Skivlista 2-2018
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Young Americans to Emotional Rescue: Selected Meetings
YOUNG AMERICANS TO EMOTIONAL RESCUE: SELECTING MEETINGS BETWEEN DISCO AND ROCK, 1975-1980 Daniel Kavka A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2010 Committee: Jeremy Wallach, Advisor Katherine Meizel © 2010 Daniel Kavka All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Disco-rock, composed of disco-influenced recordings by rock artists, was a sub-genre of both disco and rock in the 1970s. Seminal recordings included: David Bowie’s Young Americans; The Rolling Stones’ “Hot Stuff,” “Miss You,” “Dance Pt.1,” and “Emotional Rescue”; KISS’s “Strutter ’78,” and “I Was Made For Lovin’ You”; Rod Stewart’s “Do Ya Think I’m Sexy“; and Elton John’s Thom Bell Sessions and Victim of Love. Though disco-rock was a great commercial success during the disco era, it has received limited acknowledgement in post-disco scholarship. This thesis addresses the lack of existing scholarship pertaining to disco-rock. It examines both disco and disco-rock as products of cultural shifts during the 1970s. Disco was linked to the emergence of underground dance clubs in New York City, while disco-rock resulted from the increased mainstream visibility of disco culture during the mid seventies, as well as rock musicians’ exposure to disco music. My thesis argues for the study of a genre (disco-rock) that has been dismissed as inauthentic and commercial, a trend common to popular music discourse, and one that is linked to previous debates regarding the social value of pop music. -
SKIVLISTA 3-2018 Hello Music Lovers, the Following Items Will Be Sold on Open Auction Which Means You Can Ask About Leading Bids by Phone Or Mail
AUCTION – AUKTION SKIVLISTA 3-2018 Hello music lovers, The following items will be sold on open auction which means you can ask about leading bids by phone or mail. Please send your starting bids by mail, phone or post before the last day of auction. Hoppas allt är bra med er och era skivspelare. Här kommer en ny lista och jag hoppas du hittar något intressant till Auction deadline is Tuesday, March 27, 2018 at 22.00 / 10 PM Central samlingen. Jag har reflekterat över att vissa artister som tidigare brukade vara mycket efterfrågade nu är tämligen European time (20.00 / 8 PM UTC/GMT) svårsålda. Två bra exempel är Elvis och Spotnicks. Visst, jag förstår att det är ointressant om man redan har alla STOPPDATUM ALLTSÅ TISDAGEN DEN 27 MARS 2018 KL. 22.00 SVENSK skivorna på listan i samlingen. Men då ser jag heller ingen anledning att aktivt leta efter skivor med dessa artister för SOMMARTID. att eventuellt hitta något ni saknar. Det bästa är om ni som bara vill ha Elvis eller någon annan artist skickar en lista på vad ni har eller vad ni söker. Jag hjälper gärna till att leta fram skivor ni saknar men att lägga ner tid och resurser 7" SINGLES/EPs FOR AUCTION på att köpa in speciella artister som ni ändå aldrig köper verkar knappast meningsfullt. Men kom gärna med förslag på vad ni vill se mer av i mina listor. Någon speciell musikgenre? Minimum bid (M.B.) is SEK 50 / US$ 8 / € 6,- / £ 5 unless otherwise noted . Rutan har fått en fettknöl på huvudet bortopererad i dag men är nu hemma igen, pigg och glad. -
99 Luftballons - NENA 1
Aufgabe 1. Hören Sie sich das Lied an und füllen Sie die Lücken aus. 99 Luftballons - NENA 1. Hast du etwas ________________für mich Dann singe ich ein ____________________ für dich Von 99 Luftballons Auf ihrem ________________zum Horizont __________________ du vielleicht g'rad an mich Dann singe ich ein Lied für dich Von 99 Luftballons Und dass so was von so was kommt 2. 99 Luftballons Auf ihrem Weg zum Horizont Hielt ______________ für Ufos aus dem All Darum ______________________ein General 'ne Fliegerstaffel hinterher Alarm zu geben, wenn es so wär Dabei war'n da am Horizont Nur 99 Luftballons 3. 99 Düsenjäger ________________war ein großer Krieger Hielten sich für Captain Kirk Das _______________ ein großes Feuerwerk Die ____________________________haben nichts gerafft Und fühlten sich _____________________angemacht Dabei schoss man am _________________________________ Auf 99 Luftballons 4. 99 Kriegsminister - Streichholz und Benzinkanister - ______________________ sich für schlaue Leute Witterten schon fette Beute Riefen ____________________ und wollten Macht Mann, wer hätte das ______________________________ Dass es einmal soweit kommt Wegen 99 Luftballons 5. 99 ________________________ Krieg Ließen keinen Platz für _____________________________ Kriegsminister gibt's nicht _________________________ Und auch keine Düsenflieger Heute zieh' ich meine Runden Seh' die Welt in Trümmern _________________________ Hab' 'nen Luftballon _________________________________ Denk' an dich und lass' ihn_______________________________. Aufgabe 2. -
Smash Hits Volume 34
\ ^^9^^ 30p FORTNlGHTiy March 20-Aprii 2 1980 Words t0^ TOPr includi Ator-* Hap House €oir Underground to GAR! SKias in coioui GfiRR/£V£f/ mjlt< H/Kim TEEIM THAT TU/W imv UGCfMONSTERS/ J /f yO(/ WOULD LIKE A FREE COLOUR POSTER COPY OF THIS ADVERTISEMENT, FILL IN THE COUPON AND RETURN IT TO: HULK POSTER, PO BOXt, SUDBURY, SUFFOLK C010 6SL. I AGE (PLEASE TICK THE APPROPRIATE SOX) UNDER 13[JI3-f7\JlS AND OVER U OFFER CLOSES ON APRIL 30TH 1980 ALLOW 28 DAYS FOR DELIVERY (swcKCAmisMASi) I I I iNAME ADDRESS.. SHt ' -*^' L.-**^ ¥• Mar 20-April 2 1980 Vol 2 No. 6 ECHO BEACH Martha Muffins 4 First of all, a big hi to all new &The readers of Smash Hits, and ANOTHER NAIL IN MY HEART welcome to the magazine that Squeeze 4 brings your vinyl alive! A warm welcome back too to all our much GOING UNDERGROUND loved regular readers. In addition The Jam 5 to all your usual news, features and chart songwords, we've got ATOMIC some extras for you — your free Blondie 6 record, a mini-P/ as crossword prize — as well as an extra song HELLO I AM YOUR HEART and revamping our Bette Bright 13 reviews/opinion section. We've also got a brand new regular ROSIE feature starting this issue — Joan Armatrading 13 regular coverage of the independent label scene (on page Managing Editor KOOL IN THE KAFTAN Nick Logan 26) plus the results of the Smash B. A. Robertson 16 Hits Readers Poll which are on Editor pages 1 4 and 1 5. -
Colormetaphor Homepage & Lev2 CRIT
its a boombox bot. Idea still in working progress. "WHITE WEDDING" 01 - "WHITE WEDDING" BIO: "PINK CADILLAC" 02- “PINK CADILLAC BIO: Emmylou Chris Blue Magenta Summer Lee After The Harris Issac & Others Moon Rose Goldrush 99 Red Nena Indigo Balloons Donovan The Indigo Swing Swing Southern Mellow Pink Pacic Yellow The Cadillac Shades Monkees of Gray Christine REM Brown Orange Amanda McVie Silver Eyes Crush Ghost Lining Billy White Idol Wedding Chris Daniels Chartreuse and The Kings Green Death By Fitted Chocolate Blouse Savage Violet Garden Los Kiko And Lobos The Lavender Swing Ella Black Fitzergald Alvin and Coee Purple the John Joe Die People Chipmunks Deere Eater Green Emmylou Chris Blue Magenta Summer Lee After The Harris Issac & Others Moon Rose Goldrush :36 -1:27 99 Red Nena Indigo Balloons Donovan The Indigo Swing Swing Southern Mellow Pink Pacic Yellow The Cadillac Shades Monkees of Gray Christine REM Brown Orange Amanda McVie Silver Eyes Crush Ghost Lining Billy White Idol Wedding Summer Lee Chris Daniels and The Kings Magenta Death By Chartreuse Green Fitted Chocolate Blouse Savage Rose Violet Garden Los Kiko And Lobos The Lavender Swing Ella Black Fitzergald Alvin and Coee Purple the People Chipmunks Eater :36 -1:27 John Joe Di ie Deere Green Pick a color 99 Red Balloons Nena Blue Moon Chris Isaac TuneTune ShadesShades “Brings me This was back to the the jam.” PinkPink good ole CadillacCadillac days.” Southern Pacific LYRICS This was “Brings me Lorem ipsum thingy Lorem ipsum thingy the jam.” back to the Doo da da da song Doo da da da song good ole Laa la di da Laa la di da days.” This is a chorus This is a chorus Let me sings my chorus Let me sings my chorus ARTIST Chor-chor-chor chorus Chor-chor-chor chorus COMMENT Yeah yeah yeah Lorem ipsum thingy Yeah yeah yeah This song has only one verse This artist is doo doo doo This song has only one verse And one chorus I like to scat sometimes And one chorus Doop pee do sha wa da wa Lorem ipsum thingy Waaaa da da da di doo. -
80S 697 Songs, 2 Days, 3.53 GB
80s 697 songs, 2 days, 3.53 GB Name Artist Album Year Take on Me a-ha Hunting High and Low 1985 A Woman's Got the Power A's A Woman's Got the Power 1981 The Look of Love (Part One) ABC The Lexicon of Love 1982 Poison Arrow ABC The Lexicon of Love 1982 Hells Bells AC/DC Back in Black 1980 Back in Black AC/DC Back in Black 1980 You Shook Me All Night Long AC/DC Back in Black 1980 For Those About to Rock (We Salute You) AC/DC For Those About to Rock We Salute You 1981 Balls to the Wall Accept Balls to the Wall 1983 Antmusic Adam & The Ants Kings of the Wild Frontier 1980 Goody Two Shoes Adam Ant Friend or Foe 1982 Angel Aerosmith Permanent Vacation 1987 Rag Doll Aerosmith Permanent Vacation 1987 Dude (Looks Like a Lady) Aerosmith Permanent Vacation 1987 Love In An Elevator Aerosmith Pump 1989 Janie's Got A Gun Aerosmith Pump 1989 The Other Side Aerosmith Pump 1989 What It Takes Aerosmith Pump 1989 Lightning Strikes Aerosmith Rock in a Hard Place 1982 Der Komimissar After The Fire Der Komimissar 1982 Sirius/Eye in the Sky Alan Parsons Project Eye in the Sky 1982 The Stand Alarm Declaration 1983 Rain in the Summertime Alarm Eye of the Hurricane 1987 Big In Japan Alphaville Big In Japan 1984 Freeway of Love Aretha Franklin Who's Zoomin' Who? 1985 Who's Zooming Who Aretha Franklin Who's Zoomin' Who? 1985 Close (To The Edit) Art of Noise Who's Afraid of the Art of Noise? 1984 Solid Ashford & Simpson Solid 1984 Heat of the Moment Asia Asia 1982 Only Time Will Tell Asia Asia 1982 Sole Survivor Asia Asia 1982 Turn Up The Radio Autograph Sign In Please 1984 Love Shack B-52's Cosmic Thing 1989 Roam B-52's Cosmic Thing 1989 Private Idaho B-52's Wild Planet 1980 Change Babys Ignition 1982 Mr. -
Smash Hits Volume 33
FORTNIGHTLY March 6-19 1980 i: fcMrstfjg i TH LYING LIZARDS .;! albums STS EDMUNDS )ur GRRk/£V£t/HlfLK HATES 7EEJM THAT TVf^ itav UGLYMONSTERS/ ^A \ / ^ / AAGHi. IF THERE'S ONE THING THATMAKES HULK REALLYAM6RY, IT'S PEOPLE WHO DON'T LOOK AFTER THEIRT€€TH! HULK GOES MAD UNLESS PEOPLE CLEAN THEIR TEETH THOROUGHLY EVERY DAY (ESPECIALLY LAST THING ATNIGHT). HE GOES SSRSfRK IFTHEY DON'T VISITTHE DENTIST REGULARLY! IF YOU D0N7 LOOKAFTER YOUR TEETH, SOMEBODY MAY COME BURSTING INTO YOUR HOUSE IN A TERRIBLE TEMPER AND IT WON'T BE THE MamAM...... 1 ! IF YOU WOULD LIKE A FREE COLOUR POSTER COPY OF THIS ADVERTISEMENT, FlU IN THE COUPON AND RETURN IT TO: HULK POSTER P.O BOX 1, SUDBURY, SUFFOLK COlO 6SL. tAeE(PUASETICKTHEAPPROPRIATEBOir)UNDERI3\Z\i3-l7\3lSANDOVER\JOFFERCLOSESONAPRIL30THmO.AUOW2SDAYSFORDELIVERY(sioaMPmisniA5l}l SH 1 uNAME ADDRESS X. i ^i J4 > March 6-19 1980 Vol 2 No. 5 Phew! Talk about moving ANIMATION mountains — we must have The Skids 4 shifted about six Everests' worth of paper this fortnight, what with ALABAMA SONG your voting forms and Walt David Bowie 4 Jabsco entries. With a bit of luck we'll have the poll results ready SPACE ODDITY forthe next issue but you'll find David Bowie 5 our Jabsco winners on page 26 of this issue. There's also an CUBA incredibly generous Ska Gibson Brothers 8 competition on page 24, not to mention our BIG NEWS! Turn to ALL NIGHT LONG the inside back page and find out Rainbow 14 what we mean . I'VE DONE EVERYTHING FOR YOU Sammy Hagar 14 Managing Editor HOT DOG Nick Logan Shakin' Stevens 17 Editor HOLDIN' -
Quick Guide to the Eurovision Song Contest 2018
The 100% Unofficial Quick Guide to the Eurovision Song Contest 2018 O Guia Rápido 100% Não-Oficial do Eurovision Song Contest 2018 for Commentators Broadcasters Media & Fans Compiled by Lisa-Jayne Lewis & Samantha Ross Compilado por Lisa-Jayne Lewis e Samantha Ross with Eleanor Chalkley & Rachel Humphrey 2018 Host City: Lisbon Since the Neolithic period, people have been making their homes where the Tagus meets the Atlantic. The sheltered harbour conditions have made Lisbon a major port for two millennia, and as a result of the maritime exploits of the Age of Discoveries Lisbon became the centre of an imperial Portugal. Modern Lisbon is a diverse, exciting, creative city where the ancient and modern mix, and adventure hides around every corner. 2018 Venue: The Altice Arena Sitting like a beautiful UFO on the banks of the River Tagus, the Altice Arena has hosted events as diverse as technology forum Web Summit, the 2002 World Fencing Championships and Kylie Minogue’s Portuguese debut concert. With a maximum capacity of 20000 people and an innovative wooden internal structure intended to invoke the form of Portuguese carrack, the arena was constructed specially for Expo ‘98 and very well served by the Lisbon public transport system. 2018 Hosts: Sílvia Alberto, Filomena Cautela, Catarina Furtado, Daniela Ruah Sílvia Alberto is a graduate of both Lisbon Film and Theatre School and RTP’s Clube Disney. She has hosted Portugal’s edition of Dancing With The Stars and since 2008 has been the face of Festival da Cançao. Filomena Cautela is the funniest person on Portuguese TV. -
Rod Stewart Blondes Have More Fun Mp3, Flac, Wma
Rod Stewart Blondes Have More Fun mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: Blondes Have More Fun Country: US Released: 1978 Style: Pop Rock, Disco MP3 version RAR size: 1250 mb FLAC version RAR size: 1237 mb WMA version RAR size: 1339 mb Rating: 4.5 Votes: 835 Other Formats: MP3 APE RA AAC VOX MP4 AC3 Tracklist Hide Credits Da Ya Think I'm Sexy? A1 Written-By – Appice*, Stewart* Dirty Weekend A2 Written-By – Grainger*, Stewart* Ain't Love A Bitch A3 Written-By – Grainger*, Stewart* The Best Days Of My Life A4 Written-By – Cregan*, Stewart* Is That The Thanks I Get? A5 Written-By – Cregan*, Stewart* Attractive Female Wanted B1 Written-By – Grainger*, Stewart* Blondes (Have More Fun) B2 Written-By – Cregan*, Stewart* Last Summer B3 Written-By – Chen*, Stewart* Standin' In The Shadows Of Love B4 Written-By – Holland, Dozier, Holland* Scarred And Scared B5 Written-By – Grainger*, Stewart* Companies, etc. Phonographic Copyright (p) – WEA Records B.V. Phonographic Copyright (p) – Riva Records Ltd. Copyright (c) – WEA Records Ltd. Distributed By – WEA Records Ltd. Published By – Riva Music Ltd. Published By – Skylark Music Ltd. Published By – Jobete Music (UK) Ltd. Published By – Warner Bros. Music Ltd. Credits Engineer – Andy Johns Mastered By – Arun Chakraverty Producer – Tom Dowd Notes Has the cat. # as RVLP8 S [S is inside a circle] (BSK 3261) on the lower left rear of the picture cover. Side A is indicated as "SIDE ONE" and tracks are numbered from 1 to 5. Side B is indicated as "SIDE ONE Continued" and tracks are numbered from 6 to 10. -
New Entry of Record Labels in the Music Industry
Start Me Up: New Entry of Record Labels in the Music Industry Master Thesis MSc Business Administration Management and Entrepreneurship in the Creative Industries Faculty of Economics and Business, Amsterdam Business School Myra Alice Wilhelmina Ruers - 11903929 Supervisor: Dr. M. Piazzai 21st of June 2018 Statement of Originality This document is written by Student Myra Ruers, who declares to take full responsibility for the contents of this document. I declare that the text and the work presented in this document is original and that no sources other than those mentioned in the text and its references have been used in creating it. The Faculty of Economics and Business is responsible solely for the supervision of completion of the work, not for the contents. 2 Abstract The music industry is extremely vibrant, diverse, and inherently uncertain. Record labels are the main intermediaries in this industry, facilitating the connection between the creative input from musicians and the demand from the consumers. Due to many technological advancements, the barriers to entry have decreased significantly, hence making it easier to enter this industry as a new record label. Additionally, strategic integration options allow existing firms to start new ventures by acquiring or initiating subsidiaries. This research focuses on the multiple modes through which new entry can be commenced. These entry modes all have their own characteristics and consequences for the configurations of the industry. The likelihood of entry, the subsequent performance of new record labels, and the effects on the diversity of the output are the main topics that are explored. In this study, databases storing longitudinal information on musical releases are used to compile a dataset with the necessary information on new record labels. -
Behind the Gear Studios and I Worked There for Three Weeks
brothers - I’d had enough. So then I went to A&M Behind The Gear Studios and I worked there for three weeks. The studio This Issue’s Guru of Gadgets sucked then. There was sort of a bad, lean-on-the- by Larry Crane shovel attitude. I felt like everyone there was just collecting paychecks - I like to work. So I went to the Jonathan Little Village Recorders, which is a nice studio. It was owned by Geordie Hormel. I worked there from 1984 to 1987. I’d gotten to know Jimmy Iovine and Shelly Yakus from the Cherokee days. They were working at Cherokee and we did the Tom Petty record Southern Accents and the Eurythmics [Be Yourself Tonight], one of those Talking Heads records [True Stories] with Eric Thorngren engineering, Robbie Robertson’s first [self-titled] solo record with Daniel Lanois and a lot of records with Gary Katz. Being a tech was nice because I didn’t have From the first moment another engineer Phase-Corrected Speaker Systems” (which later I put in to sit in the room all the time, but back then you were raved about a Little Labs DI to me, I knew the end of the IBP manual). I sent that out with my pretty involved in the whole process. I built my first that this company was onto something resume, saying, “This is some of my work.” Tom Lubin, mic pre while I was there. Tchad Blake and Mitchell special. It turns out Little Labs is the editor of RE/P Magazine, said to come see him in Froom really liked it. -
Iic Kc of the Wccl
SINGLES REVIEWS KISS (Casablanca 889) Christine Sixteen (2:52) (Kiss Songs - ASCAP) (Simmons) The first single from "Love Gun" is penned by the group's most ardent rock and roller, Gene Simmons. It's a tale of teenage lust, put to a bump and grind rock accom- kc of the wccl. paniment that utilizes channel -hopping vocals. The Army will see to it that Christine cuts iic an upward path on the charts. BEE GEES (RSO/Polydor 880) THE MANHATTANS (Columbia 10586) EdgeOf The Universe (3:01) (Casserole/Flamm/Unichappell BMI) (B. Gibb, R. Gibb) We Never Danced To A Love Song (3:08) (The Manhat- - This cut from "Here At Last - Live" has already been a favorite for play as an album tans/Blackwood - BMI) (Alston, Bivins) cut. As a concert number as well as a single, the tune combines the sounds that made From the album "It Feels So Good," here are the the Bee Gees popular in the '60s as well as the '70s, featuring an impeccably har- Manhattans performing and plugging the slow -flowing, monized chorus and a tricky rock and roll bridge that keeps listeners begging for more. syrupy romantic music that brought them recognition. An appropriate string arrangement and exciting im- provisations in the lead vocal will take this to R&B and pop stations. O'JAYS (Phila. Intl./CBS 3631) 10CC (Mercury 73943) Work On Me (3:18) (Mighty Three - BMI) (Gamble, Huff) Good Morning Judge (2:54) (Man -Ken - BMI) (Stewart, Traces of S&M are woven through the lyric line of this single from the album Gouldman) "Travelin' At The Speed Of Thought." The chorus has a hypnotic rhythmic feeling that From the band that brought you "Things We Do For will attract programmers, and listeners will be pleasantly amused by the "ooh's" and Love," this up -tempo number dances with energetic up- "ouch's" interspersed.