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THE BRITISH ARMY in the LOW COUNTRIES, 1793-1814 By
‘FAIRLY OUT-GENERALLED AND DISGRACEFULLY BEATEN’: THE BRITISH ARMY IN THE LOW COUNTRIES, 1793-1814 by ANDREW ROBERT LIMM A thesis submitted to the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY. University of Birmingham School of History and Cultures College of Arts and Law October, 2014. University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT The history of the British Army in the French Revolutionary and Napoleonic Wars is generally associated with stories of British military victory and the campaigns of the Duke of Wellington. An intrinsic aspect of the historiography is the argument that, following British defeat in the Low Countries in 1795, the Army was transformed by the military reforms of His Royal Highness, Frederick Duke of York. This thesis provides a critical appraisal of the reform process with reference to the organisation, structure, ethos and learning capabilities of the British Army and evaluates the impact of the reforms upon British military performance in the Low Countries, in the period 1793 to 1814, via a series of narrative reconstructions. This thesis directly challenges the transformation argument and provides a re-evaluation of British military competency in the French Revolutionary and Napoleonic Wars. -
Project Aneurin
The Aneurin Great War Project: Timeline Part 8 - The War Machines, 1870-1894 Copyright Notice: This material was written and published in Wales by Derek J. Smith (Chartered Engineer). It forms part of a multifile e-learning resource, and subject only to acknowledging Derek J. Smith's rights under international copyright law to be identified as author may be freely downloaded and printed off in single complete copies solely for the purposes of private study and/or review. Commercial exploitation rights are reserved. The remote hyperlinks have been selected for the academic appropriacy of their contents; they were free of offensive and litigious content when selected, and will be periodically checked to have remained so. Copyright © 2013-2021, Derek J. Smith. First published 09:00 BST 5th July 2014. This version 09:00 GMT 20th January 2021 [BUT UNDER CONSTANT EXTENSION AND CORRECTION, SO CHECK AGAIN SOON] This timeline supports the Aneurin series of interdisciplinary scientific reflections on why the Great War failed so singularly in its bid to be The War to End all Wars. It presents actual or best-guess historical event and introduces theoretical issues of cognitive science as they become relevant. UPWARD Author's Home Page Project Aneurin, Scope and Aims Master References List FORWARD IN TIME Part 1 - (Ape)men at War, Prehistory to 730 Part 2 - Royal Wars (Without Gunpowder), 731 to 1272 Part 3 - Royal Wars (With Gunpowder), 1273-1602 Part 4 - The Religious Civil Wars, 1603-1661 Part 5 - Imperial Wars, 1662-1763 Part 6 - The Georgian Wars, 1764-1815 Part 7 - Economic Wars, 1816-1869 FORWARD IN TIME Part 9 - Insults at the Weigh-In, 1895-1914 Part 10 - The War Itself, 1914 Part 10 - The War Itself, 1915 Part 10 - The War Itself, 1916 Part 10 - The War Itself, 1917 Part 10 - The War Itself, 1918 Part 11 - Deception as a Profession, 1919 to date The Timeline Items 1870 Charles A. -
The Anglo-Zulu War Battlefields 1878 – 1879
THE ANGLO-ZULU WAR BATTLEFIELDS 1878 – 1879 • Good morning. All of you will be familiar with the memorial of the Zulu Shields in St Michael’s Chapel. An opportunity arose for me to visit the Zulu Battlefields in February this year. I am glad that I took the journey as it was an experience that I will never forget and one that I would like to share with you as I thought it would be helpful in adding to our knowledge of one of the most visually striking of the memorials in the Cathedral. • My talk will cover the origin of the Zulu Shields memorial, the background and reasons for the Anglo-Zulu War, the key personalities involved on both sides and the battlefields where the officers and men of the 80th Regiment of Foot (Staffordshire Volunteers) died. • Zulu Shields memorial. Let me begin with the memorial. The ironwork in the form of the Zulu Shields was done by Hardman of Birmingham with the design including representations of the assegais (spears) and mealie cobs. It was originally placed in the North Transept in 1881where it formed part of the side screen to St Stephen’s Chapel. The Chapel was rearranged in recent times with the Zulu memorial relocated to the South Transept and the white marble reredos now stands against the east wall of the North Choir Aisle. • Turning to the memorial itself, the plaque on the floor reads: “Erected by the Officers, NCOs and Men of the 80th (Staffordshire Volunteers) Regiment who served in South Africa. To the memory of their comrades who fell during the Sekukuni and Zulu Campaigns – 1878-1879”. -
Teaching World History with Major Motion Pictures
Social Education 76(1), pp 22–28 ©2012 National Council for the Social Studies The Reel History of the World: Teaching World History with Major Motion Pictures William Benedict Russell III n today’s society, film is a part of popular culture and is relevant to students’ as well as an explanation as to why the everyday lives. Most students spend over 7 hours a day using media (over 50 class will view the film. Ihours a week).1 Nearly 50 percent of students’ media use per day is devoted to Watching the Film. When students videos (film) and television. With the popularity and availability of film, it is natural are watching the film (in its entirety that teachers attempt to engage students with such a relevant medium. In fact, in or selected clips), ensure that they are a recent study of social studies teachers, 100 percent reported using film at least aware of what they should be paying once a month to help teach content.2 In a national study of 327 teachers, 69 percent particular attention to. Pause the film reported that they use some type of film/movie to help teach Holocaust content. to pose a question, provide background, The method of using film and the method of using firsthand accounts were tied for or make a connection with an earlier les- the number one method teachers use to teach Holocaust content.3 Furthermore, a son. Interrupting a showing (at least once) national survey of social studies teachers conducted in 2006, found that 63 percent subtly reminds students that the purpose of eighth-grade teachers reported using some type of video-based activity in the of this classroom activity is not entertain- last social studies class they taught.4 ment, but critical thinking. -
War Medals, Orders and Decorations Including the Suckling Collection of Medals and Medallions Illustrating the Life and Times of Nelson
War Medals, Orders and Decorations including the Suckling Collection of Medals and Medallions illustrating the Life and Times of Nelson To be sold by auction at: Sotheby’s, in the Upper Grosvenor Gallery The Aeolian Hall, Bloomfield Place New Bond Street London W1 Day of Sale: Thursday 3 July 2008 at 12.00 noon and 2.00pm Public viewing: 45 Maddox Street, London W1S 2PE Tuesday 1 July 10.00 am to 4.30 pm Wednesday 2 July 10.00 am to 4.30 pm Thursday 3 July 10.00 am to 12.00 noon Or by previous appointment. Catalogue no. 33 Price £10 Enquiries: James Morton or Paul Wood Cover illustrations: Lot 3 (front); Lot 281 (back); Lot 1 (inside front) and Lot 270 (inside back) in association with 45 Maddox Street, London W1S 2PE Tel.: +44 (0)20 7493 5344 Fax: +44 (0)20 7495 6325 Email: [email protected] Website: www.mortonandeden.com This auction is conducted by Morton & Eden Ltd. in accordance with our Conditions of Business printed at the back of this catalogue. All questions and comments relating to the operation of this sale or to its content should be addressed to Morton & Eden Ltd. and not to Sotheby’s. Important Information for Buyers All lots are offered subject to Morton & Eden Ltd.’s Conditions of Business and to reserves. Estimates are published as a guide only and are subject to review. The actual hammer price of a lot may well be higher or lower than the range of figures given and there are no fixed “starting prices”. -
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ACTION THRILLER DRAMA KIDS COMEDY HORROR MARTIAL ARTS SPECIAL INTEREST DVD CATALOG TABLE OF CONTENTS FAMILY 3-4 ANIMATED 4-5 KID’S SOCCER 5 COMEDY 6 STAND-UP COMEDY 6 COMEDY TV DVD 7 DRAMA 8-11 TRUE STORIES COLLECTION 12-14 THRILLER 15-16 HORROR 16 ACTION 16 MARTIAL ARTS 17 EROTIC 17-18 DOCUMENTARY 18 MUSIC 18 NATURE 18-19 INFINITY ROYALS 20 INFINITY ARTHOUSE 20 INFINITY AUTHORS 21 DISPLAYS 22 TITLE INDEX 23-24 Josh Kirby: Trapped on Micro-Mini Kids Toyworld Now one inch tall, Josh Campbell has his Fairy Tale Police Department The lifelike toy creations of a fuddy-duddy work cut out, but being tiny has its perks. (FTPD) tinkerer rally to Josh's cause. Stars CORBIN Stars COLIN BAIN AND JOSH HAMMOND There’s trouble in Fairy Tale Land! For some reason, the ALLRED, JENNIFER BURNES AND DEREK 90 Minutes / Not Rated world’s best known fairy tales aren’t ending the way they WEBSTER Johnny Mysto Cat: DH9013 / UPC: 844628090131 should. So it’s up to the team at the Fairy Tale Police Department to put An enchanted ring transports a young 91 Minutes / Rated PG the Fairy Tales back on track, and assure they end they way they’re magician back to thrilling adventures in Cat: DH9081 / UPC: 844628090810 supposed to... Happily Ever After! Ancient Britain. Stars TORAN CAUDELL, FTPD: Case File 1 AMBER TAMBLYN AND PATRICK RENNA PINOCCHO, THE THREE LITTLE PIGS, 87 Minutes / Rated PG SNOW WHITE & THE SEVEN DWARFS, THE Cat: DH9008 / UPC: 844628090087 FROG PRINCE, SLEEPING BEAUTY 120 Minutes / Not Rated Cat: TE1069 / UPC: 844628010696 Josh Kirby: Human Pets Kids Of The Round Table Josh and his pals have timewarped to For Alex, Excalibur is just a legend, that is 70,379 and the Fatlings are holding them until he tumbles into a magic glade where hostage! Stars CORBIN ALLRED, JENNIFER the famed sword and Merlin the Magician BURNS AND DEREK WEBSTER appear. -
Transcript of a Presentation by Dr Adrian Greaves to the International Guild of Battlefield Guides at the Officers Mess, Woolwich on the 28Th November 2009
Transcript of a presentation by Dr Adrian Greaves to the International Guild of Battlefield Guides at the Officers Mess, Woolwich on the 28th November 2009. ________________________________________________________________________ Zulu War artefacts - and their role in the writing of history. Mr President, professors, doctors, honoured guests, ladies and gentlemen of the International Guild of Battlefield Guides, thank you for your kind invitation to speak to you today on the subject of Zulu War artefacts and their role in the writing of history. Over the last twenty years I have had the privilege of taking well over one thousand British and European visitors around the battlefields of Zululand – not as a battlefield guide, but as a guest speaker. The significance of this remark will become clear later in my presentation. I would like to begin by saying that I have time only to touch on the artefacts from Isandlwana and Rorke’s Drift - being the Zulu War battles best known to this audience. To put them in context, both battles were fought on the same day, within sight of each other, and both were attacked by the same force of Zulus, albeit Rorke’s Drift was attacked by the Isandlwana reserve force which, at the peak of the fight at Rorke’s Drift, amounted to some 4,000 Zulu warriors. To put the combined size of the two battlefields in context, taking into consideration Chelmsford’s position away from Isandlwana some twelve miles to the east, is about two hundred square miles – or half the size of Dartmoor. Imagine what that was like for the British foot soldiers in full uniform carrying ten-pound Martini-Henry rifles in nearly forty degrees of heat. -
The British Invasion of Zululand
VOL. I! No. 1 ISSN 0034-0979 JANUARY 1979 in this issue EDITORIAL: 1879 and 1979 - Page 2 BEYOND THE WASHING OF THE SPEARS by John Wright- Page 3 A SERMON OF 1879 by J.W. Colenso, Bishop of Natal Page 5 THE BRITISH INVASION OF ZULULAND: SOME THOUGHTS FOR THE CENTENARY YEAR by Jeff Guy Page 8 AN IMPERIAL HIGH COMMISSIONER AND THE MAKING OF A WAR by Peter Colenbrander - - - - Page15 FROM WARRIORS TO WAGE-SLAVES: THE FATE OF THE ZULU PEOPLE SINCE 1879 by Dick Cloete Page 20 Cover Design, and Photographs Pages 22—4, by Joe Alfers Articles printed in Reality do not necessarily reflect the opinion of the Editorial Board. EDITORIAL 1879 AND 1979 This issue of Reality, appearing as it does a hundred years rulers these past thirty years, although it is only recently after the famous British defeat by the Zulu army at that some of them have admitted it in public. We suspect Isandlwana, is given over mainly to a series of articles on that it will fail them too. the origins, conduct and aftermath of the Anglo-Zulu One person who saw quite clearly a hundred years ago that war. The authors examine the history of the Zulu people the end would not justify the means was Bishop Colenso. during this period in the light of facts kept hidden or We include in this issue the text of the famous sermon he glossed over in the past. They place interpretations on the preached in Pietermaritzburg two months after Isandlwana. causes of that war and on what has been done to the Zulu That sermon is relevant to the rest of our subject matter; nation in the century since Isandlwana. -
Lt. Henry Curling's Story After Isandlwana Recently
LT. HENRY CURLING’S STORY AFTER ISANDLWANA RECENTLY DISCOVERED PERSONAL LETTERS Edited by Adrian Greaves __________________________________________________________________________________________ Editor’s note; Curling’s letters have been reproduced using his spelling, grammar and punctuation, any gaps or illegible words are indicated by (?). For a full account, see The Curling Letters of the Zulu War by Greaves & Best, Pen & Sword. Curling’s account of the battle and its immediate aftermath was reported in the June 1998 issue of the Journal, together with a letter about his attack of fever from mid February to the end of March 1879. He enlarged on this account in a letter from Helpmekaar dated 4 April to his brother Willy: “I have never answered your long letter having been seedy must be the excuse. When I was ill I wrote such a stupid letter: I think I must have been off my nut when I wrote it. I was laid up for six weeks altogether as it pulled me down terribly and the fever lasted three weeks. I was sent down to a place called Ladysmith where there is a hospital and began to get better directly I left this (?). About 35 men and 2 officers have died of the fever which is a good proportion for force of about 1000 men in the short space of two months. All the men who die the doctors say have typhoid and those who recover intermittent fever. As about ¼ of the men have been sent away sick there are not many left who have not had it. The severe diarrea that everybody has with the fever is what pulls you down most. -
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FORUM: QUALITATIVE Volumen 9, No. 3, Art. 9 SOCIAL RESEARCH September 2008 SOZIALFORSCHUNG Auto/Ethnography and Tinsel Town: Nathaniel Kohn's Pursuing Hollywood and How it Relates to My Own Experiences Chasing the Dream of Creating Culture Through Cinema Michael Hemmingson Review Essay: Nathaniel Kohn (2006). Pursuing Hollywood: Seduction, Obsession, Dread. Lanham, MD: AltaMira Press (Crossroads in Qualitative Inquiry Series), 179 pages, ISBN 978-0-7391-0925-4, Price $22.95 Key words: Abstract: In Nathaniel KOHN's Pursuing Hollywood, auto/ethnography and interpretive interaction auto/ethnography; are discussed alongside postmodern sign theory and the machinations of making films in the cinema culture; Hollywood system. Interwoven into this review-essay of KOHN's book are auto/ethnographical desire; fame; elements of the reviewer's personal experiences making an independent film and doing business in Hollywood; what the reviewer refers to as "La La Land." While KOHN's book is meant to be an insider's gaze interpretive onto a world few know first-hand, the reviewer has had similar experiences and reads the book as interactionism an identifying text and a launch point for his own experiential accounts. Table of Contents 1. Introduction 2. Critical Methodology 3. Cultural Study 4. BAUDRILLARD & Hollywood 5. The Screenplay(ed) Life 6. Summary References Author Citation 1. Introduction I spent the summer of 2007 on set for my independent film, The Watermelon, produced by LightSong Films and Jordan River Productions.1 It had been a two year process, from writing the script, finding someone to option it, then the process of securing financing, casting actors, hiring a crew, finding locations, paying (or not paying) permits, dealing with unions, and experiencing the overall atmosphere of the competitive world of independent filmmaking in Los Angeles (herein "La La Land"). -
All for the King's Shilling
ALL FOR THE KING’S SHILLING AN ANALYSIS OF THE CAMPAIGN AND COMBAT EXPERIENCES OF THE BRITISH SOLDIER IN THE PENINSULAR WAR, 1808-1814 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Edward James Coss, M.A. The Ohio State University 2005 Dissertation Committee: Approved by: Professor John Guilmartin, Adviser _______________________________ Professor Mark Grimsley Adviser Professor John Lynn Graduate Program in History Copyright by Edward J. Coss 2005 ABSTRACT The British soldier of the Peninsular War, 1808-1814, has in the last two centuries acquired a reputation as being a thief, scoundrel, criminal, and undesirable social outcast. Labeled “the scum of the earth” by their commander, the Duke of Wellington, these men were supposedly swept from the streets and jails into the army. Their unmatched success on the battlefield has been attributed to their savage and criminal natures and Wellington’s tactical ability. A detailed investigation, combining heretofore unmined demographic data, primary source accounts, and nutritional analysis, reveals a picture of the British soldier that presents his campaign and combat behaviors in a different light. Most likely an unemployed laborer or textile worker, the soldier enlisted because of economic need. A growing population, the impact of the war, and the transition from hand-made goods to machined products displaced large numbers of workers. Men joined the army in hopes of receiving regular wages and meals. In this they would be sorely disappointed. Enlisted for life, the soldier’s new primary social group became his surrogate family. -
British Films 1971-1981
Preface This is a reproduction of the original 1983 publication, issued now in the interests of historical research. We have resisted the temptations of hindsight to change, or comment on, the text other than to correct spelling errors. The document therefore represents the period in which it was created, as well as the hard work of former colleagues of the BFI. Researchers will notice that the continuing debate about the definitions as to what constitutes a “British” production was topical, even then, and that criteria being considered in 1983 are still valid. Also note that the Dept of Trade registration scheme ceased in May 1985 and that the Eady Levy was abolished in the same year. Finally, please note that we have included reminders in one or two places to indicate where information could be misleading if taken for current. David Sharp Deputy Head (User Services) BFI National Library August 2005 ISBN: 0 85170 149 3 © BFI Information Services 2005 British Films 1971 – 1981: - back cover text to original 1983 publication. What makes a film British? Is it the source of its finance or the nationality of the production company and/or a certain percentage of its cast and crew? Is it possible to define a British content? These were the questions which had to be addressed in compiling British Films 1971 – 1981. The publication includes commercial features either made and/or released in Britain between 1971 and 1981 and lists them alphabetically and by year of registration (where appropriate). Information given for each film includes production company, studio and/or major location, running time, director and references to trade paper production charts and Monthly Film Bulletin reviews as source of more detailed information.