Ukulele Club of Santa Cruz Songbook Part 2
Introduction D7 G D7 G 67 C G Honolulu Baby, where'd you get those eyes D7 G G7 And that dark complexion, I idolize C G Honolulu Baby, where'd you get that style D7 G G7 HHoonnoolluulluu BBaabbyy Those pretty red lips, that sunny smile Music and lyrics by T. Marvin Hatley C G October 1933 for "Sons of the Desert" Neath palm trees swaying, at Waikiki starring Laurel and Hardy D7 G G7 Ukulele Club of Santa Cruz February 2004 Honolulu Baby, you're the one for me D7 G C G Honolulu Baby, when you start to sway D7 G G7 All the men go crazy, they seem to say C G Honolulu Baby, where'd you get those eyes D7 G G7 And that dark complexion, I idolize C G 7 C G Honolulu Baby, where'd you get that style D7 G G7 Those pretty red lips, that sunny smile C G Neath palm trees swaying, at Waikiki D7 G G7 Honolulu Baby, you're the one for me C G Honolulu Baby, at Waikiki D7 G G7 Honolulu Baby, you're the one for me D7 G G7 Honolulu Baby, you're the one for me "...the real music's in your mind. All the instruments are just mechanics." --- Marvin Hatley, composer of "Honolulu Baby" End with D7 G D7 G No mention of Laurel and Hardy music is complete without a nod to Hatley's immortal "Honolulu Baby" from the Boys' 1933 feature, SONS OF THE DESERT. Used in the big convention scene where Stan and Ollie share their subterfuge with fellow Son Charley Chase, "Honolulu Baby" comes off as both a typical "Hollywood Production Number" and a gentle satire of the same.
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