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The Art of Horticulture II: the Use of Plants in and As Art Hort 203
The Art of Horticulture II: The Use of Plants in and as Art Hort 203 Instructor: Marcia Eames-Sheavly 169 Plant Science Building 607-255-1781 [email protected] Horton Lab, Ken Post Labs Time: Tuesdays, 1:25 – 4:25 p.m. Course website: hort.cornell.edu/art 2 credits Code of Academic Integrity: You should be familiar with Cornell’s Code which may be found at http://cuinfo.cornell.edu/Academic/AIC.html. You are responsible for knowing and complying with the code. Office hours Tuesdays, 8:30 – 11:30, by appointment, in 15B Plant Science Other times as arranged. I am not in the office Wednesdays. Rationale As part of a Hort 201-203 sequence, this experiential course will focus on plant materials that are used to create art, or that are manipulated into pieces of art. It will acquaint students with a range of topics such as the use of plants in fibers and dyes, floral design, and living sculpture practices such as topiary, the woven branch, turfworks, tree sculpture and bonsai. Students will create a final project focused on these or related methods. Taking this course will also provide students with a unique chance to view science from a very different perspective. Creativity is the cornerstone of advancement in science. Exploring the relationship between art and science can foster an understanding of principles of design and presentation in living forms. Exploring the art of horticulture will help students view plant forms through a unique lens. Who should take the course? Given that we define horticulture as both the “art and science of growing plants,” the course would provide horticulture and plant science majors with a context for the aesthetic aspects of the discipline. -
Espaliers1 Sydney Park Brown, Thomas H
CIR627 Espaliers1 Sydney Park Brown, Thomas H. Yeager, and Robert J. Black2 espaliers are used mostly for decorative accents in the landscape. An espalier is a living sculpture in the garden and is especially effective against a blank wall as an alternative to a monotonous row of shrubs. An espalier is also a good choice for a narrow area where spreading shrubs or trees cannot be easily maintained. With landscape spaces becom- ing smaller around homes, an espaliered plant may have considerable appeal. From Ornamentals to Espaliers Almost any plant can be espaliered by continually directing growth along a flat plane and removing growth in unde- sired directions. Some plants are particularly suitable as Figure 1. Espaliered pear tree (Pyrus communis), in the garden of the Cloisters in upper Manhattan. espaliers, especially ones that produce many flexible lateral Credits: © 2004 Matthew Trump, CC BY-SA 3.0 branches and attractive flowers, fruit, foliage, and/or bark. The plants listed in Tables 1–3 are only suggestions and are An “espalier,” (pronounced “es-PAL-yer” or “es-pal-YAY”) not intended to be inclusive. Other plants are worth trying is any plant trained to grow in a flat plane against a wall, and may prove to be equal to, if not better than, those listed. fence, or trellis. The word espalier also may be used to describe the technique of training a plant to this flat plane. Selecting an Espalier Pattern The Romans originated the technique, but later generations The choice of a pattern for an espalier greatly influences of Europeans refined it into an exacting but rewarding art. -
Lintons Summer '07
Leafl et Order fresh fl orals 24/7 at lintons.com Summer Edition 2007 • Vol. 13/Issue 2 Garden Centre • Floral & Interior Décor Shoppe • Landscaping • Lawn Care • Nursery Plant An Evening Garden colored fence, house or statue, like light Foliage color and texture can also play By Laura Sherman pink or light blue. a wonderful role in the garden. Hosta, You have worked all day and now you sun-loving Hosta, Caryopteris, Golden would like to sit outside and relax. Perennials usually only bloom once a Barberry, Artemisia, Dusty Miller However, itʼs dark in the garden and year so choose a variety of plants that Coleus, Lemon Daddy Hydrangea and there is no view to really look at. I have different blooming seasons. Marguerite Sweet Potato vine are just would like to give you some ideas for some of the many choices that you can planning an evening garden. Some white fl ower choices are Babyʼs fi nd at Lintonʼs Garden Centre. Breath, Shasta Daisy, Bleeding Heart, Colors are important for your evening Garden Phlox, Hydrangea, Alyssum, At Lintonʼs Garden Centre our garden. Dark colors such as purple and Impatiens, Petunias and Geraniums. knowledgeable staff is happy to help you deep blue would be lost in the evening. plan your evening garden. Now there is Light colors take on a luminescent Some yellows or cream colors no reason, not to enjoy your garden no quality in the evening. White, cream, or are Coreopsis Columbine, Mums, matter what time of day it is. yellow would show up in a dark space. -
Espalier Fruit Trees for Wall, Hedge, and Pergola: Installation . Shaping . Care Free
FREE ESPALIER FRUIT TREES FOR WALL, HEDGE, AND PERGOLA: INSTALLATION . SHAPING . CARE PDF Karl Pieber,Peter Modl | 160 pages | 01 Jun 2014 | Schiffer Publishing Ltd | 9780764344886 | English | Atglen, United States How to Espalier Fruit Trees - Stark Bro's The art of espalier is all about selectively pruning and training to a desired shape. Follow these steps and learn how to espalier fruit trees. A growing legacy since For over years, Stark Bro's has helped people around America provide Hedge home-grown food for their families. We love to keep in touch with our customers and Espalier Fruit Trees for Wall about what's happening each season at Stark Bro's. Follow us on Espalier Fruit Trees for Wall favorite social networks and share what you grow! You'll find answers to many questions on our FAQ page. If you need further assistance, we're always eager to help. Contact Us Featured Item. Featured Article. Adding Fruit to Your Homestead For over years, Stark Bro's And Pergola: Installation. Shaping. Care has been helping homesteaders across America live more self-sufficient lifestyles. As the oldest continually operating nursery in the country, we've curated a time- tested collection of over unique varieties of fruit trees, nut trees and berry plants. This will prevent many features on our site from working as expected. You can enable JavaScript in the settings of your web browser. The origins of espalier Espalier is the ancient horticultural art of pruning and training a tree or shrub to grow flat against a support, creating a living sculpture. -
Summer 2017 | Free
trees in art issue | summer 2017 | free THE ART OF TREES, FLOODING, A NEW ARBOREAL MAP, THE NEWSPAPER FOR TREES, WOODS AND PEOPLE THE GREAT STORM, ARTIST RESIDENCIES Detail from TREE TRAILS by Adam Dant LEAF! | FOR THE ART OF TREES THE NEWSPAPER FOR TREES, WOODS AND PEOPLE Trees have been loved and venerated in cultures across the world since earliest times, and continue to be a source of inspiration and imagination. With his arboreal map, featured on the front cover of LEAF!, the celebrated illustrator Adam Dant shows us just how significant trees are to the story of art in the British Isles, and just how rich and widely located this visual heritage is. Common Ground is adding a new layer to the history of trees in art by curating and commissioning a series of artist residencies around the UK. The Tree Charter campaign Editors has challenged people all across the country Sara Hudston to consider their relationship with trees, Adrian Cooper and to reflect on the importance of trees Art Direction and woods in our culture, environment Gracie Burnett and economy. Over the next few months, Cover Artist eight artists will bring this thought process Adam Dant to life through a series of varied and very Resident Artists exciting residencies that explore, question Alice Pattullo and express the relationship between trees, Bea Forshall woods and people. Illustration Kurt Jackson Inside the Chapter House of Lincoln Eliza Glyn Cathedral, the Turner Prize-winning Harriet Lee-Merrion collective Assemble are making a round John Harmer wood structure, inspired by bodgers – that Simon Pemberton lost tribe of men and women who lived Common Ground Art Collection and worked in woodlands. -
{PDF EPUB} How to Grow a Chair the Art of Tree Trunk Topiary by Richard Reames How to Grow a Chair: an Interview with Richard Reames
Read Ebook {PDF EPUB} How to Grow a Chair The Art of Tree Trunk Topiary by Richard Reames How To Grow A Chair: An Interview with Richard Reames. Using ancient grafting techniques and a few basic tools, Richard Reames shapes living trees into furniture and sculpture near his home in Oregon for clients worldwide. He is the author of two self-published books, How to Grow a Chair: The Art of Tree Trunk Topiary with Barbara Delbol, and Arborsculpture: Solutions for a Small Planet, published in June. His work was on display this summer at the World Expo in Aichi, Japan. Joshua Foer spoke to Reames in July 2005 by telephone. richard reames: arborsculpture. ‘I coined the word arborsculpture in 1995 because no single word had been used to recognize this unique art form. a branch of topiary with the potential to savethe environment. there are other words and terms that are used to describe this art. pleaching, permaculture, tree trunk topiary, botanical art, botanical architecture, biotechture, living art, visionary art, and really weird. the difference between my work and that of other topiary artists is that I work with the inside of a tree, from the trunk while most other topiaries are formed from the outside. I love being outside all day, I like experimenting, and I feel that I am perpetuating a remarkable art, one that might some day flourish and produce the most environmentally sensitive houses you could imagine.’ – richard reames. Growing Furniture. Train and graft a tree for half a dozen years or so and you have strong, local, one piece (tree) furniture. -
Special Thanks to Spring Plant Sale Volunteers the Birds and the Bees
enhancing life with plants bbgardens.org The MAY/JUNE 2012 Special Thanks to Spring Plant Sale Volunteers Inside Cover & Page 4 The Birds and the Bees Members-Only Class Page 10 Glorious Gardens set for June 2 & 3 Page 3 FRIENDS OF Special Thanks BIRMINGHAM BOTANICAL GARDENS to Spring Plant 2012 BOARD OF DIRECTORS Henry Ray �����������������������������������������������President Tricia Noble �����������������������������������President-Elect Sale Volunteers Scott Walton ���������������������������������������������Treasurer Lou Willie ����������������������������������������������� Secretary We would like to thank the Hanson Slaughter �������������������������VP Development hundreds of volunteers who Brain Barr ������������������������ VP Gardens & Buildings Thomas G. Amason, Jr....Immediate Past President May: made the Spring Plant Sale Carl E. Jones, Jr. ������������������������������������������ Officer Oak-leaf Hydrangeas Janet Taylor ������������������������������������������������� Officer Azaleas possible. Thank you for your Elizabeth Broughton ������������������������������������ Officer Perennials time, sweat and expertise. This At Large: Ferns Cathy Adams year, 9,000 people shopped at Laurie Allen Herbs Rhododendrons Shane Boatright the plant sale and were greeted Maggie Brooke Flowering shrubs Roses (peak) with your love of The Gardens. Gary Burley Barbara Burton You brought our mission to life. Tricia Holbrook Irises Summer Annuals Robert Holmes Margi Ingram Wildflowers Each year, the Spring Plant Clarke Gillespy Sheryl Kimerling -
Pruning Trees & Shrubs
NIN RU G P TREES & SHRUBS Before the Cut Pruning is one of the most important management activities in urban and suburban environments. Sadly, it is often the most improperly implemented. Why? mproperly pruned trees and shrubs seldom die immediately. Years later when the plant begins to de- cline, it is hard for us to recognize the link between Ithe bad pruning and the plant’s death. If you are going to prune, proper timing, proper location of the cut, and proper technique are critical to plant health. This first of four publications in the “Pruning Trees & Shrubs” series (AG-780) introduces basic pruning concepts and key terms. Subsequent publications in the series provide more information on woody plant biol- ogy, necessary tools, and pruning guidelines for general purposes and specific species. Definition of Pruning Pruning describes the removal of plant parts to man- age plant growth. Pruning is a science and an art. The biology of plant growth is the basis for the science, while the art comes in when you choose which branches to remove and how to shape certain plants. Getting the art right may take years of practice. But with enough prac- tice and paying attention to the science, you will become proficient. The aim is to make a cut that minimizes plant injury, encourages quick wound closure, and redirects Oklahoma redbud (Cercis ‘Oklahoma’) plant growth. Remember, pruning inflicts wounds on a plant. Learning as much as you can about plant biology will help you perfect your pruning technique. Why Prune? Before pruning, ask yourself -
April 1986 BOU Tp
April 1986 BOU tP San Francisco, "The the beautiful, old Roth Golden Gate City," pro Estate with its lovely for vides a perfect setting for mal English gardens in the 41st ANnual Meeting Woodside. Visit several of the American Horticul gardens by Tommy tural Society as we focus Church, one of the great on the influence of ori est garden-makers of the ental gardens, plant con century. Observe how the servation, and edible originator of the Califor landscaping. nia living garden incor Often referred to as porated both beauty and "the gateway to the Ori a place for everyday ac ent," San Francisco is tivities into one garden the "most Asian of occi ~ area. dental cities." You will ~ Come to San Fran- delight in the beauty of ~ cisco! Join Society mem its oriental gardens as ~ bers and other meeting .2 we study the nature and ~ participants as we ex- significance of oriental 8 plore the "Beautiful and gardening and its influ 'u~ Bountiful: Horticulture's ence on American horti £ Legacy to the Future." culture. A visit to the Japanese Tea Garden in the Golden Gate Park, a Please send me special advance registration information for the botanical treasure, will Society's 1986 Annual Meeting in offer one of the most au San Francisco, California. thentic examples of Japa N~E _______________ nese landscape artistry outside of Japan. Tour the Demonstra Western Plants for Amer ADDRESS _____________ Explore with us the tion Gardens of Sunset ican Gardens" as well as joys and practical aspects magazine, magnificent what plant conservation CITY _______________ of edible landscaping, private gardens open only efforts are being made STATE ZIP _______ which allows one to en to Meeting participants, from both a world per joy both the beauty and and the 70-acre Strybing spective and a national MAIL TO: Annual Meeting, American Horticultural Society, the bounty of Arboretum. -
Van Aken Is a Professor of Sculpture
Public Art Dialogue, 2017 Vol. 7, No. 1, 44–56, http://dx.doi.org/10.1080/21502552.2017.1288538 STREUOBSTWIESE Sam Van Aken Downloaded by [184.153.234.8] at 08:57 22 October 2017 Copyright © Taylor & Francis Group, LLC Downloaded by [184.153.234.8] at 08:57 22 October 2017 Streuobstwiese (pronounced strı-oːpst-vezə) is an expansive work by contem- porary artist Sam Van Aken, consisting of an orchard of several hundred heirloom and antique fruit trees, a series of workshops on growing and harvesting these rare varieties, as well as a series of publications. Acting as a research station similar to the role filled by Agricultural Experiment Stations of the Land Grant Universities of the nineteenth century, the Streuobstwiese is public art as a form of re-placemaking, a collection of uncontemporary practices addressing very contemporary concerns while generating metaphorical potentials. Borrowing its name from a sixteenth-century German term used to describe a community- owned orchard — a field or meadow with scattered fruit trees — the installation of this concept in this issue of PAD seeks to reintroduce forgotten processes and methodologies in an attempt to enlarge the reader’s imagination: fueling insights into a deeper and broader awareness of place and the importance of public art as well as its integral role in the life of the community. Merging the fields of study that include public art, social practice, history and botany (specifically pomology that focuses on development and promotion of the cultivation and study of fruits), Van Aken’s Streuobstwiese is an innovative hybrid of traditional academic disciplines and practices. -
Gardening in Small Spaces Flowers
GARDENING IN SMALL SPACES FLOWERS: Annuals and Perennials IT ALL STARTED IN A GARDEN… Flowers are God’s gift of beauty and wonder which soothe the soul and replenish the spirit. No matter where you live, successful gardeners know soil preparation is the key to success. The following are soil types found throughout the world - SANDY, SILTY, CLAY, PEATY and SALINE. The most ideal soil is LOAM. Gardeners love it because it contains a balance of all three soil materials, silt, sand and clay plus humus that leaves it dark brown, and is mealy, soft and dry becoming crumbly in your hands. It has higher levels of pH and calcium because of its organic matter such as volcanic rock and ash. It has a tight hold on water and plant food but drains well and air moves freely between soil particles down to the roots. Feeding all plants requires 3 important ingredients: NPK on packaging 1. NITROGEN – (N) promotes plant growth, leafy vegetative growth, part of every protein in the plant from growing new leaves to defending against pests. It is part of the chlorophyll molecule giving plants their green color, providing food for the plant through photosynthesis. A lack of nitrogen shows yellowing. 2. PHOSPHORUS (P) - involved in the metabolic process for transferring energy from one point to the other in a plant. Critical in root development and flowering. It moves slowly through soil, therefore, it’s important to work it into the soil near the roots. 3. POTASSIUM (K) - regulates plant metabolism and affects water pressure regulation inside and outside plant cells. -
Planting Design Handbook
The Planting Design Handbook Second Edition To my parents, Arthur and Margaret Robinson The Planting Design Handbook Second Edition Nick Robinson Illustrations by Jia-Hua Wu © N. H. Robinson 2004 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior permission of the publisher. Nick Robinson has asserted his moral right under the Copyright, Designs and Patents Act, 1988, to be identified as the author of this work. Published by Ashgate Publishing Limited Gower House Croft Road Aldershot Hants GU11 3HR England Ashgate Publishing Company Suite 420 101 Cherry Street Burlington, VT 05401–4405 USA Ashgate website: http://www.ashgate.com British Library Cataloguing in Publication Data Robinson, Nick, 1954– The planting design handbook. – 2nd ed. 1.Planting design 2.Landscape architecture I.Title 715 ISBN 0754630358 Library of Congress Cataloging-in-Publication Data Robinson, Nick, 1954– The planting design handbook / Nick Robinson -- 2nd ed. p. cm. Includes bibliographical references. ISBN 0-7546-3035-8 1. Planting design. 2. Landscape design. I. Title. SB472.45.R64 2003 712’.6--dc21 2003045231 ISBN 0 7546 3035 8 Typeset by Bournemouth Colour Press, Parkstone, Poole, UK. Printed and bound in Great Britain by Biddles Ltd., Guildford and Kings Lynn. Contents Figures xi Plates xvii Tables xxxv Acknowledgements xxxvii Preface to the Second Edition xxxix Introduction xli PART 1: PRINCIPLES