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NEWS Jarvis Cocker, the National’s Matt Berninger, Savages’ Jehnny Beth Contribute to "Requiem for 114 Radios” Project From the directors of the Nick Cave documentary 20,000 Days on Earth Jarvis Cocker photo by Joseph Okpako/WireImage, Jehnny Beth photo by Gus Stewart/WireImage, Matt Berninger photo by Mark Metcalfe/Getty Images BY: SHELDON PEARCE / MAY 5 2016 ROCK JarvisJarvisJarvis CockerCockerCocker, MattMattMatt BerningerBerningerBerninger (((((TheTheThe NationalNationalNational), and SavagesSavagesSavages' Jehnny Beth are a part of a project called "Requiem for 114 Radios" from IainIainIain ForsythForsythForsyth andandand JaneJaneJane PollardPollardPollard, the directors behind the Nick Cave documentary 20,00020,00020,000 Days DaysDays on onon Earth EarthEarth. It’s an exhibit and installation where a chorus of voices are played on 114 FM radios. The chorus will perform a new version of Dies Irae from the Roman Catholic Requiem Mass. The performance is open to the public May 13 in the cellars of Bristol’s ColstonColstonColston HallHallHall as part of the BristolBristolBristol NewNewNew MusicMusicMusic weekend. The full lineup includes Casper Clausen (Efterklang/Liima), Jimi Goodwin (Doves), Rachel Goswell (Slowdive, Minor Victories) Blaine Harrison (Mystery Jarvis Cocker Matt Berninger (The National Savages Jets), Joe McAlinden (Linden, formerly Superstar/BMX Bandits), Aimee Iain Forsyth Nash (The Black Ryder), Conrad Standish (The Devastations), Jonnine and Jane Pollard Standish (HTRK), Elena Tonra (Daughter) and Rachel Zeﬃra (Cat’s 20,000 Days on Earth Eyes). Jarvis Cocker previously worked with Forsyth and Pollard on the soundtracksoundtracksoundtrack for a TV series based on Neil Gaiman's short stories called "Likely Stories." Find more information hereherehere. Colston Hall Bristol New Music Read Pitchfork's interview with Savages "LoveLoveLove andandand ItsItsIts Opposite.Opposite.Opposite." Requiem for 114 Radios - Iain Forsyth & Jane Pollard soundtrack here Love and Its Opposite..

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Dossier-Catalan.Pdf
PRIMAVERA CLUB 2016 PROGRAMACIÓ PER DIES RECINTES TIQUETS I PUNTS DE VENDA ORGANITZACIÓ I COL·LABORADORS CONTACTE ANNEX: BIOGRAFIES D’ARTISTES Primavera Club avança les revelacions musicals de la temporada Del divendres 21 al diumenge 23 d’octubre, Primavera Club presentarà una selecció formada per 37 artistes i bandes que pujaran als escenaris de les sales Apolo i La [2] de Apolo per mostrar els seus directes a l’àvid públic barceloní i revifar l’oferta cultural de la tardor a la ciutat. Al llarg de tres jornades podran descobrir-se en primícia i en format de sala multitud de promeses arribades de països com els Estats Units, Regne Unit, Canadà, Austràlia, Holanda o Dinamarca, així com del panorama nacional més actual. De la mateixa manera que en anteriors edicions, el cartell ha estat elaborat amb cura pels responsables de Primavera Sound amb el desig de compartir les novetats musicals més atractives procedents de dife- rents punts del globus i que, sota el seu avesat punt de vista, es colaran entre les més escoltades durant els pròxims mesos. H&M brindarà el seu suport a aquesta atrevida iniciativa i consolidarà la seva relació estratè- gica amb les principals cites de la promotora. Com a novetat, el Centre Cultural Albareda s’incorpora com a seu de l’esdeveniment i oferirà quatre actua- cions gratuïtes durant el cap de setmana en horari diürn. El recinte, ubicat a poques passes d’Apolo, obrirà les seves portes a l’hora de l’aperitiu per apropar al públic general una part de l’original programa del festival.
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My Bloody Valentine's Loveless David R
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 My Bloody Valentine's Loveless David R. Fisher Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC MY BLOODY VALENTINE’S LOVELESS By David R. Fisher A thesis submitted to the College of Music In partial fulfillment of the requirements for the degree of Master of Music Degree Awarded: Spring Semester, 2006 The members of the Committee approve the thesis of David Fisher on March 29, 2006. ______________________________ Charles E. Brewer Professor Directing Thesis ______________________________ Frank Gunderson Committee Member ______________________________ Evan Jones Outside Committee M ember The Office of Graduate Studies has verified and approved the above named committee members. ii TABLE OF CONTENTS List of Tables......................................................................................................................iv Abstract................................................................................................................................v 1. THE ORIGINS OF THE SHOEGAZER.........................................................................1 2. A BIOGRAPHICAL ACCOUNT OF MY BLOODY VALENTINE.………..………17 3. AN ANALYSIS OF MY BLOODY VALENTINE’S LOVELESS...............................28 4. LOVELESS AND ITS LEGACY...................................................................................50 BIBLIOGRAPHY..............................................................................................................63
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Artreview Artreview Asia
mother’s tankstation 41-43 Watling Street, Usher’s Island, Dublin, D08 NP48, Ireland Morley House, 26 Holborn Viaduct, 4th floor, London EC1A 2AT, United Kingdom +353 (1) 6717654 +44 (0) 7412581803 [email protected] [email protected] www.motherstankstation.com www.motherstankstation.com ArtReview ArtReview Asia FEATURE Lee Kit The feeling of being hit head-on... By Anthony Yung ArtReview Asia caught up with Lee Kit in Venice, where he was monitoring the reconstruction of a building – soon to be the site of the Hong Kong Pavilion – opposite the entrance of the Arsenale. His solo exhibition You (you). will open here in less than two months. During the past year, Lee’s experiences of participating in art fairs and exhibitions all over the world – from solo shows in Beijing, Hong Kong, Palermo and Tapei, to group shows at the New Museum and MoMA in New York – have transformed his work methods and expanded the dimensions of his creative practice. Oddly enough, shortly before being invited to represent Hong Kong at the Venice Biennale, he moved to Taipei; so we decided, under the circumstances, that the best approach would be to invite one of his old Hong Kong friends to catch up with him on recent events. Lee’s artistic journey began when he started by painting checked patterns onto cloths, then using these ‘paintings’ in his daily life as tablecloths, curtains or picnic sheets. He washed the cloths, he wiped his mouth with them and in 2004 he used one of them as a ‘flag’ in Hong Kong’s annual 1 July protests (held each year since the 1997 handover, in recent years to symbolise a demand for general freedoms).
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Hipster Black Metal?
Hipster Black Metal? Deafheaven’s Sunbather and the Evolution of an (Un) popular Genre Paola Ferrero A couple of months ago a guy walks into a bar in Brooklyn and strikes up a conversation with the bartenders about heavy metal. The guy happens to mention that Deafheaven, an up-and-coming American black metal (BM) band, is going to perform at Saint Vitus, the local metal concert venue, in a couple of weeks. The bartenders immediately become confrontational, denying Deafheaven the BM ‘label of authenticity’: the band, according to them, plays ‘hipster metal’ and their singer, George Clarke, clearly sports a hipster hairstyle. Good thing they probably did not know who they were talking to: the ‘guy’ in our story is, in fact, Jonah Bayer, a contributor to Noisey, the music magazine of Vice, considered to be one of the bastions of hipster online culture. The product of that conversation, a piece entitled ‘Why are black metal fans such elitist assholes?’ was almost certainly intended as a humorous nod to the ongoing debate, generated mainly by music webzines and their readers, over Deafheaven’s inclusion in the BM canon. The article features a promo picture of the band, two young, clean- shaven guys, wearing indistinct clothing, with short haircuts and mild, neutral facial expressions, their faces made to look like they were ironically wearing black and white make up, the typical ‘corpse-paint’ of traditional, early BM. It certainly did not help that Bayer also included a picture of Inquisition, a historical BM band from Colombia formed in the early 1990s, and ridiculed their corpse-paint and black cloaks attire with the following caption: ‘Here’s what you’re defending, black metal purists.
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Sandspur, Vol 98 No 15, January 29, 1992
University of Central Florida STARS The Rollins Sandspur Newspapers and Weeklies of Central Florida 1-29-1992 Sandspur, Vol 98 No 15, January 29, 1992 Rollins College Find similar works at: https://stars.library.ucf.edu/cfm-sandspur University of Central Florida Libraries http://library.ucf.edu This Newspaper is brought to you for free and open access by the Newspapers and Weeklies of Central Florida at STARS. It has been accepted for inclusion in The Rollins Sandspur by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Rollins College, "Sandspur, Vol 98 No 15, January 29, 1992" (1992). The Rollins Sandspur. 1723. https://stars.library.ucf.edu/cfm-sandspur/1723 THE SANDSPUR Volume 98 Issue #15 Rollins College-Winter Park, Florida January 29, 1992 The Select Latin America in the "New World Order" Elect. Visiting professor of force by the U.S., arms, is not all-encompass ing in bringing about growth. The problems in offers his thoughts on Latin America such as drug trafficking, illegal emigration, and human rights abuses, are not Are Student the politics of the solved by military means. It is only a temporary solution to the internal instability in many of the Government leaders Westerm Hemisphere Latin American countries. Now, more than ever, monetary influence is U apathy locking the key to addressing the rudimentary problems BY ELIZABETH COOK in Latin America. Our economic aim must not out the rest of us from Sandspur Staff be so broad based, however, but it should be aimed at the causal factors of economic degen the university As a part of the First Columbus Quincentennial eration and political instability.
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Unpopular Culture and Explore Its Critical Possibilities and Ramifications from a Large Variety of Perspectives
15 mm front 153 mm 8 mm 19,9 mm 8 mm front 153 mm 15 mm 15 mm TELEVISUAL CULTURE TELEVISUAL CULTURE This collection includes eighteen essays that introduce the concept of Lüthe and Pöhlmann (eds) unpopular culture and explore its critical possibilities and ramifications from a large variety of perspectives. Proposing a third term that operates beyond the dichotomy of high culture and mass culture and yet offers a fresh approach to both, these essays address a multitude of different topics that can all be classified as unpopular culture. From David Foster Wallace and Ernest Hemingway to Zane Grey, from Christian rock and country to clack cetal, from Steven Seagal to Genesis (Breyer) P-Orridge, from K-pop to The Real Housewives, from natural disasters to 9/11, from thesis hatements to professional sports, these essays find the unpopular across media and genres, and they analyze the politics and the aesthetics of an unpopular culture (and the unpopular in culture) that has not been duly recognized as such by the theories and methods of cultural studies. Martin Lüthe is an associate professor in North American Cultural Studies at the John F. Kennedy-Institute at Freie Universität Berlin. Unpopular Culture Sascha Pöhlmann is an associate professor in American Literary History at Ludwig-Maximilians-Universität Munich. 240 mm Martin Lüthe and Sascha Pöhlmann (eds) Unpopular Culture ISBN: 978-90-8964-966-9 AUP.nl 9 789089 649669 15 mm Unpopular Culture Televisual Culture The ‘televisual’ names a media culture generally in which television’s multiple dimensions have shaped and continue to alter the coordinates through which we understand, theorize, intervene, and challenge contemporary media culture.
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Crinew Music Re Uoft
CRINew Music Re u oft SEPTEMBER 11, 2000 ISSUE 682 VOL. 63 NO. 12 WWW.CMJ.COM MUST HEAR Universal/NIP3.com Trial Begins With its lawsuit against MP3.com set to go inent on the case. to trial on August 28, Universal Music Group, On August 22, MP3.com settled with Sony the only major label that has not reached aset- Music Entertainment. This left the Seagram- tlement with MP3.com, appears to be dragging owned UMG as the last holdout of the major its feet in trying to reach a settlement, accord- labels to settle with the online company, which ing to MP3.com's lead attorney. currently has on hold its My.MP3.com service "Universal has adifferent agenda. They fig- — the source for all the litigation. ure that since they are the last to settle, they can Like earlier settlements with Warner Music squeeze us," said Michael Rhodes of the firm Group, BMG and EMI, the Sony settlement cov- Cooley Godward LLP, the lead attorney for ers copyright infringements, as well as alicens- MP3.com. Universal officials declined to corn- ing agreement allowing (Continued on page 10) SHELLAC Soundbreak.com, RIAA Agree Jurassic-5, Dilated LOS AMIGOS INVIWITI3LES- On Webcasting Royalty Peoples Go By Soundbreak.com made a fast break, leaving the pack behind and making an agreement with the Recording Word Of Mouth Industry Association of America (RIAA) on aroyalty rate for After hitting the number one a [digital compulsory Webcast license]. No details of the spot on the CMJ Radio 200 and actual rate were released.
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Lush: Shoegaze, Blind Spot and Reunions
Lush: Shoegaze, Blind Spot and Reunions theskinny.co.uk /music/interviews/lush-interview Lush Editor's Choice "You know, I hate the term shoegazing." Emma Anderson laughs but she's frustrated rather than amused as she reflects on the continuing and uncomfortable packaging of the scene her band Lush helped kick-start a mere quarter century ago. That time might have flown but the lazy compartmentalising has remained. "The scene was ridiculed to some extent," she continues, "but if you go back to the 90s, a lot of stuff hasn’t stood the test of time very well at all, and I can see why this has. It has a slightly other-worldly quality, I guess. It's very musical. That might sound really silly but it's not lyric-driven, it's certainly not scene-driven. It's based in music and genuine, real emotion." Hear hear. And her band's lasting qualities go some considerable way towards explaining why their unexpected regrouping late last year was greeted with such immediate warmth. With the likes of Ride and Slowdive's returns leading to a thoughtful re-evaluation of their back catalogues, Lush begin again with their credibility secure, despite elements of a largely supportive press at the time throwing them the odd bitchy barb. As we talk by phone ahead of the band's first release in 20 years – the tremendous Blind Spot EP – and a run of live shows that include two headline performances at London's vast Roundhouse, Anderson recalls those slyly negative notices with bemusement. "This has come up quite a lot actually," she says.
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Cantan Para Disney
funcion@gimm Cantan para Disney . c Alejandro Fernández, Julión Álvarez y Emmanuel son algunos de los cantantes que om.m participaron en el álbum recopilatorio de Disney titulado We love Disney Latino, x que saldrá a la venta el 15 de abril. Se trata de los temas favoritos de muchos, interpretados en español @Funcion_Exc por grandes talentos, entre los que se encuentran Alejandro Sanz, David Bisbal, Eros Ramazzotti, Paty Cantú, Luis Fonsi, Belanova y Ana Torroja, entre otros. (NTX) Foto: Notimex EXCELSIOR actores participaron DOMINGO 13 DE MARZO 280en la serie producida DE 2016 por Disney y que se grabó en diversas locaciones de la Ciudad de México Foto: AFP El avión de Iron Maiden, en el que la banda está viajando para realizar su gira internacio- nal, sufrió un desperfecto en Chile, en el aero- puerto Arturo Merino Benítez. Al momento que el Boeing 747-400 era trasladado a la zona de carga, una vez que ya habían descendido los músicos y el equipo de la banda, el tractor que lo guiaba sufrió el desprendimiento de la pieza de arrastre, por lo que una parte de la aeronave cayó al piso, ocasionando un fuerte daño en el tren de ate- El actor está muy rrizaje, dos de los motores, un ala y resultaron heridos dos operadores que se encontraban satisfecho de poder cerca, que de inmediato fueron trasladados al hospital. trabajar en Hasta que te Esto sucedió antes de que la banda se tras- conocí, serie basada en ladara a Córdoba, Argentina, como parte del su The Book of Souls World Tour, con el que ya la vida de Juan Gabriel.
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Minor Victories
PRESSEMITTEILUNG VOM 22.06.2016 Minor Victories Minor Victories, die neu formierte Band bestehend aus Rachel Goswell (Slowdive), Stuart Braithwaite (Mogwai), Editors Gitarrist Justin Lockey und seinem Bruder James Lockey, haben mit dem bildgewaltigen Video zur Vorabsingle “A Hundred Ropes” schon für Aufsehen gesorgt. Jetzt legen sie mit ihrer Leadsingle “Scattered Ashes (Song For Richard)” nach, die James Graham von The Twilight Sad featured. Was ursprünglich nur von Justin als Idee gedacht war - nämlich die Aufnahme einer extremen Noise EP - endete schlussendlich in einem 10-Song starken Longplayer von vier Bandmitgliedern, die zuvor noch nie zusammen im selben Raum waren. Es war ein glücklicher Zufall, ein Wink des Schicksals, der die vier Musiker zusammenbringen sollte. Nur Rachel Goswell und Justin Lockey kannten sich flüchtig. Als Justin an die Songs der zukünftigen EP dachte, wollte er unbedingt eine zarte Frauenstimme dabei haben, die dem ganzen Rock Leben einhaucht. Rachel war mit im Boot und brachte Stuart als weiteren Gitarristen mit ins Spiel. Als Justin seinem Bruder James das erste Rohmaterial zeigte, fügte dieser noch eigene Ideen dazu. Die Band war somit komplett! Minor Victories bilden auf ihrem Album ein breites Spektrum an Musikrichtungen. Gerade weil sich durch diese fruchtbare Zusammenarbeit für alle Bandmitglieder neue musikalische Perspektiven ergeben haben, wissen Minor Victories auf ihrem Album definitiv zu überraschen! “Starting a band where some of the people have never met each other is something I’ve never heard of,” sagt Stuart. James fügt hinzu, “I’ve made a record with people I’d never have imagined I would have the chance to work with,” während Rachel es wie folgt beschreibt “the most exciting thing I’ve done to date.” Am 03.
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Dossier-Castellano.Pdf
PRIMAVERA CLUB 2016 PROGRAMACIÓN POR DÍAS RECINTOS TICKETS Y PUNTOS DE VENTA ORGANIZACIÓN Y COLABORADORES CONTACTO ANEXO: BIOGRAFÍAS DE ARTISTAS Primavera club avanza las revelaciones musicales de la temporada Del viernes 21 al domingo 23 de octubre, Primavera Club presentará una selección formada por 37 artistas y bandas que se subirán a los escenarios de las salas Apolo y La [2] de Apolo para mostrar sus directos al ávido público barcelonés y avivar la oferta cultural del otoño en la ciudad. A lo largo de tres jornadas podrán descubrirse en primicia y en formato de sala multitud de promesas llegadas de países como Estados Unidos, Reino Unido, Canadá, Australia, Holanda o Dinamarca así como del panorama nacional más actual. Al igual que en anteriores ediciones, el cartel ha sido cuidadosamente elaborado por los responsables de Pri- mavera Sound con el deseo de compartir las novedades musicales de mayor atractivo procedentes de dife- rentes puntos del globo y que, bajo su avezado punto de vista, se colarán entre las más escuchadas durante los próximos meses. H&M brindará su apoyo a esa atrevida iniciativa y consolidará su relación estratégica con las principales citas de la promotora. Como novedad, el Centre Cultural Albareda se incorpora como sede del evento y ofrecerá cuatro actuacio- nes gratuitas durante el ﬁn de semana en horario diurno. El recinto, ubicado a pocos pasos de Apolo, abrirá sus puertas a la hora del aperitivo para acercar al público general una parte del original programa del festival. Entre el ramillete de prometedores nombres que propone Primavera Club para la ocasión, sobresale el post rock de Minor Victories, supergrupo formado por componentes de Mogwai, Slowdive y Editors, el pop reple- to de referencias clásicas de Whitney, el rock bailable de Operators, proyecto de Dan Boecker (Wolf Parade, Divine Fits, Handsome Furs), y la electrónica pop de los americanos Porches, autores de uno de los discos más destacados de este año.
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June 2-8, 2016
JUNE 2-8, 2016 FACEBOOK.COM/WHATZUPFORTWAYNE | WWW.WHATZUP.COM | FACEBOOK.COM/WHATZUPFORTWAYNE 2 ----------------------------------------------------------------------------------- www.whatzup.com ------------------------------------------------------------------June 2, 2016 whatzup Volume 20, Number 42 ort Wayne must really love Germanfest because every year, when we feature the annual festival on our cover, the issues fly off our news- racks like German hotcakes. We assume the popularlity of this particu- larF issue has everything to do with German music and dancing, contests and games and food and beer and not the buxom fraulein that graces its cover, but we could be wrong. Whatever your reason for picking up this week’s issue of GO TO OUR WEBSITE whatzup, you’ll find all things Germanfest in Deborah Kennedy’s cover story FOR TICKET INFO & MORE on page 4. And if you happen to leave your copy at home while you’re out and about during the festival, you’ll be able to access a complete daily schedule at ALL SHOWS ALL AGES UPCOMING EVENTS www.whatzup.com on your cellular device. Genießen! If your tastes run more toward classic rock n’ roll and pop, we’re guessing The Monkees might be the thing for you. The 60s TV and pop music darlings are part of this summer’s Foellinger Theatre concert lineup and are featured by Michele DeVinney on page 5 (and yes, she’s a fan). Finally, we feature one of Fort Wayne’s undiscovered treasures and yet another CuteCute ByBy NatureNature blessing bestowed upon our community by Sweetwater Sound. Expanding Man, a collective consisting of some of Sweetwater’s very best players, play every so JewelryJewelry June 6 | 7pm often at Don Hall’s Guesthouse and are some of the most talented musicians you’re ever going to see.
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