Private Eye a Cartoon History Pdf, Epub, Ebook

Total Page:16

File Type:pdf, Size:1020Kb

Private Eye a Cartoon History Pdf, Epub, Ebook PRIVATE EYE A CARTOON HISTORY PDF, EPUB, EBOOK Nick Newman | 312 pages | 23 Sep 2013 | Private Eye Productions Ltd. | 9781901784619 | English | London, United Kingdom Private Eye - Wikipedia The Indispensable Calvin And Hobbes. The Days Are Just Packed. The Simpsons Comics on Parade. Cyanide and Happiness. Rob D. Simpsons Comics - Colossal Compendium: Volume 2. Hardback edition. Comment 0. Your review has been submitted successfully. Not registered? Remember me? Forgotten password Please enter your email address below and we'll send you a link to reset your password. Not you? Reset password. Download Now Dismiss. Simply reserve online and pay at the counter when you collect. Available in shop from just two hours, subject to availability. Your order is now being processed and we have sent a confirmation email to you at. For some years after layout tools became available the magazine retained this technique to maintain its look, although the three older typewriters were replaced with an IBM composer. Today the magazine is still predominantly in black and white though the cover and some cartoons inside appear in colour and there is more text and less white space than is typical for a modern magazine. Much of the text is printed in the standard Times New Roman font. The former "Colour Section" was printed in black and white like the rest of the magazine: only the content was colourful. While the magazine in general reports corruption, self-interest and incompetence in a broad range of industries and lines of work, certain people and entities have received a greater amount of attention and coverage in its pages. As the most visible public figures, prime ministers and senior politicians make the most natural targets, but Private Eye also aims its criticism at journalists, newspapers and prominent or interesting businesspeople. It is the habit of the magazine to attach nicknames, usually offensive or crude, to these people, and often to create surreal and extensive alternate personifications of them, which usually take the form of parody newspaper articles in the second half of the magazine. Private Eye has regularly and extensively reported on and investigated a wide range of far-reaching issues, including:. A series of parody columns referring to the Prime Minister of the day has been a long-term feature of Private Eye. While generally satirical, during the s, Ingrams and John Wells wrote an affectionate series of fictional letters from Denis Thatcher to Bill Deedes in the Dear Bill column, mocking Thatcher as an amiable, golf-playing drunk. The column was collected in a series of books and became a stage-play "Anyone For Denis? In The Back is an investigative journalism section notably associated with pioneering journalist Paul Foot [17] the Eye has always published its investigative journalism at the back of the magazine. Nooks and Corners originally Nooks and Corners of the New Barbarism , an architectural column severely critical of architectural vandalism and "barbarism", [21] notably modernism and brutalism , [22] was originally founded by John Betjeman in his first article attacked a building praised by his enemy Nikolaus Pevsner [23] and carried on by his daughter Candida Lycett Green. Street of Shame is a column addressing journalistic misconduct and excesses, [27] [28] hypocrisy, and undue influence by proprietors and editors, mostly sourced from tipoffs [29] — it sometimes serves as a venue for the settling of scores within the trade, [30] and is a source of friction with editors. There are also several recurring miniature sections. A special issue was published in to mark the death of long-time contributor Paul Foot. The magazine has a number of recurring in-jokes and convoluted references, often comprehensible only to those who have read the magazine for many years. They include euphemisms designed to avoid notoriously plaintiff-friendly English libel laws, such as replacing the word "drunk" with " tired and emotional ", [35] [36] or using the phrase "Ugandan discussions" to denote illicit sexual exploits; [35] and more obvious parodies utilising easily recognisable stereotypes, such as the lampooning as " Sir Bufton Tufton " of Conservative MPs. Such terms have sometimes fallen into disuse as their hidden meanings have become better-known. The magazine often deliberately misspells the names of certain organisations, such as "Crapita" for the outsourcing company Capita , "Carter-Fuck" for the law firm Carter-Ruck , and " The Grauniad " for The Guardian the latter a reference to the newspaper's typos in its days as The Manchester Guardian. The first half of each issue of the magazine, which consists chiefly of news reporting and investigative journalism , tends to include these in-jokes in a more subtle manner, so as to maintain journalistic integrity, while the second half, generally characterised by unrestrained parody and cutting humour, tends to present itself in a more confrontational way. Private Eye has from time to time produced various spin-offs from the magazine, including:. Some have found the magazine's irreverence and sometimes controversial humour offensive. Under this headline was a picture of many hundreds of people outside Buckingham Palace , with one person commenting that the papers were "a disgrace", another agreeing, saying that it was impossible to get one anywhere, and another saying, "Borrow mine. It's got a picture of the car. Following the abrupt change in reporting from newspapers immediately following her death, the issue also featured a mock retraction from "all newspapers" of everything negative that they had ever said about Diana. This was enough to cause a flood of complaints and the temporary removal of the magazine from the shelves of some newsagents. These included WHSmith , which had previously refused to stock Private Eye until well into the s, and was characterised in the magazine as "WH Smugg" or "WH Smut" on account of its policy of stocking pornographic magazines. The "Diana issue" is now one of the most highly sought-after back-issues. The issues that followed the Ladbroke Grove rail crash in number , the September 11 attacks of number ; the magazine even including a special "subscription cancellation coupon" for disgruntled readers to send in and the Soham murders of all attracted similar complaints. During the early s Private Eye published many stories on the MMR vaccine controversy , substantially supporting the interpretation by Andrew Wakefield of published research in The Lancet by the Royal Free Hospital 's Inflammatory Bowel Disease Study Group, which described an apparent link between the vaccine and autism and bowel problems. Many of these stories accused medical researchers who supported the vaccine's safety of having conflicts of interest because of funding from the pharmaceutical industry. Initially dismissive of Wakefield, the magazine rapidly moved to support him, in publishing a page MMR Special Report that supported Wakefield's assertion that MMR vaccines "should be given individually at not less than one year intervals. A doubting parent who reads this might be convinced there is a genuine problem and the absence of any proper references will prevent them from checking the many misleading statements. In a review article published in , after Wakefield was disciplined by the General Medical Council , regular columnist Phil Hammond , who contributes to the "Medicine Balls" column under the pseudonym "MD", stated that: " Private Eye got it wrong in its coverage of MMR", in maintaining its support for Wakefield's position long after shortcomings in his work had emerged. The cover of issue in showed Emperor Hirohito visiting Britain with the caption "A nasty nip in the air", and the subheading "Piss off, Bandy Knees". In the s and s the magazine mocked the gay rights movement and feminism. The magazine mocked the Gay Liberation Front [54] and gay rights activism as " Poove Power" [55] popularising the term "poove" as a derogatory insult for gay men [56] , and published feminist material under the title "Loony Feminist Nonsense". Senior figures in the trade union movement have accused the publication of having a classist anti-union bias, with Unite chief of staff Andrew Murray describing Private Eye as "a publication of assiduous [ sic ] public school boys" and adding that it has "never once written anything about trade unions that isn't informed by cynicism and hostility". Its mix of humour and investigation has tirelessly challenged the hypocrisy of the elite. But it also has serious weaknesses. Among the witty — if sometimes tired — spoof articles and cartoons, there is a nasty streak of snobbery and prejudice. Its jokes about the poor, women and young people rely on lazy stereotypes you might expect from the columns of the Daily Mail. It is the anti-establishment journal of the establishment. The Christmas issue received a number of complaints after it featured Pieter Bruegel 's painting of a nativity scene , in which one wise man said to another: "Apparently, it's David Blunkett 's" who at the time was involved in a scandal in which he was thought to have impregnated a married woman. Many readers sent letters accusing the magazine of blasphemy and anti-Christian attitudes. One stated that the "witless, gutless buggers wouldn't dare mock Islam ". It has, however, regularly published Islam-related humour such as the cartoon which portrayed a "Taliban careers master asking a pupil: What would you like to be when you blow up? Many letters in the first issue of disagreed with the former readers' complaints, and some were parodies of those letters, "complaining" about the following issue's cover [61] — a cartoon depicting Santa 's sleigh shredded by a wind farm : one said: "To use a picture of Our Lord Father Christmas and his Holy Reindeer being torn limb from limb while flying over a windfarm is inappropriate and blasphemous. In November , Private Eye 's official website appeared on a controversial list of over "fake news" websites compiled by Melissa Zimdars, a US lecturer.
Recommended publications
  • The First Major Exhibition of Stage Designs by Celebrated Cartoonist Gerald Scarfe
    Gerald Scarfe: Stage and Screen At House of Illustration’s Main Gallery 22 September 2017 – 21 January 2018 The first major exhibition of stage designs by celebrated cartoonist Gerald Scarfe “I always want to bring my creations to life – to bring them off the page and give them flesh and blood, movement and drama.” – Gerald Scarfe "There is more to him than journalism... his elegantly grotesque, ferocious style remains instantly recognisable" – Evening Standard feature 20/09/17 Critics Choice – Financial Times 16/09/17 On 22 September 2017 House of Illustration opened the first major show of Gerald Scarfe’s striking production designs for theatre, rock, opera, ballet and film, many of which are being publicly exhibited for the very first time. Gerald Scarfe is the UK’s most celebrated political cartoonist; his 50-year-long career at The Sunday Times revealed an imagination that is acerbic, explosive and unmistakable. But less well known is Scarfe’s lifelong contribution to the performing arts and his hugely significant work beyond the page, designing some of the most high-profile productions of the last 30 years. This exhibition is the first to explore Scarfe’s extraordinary work for stage and screen. It features over 100 works including preliminary sketches, storyboards, set designs, photographs, ephemera and costumes from productions including Orpheus in the Underworld at English National Opera, The Nutcracker by English National Ballet and Los Angeles Opera’s The Magic Flute. It also shows his 1994 work as the only ever external Production Designer for Disney, for their feature film Hercules, as well as his concept, character and animation designs for Pink Floyd’s 1982 film adaptation of The Wall.
    [Show full text]
  • Decolonising Knowledge
    DECOLONISING KNOWLEDGE Expand the Black Experience in Britain’s heritage “Drawing on his personal web site Chronicleworld.org and digital and print collection, the author challenges the nation’s information guardians to “detoxify” their knowledge portals” Thomas L Blair Commentaries on the Chronicleworld.org Users value the Thomas L Blair digital collection for its support of “below the radar” unreported communities. Here is what they have to say: Social scientists and researchers at professional associations, such as SOSIG and the UK Intute Science, Engineering and Technology, applaud the Chronicleworld.org web site’s “essays, articles and information about the black urban experience that invite interaction”. Black History Month archived Bernie Grant, Militant Parliamentarian (1944-2000) from the Chronicleworld.org Online journalists at the New York Times on the Web nominate THE CHRONICLE: www.chronicleworld.org as “A biting, well-written zine about black life in Britain” and a useful reference in the Arts, Music and Popular Culture, Technology and Knowledge Networks. Enquirers to UK Directory at ukdirectory.co.uk value the Chronicleworld.org under the headings Race Relations Organisations promoting racial equality, anti- racism and multiculturalism. Library”Govt & Society”Policies & Issues”Race Relations The 100 Great Black Britons www.100greatblackbritons.com cites “Chronicle World - Changing Black Britain as a major resource Magazine addressing the concerns of Black Britons includes a newsgroup and articles on topical events as well as careers, business and the arts. www.chronicleworld.org” Editors at the British TV Channel 4 - Black and Asian History Map call the www.chronicleworld.org “a comprehensive site full of information on the black British presence plus news, current affairs and a rich archive of material”.
    [Show full text]
  • Anti-Zionism and Antisemitism Cosmopolitan Reflections
    Anti-Zionism and Antisemitism Cosmopolitan Reflections David Hirsh Department of Sociology, Goldsmiths, University of London, New Cross, London SE14 6NW, UK The Working Papers Series is intended to initiate discussion, debate and discourse on a wide variety of issues as it pertains to the analysis of antisemitism, and to further the study of this subject matter. Please feel free to submit papers to the ISGAP working paper series. Contact the ISGAP Coordinator or the Editor of the Working Paper Series, Charles Asher Small. Working Paper Hirsh 2007 ISSN: 1940-610X © Institute for the Study of Global Antisemitism and Policy ISGAP 165 East 56th Street, Second floor New York, NY 10022 United States Office Telephone: 212-230-1840 www.isgap.org ABSTRACT This paper aims to disentangle the difficult relationship between anti-Zionism and antisemitism. On one side, antisemitism appears as a pressing contemporary problem, intimately connected to an intensification of hostility to Israel. Opposing accounts downplay the fact of antisemitism and tend to treat the charge as an instrumental attempt to de-legitimize criticism of Israel. I address the central relationship both conceptually and through a number of empirical case studies which lie in the disputed territory between criticism and demonization. The paper focuses on current debates in the British public sphere and in particular on the campaign to boycott Israeli academia. Sociologically the paper seeks to develop a cosmopolitan framework to confront the methodological nationalism of both Zionism and anti-Zionism. It does not assume that exaggerated hostility to Israel is caused by underlying antisemitism but it explores the possibility that antisemitism may be an effect even of some antiracist forms of anti- Zionism.
    [Show full text]
  • FACE to FACE Gallery News Issue No
    P FACE TO FACE Gallery News Issue no. 6 Autumn 2003 Writing in this issue: Julian Fellowes, Bruce Oldfield and Gerald Scarfe FROM THE DIRECTOR The autumn exhibition Below Stairs: 400 Years of Servants’ Portraits offers an unusual opportunity to see fascinating images of those who usually remain invisible. The exhibition offers intriguing stories of the particular individuals at the centre of great houses, colleges or business institutions and reveals the admiration and affection that caused the commissioning of a portrait or photograph. We are also celebrating the completion of the new scheme for Trafalgar Square with the young people’s education project and exhibition, Circling the Square, which features photographs that record the moments when the Square has acted as a touchstone in history – politicians, activists, philosophers and film stars have all been photographed in the Square. Photographic portraits also feature in the DJs display in the Bookshop Gallery, the Terry O’Neill display in the Balcony Gallery and the Schweppes Photographic Portrait Prize launched in November in the Porter Gallery. Gerald Scarfe’s rather particular view of the men and women selected for the Portrait Gallery is published at the end of September. Heroes & Villains, is a light hearted and occasionally outrageous view of those who have made history, from Elizabeth I and Oliver Cromwell to Delia Smith and George Best. The Gallery is very grateful for the support of all of its Patrons and Members – please do encourage others to become Members and enjoy an association with us, or consider becoming a Patron, giving significant extra help to the Gallery’s work and joining a special circle of supporters.
    [Show full text]
  • 'Pinkoes Traitors'
    ‘PINKOES AND TRAITORS’ The BBC and the nation, 1974–1987 JEAN SEATON PROFILE BOOKS First published in Great Britain in !#$% by Pro&le Books Ltd ' Holford Yard Bevin Way London ()$* +,- www.pro lebooks.com Copyright © Jean Seaton !#$% The right of Jean Seaton to be identi&ed as the author of this work has been asserted in accordance with the Copyright Designs and Patents Act $++/. All rights reserved. Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise), without the prior written permission of both the copyright owner and the publisher of this book. A CIP catalogue record for this book is available from the British Library. ISBN +4/ $ /566/ 545 6 eISBN +4/ $ /546% +$6 ' All reasonable e7orts have been made to obtain copyright permissions where required. Any omissions and errors of attribution are unintentional and will, if noti&ed in writing to the publisher, be corrected in future printings. Text design by [email protected] Typeset in Dante by MacGuru Ltd [email protected] Printed and bound in Britain by Clays, Bungay, Su7olk The paper this book is printed on is certi&ed by the © $++6 Forest Stewardship Council A.C. (FSC). It is ancient-forest friendly. The printer holds FSC chain of custody SGS-COC-!#6$ CONTENTS List of illustrations ix Timeline xvi Introduction $ " Mrs Thatcher and the BBC: the Conservative Athene $5
    [Show full text]
  • BAKALÁŘSKÁ PRÁCE Popular Culture and Margaret Thatcher, The
    ZÁPADOČESKÁ UNIVERZITA V PLZNI FAKULTA FILOZOFICKÁ BAKALÁŘSKÁ PRÁCE Popular Culture and Margaret Thatcher, the Media Image of the “Iron Lady“ Kateřina Tichá Plzeň 2018 Západočeská univerzita v Plzni Fakulta filozofická Katedra anglického jazyka a literatury Studijní program Filologie Studijní obor Cizí jazyky pro komerční praxi Kombinace angličtina – francouzština Bakalářská práce Popular Culture and Margaret Thatcher, the Media Image of the “Iron Lady“ Kateřina Tichá Vedoucí práce: Mgr. Tomáš Hostýnek Katedra anglického jazyka a literatury Fakulta filozofická Západočeské univerzity v Plzni Plzeň 2018 Prohlašuji, že jsem práci zpracovala samostatně a použila jen uvedených pramenů a literatury. Plzeň, duben 2018 ……………………… Touto cestou bych chtěla poděkovat Mgr. Tomášovi Hostýnkovi, za cenné rady a připomínky v průběhu psaní mé bakalářské práce, které pro mě byly velmi přínosné. Table of contents 1 INTRODUCTION ........................................................................ 1 2 EARLY LIFE 1925 – 1947 .......................................................... 3 2.1 Childhood ..................................................................................... 3 2.2 Education ...................................................................................... 3 2.3 Relation towards her parents ..................................................... 4 3 EARLY FORAY INTO POLITICS 1948 – 1959 ........................... 5 4 POLITICAL LIFE 1959 – 1979 ................................................... 7 4.1 Opposition ...................................................................................
    [Show full text]
  • Whittingdale and the Ex-Dominatrix: Conspiracy of Silence Or
    Whittingdale and the ex-dominatrix: conspiracy of silence or provided by LSE Research Online View metadata, citation and similar papers at core.ac.uk CORE goobrought to you by d press behaviour? blogs.lse.ac.uk/polis/2016/04/13/whittingdale-and-the-ex-dominatrix-conspiracy-of-silence-or-good-press- behaviour/ 2016-4-13 This is the original version of an article that appeared in Newsweek on 13.4.16. The John Whittingdale ‘dominatrix’ story is a classic case study of the eternal balancing act between the right to privacy and the public interest in disclosure. In practice this is rarely a purely ethical or editorial decision. Inevitably, legal, political and taste issues will come into play. The circumstantial details are vital. Yes, ‘publish and be damned’ but in a country without a First Amendment, there has to be a justification. In the highly competitive UK newspaper market editors hate to spike juicy tales of politicians and former sex workers. Yet, in the febrile debate over British journalism that has followed the Leveson inquiry into phone-hacking we find ourselves in the intriguing situation where the advocates of restraint, such as the pro-regulation campaigners at Hacked Off, are urging publication of details of the private love life of an unmarried individual. John_Whittingdale There is a good reason to publish this story now. The suspicion is that when some newspapers knew about it back in 2013/14 they did not run with it because they feared pushing the Secretary of State responsible for media regulation into implementing Lord Justice Leveson’s suggestions for statutory oversight of the UK press.
    [Show full text]
  • University Microfilms International 300 N
    INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1.Thc sign or "target" for pages apparently lacking from the document photographed is "Missing Pagc(s}". If it was possible to obtain the missing pagc(s) or section, they arc spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the film is obliterated with a round black mark it is an indication that the film inspector noticed cither blurred copy because of movement during exposure, or duplicate copy. Unless we meant to delete copyrighted materials that should not have been filmed, you will find a good image of the page in the adjacent frame* If copyrighted materials were deleted you will find a target note listing the pages in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photo­ graphed the photographer has followed a definite method in "sectioning" the material. It is customary to begin filming at the upper left hand corner of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete.
    [Show full text]
  • Private Eye Annual 2016 Free
    FREE PRIVATE EYE ANNUAL 2016 PDF Ian Hislop | 96 pages | 21 Oct 2016 | Private Eye Productions Ltd. | 9781901784640 | English | London, United Kingdom Private Eye Annual (Annuals) - AbeBooks - Ian Hislop: The Private Eye Annual presents the year's best cartoons, jokes and spoofs from the UK's most successful satirical magazine. Publisher: Private Eye Productions Ltd. My granddaughter loves this annual and reads it from cover to cover. A good mix of activities and articles. The usual mix of satire and amusing anecdotes. This book is always a success. We buy it every year for our adult sons. Well worth reading. Please sign in to write a review. If you have changed your email address then contact us and we will update your details. Would you like to proceed to the App store to download the Waterstones App? We have recently updated our Privacy Policy. The site uses cookies to offer you a better experience. By continuing to browse the site you accept our Cookie Policy, you can change your settings at any time. Not available This product is currently unavailable. This item has been added to your basket View basket Checkout. Illustrated in Private Eye Annual 2016 throughout with cartoons, sketches and photo-bubbles. Added to basket. The Secret Political Adviser. Michael Spicer. Everything I Know About Love. Dolly Alderton. Word Perfect. Susie Dent. Stephen Wildish. Private Eye Annual 2016 You Should Ask. QI Elves. Jasper Rees. Giles The Collection Carl Giles. The Artful Dickens. John Mullan. Cards Against Humanity. Right, Said Fred. Andrew Flintoff. The Best of Matt Matt Pritchett.
    [Show full text]
  • Cheltlf12 Brochure
    SponSorS & SupporterS Title sponsor In association with Broadcast Partner Principal supporters Global Banking Partner Major supporters Radio Partner Festival Partners Official Wine Working in partnership Official Cider 2 The Times Cheltenham Literature Festival dIREctor Festival Assistant Jane Furze Hannah Evans Artistic dIREctor Festival INTERNS Sarah Smyth Lizzie Atkinson, Jen Liggins BOOK IT! dIREctor development dIREctor Jane Churchill Suzy Hillier Festival Managers development OFFIcER Charles Haynes, Nicola Tuxworth Claire Coleman Festival Co-ORdinator development OFFIcER Rose Stuart Alison West Welcome what words will you use to describe your festival experience? Whether it’s Jazz, Science, Music or Literature, a Cheltenham Festival experience can be intellectually challenging, educational, fun, surprising, frustrating, shocking, transformational, inspiring, comical, beautiful, odd, even life-changing. And this year’s The Times Cheltenham Literature Festival is no different. As you will see when you browse this brochure, the Festival promises Contents 10 days of discussion, debate and interview, plus lots of new ways to experience and engage with words and ideas. It’s a true celebration of 2012 NEWS 3 - 9 the power of the word - with old friends, new writers, commentators, What’s happening at this year’s Festival celebrities, sports people and scientists, and from children’s authors, illustrators, comedians and politicians to leading opinion-formers. FESTIVAL PROGRAMME 10 - 89 Your day by day guide to events I can’t praise the team enough for their exceptional dedication and flair in BOOK IT! 91 - 101 curating this year’s inspiring programme. However, there would be no Festival Our Festival for families and without the wonderful enthusiasm of our partners and loyal audiences and we young readers are extremely grateful for all the support we receive.
    [Show full text]
  • Leonard Bernstein (1918-1990)
    NOTES ON THE PROGRAM An Introduction Voltaire and Bernstein’s Candide plunge us from a fool’s world of naiveté to a pain- ful world of war, natural disasters, tragedy, fear of commitment, fear of facts, all cast under a cloud of faux sentimentality—yet with a wink towards truth and love. What an honor it is for The Knights to celebrate Leonard Bernstein in his musical home of Tanglewood with a work that encompasses all of his brilliant contradictions. Bernstein was both a man of his century and ahead of his time—socially, politically, and musically—which makes his centennial feel youthful and timely if not timeless. He lived through some of the world’s darkest times of war, fear, and terror, and his outpouring of joy, love, humor, love, generosity, love, and truth spill from him like it has from only a few geniuses before him. “You’ve been a fool, and so have I.... We’re neither pure, nor wise, nor good” (Voltaire, Candide). Bernstein found a fellow optimis- tic jester in Voltaire. Voltaire wrote “It is love; love, the comfort of the human species, the preserver of the universe, the soul of all sentient beings, love, tender love.” Bernstein’s music embodies this senti- ment. Together, they show us many beautiful and joyous puzzle pieces that connect our imperfect best-of-all-possible-worlds. ERIC JACOBSEN, THE KNIGHTS Leonard Bernstein (1918-1990) “Candide” A Very Brief History Bernstein composed Candide from 1954 through August 1956, with Hershy Kay assisting with the orchestration; the libretto was by Lillian Hellman, based on the novella Candide, ou l’Optimisme, by Voltaire, the pen name of François-Marie Arouet (1694-1778).
    [Show full text]
  • Actual Malice" Standard Really Necessary? a Comparative Perspective Russell L
    Louisiana Law Review Volume 53 | Number 4 March 1993 Is The ewN York Times "Actual Malice" Standard Really Necessary? A Comparative Perspective Russell L. Weaver Geoffrey Bennett Repository Citation Russell L. Weaver and Geoffrey Bennett, Is The New York Times "Actual Malice" Standard Really Necessary? A Comparative Perspective, 53 La. L. Rev. (1993) Available at: https://digitalcommons.law.lsu.edu/lalrev/vol53/iss4/5 This Article is brought to you for free and open access by the Law Reviews and Journals at LSU Law Digital Commons. It has been accepted for inclusion in Louisiana Law Review by an authorized editor of LSU Law Digital Commons. For more information, please contact [email protected]. Is The New York Times "Actual Malice" Standard Really Necessary? A Comparative Perspective Russell L. Weaver* Geoffrey Bennett** In New York Times Co. v. Sullivan,' the United States Supreme Court extended First Amendment guarantees to defamation actions.2 Many greeted the Court's decision with joy. Alexander Meiklejohn claimed that the decision was "an occasion for dancing in the streets. ' 3 He believed that the decision would have a major impact on defamation law, and he was right. After the decision, many years elapsed during which "there were virtually no recoveries by public officials in libel 4 actions." The most important component of the New York Times decision was its "actual malice" standard. This standard provided that, in order to recover against a media defendant, a public official must demonstrate that the defendant acted with "malice.' In other words, the official must show that the defendant knew that the defamatory statement was © Copyright 1993, by LoUIsIANA LAW REVIEW.
    [Show full text]