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PROGRAMME LUC PLAMONDON Parolier
PROGRAMME LUC PLAMONDON Parolier Né à Saint-Raymond de Portneuf, Luc Plamondon est initié très jeune au monde de la musique. Sa tante Augustine lui apprendra le piano et lui fera jouer des rôles dans des opérettes. ll commence secrètement à écrire des chansons et des pièces de théâtre à son adolescence. Dix ans plus tard, après de longues études à Québec, Montréal, Paris, Londres, Berlin, Rome et à Grenades, il se retrouve aux États-Unis. Suivra une année d’errance. À New York, il se gave de comédies musicales, puis, à San Francisco, il tombe sous le choc de Hair, le premier rock musical, l’étincelle qui l’amènera dix ans plus tard à écrire Starmania, dont la création à Paris sera dirigée par... Tom O’Horgan, le célèbre metteur en scène original de Hair. C’est en revenant à Montréal qu’il écrit sa première chanson Dans ma Camaro, qui sera le hit de l'été 70. C’est en Diane Dufresne cependant qu’il trouvera son interprète fétiche, pour qui il écrira 75 chansons. Considéré comme le premier parolier rock de la langue française, il est appelé dans les années 70 - 80 à travailler, entre autres, avec Julien Clerc, Robert Charlebois, Françoise Hardy, Johnny Hallyday et Ginette Reno. En 1978, l’opéra rock Starmania (musique de Michel Berger) sort sur disque avec Diane Dufresne, France Gall, Fabienne Thibeault, Nanette Workman, Daniel Balavoine et Claude Dubois. Le spectacle est créé sur scène en 1979 au Palais des Congrès de Paris. Le succès immédiat et toujours grandissant des chansons de Starmania a donné lieu à de multiples productions dans différents pays au cours des quatre dernières décennies qui totalisent plus de 6 millions de spectateurs et autant d’albums. -
TEMPOREL a New Work by Lemieux Pilon & Les 7 Doigts Jan
TEMPOREL a new work by Lemieux Pilon & Les 7 Doigts Jan. 10 to 27 at Cinquième Salle of Place des Arts Montreal, December 14, 2017. Michel Lemieux and Victor Pilon (4D Art), and Isabelle Chassé and Patrick Léonard (Les 7 Doigts) bring you their new work, Temporel, a passionate and humourous blend of poetry, digital illusions and body movement that explores new forms of artistic expression set to an original score by Julien Mineau (Malajube, Fontarabie) and the acrobatic choreography of Shana Carroll. The show runs at the Cinquième Salle of Place des Arts in Montreal from Jan. 10 to 27. Temporel goes beyond the traditional stage experience. Here, dreams are nourished and emotions are triggered by the projection of animated images onto the bodies of the performers, with feats of acrobatics adding to the intensity of the experience. Temporel is perfect for an intimate setting like the Cinquième Salle, offering a idyll of fantasy that is at once deep, lyrical and amusing while also addressing universal themes accessible to a general audience. A man's life is told in fragments, out of sequence. We first meet him as an old man, his lifelong partner beside him, surrounded by piles of books, lost in a metaphorical forest of memory. But in his head the man is every age: adult, infant, elderly, child, all at once. As he recalls his past, a number of other characters, both real and imaginary, emerge. The man is trying to find his place in the world: he seeks happiness, true love, the woman he lost. -
4528, Rue De Bullion Montréal (Québec) Canada H2T 1Y6 WWW
4528, rue de Bullion Montréal (Québec) Canada H2T 1Y6 PHOTO: ANDRÉ CORNELLIER WWW.LOUISELECAVALIER.COM www.facebook.com/LouiseLecavalier.FouGlorieux INTERNATIONAL AGENT (EXCEPT EUROPE): MENNO PLUKKER THEATRE AGENT \ [email protected] T.: 1 514-524-7119 \ F.: 1 514-526-5792 BOOKING EUROPE: ANNE-LISE GOBIN, ALMA OFFICE \ [email protected] \ T.: 32 499 25 00 18 ADMINISTRATIVE DIRECTOR: CYRILLE COMMER \ [email protected] \ T.: 1 514 779-18333 TOUR AND COMMUNICATIONS COORDINATOR: ANNE VIAU \ [email protected] \ T.: 1 514 273-5478 \ Cell.: 1 514 464-5478 TECHNICAL DIRECTOR: PHILIPPE DUPEYROUX \ [email protected] \ T.: 1 514 222-6685 SO BLUE Premiere: December 7, 2012, tanzhaus nrw, Düsseldorf Conceived and choreographed by: Louise Lecavalier Created and performed by: Louise Lecavalier, Frédéric Tavernini Assistant Choreographer and Rehearsal Director: France Bruyère Lighting Design: Alain Lortie Music: Mercan Dede PHOTO: CARL LESSARD Additional Music: Normand-Pierre Bilodeau, Daft Punk, Meiko Kaji Remixing Producer: Normand-Pierre Bilodeau Costume Design: Yso Length: 60 min Production : Fou glorieux, in co-production with: tanzhaus nrw (Düsseldorf); Théâtre de la Ville (Paris); Hellerau (Dresden); National Arts Centre (Ottawa); Festival TransAmériques (Montréal); Residency: Szene Salzburg Louise Lecavalier is supported by the Conseil des arts et des lettres du Québec, the Canada Council for the Arts, and the Montreal Arts Council. PRESENTATION OF THE WORK SO BLUE Louise Lecavalier and partner Frédéric Tavernini risk all in the high-voltage atmosphere of this radical, raw, and haunting work set to the visceral music of Mercan Dede. Quick as thought, the body dictates its laws and transgresses its limits. -
Felixelix Felixonline.Co.Uk Films of 2010 This Week
29 The award-winning student newspaper of Imperial College . 01 “Keep The Cat Free” . Issue 1,451 10 ffelixelix felixonline.co.uk Films of 2010 This week.... Smoke-free campus? DPEW felix looks ahead at the rreleaseseleases set tries to ban cigarettes to blobloww our minds! PPageage 17 for I voted News, Page 2 Ashley Brown STOIC makes a triumphant comeback... ish... as ICU President So News, Page 3 felix celebrates record label what’s Tru Thoughts’ anniversary Music, Page 21 changed? The iPad: giant iPhone, pile of poo or both? We interview Union President Ashley Brown on the successes and failures of his term, Pages 4 & 5 Tech, Page 25 2 felix FRIDAY 29 JANUARY 2010 News Editor Kadhim Shubber NEWS [email protected] Smoking stubbed out on campus? The world beyond AAlicelice RowlandsRowlands through. This reporter wonders wheth- er Mr Silver’s dislike of walking through the Quad may go some way to explain John James, Deputy President (Wel- his sporadic attendance at the office. College walls fare), presented a controversial paper A lot of people feel a student of Im- to central Union’s Representation and perial College ought to be able to ask Welfare Board (RWB) last Thursday, another to alter their behaviour, if they calling for a ban on smoking on all Un- see it as offensive. As pointed out by ion premises, including Beit Quad. The non-smoker, Jess Poore: “If it’s got to paper asks the Union to: Implement a the point where we can no longer rely ban on smoking in any part of Union on common courtesy and the ability to Sri Lanka premises and a ban on the sale of tobac- ask someone to move away from you co by the Union and to lobby college to if you find them smoking unpleasant, implement a smoke free campus. -
A Production Spring 2011 | Follies Chicago Shakespeare Theater About CST
A production Spring 2011 | Follies CHICAGO SHAKESPEARE Theater About CST Chicago Shakespeare Theater (CST) is a leading international theater company, known for vibrant productions that reflect Shakespeare’s genius for intricate storytelling, musicality of language and depth of feeling for the human condition. Recipient of the 2008 Regional Theatre Tony Award, Chicago Shakespeare’s work has been recognized internationally with three of London’s prestigious Laurence Olivier Awards, and by the Chicago theater community with 62 Joseph Jefferson Awards for Artistic Excellence. Under the leadership of Artistic Director Barbara Gaines and Executive Director Criss Henderson, CST is dedicated to producing extraordinary productions of classics, new works and family fare; unlocking Shakespeare’s work for educators and students; and serving as Chicago’s cultural ambassador through its World’s Stage Series. At its permanent, state-of-the-art facility on Navy Pier, CST houses two intimate theater spaces: the 500-seat Jentes Family Courtyard Theater and the 200-seat Carl and Marilynn Thoma Theater Upstairs at Chicago Shakespeare. Through a year-round season encompassing more than 600 performances, CST leads the community as the largest employer of Chicago actors and attracts nearly 200,000 audience members annually—including 40,000 students and teachers through its comprehensive education programs. n BOARD OF DIRECTORS Raymond F. McCaskey William L. Hood, Jr. Glenn R. Richter Chair Stewart S. Hudnut Mark E. Rose Mark S. Ouweleen William R. Jentes Sheli Rosenberg Treasurer Gregory P. Josefowicz John W. Rowe James J. Junewicz Robert Ryan Frank D. Ballantine Jack L. Karp Carole B. Segal Brit J. Bartter John P. -
Monthly Bulletin
Monthly Bulletin October 2019 Issue No 150/10/2019 Bradford Theatres Morley St Bradford BD7 1AJ Box Office 01274 432000 bradford-theatres.co.uk Buddy, Balletboyz and Drama at the Alhambra Theatre What’s In A Name Egos, childish resentment and unspoken feelings are hilariously Tue 7 - Sat 11 April 2020 exposed in this riotously funny drama. Stars Joe Thomas Eves 7.30pm, Wed 2pm, Sat 2.30pm (The Inbetweeners), Bo Poraj (Miranda), Laura Patch (Afterlife), Summer Strallen Tickets £31.50 - £15.50 (Top Hat) and Alex Gaumond Concessions and Groups 12+ offers available (Company). On sale to Friends Mon 14 October, on public sale Mon 21 October Friends discount: £2.50 off two tickets Balletboyz: Deluxe There’s a treat in store for you next year; the multi award-winning BalletBoyz are coming! Get ready to meet the six exceptional Wed 22 April 2020, 7.30pm young dancers who star in this brand new feast of mesmerising and sublime dance, cleverly fused with trademark use of film and behind the scenes footage. Tickets £27 - £18 Concessions, Under 25s & Students and Groups 12+ offers available On sale to Friends Mon 14 October, on public sale Mon 21 October Friends discount: £2.50 off two tickets This sensational multi award-winning West End show Buddy: The Buddy Holly Story first opened in 1989 and has been thrilling audiences around the world ever since. Now it triumphantly Tue 21 - Sat 25 July 2020 th returns to Bradford as part of its landmark 30 Anniversary Tour. Eves 7.30pm, Wed 2pm, Sat 2.30pm Tickets £36.50 - £19.50 Concessions, Early Bird and Groups 12+ offers available On sale to Friends Mon 14 October, on public sale Mon 21 October Friends discount: £2.50 off two tickets Continues.. -
[email protected] BOOKING LINE: 020 3258 3019 U
BOOKING LINE: 020 3258 3019 u PROGRAMME Magic Moments Showcoaches and Tours ISSUED Booking Line: 020 3258 3019 Nov 16th 2018 Website: www.magicmomentstours.co.uk E-Mail: [email protected] QUALITY TOURS WITH A PERSONAL TOUCH HOW TO BOOK YOUR MAGIC MOMENTS TOUR Simply call us on 020 3258 3019 and we’ll take all your details over the telephone. We will then send you a confirmation invoice through the post. Alternatively you can pay by cheque in which case, you can either forward us a cheque at the address below with your booking request (please check tour availability first). Or pay via credit / debit card at the time of booking to secure your seats. MAGIC MOMENTS SHOWCOACHES and TOURS 35 Newbury Gardens, Stoneleigh, Epsom, Surrey KT19 0NS Website: www.magicmomentstours.co.uk E-Mail: [email protected] BOOKING LINE: 020 3258 3019 u SHOWCOACH & DAY TOUR ROUTE NUMBERS ROUTE A ASHTEAD, High Street – EPSOM, Clocktower EWELL, Mongers Lane – EWELL Spring Street EXPRESS (In-between Stops may not be offered on this Route) ROUTE B ASHTEAD, High Street -THE WELLS, Spa Drive EPSOM, Clocktower - EWELL, Mongers Lane EWELL Spring Street ROUTE C ASHTEAD, High Street - EPSOM, Clocktower EWELL, Mongers Lane - EWELL Spring Street EWELL, Bradford Drive - EWELL, Ruxley Lane ROUTE D ASHTEAD, High Street - THE WELLS, Spa Drive EPSOM, Clocktower - EWELL, Mongers Lane EWELL Spring Street - EWELL, Bradford Drive EWELL, Ruxley Lane In addition we may also be able to offer the following pick up points if requested Please enquire at time -
Youthandeducation at Canada's National Artscentre
40318_NAC_AnnRprt_ART 1/3/08 11:24 AM Page a ANNUAL REPORT 2006—2007 Youth and Education at Canada’s National Arts Centre INSPIRING YOUNG CANADIANS THROUGH THE PERFORMING ARTS 40318_NAC_AnnRprt_ART 1/3/08 11:24 AM Page b ROLE The National Arts Centre (NAC) raised its curtains for the first time in 1969. Created by the Parliament of Canada as a Centennial project during the 1960s, the NAC has become Canada’s foremost showcase for the performing arts. Today, the NAC works with thousands of artists from across Canada and around the world, and collaborates with dozens of arts organizations across the country. The NAC is strongly committed to being a leader and innovator in each of the performing arts fields in which it works – classical music, English theatre, French theatre, dance, variety and community programming. It is also at the forefront of youth and education activities; supporting programmes for young and emerging artists, presenting programs for young audiences, and producing resources and study materials for teachers and students. The NAC is the only multidisciplinary, bilingual performing arts centre in North America, and one of the largest in the world. ACCOUNTABILITY AND FUNDING The NAC reports to Parliament through the Minister of Canadian Heritage. Of the NAC’s total revenue, approximately half is derived from an annual parliamentary appropriation, while the other half comes from earned revenue – box office sales, the NAC Foundation, NAC catering, Le Café (restaurant), commercial parking and facility rentals. Each year, the NAC tables an annual report before Parliament. The Auditor General of Canada is the NAC’s external auditor. -
Diane Dufresne Cependant Qu’Il Trouvera Son Interprète Fétiche, Pour Qui Il Écrira 75 Chansons
PROGRAMME LUC PLAMONDON Parolier Né à Saint-Raymond de Portneuf, Luc Plamondon est initié très jeune au monde de la musique. Sa tante Augustine lui apprendra le piano et lui fera jouer des rôles dans des opérettes. ll commence secrètement à écrire des chansons et des pièces de théâtre à son adolescence. Dix ans plus tard, après de longues études à Québec, Montréal, Paris, Londres, Berlin, Rome et à Grenades, il se retrouve aux États-Unis. Suivra une année d’errance. À New York, il se gave de comédies musicales, puis, à San Francisco, il tombe sous le choc de Hair, le premier rock musical, l’étincelle qui l’amènera dix ans plus tard à écrire Starmania, dont la création à Paris sera dirigée par... Tom O’Horgan, le célèbre metteur en scène original de Hair. C’est en revenant à Montréal qu’il écrit sa première chanson Dans ma Camaro, qui sera le hit de l'été 70. C’est en Diane Dufresne cependant qu’il trouvera son interprète fétiche, pour qui il écrira 75 chansons. Considéré comme le premier parolier rock de la langue française, il est appelé dans les années 70 - 80 à travailler, entre autres, avec Julien Clerc, Robert Charlebois, Françoise Hardy, Johnny Hallyday et Ginette Reno. En 1978, l’opéra rock Starmania (musique de Michel Berger) sort sur disque avec Diane Dufresne, France Gall, Fabienne Thibeault, Nanette Workman, Daniel Balavoine et Claude Dubois. Le spectacle est créé sur scène en 1979 au Palais des Congrès de Paris. Le succès immédiat et toujours grandissant des chansons de Starmania a donné lieu à de multiples productions dans différents pays au cours des quatre dernières décennies qui totalisent plus de 6 millions de spectateurs et autant d’albums. -
Québec Culture– May-August 2017
UK – Ireland – Nordic Countries UK – Ireland – Nordic Countries May – August 2017 MAY – AUG 2017 01 Québec @ Ageas Salisbury International Arts Festival As if I needed reminding about the extraordinary arts coming out of Québec, I Bonjour and welcome to a truly bumper edition of was left in no doubt after visiting CINARS Québec Culture – our biggest yet! What a line-up we in Montreal last Autumn. Montreal is a have for you. The months to come are jam-packed with cosmopolitan city, steeled against the programming involving Québec artists across the UK, elements, confident and bold, just like the arts Ireland and the Nordic countries. From arena tours we are going to see in the beautiful UK city of for Céline Dion and Arcade Fire, to a return of Robert Salisbury this summer. Québec is a region that Lepage’s critically acclaimed one-man play 887, from has defined its contemporary image through its culture, something that shines through in a thrilling eight-week London run of Catch Me! from the work of all the artists we are inviting, one circus’s new kids on the block Flip FabriQue, to the which lends itself perfectly as Salisbury Festival’s international focus launch of Denis Thériault’s much-anticipated new novel, , The Postman’s Fiancée in 2017. there really is something for everyone. I confess that it was Théâtre de la Pire Espèce’s quirky and irreverent Something which is particularly exciting is the upcoming Québec showcase of Ubu on the Table, an intimately epic drama hammered out with music, theatre, dance, visual arts, film and literature taking place at the Ageas objects on a simple table top, that first captured my attention. -
Québec Culture –December 2020-March 2021
DECEMBER 2020 - MARCH 2021 60TH EDITION COVERING AND DISTRIBUTED IN THE UK, IRELAND & NORDIC COUNTRIES culture Québec Dear partners and friends, Cultural Contacts A word from our new CONTENTS I hope that you are safe and well. As 2020 draws to a close, it is safe to MarieIngried Morin Boussaroque International say that this year has been exceedingly difficult in so many different ways. CulturalDirector forAttaché Culture Co-operation 4 However, it has also reaffirmed the importance and power of community, Cinema,ingried.boussaroque Digital Arts,@mri. Circus, Director for Culture solidarity and resilience. I remain confident that better days are ahead of us. Theatre,gouv.qc.ca Visual Arts Cinema and Television 7 [email protected] Despite the continued difficult circumstances, Québec artists will be active Marie Morin Dear Québec partners and friends, Music 12 AndrewCultural Attaché Bailey and present across the territory covered by the Québec Government Office in CulturalCinema, AttachéDigital Arts, Circus, As the new Director for Culture at the Québec Government Literature 14 London this coming cultural season. Many performances have been able to move online, again paying Dance,Theatre, Literature Visual Arts and Office in London, I am honoured to join a dedicated and dynamic cultural team. Driven by testament to the adaptability and determination of Québec artists and their partners. Publishing,marie.morin [email protected] Circus 16 its core mandate of market development and collaboration with local partners, the cultural [email protected] I am also delighted to mention a number of exciting developments. New rounds of collaboration funding Andrew Bailey team works to develop international co-operation, partnerships, exchange and residency Theatre 19 will shortly be announced, and we are welcoming a new member to the cultural team! Please continue GaiaCultural Martinelli-Bunzl Attaché programmes between Québec and the UK, Ireland and the Nordic Countries. -
Syllabus 2013-14
Theatre in England Syllabus/Play Schedule, January 2014 Arrive either night of Jan. 1 or morning of Jan. 2 Each morning, we will meet in the parlor for seminar after breakfast (~9:00 am); each seminar will be an hour or slightly longer Thursday, Jan. 2 Matinee: 2:00 pm: Jack and the Beanstalk **Location: Lyric Hammersmith Tube Stop(s): Hammersmith Tube Zone: 2 General Location: Further West London Address: Lyric Square, King St, London W6 0QL . Run Time: 2 h 15 min . Synopsis/Tagline: Magic beans, a journey to an enchanted kingdom in the clouds, an evil giant, and some zumba, Jack and the Beanstalk has all the ingredients of a classic panto. (Panto = pantomime: a family-friendly musical comedy that also features dancing and slapstick humor, usually performed during the holiday season in the UK) . Cast and Crew: Steven Webb (Sprout), Howard Ward (Moreen Dripp), Nigel Richards (Mr Fleshcreep), Rochelle Rose (Jack), Joshua Tonks (Jill), Hannah Scarlett (Caroline the Cow), Emily Aitcheson, Bolaji Alakija, Seraphina Beh, Joe Black, Krystal Dockery, Elinor Machen-Fortune, Kaysha Woollery, Sarah Yesufu. Producer: Lyric Hammersmith. Author: Tom Wells. Director: Dan Herd. Website: http://www.lyric.co.uk/whats-on/production/jack-and-the-beanstalk/ Evening: 7:30 pm: Once a Catholic **Location: Tricycle Theatre Tube Stop(s): Kilburn Tube Zone: 2 General Location: Northwest London Address: 269 Kilburn High Road, London NW6 7JR . Run Time: 2 h 35 min . Synopsis/Tagline: Willesden, 1957. A convent girls’ school. Bad habits… and boys. The nuns at Our Lady of Fatima preach chastity and diligence as the swinging sixties approach.