Denmark High Media Independence and Informal Democratic Traditions in the Newsroom

Total Page:16

File Type:pdf, Size:1020Kb

Denmark High Media Independence and Informal Democratic Traditions in the Newsroom Chapter 4 Denmark High media independence and informal democratic traditions in the newsroom Mark Blach-Ørsten, Rasmus Burkal, Eva Mayerhöffer, & Ida WilligI Introduction Denmark is a small Northern European country with 5.8 million inhabitants. Together with Sweden and Norway, Denmark is part of a group of Scandina- vian welfare states with a tradition of public support for both broadcasters and newspapers, strong professional associations for journalists, and a significant share of foundation-owned newspapers. Politically, Denmark is considered a mature liberal democracy. Freedom in the World 2021: status “free” (Score: 97/100, stable since 2017). Denmark is a robust democracy with regular free and fair elections. Citizens enjoy full political rights, the government protects free expression and association, and the judiciary functions independently. However, Denmark has struggled to uphold fundamental freedoms for immigrants and other newcomers. (Freedom House, 2021) Liberal Democracy Index 2020: Denmark is placed in the Top 10% bracket (rank 1 of measured countries, up from 5 in 2016) (Varieties of Democracy Institute, 2017, 2021). Freedom of Expression Index 2018: rank 2 of measured countries, up from 6 in 2016 (Varieties of Democracy Institute, 2017, 2019). 2020 World Press Freedom Index: rank 3 of 180 countries (after Norway and Fin- land, 1 and 2, respectively), up from 5 in 2019 (Reporters Without Borders, 2020). I Authors listed alphabetically Blach-Ørsten, M., Burkal, R., Mayerhöffer, E., & Willig, I. (2021). Denmark: High media independence and informal democratic traditions in the newsroom. In J. Trappel, & T. Tomaz (Eds.), The Media for Democracy Monitor 2021: How leading news media survive digital transformation (Vol. 2) (pp. 147–176). Nordicom, 147 University of Gothenburg. https://doi.org/10.48335/9789188855428-4 MARK BLACH-ØRSTEN, RASMUS BURKAL, EVA MAYERHÖFFER, & IDA WILLIG Denmark is a parliamentary democracy and, since 1953, the Danish Parliament has consisted of only one chamber: Folketinget. Elections to parliament (Folke- tinget) are held at least every four years, but it is within the power of the prime minister to call elections sooner, if he or she wishes to do so. Elections to the Danish Parliament are based on proportional representation. The parliament has 179 members, including four elected from Greenland and the Faroe Islands, which belong to the commonwealth. In 2020, there are ten national parties in the parliament making up two political blocs – the red and blue blocs. On the left, the red bloc includes the Social Democrats, The Social Liberals, The Socialist People’s Party, The Red–Green Alliance, and The Alternative (newly formed in 2015). On the right, the blue bloc includes The Liberals, The New Liberals (formed in 2018), The Conservatives, The Danish People’s Party, and Liberal Alliance. In 2019, the election saw the Social Democrats form a single party minority government with the support of all parties in the red bloc except The Alternative. The Danish media landscape has been characterised as a dual media system (Helles et al., 2011) with two dominant actors: the two public service broadcast- ers, Danmarks Radio (DR) and TV 2 on the one hand; and daily newspapers, most owned by foundations and some in commercial ownership, on the other hand. While data from the Reuters Institute Digital News Report (Newman et al., 2020) indicated that the reach of the public broadcasters had fallen since the first Reuters survey in 2013, in 2020, DR and TV 2 still reached most Danes on a weekly basis. Thus, according to the 2020 Reuters report, offline DR TV and radio reached 59 per cent of the Danish population, whereas TV 2 (TV 2 Nyhederne and 24-hour news channel TV 2 News) reached 54 per cent. Both offline and online, the largest Danish newspapers are the two tabloids, B.T. and Ekstra Bladet, who rank third and fourth in online news reach with the two public broadcasters ranking first (DR) and second (TV 2). Meanwhile, the traditional morning newspapers are struggling with a fall in their print editions but are gaining momentum online (e.g., Politiken reaching 14% of the Danish population online in 2020, but just 6% offline). Private television plays a rela- tively minor role in Denmark. Today, the private market in Denmark is largely made up by Nordic Entertainment Group (NENT), whose television channels are funded by advertisements. Discovery Networks Denmark also plays a big part within the private television market; it owns 11 commercial television channels and streaming services, such as Kanal 5 and Eurosport. Some studies show that the Nordic Entertainment Group channels reach about 10 per cent of the viewers, whereas Discovery reaches about 5 per cent. 148 ~ DENMARK ~ HIGH MEDIA INDEPENDENCE AND INFORMAL DEMOCRATIC TRADITIONS IN THE NEWSROOM Covid-19 From mid-March to mid-May 2020, the Danish government led by the Social Democrats imposed a large number of restrictions on liberal freedoms in Den- mark, such as closing borders to neighbouring countries, banning all public gatherings and events with more than 100 participants, shutting down many parts of the public sector, closing schools and universities, as well as limiting public transportation. A large part of the staff from both public service broad- casters were also sent home by the Ministry of Culture. However, this was later admitted as being a breach of the arm’s length principle. During this shutdown, linear public service television increased their audi- ence share, as did daily newspapers online. A report published in late August by the Danish Media Association – the industry organisation for private Danish media – showed an increase in the Danes’ willingness to pay for online news during the Covid-19 crisis. In June 2020, around 100,000 more Danes had access to paid digital news services as compared with October 2019. The study also indicates that during the Covid-19 crisis, Danes gained more trust in the news media and to a large extent preferred to get their news from traditional news channels rather than from social media (Danske Medier, 2020). However, because of the economic restrictions, advertising slumped between 30 to 50 per cent. This resulted in revenue losses in advertising-based media and led to lay-offs in several media companies, including at Berlingske, which is a part of our sample. In order to prevent further layoffs and collapse of media companies, the government provided two aid-packages to the private Danish news media. This prevented closures and mass firing in the media industry to some extent. On 9 June 2020, however, Denmark’s second largest media com- pany, JyskFynske Medier, announced cut-backs due to loss in advertisement revenues during the Covid-19 pandemic, which may result in the firing of up to 100 employees (Marckmann, 2020; Slots- og Kulturstyrelsen, 2020). A side effect of the aid packages has been that several media outlets have registered with the Press Council (Nyhus, 2020). The Press Council is the institution in Denmark that handles complaints about the media covered by the Media Liability Act – and it is a requirement to be registered with the Press Council to access the aid packages. Leading news media sample Our media sample for the Media for Democracy Monitor (MDM) 2021 consists of ten leading news media representing different types of outlets and different types of ownership: two public service broadcasters (DR & TV 2) and the seven national newspapers: Politiken (centre-left), Berlingske (centre-right), Jyllands- Posten (centre-right), Information (centre-left), Kristeligt Dagblad (centre-right), Børsen (centre-right), Ekstra Bladet (centre-left), and B.T. (centre-right). 149 MARK BLACH-ØRSTEN, RASMUS BURKAL, EVA MAYERHÖFFER, & IDA WILLIG Indicators Dimension: Freedom / Information (F) (F1) Geographic distribution of news media availability 3 POINTS A wide variety of news media are broadly available all over Denmark. Denmark has a total of 31 daily paid-for newspapers and one free newspaper. Compared with other Scandinavian countries, Denmark has the smallest number of newspapers, which to a certain extent is an effect of different strategies of public media support (which in Sweden is directed towards the “second” newspaper of a given region). Eight of the 31 newspapers are considered national newspapers (Politiken, Berlingske, Jyllands-Posten, B.T., Ekstra- Bladet, Information, Kristeligt Dagblad, and Børsen), while the rest are either regional or local newspapers, covering all parts of the country. From 2010 to 2018, readership of the printed press fell by 41 per cent. On an average day in 2018, about 1.6 million Danes read a printed newspaper, whereas more than 1.9 million Danes accessed an online news site of a daily newspaper (Slots- og Kulturstyrelsen, 2019d). The biggest national newspapers online are the two tabloids, B.T. and Ekstra Bladet, while the biggest regional newspaper is Jyske Vestkysten. However, the biggest of all online news sites are the two public service broadcasters TV 2 and DR (Schrøder et al., 2019). According to the Reuters Institute Digital News Report (Newman et al., 2020), the willingness to pay for news in Denmark is at 17 per cent, the lowest amongst Nordic countries. Norway, at 42 per cent, has the highest willingness to pay for news in the world, followed by Sweden in second position at 27 per cent and Finland a close third at 19 per cent (Schrøder et al., 2020). In general, Danish newspapers have managed to survive in a disrupted news market; there have been layoffs, but major media outlets have not closed. The regional and local media, however, are suffering an immense economic struggle. In 2018, 85 per cent of Danish households had at least one television hooked up to a television signal. However, the remaining 15 per cent could have pos- sibly either owned a Smart-TV that was hooked up to the Internet instead or streamed television on their computers (Slots- og Kulturstyrelsen, 2019e).
Recommended publications
  • Federal Communications Commission Washington, D.C. 20554
    Federal Communications Commission Washington, D.C. 20554 April 6, 2020 DA 20-385 Jessica J. González Gaurav Laroia Free Press 1025 Connecticut Avenue, N.W., Suite 1110 Washington, D.C. 20036 Re: Free Press Emergency Petition for Inquiry Into Broadcast of False Information on COVID-19 Dear Counsel: Free Press has filed, under section 1.41 of the Federal Communications Commission’s rules,1 an emergency petition requesting an investigation into broadcasters that have aired the President of the United States’ statements and press conferences regarding the novel coronavirus (COVID-19) and related commentary by other on-air personalities. The Petition claims that the President and various commentators have made false statements regarding COVID-19, which Commission licensees have broadcast to the public, and which allegedly have caused or will cause substantial public harm.2 Free Press asks the Commission, under its section 309 public interest authority3 and its rules prohibiting broadcast hoaxes,4 to investigate these broadcasts and adopt emergency enforcement guidance “recommending that broadcasters prominently disclose when information they air is false or scientifically suspect.”5 We deny Free Press’s petition. For the reasons explained below, the Petition misconstrues the Commission’s rules and seeks remedies that would dangerously curtail the freedom of the press embodied in the First Amendment. Free Press, an organization purportedly dedicated to empowering diverse journalistic voices, demands the Commission impose significant burdens on broadcasters that are attempting to cover a rapidly evolving international pandemic in real time and punish those that, in its view, have been insufficiently critical of statements made by the President and others.
    [Show full text]
  • Download Paper (PDF)
    Worldwide Readership Research Symposium 2007 Session 2 Paper 9 FREE NEWSPAPER READERSHIP Piet Bakker, Amsterdam School of Communications Research, University of Amsterdam Abstract Twelve years after the introduction of the first free commuter newspaper in Sweden, circulation of free newspapers has risen to 40 million daily copies. Readership of free newspapers is more complex and in many cases harder to pin down. In general it is different from readership of paid newspapers. The first difference concerns the demographics of the readers: free papers target the affluent 18 to 34 group and in many cases try to achieve that by choosing particular ways of distribution, and also by concentrating on specific content. Age, indeed seems to be significantly lower in most cases although the average readers does not seem to be particularly wealthy. The second distinct feature is the amount of unique readers of free newspaper. Results on the few available cases indicate that around half of the readers only read papers although also lower levels have been reported. The third issue concerns readers per copy. The traditional free commuter daily can reach to a rather high number of readers per copy; but with many markets reaching free newspaper saturation this number seems to be dropping, whereas free door-to-door distributed free papers and afternoon papers have a lower readership per copy. In this paper we will present information on these three issues from a dozen markets, using audited readership data. Free Newspaper Readership The World Association of Newspapers (2007) reported on the year 2006 that daily circulation of newspapers increased with 4.61 percent (25 million copies) compared to 2005.
    [Show full text]
  • Reporting Facts: Free from Fear Or Favour
    Reporting Facts: Free from Fear or Favour PREVIEW OF IN FOCUS REPORT ON WORLD TRENDS IN FREEDOM OF EXPRESSION AND MEDIA DEVELOPMENT INDEPENDENT MEDIA PLAY AN ESSENTIAL ROLE IN SOCIETIES. They make a vital contribution to achieving sustainable development – including, topically, Sustainable Development Goal 3 that calls for healthy lives and promoting well-being for all. In the context of COVID-19, this is more important than ever. Journalists need editorial independence in order to be professional, ethical and serve the public interest. But today, journalism is under increased threat as a result of public and private sector influence that endangers editorial independence. All over the world, journalists are struggling to stave off pressures and attacks from both external actors and decision-making systems or individuals in their own outlets. By far, the greatest menace to editorial independence in a growing number of countries across the world is media capture, a form of media control that is achieved through systematic steps by governments and powerful interest groups. This capture is through taking over and abusing: • regulatory mechanisms governing the media, • state-owned or state-controlled media operations, • public funds used to finance journalism, and • ownership of privately held news outlets. Such overpowering control of media leads to a shrinking of journalistic autonomy and contaminates the integrity of the news that is available to the public. However, there is push-back, and even more can be done to support editorial independence
    [Show full text]
  • Alternative Media As Activist Media
    Stream: Culture/Politics/Technology, 7(1), 23-33 http://journals.sfu.ca/stream Rising Above: Alternative Media as Activist Media Benjamin Anderson School of Communication Simon Fraser University Abstract This paper asserts that truly activist media must be dually committed to critical education and to political action. Whereas my previous work has focused on the need for activist media to challenge media power from within, it is my goal here to build a model of activist media characterized by di- rect action through engagement in critical education and activism in both content and production. Such a model will provide insight both into the limitations of previous research on the oppositional potential of alternative media and into the challenge facing alternative media scholars and practi- tioners alike – that of rising above the noise of the dominant media of the cultural industry in order to communicate for radical social change. Keywords Alternative media, activist media, critical theory Introduction “[God] could alter even the past, unmake what had really happened, and make real what had never happened. As we can see, in the case of enlightened newspaper edi- tors, God is not needed for this task; a bureaucrat is all that is reQuired.” -Walter Benjamin, Journalism Today's culture industry both shapes and reinforces the social totality. In contemporary media we see the limits of accepted reason, wherein the status Quo imposes itself as the one and only reality, the limits of human action and the culmination of a unified, linear history of human progress (Horkheimer & Adorno 2002). Just as the capitalist order enjoys the uncanny ability to co-opt dissi- dence and resistance, so too does the culture industry reappropriate creative resistance – in the commercialization of radical resources, the mass mediated smearing of radical voices, and the ab- sorption (or dissolution) of alternative media channels through economic strangulation.
    [Show full text]
  • Women and Men in the News
    Nordic Council of Ministers TemaNord 2017:527 Women and men in the news and men in Women 2017:527 TemaNord Ved Stranden 18 DK-1061 Copenhagen K www.norden.org WOMEN AND MEN IN THE NEWS The media carry significant notions of social and cultural norms and values and have a powerful role in constructing and reinforcing gendered images. The news WOMEN AND MEN in particular has an important role in how notions of power are distributed in the society. This report presents study findings on how women and men are represented in the news in the Nordic countries, and to what extent women and IN THE NEWS men occupy the decision-making positions in the media. The survey is based on the recent findings from three cross-national research projects. These findings REPORT ON GENDER REPRESENTATION IN NORDIC NEWS CONTENT are supported by national studies. The results indicate that in all the Nordic AND THE NORDIC MEDIA INDUSTRY countries women are underrepresented in the news media both as news subjects and as sources of information. Men also dominate in higher-level decision-making positions. The report includes examples of measures used to improve the gender balance in Nordic news. Women and men in the news Report on gender representation in Nordic news content and the Nordic media industry Saga Mannila TemaNord 2017:527 Women and men in the news Report on gender representation in Nordic news content and the Nordic media industry Saga Mannila ISBN 978-92-893-4973-4 (PRINT) ISBN 978-92-893-4974-1 (PDF) ISBN 978-92-893-4975-8 (EPUB) http://dx.doi.org/10.6027/TN2017-527 TemaNord 2017:527 ISSN 0908-6692 Standard: PDF/UA-1 ISO 14289-1 © Nordic Council of Ministers 2017 Layout: NMR Print: Rosendahls Printed in Denmark Although the Nordic Council of Ministers funded this publication, the contents do not necessarily reflect its views, policies or recommendations.
    [Show full text]
  • Newsgerrige Børn?
    NEWSGERRIGE BØRN? DR Ultra Nyt i børnekulturelt perspektiv Master i børne- og ungdomskultur – medier og æstetiske læreprocesser Child and Youth Cultures, Aesthetic Learning, Processes and Multimedia §9 Masterafhandling Master’s Thesis Maria Bruun Eksamensnummer: 311812 Antal typeenheder: 73.637 Vejleder: Herdis Toft Må gerne offentliggøres Indhold 1. Abstract 1 1.1 Indledning 2 Problemformulering 2 1.2 Baggrund 3 1.3 Form og opbygning 4 2. Metode 5 Valget af informanter 6 Mindmaps 8 Fravalg 8 2.1 Teoretisk grundlag 10 Det komplekse kulturbegreb 12 Legeteoretisk afsæt 13 Karnevalisme teori 14 Medialisering 15 3. Definition af Ultra Nyt 17 Hvad er nyheder? 17 Hvor er nyheder? 17 Hvorfor skal børn have ’nyheder for børn’? 18 Kanaldeling 19 Ultranyt.dk 20 Bekymring og interesse – om Børnerådet og Børnekonventionen 21 Opsamling 23 4. Analyse del 1: Interviews 24 Interview 1 – ”før Ultra Nyt” 24 Om nyheder generelt 24 Om nyheder for børn 25 Om formatet på børnenyheder 27 Om dem selv 28 Tanker om skolen 29 Tanker om leg 29 Opsamling 30 Analyse interview 2 – ”med Ultra Nyt” 30 Identifikation i mobbehistorierne 31 Sydfyn Style 31 Projekt 33 Dyr er kedelige 34 Karnevalistisk træk 34 Opsamling 34 4.1 Analyse, del 2: Karneval og demokrati 36 Delkonklusion 42 5. Konklusion 45 5.1 Perspektiv 48 Litteratur 50 Bilagsmateriale Forældre/barn tilladelse Grundspørgsmål Mindmaps Transskription af interviews Screendumps fra Ultranyt.dk Projektmodningsbrev samt uddrag af mailkorrespondance 1. Abstract This master’s thesis examines Ultra Nyt (Ultra News), a news program for children on the TV channel DR Ultra. Ultra Nyt was first broadcast on 4th March, 2013.
    [Show full text]
  • Nordic Drama
    NORDIC DRAMA PUBLIC SERVICE ORIGINALS A stronger Nordic public service drama collaboration The Nordic public service media companies DR, NRK, RUV, SVT and Yle have in recent years been renowned for outstanding Nordic drama productions. High quality drama with a clear local anchoring and strong public service ambitions has become one of our distinguishing trademarks. To ensure that strong, local drama remains a trademark of the Nordic public service broadcasters in a digital world, the Nordvision partners have decided to build a stronger public service drama portfolio. A strengthening that will increase both the volume of Nordic drama that each company have available on their “players” as well as the quality of the publishing right the partners secure for each other. A clear focus on drama that reflects a Nordic culture, reality and identity fits naturally with the public service mission, and it provides a genuine and recognizable promise to the users that sets Nordic public service apart from other content providers. The initiative is called “Nordic Twelve” (N12). What is N12? N12 – is a yearly package of 12 Nordic drama series with 12 month of rights in the Nordic region. In the following you can find all the N12 drama series: N12 - 2018, N12 - 2019, and some drama series from N12 - 2020. The Nordic partners also co-produce between 8 and 10 young adult drama series a year. For more information see www.nordvision.org 4 N12 2018 8 LIBERTY / DR 10 RIDE UPON THE STORM 2 / DR 12 HOME GROUND 1 / NRK 14 MANNERS / RUV 16 SISTERS 1968 / SVT 18 THE DAYS THE FLOWERS BLOOM / SVT 20 BONUS FAMILY 3 / SVT 22 BLIND DONNA / YLE 24 HOOKED 1 + 2 / YLE N12 2019 26 FOLLOW THE MONEY 3 / DR 28 DELIVER US / DR 30 TWIN / NRK 32 HOME GROUND 2 / NRK 34 EVERYTHING I DON´T REMEMBER / SVT 36 SWIPE RIGHT / SVT 38 INVISIBLE HEROES / YLE 40 THE PARADISE / YLE N12 2020 42 A FAMILY MATTER / DR 44 22.
    [Show full text]
  • 4-Student-Notes-Media-Industries U2
    Media Studies - TV Student Notes Media Industries You will need to consider: • how processes of production, distribution and circulation by organisations, groups and individuals in a global context • the specialised and institutionalised nature of media production, distribution and circulation • the significance of patterns of ownership and control, including conglomerate ownership, vertical integration and diversification • the significance of economic factors, including commercial and not-for-profit public funding, to media industries and their products • how media organisations maintain, including through marketing, varieties of audiences nationally and globally • the regulatory framework of contemporary media in the UK • how processes of production, distribution and circulation shape media products • the role of regulation in global production, distribution and circulation This should be linked where relevant to • social, • cultural, • economic, • political, • historical contexts. • the significance of different ownership and/or funding models in the television industry (i.e. whether media companies are privately or publicly owned, whether they are publicly or commercially funded etc.) • the growing importance of co-productions (including international co-productions) in the television industry today the way in which production values are shaped by economic factors • the impact of risk aversion on television production (e.g. in terms of the commissioning and financing of programmes) • the different sources of funding available to producers working in the television industry today Media Studies - TV 1 Media Studies - TV Student Notes The Bridge (iii/1) • ‘Bron/Broen/ The Bridge’: a Swedish/Danish co-production • Series 3, Episode 1 • Sat 21 Nov 2015 9pm BBC Four • Written by Hans Rosenfeldt • Original Network : SVT1 Sweden • DR1 Denmark • UK Broadcasters: BBC 4 • 3 seasons, 30 episodes • Production of series four has begun, with broadcasting scheduled for the spring of 2018.
    [Show full text]
  • Religion in Danish Newspapers 1750–2018
    Continuity with the Past and Uncertainty for the Future: Religion in Danish Newspapers 1750–2018 HENRIK REINTOFT CHRISTENSEN Aarhus University Abstract The article examines the newspaper constructions of religion in Danish newspapers in a quantitative longitudinal analysis from 1750 to 2000 and a more qualitative analysis of recent news production from the last forty years. For the longitudinal part, the database of the digitiza- tion of Danish newspapers project is used. Using the available tools for quantitative data analysis, the article shows that the category of religion and world religions has been visible in Danish newspapers since 1750. The coverage of world religions is often related to the coverage of international news. Overall, the article documents a re- markable continuity of the presence of religion. Examining the more recent material qualitatively, the article shows that although many religions have been historically visible in the news, they have most recently become more frequent in the debate sections than in the news sections. It is primarily Islam that is debated. This is connected with a shift from religious diversity as part of foreign news coverage to domestic news coverage, related to changes in the surrounding Danish society. Nevertheless, the coverage of Islam also displays a remarkable continuity. Keywords: Danish newspapers, coverage of religion, secularization, reli- gious diversity The oriental question is one of today’s most pertinent questions. While some rejoice at the possible fulfilment of the probably quite reasonable wish to see the end of Turkish barbarism in Europe, others hope that this is a con- firmation of Islam’s impotence and the beginning of the eradication and disappearance of Islam from this world.
    [Show full text]
  • PSB 3.0 TV and the Digital and Global Challenge
    PSB 3.0 TV and the Digital and Global Challenge Ib Bondebjerg Public funding for culture, film and media in general has been a strong element in what we understand to be at the core of the Scandinavian welfare state. It became a crucial part of Scandinavian cultural policy in the 1960s, and in the political philosophy of the Social Democrats and their political allies, the cultural arm of policy became impor- tant as a means to secure a diverse and inclusive public sphere. The birth of modern, visual media like film, radio and television became instruments in a political, social and cultural dialogue across social and cultural differences and barriers. They became a central part of what constitutes an “imagined community” (Anderson 1983) as carri- ers of those stories, narratives and communicative forms that constitute our everyday lives and feeling of belonging. Social and political issues, conflict and debate are central to modern mediated societies and public spheres, but so are deeper social and cultural stories of our present and past. News and documentaries are vital for our understanding of being national citizens as well as citizens of a global world, but TV drama and other forms of fiction are just as important for our ability to understand the contemporary and historical dimensions of society and culture. Fiction can speak to our deeper emotions and collective social feeling of being connected. In this sense, fiction, documentaries and other factual programmes are all part of a well functioning public sphere. For those many European countries that created the modern forms of public support for culture, PSB media were crucial for the diversity of culture and debate in the public sphere.
    [Show full text]
  • Power, Communication, and Politics in the Nordic Countries
    POWER, COMMUNICATION, AND POLITICS IN THE NORDIC COUNTRIES POWER, COMMUNICATION, POWER, COMMUNICATION, AND POLITICS IN THE NORDIC COUNTRIES The Nordic countries are stable democracies with solid infrastructures for political dia- logue and negotiations. However, both the “Nordic model” and Nordic media systems are under pressure as the conditions for political communication change – not least due to weakened political parties and the widespread use of digital communication media. In this anthology, the similarities and differences in political communication across the Nordic countries are studied. Traditional corporatist mechanisms in the Nordic countries are increasingly challenged by professionals, such as lobbyists, a development that has consequences for the processes and forms of political communication. Populist polit- ical parties have increased their media presence and political influence, whereas the news media have lost readers, viewers, listeners, and advertisers. These developments influence societal power relations and restructure the ways in which political actors • Edited by: Eli Skogerbø, Øyvind Ihlen, Nete Nørgaard Kristensen, & Lars Nord • Edited by: Eli Skogerbø, Øyvind Ihlen, Nete Nørgaard communicate about political issues. This book is a key reference for all who are interested in current trends and develop- ments in the Nordic countries. The editors, Eli Skogerbø, Øyvind Ihlen, Nete Nørgaard Kristensen, and Lars Nord, have published extensively on political communication, and the authors are all scholars based in the Nordic countries with specialist knowledge in their fields. Power, Communication, and Politics in the Nordic Nordicom is a centre for Nordic media research at the University of Gothenburg, Nordicomsupported is a bycentre the Nordic for CouncilNordic of mediaMinisters. research at the University of Gothenburg, supported by the Nordic Council of Ministers.
    [Show full text]
  • Journalism (JRN) 1
    Journalism (JRN) 1 Journalism (JRN) Courses JRN 1101. Elements of Writing. 2 Credit Hours. This course focuses on the fundamentals of style and language usage necessary for effective writing. Repeatability: This course may not be repeated for additional credits. JRN 1111. Journalism and Society. 3 Credit Hours. The purpose of this course is to acquaint students with concepts and functions of journalism and the related industries of advertising and public relations in American society. Students will gain knowledge about the history, economics and industry structure of these industries, focusing on how mass media content is determined and disseminated. We will explore underlying values associated with journalism, relationships between journalism and other social institutions, and current issues facing journalists. NOTE: (1) Departmental core course. Normally taken as the first Journalism course. A grade of C or higher is required in order to take higher-level Journalism courses. (2) This course can be used to satisfy the university Core Individual and Society (IN) requirement. Although it may be usable towards graduation as a major requirement or university elective, it cannot be used to satisfy any of the university GenEd requirements. See your advisor for further information. Course Attributes: IN Repeatability: This course may not be repeated for additional credits. JRN 1113. Audio/Visual Newsgathering. 3 Credit Hours. This course will present students with additional story-telling tools by introducing them to basic techniques of reporting with and editing sound and video. The emphasis of this course will be on the use of digital audio and video recorders in the field to produce news stories for radio, television and the web.
    [Show full text]