Diary of a Mad Band Director Pdf, Epub, Ebook
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The Wire: Adventures in Modern Music: Article
Search all articles Search These Beats Work Issue #178 (Dec 98) | Interviews By: Sasha Frere-Jones | Featuring: Timbaland Interviews Printable version Reviews Defying the wisdom that HipHop innovation equals ugliness, Timbaland's euphoric Essays productions prove that experimental music doesn't have to wear a hairshirt Charts Epiphanies It's raining furiously the night I visit Manhattan Center Studios for an audience with Editor's Letters R&B/HipHop producer Tim Mosley, 26, aka Timbaland. The scene inside hardly Limited Edition T-Shirts resembles your usual HipHop session. There are plenty of young men milling The Wire 300 around but there's no blunt smoke, and everyone's dressed in clothes their The Wire 25 mothers would approve of. Timbaland's brother greets me warmly and passes me a soda, reaching over the head of someone getting a haircut from a man armed Article from issue: with electric clippers. No one has cursed and I've been in the room almost ten minutes. We might be in New York, but Timbaland's "Dirty South", as he calls it, is the spiritual galaxy we presently occupy. For the duration of his sessions, Manhattan Center is transformed into an outpost of straight-up Southern black culture manned by folks who grew up doing equal time in church pews and jeeps pumping Tupac. After all, Virginia, Timbaland's home state, is right on top of DC go-go and just a car ride away from both New York's grimy HipHop and Miami's aluminium, hydraulic Bass Music. At this aesthetic and geographical crossroads, Timbaland has recreated several View contents of issue #178? musics at once with beats as stark as X-rays. -
1. Summer Rain by Carl Thomas 2. Kiss Kiss by Chris Brown Feat T Pain 3
1. Summer Rain By Carl Thomas 2. Kiss Kiss By Chris Brown feat T Pain 3. You Know What's Up By Donell Jones 4. I Believe By Fantasia By Rhythm and Blues 5. Pyramids (Explicit) By Frank Ocean 6. Under The Sea By The Little Mermaid 7. Do What It Do By Jamie Foxx 8. Slow Jamz By Twista feat. Kanye West And Jamie Foxx 9. Calling All Hearts By DJ Cassidy Feat. Robin Thicke & Jessie J 10. I'd Really Love To See You Tonight By England Dan & John Ford Coley 11. I Wanna Be Loved By Eric Benet 12. Where Does The Love Go By Eric Benet with Yvonne Catterfeld 13. Freek'n You By Jodeci By Rhythm and Blues 14. If You Think You're Lonely Now By K-Ci Hailey Of Jodeci 15. All The Things (Your Man Don't Do) By Joe 16. All Or Nothing By JOE By Rhythm and Blues 17. Do It Like A Dude By Jessie J 18. Make You Sweat By Keith Sweat 19. Forever, For Always, For Love By Luther Vandros 20. The Glow Of Love By Luther Vandross 21. Nobody But You By Mary J. Blige 22. I'm Going Down By Mary J Blige 23. I Like By Montell Jordan Feat. Slick Rick 24. If You Don't Know Me By Now By Patti LaBelle 25. There's A Winner In You By Patti LaBelle 26. When A Woman's Fed Up By R. Kelly 27. I Like By Shanice 28. Hot Sugar - Tamar Braxton - Rhythm and Blues3005 (clean) by Childish Gambino 29. -
Forever My Lady Album
Forever my lady album click here to download Album[edit]. Chart (), Peak position. U.S. Billboard , U.S. Heatseekers, 1. U.S. R&B Albums, 1.Release and reception · Track listing · Personnel · Charts. Includes FREE MP3 version of this album. Provided by Amazon Digital This item:Forever My Lady by Jodeci Audio CD $ Add-on Item. In Stock. Ships from. Find a Jodeci - Forever My Lady first pressing or reissue. Complete your Jodeci collection. Shop Vinyl and CDs. Find album reviews, stream songs, credits and award information for Forever My Lady - Jodeci on AllMusic - - A pair of brother acts combined forces to. Forever my Lady is the first solo album to be made by the group that many consider to be the best soul band of the nineties. Enoch; 12 videos; , views; Last updated on Apr 23, Subscribe! Play חנוך .(Although some of the. Jodeci - Forever My Lady (Full album + Bonus all. Share. Loading Save. Listen to songs from the album Forever My Lady, including "Stay", "Come & Talk to Me", "Forever My Lady", and many more. Buy the album for. Forever My Lady is the debut studio album by American R&B quartet Jodeci, released May 28, , by Uptown Records and MCA Records. The album's. Stream Forever My Lady (Album Version) by Jodeci from desktop or your mobile device. Forever My Lady. By Jodeci. • 13 songs. Play on Spotify. 1. Stay. 2. Come & Talk To Me. 3. Forever My Lady. 4. I'm Still. Critically acclaimed as a success by music industry insiders and culture writers of the time period, Forever My Lady was released on May Jodeci's classic album laid the foundation for today's R&B male vocalists. -
A Hip-Hop Copying Paradigm for All of Us
Pace University DigitalCommons@Pace Pace Law Faculty Publications School of Law 2011 No Bitin’ Allowed: A Hip-Hop Copying Paradigm for All of Us Horace E. Anderson Jr. Elisabeth Haub School of Law at Pace University Follow this and additional works at: https://digitalcommons.pace.edu/lawfaculty Part of the Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Horace E. Anderson, Jr., No Bitin’ Allowed: A Hip-Hop Copying Paradigm for All of Us, 20 Tex. Intell. Prop. L.J. 115 (2011), http://digitalcommons.pace.edu/lawfaculty/818/. This Article is brought to you for free and open access by the School of Law at DigitalCommons@Pace. It has been accepted for inclusion in Pace Law Faculty Publications by an authorized administrator of DigitalCommons@Pace. For more information, please contact [email protected]. No Bitin' Allowed: A Hip-Hop Copying Paradigm for All of Us Horace E. Anderson, Jr: I. History and Purpose of Copyright Act's Regulation of Copying ..................................................................................... 119 II. Impact of Technology ................................................................... 126 A. The Act of Copying and Attitudes Toward Copying ........... 126 B. Suggestions from the Literature for Bridging the Gap ......... 127 III. Potential Influence of Norms-Based Approaches to Regulation of Copying ................................................................. 129 IV. The Hip-Hop Imitation Paradigm ............................................... -
Boyz Ii Menwill
ABOUT R&B FOREVER IF IT DOESN’T FEEL LIKE 90’S R&B I DON’T WANT IT ~ UNKNOWN R&B FOREVER IS A UNIQUELY CURATED CONCERT THAT UNITES MUSIC LOVERS OF WHAT SOME CALLS THE BEST GENRE OF MUSIC 90’s R&B. 90’s R&B PROVIDED A RICH AND VARIED CULTURE OF MUSIC WHICH CONTAINS SOME OF THE MOST GENIUS LYRICAL METAPHORS. THIS CONCERT HIGHLIGHTS THE TIMELESS HITS FROM THE 90S MOST CELEBRATED AND CHARTED ARTISTS. THE ARTISTS WE HAVE SELECTED HAVE COLLECTIVELY SOLD OVER 70 MILLION IN RECORD SALES, EXPERI- ENCED COUNTLESS WEEKS AT THE #1 BILLBOARD CHART, AND HAVE ETCHED FOND MEMORIES IN THE HEART OF MILLIONS. THIS CONCERT IS A CELEBRATION OF THIS ERA OF MUSIC & WE INVITE YOU TO BE A PART OF THIS SELL OUT EVENT. NEWLY RENOVATED PHILIPS ARENA RECENTLY UNDERGOING A 250 MILLION DOLLAR RENOVATION, R&B FOREV- ER WILL BE THE FIRST CONCERT CATERED TOWARDS AN R&B AUDIENCE AT PHILIPS ARENA. HOME TO THE ATLANTA HAWKS, AFTER 9 PARTNERS AND PHILIPS ARENA WILL COLLABORATE TO ENSURE THIS EVENT IS A COMPLETE SUCCESS. MEET THE HEADLINER INTERNATIONAL SUPERSTARS BOYZ II MEN WILL BE HEADLINING THE R&B FOREVER CONCERT!! WITH HISTORIC HIT SINGLES “MOTOWNPHILLY” AND “ITS SO HARD TO SAY GOODBYE TO YESTER- DAY”, “END OF THE ROAD”, “I’LL MAKE LOVE TO YOU” AND MORE! BOYZ II MEN HAVE SOLD OVER 25 MILLION RECORDS AND HELD 16 WEEKS CONSECUTIVE AT THE TOP 100. ALSO RECOGNIZED AS BILLBOARD MAGAZINES BIGGEST MALE BAND FROM 1982 TO 2012. THEIR BILLBOARD SUC- CESS RANKS 4TH BEHIND ELVIS PRESLEY, THE BEATLES, AND CAREY. -
Ryan Witherspoon, Better Known As the Mononym Ryan, Has a Strong Pedigree in the Music Industry from the Studio to the Streets
Ryan. Ryan Witherspoon, better known as the mononym Ryan, has a strong pedigree in the music industry from the studio to the streets. As he readies his debut EP Games We Play, the Brooklyn wunderkind is geared to change the game, bringing real artistry back to music. Born in East New York, Ryan spent his childhood in Brooklyn’s gritty Cypress Projects, dodging the streets as best as he could. “I say it was R&B,” he explains, “rough and blessed.” His mother was a singer, almost signed by Quincy Jones, but she opted to attend Brown University and study Medicine instead. She later became a teacher to have more time to focus on raising her son, but still kept the music alive within him. At six years old, his mom even took him to Usher’s 8701 Evolution Tour. “It was the coolest experience ever,” he recalls. “Ever since I was a kid, I would watch music videos in the house, trying to dance like Usher.” The streets called, but Ryan didn’t answer. “My mom put me in sports to keep me off the streets,” he remembers. “But most of my friends were in the streets, so it was hard seeing some of them die out there.” All throughout school, Ryan was a triple threat in sports, playing basketball, baseball and football. ESPN even featured him as one of the top ten athletes in New York City. Music was still always present, as he would listen to his mom’s favorites like Mary J. Blige, Michael Jackson, Jodeci, and Usher, while tempering them with New York City street rap. -
Top Wedding Song Choices
Top Wedding Song Choices A Groovy Kind of Love Phil Collins A Moment Like This Kelly Clarkson A While New World Peabo Bryson/Regina Belle After All Peter Cetera All About Lovin’ You Bon Jovi All My Life K-CI and JO JO All the Way Frank Sinatra Always Atlantic Starr Always Bon Jovi Amazed Lonestar Angel in My Eyes John Michael Montgomery Angel of Mine Monica At Last Etta James Beautiful in my Eyes Joshua Kadison Because You Loved Me Celine Dion Best Part of Me Joe Wodarek Breathe Faith Hill By Your Side Sade Can You Feel The Love Elton John Can’t Help Falling In Love Elvis Can’t Take My Eyes Off of You Frankie Valli Color My World Chicago Come What May McGregor/Kidman Could I Have This Dance Anne Murray Crazy for You Madonna Don’t Know Much Linda Rondstadt/Aaron Neville Dreaming of You Selena Endless Love Diana Ross/Lionel Ritchie Everything I Do Bryan Adams Everytime I Close My Eyes Babyface Faithfully Journey Feels Like Home Chantal Kreviazuk First Time Ever I Saw Your Face Roberta Flack Fly Me to the Moon Frank Sinatra Flying Without Wings Ruben Studdard For the First Time Kenny Loggins For You Kenny Lattimore For You I Will Monica Forever Beach Boys Forever and Ever Randy Travis Forever and Always Shania Twain Forever In Love Kenny G Forever More James Ingram Forever My Lady Jodeci Forever’s as Far as I’ll Go Alabama From Here to Eternity Michael Patterson From Now On Regina Belle From This Moment Shania Twain Give Me Forever John Tesh/James Ingram Giving You the Rest of My Life Bob Carlisle Glory of Love Peter Cetera God Must Have -
An Analysis of Attitudes and Values Via BET Programming Past and Present
California State University, San Bernardino CSUSB ScholarWorks Electronic Theses, Projects, and Dissertations Office of aduateGr Studies 3-2015 Value Driven: An Analysis of Attitudes and Values Via BET Programming Past and Present Sasha M. Rice California State University - San Bernardino Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd Part of the African American Studies Commons Recommended Citation Rice, Sasha M., "Value Driven: An Analysis of Attitudes and Values Via BET Programming Past and Present" (2015). Electronic Theses, Projects, and Dissertations. 135. https://scholarworks.lib.csusb.edu/etd/135 This Thesis is brought to you for free and open access by the Office of aduateGr Studies at CSUSB ScholarWorks. It has been accepted for inclusion in Electronic Theses, Projects, and Dissertations by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. VALUE DRIVEN: AN ANALYSIS OF ATTITUDES AND VALUES VIA BLACK ENTERTAINMENT TELEVISON (BET) PROGRAMMING PAST AND PRESENT ______________________ A Thesis Presented to the Faculty of California State University, San Bernardino ______________________ In Partial Fulfillment of the Requirements for the Degree Master of Arts in Communication Studies ______________________ by Sasha Marc Rice March 2015 VALUE DRIVEN: AN ANALYSIS OF ATTITUDES AND VALUES VIA BLACK ENTERTAINMENT TELEVISION (BET) PROGRAMMING PAST AND PRESENT ______________________ A Thesis Presented to the Faculty of California State University, San Bernardino ______________________ by Sasha Marc Rice March 2015 Approved by: Mary Fong, Committee Chair, Communication Studies Rueyling Chuang, Committee Member Eric Newman, Committee Member Copyright 2009 Sasha Marc Rice ABSTRACT This paper explores the general attitudes of African Americans towards the programming disseminated on the Black Entertainment Television (BET) network past and present (pre-Viacom/post-Viacom). -
With Lead Vocal) Song Package
2389 Multiplex (with lead vocal) song package This song package is made available from CAVS Download Service . Update 2011/07/01 Title Artist 07/24 KEVON EDMONDS 98.6 KEITH 1985 BOWLING FOR SOUP (YOU DRIVE ME) CRAZY BRITNEY SPEARS 13TH, THE CURE, THE 4 MINUTES AVANT 4 SEASONS OF LONELINESS BOYZ II MEN 4TH OF JULY SHOOTER JENNINGS 99 RED BALLOONS NENA 99.9% SURE BRIAN MCCOMAS A A PICTURE OF ME (WITHOUT YOU) GEORGE JONES AARON'S PARTY (COME GET IT) CARTER, AARON ABACAB GENESIS ABC JACKSON 5 ABIDE WITH ME TRADITIONAL ABSOLUTELY (STORY OF A GIRL) NINE DAYS ACE IN THE HOLE STRAIT, GEORGE ACHY BREAKY HEART BILLY RAY CYRUS ACHY BREAKY SONG WEIRD AL YANKOVIC ADAM'S SONG BLINK 182 ADDICTED SIMPLE PLAN ADDICTED TO LOVE ROBERT PALMER ADRIENNE CALLING, THE AFFAIR OF THE HEART SPRINGFIELD, RICK AFTER CLOSING TIME HOUSTON, DAVID / MANDRELL, BARBARA AFTER ME SALIVA AFTER MIDNIGHT ERIC CLAPTON AGAINST ALL ODDS PHIL COLLINS AGAINST ALL ODDS (2000) MARIAH CAREY AGE AIN'T NOTHING BUT A NUMBER AALIYAH AIN'T LOVE A BITCH STEWART, ROD AIN'T NO MOUNTAIN HIGH ENOUGH MARVIN GAYE/T. TERRELL AIN'T NO STOPPIN' US NOW MCFADDEN & WHITEHEAD AIN'T NO SUNSHINE (1971) WITHERS, BILL AIN'T NO SUNSHINE (1972) JACKSON, MICHAEL AIN'T NO WOMAN LIKE THE ONE I'VE GOT FOUR TOPS AIN'T NOTHING LIKE THE REAL THING GILL, VINCE / KNIGHT, GLADYS AIN'T THAT A SHAME FATS DOMINO AIN'T THAT PECULIAR GAYE, MARVIN AIN'T TOO PROUD TO BEG TEMPTATIONS, THE ALFIE ALLEN, LILY ALIENS EXIST BLINK 182 ALL ALONE AM I LEE, BRENDA ALL BY MYSELF DION/ CELION ALL DOWNHILL FROM HERE NEW FOUND GLORY ALL -
Typologies of Black Male Sensitivity in R&B and Hip
Chaney and Mincey: Typologies of Black Male Sensitivity in R&B and Hip Hop JOURNAL OF HIP HOP STUDIES . Typologies of Black Male Sensitivity in R&B and Hip Hop Cassandra Chaney and Krista D. Mincey Abstract A qualitative content analysis was conducted on the lyrics of 79 R&B and Hip Hop songs from 1956-2013 to identify the ways that these Black male artists expressed sensitivity. The songs were determined by Billboard Chart Research Services, and Phenomenology provided the theoretical foundation on which the themes were identified. Qualitative analysis of the lyrics revealed Black male sensitivity in R&B and Hip Hop to be based on the following four typologies: (a) Private Sensitivity; (b) Partnered Sensitivity; (c) Perceptive Sensitivity; and (d) Public Sensitivity. Private Sensitivity occurred when the Black male is alone; feels lonely; disguises or hides his tears from his romantic partner or others; and expresses a determination to not cry and/or continue crying. Partnered Sensitivity occurred when the Black male encourages and/or connects with his romantic partner, other men, and/or members of the Black community through crying. Perceptive Sensitivity was demonstrated when Black men acknowledge the tears shed by others, and shed tears themselves while being conscious of society’s expectation that men suppress emotion and/or refrain from crying. Public Sensitivity was exemplified when the Black male cries publicly and verbally expresses that he does not care what others think of him. Qualitative examples are provided to support each of the aforementioned themes. R&B and Hip Hop are two music genres that have gained global appeal in recent years. -
AS Hopefuls Argue Policy in First
C A LIFO R NI A S T A T E U NIVE RS IT Y , F U LLE R TON INSIDE 3 n DETOUR: Reduced Shakespeare Company Titans continue takes the Bard and makes him a comedy Big West play 5 n NEWS: Find out your AS candidates’ stand today against the on campus matters Sacramento State —see Sports page 6 VOLUME 72, I SSUE 29 THURSDAY APRIL 12, 2001 AS hopefuls argue policy in first n event from being successful — hap- p.m. ELECTION: Three pened. “It all went surprisingly well,” said of the four teams dis- The sky threatened rain. The event South after the debates. was not publicized until Tuesday after- Attending teams included Vincent cussed different points noon. The Quad, where the debate was to Amaya and Richard Adams, Evan be held at noon, was occupied by Asian Mooney and Susan Scanaliato, and of view and platforms at Week until 12:30 p.m. forcing them to Alexander Lopez and Edgar Zazueta. Wednesday’s debate start later than planned. Only three of the Karl Kottke and Steven Moseni were four presidential and vice presidential absent due to scheduling conflicts. BY SARA STANTON teams appeared for the discussion. The candidates sat facing a crowd of Daily Titan Staff Writer But in midst of the chaotic confusion, over 100 students, many of which were somehow everything worked out. holding signs in support of their own The first of the Once the Asian Week activity was personal candidate. Associated Students can- cleared away, Joel South, the elections One of the main issues of the debate didate debates was off to a commissioner for AS, as well as the focused on each of the candidates’ previ- rocky start on Wednesday moderator of the debates, immediately ous experience and personal qualifica- LORRAINE DOMINGUEZ/Daily Titan afternoon — where almost pulled everyone and everything together Three of the four AS Presidential candidate teams answer questions from students in the Quad. -
Critics Duped by Reds' Propaganda WASHINGTON (AP) — Eagleton's Past Psychiatric Is Vietnam, and Nixon In- President Said
Court Challenge SEE STORY BELOW The Weather THEDAILY FINAL Partly cloudy today, mgn around 80. Fair tonight. Most- ) Red Bank, Freehold ~T~ ly sunny tomorrow and Sun- I Long Branch 1 day, little temperature EDITION change. 24 PAGES Momnoutli Comity's Outstanding Home Newspaper VOL.95 NO.24 RED BANK, NJ. FRIDAY, JULY 28,1972 TENCENTS ' McGann Voids Common-Scold By HALLIE SCHRAEGER "A man might be 'trouble- took a swipe a( New Jersey's carry a pocket edition of for his definition of a common Judge McGann commented S. A. 2A:85-1 purports to make some and angry' and, by his "catch-all" statute (N. J. S; Blackstone with him." scold: "a public nuisance to in a footnote that the specified criminal the common law of- FREEHOLD — Finding the 'brawling and wrangling A. 2A:85-1), which, he said, is Sir William Blackstone her neighborhood, for which penalty constitutes cruel and fense of being a common ancient common law charge among' his 'neighbors, break "all that the average person (1723-1780), the most famous, offense she may be indicted unusual punishment.) scold, it is void because of its of being a "common scold" the' peace, increase discord^ has to guide his conduct." of English jurists, was the au- and, if convicted, shall be sen- "To a die-hard male chau- vagueness and is con- outmoded, unconstitutionally and become a nuisance to the Judge McGann said that thor ofi "Commentaries on the tenced to be placed in a cer- vinist, the public utterances of stitutionally unenforceable," vague and discriminatory, Su- neighborhood,' yet he could statute tells the average per- Laws of England" (1775) still tain engine of correction a dedicated woman's liber- be said.