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O Porquê Da Existência De Festivais Punk Na Europa
Paulo Bettencourt Lemos A INDUSTRIALIZAÇÃO DO MOVIMENTO PUNK Relatório de estágio em Comunicação e Jornalismo, orientado pelo Doutor Carlos Camponez, apresentado ao Departamento de Informação, Comunicação e Filosofia da Faculdade de Letras da Universidade de Coimbra Julho de 2014 1 Faculdade de Letras A INDUSTRIALIZAÇÃO DO MOVIMENTO PUNK Ficha Técnica: Tipo de trabalho Relatório de estágio Título A INDUSTRIALIZAÇÃO DO MOVIMENTO PUNK Autor Paulo Bettencourt Lemos Orientador Doutor Carlos Camponez Júri Presidente: Vogais: 1. 2. Identificação do Curso 2º Ciclo em Comunicação e Jornalismo Data da defesa Classificação 2 Resumo Embora o Punk tenha surgido em finais da década de 70 como uma contra-cultura revolucionária que se opôs aos valores sociais vigentes da sociedade inglesa, rapidamente a indústria absorveu este movimento social. A atual aceitação social da prévia rebeldia Punk deu-se através da sua comercialização, onde foi possível ao mainstream suavizar os seus aspetos mais agressivos popularizando assim agrupamentos musicais do género. A vulgarização do Punk ocorreu deste modo através da incorporação comercial da sua música e estética. Neste relatório de estágio reflete-se sobre o papel e a influência da indústria no Punk. Através de uma análise ao festival Mighty Sounds, compreenderemos como a comercialização desta tribo urbana tornou este fenómeno facilmente reconhecido a nível mundial e qual o impacto da indústria nos movimentos do underground, desconhecidos pelo grande público, e que se encontram fora dos mediatismos comerciais e noticiosos. Palavras-chave: Mighty Sounds, Punk, Música, Festivais de Verão, República Checa, Praga 3 Abstract Although Punk has emerged in the late 70s as a revolutionary counter-culture that opposed the prevailing social values of English society, the industry quickly absorbed this social movement. -
Lhlght•/ Juana
Page 4 Allston-Brighton TAB Friday, I ·cbruary 21, 2003 www.townonline.com/allstonbrighton ~~-'--~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~--'::_~ PU BLI C SAFE TY '.--«'.{ According to a police report, pool, sauna and shower, he spoke flu 1 officers executed a search war ent Engli h. Officers told Vaclavik to rant on 815 Jette Court at 11 a.m. on vacate the premi es and never come Wednesday, Feb. 12, and seized back or he would be arrested. drugs from the premises. Police confiscated cell phones, an According to a police report, electronic scale, three plastic bags 3 officers arre ted Melvin containing small cotton balls, a plane Adam , 28, of Dorchester, and ticket in the name of Walberto Parril Ronald Hurtado, 33 of Ashford, after la, a UMass Medical Center bill, mis the pair allegedly exchanged drugs cellaneous bills, plastic bags, a box of for money in a Brooks Pharmacy needles and syringes and a silver cap parking Jot. with white drug residue. Officers also Officers were conducting a drug seized a white phone and answering inve tigation at 177 Linden St. when machine, on which the found a mes Adams drove up to the house, parked sage indicating an order for illegal illegally in front of a fire hydrant, drugs. walked to the door and made an ex The premises was secured and left change at the door. /\/, 8e St in the control of the suspect, Marisol Adam then got back into his vehi aeo Acevedo, 32, of Brighton. cle and drove to the pharmacy lot, where he exited hi own vehicle and Officers responded to a call to entered a Nissan Pathfinder, occupied 2 the 400 Soldiers Field Road by Hurtado. -
The Foreign Service Journal, October 2012
PUBLISHED BY THE AMERICAN FOREIGN SERVICE ASSOCIATION OCTOBER 2012 THE NEW FOREIGN SERVICE GENERATION TEHRAN, 1979: THE UNTOLD STORY LOCAL LENS DEBUTS FOREIGN October 2012 SERVICE Volume 89, No. 10 FOCUS THE NEW FOREIGN SERVICE GENERATION AFSA NEWS Today’s New Hires: What They See, What They Say / 22 AFSA Celebrates High School Essay Contest Winner / 57 The hiring wave that began in 2008 with State’s Diplomacy 3.0 program and USAID’s Development Leadership Initiative increased these agencies’ State VP: Staying in Place Foreign Service ranks by 17 and 54 percent, respectively. Here’s a look in an Up-or-Out System / 58 at the new hires’ thoughts and expectations about their work. FCS VP: Water Under BY SHAWN DORMAN the Bridge / 59 FAS VP: The Mid-Level The Hiring Pendulum / 25 Staffing Gap / 60 The boom and bust hiring cycles at State and USAID have created serious staffing problems. FSOs Help Bosnian Street Dogs Survive / 60 BY SHAWN DORMAN Ambassador Chas Freeman Gen Y, and On to Z / 28 Gives Adair Lecture / 61 A retired ambassador shares her impressions of the new generations. AFSA Bylaw Amendments Pass / 63 BY EILEEN MALLOY TLG Intern Has “Fantastic” What I Wish I Had Known … / 38 Summer at State / 63 New hires talk about what they wish they had known before joining COLUMNS the Foreign Service. EDITED BY SHAWN DORMAN President’s Views / 7 Diplomatic Capacity Needs Professional Institutional Bridging the Foreign Service Generational Gulf / 42 Leadership More than half of the current Foreign Service has joined since 9/11. BY SUSAN R. -
The Crusader Monthll,J Nelijsletter
THE CRUSADER MONTHLL,J NELIJSLETTER ROBERT F. WILLIAMS, EDITOR -IN EXILE- VoL . ~ - No. 9 MAY 1968 Afro-Americans & Slick John Kennedy Government of the United States is no government T~E of the Afro-Americans at all. The slick John Ken- nedy gang is operating one of the greatest sham govern- ment in the entire world. Afro-Americans and fair minded Od > ~- O THE wN«< /l~USL . lF Yov~Re EyER IN NE60, CALL ME AT whites must be gullible indeed to believe that the racist, KKK dominated so-called U.S. Government is concerned with the welfare and human rights of colored people. The colored people of the USA must bring themselves to realize that taken integration is a slick manuever to check the restlessness of an oppressed people fast becoming infect ed with the germ of total resistance policy developing among all of the oppressed peoples of the world. Token integration means nothing to the masses. Even an idiot should be able to see that so-called Token integration is no more than window dressing designed to lull the poor downtrodden Afro-American to sleep and to make the out side world think that the racist, savage USA is a fountainhead of social justice and democracy. The Afro-American in the USA is facing his greatest crisis since chattel slavery. All forms of violence and underhanded methods o.f extermination are being stepped up against our people. Contrary to what the "big daddies" and their "good nigras" would have us believe about all of the phoney progress they claim the race is making, the True status of the Afro-Ameri- can is s#eadily on the down turn. -
Arguelles Climbs to Victory In2.70 'Mech Everest'
MIT's The Weather Oldest and Largest Today: Cloudy, 62°F (17°C) Tonight: Cloudy, misty, 52°F (11°C) Newspaper Tomorrow: Scattered rain, 63°F (17°C) Details, Page 2 Volume 119, Number 25 Cambridge, Massachusetts 02139 Friday, May 7, 1999 Arguelles Climbs to Victory In 2.70 'Mech Everest' Contest By Karen E. Robinson and lubricant. will travel to Japan next year to ,SS!)( '1.1fr: .vOl'S UHI! JR The ramps were divided into compete in an international design After six rounds of competition, three segments at IS, 30, and 4S competition. Two additional stu- D~vid Arguelles '01 beat out over degree inclines with a hole at the dents who will later be selected will 130 students to become the champi- end of each incline. Robots scored compete as well. on of "Mech Everest," this year's points by dropping the pucks into 2.;0 Design Competition. these holes and scored more points Last-minute addition brings victory The contest is the culmination of for pucks dropped into higher holes. Each robot could carry up to ten the Des ign and Engineering 1 The course was designed by Roger pucks to drop in the holes. Students (2,.007) taught by Professor S. Cortesi '99, a student of Slocum. could request an additional ten Alexander H. Slocum '82. Some robots used suction to pucks which could not be carried in Kurtis G. McKenney '01, who keep their treads from slipping the robot body. Arguelles put these finished in second place, and third down the table, some clung to the in a light wire contraption pulled by p\~ce finisher Christopher K. -
Dropkick Murphys Blackout Mp3, Flac, Wma
Dropkick Murphys Blackout mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Blackout Country: Japan Released: 2003 Style: Punk MP3 version RAR size: 1815 mb FLAC version RAR size: 1892 mb WMA version RAR size: 1597 mb Rating: 4.3 Votes: 669 Other Formats: VOC DMF TTA MPC VOX MIDI WMA Tracklist Hide Credits A1 Walk Away Worker's Song A2 Written-By – Ed Pickford A3 The Outcast Black Velvet Band A4 Arranged By – Dropkick MurphysWritten-By – Traditional Gonna Be A Blackout Tonight A5 Words By – Woody Guthrie A6 World Full Of Hate A7 Buried Alive The Dirty Glass A8 Vocals [Additional] – Stephanie Dougherty Fields Of Athenry B1 Written-By – Pete St. John B2 Bastards On Parade B3 As One B4 This Is Your Life B5 Time To Go B6 Kiss Me I'm Shitfaced Companies, etc. Exclusive Retailer – Hot Topic Credits Bagpipes – Joe Delaney Design, Layout – Giant Beer Engineer, Mixed By – Jim Siegel Mastered By – Howie Weinberg Mastered By [Pre-mastering] – Fredrik Sarhagen Performer – Al Barr, James Lynch, Ken Casey, Marc Orrell, Matt Kelly , Ryan Foltz Photography – Alex Dow, Tricia O'Neill Producer – Ken Casey Written-By – Dropkick Murphys (tracks: A1, A3, A6 to A8, B2 to B6) Notes Hot Topic exclusive 2015 repress. Originally released 2003. Recorded at The Outpost, Stoughton MA. Mastered at Masterdisk, New York NY. Acoustic Guitars for recording supplied by Ian Wilkins Guitars. Guitar amps for recording supplied by Demetri. Equipment hire for recording supplied by Bergstein Music. Dropkick Murphys managed by Blue Murder. Album published by Boston Scally Punk (ASCAP), except where indicated. -
Song Suggestions for Special Dances
SONG SUGGESTIONS FOR SPECIAL DANCES PARTY EXCITEMENT www.partyexcitement.com Top 50 Bride & Groom First Dance Songs (Everything I Do) I do it for you by Bryan Adams A Thousand Years by Christina Perri All My Life by K‐Ci & JoJo Amazed by Lonestar At Last by Etta James Better Together by Jack Johnson Bless the Broken Road by Rascal Flatts By Your Side by Sade Can’t Help Falling in Love by Elvis Presley Chasing Cars by Snow Patrol Come Away with Me by Norah Jones Cowboys and Angels by Dustin Lynch Crazy Girl by Eli Young Band Crazy Love by Van Morrison Everything by Michael Buble Faithfully by Journey First Day of My Life by Bright Eyes God Gave Me You by Blake Shelton Hold on by Michael Buble I Cross my Heart by George Strait I Don’t Want to Miss a Thing by Aerosmith I Gotta Feeling by Black Eyed Peas I won’t give up by Jason Mraz I’ll be by Edwin McCain Into the Mystic by Van Morrison It’s Your Love by Tim McGraw and Faith Hill Let’s Stay Together by Al Green Lucky by Jason Mraz & Colbie Caillat Make You Feel My Love by Adele Making Memories of Us by Keith Urban Marry Me by Train Me and You by Kenny Chesney My Best Friend by Tim McGraw She’s everything by Brad Paisley Smile by Uncle Kracker Stand By Me by Ben E. King The Way you look tonight by Frank Sinatra Then by Brad Paisley This Year’s Love by David Gray Unchained Melody by Righteous Brothers Wanted by Hunter Hayes What a Wonderful World by Louis Armstrong When You Say Nothing at All by Alison Krauss Wonderful Tonight by Eric Clapton You and Me by Dave Matthews Band You are the Best -
The Irish Diaspora Lived Ethics of the Dropkick Murphys Punk Band
Catholicism and Alcoholism: The Irish Diaspora lived ethics of the Dropkick Murphys punk band Kieran James & Bligh Grant University of Southern Queensland, Toowoomba, 4350, Australia. Corresponding author: Kieran James ([email protected]) Abstract A POSTMODERN IRISH NATIONALISM This paper discusses the contemporary Irish- American punk band, the Dropkick Murphys, and in particular the band‘s most recent studio album The Dropkick Murphys (hereafter DMs) have 2007s The Meanest of Times. We find that the unabashedly adopted an image and worldview band‘s resurgent Irish nationalism is both uniquely of a resurgent and triumphalist Irish a product of the Irish Diaspora, and, although the nationalism grounded in singing of Irish band might be unwilling to admit it, American traditions, festivities, towns and places, and culture and its self-confident jingoistic patriotism. use traditional Irish instrumentation in some of The band‘s attitude to Roman Catholicism is, in their music. Fictitious characters in songs Sartre‘s (2003) words, a unique synthesis of invariably are given Irish names, such as facticity and transcendence in that they ‗Flannigan‘s Ball‘ and ‗Fairmount Hill‘. acknowledge its reality as a shadow overhanging both their pasts and their presents. However, the However, what emerges is as obviously a band seems to go beyond simply acknowledging its product of the USA as it is of Ireland. spectre by adopting, expressing, and/or reflecting Although Dublin is referenced in songs (e.g. some degree of religious faith themselves without the cover of ‗Rocky Road to Dublin‘), Boston, going so far as to be clearly a ‗Catholic band‘ like, America‘s ‗Irish city‘, is referenced more for example, the Priests. -
The 2013 VANS WARPED TOUR Announces ART of SHOCK As the Official BBQ BAND
For Immediate Release March 4, 2013 The 2013 VANS WARPED TOUR Announces ART OF SHOCK as the Official BBQ BAND Every year, it has been tradition for Vans Warped Tour founder and producer Kevin Lyman to personally handpick an up-and-coming, 100% independent act to be the official BBQ Band for the tour. The BBQ Band is given a slot on the Ernie Ball stage each year in trade for serving up the delicious food consumed at each post-show BBQ. Many bands have made their start as a Vans Warped Tour BBQ Band, including Dropkick Murphys, Longway and others. This year, Hollywood, CA’s own ART OF SHOCK has been chosen for the prestigious honor. Vans Warped Tour founder and producer Kevin Lyman states, “I’m glad to have ART OF SHOCK out on the grill and on stage this year!” The Sunset Strip favorites, known for their unique fusion of modern and classic rock influences, have been taking Los Angeles and Southern California by storm for the past few years with their over-the-top performances. Despite their youth, these rockers are on fire—rapidly gaining a loyal and passionate fan base across the United States thanks to their stunning live show. 2013 VANS WARPED TOUR dates: Mar 28 Los Angeles, CA @ Club Nokia Jun 15 Seattle, WA @ White River Amphitheater Jun 16 Portland, OR @ Portland Expo Center Parking Lot Jun 19 San Diego, CA @ Cricket Wireless Amphitheatre Jun 20 Pomona, CA @ Pomona Fairplex Jun 21 Pomona, CA @ Pomona Fairplex Jun 22 Mountain View, CA @ Shoreline Amphitheatre Jun 23 Ventura, CA @ Seaside Park Jun 26 Las Cruces, NM @ N.M.S.U. -
Old Crow Medicine Show Announce July 1St Release of Remedy Via Ato Records
FOR IMMEDIATE RELEASE APRIL 2014 OLD CROW MEDICINE SHOW ANNOUNCE JULY 1ST RELEASE OF REMEDY VIA ATO RECORDS BAND ANNOUNCES BIGGEST HEADLINING TOUR TO DATE “SWEET AMARILLO”, FIRST SINGLE, OUT NOW + ALBUM AVAILABLE TO PRE-ORDER Nashville, TN – Heavily celebrated Grammy Award winning band Old Crow Medicine Show has announced their upcoming new album Remedy, due out July 1 via ATO Records. Remedy is full of catchy melodies, quirky and often humorous lyrics, all executed with mesmerizing musicianship. Ten years after the massive success of folk anthem “Wagon Wheel”, which started as a track on a Bob Dylan work tape later finished by fiddler/band leader Ketch Secor, Remedy features a new Dylan/Old Crow penned collaboration on the new track “Sweet Amarillo” one of the album’s many highlights. Remedy also features the return of producer Ted Hutt (Flogging Molly, Dropkick Murphys, Gaslight Anthem), who produced 2012’s highly praised Carry Me Back. Long before the resurgence of folk and roots rock, Old Crow Medicine Show was performing their fiery style of amped up old-time music, cultivating a diverse fan base who thrive on the band’s energetic performances. The songs on Remedy are chock full of the same raw energy, swagger and drive that has made rabid fans of everyone from hipsters to college students to traditional music purists. “This is country music for people who think country music needs a whoopin'’ says Secor, who adds, “Country music that knows how deep its roots run--- from the dirtiest blues to the folkiest folk, the songwriters, the crooners and the Outlaws, to the Opry stage; it's all here”. -
Entertainmentpage 15 Technique • Friday, October 5, 2007 • 15
ENTERTAINMENTpage 15 Technique • Friday, October 5, 2007 • 15 DARRELL ROBERTSON CONCERT COMMITTEE Defensive player, Robertson, has started After bringing T.I. to campus last ENTERTAINMENT in two full seasons and has been crucial spring, the committee is currently to many of this year’s games. Page 24 working with Adult Swim. Page 9 Technique • Friday, October 5, 2007 Murphys give Turandot triumphs energetic set By Aileen Li brutality and begs for the Staff Writer CITY SCENE Prince’s life. Turandot appears By Ryan Hautau with her maids and orders the Contributing Writer Yard Dogs in town Just a few days after its execution to continue. grand opening, the Cobb Upon seeing Turandot’s If you’ve seen Th e Departed, you know who the Featuring a brilliant combi- Energy Performing Arts beauty, Calaf, forgets about Dropkick Murphys are. Originating from Boston, nation of performance art and Centre staged Turandot, one her cruelty, falls madly in the Dropkick Murphys have become the epitome music, this playful, colorful of the most compelling operas love with her and decides to of the Irish punk rock genre (alongside others such “rock and roll vaudeville” group of the famous Italian libretto, vie for the Princess’s hand in as Flogging Molly and Street Dogs). If you’ve nev- will be playing at the Variety Giacomo Puccini. marriage. er heard Irish Playhouse Oct. 6 at 8 p.m. For Set in the ancient city of Th e next part of the story punk rock be- more information: www.yard- Peking, Turandot tells a story is just like any other fairy tale. -
Razorcake Issue #25 As A
ot too long ago, I went to visit some relatives back in Radon, the Bassholes, or Teengenerate, during every spare moment of Alabama. At first, everybody just asked me how I was my time, even at 3 A.M., was often the only thing that made me feel N doing, how I liked it out in California, why I’m not mar- like I could make something positive out of my life and not just spend N it mopping floors. ried yet, that sort of thing. You know, just the usual small talk ques- tions that people feel compelled to ask, not because they’re really For a long time, records, particularly punk rock records, were my interested but because they’ll feel rude if they don’t. Later on in the only tether to any semblance of hope. Growing up, I was always out of day, my aunt started talking to me about Razorcake, and at one point place even among people who were sort of into the same things as me. she asked me if I got benefits. It’s probably a pretty lame thing to say, but sitting in my room listen- I figured that it was pretty safe to assume that she didn’t mean free ing to Dillinger Four or Panthro UK United 13 was probably the only records and the occasional pizza. “You mean like health insurance?” time that I ever felt like I wasn’t alone. “Yeah,” she said. “Paid vacation, sick days, all that stuff. But listening to music is kind of an abstract.