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TO THE BULLETIN VOLUMES XI - XX 1953 - 1963

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ALLEN MEMORIAL ART MUSEUM

INDEX

TO THE BULLETIN VOLUMES XI-XX 1953 - 1963

OBERLIN COLLEGE OBERLIN, OHIO ' • 5

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«3445*« Foreword

This index to the Allen Memorial Art Museum Bidletin covers Volumes XI through XX (1953-1963). Its form follows that of the Index to Volumes I through X published in June 1953. Works of art in collections other than Oberlin's are not included unless these works were reproduced. In such cases, references appear under the name of the artist, or under the medium when the artist is unknown. Where no collection is given the work belongs to Oberlin College. Unless otherwise indicated, the objects listed are paintings.

Patricia Rose Assistant Curator 1956-1963 Index to Volumes XI-XX

Acquisitions Catalogue of additions to the collection: Mav 1953-April 1954, XI 33-4, 157-8: 1954-5, XII 42, 82, 113-4;' 1955-6, XIII 31-2, 178-80; 1956-7, XIV 37-8, 118-20; 1957-8, XV 31-2, 127-32; 1958- 9, XVI 28-9; 1959-60, XVII 27-9, 119-20; 1960-1, XVIII 25; 1961-2, XIX 68-71, 178-9; 1962-3, XX 70-1. 'Abd al-A'imma, Astrolabe, XVI 121, no. 213, ill. 244. See also Mayer, L., An Astrolabe by 'Abd al-A'imma, XIV 2-6. Afghanistan, Seated Buddha (stucco), XVI 105, no. 166.

African Baga Headdress (nimbus), French Guinea, XIX 166, ill.; Bapende (mask), Belgian Congo, XVI 105, no. 167, ill. 264; Senufo (hel­ met mask), Ivory Coast, XVI 106, no. 170, ill. 266; Guere (mask), Ivory Coast, XVI 105-6, no. 169, ill. 265; Dan-Ngere (female figure), Liberia, XVI 105, no. 168. See also Fagg, W., Notes on Some African Scidptures, XIV 98-105, with 4 illustrations (Dan-Ngere figure, Dan-Ngere mask, Senufo mask, Bapende mask). African Sculpture Exhibition (illustrated cata­ logue) XIII 44-155. Azande, harp (Klejman) 122, no. 55; Babwende, standing figure (Stillman) 123, no. 56; standing woman (British Museum) 124, no. 57; Bahuana, amulet figure (Stillman) 125, no. 58; Bakongo, fetish figure (Klejman) 126, no. 59; chiefs' staffs (Stillman) 127-8, nos. 60-1. Belgian Congo: Baluba, chiefs' staffs (Stillman) 129-132, nos. 62-5; wood mask (private collection) 133, no. 66; headrest (Stillman) 134, no. 67; stool with female figure (Stillman) 135-6, no. 68; Bambala, female figure (Stillman) 137, no. 69; Bapende, mask (Oberlin) 139, no. 71; half figure (Stillman) 138, no. 70; cup in form of head (Stillman) 140-1, no. 72; Basonge, dance mask (British Museum) 142, no. 73; wood mask (Reis) 143, no. 74; Bateke, female figure (Stillman) 144, no. 75; Bena Lulua, figure (British) African, continued

Museum), 145, no. 76; male figure from a scepter (Stillman) 146, no. 77; squatting figure (Stillman) 147, no. 78; Bushongo, cup in form of head (British Museum) 148, no. 79; cosmetic box (British Museum) 149, no. 80; drum (Klejman) 150, no. 81; Mangbetu, head forming box top (Stillman) 151-2, no. 82; Warega, ivorv mask (Stillman) 153, no. 83. Dahomey, wood lion (Klejman) 92-3, nos. 26-7. French Guinea: Baga, female bust (British Museum) 74-5, no. 10. French Sudan: Bambara, antelope headdress (Schindler) 64, no. 1; animal mask (British Museum) 65, no. 2; Bobo-Fing, helmet mask (Klejman) 66, no. 3; Dogon, female figure (Stafford) 67, no. 4; bird mask (Schindler) 68-9, no. 5; female figure (Schindler") 70, no. 6; female figure (Wielgus) 71, no. 7; mask with figure (Klejman) 72, no. 8; Senufo, helmet mask (Klejman) 73, no. 9. Gabon: Adoumas, wood mask (Schindler) 115, no. 48; Bakota, funerary figure (Stafford) 116, no. 49; funerary figure (Stern) 117, no. 50; Fang, ivorv horn (Klejman) 118, no. 51; male figure (Herrmann) 119, no. 52; an­ cestral figure (Sweeney) 120, no. 53; M'Pongwe, wood mask (Klejman) 121, no. 54.' Gold Coast: Ashanti, doll (Heller) 86, no. 21; gold mask (Klejman) 87, no. 22; gold dust weights and box (Klejman) 88-9, no. 23; Bron, brass mask (British Museum) 90, no. 24; bovine head (Baltimore) 91, no. 25. Ivory Coast: Senufo, helmet mask (Oberlin) 85, no. 20; Guere, mask (Oberlin) 80, no. 15; Baule, mask (Friedman) 78, no. 13; mask (Schindler) 79, no. 14; Guro, female figure (Tannahill) 81, no. 16; heddle pulleys (British Museum) 82-3; nos. 17-8; antelope mask (British Museum) 84, no. 19. Nigeria: ivorv cup with cover (Oberlin) 114, no. 47; Bini, leopard girdle mask (Oberlin) 100, no. 34; bronze king (British Museum) 94, no. 28; bronze king (Plass) 95, no. 29; bronze rooster (lent anonymously) 96, no. 30; bronze flute player (Ingersoll) 97, no. 31; ivorv horn (Klejman) 98, no. 32; bronze plaque (Klejman) 99, no. 33; undetermined tribe, head (British Museum) 101, no. 35; Ibibio, dance mask (British Museum) 102, no. 36; Ibo, helmet mask (Klejman) 103, no. 37; head with curled horns (Klejman) 104, no. 38; mask (Plass) 105, no. 39; Kalahari Ijo, dance headdresses (British Museum) 106-7, nos. 40-1; Yoruba, terra-cotta head (Martin) 108, no. 42; mother and child (private collection) 109, no. 43; ivory rattle (British Museum) 110, no. 44; Ibeji, cult figures (Klejman) 111, no. 45; female figure (Stillman) 112-3, no. African, continued 46. Liberia: Gio, female fetish figure (Oberlin) 77, no. 12. Rhodesia: Barotse, elliptical dish (British Museum) 154, no. 84; Mashona, headrest (Plass) 155, no. 85. Sierra Leone: Mende, helmet mask (Klejman) 76, no. 11.

Angulo, Diego, The Blind Old Beggar by Ribera, XIV 59-61.

Anguissola, Sofonisba, Double Portrait of Attavanti Children, XIX 34-7, no. 7, ill. (with details). Antique Porcelain Co., Loan exhibition of Renaissance Jewels, XVII 39-69. Apollonio di Giovanni, Battle, Athenians and Persians (Cassone panel), XI 63, no. 20, ill.; XVI 55, no. 1, ill; 83 (detail), ill.

Architecture Krautheimer, R., Ghiberti-Architetto, XII 48-67. Exhibition of Architecture in Early Renaissance Pictures, XII 68- 81, with illustrated catalogue. Arp, Jean (Hans), Hurlou (marble), Janis, XV 63, no. 1, ill.

Art Department and Museum Bongiorno, L., The Fine Arts in Oberlin, 1836-1918, XV 101-15.

Artz, Frederick B., The Frederick B. Artz Collection of Manuscript and Woodcut Pages, XV 86. Asia Minor, Lvdian sarcophagus, XI 51, no. 8 (detail), ill.; XVI 106-7, no. 171, ill.;'104 (detail), 174, ill. Astrom, Paul, Cypriote Pottery in the Allen Memorial Art Museum, with illustrated catalogue, XVII 74-93. Austrian, St. Augustine (Grossgmain Master?), XI 65, no. 22, ill.; St. Michael Weighing Souls, XVI 55, no. 2. Bacci, Mina, A Portable Altar by Ligozzi, XX 46-55. Badile, Giovanni Antonio, Architectural View, Johnson Collection, Philadelphia, XII 74, no. 1, ill.

Baldinger, Wallace, An Early Japanese Buddha, XI 123-36. Baldung, Hans (Grien), St. Sebastian (B. 37), XVI 95, no. 73. 6 Baldwin Lectures and Seminars, announcements of, XI 30, 154; XII 36, 110; XIII 26; XIV 34, 113; XV 26, 124; XVII 21, 114; XIX 63,176; XX 33. Baskin, Leonard, Laureate Standing (wood sculpture), Borgenicht, XV 64, no. 2, ill. Bassano (Giacomo da Ponte), Nativity, XVI 56, no. 3, ill. 217.

Bazzani, Giuseppe, Death of Sapphira, XI 92, no. 50, ill; XVI 56-7, no. 4, ill. 245. Allegory of Peace (?), XIX 42-4, no. 9, ill. (with detail); La luce, Amherst College, XIX 45, ilk; 11 buon governo, Bowdoin College, XIX 46, ilk; La forza, Howard University, XIX 47, ill.

Beck, Rosemarie, Exhibition: Three Young Americans, XIV 106-11; House of the Sun II, no. 4, ill. Beham, Hans Sebald, Ornament (B. 235), XVI 95, no. 74, ill. 103.

Bella, Stefano della, Soldier in armor (drawing), XVI 85, no. 51; Studies of horses' heads (drawing), XIX 160, ill. Bellotto, Bernardo, View of the Tiber with Castel Sant' Angelo, Rome, Detroit, XX 175, no. 17, ill. Berckheyde, Job, Bakery Shop, XVI 57, no. 5, ill. 239. See also Stechow, W., Job Berckheyde's 'Bakery Shop,' XV 4-14. Bakery Shop, location unknown, XV 10, fig. 7; Church Interior, Haarlem, XV 12, fig. 6 (detail). Bertoia, Harry, Copper, Bronze and Steel Screen, Beloit, XV 65, no. 3, ill. Bicci di Lorenzo, Dedication of St. Egidius, detail, Florence, St. Egidio, XX 113, fig. 11. Bicci, Neri di, Five Saints, XIX 8-13, no. 1, ill. (with details); addendum XIX 102; Five Saints, Accademia, Florence, XIX 11, ill. Binck, Jacob, Ensign and Soldier (engraving), XVI 95, no. 75. Bissett, Mr. and Mrs. Joseph, announcement of gift of paintings, XIII 168-73, with illustrations; XIX 170, 172, 173, 174, ill. Blake, William, Illustrations for the Book of Job (engravings), XVI 95, nos. 76-97. Bloemaert, Adriaen, Ilillv Landscape, XX 209, ill. Boccati, Giovanni, St. John the Baptist and St. Sebastian, XIX 14-9, no. 2, ill. (with details); Madonna with Angels, Fesch Museum, Ajac- cio, XIX 17, ill.; Four Saints (two panels), Vatican, XIX 18-9, ill.

Bohemian, Peasant woman's costume, XVI 146, no. 322.

Bosthius, Gerda, as Baldwin lecturer on "Nordic Timber Architecture," XII 110. Bologna, Giovanni da, Mercury (bronze), XVI 107, no. 172. Bongiorno, Laurine Mack The Fine Arts in Oberlin 1836-1918, XV 101-15. A Fifteenth-Century Stucco and the Style of Verrocchio, XIX 115- 38. Bonnard, Pierre, Houses on a Court (R.-M. 59), XVI 95, no. 98; Poster (color lithograph) for the Revue Blanche, rental collection, XIV 28, fig. 2. Bcnington, Richard, Mantes on the Seine, Metropolitan Museum, XX 177, no. 21, ill. Bosch, Hieronvmous, Seven Capital Sins, Prado, XVI 14, fig. 5 (detail).

Bourgeois, Louise, Waiting Figures (wood), Stable, XV 66, no. 4, ill.

Bradley, J., Portrait of Mrs. Stevens, XI 98, no. 56, ill. Braque, Georges, The Blue Guitar, XI 118, no. 76, ilk; XVI 57-8, no. 6, ilk 284. Brescia, see Giovanni Antonio da.

Breughel, Pieter the Elder (after), Daedalus and Icarus, engraved bv Huvs, XVI 95, no. 99; Envy, engraved bv van der Hevden, XVI 96, no. 100. Bril, Paul, Landscape, XI 80, no. 38, ilk; XVI 58, no. 7, ill. 226. See also Stechow, W., A Landscape by Paid Bril, XII 23-31.

PAINTINGS Landscape, New York dealer, XII 28, fig. 3; Landscape with Tobias, formerly Dresden, XII 30, fig. 5. 8 Bril, continued

DRAWING Landscape with Cows, Louvre, XII 29, fig. 4.

Brodie, Gandv, Exhibition: Three Young Americans, XIV 106-11; Quest for Calm, no. 6, ill.

Brunelleschi and Buggiano (?), Tomb of Giovanni and Piccarda de' Me­ dici, detail, Florence, San Lorenzo, XX 108, fig. 8.

Bruyn, Barthel the Elder, Portrait of a Lady, XI 71, no. 28, ill.; XVI 58-9, no. 8, ill. 213. Bruyn, Josua, as Friends of Art lecturer on "The Fountain of Life: a Van Eyck Problem," XV 123. A Puzzling Picture at Oberlin: The Fountain of Life, XVI 4-17.

Buck, Richard Rubens, Daughters of Cecrops, Report from the Intermuseum Labo­ ratory, XI 27. Oberlin's Ribera: A Case History, XIV 62-8. Follower of Verrocchio, Madonna and Child: Report on Technical Examination, XIX 138-41. Burchard, Ludwig, Rubens' Daughters of Cecrops, XI 4-26.

Butler, Reg, Girl Looking Down (bronze), Pierre Matisse, XV 67, no. 5, ill.

Byzantine Exhibition of Manuscript Illumination, with illustrated catalogue, XV 42-58. Moses and the Law 11th cen., Walters Ms. 530b, 50, no. 1; St. Mark, earlv 11th cen., Walters Ms. 530a, 50, no. 2; St. Matthew, 1057-1063, Cleveland 42.1512, 51, no. 3; St. Luke, 1057-1063, Cleveland, 42.1511, 51, no. 4; St. Peter, 11th cen., Cleveland 50.154, 52, no. 5; The Four Gospels, 11th cen., Mor­ gan Ms. 748, 53, no. 6; The Crucifixion and Anastasis, 11th- 12th cen., Princeton 30-20, 52, no. 7; St. Matthew, 12th cen., Walters Ms. 530d, 54, no. 8; St. Mark, 12th cen., Walters Ms. 530e, 54, no. 9; Lectionarv of the Gospels, 12th cen., Morgan Ms. 692, 55-6, no. 10; The Four Gospels, 14th cen., Walters Ms. 531, 56, no. 11; St. Mark, 14th-15th cen., Artz, 57, no. 12; St. John Evangelist, 17th cen., Capps, 57, no. 13; Four Gospels (incom- Byzantine, continued plete) "The Archaic Mark," 17th-18th cen., Chicago Library Ms. Greg-Elt. 2427, 58, no. 14. See also Ross, M., A Consular Medallion of Constantine VI and Irene, XX 27-32. Coins of Constantine VI and Irene, Dumbarton Oaks, XX 26, fig. 3; Consular Medallion of Maurice Tiberius, Metropolitan Museum, XX 30, figs. 4-5. Colder, Alexander, Two Horizontals and Nine Verticals (mobile), Perls, XV 68, no. 6, ill. Callot, Jacques, La parterre du Palais de Nancy (M. 622), XVI 96, no. 101; Les miseres et les malheurs de la guerre (M. 564-581), XVI 96, nos. 102-19. Campagnola, Domenico, Landscape with Boy Fishing (drawing), Na­ tional Gallery, Rosenwald Collection, XX 170, no. 5, ilk; Assump­ tion of the Virgin (engraving), XX 170-1, no. 6, ill.

Canaletto (Antonio Canal), Village on the River Brenta (etching), XVI 96, no. 120. Capps, Edward, Jr. A Red-Figured Pitcher by Douris, XIII 4-10. Byzantine Manuscript Illumination: An Exhibition, XV 42-45.

Caradosso, Julius II, St. Peter's according to Bramante's design (medal), XII 75, no. 2, ill. Carles, Arthur B., Parkhurst, G, Memorial Exhibition: Arthur B. Carles 1882-1952, XII 104-9. Seated Nude, Mrs. Herbert Matter Collection, XII 108, no. 9, ill.

Carnevale, Fra(?), The Birth of the Virgin, Metropolitan Museum, XII 76, no. 3, ill. Carpenter, Rhvs, as conductor of Baldwin seminar on "The Evolution of Form in Sculpture," XIII 26. Carriere, Eugene, Alphonse Daudet (D. 16), XVI 96, no. 121.

Casentino, Jacopo del, Crucifixion with Saints, XVI 59-60, no. 9. 10 Cassatt, Man', Feeding the Ducks (Breeskin 158), XVI 96, no. 122.

Celtic, Fibula, XVI 119, no. 206.

Ceramics Capps, E., A Red-Figured Pitcher by Douris, XIII 4-10. Gordon, E., Lipit-Ishtar of Isin, XIV 16-27. Astrom, P., Cypriote Pottery in the Allen Memorial Art Museum, with illustrated catalogue, XVII 74-93. Cezanne, Paul, Viaduct at l'Estaque, XI 103, no. 61, ilk; XVI 60-1, no. 10, ill. 260; Small Bathers (color lithograph), XVI 96-7, no. 123.

Chadwick, Lynn, Teddy Boy and Girl II (sculpture), Saidenberg, XV 69, no. 7, ill. Chagall, Marc, In the Mountain, XIII 172, ill.; Green Dream, XIII 173, ill. Chamberlain, John, Exhibition: Three Young Americans, XIX 52-7; Jo-so, ill. 53. Chardin, Jean-Baptiste-Simeon, Still Life with Rib of Beef, XI 93, no. 51, ilk; XVI 61-2, no. 11, ill. 246.

Chinese

SCULPTURE Votive stele, Northern Ch'i, XVI 134-5, no. 237, ill. 132 (detail), 176; Bodhisattva in Contemplation, Northern Wei, XI 53, no. 10, ilk; XVI 135, no. 238, ill. 177. See also Schauffler, M., A Chinese Acquisition in Memory of Mrs. Hazel Barker King, (T'ang bronze Buddha), XIX 58-60.

METALWORK Gilt bronze lion, T'ang, XI 55, no. 12, ill.; XVI 136, no. 242, ill. 181; Bronze Chio (libation cup), XVI 133, no. 231, ill. 160; Bronze bell, XVI 133, no. 232; Bronze and gold finials, XVI 134, nos. 233-4, ill. 169.

CERAMICS Terra-cotta ox cart, T'ang, XI 54, no. 11, ilk; XVI 135-6, no. 239, ill. 179; Terra-cotta dancers, T'ang, XVI 136, nos. 240-1, ill. 180; Mortuary urn, XVI 133, no. 230, ill. 156.

11 Chinese, continued

IVORY Kuan Yin, 16th century, XIX 153, ill.

PAINTING Chu-tsing Li, The Oberlin Orchid: A Problem in Attribution, XX 5-25.

RURBINGS 72 rubbings from Han reliefs, XVI 134, no. 235; 26 rubbings from Han reliefs, XVI 134, no. 236.

Ch'iu Ying, Landscape, Ming, XI 74, no. 32 (detail), ill.

Coe, Ralph, as Baldwin lecturer on "Claude Monet: A Study in Im­ pressionism," XX 33. Cole, Thomas, Lawall, D., Note on the Date of Catskill Lake by Thomas Cole, N.A., XIII 164-7. Consagra, Pietro, The Meeting (bronze), World House, XV 70, no. 8, ill.

Copley, John Singleton, Ann Tvng, Boston Museum of Fine Arts, XX 176, no. 19, ill. Coptic, Limestone capital, XI 52, no. 9, ill.; XVI 107, no. 173, ill. 178; Tunic medallions, XVI 139, nos. 244-5. Corvinus, Matthias, pluviale of, Florentine, XI 67, no. 24, ill.

Cosimo, Piero di, The Building of a Palace, Ringling Museum, Sarasota, XII 80, no. 8, ill. Courbet, Gustave, Castle of Chillon, XVI 62, no. 12, ill. 259.

Coxie, Michael, Christine of Denmark, XI 73, no. 31, ill.; XVI 296, no. 5, ill. Cranach, Lucas, The Penitence of St. John Chrvsostom (B. 1), XVI 97, no. 124. Cronaca, II, Sto. Stephano Rotundo (drawing), XII 59, fig. 6.

Cross, ffenri Edmond, The Return of the Fisherman, XI 105, no. 63, ill.

Cubism, Johnson, E., On the Role of the Object in Analytic Cubism, XIII 11-25. 12 Cypriote Sjoqvist, E., A Cypriote Necklace, XIII 158-63. Astrom, P., Cypriote Pottery in the Allen Memorial Art Museum, with illustrated catalogue, XVII 74-93. Daubigny, Charles-Francois, River Banks, XVI 310, no. 19, ill. Daumier, Honore, Enfonce Lafayette (D. 134), XVI 97, no. 125. Davis, Jerrold, Exhibition: Three Young Americans, XVII 14-19; Figure with Trees, no. 3, ill. Degas, Edgar, Portrait of Rene de Gas, Smith College, XX 177-8, no. 22, ilk; Dancer at Rest (bronze), XVI 107, no. 174, ill. 263; Dancers (drawing), XI 106, no. 64, ill.; Rene de Gas (drawing), Art Insti­ tute of Chicago, XX 178, no. 23, ill. Delacroix, Eugene, Salome with the head of St. John, XI 99, no. 57, ill.; XVI 62-3, no. 13.

Delaisse, L. M. J. as conductor of Baldwin seminar on "Netherlandish Book Illumina­ tion," XVII 114. An Exhibition of Netherlandish Book Illumination, with illustrated catalogue, XVII 94-113. Delli, Dello, Coronation of the Virgin, detail, Florence Sant' Egidio, XX 115, fig. 12. Der Nersessian, Sharpie, as conductor of Baldwin seminar on "Bvzantine Manuscript Illumination," XV 26. Catalogue of the Byzantine Manuscript exhibition, XV 42-58.

Desiderio da Settignano, Madonna and Child from Marsuppini tomb, Santa Croce, Florence, XIX 123, fig. 5. Despiau, Charles, L'Americaine (bronze), XVI 107-8, no. 175, ill. 280.

Diebenkorn, Richard, Exhibition: Three Young Americans, XII 91-7; Berkeley #3, 1953, no. 2, ill. Woman by a Large Window, XVI 63, no. 14, ill. 288. See also Johnson, E., Diebenkorn s 'Woman by a Large Window] XVI 18-23. Berkeley #42, private collection, XVI 20, fig. 2.

13 Donatello (attributed to), St. Jerome (bronze plaque), National Gallery, XII 77, no. 4, ill.

Douris, Red-figured pitcher, XVI 129, no. 221, ill. 128 (detail), 131, 165. See also Capps, E., A Red-Figured Pitcher by Douris, XIII 4-10.

Doyle, Tom, Exhibition: Three Young Americans, XIX 52-7; Shiloh, ill. 54.

Drawings Horton, A., A Drawing by Guercino, XVIII 4-19. Stechow, W., 'The Triumph of David' by Hans Speeckaert, XIX 110-4. Dubois, Frederic, Portrait Miniature, XIX 165, ill.

Dubuffet, Jean, Lili, noir fume, XIX 172, ilk; Tete sableuse, XIX 173, ill.

Durer, Albrecht, Apollo and Diana (B. 68), XVI 97, no. 127, ill. 208; Betrayal of Christ (B. 7), XVI 97, no. 128; Knight, Death and Devil (B. 98), XVI 97, no. 129; Virgin and Child bv the Town Wall (B. 40), XVI 97, no. 130.

Dughet, Gaspard, Classical Landscape, XVI 63, no. 15.

Duvet, Jean, St. John and the Golden Candlesticks (B. 14), XVI 98, no. 131, ill. 214.

Dyck, Anthony van, Portrait of a Man, XI 79, no. 37, ilk; XVI 64, no. 16, ill. 223; XX 172, no. 9, ilk; Derision of Christ (W. 18a), XVI 97, no. 126. Early Christian, Sarcophagus lid with story of Jonah, XVI 108, no. 176, ill. 175. Egyptian, Relief from a Mastaba, 5th Dynasty, XI 44, no. 1, ilk; XVI 108, no. 177, ill. (detail), 158; Head of a priest, Saite period, XI 46, no. 3, ilk; XVI 109, no. 179, ilk 162; Head of a man, Middle Kingdom, XVI 109, no. 178, ill. 159; Page from a Book of the Dead, XVf 64, no. 17, ill. (detail), 161; Bronze cat, City Art Museum St. Louis, XI 150, no. 7, ill. See also Wilson, J., A Late Egyptian Book of the Dead, XIX 90-6. 14 Emerson, Guv, Introduction to Kress catalogue, XIX 5-6. Enamel, Ross, M., A Considar Medallion of Constantine VI and Irene (Gutman Collection), XX 26-32; Medallion of Maurice Tiberius, Metropolitan Museum, XX 30, figs. 4, 5. English, Chessman (ivory), or French, XVI 123, no. 215, ill. 122, 183.

Ensor, James, Affiche de la Plume (D. 131), XVI 98, no. 132; Death of Jezebel (drawing), Art Institute of Chicago, XX 180, no. 29, ill.

Epstein, Jacob, Portrait of Marchesa Casati (bronze), XI 115, no. 73, ill.

Etruscan, Bronze warrior, XI 48, no. 5, ilk; XVI 109, no. 180, ill. 164; Bronze mirror, XI 50, no. 7, ilk; XVI 119, no. 206a, ill. (detail), 168.

Exhibitions Ohio Sesquicentennial Exhibition, XI 28-9. Forty Paintings and Drawings from the Oberlin College Collection (Knoedler) XI 43-119. Exhibition of Ancient Bronzes, XI 151. Chinese Paintings and Sculpture, XI 152-3. Exhibition of Architecture in Earlv Renaissance Pictures, XII 68-81. Memorial Exhibition: Arthur B. Carles, XII 107-9. Memorial Exhibition: John Marin, XII 101-3. African Art, Xfll 62-155. Paintings and Graphics by Jusepe de Ribera, XIV 73-87. Bvzantine Manuscript Illumination, XV 42-58. Sculpture 1950-1958, XV 59-85. Oberlin's 125 th Anniversary Exhibitions, XVI 24. Renaissance Jewels, XVII 39-69. Netherlandish Book Illumination, XVII 94-113. Samuel H. Kress Studv Collection, XIX 3-51; addendum 102. The Art of Melanesia (Museum of Primitive Art), XIX 103-7. Seventeenth-Centurv One-Block Woodcuts, XIX 142-8. Youthful Works by Great Artists, XX 169-207. Three Young Americans Diebenkorn, Glasco, McCullough, XII 91-7. Beck, Brodie, Flopkins, XIV 106-11. Davis, Pritchard, Stella, XVII 14-9. Chamberlain, Dovle, Wines, XIX 52-7 (sculpture). Mitchell, Oldenburg, Rauschenberg, XX 56-66.

Eyck, Jan van, Madonna of Nicolas Rolin, Louvre, XVI 10 (detail) fig. 4. 15 Fagg, William as conductor of Baldwin seminar on "African Art," XIII 43. The Study of African Art, XIII 44-61. Notes on Some African Sculptures, XIV 98-105.

Faistauer, Anton, Still Life, XV 120, ill.

Fantin-Latour, Henri, Tannhauser (lithograph), XVI 98, no. 133.

Feininger, Lvonel, Incoming Fisher Fleet, XVI 85, no. 52, ill. 283. See also Hamilton, C, Recent Gifts: An Italian Velvet and a Feininger Water Color, XV 15-19 (Smoke Streamers, fig. 2, Incoming Fisher Fleet, fig. 3).

Flemish

PAINTING Holy Face, XIX 154, ilk; Holy Family with St. Anne, XI 70, no. 27, ill.

SCULPTURE St. Hubert (wood), XVI 109, no. 181; St. John (ivory), or Ger­ man, XVI 123, no. 217, ill. 243; Man7 and John from Crucifixion group (gilt bronze), or German, XVI 111 nos. 185-6, ill. 240-1.

TEXTILE Abraham and Melchizedek (embroidery), XVI 139, no. 246, ill. 138 (detail), 211; Tapestry border, XVl'139-40, no. 247.

Forsyth, George H., Jr., as Baldwin lecturer on "Explorations at Monas­ tery of St. Catherine," XVII 114.

Fragonard, Jean-Honore, View of a Park (drawing), XI 95, no. 53, ilk; XVI 85-6, no. 53, ill. 84 (detail), 254; Education of the Virgin, California Palace of the Legion of Honor, XX 176, no. 18, ill.

Francesco, see Giorgio.

Franzos, E. Lotte, Portrait of Lotte Franzos, Kokoschka, Phillips Gal­ lery, XV 116, ilk See also Jaszi, R., The E. Lotte Franzos Bequest, XV 116-7, with illus­ trations.

16 French

SCULPTURE Bishop Grimoard (limestone), Romanesque, XI 57, no. 14, ill.; XVI 109-10, no. 182, ill. 184; Bishop Adelelme (limestone), Ro­ manesque, XVI 110, no. 183, ill. 185; Virgin and Child (lime­ stone), XVI 111, no. 184, ill. 191.

DECORATIVE ARTS Gilt bronze andirons, 18th century, XIX 162-3, ill.; Christ in Glorv, Limoges (enamel), XI 59, no. 16, ilk; XVI 120, no. 208, ill. 187; Flight into Egypt (stained glass), XVI 125, no. 218, ill. 188; Wing of a Diptvch (ivorv) XVI 123, no. 216, ill. 192; Chess­ man (ivorv) or English, XI 58, no. 15, ill.; XVI 123, no. 215, ill. 122, 183.'

TEXTILES Crucifixion tapestry, XVI 140, no. 248, ill. 209; Country Life tapestrv, XI 69, no. 26, ilk; Chasuble, 18th century, XVI 143, no. 307; Dalmatic, 18th century, XVI 143, no. 308;'17th and 18th century costumes, XVI 147-8, nos. 323-32, no. 327, ill. 252; Italian and French textiles, XVI 141, nos. 252-301.

Friends of Art, announcements of, XI 30; XII 36, 110; XIII 26, 174; XIV 33, 113; XV 25, 123; XVI 24; XVII 20, 114-5; XVIII 20; XIX 63; XX 34.

Fuller, Buckminster, as Baldwin lecturer on "Effective Design in Human Shelters," XI 30.

Gelder, J. G. van, as Baldwin lecturer on "Late Humanistic and Na­ tional Trends in Dutch Art," XI 154; "Flemish Art in 17th Cen­ tury Holland," XIX 63.

Gellee, Claude (Lorrain), Sea Port of Ostia, Rome, XI 84, no. 42, ilk; XVI 64-5, no. 18, ill. 236; Apollo and the Seasons (R.-D. 20), XVI 98, no. 134; Ship in a Tempest (drawing), XI 85, no. 43, ill.

Gericault, Theodore, Officer on Horseback, Rhode Island School of Design, XX 177, no. 20, ill.

German

PAINTING Portrait of a Young Man, XVI 295, no. 4, ill. 17 German, continued

DRAWING Head of a Saint, XVI 86, no. 54, ill. 201.

PRINTS Block book page, 4th edition Apocalypse, XVI 98, no. 135. See also Stechow, W., An Early Woodcut with the Hand of God, XIV 7-15. Lland of God (woodcut), Manchester, XIV 10, fig. 2. SCULPTURE St. Anne, Mary and Christ Child (wood), XVI 111, no. 187, ill. 210; Resurrected Christ (wood), Hannover, XIV 14, fig. 4; Pega­ sus (bronze), XV 24, ilk; Mary and John from Crucifixion group (gilt bronze), or Flemish, XVI 111, nos. 185-6, ill. 240-1; Minerva or Bellona (gilt bronze), XVI 116, no. 201, ill. 219 (formerly at­ tributed to Aspetti).

DECORATIVE ARTS University mace (silver), or Netherlandish, XVIII 28, ill. (and detail); Cup with cover (niello), XVI 120, no. 209, ill. 215; St. John (ivory), or Flemish, XVI 123, no. 217, ill. 243; Fountain Grotto (Nvmphenburg), XVI 130, no. 227, ill. 251; Three pieces dinner service for Frederick the Great (Meissen), XVI 130, no. 224, ill. 250, nos. 225-6; Mater Dolorosa (stained glass), XVI 125, no. 219, ill. 124 (detail), 195; Altar frontal, XVI 143, no. 309. Gerson, Horst, as Baldwin lecturer on "Trompe I'Oeil and the Limits of Dutch Art," XVII 114. Gheyn, Jacques de, Portrait of Henry IV of France (engraving), XVI 98, no. 136. Ghiberti, Lorenzo, Krautheimer, R., Ghiberti-Architetto, XII 48-67. Gates of Paradise, Isaac panel, XII 49, fig. 1; Joseph panel, 50, fig. 2; detail of Joseph panel, 55, fig. 5; Queen of Sheba panel, 52, fig. 3; detail of Queen of Sheba panel, 54, fig. 4. Giacometti, Alberto, Standing Figure (Venice), Pierre Matisse, XV 71, no. 9, ill. Giampietrino, Cleopatra, XIX 24-7, no. 4, ill. (with detail); Cleopatra, Louvre, XIX 26-7, ill. (with detail).

18 Giolfino, Niccolo, Lucretia, XIX 28-9, no. 5, ill.

Giordano, Luca, Christ and the Money Changers, XI 90, no. 48, ilk; XVI 65, no. 19, ill. 242.

Giorgio, Francesco di, Scenes from the Life of Tobias, Nelson Gallety, XII 79, no. 5, ill. Giovanni Antonio da Brescia, Hercules and Antaeus (B. 13), XVI 98, no. 137. Glasco, Joseph, Exhibition: Three Young Americans, XII 91-7; Stand­ ing Cat in a Blue Landscape, no. 4, ill.

Goltzius, Hendrick, The Virgin with the Dead Christ (B.41), XVI 99, no. 138. Gombrich, E. H., as conductor of Baldwin seminar on "The Concept of Style in the History of Art," XV 124. Gordon, Edmond I., Lipit-lshtar of lsin, XIV 16-27.

Gorky, Arshile, The Plough and the Song, XI 119, no. 77, ilk; XVI 66, no. 20, ill. 287. See also Seitz, W., Arshile Gorky's 'The Plough and the Song,' XII 4-15. Drawing for the Plough and the Song, Sidney Janis, XII 8, fig. 2; Drawing for the Plough and the Song, Sidney Janis, XII 11, fig. 3; The Plough and the Song, Sidney Janis, XII 13, fig. 4; The Plough and the Song, S. J. Wolf Collection, XII 13, fig. 5. Goya, Francisco, Number 26 from Tauromaquia series, XVI 99, no. 139.

Goyen, Jan van, Landscape, XI 86, no. 44, ilk; XVI 66, no. 21, ill. 232; Leaf from a sketchbook (drawing), XVI 86, no. 55, ill. 233. Greek Head from a grave stele, XVI 111, no. 188, ill. 171; Lion attacking a bull (marble), XVI 112, no. 189, ill. 170; Athlete's utensils (bronze), XVI 120, nos. 210-2, ilk 166; Black-figured lekythos, XI 47, no. 4, ilk; XVI 129, no. 223, ill. 163; Boy seated on a Cippus (terra-cotta), XVI 129, no. 222; Zeus Keraunios (bronze), Princeton, XI 150, no. 5, ilk; Bust of Ptolemy (bronze), Walters, XI 150, no. 8, ilk; Comic actor (bronze), or Roman, Princeton, XI 150, no. 9, ill.

19 Gudiol, Jose, as Baldwin lecturer on "The Technique of Gova through his Sketches," XIX 63. Guercino (Giovanni Francesco Barbieri), Mars and Cupid (drawing), XVI 87, no. 56, ill. 231. See also Horton, A., A Drawing by Guercino, XVIII 4-19.

PAINTINGS Venus, Mars and Cupid, Modena, XVIII 6, fig. 2; Mars as a Warrior, and Venus with Cupid, Apslev House, London, XVIII 8, figs. 3-4.

DRAWINGS Warrior and Cupid, and Warrior, Witt Collection, XVIII 9, figs. 5-6; Mother Warding off the Evil Eve, Witt Collection, XVIII 17, fig. 7. Gutman, Melvin, Melvin Gutman collection of Ancient and Medieval Gold, with illustrated catalogue, XVIII 40-297. See also Ross, M., A Considar Medallion of Constantine VI and Irene, XX 27-32. Hamilton, Chloe A Landscape by Wright of Derby, XII 16-22. Recent Gifts: An Italian Velvet and a Feininger Water Color, XV 15-9. An Institute on Administration and Services in the Smaller Art Museum, XV 20-3. Introduction to the catalogue of Miller Fund acquisitions, XVI 51-3. A French Provincial Coffeepot, XIX 97-101. Hamilton, George H., as Baldwin lecturer on "Cezanne and his Critics," XX 33. Hare, David, Horizon Line (sculpture), Kootz, XV 72, no. 10, ilk Harnett, William M., Still Life with Meerschaum Pipe, XI 104, no. 62, ill. Hay ward, John, as Baldwin lecturer on "Erasmus Hornick of Antwerp and Mannerist Goldsmiths' Work," XX 33.

20 Heem, Jan Davidsz. de, Still Life, XVI 303, no. 12, ill.

Heemskerck, Maarten van, Samson, Jupiter, XI 72, nos. 29, 30, ill.

Hobbema, Meindert, Pond in a Forest, XI 89, no. 47, ilk; XVI 302, no. 11, ilk; A River Scene, Detroit, XX 175, no. 16, ill. Hogarth, William, Portrait of Theodore Jacobsen, XI 94, no. 52, ilk; XVI 67-8, no. 22, ill. 249. Honthorst, Gerrit van, The Procuress, Utrecht Central Museum, XX 141, fig. 21. Hopkins, Budd, Exhibition: Three Young Americans, XIV 106-11; So Many Perils Bloom, no. 1, ill. Horton, Anne, A Drawing by Guercino, XVIII 4-19.

Indo-Chinese, Dancing Apsaras (limestone), XVI 112, no. 190, ilk 186.

Ingres, J. A. D., Madame Thiers (drawing), XI 97, no. 55, ilk; XVI 87, no. 57, ill. 257; Sylvester Lord Glenbervie (D. 2), XVI 99, no. 140; Drawing after a cast of a classical head, formerly Henrv Lapauze Collection, XX 124, fig. 3.

Intermuseum Laboratory Third Annual Meeting, XII 32-5. Seminar on Resinous Surface Coatings, XIV 112-3. Buck, R., Rubens, Daughters of Cecrops: Report from the Inter­ museum Laboratory, XI 27. Buck, R., Follower of Verrocchio, Madonna and Child, Oberlin, Report on Technical Examination, XIX 138-41. Italian PAINTINGS Florentine Crucifix, XI 60, no. 17, ilk; XVI 68, no. 23, ill. 189; Madonna and Child with St. Francis, XVI 69, no. 25.

DRAWINGS Facade for a church at Oriolo, XVI 298, no. 7, ilk; Imaginary View of Rome, XVI 305, no. 14, ilk; Girl pursued by a Dragon, XIX 157, ill.

MANUSCRIPT Page from an Antiphonary, XVI 68, no. 24.

21 Italian, continued

SCULPTURE Seated Nude (bronze), XVI 297, no. 6, ilk; Chronos (or Saturn) on a sphere (bronze), XVI 112, no. 191, ill. 224; St. Sebastian (wood), XIX 152, ilk; Minerva or Bellona (gilt bronze), as at­ tributed to Aspetti, XI 77, no. 35, ill. (see German, Sculpture); Madonna and Child (stucco), Verrocchio shop, see Verrocchio; Marsyas (bronze), XVI 117, no. 205, ill. 216.

FURNITURE Cassone, XVI 127, no. 220, ill. 126 (detail), 207.

PRINTS Nativity (niello), XVI 99, no. 142, ill. 198; Calliope (H. 11a), XVI 99, no. 141.

TEXTILES Pluviale of Matthias Corvinus, XI 67, no. 24, ilk; XVI 144, no. 310, ill. 202; Part of a chasuble, XV 16, ilk; Ecclesiastical vest­ ments 16th through 18th centuries, XVI 144-6, nos. 311-20; Costumes 17th and 18th centuries, XVI 149, nos. 333-8; Velvet and brocaded panels, XVI 140-1, nos. 249-51, no. 251 ill. 194; Italian and French textiles, XVI 141, nos. 252-301. See also Hamilton, C, Recent Gifts: An Italian Velvet and a Feininger Water Color, XV 15-9. Jacopo, see Casentino.

Jacque, Charles, Sheep at the Entrance to a Forest, XVI 311, no. 20, ilk

Janson, H. W., as conductor of Baldwin seminar on "Florentine Earlv Renaissance Sculpture," XII 36. Japanese, Amida Buddha (wood), XI 56, no. 13, ill. See also Baldinger, W., An Early Japanese Buddha, XI 123-36. Seitaiji, Nagano-Ken, Amida Nyorai, XI 126, fig. 2; Ryugen-in, Daitokuji, Ky5to, Shaka Nyorai, XI 126, fig. 3; Shin-Yakushiji, Nara, Yakushi Nyorai, XI 133, fig. 6; Toshodaiji, Nara, Unidentified Nyorai, XI 134, fig. 7; Zensuiji, Shiga-Ken, Early Fujiwara, Yakushi Nyorai, XI 134, fig. 8.

22 Japanese, continued Chu-tsing Li, The Oberlin Orchid: A Problem in Attribution, XX 4-25. Jaszi, Recha, The E. Lotte Franzos Bequest, XV 116-7, with illustrations.

Jawlensky, Alexej, Head of a Woman (as Portrait of Madame Sakaroff), XVI 69, no. 26, ill. 273.

Jewelry An Exhibition of Renaissance Jewels, on loan from the Antique Porcelain Co., XVII 39-69, with illustrated catalogue. Melvin Gutman Collection of Ancient and Medieval Gold, XVIII 40-297, with illustrated catalogue. See also Sjoqvist, E., A Cypriote Necklace, XIII 158-63.

Johnson, Ellen H. Memorial Exhibition: John Marin, 1870-1953, XII 98-103. On the Role of the Object in Analytic Cubism, XIII 11-25. Lending Library of Pictures, XIV 28-30. Diebenkorn s 'Woman by a Large Window,' XVI 18-23. Is Beauty Dead?, XX 56-65.

Kenzan, Ogata, Cake Trav for Tea Ceremony, Seattle Art Museum, XX 23, fig. 9. Kenwood, Oberlin in Kenwood exhibition, note, XX 33. King, Hazel Barker In Memoriam, R. T. Miller, Jr. 1867-1958, XVI 43-4. Chinese acquisition in memory of, XIX 58-60.

Kirchner, Ernst Ludwig, Self-Portrait as a Soldier, XI 112, no. 70, ilk; Eve (wood), XVI 113, no. 193, ill. 276; Before the People (wood­ cut), XVI 312, no. 21, ill. See also Selz, P., Kirchner's Self-Portrait as a Soldier in Relation to Earlier Self-Portraits, XIV 90-7. Self-portrait, Basel, XIV 92, fig. 2; Self-portrait, Chicago, XIV 92, fig. 3; Self-portrait with Model, Hamburg, XIV 93, fig. 4; Self-portrait, formerly Valentin, XIV 95, fig. 5.

23 Klee, Paul, Flower Gardens in Taora, XI 114, no. 72, ilk; Die Pauken- orgel, XI 117, no. 75, ilk; XVI 69, no. 27, ill. 281. See also Reiff, R., Paid Klee, XI 137-44.

Klimt, Gustav, Portrait of a Woman (pastel), XVI 87, no. 58, ill. 269.

Kline, Franz, Painting 1953, rental collection, XIV 28, fig. 4.

Kobell, Ferdinand, Landscape (drawing), XIX 164, ill. Kokoschka, Oskar, Sposalizio, XV 118, ilk; Portrait of Olda (drawing), as Self-portrait, XVI 88, no. 59, ill. 282; Nude (drawing), XX 180, no. 31, ilk; Portrait of E. Lotte Franzos, Phillips Gallery, XV 116, ill.

Kollwitz, Kathe, Self-Portrait (drawing), XI 116, no. 74, ilk; XVI 88, no. 60, ill. 279. Krautheimer, Richard as conductor of Baldwin seminar on "Alberti and Fifteenth Century Architecture," XII 36, 47. Ghiberti-Architetto, XII 48-67. Kress, Samuel H., Catalogue of the Study Collection, XIX 3-51. Laeyens, Matthew de, Tabernacle, St. Peter's, Louvain, XVI 16, fig. 6.

Lastman, Pieter, Coriolanus Receiving an Embassy of Roman Matrons, Trinity College, Dublin, XX 126, fig. 8. Laurana, Francesco, Triboulet (marble), XVI 294, no. 3, ilk See also Tietze-Conrat, E., A Relief Portrait by Francesco Laurana, XII 86-90. Bronze medal of Triboulet, XII 88, fig. 2; Pietro Speziale, Mili- tello, XII 88, fig. 3. Lawall, David, Note on the Date of Catskill Lake by Thomas Cole, N.A., XIII 164-7. Lee, Sherman, as conductor of Baldwin seminar on "A Western Ap­ proach to Eastern Art," XI 152. Leger, Fernand, Hands (drawing), rental collection, XIV 28, fig. 3; Com­ position, XVI 69, no. 28.

24 Le Roux, Jean-Baptiste-Joseph, Silver Coffeepot, XVI 119, no. 207, ill. 118 (detail), 247. See also Hamilton, C, A French Provincial Coffeepot, XIX 97-101. Leyden, Lucas van, Pilgrims in the Wood (engraving), XX 169, no. 2, ilk; David Playing before Saul (engraving); XX 169, no. 3, ilk; Christ Crowned with Thorns (engraving), XX 170, no. 4, ill.

Li, Chu-tsing, The Oberlin Orchid: A Problem in Attribution, XX 4-25. Lievens, Jan, Jacob Anointing the Stone (etching), XX 173, no. 10, ilk; Bov in a Studio (copy after), London National Gallery, XX 123, fig. 2; The Stoning of St. Paul (drawing), British Museum, XX 135, fig. 15; Christ Praying at Gethsemane (drawing), Dresden, XX 137, fig. 16; Mounted Trumpeter (drawing), Amsterdam, XX 138, fig. 17; Pilate Washing his Hands, Princess Labia Collection, South Africa, XX 140, fig. 20; Bov Blowing on a Dish of Coals, Warsaw, XX 143, fig. 22; King Porsena and Scaevola, detail, (drawing), University of Leiden, XX 143, fig. 23.

Ligozzi, Jacapo, Portable Altar, XVI 70, no. 29, ill. 220. See also Bacci, M., A Portable Altar by Ligozzi, XX 46-55. Jacob's Dream, San Giovannino degli Scolopi, Florence, XX 51, fig. 4; Valerian, Uffizi, Florence, XX 51, fig. 5; Intarsia Table, Opificio delle Pietre Dure Museum, Florence, XX 54, fig. 7; Christ in Gethsemane (drawing), Berlin-Dahlem Museum, XX 54, fig. 8. Lipchitz, Jacques, Hagar in the Desert (bronze), collection of the artist, XV 73, no. 11, ill. Lippi, Filippino, Burial of Christ (drawing), XVI 88-9, no. 61, ill. 203.

Lipton, Seymour, Mephisto (sculpture), Des Moines, XV 74, no. 12, ill. Lorrain, Claude, see Gellee. Love, Donald, In Memoriam R. T. Miller, Jr. 1867-1958, XVI 41-3.

Magnasco, Alessandro, Landscape with Washerwomen, XI 91, no. 49, ill.

Maillol, Aristide, Chained Action (bronze), XI 109, no. 67, ill.; XVI 113, no. 194, ill. 117 (detail), 271. 25 Mander, Karl van, Rustic Landscape, XIX 155, ill.

Manet, Edouard, Le garcon et le chien (Guerin 17), XVI 99, no. 143.

Mantegna, Andrea, The Entombment (B. 3), XVI 100, no. 144; Battle of the Sea Gods (B. 17-18), XVI 100, no. 145, ill. 199; no. 146.

Manuscript Bvzantine Manuscript Illumination exhibition, introduction bv Ed- 'ward Capps, Jr., XV 42-58. Netherlandish Book Illumination exhibition, introduction bv L. M. J. Delaisse, XVII 94-113. Parkhurst, C, The Frederick B. Artz Collection of Manuscript and Woodcut Pages, XV 86. Wilson, J., A Late Egyptian Book of the Dead, XIX 90-6. Manzu, Giacomo, Pieta (bronze), Frumkin, XV 75, no. 13, ill. Marcantonio, see Raimondi. Marin, John, Small Point, Maine, No. 7, XI 111, no. 69, ill. See also Johnson, E., Memorial Exhibition: John Marin, 1870-1953, XII 98-103. The Hilltop-Autumn, Maine 1923, Downtown Gallery, XII 102, no. 7, ill. Marini, Marino, Dancer (bronze), Utica, XV 76, no. 14, ill. Mariotto di Nardo, Adoration of the Magi, XI 61, no. 18, ilk; XVI 70, no. 30, ill. 193. Masaccio, Crucifixion of St. Peter, detail Pisa Altar, Berlin-Dahlem Museum, XX 116, fig. 15; Story of Ananias, detail Brancacci Chapel, Florence, XX 118, fig. 18.' Masson, Antoine, Guillaume de Brisacier (R.-D. 15), XVI 100, no. 148. Master E.S., Arma Christi (engraving), XIV 12, fig. 3. Master of the Sterzing Altarpiece, St. Marv Magdalene, XI 62, no. 19, ilk; XVI 70-1, no. 31, ilk 196. Master M.Z., St. Christopher (B. 7), XVI 100, no. 147. Matisse, Henri, Femme aux Anemones (drawing), XVI 89, no. 62, ill. 285; La Biche, XIX 170, ill. 26 Mayer, L. A., An Astrolabe by 'Abd al-A'imma, XIV 2-6.

McCullough, Joseph, Exhibition: Three Young Americans, XII 91-7; In­ fernal Machine in the Sun, no. 7, ill. Mesopotamian, see Sumerian.

Metalwork Mayer, L., An Astrolabe by 'Abd al-A'imma, XIV 2-6. Hamilton, C, A French Provincial Coffeepot, XIX 97-101.

Miller, R. T., Jr., In Memoriam, XVI 39-50. Illustrated catalogue of Miller Fund Acquisitions, XVI 51-288. Photographs of, XVI 40, 46. Minne, George, Youth (marble), XV 121, ill.

Miro, Joan, L'oiseau porte parole, XIX 174, ill.

Mitchell, Joan, Exhibition: Three Young Americans, XX 66; County Clare, ill. 58. Modigliani, Amedeo, Nude with Coral Necklace, XIII 169, ilk; Head of a Man, XIII 170, ilk

Mola, Pier Francesco, Mercury Putting Argus to Sleep, XIX 38-41, no. 8, ill. (with details); Interior with Three Figures (drawing), XIX 161, ill. Momper, Joos de, Mountain Landscape, XI 76, no. 34, ilk; XII 25, fig. 2; XVI 72, no. 32, ill. 221; Mountain Landscape (drawing after de Momper, as Verhaecht), XII 114, ilk; XVI 90, no. 63.

Monet, Claude, Gardens of the Princess, Louvre, XI 101, no. 59, ilk; XVI 72-3, no. 33, ill. 258; Wisteria, XIX 169, ill.

Monticelli, Adolphe, Study in Color, XVI 309, no. 18, ill.

Moore, Henry, Reclining Figure (bronze), XVI 314, no. 23, ilk; Warrior with Shield (bronze), Minneapolis, XV 77, no. 15, ill.

Moravian, Peasant woman's costume, XVI 150, no. 339.

Munch, Edvard, Norwegian Landscape (S. 268), XVI 100, no. 149; Woman with Red Hair, (color lithograph), XVI 100, no. 150, ill. 268.

27 Nanni di Banco, Angel from the Porta della Mandorla, Florence Duomo, XX 104, fig. 4; Four Crowned Saints, Or San Michele, Florence, XX 100, fig. 1. Nanni di Bartolo, Part of an inscription on statue of Abdias from the Campanile, Museo dell' Opera, Florence, XX 108, fig. 7.

Nelson, Carter, Seventeenth-Century One-Block Woodcuts, catalogue to the exhibition, XIX 142-8.

Neri di Bicci, see Bicci.

Netherlandish Adam and Eve (ivorv), XIX 158, ilk; Country Life Tapestrv, XVI 141, no. 302, ill. 206; University Mace (silver), or German.XVTII 28, ill. (and detail). Manuscript exhibition, XVII 94-113, illustrated catalogue. Ms. W. 300, Breviary for Rome Use, 1412, Walters, 96, no. 7; Ms. W. 219, Book of Hours, 1420, Walters, 99, no. 12; Ms. W. 281, Book of Hours, France, Walters, 101, no. 14; New York M. 866, Hours of Virgin, Utrecht, Morgan, 103, no. 19; Ms. W. 174, Missal for Carthusian use, Walters, 105 no. 20; Ms. 59.254, Leaf from a Missal, Cleveland, 106, no. 21; Ms. W. 168, Book of Hours, Utrecht, Walters, 107, no. 22; New York M. 46, Hours of the Virgin, Flanders, Morgan, 109, no. 25; Ms. W. 166, Book of flours for Arras, Walters, 111, no. 26; Ms. W. 211, Book of Hours, Flanders, Walters, 112, no. 27.

Nordenfalk, Carl, as Baldwin lecturer on "Sweden's Greatest Art Treas­ ure," XIX 63. Oceanic, The Art of Melanesia, loan exhibition, Museum of Primitive Art, XIX 103-7; Ambrym, New Hebrides, wooden bowl, XIX 104, ill. Ostade, Adriaen van, Musical Trio (B. 30), XVI 100, no. 151. Oldenburg, Claes, Exhibition: Three Young Americans, XX 66; Brown Jacket, ill. 64.

Painting AMERICAN Lawall, D., Note on the Date of Catskill Lake by Thomas Cole, N.A., XIII 164-7. 28 Painting, continued

HAROQUE and ROCOCO Burchard, L., Rubens' 'Daughter of Cecrops,' XI 4-26. Stechow, W., Terbrugghen's 'Saint Sebastian,' XI 145-9. A Landscape by Paid Bril, XII 23-31. Job Berckheyde's 'Bakery Shop,' XV 4-14. Jan Steen's 'Merry Company,' XV 90-100. Hamilton, C, A Landscape by Wright of Derby, XII 16-22. Angulo, D., The Blind Old Beggar by Ribera, XIV 59-61. Rogers, P., The Blind Man and His'Boy, XIV 49-58. Slive, S., The Young Rembrandt, XX 120-149. Exhibition, Ribera Paintings and Graphics, XIV 73-87. MODERN Johnson, E., Diebenkorn's 'Woman by a Large Window,' XVI 18-23. On the Role of the Object in Analytic Cubism, XIII 11-25. John Marin, 1870-1953, XII 98-103. Is Beauty Dead?, XX 56-65. Hamilton, C, Recent Gifts: An Italian Velvet and a Feininger Water Color, XV 15-9. Parkhurst, C, Arthur B. Carles, 1882-1952, XII 104-9. Reiff, R„ Paul Klee, XI 137-44. Seitz, W., Arshile Gorky's 'The Plough and the Song,' XII 4-15. Selz, P., Kirchner's Self-Portrait as a Soldier in Relation to Earlier Self-Portraits, XIV 90-7. Exhibitions, see Exhibitions: Three Young Americans. ORIENTAL Chu-tsing Li, The Oberlin Orchid: a Problem in Attribution, XX 4-25.

RENAISSANCE Bruvn, J., A Puzzling Picture at Oberlin: The Fountain of Life, XVI 4-17. Bacci, M., A Portable Altar by Ligozzi, XX 46-55. Wittkower, R., The Young Raphael, XX 150-168. Exhibition, Samuel H. Kress Study Collection, with illustrated catalogue, XIX 3-51. Exhibition, Architecture in Early Renaissance Pictures, with illus­ trated catalogue, XII 68-72.

24 Parkhurst, Charles P., Jr., Memorial Exhibition: Arthur B. Carles 1882-1952, XII 104-9. The Frederick B. Artz Collection of Manuscript and Woodcut Pages, XV 86. In Memoriam R. T. Miller, Jr. 1867-1958, XVI 47-8. Melvin Gutman Collection of Ancient and Medieval Gold, with illustrated catalogue, XVIII 40-297. Charles P. Parkhurst at Oberlin, 1949-1962, XIX 149-174. Parmigianino, Sketches of Three Putti (drawing), Morgan Library, XX 171, no. 7, ill.

Peregrino da Cesena, Ornament (niello), XVI 101, no. 152.

Persian, Relief of a Guard, XI 49, no. 6, ilk; XVI 114, no. 195, ill. 167; Bowls with Cufic writing, XVI 131, nos. 228-9, ill. 182.

Perugino, Sposalizio, Caen Museum, XX 156, fig. 3; Ascension of Christ, Lyons Museum, XX 158, fig. 6.

Peruvian, Textiles, XVI 141-2, nos. 303-6, no. 305 ill. 151.

Peruzzi, Giovanni, Two Stage Sets (drawing), Oenslager Collection, XII 78, no. 7, ill.

Picasso, Pablo, Glass of Absinthe, XI 110, no. 68, ilk; XVI 313, no. 22, ilk; Woman with a Fan (drawing), XI 108, no. 66, ilk; Femme au Peplum (gouache), XVI 73, no. 34, ill. 278; Women and Child by the Sea (drawing), XVI 90, no. 64, ill. 277; Fernande (bronze), XV 29, ilk; XVI 114, no. 196, ill. 270; Ostrich (etching), XVI 101, no. 153; Francoise sur fond gris (lithograph), rental collection, XIV 28, fig. 1; Monkey and her Baby (bronze), Minneapolis, XV 78, no. 16, ilk; Studies of Two Men (drawing), Baltimore, XX 180, no. 30, ilk; Drawing after cast of the Parthenon 'Dionysus,' location un­ known, XX 124, fig. 4. See also Johnson, E., On the Role of the Object in Analytic Cubism, XIII 11-25. Glass of Absinthe (painted bronze), Philadelphia, XIII 15, fig. 3; Glass and lar, Hermitage, XIII 16, fig. 5; Book (draw­ ing), Paris, XIII 20, fig. 9; The Violin, Philadelphia, XIII 22, fig. 11. 30 Piero di Cosimo, see Cosimo. Piranesi, Giovanni Battista, Plate 3 from the Carceri Series (etching), XVI 101, no. 154. Pissarro, Camille, Powt Neuf, Paris, XVI 73-4, no. 35, ill. 267; Femme vidant une brouette (D. 31), XVI 101, no. 155. Pollock, Jackson, Untitled water-color and etching, XVI 90, no. 65, ill. 286.

Prints Stechow, W., An Early Woodcut with the Hand of God, XIV 7-15. A Note on 'The Poet' by Ribera, XIV 69-72. Exhibition of Ribera Paintings and Graphics, with illustrated cata­ logue, XIV 73-87. Exhibition of Seventeenth-Century One-Block Woodcuts, with illustrated catalogue, XIX 142-8. Pritchard, B. Pickard, Exhibition: Three Young Americans, XVII 14-9; Shattered and Whole, no. 1, ill.

P'u-ming, Orchid, XVI 137, no. 243, ill. 190. See also Chu-tsing Li, The Oberlin Orchid: A Problem in Attribution, XX 4-25. Lingering Fragrance from the Nine Fields, Imperial Household, Tokyo, XX 10, fig. 2 (with 2 details); Orchids, M. Gejo Col­ lection, Tokyo, XX 21, fig. 8. Pynacker, Adam, Landscape (drawing), XVI 304, no. 13, ill.

Pynas, Jacob, The Stoning of St. Stephen, formerly private collection, Budapest, XX 131, fig. 10. Raimondi Marcantonio, Orpheus Seated (engraving), XX 169, no. 1, ill.

Raphael, Wittkower, R., The Young Raphael, XX 150-168. Crowning of St. Nicholas of Tolentino, Naples National Museum, XX 152, fig. 1; Crucified Christ and Saints, London National Gal­ lery, XX 152, fig. 2; Sposalizio, Brera, Milan, XX 156, fig. 4; Crown­ ing of the Virgin, Vatican, XX 158, fig. 5; Madonna Solly, Berlin- Dahlem Museum, XX 164, fig. 7; Virgin with the Goldfinch, Uffizi, Florence, XX 164, fig. 8.

31 Rauschenberg, Robert, Exhibition: Three Young Americans, XX 66; Sec­ ond Time Painting, ill. 61.

Reiff, Robert, Paul Klee, XI 137-44.

Rembrandt van Rijn, St. Francis (etching), XI 88, no. 46, ilk; XVI 102, no. 159, ill. 94 (detail), 235: Angel appearing to the shepherds (B. 44), XVI 101, no. 156; Raising of Lazarus (B. 72), XVI 101, no. 157; Jan Asselvn, Painter (B. 277), XVI 101, no. 158; Christ Heal­ ing the Sick (Hundred Guilder Print), XVI 301, no. 10, ill. See also Slive, S., The Young Rembrandt, XX 120-149.

PAINTINGS Two Figures in an Interior with a Winding Staircase, detail, Louvre, XX 125, fig. 6; The Stoning of St. Stephen, Lyons Museum, XX 128, figs. 9, 11, 18 (with details); Self-portrait', de­ tail from a Group of Musicians, U.S.A. private collection, XX 132, fig. 13; Self-portrait, detail from an historical scene, Leiden, XX 132, fig. 14; Self-portrait, Cassel, XX 146, fig. 25; Self- portrait, Gardner Museum, Boston, XX 146, fig. 28; Esther's Feast, North Carolina Museum, XX 140, fig. 19; XX 173, no. 11, ill.

DRAWINGS Studv of an Interior with a Winding Staircase, Copenhagen, XX 125, fig. 7; Self-portrait, British Museum, XX 132, fig. 12; Self-portrait, Amsterdam, XX 147, fig. 29; Beggar Woman Lean­ ing on a Stick, National Gallery, Rosenwald Collection, XX 174, no. 13, ill.

PRINTS Rest on the Flight (B. 59), XX 145, fig. 24; Portrait of Rem­ brandt's Mother (B. 354), XX 146, fig. 27; XX 174, no. 12; Self- portrait, 1629 (B. 338), XX 146, fig. 26.

Renoir, Pierre Auguste, The Artist's Garden at Cagnes, XI 107, no. 65, ilk; Portrait of Mile. Romaine Lacaux, Cleveland, XX 178-9, no. 24, ill.

Rental Collection, Lending Library of Pictures, XIV 28-30.

Reynolds, Joshua, The Strawberry Girl, XVI 306, no. 15, ill. 32 Ribera, Jusepe de, Blind Old Beggar, XVI 74, no. 36, ill. 228. See also Angulo, D., The Blind Old Beggar by Ribera, XIV 59-61. Buck, R., Oberlin's Ribera: A Case History, XIV 62-8. Rogers, P., The Blind Man and His Boy, XIV, 49-58. Stechow, W, A Note on 'The Poet' by Ribera, XIV 69-72. Exhibition Catalogue of Paintings and Graphics by Ribera, XIV 73-87, with illustrations. Bust of an Old Man, Detroit, 78, no. 1; Blind Old Beggar, Oberlin, 73, no. 2; Saint Bartholomew, St. Louis, 79, no. 3; The Philosopher Archimedes, Clowes, 80, no. 4; Portrait of a Musician, Toledo, 81, no. 5; St. John the Baptist, Raleigh, 82, no. 6; St. Jerome, Harvard, 83, no. 7; Virgin and Child, Philadelphia, 84, no. 8; Virgen de la Leche, Sarasota, 85, no. 9; Saint Bartholomew, Yale, 86, no. 10; Drawing studies (B. 16), 87, no. 15; Silenus (B. 13), 87, no. 18; The Poet (B. 10), 70, no. 19; St. Bartholomew (B. 6), 61, no. 17; St. Peter (B. 7), 72, no. 12; St. Jerome (B. 4), 72, no. 13.

Richier, Germaine, Praving Mantis (bronze), Martha Jackson, XV 79, no. 17, ill.

Riemenschneider, Tilmann, Saint Urban (wood), XI 68, no. 25, ilk; XVI 114-5, no. 197, ilk 205.

Rivera, Jose de, Construction #5, 1955 (steel), Borgenicht, XV 80, no. 18, ill.

Robbia, Luca della, Seymour, C, The Young Luca della Robbia, XX 92-119. Young Prophet from the Porta della Mandorla, Florence Duomo, (Luca?), XX 100, fig. 2; Angel from the Porta della Mandorla, Florence Duomo, (Luca?), XX 104, fig. 3; Fragment of an inscrip­ tion from the Cantoria, Museo dell' Opera, Florence, 108, fig. 6; Tambourine players from the Cantoria, 110, fig. 9; Choral dan­ cers from the Cantoria, 110, fig. 10; Apostle, detail from Pazzi Chapel, Florence, 115, fig. 13; Crucifixion from unfinished St. Peter Altar, Bargello, Florence, 116, fig. 14; Liberation of St. Peter from unfinished St. Peter Altar, Bargello, Florence, 117-8, figs. 16-7 (with detail). Rodin, Auguste, Prodigal Son (bronze), XVI 115, no. 198, ill. 262. 33 Rogers, Paul, The Blind Man and His Boy, XIV 49-58.

Roman Male torso (marble), XVI 115, no. 199; Corinthian capital with dolphins (marble), XVI 116, no. 200, ill. 173; Chalice with repousse work, XVI 121, no. 214, ill. 172; Bronze bull, 1st cen., Detroit, XI 150, no. 10, ilk; Relief from the Arch of Trajan, Benevento, XX 107, fig. 5. See also Vermeule, C, Oberlin's Head of an Isis Priest of the Second Century A.D., XVII 6-13. Portrait Herm of Moiragenes, Agora Museum, XVII 10, fig. 3; Bust of a man, U. of Mississippi, XVII 10, fig. 4; Portrait f lerm of Rhoummas, British Museum, XVII 12, fig. 5. Rosenberg, Harold, as conductor of Baldwin seminar on "Art and the Artist in our Time," XIX 176. Ross, Marvin G, A Consular Medallion of Constantine VI and Irene, XX 26-32. Roszak, Theodore, Rite of Passage (bronze), Pierre Matisse, XV 81, no. 19, ill. Rouault, Georges, Nocturne, Gethsemane, XI 113, no. 71, ilk; XVI 74, no. 37, ill. 275; Wounded Clown, XIII 171, ilk; Portrait of Bau­ delaire (lithograph), XVI 102, no. 160; Clown (color etching), XVI 102, no. 161. Rowlandson, Thomas, Choosing the Trousseau (drawing), XVI 90, no. 66. Rubens, Peter Paul, Daughters of Cecrops, XI 82, no. 40, ilk; XVI 74-5, no. 38, ill. 229; Head of a Man (drawing), XI 83, no. 41, ilk; XVI 91, no. 67, ill. 230; Mystic Marriage of St. Catherine (draw­ ing), XVI 299, no. 8, ill. See also Buck, R., Laboratory report on Rubens' Daughters of Cecrops, XI 27. Burchard, L., Rubens' Daughters of Cecrops, XI 4-26. Daughters of Cecrops, Liechtenstein, XI 7, fig. 4; Daughters of Cecrops, Stockholm, XI 16, fig. 5; Daughters of Cecrops, Bel- voir Castle, XI 16, fig. 6; Daughters of Cecrops (after Rubens), Xf 6, fig. 1; 17, fig. 7; 18, fig. 9; Daughters of Cecrops (after Rubens), Columbus, Georgia, XI 17, fig. 8; Daughters of

34 Rubens, continued Cecrops (drawing after Rubens), British Museum, XI 7, fig. 3; Daughters of Cecrops (engraving after Rubens bv van Som- pel), XI 6, fig. 2.

Ruisdael, Jacob van, Sun-dappled Trees at the Edge of a Pond (draw­ ing), Morgan Library, XX 174, no. 14, ilk; The Three Large Oaks (etching), XX 174, no. 15, ill.

Russian, Nativity, XVI 76, no. 39, ill. 212; Head of a Saint (fresco), XVI 76, no. 40. Savery, Roelant, Trees (drawing), XIX 156, ill.

Schauffler, Margaret, Chinese Acquisition in Memory of Mrs. Hazel Barker King, XIX 58-60.

Scacco, Cristoforo, Madonna del Suffragio, XIX 20-3, no. 3, ill. (with details).

Schiele, Egon, Black Girl (water-color), XIX 167, ill.

Schmidt, Julius, Bronze Sculpture, James Baldwin Collection, XV 82, no. 20, ill. Schongauer, Martin, The Flight into Egypt (B. 7), XVI 293, no. 2, ill.

Schwitters, Kurt, Grev and Yellow (collage), XIX 171, ill.

Scolari, Giuseppe, The Abduction of Proserpina (woodcut), XIX 142, ill.

Sculpture

ANCIENT Vermeule, O, Oberlin's Head of an his Priest, XVII 6-13. Exhibition Ancient Bronzes, XI 150-1, with illustrations.

AFRICAN Fagg, W., Notes on Some African Sculptures, XIV 98-105. Exhibition of African Art, with illustrated catalogue, XIII 60-155.

MODERN Exhibition, Sculpture 1950-1958, with illustrated catalogue, XV 59-85. Exhibition, Three Young Americans (Chamberlain, Doyle, Wines), XIX 52-7. 35 Sculpture, continued

OCEANIC Exhibition, The Art of Melanesia, Museum of Primitive Art, XIX 103-7. ORIENTAL Baldinger, W., An Early Japanese Buddha, XI 123-36. Schauffler, M., Chinese Acquisition in Memory of Mrs. Hazel Barker King, XIX 58-60. RENAISSANCE Tietze-Conrat, E., A Relief Portrait by Francesco Laurana, XII 86-90. Bongiorno, L., A Fifteenth-Century Stucco and the Style of Verrocchio, XIX 115-38. Seymour, G, The Young Luca della Robbia, XX 92-119. Seghers, Hercules, The Valley (etching), XVI 300, no. 8, ill. Seitz, William, Arshile Gorky's 'The Plough and the Song,' XII 4-15. Sellaio, Jacopo del, Story of Judith, Wildenstein, XII 81, no. 9, ilk Selz, Peter, Kirchner's Self-Portrait as a Soldier in Relation to Earlier Self-Portraits, XIV 90-7. Seurat, Georges, Under the Lamp (drawing), XI 102, no. 60, ilk; XVI 91-2, no. 68, ill. 261; Three Pencil Studies, John Rcwald Collec­ tion, XX 179, nos. 25-7, ill. Seymour, Charles, Jr., The Young Luca della Robbia, XX 92-119. Shinn, Everett, Lovers (drawing), XVI 92, no. 69, ill. 272; Connecticut Bridge (pastel), XVI 92, no. 70. Siamese, Flead of the Buddha (stucco), XIX 151, ill. Sisley, Alfred, Bristol Channel, XIX 168, ill. Sjoqvist, Erik, A Cypriote Necklace, XIII 158-63. Slovakian, Peasant woman's costume, XVI 150, no. 340. Smith, David, Pilgrim (sculpture), Fine Arts Associates, N.Y., XV 83, no. 21, ill. Slive, Seymour, The Young Rembrandt, XX 120-49. Sotan, Oguri, Landscape, XVI 292, no. 1, ill. (detail). 36 Sotatsu, Monumura, Deer Scroll, detail, Seattle Art Museum, XX 24, fig. 10.

Spanish, Fountain of Life, XI 75, no. 33, ilk; XVI 76-7, no. 41, ilk 204; 16th Century Dalmatic, XVI 146, no. 321, ill. 218; Group of 17th through 19th centurv costumes, XVI 150-1, nos. 341-4. See also Bruvn, J., A Puzzling Picture at Oberlin: The Fountain of Life, XVI 4-17. Fountain of Life, detail, Prado, XVI 8, fig. 2.

Speeckaert, Hans. Stechow, W., The 'Triumph of David' by Hans Speeckaert, (drawing), XIX 110-4. Triumph of David (engraving after), formerly Berlin, XIX 113, ill.

Spencer, John, Introduction to a symposium honoring Wolfgang Stechow, XX 90-1.

Stankiewicz, Richard, Untitled sculpture 1957, Hansa, XV 84, no. 22, ill. Stechow, Wolfgang Terbrugghen's 'Saint Sebastian,' XI 145-9. A. Landscape by Paul Bril, XII 23-31. An Early Woodcut with the Hand of God, XIV 7-15. A Note on 'The Poet' by Ribera, XIV 69-72. Catalogue of the Exhibition of Paintings and Graphics bv Jusepe de Ribera, XIV 46-8, 73-87. Job Berckheyde's 'Bakery Shop,' XV 4-14. Jan Steen's 'Merry Company,' XV 90-100. In Memoriam R. T. Miller, Jr. 1867-1958, XVI 48-50. Illustrated catalogue for the Samuel H. Kress Studv Collection, XIX 8-51; addendum 102. The 'Triumph of David' by Hans Speeckaert, XIX 110-4. Symposium and Exhibition: Youthful Works bv Great Artists hon- ' oring Wolfgang Stechow, XX 89-207. Stechow Bibliography for the years 1921-1963, XX 77-88. Steen, Jan, Merry Company, XVI 77, no. 42, ill. 238; St. Nicholas' Dav, Rotterdam, XV 10, fig. 5. See also Stechow, W., Jan Steen's 'Merry Company,' XV 90-100. Banquet of Cleopatra, Gottingen, XV 96, fig. 2; Bad Com- 37 Steen, continued pany, Louvre, XV 96, fig. 3; Young Man and Crown of Pharaoh, location unknown, XV 97, fig. 4; Drawing Lesson, A. Reimann Collection, XV 98, fig. 5; Wedding Company, loca­ tion unknown, XV 98, fig. 6. Steinlen, Theophile, Serbian Refugees (lithograph), XVI 102, no. 162.

Stella, Frank, Exhibition: Three Young Americans, XVII 14-9; Lunch­ eon on the Grass, no. 1, ill. Stockt, Vrancke van der, Donor with St. John, XI 64, no. 21, ilk; XVI 78, no. 43, ill. 197. Swanenburgh, Jacob van, Fantastic view of piazza, formerly Semenov Collection, St. Petersburg, XX 123, fig. 1. Sumerian, Bust of a Royal Personage (limestone), XI 45, no. 2, ilk; XVI 116, no. 202, ill. 157; Mesopotamian mountain deitv (copper), Al­ bright Gallery, XI 150, no. 1, ill. See also Gordon, E., Lipit-lshtar of Isin, XIV 16-27. Sweerts, Michael, Self-Portrait, XVI 78-9, no. 44, ill. 237. Syrian, Antelope (bronze), XVI 116, no. 203. Tacca, Pietro, Mask of a Faun (bronze), XVI 116, no. 204, ill. 225.

Tan-yu, Landscape Scroll, XVIII 26-7, ill. (2 details).

Terbrugghen, Hendrick, Saint Sebastian, XI 81, no. 39, ilk; XVI 79-80, no. 45, ilk 54 (detail), 227. See also Stechow, W., Terbrugghen's 'Saint Sebastian,' XI 145-9. Textiles, Hamilton, O, Recent Gifts: An Italian Velvet and a Feininger Water Color, XV 15-9. Three Young Americans, see Exhibitions. Tiepolo, Giovanni Battista, Sketch for ceiling decoration, XVI 92, no. 71, ill. 248. Tiepolo, Giovanni Domenico, Pulcinella with Ostriches (drawing), XVI 92-3, no. 72, ilk 253; Baptism of Emperor Constantine (etching), XVI 102, no. 163.

38 Tietze-Conrat, Erica, A Relief Portrait by Francesco Laurana, XII 86-90.

Tokusai, Tesshu, Orchids and Bamboo Grass, location unknown, XX 19, fig. 7. Toulouse-Lautrec, Henri de, Yvette Guilbert (D. 258), XVI 103, no. 164; Horses, Riders and Panegyric (drawing), Emile Wolf Collection, XX 179, no. 28, ill. Turner, Joseph Mallord William, View of Venice, XI 100, no. 58, ilk; XVI 308, no. 17, ill. Uhlmann, Hans, Constellation (sculpture), Kleeman Galleries, XV 85, no. 23, ill. Vallotton, Felix, La foule, XV 119, ill. Velde, Esaias van de, Summer Landscape, XVI 80, no. 46, ill. 222; XX 171-2, no. 8, ill. Venetian, Landscape (Capriccio), XIX 48-51, no. 10, ill. (with detail); Landscape with Ruined Arch, New York Kress Collection, XIX 50, ill. Vermeule, Cornelius C, III, Oberlin's Head of an Isis Priest of the Sec­ ond Century, A.D., XVII 6-13. Vernet, Carle, Le singe et le leopard (lithograph), XVI 103, no. 165.

Veronese Master, 1581, A Vision of the Holy Family near Verona, XIX 30-3, no. 6, ill. (with details). Verrocchio, Andrea, XI 66, no. 23, ill. (style of); XVI 112-3, no. 192, ill. 200 (style of). See also Bongiorno, L., A Fifteenth-Century Stucco and the Style of Ver­ rocchio, XIX 115-38. Madonna and Child, Bargello, XIX 122, fig. 3; Madonna and Child (Verrocchio shop), Bargello, XIX 122, fig. 4; Christ and the Doubting Thomas, Or San Michele, Florence, XIX 123, 126, figs. 6-7 (with detail); Head of a Woman (drawing), British Museum, XIX 126, fig. 8. Buck, R., Follower of Verrocchio, Madonna and Child: Report on Technical Examination, XIX 138-41. Vincent, Howard, as Baldwin lecturer on "Discovery of Daumier," XVII 114. 39 Vinckboons, David, St. Philip and the Eunuch (drawing), XI 78, no. 36, ill. Vlaminck, Maurice de, Landscape, XVI 81, no. 47, ill. 274.

Vrancke, see Stockt.

Vredeman de Vries, Jan, after, Perspective Study (engraving), XX 125, fig. 5. Waal, Hans van de, as Baldwin lecturer on "The Stvlistics of Falsifica­ tion," XIX 63. Ward, Clarence, In Memoriam R. T. Miller, Jr. 1867-1958, XVI 45-6. as lecturer on American Architecture, XX 69.

Watrous, James, as conductor of Baldwin seminar on "Old Master Tech­ niques," XIV 113. West, Benjamin, General Kosciusko, XI 96, no. 54, ilk; XVI 81-2, no. 48, ill. 256. Whiteside, Forbes Three Young Americans: Diebenkorn, Glasco, McCidlough, XII 91-7 Sculpture 1950-1958, An Exhibition, XV 59-62. Three Young Americans: Chamberlain, Doyle, Wines, XIX 52-7. Wilson, John A., A Late Egyptian Book of the Dead, XIX 90-6. Wines, James, Exhibition: Three Young Americans, XIX 52-7; Manes- Stone, ill. 56. Witte, Emanuel de, Old Church at Delft, XI 87, no. 45, ilk; XVI 82, no. 49, ill. 234. Wittkower, Rudolf, The Young Raphael, XX 150-68. Wright, Joseph (of Derby), Dovedale bv Moonlight, XVI 83, no. 50, ill. 255. See also Hamilton, G, A Landscape by Wright of Derby, XII 16-22. Zahradniczek, Joseph, Forest, XVI 307, no. 16, ill. Zick Workshop, Ivory pokal cover with Coat-of-Arms of Bavaria, XIX 159, ill. 40

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