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January 2018 Tiger Chat
January 2018 Homecoming Hunter Burkybile The Crown King and Queen and Alexa Carrillo Homecoming court– Jus- tin Jarnagin and Breanna Patterson, Zaine Cheater and Chelsea Dunbar, Bryar Chandler and Ju- dith Medina, Hunter Burkybile, and Alexa Carrillo, Kiante Edwards and Laney Smith, Maver- ick Manning and Josalynn Barr, Ty Miller 2017 COMMERCE PLAYOFFS and Halle North. The Commerce years. The Tigers lentlessly this Tigers played the won 21-14 and year, with the Salina Wildcats in rolled on to defeat team accomplish- the first round of Valliant in the sec- ing many records the OSSAA State ond round by a and awards such COMMERCE HIGH SCHOOL Playoffs. The Ti- score of 48-28. as the Bi-District gers were off to a The Tigers rolled Championship. slow start but with on all the way to 2017 was a year nice defensive the Third Round the Tigers will re- stands late into the where they fell to member, forever. game, the Tigers a very Senior By; Hayden Moss were able to notch heavy team, their first win in Washington. The Tiger Chat the bracket in 4 Tigers played re- Winter Bass Fishing By; Reese Littlejohn Catching bass in the winter winter, try fishing with large sometimes a silver-colored may not be as easy as it is in soft plastic swim baits or bait with a slow fall will the spring and summer. spinner baits but throw work too. The deeper and Bass tend to not chase as them slow and deep. In the slower you fish in the cold, much and do not like to winter, some small fish also the better chance you have. -
Copyright 2013 Shawn Patrick Gilmore
Copyright 2013 Shawn Patrick Gilmore THE INVENTION OF THE GRAPHIC NOVEL: UNDERGROUND COMIX AND CORPORATE AESTHETICS BY SHAWN PATRICK GILMORE DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate College of the University of Illinois at Urbana-Champaign, 2013 Urbana, Illinois Doctoral Committee: Professor Michael Rothberg, Chair Professor Cary Nelson Associate Professor James Hansen Associate Professor Stephanie Foote ii Abstract This dissertation explores what I term the invention of the graphic novel, or more specifically, the process by which stories told in comics (or graphic narratives) form became longer, more complex, concerned with deeper themes and symbolism, and formally more coherent, ultimately requiring a new publication format, which came to be known as the graphic novel. This format was invented in fits and starts throughout the twentieth century, and I argue throughout this dissertation that only by examining the nuances of the publishing history of twentieth-century comics can we fully understand the process by which the graphic novel emerged. In particular, I show that previous studies of the history of comics tend to focus on one of two broad genealogies: 1) corporate, commercially-oriented, typically superhero-focused comic books, produced by teams of artists; 2) individually-produced, counter-cultural, typically autobiographical underground comix and their subsequent progeny. In this dissertation, I bring these two genealogies together, demonstrating that we can only truly understand the evolution of comics toward the graphic novel format by considering the movement of artists between these two camps and the works that they produced along the way. -
Master Collector
IN SPORTS: Sumter faces Lexington in Legion playoff series B1 PANORAMA Downtown still rocking Joe Sanford Band next up in SERVING SOUTH CAROLINA SINCE OCTOBER 15, 1894 C1 WEDNESDAY, JULY 12, 2017 $1.00 Fourth Friday series SCDOR settlement with FTC a shock to counties BY JIM HILLEY sesses large companies.” companies to provide rural The amount of money in- [email protected] Editor’s note: For a late- Much as homeowners can telephone service in unincor- volved is significant, Claren- breaking development on this appeal their property’s assess- porated areas was ignored by don County Administrator Several South Carolina story read Adrienne Sarvis’ ment to the county, compa- the department when assess- David Epperson said Monday counties may be on the hook County Council report at the nies can appeal to depart- ing FTC’s property. at a Clarendon County Coun- to repay significant amounts bottom of this page. ment, he said. In January, a settlement cil meeting. of money to Farmers Tele- FTC, which includes Farm- was reached in the company’s “We and the other counties phone Cooperative and its af- as a basis for collecting ers Telephone Inc., Farmers favor, but according to local may have to give up some ser- filiates because of a settle- taxes. Telephone LLC and Farmers county administrators, the vices,” he said. ment with South Carolina De- “The county doesn’t do Telephone Diversified LLC, counties were not notified “Not only Clarendon Coun- partment of Revenue. those assessments,” Lee appealed its property assess- until the last week in June, ty, but also Sumter County, The department assesses County Administrator Alan ment with the department, Watkins said. -
Bobby in Movieland Father Francis J
Xavier University Exhibit Father Francis J. Finn, S.J. Books Archives and Library Special Collections 1921 Bobby in Movieland Father Francis J. Finn S.J. Xavier University - Cincinnati Follow this and additional works at: http://www.exhibit.xavier.edu/finn Recommended Citation Finn, Father Francis J. S.J., "Bobby in Movieland" (1921). Father Francis J. Finn, S.J. Books. Book 6. http://www.exhibit.xavier.edu/finn/6 This Book is brought to you for free and open access by the Archives and Library Special Collections at Exhibit. It has been accepted for inclusion in Father Francis J. Finn, S.J. Books by an authorized administrator of Exhibit. For more information, please contact [email protected]. • • • In perfect good faith Bobby stepped forward, passed the dir ector, saying as he went, "Excuse me, sir,'' and ignoring Comp ton and the "lady" and "gentleman," strode over to the bellhop. -Page 69. BOBBY IN MO VI ELAND BY FRANCIS J. FINN, S.J. Author of "Percy Wynn," "Tom Playfair," " Harry Dee," etc. BENZIGER BROTHERS NEw Yonx:, Cmcnrn.ATI, Cmc.AGO BENZIGER BROTHERS CoPYlUGBT, 1921, BY B:n.NZIGEB BnoTHERS Printed i11 the United States of America. CONTENTS CHAPTER 'PAGB I IN WHICH THE FmsT CHAPTER Is WITHIN A LITTLE OF BEING THE LAST 9 II TENDING TO SHOW THAT MISFOR- TUNES NEVER COME SINGLY • 18 III IT NEVER RAINS BUT IT PouRs • 31 IV MRs. VERNON ALL BUT ABANDONS Ho PE 44 v A NEW WAY OF BREAKING INTO THE M~~ ~ VI Bonny ENDEA vo:r:s TO SH ow THE As TONISHED CoMPTON How TO BE- HAVE 72 VII THE END OF A DAY OF SURPRISES 81 VIII BonnY :MEETS AN ENEMY ON THE BOULEVARD AND A FRIEND IN THE LANTRY STUDIO 92 IX SHOWING THAT IMITATION Is NOT AL WAYS THE SINCEREST FLATTERY, AND RETURNING TO THE MISAD- VENTURES OF BonBY's MoTHER. -
California State University, Northridge The
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE THE PREPARATION OF THE ROLE OF TOM MOODY IN CLIFFORD ODETS' GOLDEN BOY An essay submitted in partial satisfaction of the requirements for the degree of Master of Arts in Theatre by Robert T. Hollander June, 1981 The Essay of Robert T. Hollander is approved: Prof. c(§!g Nieuwenhuysel Dr. Georg~ Gunkle, Committee Chairman California State University, Northridge ii ABSTRACT THE PREPARATION OF THE ROLE OF TOM MOODY IN CLIFFORD ODETS' GOLDEN BOY by Robert T. Hollander Master of Arts in Theatre Golden Boy was first produced by the Group Theatre in New York in 1937. Directed by Harold Clurman, this 1937 production included in its cast names that were to become notable in the American theatre: Luther Adler, Frances Farmer, Lee J. Cobb, Jules (John) Garfield, Morris Carnovsky, Elia Kazan, Howard Da Silva and Karl Malden. Golden Boy quickly became the most successful production 1 in Group Theatre history and was followed in 1939 by the movie of the same name, starring William Holden and Barbara Stanwyck. Since then, there have been countless revivals, including a musical adaptation in 1964 which starred Sammy Davis Jr. Golden Boy certainly merits consideration as one of the classics of modern American drama. 1Harold Clurman, The Fervent Years: The Story of the Group Theatre and the Thirties. (New York: Harcourt, Brace, Jovanovich. A Harvest Book, 1975), p. 211. 1 2 The decision to prepare the character of Torn Moody as a thesis project under the direction of Dr. George Gunkle was made during the spring semester of 1980 at which time I was performing a major role in The Knight of the Burning Pestle, a seventeenth century farce written by Beaumont and Fletcher. -
'Shadow State'?
SYARIF HIDAYAT ‘Shadow State’? Business and politics in the province of Banten Our knowledge of the nature of local political leadership in modern democ- racies based on systematic comparative scholarship is limited. This makes it difficult to generalise across political systems. […] Political scientists just have been more interested in their own political system, and in interviewing national politicians than in comparative studies of local leaders. (Eldersveld et al. 1995:1.) The informal market role in rulers’ construction of parallel political authority in the wake of the near total decay of formal state institutions – a Shadow State – is less well known. (William Reno 1995:1.) Introduction The quotations above indicate how few comprehensive studies there are on local politics. Observers tend to focus on the national level. Yet in the Indonesian context, local power relations cannot be understood simply through a formal approach, as they also involve informal networks, includ- ing relations between power holders and business. Therefore, a fuller under- standing requires an approach that can simultaneously comprehend the formal and informal relations. Motivated by a desire to understand more fully the power relations in the conduct of local governance in Indonesia, especially in the post-Suharto era, I decided to undertake this research, with the theme ‘Business and politics in the province of Banten’. My interest grew when one day I found an article in the ‘Nusantara’ column of Kompas daily (4-7-2003), entitled ‘If you’re going to Banten, don’t forget your black clothes’. The writer, ‘Zal’, described the influence of the jawara in the conduct of local government in Banten.1 The 1 Raffles (1965) and M. -
Ukulele Club of Santa Cruz Songbook Part 2
Introduction D7 G D7 G 67 C G Honolulu Baby, where'd you get those eyes D7 G G7 And that dark complexion, I idolize C G Honolulu Baby, where'd you get that style D7 G G7 HHoonnoolluulluu BBaabbyy Those pretty red lips, that sunny smile Music and lyrics by T. Marvin Hatley C G October 1933 for "Sons of the Desert" Neath palm trees swaying, at Waikiki starring Laurel and Hardy D7 G G7 Ukulele Club of Santa Cruz February 2004 Honolulu Baby, you're the one for me D7 G C G Honolulu Baby, when you start to sway D7 G G7 All the men go crazy, they seem to say C G Honolulu Baby, where'd you get those eyes D7 G G7 And that dark complexion, I idolize C G 7 C G Honolulu Baby, where'd you get that style D7 G G7 Those pretty red lips, that sunny smile C G Neath palm trees swaying, at Waikiki D7 G G7 Honolulu Baby, you're the one for me C G Honolulu Baby, at Waikiki D7 G G7 Honolulu Baby, you're the one for me D7 G G7 Honolulu Baby, you're the one for me "...the real music's in your mind. All the instruments are just mechanics." --- Marvin Hatley, composer of "Honolulu Baby" End with D7 G D7 G No mention of Laurel and Hardy music is complete without a nod to Hatley's immortal "Honolulu Baby" from the Boys' 1933 feature, SONS OF THE DESERT. Used in the big convention scene where Stan and Ollie share their subterfuge with fellow Son Charley Chase, "Honolulu Baby" comes off as both a typical "Hollywood Production Number" and a gentle satire of the same. -
PANTALEO's Many, They Have Thus -Far Failed, It Hitler’S Mobi)E Fighting Force And
••• / \ . \ \A / rAU £ i<UURT|:E3 TH U R SD A Y, 11,1944 -— — \ M ancheste^ Evening^.-H^'ra Average Daily Circulation s. The WeAthcr ------------------------ ^— T '- ^ — For the Month of April, 1844 Korecaat e l U. S. Menther Cl^n MacLcan No. 25 O. S. C., etton of East Center street Fair except for eensMeraMe teg will hold its ^-pgular meeting to Beth SlH^om NoLes Parker streets and grading Abotut Town’ morrow night dt 8 o’clock in the Getting Paper Sforin Water 8,746 aioeg eeaet; Uttle change la tem- workyw-ill be flniahed th^re In an V ■- I perature tealght; Saturday tetr Masonic Temple. ^ other Xeek, MetniMr ot the Audit aad eontlaued wans. Fri<lay, May 12— Evening ser Wiu.isr& SON, INC. The ChildreiK of M « o< St. The Vownsend Club will meet Salvage Hahit Line Complete B n re u o f ClreahittoBe _______ _______________ ■ James’s church w U libld the cere tomorrow ei?ening^t eight o’clock vices at 8 p. m. Sisterhood Sab- Manche$ter^4 Lily of Village Charm V. mony of the crowWn® o f the sta batk. In observance o f Mother’s Lumber of All Kinds JJ. at the Y. M. C. A.. Mhen plans FLolm LAYING tue of the Blessed W g in Mary on win be made for the ma.sa rteet- Local People Doing Day the ladies of the Sisterhood Parker St. jo b Awaits Mdson^upplies— Paint-^Hardware , (ClasaUted Advertising oa - Page U ) MANCHESTER, CONN„ FRIDAY, MAY 12, IW ■ \ (SIXTEEN PAGES) 1*HICE rH R E E CENTS Sunday afternoon. -
The Experiences and Perceptions of Students
THE EXPERIENCES AND PERCEPTIONS OF STUDENTS EXPOSED TO POPULAR FILM AS A PEDAGOGIC TOOL IN COUNSELOR EDUCATION: AN EXPLORATORY STUDY A dissertation presented to the faculty of the College of Education of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Charles Vance Lindsey June 2005 © 2005 Charles Vance Lindsey All Rights Reserved This dissertation entitled THE EXPERIENCES AND PERCEPTIONS OF STUDENTS EXPOSED TO POPULAR FILM AS A PEDAGOGIC TOOL IN COUNSELOR EDUCATION: AN EXPLORATORY STUDY BY CHARLES V. LINDSEY has been approved for the Department of Counseling and Higher Education and the College of Education by Thomas E. Davis Professor and Chair of Counseling and Higher Education James L. Heap Dean, College of Education LINDSEY, CHARLES V. Ph.D. June 2005. Counselor Education The Experiences and Perceptions of Students Exposed to Popular Film as a Pedagogic Tool in Counselor Education: An Exploratory Study (322pp.) Director of Dissertation: Thomas E. Davis This constructivist grounded theory research study explored Master’s level counselor education students’ perceptions and experiences of being exposed to popular film clips for pedagogic purposes in the classroom. Over an eight month period, students in seven different counselor education courses were exposed to pedagogic film clip experiences in their classrooms. From this group of students drawn from two Midwestern universities, three rounds of face-to-face individual interviews and a focus group were conducted and forty participants described their classroom film experiences. Transcriptions of the interviews and focus group were used to gather data and to develop a constructivist grounded theory. Participants’ descriptions of their experiences and perceptions indicated that students engage in a complex experiential meaning-making process as a result of exposure to and discussion of their film experiences. -