CURRICULUM VITAE David Yu Sum Chung (Department of Music)

CURRICULUM VITAE

David Yu Sum Chung (Department of Music)

I. Academic and Professional Qualifications

Education Cambridge University, U.K. (Ph.D. in Musicology, 1997) Thesis title: Keyboard Arrangements of Lully and Their Significance for French Harpsichord Music (permanent url: https://www.repository.cam.ac.uk/handle/1810/252310) Cambridge University, U.K. (M.Phil. in Musicology, 1992) The Chinese University of Hong Kong (B.A. with Honours, First Class, 1990) St. Joseph’s College (1986)

Professional qualifications Concert Recital Diploma (Premier Prix) (Guildhall School of Music and Drama, 1998) Licentiate of the Royal Schools of Music (LRSM, 1988) Licentiate Performer (LTCL, Trinity College of Music, London, 1988) Associate Performer (ATCL, Trinity College of Music, London, 1987) Diplôme de Langue Française (Alliance Française, Paris, 1984)

Academic and professional honours President’s Award for Outstanding Performance (HKBU, 2001) Christopher Kite Award (Guildhall School of Music and Drama, London, 1997) Broadwood Harpsichord Prize (Fenton House, London, 1997)

Professional memberships Historical Keyboard Society of North America (2012—present) Society of Seventeenth-Century Music (2001—present) Southeastern Historical Keyboard Society (1995–2012; Vice President 1998–2010) British Clavichord Society (1997–present) The Dolmetsch Foundation (1996–2000) American Musicological Society (1994–present) Royal Musical Association (1992–present)

II. Employment history Professor (September 2014—present) Associate Professor (substantive appointment, September 2005–August 2014) Acting Head, (September 2007–August 2008) Assistant Professor, Performance Coordinator (1998–2005) Department of Music, Hong Kong Baptist University Graduate Supervisor (part-time, 1994–7) Music Department, Cambridge University, UK

III. Scholarly and Creative Activities

Concert performances (since September 2003) Continuo performance: Handel’s Messiah Part One and Hallelujah Chorus, Hong Kong City Chamber Orchestra, conducted by Colin Touchin, Wah Yan College, live-recorded and broadcast by RTHK4 (24 December 2019) Bach chamber concert with Susanna Self (flute) and Jeffrey Lastrapes (cello), Versper Concert Series of the First United Methodist Church, Lubbock (17 February 2019; first performance in Recital Hall of Hong Kong Baptist University on 25 January 2019). Programme of 90 minutes of chamber music by JS Bach: Sonatas in E major and E minor for Flute and Basso Continuo (BWV 1034-1035) and Sonatas in D major and G minor for Viola de Gamba and Harpsichord (BWV 1028-1029). Continuo performance with the Hong Kong Philharmonic Orchestral, with Lucie Horsch (recorder) and Benjamin Bayl (conductor), Hong Kong Shatin Town Hall (9-10 November 2018). Programme of 90 minutes of instrumental music by Telemann, Vivaldi, JS Bach, Sammartini and Rebel. Harpsichord Recital presented at the 2018 Conference of the Historical Keyboard Society of North America, Britton Recital Hall, University of Michigan, Ann Arbor (12 May 2018). Programme of 30 minutes of solo harpsichord works by Louis Couperin on French double- manual harpsichord by William Dowd (1984). Continuo performance in Edgar Meyer and the City Chamber Orchestra of Hong Kong, conducted by Marco Boni, Hong Kong City Hall Concert Hall (8 November 2017). Programme of 30 minutes of instrumental works by Boccherini and Alfred Schnittke. Fortepiano Recital, Geelvinck Fortepiano Festival, Museum Geelvinck, Amsterdam (20 October 2017). Programme of 90 minutes of solo fortepiano works by JS Bach, CPE Bach, D Scarlatti, Haydn and Mozart on an original antique piano by Johann Zahler (Brünn/Brno, ca. 1805). Continuo performance in Max Emanuel Cencic and the City Chamber Orchestra of Hong Kong, conducted by Christopher Bucknall, Hong Kong City Hall Concert Hall (7 October 2017). Programme of 90 minutes of vocal and instrumental works by Johann Christian Bach, Handel, Lenordo Vinci, Nicola Porpora and Christoph Willibald Gluck. Solo Harpsichord Recital, Handel House, London (8 August 2017). Programme of 90 minutes of solo harpsichord works by Louis and François Couperin, Johann Caspar Ferdinand Fischer, Timothy Brown, D Scarlatti and JS Bach on a replica of Handel’s original Flemish double (ca. 1710) by Bruce Kennedy (1998). Continuo performance with Rachel Barton Pine (violin) and the City Chamber Orchestra of Hong Kong, conducted by Andrew Sewell, Hong Kong City Hall Concert Hall (2 June 2017). Programme of 40 minutes, including Bach’s Concerto for Violin in A major (BWV1041), Concerto for 2 Violins in D minor (BWV1043), and Vivaldi’s Concerto for Viola d’amore in D major (RV392). Continuo performance with Pier Adams (recorder) and the City Chamber Orchestra of Hong Kong, conducted by Alessandro Cadario, Hong Kong City Hall Concert Hall (2 June 2017). Programme of 60 minutes, including Handel’s Concerto Grosso Op. 6, No. 12 in B minor (HWV 330), Vivaldi’s Concerto for Sopranino Recorder (RV428), ‘The Goldfinch’, Concerto Grosso in G minor (RV 156), and Telemann’s Concerto for Treble Recorder in C major (TWV51:C1).

Continuo performance in Henry Purcell’s Dido and Aeneas with the Hong Kong Philharmonic Orchestral and HK Phil Chorus, with Benjamin Bayl (conductor) and Bei de Gaulle (concertmaster), Hong Kong University Grand Hall (4 March 2017). Complete performance of 65 minutes. Two Chamber Concerts, Churchill College Chapel, Cambridge University, UK (19 February and 11 June 2016). A total of 90 minutes of baroque chamber works by JS Bach, including Sonata for Flute and Basso Continuo in E minor, BWV 1034 (20 minutes), Sonata for Viola de Gamba and Harpsichord in D major, BWV 1028 (20 minutes), Brandenburg Concerto no. 4, Allegro (5 minutes) and B minor Mass excerpts (45 minutes) Three Harpsichord Recitals, Churchill College Music Centre, Cambridge University, UK (9 March, 13 May and 10 June 2016). 90 minutes of baroque harpsichord works by JS Bach, Handel, Louis Couperin, François Couperin and Henry Purcell. Solo Harpsichord Recital in the Cambridge Keyboard Festival, Lee Hall, Cambridge University, UK (20 March 2016). 30 minutes of solo harpsichord works by Louis Couperin and François Couperin. Fortepiano Recital, Geelvinck Fortepiano Festival, Museum Geelvinck, Amsterdam (20 October 2015). Programme of 90 minutes of solo fortepiano works by JS Bach, JC Bach, Haydn and Mozart on an original antique piano by Johann Zahler (Brünn/Brno, ca. 1805). Continuo performance in Handel’s Fireworks with the Hong Kong Philharmonic, with Harry Bicket (conductor) and Haeran Hong (soprano), Hong Kong Cultural Centre Concert Hall, (2 performances, 16–17 May 2015). Programme of 90 minutes, including Concerto Grosso, Op.6 no.11, Water Music Suite in F, Music for the Royal Fireworks and three soprano arias from Alcina and Giulio Cesare. Solo and Chamber performances with the Baroque Chamber Orchestra of Tainan University of Technology (2 performances, 20–21 November 2014). Programme of 90 minutes includes Handel’s 2 German Arias, Concerto for Oboe and Strings (HWV 287), Cara Sposa from Rinaldo (1711); Vivaldi’s Cello Concerto in A minor (RV 419), Bassoon Concerto in B-flat Major, RV501 “La Notte”, JS Bach’s Keyboard Concerto in D minor (BWV 35, 1052 and 29). Venue: Concert Hall of Tainan University of Technology (20 November 2014); Northern Mioli Art Center Concert Hall (21 November 2014). (Note: The Northern Miaoli Art Center is a professional venue for the promotion of cultural and artistic events in Taiwan) Continuo performance in The Eight Seasons with Henning Kraggerud and the Hong Kong Philharmonic, Hong Kong Cultural Centre Concert Hall (2 performances, 16–17 May 2014) Continuo performance in the Closing Gala Concert of the Hong Kong International Chamber Music Festival (23 January 2014) Continuo performance in Monica Huggett and the Italian Baroque, the City Chamber Orchestra of Hong Kong, St. John’s Cathedral (16 January 2014) Continuo performance in Vienna Boys’ Choir with Oliver Stech and the City Chamber Orchestra of Hong Kong, City Hall Concert Hall (8 October 2013) Continuo performance in Bach’s Brandenburg Concerto no. 1 with Jean Thorel and the City Chamber Orchestra of Hong Kong, City Hall Concert Hall (5 October 2013) Continuo performance in Handel’s Israel in Egypt with Jonathan Cohen and the City Chamber Orchestra of Hong Kong, Hong Kong Cultural Centre (8 September 2013)

Continuo performance in Handel’s Messiah with the Hong Kong Philharmonic Orchestra, conducted by Brett Weymark, Hong Kong Cultural Centre (29-30 March 2013) Continuo performance in Summer Strings with Craig Ogden and the City Chamber Orchestra of Hong Kong, City Hall Concert Hall (29 June 2012) Continuo performance in French May, City Hall Concert Hall, Hong Kong (2 May 2012) Solo harpsichord performance in Musical Collage, City Hall Concert Hall, Hong Kong (7 March 2012) Harp and Harpsichord Recital, Lee Hysan Hall, Hong Kong (3 February 2012) Four Seasons, Hong Kong International Chamber Music Festival, City Hall, Hong Kong (11 January 2012) Roman Baroque Sonatas, Solo and Chamber Concert with Lorenzo Colitto, presented by the Italian Chamber of Commerce in Hong Kong and Macao, Loke Yew Hall, Hong Kong University, Hong Kong (5 June 2011) A French Taste, The City Chamber Orchestra of Hong Kong, presented by Hong Kong Arts Development Council, Helena May, Hong Kong (3 June 2011) Michael Chance and City Chamber Orchestra of Hong Kong, City Hall Concert Hall, Hong Kong (25 January 2011) Bach in the Park, Hong Kong City Chamber Orchestra, Hong Kong Park, presented, live- recorded and broadcast by RTHK (23 December 2010) Dame Evelyn Glennie & City Chamber Orchestra of Hong Kong, City Hall Concert Hall, Hong Kong (25 September 2010) Solo and Chamber Concert with Hong Kong Virtuosi, Taipei National University of the Arts, Taiwan (20 September 2010) Solo and Chamber Concert with Hong Kong Virtuosi, Changhua City Concert Hall, Taiwan (18 September 2010) Solo and Chamber Concert with Hong Kong Virtuosi, Tainan University of Technology, Taiwan (17 September 2010) Solo Harpsichord Recital, Handel House, London (14 July 2010) Concerto in C major by JS Bach, BWV 1061a, with Joyce Lindorff, Gems of the Baroque, the 14th Biennial International Conference on Baroque Music, Saint Thomas’ Church, Belfast (3 July 2010) Queen of Baroque: Dame Emma Kirby. City Chamber Orchestra of Hong Kong, City Hall, Hong Kong (6 May 2010) City Chamber Concerto Concerts, Union Church, Hong Kong (February and March 2010) The Messiah Story, Hong Kong City Chamber Orchestra, Hong Kong Park, presented, live- recorded and broadcast by RTHK (24 December 2009) Solo and Chamber Concert with Hong Kong Virtuosi, He Luting Concert Hall, Shanghai, supported by Hong Kong Arts Development Council (20 December 2009) Michala Petri with City Chamber Orchestra of Hong Kong, City Hall, Hong Kong (11 October 2009)

Harpsichord Recital, Churchill College Recital Room, Cambridge University, UK (4 June 2009) Harpsichord Recital, Churchill College Recital Room, Cambridge University, UK (5 March 2009) The Glorious Baroque, presented by City Chamber Orchestra of Hong Kong, St. Stephen’s Chapel, Stanley, Hong Kong (4 April 2009) Harpsichord Recital, Churchill College Recital Room, Cambridge University, UK (27 January 2009) Orfeo by Claudio Monteverdi, presented by Fitzwilliam Chamber Opera and Cambridge University Baroque Ensemble, ADC Theatre, Cambridge (30 January 2009) Judas Maccabaeus by Georg Friedrich Händel (1746), presented by Hong Kong Soloists, conducted by Chan Wing Wah. Hong Kong City Hall, 20 November 2008 Queen of Harps, presented by City Chamber Orchestra of Hong Kong. City Hall Concert Hall (30 September 2008) Harpsichord recital of music at the court of Louis XIV, Radio 4, HK (broadcast on 22 May 2008, recorded on 16 August 2007) Keyboard arrangements of stage music by Jean-Baptiste Lully, harpsichord recital presented at the Southeastern Historical Keyboard Society Meeting, Winston-Salem, North Carolina, U.S.A., 8 March 2008. Early Music Concert by Markku Luolajan-Mikkola (viola da gamba) and David Chung (harpsichord), Recital Hall, the Hong Kong Academy for Performing Arts (4 March 2008) Haydn, The Creation, presented by the Opera Society of Hong Kong, Concert Hall, Hong Kong City Hall (20 November 2007) Sound the Trumpet with Allen Vizzutti, City Chamber Orchestra of Hong Kong, presented by the Leisure and Cultural Services Department, City Hall Concert Hall (2 October 2007) Malaysian Philharmonic Orchestra (MPO) Chamber Players, guest harpsichord, Dewan Filharmonik Petronas, Kuala Lumpur (1 April 2007) Harpsichord and Voice Recital, with Oliver Lo (tenor), University Chapel, HKBU (16 February 2007) Harpsichord and Voice Recital, with Oliver Lo (tenor), presented by the HKUST Center for the Arts, Exposition Hall, HKUST Oliver Lo (9 February 2007) Mahler, including Hong Kong premiere of Mahler’s Symphony no.4 (chamber version), the Hong Kong Virtuosi, presented by the Leisure and Cultural Services Department, City Hall Concert Hall (7 February 2007) Seasons Greetings in the Park, Hong Kong City Chamber Orchestra, Hong Kong Park, live- recorded and broadcast by RTHK4 (24 December 2006) St. Cecilia’s Day Celebration, with Jane Downer (baroque oboe and recorder), Chamber Music from Early 18th Century London Pacific Club, presented by the Hong Kong Chamber Music Society (22 November 2006) Vivaldi and Bach, Concerto (solo harpsichord) performance with the Hong Kong Virtuosi, presented by the Hong Kong Virtuosi Society under the rental subsidy scheme of the LCSD, City Hall Concert Hall (15 November 2006)

Songs from Within, JohnChen Ensemble, presented by the Leisure and Cultural Services Department in the New Vision Arts Festival (10-11 November 2006) Oboe (Ian Davidson) and Harpsichord Concert, Faculty Artist Series, Texas State University, San Marcos, USA (28 September 2006) Harpsichord Recital, Guest Artist Series, Texas State University, San Marcos, USA (27 September 2006) APA Strings Concert with Peter Hanson and Benedict Cruft (baroque violins), Recital Hall, the Hong Kong Academy for Performing Arts (19 September 2006) Haydn’s Seasons, Hong Kong Oratorio Society Golden Jubilee Concert, conducted by Prof. Chan Wing-Wah, Hong Kong Cultural Centre Concert Hall (7 May 2006) Early Music chamber music concert with the Hong Kong Virtuosi Chamber Players, Jockey Club Auditorium, the Hong Kong Polytechnic University (24 March 2006) Messiah at the Park, Hong Kong City Chamber Orchestra, Hong Kong Park, live-recorded and broadcast by RTHK4 (24 December 2005) Bach and Benedict Cruft, City Chamber Orchestra, St. John’s Cathedral, Hong Kong (24 November 2005) Renaissance & Baroque Voices, chamber music concert with the HK Baroque Soloists, City Hall Theatre (4 October 2005) Chamber music concert with the Hong Kong Virtuosi Chamber Players, Radio 4, HK (broadcast on 22 September 2005, recorded on 14 April 2005) Chamber music concert with the Hong Kong Virtuosi Chamber Players, Hong Kong Institute of Education (13 April 2005) Bird Symphony, chamber music concert with the Hong Kong City Chamber Orchestra, City Hall, Hong Kong (15 November 2004) A Serenade of Piano Music, joint piano recital at the City Hall, Hong Kong (27 October 2004) Hong Kong Virtuosi, Concert Hall, Hong Kong City Hall (13 June 2004) Academy Early Music Concert by David Chung and Friends, Recital Hall, Hong Kong Academy for Performing Arts (15 April 2004) Stylus Phantasticus Works for Harpsichord, harpsichord recital presented at Southeastern Historical Keyboard Society Conference 2004, Duke University (12 March 2004) Venetian Delights, City Chamber Orchestra, St. John’s Cathedral, Hong Kong (15-16 January 2004) Voices from the Renaissance & Baroque Past, chamber music concert with the HK Baroque Soloists, City Hall Theatre (27 November 2003) Harpsichord recital, University of Texas, Austin (30 October 2003) Harpsichord recital, Southwest Texas State University (29 October 2003) Chamber music concert with the City Chamber Orchestra, Cultural Centre, Hong Kong (30 September 2003)

IV. Scholarly publications Chung, D.Y.S. ‘French collections: a precious miscellany’, Early Music, 2020 https://doi.org/10.1093/em/caaa032

Chung, D.Y.S. ‘Transcribing Couperin’s Preludes à la D’Anglebert: A Journey into the Creative Processes of the 17th-Century Quasi-Improvisatory Tradition’, in Music & Practice, vol. 5 (2019), https://www.musicandpractice.org/volume-5/transcribing-couperins-preludes- a-la-danglebert/ doi: 10.32063/0509

Chung, D.Y.S. ‘François Couperin (1668–1733), ed. Denis Herlin, Pièces de clavecin, premier livre (1713) / Pièces de clavecin, second livre (1717). Kassel: Bärenreiter, 2016 / 2018.” Eighteenth Century Music, 16, no. 2 (2019): 178–80. doi: 10.1017/S1478570619000150. [critical review of edition, by invitation: 1,500 words]

Chung, D.Y.S. ‘French harpsichord doubles and the creative art of the 17th-century clavecinistes’, in Musical Improvisation in the Baroque Era, edited by Fulvia Morabito. Turnhot: Brepols, 2019, pp. 3–29. [book chapter: 8,000 words] ISBN 978-2-503-58369-3

Chung, D.Y.S. Jacques Champion de Chambonnières. The Collected Works. Edited by Bruce Gustafson and Denis Herlin. 2 vols. Art of the Keyboard 12. New York: The Broude Trust, 2017, in Journal of Seventeenth-Century Music, vol. 24 (2018), no. 1, https://sscm- jscm.org/jscm-issues/volume-24-no-1/chung-review/ [critical review of edition, by invitation: 2,500 words]

Chung, D.Y.S. Online Thematic Keyboard of Lully Keyboard Arrangements, http://digital.lib.hkbu.edu.hk/OTCL/, created 1 September 2018.

Chung, D.Y.S. ‘Rediscovered pièces de clavecin’, Early Music 45, 4 (2017), pp. 684–685. https://doi.org/10.1093/em/cax072

Chung, D.Y.S., ‘Bernard de Bury (1720–1785), ed. Ruta Bloomfield. Four Suites for Harpsichord: critical edition. New York: Edwin Mellen, 2015, pp. XIII+ 74, isbn 978 0 7734 0081 8’, Eighteenth Century Music 13, 2 (2016), pp. 316–318. [invited review of music edition: 1,500 words] DOI:10.1017/S1478570616000129 http://journals.cambridge.org/repo_A10KWm3J8WGbWs

Chung, D.Y.S. ‘French keyboard collection’s, Early Music 43, 4 (2015), pp. 713–716. https://doi.org/10.1093/em/cav093

Chung, D.Y.S., ‘The Menetou manuscript: a study of styles and repertory for the harpsichord during late-seventeenth-century France’, Revue de musicologie 2 (2015): 407–436 [article, peer-reviewed: 9,000 words]

Chung, D.Y.S., ‘The Bauyn Manuscript: Harpsichord Music from the Seventeenth Century,’ Notes 72, no. 1 (2015): 216–221. [invited review of music edition: 3,340 words] https://muse.jhu.edu/ (accessed August 11, 2015).

http://search.proquest.com/docview/1700974115?accountid=11440

Chung, D.Y.S., ‘Interpreting Historical Keyboard Music: Sources, Contexts and Performance. Ed. by Andrew Woolley and John Kitchen’, Music and Letters 96, 1 (2015): 121–123 [invited review of book: 2,000 words] doi: 10.1093/ml/gcu113

Chung, D.Y.S., Keyboard Arrangements of Music by Jean-Baptiste Lully. Critical edition, in Monuments of Seventeenth-Century Music, Vol. 1 of the Web-Library of Seventeenth- Century Music. 2015. (http://www.sscm-wlscm.org/monuments-of-seventeenth-century- music/volume-i, Online critical edition of 248 pieces, with an Introductory text of 10,000 words) [The Web Library of Seventeenth-Century Music (ISSN 2330-2429) presents new editions of seventeenth-century compositions that have remained unpublished or that are not available commercially. Editions are selected and reviewed by an Editorial Board of specialists in seventeenth-century music. As such, WLSCM is pioneering the online publication of refereed (peer-reviewed) musical editions. The Monuments series is dedicated to large collections and anthologies of music, often from a variety of sources. Taking advantage of online publishing, the editions feature a variety of search and browse functions and present individual printable scores with their own critical and performance notes.]

Chung, D.Y.S., ‘Keyboard music from France and the Low Countries’, in Early Music, (42)2014, pp. 147–50. [invited review of CD: 2,500 words]

Chung, D.Y.S., ‘French Harpsichord Vitality’, in Early Music, 41(2013), pp. 525–7. [invited review of CD: 2,200 words] doi:10.1093/em/cat074 https://doi-org.lib-ezproxy.hkbu.edu.hk/10.1093/em/cat074

Chung, D.Y.S., ‘Couperin’s musical autobiography’, in Early Music, 40(2012), pp.502–3. [invited review of book: 1500 words]

Chung, D.Y.S., ‘Claude Bénigne Balbastre (1727–1799): Pièces de clavecin (1759)’, in Eighteenth-Century Music 9, 1 (2012), pp.144–6. [invited review of CD: 1,500 words] DOI:10.1017/S1478570611000509

Chung, D.Y.S., ‘The port de voix in Louis Couperin’s Unmeasured Preludes: A Study of Types, Functions and Interpretation’, in Performers’ Voices Across Centuries and Cultures, ed. Anne Marshman (London: Imperial Press, 2011), pp.59–84. [Book Chapter: 5,000 words]

Chung, D.Y.S., ‘D’Anglebert in multiple texts’, in Early Music, 39(2011), pp.624–6. [invited review of music edition: 2,300 words]

Chung, D.Y.S., ‘A German keyboard compendium’, critical review of recordings of 17th- and 18th-century German harpsichord music, in Early Music, 39(2011), pp.119–22. [invited review of CD: 2,500 words] https://doi-org.lib-ezproxy.hkbu.edu.hk/10.1093/em/caq126

Chung, D.Y.S., ‘Revisiting le bon goût: observations on the irregularities and inconsistencies in French harpsichord music 1650–1730’, Music and Letters, 92 (2011), pp.183–201. doi: 10.1093/ml/gcq114 [Journal Article, peer-reviewed: 9,000 words]

Chung, D.Y.S., ‘French harpsichord collections’, critical review of recordings of 17th- and 18th-century French harpsichord music, in Early Music, 38(2010), pp.160–3. [invited review of CD: 2,500 words]

Chung, D.Y.S., ‘Patronage and the development of French clavecin music during Louis XIV’s reign’, Proceedings of the International Conference in Musicology, Early Music: Context and Ideas II, Jagiellonian University, Krakow, Poland, September 2008, pp.110–8. [Conference Proceedings: 3,000 words]

Chung, D.Y.S., ‘Clavecin music from France and Belgium’, critical review of recordings of French and Belgium harpsichord music, in Early Music, 36(2008), pp.653–6. [invited review of CD: 2,500 words]

Chung, D.Y.S., ‘Chambonnières online’, critical review of Bruce Gustafson, Chambonnières: A Thematic Catalogue—The Complete Works of Jacques Champion de Chambonnières (1601/02–72), JSCM Instrumenta 1, University of Illinois Press, 2007, in Early Music, 36(2008), pp.314–6. [invited review of online publication: 1,800 words]

Chung, D.Y.S., ‘French harpsichord music, known and unknown’, critical review of four recordings of French keyboard music, in Early Music, 35(2007), pp.480–2. [invited review of CD: 2,400 words]

Chung, D.Y.S., ‘French harpsichord music’, critical review of six recordings by Hank Knox, Trevor Pinnock, Betty Bruylants, John Kitchen, David Pollock and Mitzi Meyerson, in Early Music, 33(2005), pp.728–9. [invited review of CD: 1,600 words]

Chung, D.Y.S. Critical review of Jean-Henry D’Anglebert: Pièces de clavecin (Paris, 1689). Hank Knox, clavicytherium. Les Productions early-music.com, 2003. [EMCCD-7759], in Journal of Seventeenth-Century Music, vol. 11 (2005), no. 1, https://sscm- jscm.org/v11/no1/chung.html [CD Review: 2,800 words]

Chung, D.Y.S. Jean-Baptiste Lully: 27 Opera Pieces transcribed for Keyboard in the 17th and 18th Century. Critical edition. UT Orpheus Edizioni, ES45. 2004. [Critical Edition, 70 pages of music and text]

Chung, D.Y.S., ‘Lully, D’Anglebert and the transmission of 17th-century French harpsichord music’, Early Music, 31(2003), pp.582–604. [Journal article, peer-reviewed: 6,000 words]

Chung, D.Y.S., ‘The Menetou manuscript and 17th-Century French culture and politics’, Proceedings of the International Conference in Musicology, Jagiellonian University, Krakow, Poland, September 2003, pp.273–81. [Conference Proceedings: 3,000 words]

Chung, D.Y.S., ‘Keyboard arrangements and the development of the overture in French harpsichord music 1670–1730’, Early Keyboard Journal (Vol. 19, 2001), pp. 33–67. [Journal article, peer-reviewed: 5,000 words]

CDs Chung, D.Y.S. Jean-Baptist Lully: Divertissements—Pièces choisies pour le clavecin de différents auteurs et tirées des sources manuscrites 1680–1720. Compact disc with liner notes. Musique sans frontiers (MSF 73967), 2008 Chung, D.Y.S. Stylus Phantasticus Works for Harpsichord. Compact disc with liner notes. URM Audio, 2003.

Conference papers presented ‘What newly-rediscovered sources tell us about the hidden practices of seventeenth-century French harpsichord music,’ Paper presented at Hidden Archives, Hidden Practices—Debates about Music-Making, University of Aveiro, Aveiro, June 2019. ‘Transcribing Couperin’s preludes à la D’Anglebert: a journey into the creative processes of the 17th-century improvised tradition,’ Paper presented at the Performance Studies Network Conference 2018, The Norway Academy of Music, Oslo, July 2018. ‘French harpsichord doubles and the art of embellishments of the clavecinistes,’ Paper presented at the International Conference on Musical Improvisation in the Baroque Era, Centro Studi Opera Omnia Luigi Boccherini, Lucca, May 2017. ‘What Newly-Rediscovered Sources tell us about Seventeenth-Century French Harpsichord Creativity,’ Paper presented at the 17th Biennial International Conference on Baroque Music, Canterbury Christ Church University, Canterbury, July 2016. ‘French harpsichord doubles and Creativity in the 17th-Century Keyboard Tradition’, Paper presented at the 16th Biennial International Conference on Baroque Music, University of Music and Dramatic Arts Mozarteum Salzburg, Salzburg, July 2014. ‘Reinventing BWV903: A Case Study in Creativity and Composer-Performer Collaboration’, Paper presented at the Performance Studies Network Second International Conference, AHRC Research Centre for Musical Performance as Creative Practice, University of Cambridge, Cambridge, April 2013. ‘Towards an Interpretation of JS Bach’s Chromatic Fantasia’, Paper presented at The Performer’s Voice 2nd Symposium: Horizons Crossing Boundaries, Yong Siew Toh Conservatory of Music, National University of Singapore, October 2012. ‘Some telling images of French baroque harpsichord music’, Paper presented at the 2012 Joint Meeting and Festival of the Midwestern and Southeastern Historical Keyboard Societies, University of Cincinnati College-Conservatory of Music, March 2012. ‘Creativity in French harpsichord music’, Paper presented at the Performance Studies Network International Conference, AHRC Research Centre for Musical Performance as Creative Practice, University of Cambridge, Cambridge, July 2011. ‘Linguistic awareness and ‘le bon goût’ in late-eighteenth-century French music’, Paper presented at the International Conference: European Music in the late 18th and 19th Century—Diversity and Evolution, National Sun Yat-Sen University, Kaohsiung, Taiwan, December 2010. ‘New French in old Brussels’, Paper presented at the 14th Biennial International Conference on Baroque Music, Queen’s University, Belfast, July 2010. ‘The port de voix in Louis Couperin’s unmeasured preludes: a study of types, functions and interpretation’, Paper presented at The Performer’s Voice, An International Forum for Music Performance & Scholarship, Yong Siew Toh Conservatory of Music, National University of Singapore, October 2009. ‘The port de voix and le bon goût in French clavecin music’, Paper presented at the Southeastern Historical Keyboard Society and WEKA/Midwestern Historical Keyboard Society Joint Meeting, Temple University, Philadelphia, U.S.A., March 2009. ‘Patronage and the development of French clavecin music during Louis XIV’s reign’, Paper presented at the International Conference in Musicology, Early Music: Context and Ideas II, Jagiellonian University, Krakow, Poland, September 2008.

‘The Menetou Manuscript: A Case Study of the Effect of Patronage on French Harpsichord Musical Style’, Paper presented at the 13th Biennial International Conference on Baroque Music, University of Leeds, United Kingdom, July 2008. ‘Observations on the Defects in Classic French Keyboard Music’, Paper presented at the Southeastern Historical Keyboard Society Meeting, University of North Texas, Denton, U.S.A., March 2007. ‘The Port de voix and the coulé in context: a study of their notation and performance as evidenced in 17th-century French harpsichord music sources’, Paper presented at the 12th Biennial International Conference on Baroque Music, Institute of Musicology, Warsaw University, Warsaw, Poland, July 2006. ‘A New Look at the Two Versions of Bach’s D major Toccata, BWV 912’, Paper presented at the Southeastern Historical Keyboard Society and WEKA/Midwestern Historical Keyboard Society Joint Meeting, Stetson University, Deland, Florida, U.S.A., March 2005. ‘A New Look at the Relationship between Linguistic Theories and Musical Thinking of Classic French Keyboard Music, Paper presented at the Colloquium Series of the Chinese University of Hong Kong, February 2005. ‘Couperin or Couprain: Observations on attitudes towards irregularities and inconsistencies in classic French keyboard music’, Paper presented at the 11th Biennial International Conference on Baroque Music, Royal Northern College of Music, Manchester, United Kingdom, July 2004. ‘The Menetou Manuscript and 17th-Century French Culture and Politics’, Paper presented at the International Conference in Musicology, Jagiellonian University, Krakow, Poland, September 2003. ‘A Re-examination of the Menetou Manuscript’, Paper presented at the First Combined National Meeting of the Midwestern Historical Keyboard Society, the Sout\heastern Historical Keyboard Society and WEKA, National Music Museum, University of South Dakota, U.S.A., March 2003.

Funded research

Completed A Study of Doubles and the Art of Embellishments in Seventeenth-century French Harpsichord Music FRGII Grant (August 2017–July 2019), amount of grant=HK$96,980.

A Study of Sources and Performance Practice Issues in Recently-Rediscovered Sources of Seventeenth-Century French Harpsichord Music GRF Grant (2014–2017), amount of grant=HK$323,280 (from UGC) and HK$32,328 (top- up from Arts Faculty)

Online Catalogue of Keyboard Arrangements of Jean Baptiste Lully’s Music Digital Scholarship Grant (July 2017–June 2018), amount of grant=HK$96,985

A Study of the Pedagogical and Performance Issues in Recently-Rediscovered Sources of Seventeenth-Century French Harpsichord Music HKBU Faculty Research Grant (2013–2014), amount of grant=HK$50,000

A Study of the French and English Connections of Two Recently-Rediscovered Seventeenth- Century Music Manuscripts at the Conservatoire Royal de Musique in Brussels HKBU Faculty Research Grant (2010–2011), amount of grant=HK$50,000

Thematic indexing of recently-rediscovered manuscript sources of 17th-century French harpsichord music HKBU Faculty Research Grant (2009–2010), amount of grant=HK$59,840

A Critical Study and Editing of Keyboard Arrangements of Lully’s Music from 17th-century Manuscript Sources HKBU Faculty Research Grant (2008–2009), amount of grant=HK$57,520

A Pilot Study of Musical Iconography of 17th-century French Harpsichord Music HKBU Faculty Research Grant (2008–2009), amount of grant=HK$60,000

Online Resource for Seventeenth-Century French Harpsichord Music HKBU Faculty Research Grant (2007–2008), amount of grant=HK$98,200

Online Edition of Keyboard Arrangements of Jean-Baptiste Lully’s Stage Music with their Orchestral Versions GRF (2006-2007), amount of grant awarded=HK$299,800

A Music Research, Creative and Preservation Project of 17th-century French Keyboard Arrangements of Jean-Baptiste Lully’s Stage Music HKBU Faculty Research Grant (2005–2006), amount of grant=HK$100,000

A Music Research, Creative and Preservation Project of the Stylus Phantasticus in 17th- century German Keyboard Music HKBU Faculty Research Grant (2002–2003), amount of grant=HK$45,700

Historically-informed Performance and Its Latest Trends for the Harpsichord and Piano HKBU Faculty Research Grant (2001–2002), amount of grant=HK$14,700

A Music Research and Preservation Joint Project Between the Students/Faculty of HKBU’s Department of Music and Fine Arts and Beijing’s Central Conservatory HKBU Faculty Research Grant (1999–2000), amount of grant=HK$37,500

V. Professional activities (masterclasses/guest lecturing, adjudication, and consultancy are separately listed below) Interview by Cable TV Hong Kong on harpsichords (27 October 2018) https://drive.google.com/file/d/1ld18sut3QY8uCe25pjWc90_H0vDPhO1C/view?usp=sharing External Examiner for Ph.D. dissertation by Donald John Nicholson (University of Melbourne, 2018) Consultant Editor of the peer-reviewed journal Early Music (Oxford University Press, May 2013—present; reviewed journals submitted to Early Music) External Examiner for graduation recitals, Hong Kong Academy for Performing Arts (2017 and 2019) External Examiner of M.Phil and Ph.D thesis, Chinese University of Hong Kong (2011) Bye-Fellowship at Churchill College Cambridge (Lent and Easter terms, 2009 and 2016) Chief Examiner of HK Advanced Level Examination (Music Papers 1–3) (2005–06) Producer and Presenter of RTHK4’s CD Gallery (March 2002–September 2003) Examiner of HK Advanced Level Examination (Performance Paper) (May 2000–May 2005) Arts Development Council Examiner (February 1999–2013) Examiner for Associated Board Theory Paper (Grades 5 to 7) (October 1998–2012)

Masterclasses/guest lecturing Masterclass of chamber music at University of Hong Kong (20 November 2018) Lecture: From Sound to Score: Interpreting 18th-Century Keyboard Music, The 2nd Hong Kong International Piano Performance & Education Conference (27 August 2014) Lecture: Dancing Through the Ages, Summer Piano Festival (EXCEL), Hong Kong Academy for Performing Arts (17 August 2013) Lecture: Observations on the Interpretation of 18th-Century Keyboard Music, Chinese University of Hong Kong (27 September 2011) Lecture: Shaping the Music in Pre-1800 Keyboard Repertory, Summer Piano Festival (EXCEL), Hong Kong Academy for Performing Arts (11 August 2011) Performance Workshop at Churchill College, Cambridge (March, 2009) Masterclass at University of Hong Kong (30 November 2007) Lecture: Interpretation of Baroque Keyboard Music on the Clavichord and Harpsichord, Summer Piano Festival, Hong Kong Academy for Performing Arts (24 August 2007) Piano Masterclass, presented by the Hong Kong Music Tutors Union, Parsons Hall, Parsons Music (8 February 2007) Lecture: Understanding 18th-Century Keyboard Style, presented by the Hong Kong Piano Teachers’ Association, City Hall (6 December 2006) Piano Music Lecture Series: Understanding Mozart. A series of 4 lectures on Mozart’s keyboard music, presented by the Leisure and Cultural Services Department, Space Museum Lecture Hall (4, 11, 18 and 25 October 2006) Lecture-Demonstration: Mozart and the Fortepiano, Summer Piano Festival, Hong Kong Academy for Performing Arts (29 August 2006) Academy Music Lecture-Demonstration: What you see is not what you get: gaps between notation and performance in music ca.1650–1800, Hong Kong Academy for Performing Arts (23 February 2006)

Two lectures: Interpretation of Bach Keyboard Music with demonstration on harpsichord and clavichord, City Hall, presented by HK Professional Piano Education Association (11 and 18 September 2005) Stylistic Baroque Performers Workshops, Music Room, Hong Kong (1 and 5 August 2005) Lecture: Performance practice of 18th-century keyboard music, Hong Kong University (1 April 2005) One week of lectures, masterclasses and workshops at Central Conservatory of Beijing (6–12 December 2004) Two lectures: Bach Interpretation with demonstration on harpsichord and clavichord, City Hall, presented by HK Professional Piano Education Association (5 and 12 September 2004) Lecture: Art of performance, Hong Kong University (13 February 2004) Lecture: More on baroque embellishments, Hong Kong University (24 January 2004) Piano masterclass at Texas State University, USA (29 October 2003) Piano masterclass at UT Austin, USA (27 October 2003) Piano masterclass presented by the Hong Kong Music Tutors Union (12 October 2003) Lecture and masterclass: Bach’s teaching (City Hall), presented by the HK Piano Music Association (20 August 2003) Lecture: Embellishments in Bach’s keyboard music, Academy for Performing Arts (7 May 2003) Piano masterclass presented by the Hong Kong Music Tutors Union (18 March 2003) Lecture: The art of ornamentation, Hong Kong University (24 January 2003) Lecture: Early keyboard instruments, Hong Kong University (22 November 2002) Piano masterclass presented by the Hong Kong Music Tutors Union (26 August 2002) Guest lecturing at the Chinese University: Performance practice of baroque chamber music (15 April 2002) Lecture-demonstration on 17th German Toccatas, Academy for Performing Arts (22 March 2002) Piano workshop and masterclass: Bach and the Baroque (City Hall), presented by the HK Piano Music Association (29 January 2002) Lecture on 17th/18th-century improvisation, Hong Kong University (Feb 2001) Piano masterclass and lecture on baroque keyboard music, Southwest Texas State University, USA (Oct 2000) Piano masterclass and lecture-demonstration on Baroque Improvisation, Central Conservatory of Beijing (June 2000) 3 fortepiano masterclasses at the Academy for Performing Arts in every semester (March 2000–present) Lecture and masterclass (City Hall), presented by the HK Piano Music Association (26 June 1999) 2 keyboard improvisation workshops, presented by the Music Office (11, 18 May 1999)

Adjudication Adjudicator for the International Gina Bachauer Piano Competition (October 2011) Adjudicator for the Third Asian Youth Music Competition (November 2005) Committee member and Adjudicator for the 13th HK (Asia) Piano Open Competition (Dec 2004) Adjudicator for the Toyama All-Rounded Student Competition (August 2004) Adjudicator for the Second Asian Youth Music Competition (November 2003) Committee member and Adjudicator for the 12th HK Piano Open Competition (Aug/Dec 2002) Adjudicator for the First Toyama Asian Youth Music Competition (January 2002) Specially-invited Adjudicator for the 10th Hong Kong Piano Open Competition (December 1999) Specially-invited Adjudicator for the 11th Hong Kong Piano Open Competition (December 2001)

Professional service/community activities Radio interview by Tina Ma, on historically-informed performance for “Musical Exchange”, RTHK4 (9 July 2019) Radio Interviews by Eunice Chow, a series of 5 interviews for “Hong Kong Key Figures”, RTHK4 (5–9 January 2015) Radio Interview by Jonathan Douglas: ‘How historically informed are you?’ Musical Exchange series of RTHK4 (22 September 2014) Programme Validation Panel of HKUSPACE for two new Advanced Diplomas in Piano Performance and Pedagogy (October 2012) “Appassionata”—RTHK4 talk/demonstration on 18th-century harpsichord music (19 January 2003) Guest host in My Ideal Concert at RTHK4—Baroque Programme Music (March 2002) ‘Historically-Informed Approach to Bach Interpretation—A New Perspective of Performing Baroque Music: An Interview with David Chung’, Piano Artistry 38 (Beijing, February 2002), pp.3–7, 33. Interview: ‘David Chung and the Harpsichord’, in Hong Kong Music Tutors Union News (Hong Kong, January 2002), p. 2. RTHK4 Interview (11 December 1999, programme: 1815 Capriccio) Hong Kong Standard Interview (Life Page, November 1999)