Latinos in Twentieth Century California
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Second Generation
HISTORY The New Mexican-Americans in Wartime America: riots reflect the state of the Mexican American pop How the "Z-Oot Suit Riots" and the "Second Generation" events shape the future of the Mexican American c Transformed Mexican-American Ethnic Politics Brady Dvorak In this paper, l will show how the unique state oft especially the first US-born generation of Mexican Abstract second generation) - coupled with the anxiety of\ This paper looks at the unique demographic, economic, and cultural state of ethnic Mexicans living of racial tensions in Los Angeles. And, I will sho\\ in the United States during World War II and how the "Zoot Suit Riots" both refl ected the wartime riots" created by the sensationalistic press affected ethnic relations between Latinos and Anglos and influenced the future of Mexican American civil campaign in two ways: (1) Popular interpretation< rights movements. In particular, the riots will be examined within the context of the emergence of a American youth, bridging a correlation between et pachuco youth culture within the second generation of US-born ethnic Mexicans. Newspaper there being any racial discrimination during the ric articles of the time and complimentary research will also show how popular public perception of perception of there being no racial element of disc the events affected the way in which Mexican American community leaders would negotiate the communities. With Mexican American activists or ethnic politics of civil rights until the 1960s. anti-Mexican sentiment, they preached uncompror while ignoring the more complex problems of disc Introduction disparity between Latinos and Anglos in the Unite ne of the most notorious episodes in the history of US ethnic relations, and certainly in Mexican Americans, Pachucos, and World 0 Mexican American history, was the so called "zoot suit riots" that took place in wartime Los Angeles. -
Summer Traditions 2020 Tour
SLIGHTLY STOOPID SUMMER TRADITIONS 2020 TOUR BAND REVEALS FIRST ROUND OF SUMMER SHOWS, INCLUDING TWO NIGHTS AT RED ROCKS AMPHITHEATER ADDITIONAL DATES STILL TO BE ANNOUNCED TICKETS ON SALE FRIDAY, MARCH 13 March 9, 2020 (San Diego, CA) - Today, Billboard chart-toppers Slightly Stoopid unveil the first round of dates for their annual summer tour. Dubbed Summer Traditions 2020 (a nod to the outdoor summer tour-circuit the band has done annually since 2006), Slightly Stoopid and fans alike will travel the states, sharing good times with one another through music and community as they have done since the band’s inception 25 years ago. This 2020 edition of Slightly Stoopid’s summer amphitheater tour kicks off in Eugene, OR on June 11th, 2020 and routes the beloved So-Cal band throughout North America, including two nights at the legendary Red Rocks Amphitheatre in Morrison, CO on August 15-16, 2020. Joining Slightly Stoopid for their Summer Traditions 2020 tour are special guests Pepper, Common Kings, and Don Carlos. All currently announced dates are listed below, with additional dates to be announced soon. Fans gain first access to the artist presale beginning Tuesday, March 10th at 10 AM local at www.slightlystoopid.com. The local presale will run from 10 AM - 10 PM local time on Thursday, March 12th, and the general public on-sale will then take place on Friday, March 13th at 10 AM local time. Formed in the mid-90’s by founding members Miles Doughty and Kyle McDonald, Slightly Stoopid has steadily risen to the top - always fostering their dedicated fanbase. -
Copyright by Cary Cordova 2005
Copyright by Cary Cordova 2005 The Dissertation Committee for Cary Cordova Certifies that this is the approved version of the following dissertation: THE HEART OF THE MISSION: LATINO ART AND IDENTITY IN SAN FRANCISCO Committee: Steven D. Hoelscher, Co-Supervisor Shelley Fisher Fishkin, Co-Supervisor Janet Davis David Montejano Deborah Paredez Shirley Thompson THE HEART OF THE MISSION: LATINO ART AND IDENTITY IN SAN FRANCISCO by Cary Cordova, B.A., M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December, 2005 Dedication To my parents, Jennifer Feeley and Solomon Cordova, and to our beloved San Francisco family of “beatnik” and “avant-garde” friends, Nancy Eichler, Ed and Anna Everett, Ellen Kernigan, and José Ramón Lerma. Acknowledgements For as long as I can remember, my most meaningful encounters with history emerged from first-hand accounts – autobiographies, diaries, articles, oral histories, scratchy recordings, and scraps of paper. This dissertation is a product of my encounters with many people, who made history a constant presence in my life. I am grateful to an expansive community of people who have assisted me with this project. This dissertation would not have been possible without the many people who sat down with me for countless hours to record their oral histories: Cesar Ascarrunz, Francisco Camplis, Luis Cervantes, Susan Cervantes, Maruja Cid, Carlos Cordova, Daniel del Solar, Martha Estrella, Juan Fuentes, Rupert Garcia, Yolanda Garfias Woo, Amelia “Mia” Galaviz de Gonzalez, Juan Gonzales, José Ramón Lerma, Andres Lopez, Yolanda Lopez, Carlos Loarca, Alejandro Murguía, Michael Nolan, Patricia Rodriguez, Peter Rodriguez, Nina Serrano, and René Yañez. -
“Mexican Repatriation: New Estimates of Total and Excess Return in The
“Mexican Repatriation: New Estimates of Total and Excess Return in the 1930s” Paper for the Meetings of the Population Association of America Washington, DC 2011 Brian Gratton Faculty of History Arizona State University Emily Merchant ICPSR University of Michigan Draft: Please do not quote or cite without permission from the authors 1 Introduction In the wake of the economic collapse of the1930s, hundreds of thousands of Mexican immigrants and Mexican Americans returned to Mexico. Their repatriation has become an infamous episode in Mexican-American history, since public campaigns arose in certain locales to prompt persons of Mexican origin to leave. Antagonism toward immigrants appeared in many countries as unemployment spread during the Great Depression, as witnessed in the violent expulsion of the Chinese from northwestern Mexico in 1931 and 1932.1 In the United States, restriction on European immigration had already been achieved through the 1920s quota laws, and outright bans on categories of Asian immigrants had been in place since the 19th century. The mass immigration of Mexicans in the 1920s—in large part a product of the success of restrictionist policy—had made Mexicans the second largest and newest immigrant group, and hostility toward them rose across that decade.2 Mexicans became a target for nativism as the economic collapse heightened competition for jobs and as welfare costs and taxes necessary to pay for them rose. Still, there were other immigrants, including those from Canada, who received substantially less criticism, and the repatriation campaigns against Mexicans stand out in several locales for their virulence and coercive nature. Repatriation was distinct from deportation, a federal process. -
Borderlands of the Rio Grande Valley: Where Two Worlds
BORDERLANDS OF THE RIO GRANDE VALLEY: WHERE TWO WORLDS BECOME ONE by Nora Lisa Cavazos, M.A. A thesis submitted to the Graduate Council of Texas State University in partial fulfillment of the requirements for the degree of Master of Arts with a Major in International Studies August 2014 Committee Members: Paul Hart, Chair John McKiernan-Gonzalez Robert Gorman COPYRIGHT by Nora Lisa Cavazos 2014 FAIR USE AND AUTHOR’S PERMISSION STATEMENT Fair Use This work is protected by the Copyright Laws of the United States (Public law94-553, section 107). Consistent with fair use as defined in the Copyright Laws, brief quotations from this material are allowed with proper acknowledgment. Use of this material for financial gain without the author’s express written permission is not allowed. Duplication Permission As copyright holder of this work I, Nora Lisa Cavazos authorize duplication of this work, in whole or in part, for educational or scholarly purposes only. ACKNOWLEDGEMENTS I would sincerely like to thank my family for inspiring me to write about the reality of such a complicatedly beautiful place. Without the love and support from my Mom, Dad, Linda, Melissa, David, Noah, and Jaeden, none of this would have been possible. For all the times they extended their home, their food, and their stress relieving techniques, I am undoubtedly thankful. A big thank you to Dr. Paul Hart, Dr. John McKiernan-Gonzalez, and Dr. Robert Gorman for encouraging my study of the Rio Grande Valley, the place I love the most, and for pushing me beyond what I knew I was capable of. -
UNIVERSITY of CALIFORNIA Los Angeles Archives
UNIVERSITY OF CALIFORNIA Los Angeles Archives, Models, and Methods for Critical Approaches to Identities: Representing Race and Ethnicity in the Digital Humanities A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Information Studies by David J. Kim 2015 © Copyright by David J. Kim 2015 ABSTRACT OF THE DISSERTATION Archives, Models, and Methods for Critical Approaches to Identities: Representing Race and Ethnicity in the Digital Humanities By David J. Kim Doctor of Philosophy in Information Studies University of California, Los Angeles, 2015 Professor Johanna R. Drucker, Chair This dissertation addresses the cultural politics of representation in digital archives of various histories of racial and ethnic minorities in the U.S. It critiques the discourse of realism in both digital and archival representations of knowledge about minoritarian identities through case studies that explore the possibilities and the limitations of digital tools and platforms for the minoritarian critique of the archive as the all-encompassing site of knowledge. The first case study presents a digital 3D model of an East Los Angeles public housing complex famous for its numerous murals painted during the Chicana/o movement of the 1970s. Informed by the theorizations of identity formations as spatial practices, the 3D model functions as an immersive digital archive that documents the dialectics of the barrio as represented by the murals. The second case study reimagines the archive of Edward S. Curtis’s The North American Indian (1907- 1930), an influential yet controversial ethnographical work on the Native Americans in ii! ! the early twentieth century. It critiques the essentialism of this extensive work of photographic documentation by exploring the multi-modality and non-linearity of Scalar, a content management system developed by digital humanists, and through experimental network visualizations that expose the racial logic and the socio-cultural context of The North American Indian. -
1 Building Bridges: the Challenge of Organized
BUILDING BRIDGES: THE CHALLENGE OF ORGANIZED LABOR IN COMMUNITIES OF COLOR Robin D. G. Kelley New York University [email protected] What roles can labor unions play in transforming our inner cities and promo ting policies that might improve the overall condition of working people of color? What happens when union organizers extend their reach beyond the workplace to the needs of working-class communities? What has been the historical role of unions in the larger struggles of people of color, particularly black workers? These are crucial questions in an age when production has become less pivotal to working-class life. Increasingly, we've witnessed the export of whole production processes as corporations moved outside the country in order to take advantage of cheaper labor, relatively lower taxes, and a deregulated, frequently antiunion environment. And the labor force itself has changed. The old images of the American workingclass as white men residing in sooty industrial suburbs and smokestack districts are increasingly rare. The new service-based economy has produced a working class increasingly concentrated in the healthcare professions, educational institutions, office building maintenance, food processing, food services and various retail establishments. 1 In the world of manufacturing, sweatshops are coming back, particularly in the garment industry and electronics assembling plants, and homework is growing. These unions are also more likely to be brown and female than they have been in the past. While white male membership dropped from 55.8% in 1986 to 49.7% in 1995, women now make up 37 percent of organized labor's membership -- a higher percentage than at any time in the U.S. -
Pressrelease 2010 Hangout Waterkeeper
TENNESSEE RIVERKEEPER Press Release (May 13, 2010) – ## For Immediate Release Leading environmental activists band together at The Hangout Beach Music and Arts Festival (May 14th - 16th) in Gulf Shores, Ala to raise awareness for the inhabitants and habitats affected by the Deepwater Horizon oil spill in the Gulf Coast. The Hangout Beach, Music and Arts Festival has announced that environmental activists Erin Brockovich, Kathleen "Kick" Kennedy, David Whiteside, and Sierra Club Board President Allison Chin will participate in on-stage announcements, public panel discussion and press conferences about BP’s Deepwater Horizon oil disaster and the Waterkeeper Alliance and it’s affiliated organizations along the Gulf Coast and in Alabama. On-stage announcements from some of the nation’s top environmental leaders will take place throughout the weekend. The press conferences at the festival will occur on Saturday, May 15 at 3pm and the public panel discussion on Sunday, May 16 at 2:30pm. Additionally, various local Waterkeeper organizations will host an outreach table on the festival grounds, which will contain info about the Waterkeepers and will be managed by staff members and volunteers. As previously announced, all profits from The Hangout will be donated to Gulf Coast restoration and relief efforts. Many musicians who will be performing at The Hangout Beach Music and Arts Festival have starred in Riverkeeper promotional videos that were produced by David Whiteside of Alabama, Founder of Black Warrior Riverkeeper and Tennessee Riverkeeper and former MTV News correspondent. Musicians including Questlove from The Roots, Michael Franti and Spearhead, Ozomatli, Phish, and The Flaming Lips (cancelled), have appeared in public service announcement videos for Riverkeeper organizations in Alabama. -
Finalinvoluntary Deportations Lesson Plan
Identity, Immigration and Economics: The Involuntary Deportations of the 1930s (For use with Episode 2) Lesson Overview This particular lesson examines the involuntary deportations of Mexican immigrants and U.S. citizens of Mexican heritage during the 1930s. This displacement is only one of many legally sanctioned, forced relocations in our nation’s history. It also is an example of how a certain population may be scapegoated during times of economic downturn — and how there is an ongoing tie between immigration policies on the one hand, and economic trends on the other. Students analyze primary accounts and images from the 1930s, develop new vocabulary related to relocation, and demonstrate their understanding through creative writing. (Elements of this lesson were adapted from http://www.learnnc.org/lp/pages/4042.) Grade Level: 7 – 12 Time: 2 – 3 Hours (1 – 2 class periods) Materials • Internet access for research and viewing segment (Los Angeles Deportation) • Copies of student handout, Involuntary Deportation Images and Writing Prompts • Paper and pencils for note-taking and assignment writing/completion • Dictionary (print or online) Lesson Objectives The student will: 1. Define and discuss the difference between immigration, repatriation, deportation, resettlement and internment. 2. Identify the deportation of documented Mexican immigrants and Mexican Americans during the Great Depression. 3. Present her/his learning to the class in the form of a vivid description of the individuals being deported and participate in a class debate on reasons for and against deportation. 4. Understand the importance and significance of the involuntary deportations of the 1930s. 5. Analyze the deportations in the context of immigration policies as connected to economic factors. -
A Comparative Study of Apparel Shopping Orientations Between Asian Americans and Caucasian Americans
AN ABSTRACT OF THE THESIS OF Shan-Hsin, Angie. Ho for the degree of Master of Science in Apparel. Interiors, Housing and Merchandising presented on February 5. 1991 Title: A Comparative Study of Apparel Shopping Orientations between Asian Americans and Caucasian Americans Abstract approved:.Redacted for Privacy V /Gi1OL y 1. UL cacti a Very little empirical research has been conducted on Asian Americans as a whole in relation to their consumer behavior, specifically their clothing behavior. A review of literature demonstrated that Asian Americans have been studied from different psychographic and sociological aspects. However, the apparel shopping behavior of this market has received only slight research attention. The purpose of this study was to compare Asian Americans and Caucasian Americans with regards to apparel shopping orientations. This study also examined the relationship between apparel shopping orientations and intensity of ethnic identification among Asian Americans. The multimediation model of consumer behavior (EKB model) proposed by Engel, Kollat and Blackwell (1973) was used as a theoretical framework for the present study. Based on the EKB model, it was expected that people of different cultural backgrounds were different in terms of their consumer behavior. Another conceptual framework used in the present study was the concept of shopping orientations, introduced by Stone (1954). Apparel shopping orientations refer to motivations, interests and attitudes toward apparel shopping. Seven shopping orientations were selected for the present study. They were: economic shopping, personalizing shopping, recreational shopping, social shopping (including friend social shopping and family social shopping), brand loyal shopping, impulse shopping and fashion orientations. The fashion orientation included four factors: fashion leadership, fashion interest, fashion importance and anti- fashion attitude. -
DIGITAL ART, CHICANA FEMINISM, and MEXICAN ICONOGRAPHY: a Visual Narrative by Alma Lopez in Naples, Italy
DIGITAL ART, CHICANA FEMINISM, AND MEXICAN ICONOGRAPHY: A Visual Narrative by Alma Lopez in Naples, Italy María Herrera-Sobek, Guisela M. Latorre, and Alma Lopez While in the 1970s Chicana/o art was largely defined by the prevalence of silkscreen posters and murals, the 1990s and early 2000s saw the emergence of digital art among Chicana/o artists. Los Angeles-based artist Alma Lopez has been at the forefront of this revolution. Her visually compelling, computer-aided montages have tackled deeply contested issues such as immigration, racism, religion, colonization, and queer identity, to cite just a few. In spite of being a talented painter and printmaker, with a BA and an MFA in art studio from the University of California, Santa Barbara (UCSB), and University of California, Irvine (UCI), respectively, Lopez has gained most of her visibility from her digital media work. Scholars such as Luz Calvo and Reina Alejandra Prado Saldívar have identified Lopez’s art as a Chicana feminist visual discourse that thrives on the flexibility and dynamism of digital expression.1 This technology allows the artist seamlessly to combine preexisting imagery with her own original artwork and photography. Lopez belongs to a generation of Chicana/o artists—including such luminaries as Judy Baca, Patricia Rodriguez, and John Leaños, among others—who have begun using computer technology as their preferred medium for creative expression. By doing so, they are entering territory such as the realm of science and technology that has traditionally excluded their presence as artists of color. These artists are also employing strategies that echo those deployed by other disenfranchised groups in the Americas, 68 CHICANA/LATINA STUDIES 6:2 SPRinG 2007 6.2.indb 68 4/23/07 8:21:56 AM DIGital art such as the Zapatistas in Chiapas, who initially transmitted their political communiqués over the Internet. -
Oral History Interview with Barbara Carrasco
Oral history interview with Barbara Carrasco The digital preservation of this interview received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center. Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 General............................................................................................................................. 2 Scope and Contents........................................................................................................ 1 Scope and Contents........................................................................................................ 2 Biographical / Historical.................................................................................................... 1 Names and Subjects ...................................................................................................... 2 Container Listing ...................................................................................................... Oral history interview with Barbara Carrasco AAA.carras99 Collection Overview Repository: Archives of American Art Title: Oral history interview with Barbara Carrasco Identifier: