DOCSLIB.ORG

Abler Paul Paul Abler Sextet Bossa Nova Ackerman Bob & Friends

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Abler Paul Paul Abler Sextet Bossa Nova Ackerman Bob & Friends Big Daddy 4-Tay Adderley Cannonball Somethin' Else Blue Note Adderley Cannonball Something Else Blue Note Adderley Cannonball In Chicago Mercury Adderley Cannonball In San Francisco Riverside Adderley Nat Branching Out Riverside Akiyoshi Toshiko fat Tabackin Big Band Insights Records Akiyoshi Toshiko Long Yellow Road RCA Alden Howard 13 Strings feat. Geo. Van Eps Concord Alden Howard Concord Jazz Guitar Collective w Vignola & Bruno Concord Alden Howard A Good Likeness Concord Alden Howard feat. Peplowski & Vache Concord Alden Howard Music of Bill Evans Concord Alden Howard Salutes Buck Clayton Concord Alden Howard Snowy Morning Blues Concord Alden Howard Swing Street Concord Alden Howard feat Terri Richards Alden Nagel-Heyer Alexander Monty Echoes of Jilly's Concord Alexander Monty Triple Treat Concord Alexander Eric Man With A Horn Fantasy Alexander Monty Fly America Telarc Alexander Monty Fly America Telarc Allen Harry Music from Guys and Dolls w Joe Cohn Arbors Allen Harry Music of the Trumpet Kings w Randy Sandke Big Band Nagel-Heyer Allen Harry Meets J. Pizzarelli Trio BMG Allison Mose Best of Atlantic Allison Mose Swingin Machine Atlantic Allison Mose Ever Since World Ended Blue Note Allison Mose Back Country Suite Prestige Allred John ABC's of Jazz w Jeff Barnhart & Danny Coots Arbors Allyson Karrin Azure Concord Allyson Karrin Ballads Concord Allyson Karrin From Paris to Rio Concord Allyson Karrin I Didn’t Know About You Concord Allyson Karrin Round Midnight Concord Allyson Karrin Sweet Home Cookin Concord Ammons Gene feat Dodo Marmarosa/ Jug & Dodo Prestige Ammons Gene Greatest Hits / 1970's Prestige Ammons Gene We'll Be Together Again w Sonny Stitt Prestige Andress Tuck Tuck and Patty Cathcart Windham Hill Andrews Sisters Anthology MCA Andrews Sisters Best of Universal Armstrong Louis Laughin’ Louie Bluebird Armstrong Louis Hot Fives , Vol 1 CBS Armstrong Louis Classics, 1951-52 Classics Armstrong Louis Louis' Love Songs Classics Armstrong Louis 10 Super Hits Columbia Armstrong Louis Satch Plays Fats Columbia Armstrong Louis Plays W. C. Handy Columbia Armstrong Louis Plays W.C. Handy Columbia Armstrong Louis Best of the Decca Years Decca Armstrong Louis Jeepers Creepers (plus 19 other songs) Hadco (Israel) Armstrong Louis Jeepers Creepers (plus 19 other songs) Hadco (Israel) Armstrong Louis Louis Armstrong of New Orleans Jazz Heritage Armstrong Louis Jazz Collector's Edition Laser Light Armstrong Louis Jazz Collector's Edition Laser Light Armstrong Louis Jazz Collector's Edition Laser Light Armstrong Louis On The Road LaserLight Armstrong Louis Satchmo And The Dukes Of Dixieland Leisure Armstrong Louis Louis Armstrong -Tiger Rag Music Masters Armstrong Louis Millennium Collection RCA Armstrong Louis 20 Hits Time Armstrong Louis Big Band Sampler Time-Life Ascione Joe My Buddy Nagel-Heyer Asher Emily Dreams May Take You Enja Asherie Ehud Welcome to New York Arbors Asmussen Svend Makin Whoopee Arbors Astaire Fred Jazz Time Proper Astaire Fred Steppin Out Verve Astaire Fred Fred Astaire Story Verve Barnhart Jeff In My Solitude Arbors Barnhart Jeff feat. Draga & Coots / We Three Jazz Alive Barnhart Jeff Hot Jazz, Hokum & Hllarity Jazz Alive Barnhart Jeff Wallering Around jeffbarnhart.com Barnhart Jeff Fryer Barnhart All Stars Lake Barnhart Jeff Reflections of Fats Waller Lake Barnhart Jeff feat. John Sheridan / Around the World Summit Barrett Dan Blue Swing Arbors Barrett Dan Jubilesta Arbors Barrett Dan Reunion feat Al Jenkins Arbors Barrett Dan Strictly Instrumental Concord Basie Count Classics, 1939-1940 Classics Basie Count Classics, 1941 Classics Basie Count Essential Count Basie Columbia Basie Count Essential Count Basie 1 Columbia Basie Count Essential Count Basie 2 Columbia Basie Count Essential Count Basie 3 Columbia Basie Count One O'Clock Jump Decca Basie Count Gold Collection Fine Tune Basie Count Swingsation GP Records Basie Count Swingsation GRP Basie Count Basie Big Band Pablo Basie Count Basie At Newport Polygram Basie Count Basie’s Best Sony Basie Count Basie Plays the Hits of Frank Sinatra Verve Basie Count Compact Jazz series Verve Basie Count Jazz Masters Series 2 Verve Basie/Goodman Basie & Goodman Orchestras Javelin (Germany) Bassey Shirley Four Decades of Song 1 EMI Bassey Shirley Four Decades of Song 2 EMI Bassey Shirley Four Decades of Song 3 EMI Batiste John Christmas With Jon Batiste Naht Jona Bechet Sidney Legendary Sidney Bechet Bluebird Ben-Hur Ronnie Sofia's Butterfly TCB Bennett Dave Clarinet Is King Arbors Bennett Tony Essence of Tony Bennett Columbia Bennett Tony Hot And Cool: Bennett Sings Ellington Columbia Bennett Tony Tony Bennett Jazz Columbia Bennett Tony Astoria: Artist Portrait Columbia Bennett Tony Bennett/Berlin Columbia Bennett Tony Hall of Fame Hits Columbia Bennett Tony Here’s To The Ladies Columbia Bennett Tony I Wanna Be Around Columbia Bennett Tony Jazz Columbia Bennett Tony On Holiday Columbia Bennett Tony Something Columbia Bennett Tony Steppin Out Columbia Bennett Tony Who Can I Turn To Columbia Bennett Tony Life Is Beautiful Concord Bennett Tony Rogers & Hart Sngbk DRG Bennett Tony w/B. Evans/ Togthr Again DRG Bennett Tony Tony Bennett and Bill Evans Album Fantasy Bennett Tony feat Count Basie Jazz Classics Bennett Tony Classic T.Bennett VOL2 SEMA Records Bennett Tony Bennett and Basie SMS Bennett Tony Unplugged Sony Benson George Big Boss Band Warner Bertoncini Gene Two In Time w Michael Moore Chiaroscuro Bertoncini Gene Art of the Duo Stash Black Orpheus Soundtrack Jobim & Luis Bonfa compositions Verve Blaine Terry In Concert w/ M. Shane Jukebox Blaine Terry Lonesome Swallow Jukebox Blaine Terry Whose Honey Are You? Jukebox Blaine Terry Too Hot For Words Jukebox Blaine Terry With Thee I Swing Nagel-Heyer Blakey Art A Night In Tunisia Blue Note Blakey Art A Night In Tunisia Blue Note Blakey Art Moanin’ Blue Note Blakey Art Keystone 3 Concord Blakey Art Liaisons Dangereuses Fontana Blakey Art and the Jazz Messengers Impulse Blakey Art Caravan Jazz Classics Blakey Art Impulse! MCA Blanchard Terrance Billie Holiday Songbook Columbia Blanchard Terrance Let's Get Lost Sony Blood, Sweat & Tears B.S.& T. 3 Columbia Blood, Sweat & Tears Child Is Father to thMan Columbia Blood, Sweat & Tears 1st album Columbia Bolling Claude First Class feat Stephane Grappelli Milan Booker Walter Bookie's Cookbook Mapleshade Botti Chris Night Sessions Columbia Bowie Lester Leadersw/ChicoFreeman Black Saint Bowie Lester The Great Pretender ECM Bowie Lester feat Brass Fantasy Venture Braff Ruby Live @ The Regatabar Arbors Braff Ruby w The Flying Pizzarelli’s Arbors Braff Ruby Controlled Nonchalance Arbors Braff Ruby I Hear Music Arbors Braff Ruby You Brought A New Kind Of Love Arbors Braff Ruby Complete Bethlehem Bethlehem Braff Ruby feat Geo Barnes Q’tet Chiaroscuro Braff Ruby Bravura Eloquence Concord Braff Ruby Cornet Chop Suey Concord Braff Ruby Me Myself & I Concord Braff Ruby Plays Gershwin Concord Braff Ruby w S. Hamilton/ A First Concord Braff Ruby w/ Dick Hyman organ Concord Braff Ruby w/D. Hyman/ My Fair LdyConcord Concord Braff Ruby w/D. Hyman/ S. Pacific Concord Braff Ruby w/New England ‘Hounds Concord Braff Ruby w/Nw England‘Hounds 2 Concord Braff Ruby Sailboat in the Moonlight Concord Braff Ruby Salutes Rogers & Hart Concord Braff Ruby Mr. Braff To You Phontastic Braff Ruby My Lucky Day RCA Brewer Teresa Songs of Irving Berlin Doctor Jazz Brewer Teresa Ms. Versatility Jasmine Brewer Teresa Softly I Swing Red Baron Brewer Teresa Songs of Harry Warren Red Baron Bridgewater Dee Dee Live In Paris Affinity Bridgewater Dee Dee Live At Yoshi's Verve Britto Carol feat Flip Phillips Town Crier Brookmeyer Bob feat Jimmy Giuffre Atlantic Brookmeyer Bob Four Classic Albums AVID Jazz Brookmeyer Bob feat Bill Evans Blue Note Brookmeyer Bob Oslo Concord Brookmeyer Bob Small Band VOL 1 DCC Brookmeyer Bob 1953-54 feat Stan Getz DRCD Brookmeyer Bob Back Again Gazelle Brookmeyer Bob Quartet Just Jazz Brookmeyer Bob Blues Hot & Cold Lone Hill Brookmeyer Bob w/ H. Hancock G. Burton Sony Brown Ray Good As It Gets Concord Brown Ray w/ J. Rowles/ Tasty Concord Brown Cliifford Clifford Br &Max Roach Emarcy Brown Cliifford w/Max Roach@ Basin St Emarcy Brown Cliifford Clifford Brown Memorial Prestige Brown Cliifford Finest Hour Verve Brown Ray Bass Hit Verve Brubeck Dave 25th Anniversary Reunion A&M Brubeck Dave Gone With the Wind Columbia Brubeck Dave Jazz Goes to College Columbia Brubeck Dave Time Out Columbia Brubeck Dave feat. Jimmy Rushing Columbia Brubeck Dave At College of the Pacific Fantasy Brubeck Dave Jazz At Oberlin Fantasy Brubeck Dave At Storyville, 1954 Fresh Sound Brubeck Dave Best of VOL 1 IMC, Portugal Brubeck Dave Best of VOL 2 IMC, Portugal Brubeck Dave Best of VOL 3 IMC, Portugal Brubeck Dave So What's New? Telarc BuenaBryant Vista Ray Alone with the Blues Fantasy Social Club Featuring Ry Cooder Nonesuch Bunch John A Special Alliance Arbors Burns Ken Best of Ken Burns Jazz (various artists) Verve Burrell Kenny Bluesy Burrell Prestige Burrell Kenny w/ Gil Evans, conductor Verve Burton Gary feat Keith Jarrett Atlantic Burton Gary For Hamp , Red, Bags and Cal Concord Bushkin Joe Road to Oslo DRG Byrd Charlie Brazilian Byrd Columbia Byrd Charlie Mr. Guitar Riverside Cain Jackie & Roy Kral Alec Wilder Collection Audiophile Cain Jackie & Roy Kral One More Rose Audiophile Cain Jackie & Roy Kral Time & Love CBS Cain Jackie & Roy Kral High Standards Concord Cain Jackie & Roy Kral Music of Cy Coleman Discovery Cain Beautiful Sea DRG Cain Jackie & Roy Kral Full Circle Fantasy Cain Jackie feat. Bill Holman Orch. Fresh Sound Cain Jackie & Roy Kral ABC Paramount Years Koch Cain Jackie & Roy Kral The Glory of Love MCA Cain Jackie & Roy Kral Forever Music Masters Cain Jackie & Roy Kral Sondheim Red Baron Cain Jackie & Roy Kral The Spotlight Solar Cain Jackie & Roy Kral Storyville Presents Storyville Cain Jackie & Roy Kral Lovesick Verve Cain/Kral Jackie & Roy Full Circle Contemporary Caiola Al Deep in a Dream Nippon Callaway Ann Hampton To Ella With Love After Nine Callaway Ann Hampton Bring Back Romance DRG Callaway Ann Hampton Feat.
Recommended publications
  • Don Giovanni Sweeney Todd

    Don Giovanni Sweeney Todd

    FALL 2019 OPERA SEASON B R AVO Don Giovanni OCTOBER 19-27, 2019 Sweeney Todd NOVEMBER 16-24, 2019 2019 Fall Opera Season Sponsor e Katherine McGregor Dessert Parlor …at e Whitney. Named a er David Whitney’s daughter, Katherine Whitney McGregor, our intimate dessert parlor on the Mansion’s third oor features a variety of decadent cakes, tortes, and miniature desserts. e menu also includes chef-prepared specialties, pies, and “Drinkable Desserts.” Don’t miss the amazing aming dessert station featuring Bananas Foster and Cherries Jubilee. Reserve tonight’s table online at www.thewhitney.com or call 313-832-5700 4421 Woodward Ave., Detroit Pre- eater Menu Available on performance date with today’s ticket. Choose one from each course: FIRST COURSE Caesar Side Salad Chef’s Soup of the Day e Whitney Duet MAIN COURSE Grilled Lamb Chops Lake Superior White sh Pan Roasted “Brick” Chicken Sautéed Gnocchi View current menus DESSERT and reserve online at Chocolate Mousse or www.thewhitney.com Mixed Berry Sorbet with Fresh Berries or call 313-832-5700 $39.95 4421 Woodward Ave., Detroit e Katherine McGregor Dessert Parlor …at e Whitney. Named a er David Whitney’s daughter, Katherine Whitney McGregor, our intimate dessert parlor on the Mansion’s third oor features a variety of decadent cakes, tortes, and miniature desserts. e menu also includes chef-prepared specialties, pies, and “Drinkable Desserts.” Don’t miss the amazing aming dessert station featuring Bananas Foster and Cherries Jubilee. Reserve tonight’s table online at www.thewhitney.com or call 313-832-5700 4421 Woodward Ave., Detroit Pre- eater Menu Available on performance date with today’s ticket.
  • Duke Ellington Kyle Etges Signature Recordings Cottontail

    Duke Ellington Kyle Etges Signature Recordings Cottontail

    Duke Ellington Kyle Etges Signature Recordings Cottontail. Cottontail stands as a fine example of Ellington’s “Blanton-Webster” years, where the ​ band was at its peak in performance and popularity. The “Blanton-Webster” moniker refers to bassist Jimmy Blanton and tenor saxophonist Ben Webster, who recorded Cottontail on May 4th, 1940 alongside Johnny Hodges, Barney Bigard, Chauncey Haughton, and Harry Carney on saxophone; Cootie Williams, Wallace Jones, and Ray Nance on trumpet; Rex Stewart on cornet; Juan Tizol, Joe Nanton, and Lawrence Brown on trombone; Fred Guy on guitar, Duke on piano, and Sonny Greer on drums. John Hasse, author of The Life and Genius of Duke ​ Ellington, states that Cottontail “opened a window on the future, predicting elements to come in ​ jazz.” Indeed, Jimmy Blanton’s driving quarter-note feel throughout the piece predicts a collective gravitation away from the traditional two feel amongst modern bassists. Webster’s solo on this record is so iconic that audiences would insist on note-for-note renditions of it in live performances. Even now, it stands as a testament to Webster’s mastery of expression, predicting techniques and patterns that John Coltrane would use decades later. Ellington also shows off his Harlem stride credentials in a quick solo before going into an orchestrated sax soli, one of the first of its kind. After a blaring shout chorus, the piece recalls the A section before Harry Carney caps everything off with the droning tonic. Diminuendo & Crescendo in Blue. This piece is remarkable for two reasons: Diminuendo & ​ ​ Crescendo in Blue exemplifies Duke’s classical influence, and his desire to write more ​ grandiose pieces with more extended forms.
  • Guide to Ella Fitzgerald Papers

    Guide to Ella Fitzgerald Papers

    Guide to Ella Fitzgerald Papers NMAH.AC.0584 Reuben Jackson and Wendy Shay 2015 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 3 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 5 Series 1: Music Manuscripts and Sheet Music, 1919 - 1973................................... 5 Series 2: Photographs, 1939-1990........................................................................ 21 Series 3: Scripts, 1957-1981.................................................................................. 64 Series 4: Correspondence, 1960-1996.................................................................
  • Premium Blend: Middle School Percussion Curriculum Utilizing Western and Non-Western Pedagogy

    Premium Blend: Middle School Percussion Curriculum Utilizing Western and Non-Western Pedagogy

    Premium Blend: Middle School Percussion Curriculum Utilizing Western and Non-Western Pedagogy Bob Siemienkowicz Winfield School District 34 OS 150 Park Street Winfield, Illinois 60190 A Clinic/Demonstration Presented by Bob Siemienkowicz [email protected] And The 630.909.4974 Winfield Percussion Ensembles ACT 1 Good morning. Thank you for allowing us to show what we do and how we do it. Our program works for our situation in Winfield and we hope portions of it will work for your program. Let’s start with a song and then we will time warp into year one of our program. SONG – Prelude in E minor YEAR 1 – All those instruments The Winfield Band program, my philosophy has been that rhythm is the key to success. I tell all band students “You can learn the notes and fingerings fine, but without good rhythm, no one will understand what you are playing.” This is also true in folkloric music. Faster does not mean you are a better player. How well you communicate musically establishes your level of proficiency. Our first lessons with all band students are clapping exercises I design and lessons from the Goldenberg Percussion method book. Without the impedance of embouchure, fingerings and the thought of dropping a $500 instrument on the floor, the student becomes completely focused on rhythmic study. For the first percussion lesson, the focus is also rhythmic. Without the need for lips, we play hand percussion immediately. For the first Western rudiment, we play paradiddles on conga drums or bongos (PLAY HERE). All percussion students must say paradiddle while they play it.
  • Victory and Sorrow: the Music & Life of Booker Little

    Victory and Sorrow: the Music & Life of Booker Little

    ii VICTORY AND SORROW: THE MUSIC & LIFE OF BOOKER LITTLE by DYLAN LAGAMMA A Dissertation submitted to the Graduate School-Newark Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Jazz History & Research written under the direction of Henry Martin and approved by _________________________ _________________________ Newark, New Jersey October 2017 i ©2017 Dylan LaGamma ALL RIGHTS RESERVED ABSTRACT OF THE DISSERTATION VICTORY AND SORROW: THE MUSICAL LIFE OF BOOKER LITTLE BY DYLAN LAGAMMA Dissertation Director: Henry Martin Booker Little, a masterful trumpeter and composer, passed away in 1961 at the age of twenty-three. Little's untimely death, and still yet extensive recording career,1 presents yet another example of early passing among innovative and influential trumpeters. Like Clifford Brown before him, Theodore “Fats” Navarro before him, Little's death left a gap the in jazz world as both a sophisticated technician and an inspiring composer. However, unlike his predecessors Little is hardly – if ever – mentioned in jazz texts and classrooms. His influence is all but non-existent except to those who have researched his work. More than likely he is the victim of too early a death: Brown passed away at twenty-five and Navarro, twenty-six. Bob Cranshaw, who is present on Little's first recording,2 remarks, “Nobody got a chance to really experience [him]...very few remember him because nobody got a chance to really hear him or see him.”3 Given this, and his later work with more avant-garde and dissonant harmonic/melodic structure as a writing partner with Eric Dolphy, it is no wonder that his remembered career has followed more the path of James P.
  • ألبوù… (الألبوù…ات & الجØ

    ألبوù… (الألبوù…ات & الجØ

    Lee Konitz ألبوم قائمة (الألبوم ات & الجدول الزمني) Jazz Nocturne https://ar.listvote.com/lists/music/albums/jazz-nocturne-30595290/songs Live at the Half Note https://ar.listvote.com/lists/music/albums/live-at-the-half-note-25096883/songs Lee Konitz with Warne Marsh https://ar.listvote.com/lists/music/albums/lee-konitz-with-warne-marsh-20813610/songs Lee Konitz Meets Jimmy Giuffre https://ar.listvote.com/lists/music/albums/lee-konitz-meets-jimmy-giuffre-3228897/songs Organic-Lee https://ar.listvote.com/lists/music/albums/organic-lee-30642878/songs https://ar.listvote.com/lists/music/albums/lee-konitz-meets-warne-marsh-again- Lee Konitz Meets Warne Marsh Again 28405627/songs Subconscious-Lee https://ar.listvote.com/lists/music/albums/subconscious-lee-7630954/songs https://ar.listvote.com/lists/music/albums/an-image%3A-lee-konitz-with-strings- An Image: Lee Konitz with Strings 24966652/songs Lee Konitz Plays with the Gerry https://ar.listvote.com/lists/music/albums/lee-konitz-plays-with-the-gerry-mulligan- Mulligan Quartet quartet-24078058/songs Anti-Heroes https://ar.listvote.com/lists/music/albums/anti-heroes-28452844/songs Alto Summit https://ar.listvote.com/lists/music/albums/alto-summit-28126595/songs Pyramid https://ar.listvote.com/lists/music/albums/pyramid-28452798/songs Live at Birdland https://ar.listvote.com/lists/music/albums/live-at-birdland-19978246/songs Oleo https://ar.listvote.com/lists/music/albums/oleo-28452776/songs Very Cool https://ar.listvote.com/lists/music/albums/very-cool-25096889/songs
  • Discography of the Mainstream Label

    Discography of the Mainstream Label

    Discography of the Mainstream Label Mainstream was founded in 1964 by Bob Shad, and in its early history reissued material from Commodore Records and Time Records in addition to some new jazz material. The label released Big Brother & the Holding Company's first material in 1967, as well as The Amboy Dukes' first albums, whose guitarist, Ted Nugent, would become a successful solo artist in the 1970s. Shad died in 1985, and his daughter, Tamara Shad, licensed its back catalogue for reissues. In 1991 it was resurrected in order to reissue much of its holdings on compact disc, and in 1993, it was purchased by Sony subsidiary Legacy Records. 56000/6000 Series 56000 mono, S 6000 stereo - The Commodore Recordings 1939, 1944 - Billy Holiday [1964] Strange Fruit/She’s Funny That Way/Fine and Mellow/Embraceable You/I’ll Get By//Lover Come Back to Me/I Cover the Waterfront/Yesterdays/I Gotta Right to Sing the Blues/I’ll Be Seeing You 56001 mono, S 6001 stereo - Begin the Beguine - Eddie Heywood [1964] Begin the Beguine/Downtown Cafe Boogie/I Can't Believe That You're in Love with Me/Carry Me Back to Old Virginny/Uptown Cafe Boogie/Love Me Or Leave Me/Lover Man/Save Your Sorrow 56002 mono, S 6002 stereo - Influence of Five - Hawkins, Young & Others [1964] Smack/My Ideal/Indiana/These Foolish Things/Memories Of You/I Got Rhythm/Way Down Yonder In New Orleans/Stardust/Sittin' In/Just A Riff 56003 mono, S 6003 stereo - Dixieland-New Orleans - Teagarden, Davison & Others [1964] That’s A- Plenty/Panama/Ugly Chile/Riverboat Shuffle/Royal Garden Blues/Clarinet
  • Powell, His Trombone Student Bradley Cooper, Weeks

    Powell, His Trombone Student Bradley Cooper, Weeks

    Interview with Benny Powell By Todd Bryant Weeks Present: Powell, his trombone student Bradley Cooper, Weeks TBW: Today is August the 6th, 2009, believe it or not, and I’m interviewing Mr. Benny Powell. We’re at his apartment in Manhattan, on 55th Street on the West Side of Manhattan. I feel honored to be here. Thanks very much for inviting me into your home. BP: Thank you. TBW: How long have you been here, in this location? BP: Over forty years. Or more, actually. This is such a nice location. I’ve lived in other places—I was in California for about ten years, but I’ve always kept this place because it’s so centrally located. Of course, when I was doing Broadway, it was great, because I can practically stumble from my house to Broadway, and a lot of times it came in handy when there were snow storms and things, when other musicians had to come in from Long Island or New Jersey, and I could be on call. It really worked very well for me in those days. TBW: You played Broadway for many years, is that right? BP: Yeah. TBW: Starting when? BP: I left Count Basie in 1963, and I started doing Broadway about 1964. TBW: At that time Broadway was not, nor is it now, particularly integrated. I think you and Joe Wilder were among the first to integrate Broadway. BP: It’s funny how it’s turned around. When I began in the early 1960s, there were very few black musicians on Broadway, then in about 1970, when I went to California, it was beginning to get more integrated.
  • A Night in Tunisia (From Album “Legends Masterpieces)

    A Night in Tunisia (From Album “Legends Masterpieces)

    ANALISI DELLE FORME COMPOSITIVE di alcuni notissimi brani jazz di Avv. Valentina Grande 1) Sonny Rollins - St.Thomas (Original) (from album “The Prestige Years”) 2) Dizzy Gillespie feat. Charlie Parker - A Night In Tunisia (from album “Legends Masterpieces) 3) Miles Davis – Godchild (from album “Birth of the cool”) 1) Sonny Rollins - St.Thomas (Original) 1956 (from album “Saxophone Colossus”/“The Prestige Years”) St. Thomas è un brano strumentale scritto dal tenorsassofonista jazz Sonny Rollins, nel periodo dell’hard bop, nell’anno 1956, anno in cui ai musicisti del periodo fu data la possibilità di estendere la durata delle registrazioni oltre i fatidici tre minuti concessi dai supporti 78 giri, grazie all’innovazione giunta con l’introduzione del long playing in vinile a 33 giri. Nel leggendario studio di Rudy Van Gelder, niente altro che il salotto della sua abitazione ad Hackensack, New Jersey, il 22 giugno di quell’anno il produttore Bob Weinstock, creatore dell’etichetta discografica Prestige, organizzò una seduta di registrazione per il sassofonista Sonny Rollins e il suo quartetto. Il frutto del lavoro di quella giornata confluì nell’album “Saxophone Colossus”, opera che nei decenni a venire avrebbe cambiato la vita di molti sassofonisti più o meno in erba. L’eccezionale quartetto convocato per l’occasione era completato da Tommy Flanagan al pianoforte, Doug Watkins al contrabbasso e Max Roach alla batteria. Tra i brani registrati in quell’occasione, il più noto è sicuramente St. Thomas, passato alla storia come uno dei primi “calypso” registrati nell’ambito del jazz. La forma del brano, di sedici misure, è una sorta di AABC in miniatura, con sezioni di quattro misure.
  • Sunday.Sept.06.Overnight 261 Songs, 14.2 Hours, 1.62 GB

    Sunday.Sept.06.Overnight 261 Songs, 14.2 Hours, 1.62 GB

    Page 1 of 8 ...sunday.Sept.06.Overnight 261 songs, 14.2 hours, 1.62 GB Name Time Album Artist 1 Go Now! 3:15 The Magnificent Moodies The Moody Blues 2 Waiting To Derail 3:55 Strangers Almanac Whiskeytown 3 Copperhead Road 4:34 Shut Up And Die Like An Aviator Steve Earle And The Dukes 4 Crazy To Love You 3:06 Old Ideas Leonard Cohen 5 Willow Bend-Julie 0:23 6 Donations 3 w/id Julie 0:24 KSZN Broadcast Clips Julie 7 Wheels Of Love 2:44 Anthology Emmylou Harris 8 California Sunset 2:57 Old Ways Neil Young 9 Soul of Man 4:30 Ready for Confetti Robert Earl Keen 10 Speaking In Tongues 4:34 Slant 6 Mind Greg Brown 11 Soap Making-Julie 0:23 12 Volunteer 1 w/ID- Tony 1:20 KSZN Broadcast Clips 13 Quittin' Time 3:55 State Of The Heart Mary Chapin Carpenter 14 Thank You 2:51 Bonnie Raitt Bonnie Raitt 15 Bootleg 3:02 Bayou Country (Limited Edition) Creedence Clearwater Revival 16 Man In Need 3:36 Shoot Out the Lights Richard & Linda Thompson 17 Semicolon Project-Frenaudo 0:44 18 Let Him Fly 3:08 Fly Dixie Chicks 19 A River for Him 5:07 Bluebird Emmylou Harris 20 Desperadoes Waiting For A Train 4:19 Other Voices, Too (A Trip Back To… Nanci Griffith 21 uw niles radio long w legal id 0:32 KSZN Broadcast Clips 22 Cold, Cold Heart 5:09 Timeless: Hank Williams Tribute Lucinda Williams 23 Why Do You Have to Torture Me? 2:37 Swingin' West Big Sandy & His Fly-Rite Boys 24 Madmax 3:32 Acoustic Swing David Grisman 25 Grand Canyon Trust-Terry 0:38 26 Volunteer 2 Julie 0:48 KSZN Broadcast Clips Julie 27 Happiness 3:55 So Long So Wrong Alison Krauss & Union Station
  • Aproximación Al Lenguaje Del Saxofonista Lee Konitz a Travéz De La Trascripción, Análisis Y Comparación

    Aproximación Al Lenguaje Del Saxofonista Lee Konitz a Travéz De La Trascripción, Análisis Y Comparación

    APROXIMACIÓN AL LENGUAJE DEL SAXOFONISTA LEE KONITZ A TRAVÉZ DE LA TRASCRIPCIÓN, ANÁLISIS Y COMPARACIÓN JULIÁN CASTILLO PROYECTO DE GRADO ASESOR JUAN BENAVIDES PONIFICIA UNIVERSIDAD JAVERIANA FACULTAD DE ARTES DEPARTAMENTO DE MÚSICA ENFASIS DE JAZZ BOGOTÁ JUNIO DE 2009 CONTENIDO pág. INTRODUCCIÓN 1 1. BIOGRAFÍA 3 2. HI BECK-CONCEPTION 5 2.1. CONCEPTION 5 2.2. HI BECK 5 2.3. CROMATISMOS 5 2.3.1. Bordados Cromáticos 6 2.3.2. Notas de paso cromáticas 6 2.3.3. Apoyaturas 7 2.4. GIROS MELÓDICOS 8 2.5. SECUENCIAS MELÓDICAS Y DESARROLLOS MOTIVICOS 10 2.6. FINALES DE FRASE 11 3. YOU’D BE SO NICE TO COME HOME TO-MOTION 13 3.1. MOTION 13 3.2. YOU’D BE SO NICE TO COME HOME TO 13 3.3. APROXIMACIONES CROMÁTICAS Y BORDADOS 14 3.3.1. Combinación con Bajadas Cromáticas 14 3.3.2. Combinación con final de Frase Característico 15 3.3.3. Combinación con Motivo 16 3.4. MOTIVOS, SECUENCIAS Y TENSIONES 17 3.4.1. Tensiones 19 4. JUST FRIENDS-SATORI 20 4.1. SATORI 20 4.2. JUST FRIENDS 20 4.3. ELEMENTOS PRIMER CORO 21 4.4. ELEMENTOS SEGUNDO CORO 22 4.5. ELEMENTOS TERCER CORO 24 4.6. ELEMENTOS CUARTO CORO 25 5. WHAT IS THIS THING CALLLED LOVE-ALONE TOGETHER 27 5.1. ALONE TOGETHER 27 5.2. WHAT IS THIS THING CALLED LOVE 27 5.3. ELEMENTOS RÍTMICOS 28 5.3.1. Contratiempos 29 5.4. OTROS RECURSOS 30 6. HI BECK-SOUND OF SURPRISE 32 6.1.
  • “Dizzy” Gillespie Was One of the Most Important and Influential Jazz Trumpeters, After Louis Armstrong

    “Dizzy” Gillespie Was One of the Most Important and Influential Jazz Trumpeters, After Louis Armstrong

    35 lesson9 Meet the Great Jazz Legends dizzygillespie Photo: © Carl Van Vechten, Library of Congress Vechten, Photo: © Carl Van IMPORTANT FACTS TO KNOW ABOUT JOHN “DIZZY” GILLESPIE Born: October 21, 1917, Cheraw, South Carolina Died: January 6, 1993, Englewood, New Jersey Period/Style of Jazz: Bebop, Afro-Cuban Jazz Instrument: Trumpet, bandleader and composer Major Compositions: A Night in Tunisia, Con Alma, Groovin’ High, Manteca Interesting Facts: Dizzy Gillespie invented the modern approach to jazz trumpet playing, which included extending the range of the instrument, improvising in a more linear fashion and playing with dramatic bursts with large interval leaps. He was among the first to use Afro-Cuban music in jazz. Included Listening: A Night in Tunisia Track 9 36 Meet the Great Jazz Legends ■ The Story of Dizzy Gillespie (1917–1993) ohn Birks “Dizzy” Gillespie was one of the most important and influential jazz trumpeters, after Louis Armstrong. Dizzy Gillespie, along with his colleagues Charlie Parker and Thelonious J Monk, are considered to be the “fathers” of the fast-and-furious style called bebop. Dizzy Gillespie was known for his soaring trumpet lines, his puffed cheeks and the tilted bell of his trumpet. He was loved by musicians and fans for his engaging personality and showmanship. Gillespie was inspired to play music by his father who was a bricklayer and part- time musician. Gillespie began playing the piano at the age of 4. He taught himself to play the trumpet by trial and error, with the help of a few friends at the age of 12. In 1935, Gillespie moved to Philadelphia with his mother, after the death of his father.