Soldiers Swap War Stories
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The Present of the Past: Representation of War, Testimony and Ideology in 20Th And
José Otaviano da Mata Machado Silva The present of the past: representation of war, testimony and ideology in 20th and 21st century war orphan narratives Belo Horizonte Faculdade de Letras – FALE Universidade Federal de Minas Gerais – UFMG 2016 José Otaviano da Mata Machado Silva The present of the past: representation of war, testimony and ideology in 20th and 21st century war orphan narratives Dissertação apresentada ao Programa de Pós-Graduação em Estudos Literários da Faculdade de Letras da Universidade Federal de Minas Gerais como requisito parcial à obtenção do título de Mestre em Literaturas de Língua Inglesa Linha de Pesquisa: Literatura, História e Memória Cultural Aluno: José Otaviano da Mata Machado Silva Orientador: Prof. Dr. Thomas LaBorie Burns Belo Horizonte Faculdade de Letras – FALE Universidade Federal de Minas Gerais – UFMG 2016 Ficha catalográfica elaborada pelos Bibliotecários da Biblioteca FALE/UFMG Silva, José Otaviano da Mata Machado . S586p The present of the past [manuscrito] : representation of war, testimony and ideology in 20th and 21st century war orphan narratives / José Otaviano da Mata Machado Silva. – 2016. 157 f., enc. : il. fots. (color)(p&b) Orientador: Thomas LaBorie Burns. Área de concentração: Literaturas de Língua Inglesa. Linha de pesquisa: Literatura História e Memória CUltural. Dissertação (mestrado) – Universidade Federal de Minas Gerais, Faculdade de Letras. Bibliografia: f. 153 -156. 1. Guerra Mundial, 1939-1945 – Literatura e a guerra – Teses. 2. Vietnã, Guerra do, 1961-1975 – Literatura e a guerra – Teses. 3. Iraque, Guerra do, 2003 – Literatura e a guerra – Teses. 4. Tannehill, Evelyne. – Abandoned and forgotten – Crítica e interpretação – Teses. 5. Hadler, Susan Johnson, 1945- – Lost in the victory – Crítica e interpretação – Teses. -
War Comics from Wikipedia, the Free Encyclopedia
War comics From Wikipedia, the free encyclopedia War comics is a genre of comic books that gained popularity in English-speaking countries following War comics World War II. Contents 1 History 1.1 American war comics 1.2 End of the Silver Age 1.3 British war comics 2 Reprints 3 See also 4 References 5 Further reading 6 External links History American war comics Battlefield Action #67 (March 1981). Cover at by Pat Masulli and Rocco Mastroserio[1] Shortly after the birth of the modern comic book in the mid- to late 1930s, comics publishers began including stories of wartime adventures in the multi-genre This topic covers comics that fall under the military omnibus titles then popular as a format. Even prior to the fiction genre. U.S. involvement in World War II, comic books such as Publishers Quality Comics Captain America Comics #1 (March 1941) depicted DC Comics superheroes fighting Adolf Hitler and the Nazis. Marvel Comics Golden Age publisher Quality Comics debuted its title Charlton Comics Blackhawk in 1944; the title was published more or less Publications Blackhawk continuously until the mid-1980s. Sgt. Fury and his Howling Commandos In the post-World War II era, comic books devoted Sgt. Rock solely to war stories began appearing, and gained G.I. Combat popularity the United States and Canada through the 1950s and even during the Vietnam War. The titles Commando Comics tended to concentrate on US military depictions, Creators Harvey Kurtzman generally in World War II, the Korean War or the Robert Kanigher Vietnam War. Most publishers produced anthologies; Joe Kubert industry giant DC Comics' war comics included such John Severin long-running titles as All-American Men of War, Our Russ Heath Army at War, Our Fighting Forces, and Star Spangled War Stories. -
ARMOR July-August 2007
The Professional Bulletin of the Armor Branch PB 17-07-4 Editor in Chief Features LTC SHANE E. LEE 7 Six Easy Ways to Lose a War at the Tactical Level Managing Editor by Colonel Jeffrey Sanderson and Major Jay Miseli CHRISTY BOURGEOIS 11 A Commander’s Guide to the Forward Support Company by Major Trenton J. Conner Commandant MG ROBERT M. WILLIAMS 18 “King of the Killing Zone,” How Well Has It Held Up? by Lieutenant Colonel Benjamin Harris ARMOR (ISSN 0004-2420) is published bi- 21 Integrating Armor into Personnel Recovery Operations month ly by the U.S. Army Armor Center, by Captain Romeo P. Cubas, U.S. Marine Corps ATTN: ATZK-DAS-A, Building 1109A, 201 6th Avenue, Ste 373, Fort Knox, KY 40121-5721. 26 Retaking Sa’ad: Successful Counterinsurgency in Tal Afar Disclaimer: The information contained in AR- by Major Niel Smith MOR represents the professional opinions of the authors and does not necessarily reflect 36 So You Want to Train an Iraqi Mechanized Brigade? the official Army or TRADOC position, nor does it change or supersede any information by Major William T. Nuckols Jr. presented in other official Army publications. 40 Falklands Armor Official distribution is limited to one copy for by Retired Brigadier General Raymond Bell Jr. each armored brigade headquarters, ar mored cavalry regiment headquarters, armor battal- ion headquarters, armored cavalry squadron 46 Winning in Degraded Mode head quarters, reconnaissance squadron head- by Wakeland K. Kuamoo and Sergeant First Class Brian Reel quar ters, armored cavalry troop, armor com- pany, and motorized brigade headquarters of 48 My Kingdom for a Proper Fitting Fan Belt the United States Army. -
War Stories: Vol. 3 Free
FREE WAR STORIES: VOL. 3 PDF Garth Ennis,Aria Thomas | 224 pages | 01 Apr 2016 | Avatar Press | 9781592912728 | English | United States DEWLine “War” Stories Volume 3 | The DEWLine JavaScript seems to be disabled in your browser. For the best experience on our site, be sure War Stories: Vol. 3 turn on Javascript in your browser. Apologetics Scientific Theology Reference. Refer Friends. America's Story 3. In stock. SKU M Add to Cart. Add to Wish List Add to Compare. Skip to the end of the images gallery. Skip to War Stories: Vol. 3 beginning of the images gallery. A Look Inside. America's Story Vol. Related Products. Check items to add to the cart or select all. Product Description. Table of Contents Foreword Introduction 1. The Story of Teddy Roosevelt War Stories: Vol. 3. Presidents for Change 3. The Story of the Wright Brothers 4. The Affordable Model Ts 5. The Story of the Titanic 6. World Turmoil 7. America After WWI 8. The Great Depression The World at War America at War, Part One America at War, Part Two Life on the Homefront The Cold War The Golden Age of America Tumultuous Times Changing Times The Civil Rights Movement Political Scandals and Gasoline Shortages The s, Part One The s, Part Two The Strange Election of More Recent History Additional Information. Reviews Only registered users can write reviews. Please Sign in or create an account. Master Books. From the Early s to our Modern Times. America's Story. Angela O'Dell. New Leaf Publishing Group, Inc. War Stories, Volume 3 by Garth Ennis Uh-oh, it looks like your Internet Explorer is War Stories: Vol. -
Garth Ennis Complete Battlefields: Volume 1 Free
FREE GARTH ENNIS COMPLETE BATTLEFIELDS: VOLUME 1 PDF Garth Ennis,Peter Snejbjerg,Russ Braun,Carlos Ezquerra | 248 pages | 27 Dec 2011 | Dynamic Forces Inc | 9781606902554 | English | Runnemede, United States The Complete Battlefields, Volume One by Garth Ennis Garth Ennis Complete Battlefields: Volume 1 summer, As the German army smashes deep into Soviet Russia and the defenders of the Motherland retreat in disarray, a new bomber squadron arrives at a Russian forward airbase. Its crews will fly flimsy wooden biplanes on lethal night missions over German lines, risking fiery death as they fling themselves against the invader- but for these pilots, the consequences of capture will be even worse. For the pilots of the th Night Bomber Regiment are women. In the deadly Garth Ennis Complete Battlefields: Volume 1 of the Eastern front, they will become a legend- known, to friend and foe alike, as the Night Witches. Nurse Carrie Sutton is caught up in the Japanese invasion of Singapore, suffering horrors Garth Ennis Complete Battlefields: Volume 1 her wildest nightmares- and survives. Now she attempts to start her life anew, buoyed up by a growing friendship with a wounded pilot- only for fate to deliver up the last thing she ever expected. Carrie at last has a chance for revenge In the midst of a world torn apart by war, you can fight and you can win- but you still might not get the things you truly want. After D-Day came the battle for Normandy, when largely untried Allied soldiers met the seasoned veterans of the German army. As Panzer units and SS troops turn the French countryside into a killing ground, a lone Brit'sh tank crew struggle to rejoin their squadron. -
British Writers, DC, and the Maturation of American Comic Books Derek Salisbury University of Vermont
University of Vermont ScholarWorks @ UVM Graduate College Dissertations and Theses Dissertations and Theses 2013 Growing up with Vertigo: British Writers, DC, and the Maturation of American Comic Books Derek Salisbury University of Vermont Follow this and additional works at: https://scholarworks.uvm.edu/graddis Recommended Citation Salisbury, Derek, "Growing up with Vertigo: British Writers, DC, and the Maturation of American Comic Books" (2013). Graduate College Dissertations and Theses. 209. https://scholarworks.uvm.edu/graddis/209 This Thesis is brought to you for free and open access by the Dissertations and Theses at ScholarWorks @ UVM. It has been accepted for inclusion in Graduate College Dissertations and Theses by an authorized administrator of ScholarWorks @ UVM. For more information, please contact [email protected]. GROWING UP WITH VERTIGO: BRITISH WRITERS, DC, AND THE MATURATION OF AMERICAN COMIC BOOKS A Thesis Presented by Derek A. Salisbury to The Faculty of the Graduate College of The University of Vermont In Partial Fulfillment of the Requirements For the Degree of Master of Arts Specializing in History May, 2013 Accepted by the Faculty of the Graduate College, The University of Vermont, in partial fulfillment of the requirements for the degree of Master of Arts, specializing in History. Thesis Examination Committee: ______________________________________ Advisor Abigail McGowan, Ph.D ______________________________________ Melanie Gustafson, Ph.D ______________________________________ Chairperson Elizabeth Fenton, Ph.D ______________________________________ Dean, Graduate College Domenico Grasso, Ph.D March 22, 2013 Abstract At just under thirty years the serious academic study of American comic books is relatively young. Over the course of three decades most historians familiar with the medium have recognized that American comics, since becoming a mass-cultural product in 1939, have matured beyond their humble beginnings as a monthly publication for children. -
The Jewish Comic Book Industry, 1933-1954
“THE WHOLE FURSHLUGGINER OPERATION”: THE JEWISH COMIC BOOK INDUSTRY, 1933-1954 By Sebastian T. Mercier A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of History – Doctor of Philosophy 2018 ABSTRACT “THE WHOLE FURSHLUGGINER OPERATION”: THE JEWISH COMIC BOOK INDUSTRY, 1933-1954 By Sebastian T. Mercier Over the course of the twentieth century, the comic book industry evolved from an amateur operation into a major institution of American popular culture. Comic books, once considered mere cultural ephemera or quite simply “junk,” became a major commodity business. The comic book industry emerged out of the pulp magazine industry. According to industry circulation data, new comic book releases increased from 22 in 1939 to 1125 titles by the end of 1945. Comic book scholars have yet to adequately explain the roots of this historical phenomenon, particularly its distinctly Jewish composition. Between the years of 1933 and 1954, the comic book industry operated as a successful distinct Jewish industry. The comic book industry emerged from the pulp magazine trade. Economic necessity, more than any other factor, attracted Jewish writers and artists to the nascent industry. Jewish publishers adopted many of the same business practices they inherited from the pulps. As second-generation Jews, these young men shared similar experiences growing up in New York City. Other creative industries actively practiced anti-Semitic hiring procedures. Many Jewish artists came to comic book work with very little professional experience in cartooning and scripting. The comic book industry allowed one to learn on the job. The cultural world comic books emerged out of was crucially important to the industry’s development. -
World War II Participants and Contemporaries: Papers
World War II Participants and Contemporaries: Papers Container List ACCETTA, DOMINICK Residence: Fort Lee, New Jersey Service: 355th Inf Regt, Europe Volume: -1" Papers (1)(2) [record of Cannon Co., 355th Inf. Regt., 89th Inf. Div., Jan.-July 1945; Ohrdruf Concentration Camp; clippings; maps; booklet ”The Story of the 89th Infantry Division;” orders; song; ship’s newspaper, Jan. 1946;map with route of 89th Div.] AENCHBACHER, A.E. "Gene" Residence: Wichita, Kansas Service: Pilot, 97th Bomber Group, Europe; flew DDE from Gibraltar to North Africa, November 1942 Volume: -1" Papers [letters; clippings] ALFORD, MARTIN Residence: Abilene, Kansas Service: 5th Inf Div, Europe Volume: -1" Papers [copy of unit newspaper for 5th Inf. Div., May 8, 1945; program for memorial service; statistics on service and casualties in wars and conflicts] ALLMON, WILLIAM B. Residence: Jefferson City, Missouri Service: historian Volume: -1” 104 Inf Div (1) (2) [after action report for November 1944, describing activities of division in southwest Holland; this is a copy of the original report at the National Archives] 1 AMERICAN LEGION NATIONAL HEADQUARTERS Residence: Indianapolis, Indiana Service: Veteran's organization Volume: 13" After the War 1943-45 [a monthly bulletin published by the Institute on Postwar Reconstruction, Aug. 1943-April 1945] American Legion Publications (1)-(11) [civil defense; rights and benefits of veterans; home front; citizenship; universal draft; national defense and security program; Americanism; employment manual; Boy Scouts-youth program; G. I. Bill of Rights; peace and foreign relations; disaster; natural resources; law and order; UMT-universal military training; national defense; veterans’ employment; 1946 survey of veterans; reprint of two pages from The National Legionnaire, June 1940; instructors manual for military drill; United Nations; junior baseball program] Army-Navy YMCA Bulletin, 1942-44 Atlas of World Battle Fronts [1943-45] China at War, 1939 [four issues published by the China Information Publishing Co.] Clippings [submarine war; Alaska; U.S. -
BIOGRAPHY General Carter F. Ham, U.S. Army, Retired
BIOGRAPHY General Carter F. Ham, U.S. Army, Retired General Ham is the president and chief executive officer of the Association of the United States Army. He is an experienced leader who has led at every level from platoon to geographic combatant command. He is also a member of a very small group of Army senior leaders who have risen from private to four-star general. General Ham served as an enlisted infantryman in the 82nd Airborne Division before attending John Carroll University in Cleveland, Ohio. Graduating in 1976 as a distinguished military graduate, his service has taken him to Italy, Germany, Kuwait, Saudi Arabia, Macedonia, Qatar, Iraq and, uniquely among Army leaders, to over 40 African countries in addition to a number of diverse assignments within the United States. He commanded the First Infantry Division, the legendary Big Red One, before assuming duties as director for operations on the Joint Staff at the Pentagon where he oversaw all global operations. His first four-star command was as commanding general, U.S. Army Europe. Then in 2011, he became just the second commander of United States Africa Command where he led all U.S. military activities on the African continent ranging from combat operations in Libya to hostage rescue operations in Somalia as well as training and security assistance activities across 54 complex and diverse African nations. General Ham retired in June of 2013 after nearly 38 years of service. Immediately prior to joining the staff at AUSA, he served as the chairman of the National Commission on the Future of the Army, an eight-member panel tasked by the Congress with making recommendations on the size, force structure and capabilities of the Total Army. -
Read the Book (PDF)
The Atlantic Council Art of Future Warfare Project: WAR STORIES FROM THE FUTURE edited by August Cole ISBN: 978-1-61977-960-0 Cover designed by Spiros Karkavelas. The Atlantic Council is a nonpartisan organization that promotes constructive US leadership and engagement in international affairs based on the central role of the Atlantic community in meeting today’s global challenges. © 2015 The Atlantic Council of the United States. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means without permission in writing from the Atlantic Council, except in the case of brief quotations in news articles, critical articles, or reviews. Please contact us for more information. www.atlanticcouncil.org Contents Acknowledgments Introduction by Martin Dempsey From a Remove by Alec Meden Article I, Section 8, Clause 11 by Ken Liu A Stopped Clock by Madeline Ashby Big and Noisy designed by Alex Brady A Visit to Weizenbaum by Jamie Metzl ANTFARM by August Cole We Can Win the War, You Must Win the Peace designed by EG Douglas Codename: Delphi by Linda Nagata The Exception That Proves the Rule by Mathew Burrows Coffee, Wi-Fi and the Moon. The unknown story of the greatest cyber war of them all by Nikolas Katsimpras A Need for Heroes by David Brin “North Shore Mujahideen” Graffiti designed by Sam Cole Another Day of Infamy by Ashley Henley Artist and Author Bios About the Atlantic Council About the Brent Scowcroft Center on International Security About the Art of Future Warfare Project Acknowledgments In an era of big data and sensors that provide an infinite set of metrics, there is a growing conviction that modern warfare is best understood, and won, with complex statistics and models. -
War Stories Reading List
WAR STORIES READING LIST FICTION Abani, Cris Song for Night F ABA:C Part Inferno and part Paradise Lost, Song for Night is the story of a West African boy soldier's lyrical, terrifying, yet beautiful journey through the nightmare landscape of a brutal war in search of his lost platoon. Arena, Felice The Boy and the Spy F ARE:F Things have never been easy for Antonio, but now it seems like the war will never end. So when Antonio is caught up in the dangerous world of freedom fighters and spies, will it change his life or destroy him? Baillie, Alan Little Brother F BAI:A Set in war-torn Kampuchea, this is the powerful story of Vithy's search for his brother, lost in their flight from the Khmer Rouge. Baillie, Alan Treasure Hunters F BAI:A Pat has joined his father on an old boat off the coast of a troubled Indonesian island to search for treasure. But as they follow a trail of clues to the world’s richest shipwreck the violence on the island coils around them. Ballard, J.G. Empire of the Sun F BAL:J Alone in Japanese-invaded Shanghai in 1941, 11-year-old Jim at first eluded capture, slips from one empty mansion to another in the British and French Concessions. Later he learnt the habits of life under internment and the Japanese soldiers became almost his only security. Barker, Pat Regeneration F BAR:P At the centre of this novel is a real-life encounter that occurred in 1917 between W.H.R. -
Conflict Then; Trauma Now : Reading Vietnam Across the Decades In
Conflict then; trauma now : reading Vietnam across the decades in American comics EARLE, Harriet <http://orcid.org/0000-0001-7354-3733> Available from Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/21655/ This document is the author deposited version. You are advised to consult the publisher's version if you wish to cite from it. Published version EARLE, Harriet (2018). Conflict then; trauma now : reading Vietnam across the decades in American comics. European Journal of American Culture, 37 (2), 159- 172. Copyright and re-use policy See http://shura.shu.ac.uk/information.html Sheffield Hallam University Research Archive http://shura.shu.ac.uk Conflict Then; Trauma Now: Reading Vietnam Across the Decades in American Comics Dr Harriet EH Earle Department of Humanities, Sheffield Hallam University City Campus, Howard Street, Sheffield, S1 1WB Keywords: Vietnam; trauma; conflict; comics studies; The ‘Nam; Superheroes Abstract: This paper will consider the shift in representations of the Vietnam War in American comics, concentrating specifically on the shift from gung-ho violence and patriotism to nuanced personal narratives of trauma and the psychological impact of conflict. I will compare and contrast three comics series: The ‘Nam, a Marvel series that ran from 1986 to 1993; The Punisher Invades ‘The 'Nam, a cross-over series that comprises two arcs over five issues in 1990 and 1992; and Garth Ennis & Darick Robertson’s Punisher: Born (2003), an origin story that positions trauma as a survival tool within theatre. Vietnam as a conflict event and a cultural touchstone has affected the way we view violence in the 21st century.I discuss how comics has measured and represented the shift in positioning of violence and conflict from earlier wars through Vietnam to the present day.