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Culloden, 1746 Andrew Gilbert Colonial Exhibition - Culloden 1746 Galerie Kai Erdmann April 16th, 1746 Drumossie Moor, Culloden Battlefield (4.5 miles from Inverness in the Scottish Highlands) 12.30pm. The first Jacobite cannon fire and over-shoot the Government army, cutting one British soldier in half, the only casualty they inflict. Within 9 minutes the Jacobite artillery manned by Highlan- ders, with no previous experience and a mathematical instrument-maker from Edinburgh as Master of Ordinance, are silenced by the expert British Artillery. The battle begins. In one hour and eight minutes by bayonet, musket fire, round shot and grape shot the Highland Clansmen, armed with bull skin shields and claymores, are reduced to „twitching limbless corpses“(from the film ‘Culloden’ by Peter Watkins, 1964). ----------------------------------------------- Culloden The last battle to be fought on British soil. The most mishandled and brutal battles ever fought in Britain. The end of the Jacobite Rebellion. After the battle the Scottish Highlands witness the worse atrocities in the history of the British Army. ----------------------------------------------- In the ‘Colonial Exhibition: Culloden 1746’, the artist Andrew Gilbert presents a tableaux and series of new drawings in the tradition of a Military Museum, exploring this epic and blood dren- ched historical event. According to John Prebble in his book ‘Culloden’, 1961, the British soldiers in the battle viewed the Jacobite army with „no more kinship than an officer of Victoria‘s army would later feel when surveying a Zulu Impi“ As Peter Watkins in his 1964 film sought to draw parallels with the Culloden battle and American atrocities in Vietnam, the artist, who first visited Culloden battlefield as a child , creates an installation in the manner of the Colonial Exhibition of the 19th Century, where ‘exotic’ or ‘primitive people’ were exhibited for the entertainment of ‚civilised‘ European audiences (as in Hagenbecks exhibition park, Hamburg 1875). The Holy Brocoli from India , 2012 (with assistance from Storm Janse van Rensburg ) Andrew Gilbert „Colonial Exhibition - Culloden 1746“ Ausstellungsansicht · Exhibitionview Andrew Gilbert „Colonial Exhibition - Culloden 1746“ Highland blood in the snow, Quebec 1757 Aquarell, Acryl & Stift auf Papier / Watercolour, acrylic & pen on paper · 48 x 63 cm · 2012 Andrew Gilbert „Colonial Exhibition - Culloden 1746“ „Forward!“ The Soldier‘s Nightmare Aquarell, Acryl & Stift auf Papier / Watercolour, acrylic & pen on paper · 64 x 56 cm · 2012 Dr Livingstone we presumed - Living Altar in darkest Africa Aquarell, Acryl & Stift auf Papier / Watercolour, acrylic & pen on paper 100 x 70 cm · 2012 British Infantry, 1746 50 x 70 x 250 cm · Mixed Media · 2012 Mary Queen of Scots as Trophy Idol 30 x 30 x 120cm · Mixed media · 2012 Andrew Gilbert Andrew Gilbert „Colonial Exhibition - Culloden 1746“ „Colonial Exhibition - Culloden 1746“ Ausstellungsansicht · Exhibitionview Andrew Gilbert „Colonial Exhibition - Culloden 1746“ Andrew your dinner is served! Bonnie Prince Charlie, 1745 Aquarell, Acryl & Stift auf Papier / Watercolour, acrylic & pen on paper · 40 x 30 cm · 2012 Aquarell, Acryl & Stift auf Papier / Watercolour, acrylic & pen on paper · 100 x 70 cm · 2012 Andrew Gilbert „Colonial Exhibition - Culloden 1746“ Culloden, April 16th 1746 Aquarell, Acryl & Stift auf Papier / Watercolour, acrylic & pen on paper · 100 x 70 cm · 2012 Andrew Gilbert „Colonial Exhibition - Culloden 1746“ British Grenadier (1746, Culloden) The End of the Jacobite Rebellion, 1746 Aquarell, Acryl & Stift auf Papier / Watercolour, acrylic & pen on paper · 40 x 30 cm · 2012 Aquarell, Acryl & Stift auf Papier / Watercolour, acrylic & pen on paper · 100 x 70 cm · 2012 Andrew Gilbert „Colonial Exhibition - Culloden 1746“ Leopard man Kills Zebra Woman Aquarell, Acryl & Stift auf Papier / Watercolour, acrylic & pen on paper · 64 x 56 cm · 2012 Andrew Gilbert „Colonial Exhibition - Culloden 1746“ Every saturday afternoon i put on my favourite uniform... His Royal Heighness William The Duke of Cumberland Aquarell, Acryl & Stift auf Papier / Watercolour, acrylic & pen on paper · 40 x 30 cm · 2012 Aquarell, Acryl & Stift auf Papier / Watercolour, acrylic & pen on paper · 40 x 30 cm · 2012 Andrew Gilbert „Colonial Exhibition - Culloden 1746“ Colonial Exhibition , Glasgow 1899 Male and Female Scottish Cannibals Aquarell, Acryl & Stift auf Papier / Watercolour, acrylic & pen on paper · 40 x 30 cm · 2012 Aquarell, Acryl & Stift auf Papier / Watercolour, acrylic & pen on paper · 30 x 40 cm · 2012 Andrew Gilbert „Colonial Exhibition - Culloden 1746“ Dead and dying slaves Aquarell, Acryl & Stift auf Papier · 40 x 30 cm · 2012 Andrew Gilbert Geboren/Born 1980 in Edinburgh, Schottland/Scotland. Einzelausstellungen/Solo exhibitions: Gruppenausstellungen/Group exhibitions : Lebt und arbeitet/Lives and works in Berlin, Deutschland/Germany. 2015 2015 1997 – 2002 Studium/Studies M.A. (Hons) Fine Art, University of Edinburgh & Edinburgh College of Art, Schottland/Scotland tba tba Tate Britain, London, Vereinigtes Königreich/ 2010 Stipendium am/Scholarship at Goethe Institute Artist in Residency, Meet Factory, Prag/Prague, Gallery Polad Hardouin, Paris, Frankreich/France United Kingdom Tschechien/Czech Republik tba tba Bayerisches Armee Museum, Ingolstadt, Vortrag/Lecture Blank Projects, Kapstadt/Cape Town, Südafrika/ Deutschland/Germany South Africa 2010 „Vezelay to Ulundi – From the First Crusade 1095 to the Anglo Zulu War 1879”, Camberwell College of Art, London, 2014 Fiori e soldati mit/with Michelangelo Galliani Vereinigtes Königreich/United Kingdom 3 Carrots - 1 Tea Pot - Biber, Braun, Gilbert Studio d´arte Raffaelli, Trento, Italien/Italy 2011 „Artists who drink alcohol should be killed“, Academy for Applied Arts, Prag/Prague, Tschechien/Czech Republik Salon Tom Biber, Berlin, Deutschland/Germany 2013 „Holy Brocoli and North European Primtivism“, Edinburgh College of Art, Schottland/Scotland 2014 A man walks in to a bar Sacred Soil and Bloody Ground Mainsburg, Deutschland/Germany Bibliografie/ Bibliography Auswahl/Selection Galerie Kai Erdmann, Hamburg, Deutschland/Germany It seemed like a good idea at the time Kataloge/Catalogues (K) · Monografien/Monographs (M) Forte Comune 1914/2014 mit/with Michelangelo Galliani Sperling, München/Munich, Deutschland/Germany Forte Strino Military Museum , Italien/Italy Lieber Künstler, zeichne mir! - Part 2 Queen Victorias enemies Text von/text by Storm Janse van Rensburg, Galerie Kai Erdmann (Hg./Ed.), Hamburg, Deutschland/ Andrew Gilbert at Settlement Projects Semjon Contemporary , Berlin, Deutschland/Germany Germany, 2014 (M in Arbeit/in progress) Leith Late 14, Edinburgh, Schottland/Scotland In Furs Andrew‘s Glorious Army crosses the Alps Text von/text by Storm Janse van Rensburg, The Glorious return of Emperor Andrew Künstlerhaus Bethanien, Berlin, Deutschland/Germany Studio d‘Arte Raffaelli (Hg./Ed.), Trento, Italien/Italy, 2013 (M) Summerhall , Edinburgh, Schottland/Scotland PigDogandMonkeyfestos Kuratoren/curators S. Doyle & M. Mallinson Apokalyptik als Widerstand - Sammlung Biber Text von/text by Berthold Reis, Bavarian Army Museum, 2013 Airspace Gallery, Stoke on Trent, Vereinigtes Königreich/Uni- Ingolstadt, Deutschland/Germany, 2013, Seite/page 30 - 31 (K) Andrew‘s Glorious Army Crosses the Alps ted Kingdom Studio d‘arte Raffaelli, Trento, Italien/Italy The Beautyful Ones Text von/text by Storm Janse van Rensburg, Galerie Judin (Hg./Ed.), Berlin, Alptraum/Nightmare The Battle of Blood River Deutschland/Germany, 2013 (K) UGM Maribor Art Gallery, Maribor, Slowenien/Slovenia Ten Haaf Projects, Amsterdam, Visionen. Atmosphären der Veränderung. Text von/text by David Ganz, Michael Kröger, Roland Nachtigäller, Hauptstadt Niederlande/the Netherlands Wolfgang Ullrich, Robert Wilson, Jutta Zaremba, Oliver Zybok, MARTa Herford gGmbH (Hg./Ed.), Herford, Galerie Kai Erdmann, c/o Haus Ungarn Berlin, Andrew Gilbert and Akiyoshi Mishima Deutschland/Germany, 2013, Seite/page 222 - 227 (K) Deutschland/Germany Nanzuka, Tokio/Tokyo, Japan Artists for Tichy - Tichy for Artists Text von/text by Hans-Peter Wipplinger, Roman Buxbaum, Adi Hoesle, Michael Stavaric, Les Maitres Fous - Starring Andrew and Emil Nolde 2013 verlegt von/published by Verlag für moderne Kunst, Nürnberg, Deutschland/Germany, 2013 (K) Galerie Polad Hardouin, Paris, Frankreich/France SVIT 1. Pers.sing Text von/text by Johannes Sperling , b-05 Montabaur (Hg./Ed.), Montabaur, Deutschland/Germany, 2013, Seite/ North European Primitivism - Andrew, Gislerbertus, Nolde, Svit Praha, Prag/Prague, Tschechien/Czech Republic page 46 - 52 (K) Rogier van der Weyden Lord of the Flies Galerie Andreas Höhne, München/Munich, Wannieck Gallery of Modern Art, Brünn/Brno, Artikel/Articles Deutschland/Germany Tschechien/Czech Republic Apokalyptik als Widerstand – Sammlung Tom Biber Andrew Gilbert: Wir müssen die Kartoffeln befreien und sie in unsere Augenhöhlen nageln. Oliver Zybok, in: 2012 Bayerisches Armeemuseum, Ingolstadt, Kunstforum Obsessionen II, Ruppichteroth, Deutschland/Germany, Seite/page 110 – 119, 05-06/2014 Colonial Exhibition – Culloden 1746 Deutschland/Germany power galerie, Hamburg, Deutschland/Germany Lust und Zwang der Obsession. Betrachtungen in Kunst und Gesellschaft Oliver Zybok, in: The Hecklers Kurator/curator Cedar Lewisohn The Sacred Ambush is full of the sound Kunstforum Obsessionen I, Ruppichteroth, Deutschland/Germany, Seite/page 32 ff, 03-04/2014 The New Art Gallery, Walsall, Vereinigtes Königreich/United
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