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Crazy Ex Girlfriend
CRAZY EX-GIRLFRIEND Pilot Episode "West Covina" Written by Rachel Bloom and Aline Brosh McKenna CW Rewrite May 6, 2015 ACT 1 OVER BLACK WE HEAR THE STRAINS OF A SHOW TUNE FADE IN INT. AUDITORIUM -- CAMP CANYON GROVE -- DAY The theater of a summer camp. Hand painted sets, vintage costumes. A row of 16-year-olds perform “I’m In Love With A Wonderful Guy” from South Pacific. CAMP CHORUS FLATLY I'LL STAND ON MY LITTLE FLAT FEET AND SAY/ LOVE IS A GRAND AND A BEAUTIFUL THING!/ I'M NOT ASHAMED TO REVEAL/ THE WORLD FAMOUS FEELIN' I FEEL... We focus on a girl in the chorus: REBECCA BUNCH, 16, awkward, not quite grown into her skin. She is very enthusiastic about her small role. Rebecca throws a look into the wings. ANGLE ON: A jocky Asian teenager working backstage. This is JOSH CHAN, also 16. Rebecca winks. Josh gives a half-smile and a little bro wave. CAMP CHORUS (CONT’D) ...I’M AS CORNY AS KANSAS IN AUGUST/HIGH AS A FLAG ON THE FOURTH OF JULY... Rebecca looks for someone else, this time in the audience. We move across a row of eager parents snapping photos to find one woman, arms folded, judgmental, annoyed to be there. This is Rebecca’s mother, JANICE BUNCH, 30’s, ex-housewife, now divorced, living in an apartment, keeps busy by being bitter. Rebecca makes eye contact with her. Smiles. Janice’s expression does not change. GIRL PLAYING NELLIE IF YOU’LL EXCUSE AN EXPRESSION I USE/I’M IN LOVE/ I’M IN LOVE, I’M IN LOVE (etc).. -
Tom Hanks Halle Berry Martin Sheen Brad Pitt Robert Deniro Jodie Foster Will Smith Jay Leno Jared Leto Eli Roth Tom Cruise Steven Spielberg
TOM HANKS HALLE BERRY MARTIN SHEEN BRAD PITT ROBERT DENIRO JODIE FOSTER WILL SMITH JAY LENO JARED LETO ELI ROTH TOM CRUISE STEVEN SPIELBERG MICHAEL CAINE JENNIFER ANISTON MORGAN FREEMAN SAMUEL L. JACKSON KATE BECKINSALE JAMES FRANCO LARRY KING LEONARDO DICAPRIO JOHN HURT FLEA DEMI MOORE OLIVER STONE CARY GRANT JUDE LAW SANDRA BULLOCK KEANU REEVES OPRAH WINFREY MATTHEW MCCONAUGHEY CARRIE FISHER ADAM WEST MELISSA LEO JOHN WAYNE ROSE BYRNE BETTY WHITE WOODY ALLEN HARRISON FORD KIEFER SUTHERLAND MARION COTILLARD KIRSTEN DUNST STEVE BUSCEMI ELIJAH WOOD RESSE WITHERSPOON MICKEY ROURKE AUDREY HEPBURN STEVE CARELL AL PACINO JIM CARREY SHARON STONE MEL GIBSON 2017-18 CATALOG SAM NEILL CHRIS HEMSWORTH MICHAEL SHANNON KIRK DOUGLAS ICE-T RENEE ZELLWEGER ARNOLD SCHWARZENEGGER TOM HANKS HALLE BERRY MARTIN SHEEN BRAD PITT ROBERT DENIRO JODIE FOSTER WILL SMITH JAY LENO JARED LETO ELI ROTH TOM CRUISE STEVEN SPIELBERG CONTENTS 2 INDEPENDENT | FOREIGN | ARTHOUSE 23 HORROR | SLASHER | THRILLER 38 FACTUAL | HISTORICAL 44 NATURE | SUPERNATURAL MICHAEL CAINE JENNIFER ANISTON MORGAN FREEMAN 45 WESTERNS SAMUEL L. JACKSON KATE BECKINSALE JAMES FRANCO 48 20TH CENTURY TELEVISION LARRY KING LEONARDO DICAPRIO JOHN HURT FLEA 54 SCI-FI | FANTASY | SPACE DEMI MOORE OLIVER STONE CARY GRANT JUDE LAW 57 POLITICS | ESPIONAGE | WAR SANDRA BULLOCK KEANU REEVES OPRAH WINFREY MATTHEW MCCONAUGHEY CARRIE FISHER ADAM WEST 60 ART | CULTURE | CELEBRITY MELISSA LEO JOHN WAYNE ROSE BYRNE BETTY WHITE 64 ANIMATION | FAMILY WOODY ALLEN HARRISON FORD KIEFER SUTHERLAND 78 CRIME | DETECTIVE -
2017 Lincoln Community Foundation Annual Report 2017 OVERVIEW
2017 Lincoln Community Foundation Annual Report 2017 OVERVIEW “There seemed to be nothing to see; no fences, no creeks or trees, no hills or fields. If there was a road, I could not make it out in the faint starlight. There was nothing but land: not a country at all, but the material out of which countries are made.” Willa Cather, My Antonia, 1918 The Lincoln Community Foundation found We have inherited the grit and wisdom of our TO HELP BUILD A GREAT CITY; TO ways to support the inspiring opportunities in our ancestors who launched this state over 150 years NURTURE, HARNESS AND DIRECT THAT community: ago, built a land grant university referenced by ENERGY, IS THE ASPIRATION OF THE others as the Harvard on the Prairie, constructed a • In honor of the state’s sesquicentennial, a gift state of the art Capitol during the depression that LINCOLN COMMUNITY FOUNDATION. was made for the creation of the Gold Star now houses the only Unicameral in the country. Families Memorial. Visit the beautiful black Lincoln is the envy of cities across the USA with our granite monument at Antelope Park. one public school district. We could go on and on. • Supported the release of the latest Lin- We have tackled great challenges and embraced Barbara Bartle Tom Smith coln Vital Signs report at a summit en- marvelous opportunities. President Chair of the Board couraging citizens to “step up” to the P r o s p e r L i n c o l n c o m m u n i t y a g e n d a . -
A Stylistic Analysis of 2Pac Shakur's Rap Lyrics: in the Perpspective of Paul Grice's Theory of Implicature
California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 2002 A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature Christopher Darnell Campbell Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the Rhetoric Commons Recommended Citation Campbell, Christopher Darnell, "A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature" (2002). Theses Digitization Project. 2130. https://scholarworks.lib.csusb.edu/etd-project/2130 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English: English Composition by Christopher Darnell Campbell September 2002 A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino by Christopher Darnell Campbell September 2002 Approved.by: 7=12 Date Bruce Golden, English ABSTRACT 2pac Shakur (a.k.a Makaveli) was a prolific rapper, poet, revolutionary, and thug. His lyrics were bold, unconventional, truthful, controversial, metaphorical and vulgar. -
LIHI at Home
LIHIat home 2013 Ernestine Anderson Place Grand Opening! On February 8th, LIHI held the Grand and a classroom. Opening of Ernestine Anderson Place in Ernestine Anderson Place is named Seattle’s Central District. Ernestine Anderson in honor of legendary jazz singer Ernestine Place features Anderson, an international star from permanent Seattle’s Central Area and graduate of housing linked Garfield High. In a career spanning more with supportive than five decades, she has recorded over services for 45 30 albums. She has sung at Carnegie Hall, homeless seniors, the Kennedy Center, the Monterey Jazz including 17 Festival, as well as at jazz festivals all over veterans, as well the world. as housing for 15 Ernestine Anderson Place is built green low-income seniors. according to Washington State Evergreen The building Standards and designed with long term features generous durability as a priority. The building community space features energy efficient insulation and fan for residents, systems and uses low VOC materials, including a library Energy-Star appliances, and dual-flush with computers, toilets throughout. Ernestine Anderson an exercise room, Place is a non-smoking facility, helping continued on page 3 Vote Each Day in May and Help LIHI Win $250,000 to House Homeless Veterans! Vote daily in May to help us house experiencing homelessness in King County veterans. You can help LIHI win $250,000 alone. With your votes, we’ll win $250,000 to House Homeless Veterans by voting to help build and rehab 50 apartments to assist local Veterans transitioning out of Veteran Thomas English and son live at on Facebook. -
GILBERT J. ARENAS, JR., an Individual, Plaintiff, V. SHED MEDIA
Case 2:11-cv-05279-DMG -PJW Document 19 Filed 08/01/11 Page 1 of 33 Page ID #:160 1 SHEPPARD, MULLIN, RICHTER & HAMPTON LLP A Limited Liability Partnership 2 Including Professional Corporations JAMES E. CURRY, Cal. Bar No. 115769 3 [email protected] VALERIE E. ALTER, Cal. Bar No. 239905 4 [email protected] 1901 Avenue of the Stars, Suite 1600 5 Los Angeles, California 90067-6017 Telephone: 310-228-3700 6 Facsimile: 310-228-3701 7 Attorneys for Defendant SHED IVMDIA US INC. 8 9 UNITED STATES DISTRICT COURT 10 CENTRAL DISTRICT OF CALIFORNIA 11 12 GILBERT J. ARENAS, JR., an Case No. LACV11-5279 DMG (MRWX) individual, 13 DEFENDANT SHED MEDIA US INC.'S Plaintiff, 14 (1) NOTICE OF MOTION AND V. SPECIAL MOTION TO STRIKE 15 PLAINTIFF'S RIGHT OF SHED MEDIA US INC,. a Delaware PUBLICITY CLAIMS 16 coiporation; LAURA GOVAN, an PURSUANT TO CAL. CODE individual; and DOES 1 through 10, CIV. PROC. § 425.16; 17 inclusive, (2) MEMORANDUM OF POINTS 18 Defendants. AND AUTHORITIES; 19 (3) DECLARATION OF ALEX DEMYANENKO; 20 (4) DECLARATION OF SCOTT 21 ACORD; AND 22 (5) DECLARATION OF VALERIE E. ALTER 23 Hearing Date: August 29, 2011 24 Time: 10:00 a.m. Courtroom: 7 25 [Proposed Order Lodged Concurrently 26 Herewith] 27 [Complaint Filed: June 23, 20111 28 W02-WEST:IVEA2\ 403690466.4 Case 2:11-cv-05279-DMG -PJW Document 19 Filed 08/01/11 Page 2 of 33 Page ID #:161 1 TO THE ABOVE-CAPTIONED COURT AND TO PLAINTIFF AND HIS 2 COUNSEL OF RECORD: 3 PLEASE TAKE NOTICE that on Monday, August 29, 2011, at 10:00 a.m., or 4 as soon as possible thereafter as counsel can be heard in Courtroom 7 of the United 5 States Courthouse, 312 North Spring Street, Los Angeles, California 90012, before 6 the Honorable Dolly M. -
Songs for Waiters: a Lyrical Play in Two Acts
SONGS FOR WAITERS: A LYRICAL PLAY IN TWO ACTS Thesis Submitted to The College of Arts and Sciences of the UNIVERSITY OF DAYTON In Partial Fulfillment for the Requirements for The Degree of Master of Arts in English By Andrew Eberly Dayton, Ohio May, 2012 SONGS FOR WAITERS: A LYRICAL PLAY IN TWO ACTS Name: Eberly, Andrew M. APPROVED BY: ___________________ Albino Carillo, M.F.A. Faculty Advisor ____________________ John P. McCombe, Ph.D. Faculty Reader ____________________ Andrew Slade, Ph.D. Faculty Reader ii ABSTRACT SONGS FOR WAITERS: A LYRICAL PLAY IN TWO ACTS Name: Eberly, Andrew M. University of Dayton Advisor: Albino Carillo, M.F.A. Through the creative mediums of lyrical poetry, monologues, and traditional dramatic scenes, Songs for Waiters concerns an owner and two employees at an urban bar/restaurant. Through their work, their interactions with the public and each other, and reflecting on their own lives, the three men unpack contemporary debates on work, violence, and sexuality. The use of lyrical poetry introduces the possibility of these portions of the play being put to music in a performance setting, as the play is written to be workshopped and performed live in the future. iii TABLE OF CONTENTS ABSTRACT……………………………………………………………….…………..…iii ACT I…………………………………………………………………………...…………1 ACT II……………………………………………………………………………………35 iv ACT I The play begins with no actors onstage. The set consists of café tables upstage right and left and a bar upstage center. The décor is that of a classic bar with some history. The bar is George’s—known for good food. It’s independent, casual, eclectic, open late, and located on High Street in Columbus, Ohio. -
The Sex Drive
Script provided for educational purposes. More scripts can be found here: http://www.sellingyourscreenplay.com/library Script provided for educational purposes. More scripts can be found here: http://www.sellingyourscreenplay.com/library Script provided for educational purposes. More scripts can be found here: http://www.sellingyourscreenplay.com/library Script provided for educational purposes. More scripts can be found here: http://www.sellingyourscreenplay.com/library Script provided for educational purposes. More scripts can be found here: http://www.sellingyourscreenplay.com/library Script provided for educational purposes. More scripts can be found here: http://www.sellingyourscreenplay.com/library Script provided for educational purposes. More scripts can be found here: http://www.sellingyourscreenplay.com/library Script provided for educational purposes. More scripts can be found here: http://www.sellingyourscreenplay.com/library Script provided for educational purposes. More scripts can be found here: http://www.sellingyourscreenplay.com/library Script provided for educational purposes. More scripts can be found here: http://www.sellingyourscreenplay.com/library Script provided for educational purposes. More scripts can be found here: http://www.sellingyourscreenplay.com/library Script provided for educational purposes. More scripts can be found here: http://www.sellingyourscreenplay.com/library Script provided for educational purposes. More scripts can be found here: http://www.sellingyourscreenplay.com/library Script provided for educational purposes. More scripts can be found here: http://www.sellingyourscreenplay.com/library Script provided for educational purposes. More scripts can be found here: http://www.sellingyourscreenplay.com/library Script provided for educational purposes. More scripts can be found here: http://www.sellingyourscreenplay.com/library Script provided for educational purposes. -
About Young Playwrights for Change………………………………………………3
Table of contents I. About Young Playwrights for Change………………………………………………3 II. Wartorn by MJ Sasse (national Young Playwrights for Change winner)…………...4 III. It’s Just Begun by Eilish Koch………………………………………………………13 IV. lol k by Ainsley Leof………………………………………………………………...23 V. Park Bench by Thisby Loomis………………………………………………………33 VI. Under an Overpass by Alex Silva…………………………………………………...39 VII. Different, But Mostly Same by Kai Tomizawa………..……………………………...51 2 About Young Playwrights for Change These scripts are the culmination of Oregon Children’s Theatre’s fourth annual playwriting contest for middle school students. Sixth through eighth graders were invited to submit original ten minute plays that addressed the theme “What would you change about the world?” Six finalists were chosen by a reading panel of teachers and Young Professionals to work with professional playwrights Matthew B. Zrebski and Debbie Lamedman to revise and refine their writing. The plays published here were directed and performed by the Young Professionals Company at the YP Studio Theater in May 2016. OCT’s program is also part of a national playwriting contest hosted by Theatre for Young Audiences USA and the American Alliance for Theatre and Education. Theaters across the country hosted similar contests and submitted a winner to Young Playwrights for Change. One of OCT’s finalists, MJ Sasse, was the winner of the national competition for her script, Wartorn. Her script was read at TYA: New Visions New Voices at the Kennedy Center in Washington DC. All national submissions will be published in an anthology in summer of 2016. For more information about the national Young Playwrights for Change program, visit www.assitej- usa.org. -
Information to Users
INFORMATION TO USERS While the most advanced technology has been used to photograph and reproduce this manuscript, the quality of the reproduction is heavily dependent upon the quality of the material submitted. For example: • Manuscript pages may have indistinct print. In such cases, the best available copy has been filmed. • Manuscripts may not always be complete. In such cases, a note will indicate that it is not possible to obtain missing pages. • Copyrighted material may have been removed from the manuscript. In such cases, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, and charts) are photographed by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each oversize page is also filmed as one exposure and is available, for an additional charge, as a standard 35mm slide or as a 17”x 23” black and white photographic print. Most photographs reproduce acceptably on positive microfilm or microfiche but lack the clarity on xerographic copies made from the microfilm. For an additional charge, 35mm slides of 6”x 9” black and white photographic prints are available for any photographs or illustrations that cannot be reproduced satisfactorily by xerography. Order Number 8726664 Organizational adaptation of Japanese companies in the United States Ito, Kinko, Ph.D. The Ohio State University, 1987 Copyright ©1987 by Ito, Kinho. All rights reserved. UMI 300 N. Zeeb Rd. Ann Arbor, MI 48106 PLEASE NOTE: In all cases this material has been filmed in the best possible way from the available copy. -
NOVEMBER 2015 of Giving Gifts
Free Magazine! The Associate’s Guide to Living Better Season NOVEMBER 2015 of Giving Gifts. Time. Service. Wonder. 1115_Cover (Working Copy).indd 6 10/9/15 11:29 AM Now at Walmartworld.com! Thanksgiving Treats Honoring Veterans Find recipes—classics and classics Read some of our favorite veteran stories with a twist—plus simple crafts and décor and learn more about the Greenlight A Vet for a special Thanksgiving at campaign at walmartworld.com/Veterans. walmartworld.com/Thanksgiving. Native American Culture Top Walmart World Content Join us in recognizing Native American Sign up to get our top articles and company Heritage Month as we feature successful and news delivered to your email inbox once a inspiring associates at walmartworld.com/ month—plus opt in to be part of our Expert NativeAmericanHeritage. Panel. Register at walmartworld.com/SignUp. Join the Conversation! We want to hear from you! Share your comments— including story ideas—at Walmartworld.com. 1115_JoinTheConversation (Working Copy).indd 1 10/9/15 10:24 AM ContentsNovember 2015 7 Great Gifts for Less Than $25 Available at Walmart The dinnerware shown on our cover is part of the new The Pioneer Woman line now available in 60 stores and online. Make Your 24 Table Unique Gift of Service Battle wounds led this store manager to the path of giving back. Voices 2 18 The Guide 7 Inside Walmart 13 How Star Wars Became We Are Walmart 28 a Big Bet Milestones 30 Checkout 55 My Sam Story 64 This lightbulb logo shines a light on the veterans featured throughout this issue. -
Documenting the Documentary Grant.Indd 522 10/3/13 10:08 AM Borat 523
Chapter 31 Cultural Learnings of Borat for Make Benefit Glorious Study of Documentary Leshu Torchin Genre designations can reflect cultural understandings of boundaries between perception and reality, or more aptly, distinctions between ac- cepted truths and fictions, or even between right and wrong. Borat: Cul- tural Learnings of America for Make Benefit Glorious Nation of Kazakhstan (Larry Charles, 2006) challenges cultural assumptions by challenging our generic assumptions. The continuing struggle to define the film reflected charged territory of categorization, as if locating the genre would secure the meaning and the implications of Borat. Most efforts to categorize it focused on the humor, referring to it as mockumentary and comedy. But such classifications do not account for how Borat Sagdiyev (Sacha Baron Cohen) interacts with people onscreen or for Baron Cohen’s own claims that these encounters produce significant information about the world. Fictional genres always bear some degree of indexical relationship to the lived world (Sobchack), and that relationship only intensifies in a tradi- tional documentary. Borat, however, confuses these genres: a fictional TV host steps out of the mock travelogue on his fictional hometown and steps into a journey through a real America. The indexical relationship between the screen world and the real world varies, then, with almost every scene, sometimes working as fiction, sometimes as documentary, sometimes as mockumentary. In doing so, the film challenges the cultural assumptions that inhere to expectations of genre, playing with the ways the West (for 13500-Documenting the Documentary_Grant.indd 522 10/3/13 10:08 AM Borat 523 lack of a better shorthand) has mapped the world within the ostensibly rational discourses of nonfiction.