to read about? • What emotions do you like to feel as you read? Find It Online! Go to thinkcentral.com for the interactive version of this unit. 26 VA_L10PE-u01-uo.indd 26 3/28/11 8:43:17 AM Virginia Standards of Learning Preview Unit Goals text • Analyze the author’s choices on ordering events in a text analysis • Analyze setting and its influence on mood and conflict • Analyze narrative techniques, including foreshadowing, irony, and suspense • Identify stages of plot and how characters advance the plot reading • Cite evidence to make inferences and draw conclusions writing and • Write an interpretive essay language • Support key points with evidence from the text • -
“The Fraudulent Light in Mother Night,” Susan Farrell, College Of
Farrell, 1 Susan Farrell Department of English College of Charleston The Fraudulent Light in Mother Night “Which brings us to the arts, whose purpose, in common with astrology, is to use frauds in order to make human beings seem more wonderful than they really are” (Kurt Vonnegut, Wampeters, Foma, and Granfalloons, 166). Mother Night, Kurt Vonnegut’s third novel, which presents itself as the “confessions” of American playwright and Nazi propagandist Howard W. Campbell, Jr., is perhaps the book in the Vonnegut canon most underappreciated and most deserving of being considered alongside Vonnegut’s best works: Cat’s Cradle and Slaughterhouse-Five. While several well-known Vonnegut critics do discuss the novel, it certainly hasn’t received the volume of critical attention or the place in the popular imagination spurred by these later works. I’d like to re-examine the novel briefly and suggest a somewhat different reading of it than the one suggested by most critics—a reading that places it even more firmly in line with the stylistic techniques and thematic concerns that dominate Vonnegut’s best works. While previous analyses of the book recognize Howard W. Campbell’s complicity in the Nazi regime, pointing out that his hate-filled, anti-Semitic propaganda does at least as much good for the Nazis as his secret coded messages do for the Allies, I suggest that these earlier readings do not go far enough in exploring the web of lies and pretensions that Campbell is caught up in. I argue that it is entirely plausible to read Campbell’s life as a double-agent as simply wishful thinking on his part, a lie told to justify his own reprehensible behavior.