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Liberty International Reisen Gmbh Day 6: Leipzig – Porsche – Dresden Drive to Leipzig and Visit of the World of Porsche
Day 5: BMW – Munich – Neuschwanstein Castle Visit of the BMW Museum. Time at leisure in Munich or option excursion to the Fairy Tale Castle of Neuschwanstein. Overnight in Munich. Liberty International Reisen GmbH Day 6: Leipzig – Porsche – Dresden Drive to Leipzig and visit of the world of Porsche. Continue to Dresden. Overnight in Special Interest Dresden. Day 7: Dresden – Glass Factory of Volkswagen – ADAC safety training – Berlin Automobiles and City tour of Dresden. Visit of the “Glass Factory“ of Volkswagen, where the Technology luxury automobile Phaeton is produced.On the way to Berlin stop for a “Driver Training Session” from ADAC, Europe’s largest Automobile Association. Continue to Berlin. Overnight in Berlin. 9 Days / 8 Nights Day 8: Berlin – Automobile city of Volkswagen in Wolfsburg City tour of Berlin. Continue to Wolfsburg to visit the Automobile city of Volkswagen. Overnight in Wolfsburg/Hannover area. Day 9: Cologne Return to Cologne. Journey back home or extension in Cologne. Your Itinerary Day 1: Cologne Arrival in Cologne and city tour. Overnight in Cologne. Your Services: Day 2: Nürburgring – Heidelberg • 8 nights at tourist standard hotels, all rooms with private bathroom or shower & Drive to the Formula 1 Grand Prix race track Nürburgring. Optional ride on the toilet legendary north loop. Continue to the city of Heidelberg for a city tour. Overnight in • 8 x breakfast Heidelberg area. • Roundtrip by modern long-distance coach Day 3: Hockenheimring • All excursions and city tours not marked as optional. Drive to the Formula 1 Grand Prix race track Hockenheimring. Optional to do a “real • Professional guide throughout the tour race” on the track. -
6 X 10.5 Three Line Title.P65
Cambridge University Press 978-0-521-76020-1 - The Negotiated Reformation: Imperial Cities and the Politics of Urban Reform, 1525-1550 Christopher W. Close Index More information Index Aalen, 26n20 consultation with Donauworth,¨ 37, Abray, Lorna Jane, 6 111–114, 116–119, 135–139, Aitinger, Sebastian, 75n71 211–214, 228, 254 Alber, Matthaus,¨ 54, 54n120, 54n123 consultation with Kaufbeuren, 41, 149, Albrecht, Archbishop of Mainz, 255 157–159, 174–176, 214, 250, 254 Altenbaindt, 188n33 consultation with Kempten, 167–168, Anabaptist Mandate, 156n42 249 Anabaptists, 143, 151, 153, 155 consultation with Memmingen, 32, 50, association with spiritualism, 156 51n109, 58, 167–168, 175 in Augsburg, 147, 148n12, 149, consultation with Nuremberg, 65, 68, 149n18 102, 104–108, 212–214, 250, 251 in Kaufbeuren, 17, 146–150, 148n13, consultation with Strasbourg, 95, 102, 154, 158, 161, 163, 167, 170, 214, 104–106, 251 232, 250, 253 consultation with Ulm, 33, 65, 68, in Munster,¨ 150, 161 73–76, 102, 104–108, 167, 189, Augsburg, 2, 11–12, 17, 23, 27, 38, 42, 192–193, 195–196, 204–205, 208, 45–46, 90, 95, 98, 151, 257 211–214, 250, 254 abolition of the Mass, 69, 101, controversy over Mathias Espenmuller,¨ 226n63 174–177, 250 admission to Schmalkaldic League, 71, economic influence in Burgau, 184 73–76 end of reform in Mindelaltheim, alliance with Donauworth,¨ 139–143, 203–208 163, 213, 220 Eucharistic practice, 121 Anabaptist community, 147, 149 fear of invasion, 77, 103n80 April 1545 delegation to Kaufbeuren, Four Cities’ delegation, 144–146, 160–167 167–172, -
The Response of Elite European Merchant Companies to European Expansion Into Asia and the Americas, C.1492-C.1530
The Response of Elite European Merchant Companies to European Expansion into Asia and the Americas, c.1492-c.1530 Eleanor Marie Russell Pembroke College November 2019 This dissertation is submitted for the degree of Doctor of Philosophy. Declaration This thesis is the result of my own work and includes nothing which is the outcome of work done in collaboration except as declared in the Preface and specified in the text. It is not substantially the same as any that I have submitted, or, is being concurrently submitted for a degree or diploma or other qualification at the University of Cambridge or any other University or similar institution except as declared in the Preface and specified in the text. I further state that no substantial part of my thesis has already been submitted, or, is being concurrently submitted for any such degree, diploma or other qualification at the University of Cambridge or any other University or similar institution except as declared in the Preface and specified in the text. It does not exceed the prescribed word limit for the relevant Degree Committee. 2 Abstract The Response of Elite European Merchant Companies to European Expansion into Asia and the Americas, c.1492-c.1530 Eleanor Marie Russell This thesis analyses the multi-national European merchant-banking companies who dominated European commerce at the beginning of European engagement with the Americas and with Asia via the Cape Route, focusing upon how they responded to these changes. In the first decades of the sixteenth century, it was these companies, mostly from southern Germany and the Italian city-states, who dominated the European trade in Asian and American goods, whose capital funded Spanish and Portuguese royal policies overseas, and whose agents played crucial roles in establishing the Spanish and Portuguese empires and colonial trade. -
Empire of Prints. the Imperial City of Augsburg and the Printed Image In
OPUS Augsburg 2016 Peter Stoll Empire of Prints The Imperial City of Augsburg and the Printed Image in the 17th and 18th Centuries1 Detail from the frontispiece to David Langenmantel’s Historie des Regiments in des Heil. Röm. Reichs Stadt Augspurg (Augsburg 1734); engraving by Jakob Andreas Friedrich: Augsburg city hall; on top of the cartouche the pine cone from the city’s coat of arms; to the right the eagle signifying the Holy Roman Empire. 1 This text, in a Spanish translation, first served as one of the introductory essays in an exhibition catalogue dealing with Augsburg prints as modellos for baroque paintings in Quito, Ecuador (‘El imperio del grabado: La ciudad imperial de Augsburgo y la imagen impresa en los siglos XVII y XVIII’, in: Almerindo E. Ojeda, Alfonso Ortiz Crespo [ed.]: De Augsburgo a Quito: fuentes grabadas del arte jesuita quiteño del siglo XVIII, Quito 2015, pp. 17-66). For the present purpose, all passages of the text which only made sense in the context of the exhibition have been removed. Nonetheless, the 18th century bias of the text as well as the selection of artists which come under closer scrutiny still reflect the origins of the essay. As it was meant to address not only art historians, but also a general interest readership, it contains much basic information about print- making and the cultural history of Augsburg. OPUS Augsburg 2016 / Stoll, Empire of Prints 2 _______________________________________________________________________________________ A very particular type of factory When in 2001 Johan Roger -
The Artistic Patronage of Albrecht V and the Creation of Catholic Identity in Sixteenth
The Artistic Patronage of Albrecht V and the Creation of Catholic Identity in Sixteenth- Century Bavaria A dissertation presented to the faculty of the College of Fine Arts of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Adam R. Gustafson June 2011 © 2011 Adam R. Gustafson All Rights Reserved 2 This dissertation titled The Artistic Patronage of Albrecht V and the Creation of Catholic Identity in Sixteenth- Century Bavaria by ADAM R. GUSTAFSON has been approved for the School of Interdisciplinary Arts and the College of Fine Arts _______________________________________________ Dora Wilson Professor of Music _______________________________________________ Charles A. McWeeny Dean, College of Fine Arts 3 ABSTRACT GUSTAFSON, ADAM R., Ph.D., June 2011, Interdisciplinary Arts The Artistic Patronage of Albrecht V and the Creation of Catholic Identity in Sixteenth- Century Bavaria Director of Dissertation: Dora Wilson Drawing from a number of artistic media, this dissertation is an interdisciplinary approach for understanding how artworks created under the patronage of Albrecht V were used to shape Catholic identity in Bavaria during the establishment of confessional boundaries in late sixteenth-century Europe. This study presents a methodological framework for understanding early modern patronage in which the arts are necessarily viewed as interconnected, and patronage is understood as a complex and often contradictory process that involved all elements of society. First, this study examines the legacy of arts patronage that Albrecht V inherited from his Wittelsbach predecessors and developed during his reign, from 1550-1579. Albrecht V‟s patronage is then divided into three areas: northern princely humanism, traditional religion and sociological propaganda. -
Julius S. Held Papers, Ca
http://oac.cdlib.org/findaid/ark:/13030/kt3g50355c No online items Finding aid for the Julius S. Held papers, ca. 1921-1999 Isabella Zuralski. Finding aid for the Julius S. Held 990056 1 papers, ca. 1921-1999 Descriptive Summary Title: Julius S. Held papers Date (inclusive): ca. 1918-1999 Number: 990056 Creator/Collector: Held, Julius S (Julius Samuel) Physical Description: 168 box(es)(ca. 70 lin. ft.) Repository: The Getty Research Institute Special Collections 1200 Getty Center Drive, Suite 1100 Los Angeles 90049-1688 [email protected] URL: http://hdl.handle.net/10020/askref (310) 440-7390 Abstract: Research papers of Julius Samuel Held, American art historian renowned for his scholarship in 16th- and 17th-century Dutch and Flemish art, expert on Peter Paul Rubens, Anthony van Dyck, and Rembrandt. The ca. 70 linear feet of material, dating from the mid-1920s to 1999, includes correspondence, research material for Held's writings and his teaching and lecturing activities, with extensive travel notes. Well documented is Held's advisory role in building the collection of the Museo de Arte de Ponce in Puerto Rico. A significant portion of the ca. 29 linear feet of study photographs documents Flemish and Dutch artists from the 15th to the 17th century. Request Materials: Request access to the physical materials described in this inventory through the catalog record for this collection. Click here for the access policy . Language: Collection material is in English Biographical / Historical Note The art historian Julius Samuel Held is considered one of the foremost authorities on the works of Peter Paul Rubens, Anthony van Dyck, and Rembrandt. -
Webfile121848.Pdf
0 TABLE OF CONTENTS Press release ................................................................................................................................................... 2 Catalogue text: Nico Van Hout - Curator ...................................................................................................... 6 Gallery texts ................................................................................................................................................... 11 Transversal Activities ................................................................................................................................... 14 BOZAR MUSIC ......................................................................................................................................... 14 BOZAR LITERATURE ............................................................................................................................. 17 BOZAR EXPO ........................................................................................................................................... 17 BOZAR CINEMA ...................................................................................................................................... 18 Rubens for families ...................................................................................................................................... 19 Disovery trails for families (6>12) ........................................................................................................... 19 -
Romantic Road®
GROUP TRAVEL OFFERS Romantic Road ® from the river Main to the Alps Culinary Tours and Adventure Tours Guided Visits Tour Packages for Advent, 'Christkindl' Individual Travellers and Christmas Markets 2 A sure-fire destination for many years! It is going to be 'a beautiful day', The bus route from Würzburg to or maybe two or three; but what is Füssen dates back to 1950, when the important for all journeys along the Romantic Road was founded, and still Romantic Road is that visitors take connects the communities along the away with them some unforgettable Romantic Road today. The 29-seater memories of their experiences. A look NEOPLAN N 6/8, built in 1958, dates at the event calendar will quickly from those early years and found fame reassure organisers of group travel throughout Germany through the that the range on offer is very compre- television programme with Gotthilf hensive and that no wishes will remain Fischer, “Strasse der Lieder“ (Road unfulfilled. By doing a search at www. of songs). Since the Romantic Road‘s romantischestrasse.de/veranstal- 60th anniversary, it has become an tungen, you can filter all the events object of affection for the region, according to place, date and theme, and is enough to quicken the pulse of which makes planning considerably both passengers and admirers on the easier. All tour operators, club leaders roadside. and group travellers will find here a hand-picked selection of suggestions 'SONJA', a Mercedes O 321 with for their tours, together with other Vetter-built coachwork, has 34 seats, building blocks for their programme weighs over 10 tonnes and offers its of activities, which will increase the passengers seats that are as comforta- pleasure of the trip as an experience ble as those of a **** bus. -
Part I: the Life Coolhaes Led
Cover Page The handle http://hdl.handle.net/1887/38762 holds various files of this Leiden University dissertation. Author: Gottschalk, Linda Stuckrath Title: Pleading for diversity : the church Caspar Coolhaes wanted Issue Date: 2016-04-06 Part I: The life Coolhaes led Chapter 1: From silent monk to preacher of reform In this biographical sketch, the research of H. C. Rogge,1 C. P. Burger,2 W. Nijenhuis,3 and others, who have done so much to verify the basics of Coolhaes’ life story, will be used as the foundation, although not unquestioningly. Facts which have come to light since they wrote will be added, some contributed by other secondary writers and some emerging from archival research. Coolhaes’ writings and the writings of others in his time will be mentioned along the way, but in-depth discussions of most of these will come the second part of this book. Caspar Janszoon Coolhaes was born in Cologne on January 24, 1534 or 1536.4 Unfortunately, inquiry at the Cologne city archives gives no definitive birth date, or further information about his father or his father’s occupation, since there existed no birth-registers in sixteenth-century Cologne, and since Coolhaes was a common name in that area.5 His family was apparently Roman Catholic,6 devout, and educated, since Coolhaes testified that 1. Rogge, Caspar Janszoon Coolhaes. 2. Moes and Burger, De Amsterdamsche boekdrukkers. 3. Nijenhuis, “Coolhaes,” BLGNP, 100-102. 4. Most, including de Chalmot, Rogge, Burger, and Molhuysen andBlok say 1536. In this they are following the date in Meursius, Illustrium Hollandiae et West-frisiae ordinum alma academiae Leidensis, 3-5. -
Mega-Structures of the Middle Ages: the Construction of Religious Buildings in Europe and Asia, C.1000-1500
Mega-Structures of the Middle Ages: The Construction of Religious Buildings in Europe and Asia, c.1000-1500 Maarten Prak Utrecht University [email protected] Abstract: How did medieval builders manage to construct Gothic cathedrals—buildings which are still among the tallest structures in the world—without access to the modern engineering theories? The paper investigates medieval building knowledge and the way it was transferred across the generations. Printed information only seems to have emerged in the course of the 15th century. Construction drawings were limited to details. By implication, the relevant knowledge must have been transferred on a personal basis. Its underlying principles therefore must have been reasonably simple. The paper attempts to demonstrate that a modular design and execution was underpinning much of the construction work on large projects such as European cathedrals. By briefly considering building projects in the Middle East and Asia, it also suggests that this was probably true throughout Eurasia. 1 Introduction In the medieval Latin West1, building must have been among the most important industries, constituting perhaps as much as five percent of the economy. Between 1136—when building started on the new choir for the church of Saint Denis, north of Paris, presumably the first Gothic project—and the middle of the fourteenth century, medieval Europe was in the grip of what amounted to a building boom. Major projects continued to be undertaken in the following centuries. The products of this boom still amaze observers today. In many European towns the cathedral and other medieval churches are among the main tourist sights and keep attracting crowds of visitors who travel long distances to admire them. -
'Wie Das Zeichnen Wol Zu Begreiffen Sey?'1 The
© Nina Stainer ‘Wie das Zeichnen wol zu begreiffen sey?’1 The Role of Sculptors’ Drawings in the Seventeenth Century Nina Stainer Abstract The early modern sculptor’s education north of the Alps has yet to be thoroughly explored. Three collections of sculptor’s drawings, originating from the Bavarian workshop of Thomas Schwanthaler (1634-1707), found in different locations across central Europe, allow insights into their importance to the early modern sculptor. Use and collection of drawings had mainly practical purposes for instruction and communication inside the workshop. However, inscriptions suggest that sketches were also crafted for personal reasons. The drawings crossed borders not only physically—being taken along on the itinerant craftsmen’s journeys—but also in their functions as media of both professional purpose and personal memorabilia. The article explores the use of drawings in a non-academic environment, presenting examples from the collections. Keywords: Early modern sculpture, Mobility of Early Modern artists, Sculptor’s drawings. ***** In the first part of his extensive historical work, the Teutsche Academie, published first in 1675, the German painter and art writer Joachim von Sandrart included a chapter discussing the re•bus Issue 9 Spring 2020 3 © Nina Stainer meaning of drawing for the arts of painting and sculpture. Describing the best ways to acquire drawing skills he states that many sculptors lack practice in sketching on paper and therefore prefer to produce small-scale models from clay or wax.2 Scholarship -
JUNIOR PA MAYFLOWER Society of Mayflower Descendants in the Commonwealth of Pennsylvania
JUNIOR PA MAYFLOWER Society of Mayflower Descendants in the Commonwealth of Pennsylvania VOL. 10 NO. 2 WWW.SAIL1620.ORG SUMMER 2010 GOVERNOR BRAD- pastor in Leiden, who unfortunately died before he could EXTRA! come to the Colony, held that marriage was not a church FORD MARRIES! service. Gov. Bradford in his history, Of Plymouth Plantation, PLIMOTH COLONY - GOVERNOR BRADFORD TOOK FOR HIS SECOND WIFE in writing about the first marriage (Edward Winslow) ELIZABETH, THE WIDOW SOUTHWORTH. “GREAT CHEER” FOLLOWED. states that it took place according to the custom since ARRIAGE PILGRIM STYLE & THE 1590 of the Low Countries (The Netherlands) where the PILGRIM CHURCH Pilgrims had spent a dozen years after fleeing England. As announced in the main section of this Their magistrates performed the wedding ceremony be- Mnewsletter, the 1627 Plimoth Plantation cause marriage was not a religious matter, but instead a has issued an invitation to the public to attend a re- civil matter. The Pilgrims, who were Christian Separatists, creation of a Pilgrim wedding ceremony this year on the believed that the New Testament contains only two sacra- 14th of August. They have chosen to go back to the year ments that are unique to Christianity: baptism (without 1623 when Governor William Bradford, whose wife making the sign of the cross) and communion. Although Dorothy May had drowned shortly after the arrival of the this was a period of great church music, the only music Mayflower in 1620, married Alice Carpenter, the widow tolerated by the Pilgrims in their church service was the Southworth. She had arrived on the ship Anne earlier that singing of psalms.