Chick Corea's

Total Page：16

File Type：pdf, Size：1020Kb

Chick Corea Chick Corea’s staggering career, spanning more than 50 years, is a torrent of creative and professional highlights. The keyboardist and composer’s stellar résumé includes 22 Grammy Awards and 63 nominations, making him the fourth most Grammy nominated artist in the award’s history. Though best known as a jazz keyboardist, Corea has influenced an astonishing number of musical styles in his trailblazing career since playing with Miles Davis’ genre-shattering jazz fusion groups in the late ‘60s and early ‘70s. From straight- ahead to avant-garde, bebop to jazz-rock fusion, children’s songs to chamber and symphonic works, Corea’s range and impact are unsurpassed. Corea’s fearless creative spirit has earned him a slew of accolades along the way. He became a DownBeat Magazine Hall of Famer in 2010, and earned an honorary Doctorate from Berklee College of Music in 1997. Corea earned the country’s highest honor for a jazz artist when he became a National Endowment for the Arts’ Jazz Master in 2006. In the classical realm, Corea received Chamber Music America’s highest honor, the National Service Award, in 2010, and accepted a prestigious commission from Wiener Mozartjahr, honoring the 250th birthday of Mozart in Vienna, leading to the creation of his second piano concerto. His incomparable pianism earned for him the Piano Festival Ruhr’s Lifetime Achievement Award in 2006. For the 2018-2019 performing arts season, Corea will debut an exciting program for orchestra and jazz trio. Corea will accompany the orchestra with his own adaptation of the great Spanish composer Joaquin Rodrigo’s spectacular Concierto de Aranjuez, originally written for guitar. Corea will couple this bold new approach of Rodrigo’s Concierto, with a reprise of his acclaimed orchestral version of his best-known composition "Spain”..

Copy Link

Recommended publications

THE SHARED INFLUENCES and CHARACTERISTICS of JAZZ FUSION and PROGRESSIVE ROCK by JOSEPH BLUNK B.M.E., Illinois State University, 2014
COMMON GROUND: THE SHARED INFLUENCES AND CHARACTERISTICS OF JAZZ FUSION AND PROGRESSIVE ROCK by JOSEPH BLUNK B.M.E., Illinois State University, 2014 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Master in Jazz Performance and Pedagogy Department of Music 2020 Abstract Blunk, Joseph Michael (M.M., Jazz Performance and Pedagogy) Common Ground: The Shared Influences and Characteristics of Jazz Fusion and Progressive Rock Thesis directed by Dr. John Gunther In the late 1960s through the 1970s, two new genres of music emerged: jazz fusion and progressive rock. Though typically thought of as two distinct styles, both share common influences and stylistic characteristics. This thesis examines the emergence of both genres, identifies stylistic traits and influences, and analyzes the artistic output of eight different groups: Return to Forever, Mahavishnu Orchestra, Miles Davis’s electric ensembles, Tony Williams Lifetime, Yes, King Crimson, Gentle Giant, and Soft Machine. Through qualitative listenings of each group’s musical output, comparisons between genres or groups focus on instances of one genre crossing over into the other. Though many examples of crossing over are identified, the examples used do not necessitate the creation of a new genre label, nor do they demonstrate the need for both genres to be combined into one. iii Contents Introduction………………………………………………………………………………… 1 Part One: The Emergence of Jazz………………………………………………………….. 3 Part Two: The Emergence of Progressive………………………………………………….. 10 Part Three: Musical Crossings Between Jazz Fusion and Progressive Rock…………….... 16 Part Four: Conclusion, Genre Boundaries and Commonalities……………………………. 40 Bibliography……………………………………………………………………………….
[Show full text]
Chick Corea Bio 2015 Chick Corea Has Attained Iconic Status in Music
Chick Corea Bio 2015 Chick Corea has attained iconic status in music. The keyboardist, composer and bandleader is a DownBeat Hall of Famer and NEA Jazz Master, as well as the fourth- most nominated artist in Grammy Awards history with 63 nods – and 22 wins, in addition to a number of Latin Grammys. From straight-ahead to avant-garde, bebop to jazz-rock fusion, children’s songs to chamber and symphonic works, Chick has touched an astonishing number of musical bases in his career since playing with the genre-shattering bands of Miles Davis in the late ’60s and early ’70s. Yet Chick has never been more productive than in the 21st century, whether playing acoustic piano or electric keyboards, leading multiple bands, performing solo or collaborating with a who’s who of music. Underscoring this, he has been named Artist of the Year twice this decade in the DownBeat Readers Poll. Born in 1941 in Massachusetts, Chick remains a tireless creative spirit, continually reinventing himself through his art. As The New York Times has said, he is “a luminary, ebullient and eternally youthful.” Chick’s classic albums as a leader or co-leader include Now He Sings, Now He Sobs (with Miroslav Vitous and Roy Haynes; Blue Note, 1968), Paris Concert (with Circle: Anthony Braxton, Dave Holland and Barry Altschul; ECM, 1971) and Return to Forever (with Return to Forever: Joe Farrell, Stanley Clarke, Airto Moreria and Flora Purim; ECM, 1972), as well as Crystal Silence(with Gary Burton; ECM, 1973), My Spanish Heart (Polydor/Verve, 1976), Remembering Bud Powell (Stretch, 1997) and Further Explorations (with Eddie Gomez and Paul Motian; Concord, 2012).
[Show full text]
Chick Corea – the Music Defies Words
By Allen Morrison PHOTO BY ARNE ROSTAD JAZZ ARTIST ‘The Music CHICK COREA Deﬁes Words’ have no plan for this evening. So welcome to my living room.” Corea originals: the $amenco-inspired “Homage” and a previously unre- at’s how Armando “Chick” Corea opens a concert in Quebec, leased piano sonata called “e Moon.” as heard in the opening moments of Portraits (Stretch Records/ ese live albums are just two among Corea’s many recent projects. In Concord Jazz), his recent two-CD collection of live solo the past few years, he has toured and recorded with his current Latin-tinged performances. electric band e Vigil; formed the Grammy-winning Five Peace Band with ‘I Not to worry—he’s got this. John McLaughlin; reunited with his supergroup Return to Forever and He proceeds to unspool a program of favorite tunes by joined his RTF colleagues Stanley Clarke and Lenny White in an acoustic elonious Monk, Bill Evans, Stevie Wonder and Bud Powell; his improvi- trio; recorded Grammy-winning duos with Gary Burton and Béla Fleck; and, sations on compositions by Scriabin and Bartók; several original tunes from in his spare time, written and recorded !e Continents: Concerto For Jazz his album Children’s Songs ; and spontaneous musical “portraits” of volun- Quintet And Chamber Orchestra. teers from the audience at shows in Poland, Morocco, Lithuania and the Even the musicians who are closest to him wonder how he does it. Blade United States. Before each segment, Corea brings the audience into his con"- said it’s hard to separate the musician from the man.
[Show full text]
Chick Corea and Béla Fleck
Chick Corea and Béla Fleck Thu, April 24 ABOUT THE PROGRAM Royce Hall Chick Corea & Béla Fleck, two master songwriters, musicians, and band leaders 8pm meet in a historic duet of piano and banjo, combining Corea and Fleck’s classic tunes with music from their 2007 Grammy-winning album The Enchantment. With a mix of jazz and pop standards, crossing a myriad of genres, from jazz, PERFORMANCE DURATION: bluegrass, rock, flamenco and gospel, this will be a casual, intimate evening Approximately two hours; with two legends from different musical worlds. One Intermission The original Enchantment recording came about after the two artists had admired each other’s music for several years. Chick had previously recorded PRE-SHOW CONCERT three songs on Béla’s 1994 CD, Tales From the Acoustic Planet, as well as on the SCA Terrace Series featuring group’s 1996 live CD, Live Art. Sean Stevens and Andrew Davis. FREE - ROYCE TERRACE - 7PM Chick, in turn, had enlisted Fleck to perform with him and Bobby McFerrin on the 2002 Rendezvous in New York project. Fleck said that The Enchantment was “one of my greatest experiences as a Supported in part by the musician … playing with my hero, Chick Corea.” Chick returned the compliment Evelyn & Mo Ostin Endowment by saying that for the Performing Arts the album broke new ground for him, with Fleck inspiring him to delve into “unfamiliar territory.” “I love those kinds of challenges, and we had a blast on The Enchantment, which MEDIA SPONSORS: has a totally new kind of sound,” Chick says. ABOUT THE ARTISTS MESSAGE FROM THE CENTER: Chick Corea Since embarking on a solo career in 1966, Chick has been at the We’re incredibly proud to bring two of the most acclaimed forefront of jazz, both as a renowned pianist forging new ground with instrumentalists in the world to the Royce Hall stage.
[Show full text]
The Piano Improvisations of Chick Corea: an Analytical Study
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1996 The iP ano Improvisations of Chick Corea: An Analytical Study. Daniel Alan Duke Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Duke, Daniel Alan, "The iP ano Improvisations of Chick Corea: An Analytical Study." (1996). LSU Historical Dissertations and Theses. 6334. https://digitalcommons.lsu.edu/gradschool_disstheses/6334 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the te d directly fi-om the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps.
[Show full text]
The Stanley Clarke Band SAT / JAN 18 / 7:30 PM
The Stanley Clarke Band SAT / JAN 18 / 7:30 PM Stanley Clarke BASS Cameron Graves KEYBOARDS Evan Garr VIOLIN Salar Nader TABLAS Jeremiah Collier DRUMS Lyris Quartet Alyssa Park VIOLIN Shalini Vijayan VIOLIN Luke Maurer VIOLA Timothy Loo CELLO Tonight’s program will be announced from the stage. There will be no intermission. Jazz & Blues at The Broad Stage made possible by a generous gift from Richard & Lisa Kendall. PERFORMANCES MAGAZINE 4 Naik Raj by Photo ABOUT THE ARTISTS Photo by Raj Naik Raj by Photo Four-time GRAMMY® Award winner of Philadelphia, a Doctorate from Clarke Band: UP, garnered him a 2015 STANLEY CLARKE is undoubtedly one Philadelphia’s University of the Arts GRAMMY® Award nomination for Best of the most celebrated acoustic and and put his hands in cement as a Jazz Arrangement Instrumental or A electric bass players in the world. 1999 inductee into Hollywood’s “Rock Cappella for the song “Last Train to What’s more, he is equally gifted Walk.” In 2011 he was honored with Sanity” and an NAACP Image Award as a recording artist, performer, the highly prestigious Miles Davis nomination for Best Jazz Album. composer, conductor, arranger, Award at the Montréal Jazz Festival Clarke’s CD, The Message, was producer and ﬁ lm score composer. for his entire body of work. Clarke has released on Mack Avenue Records A true pioneer in jazz and jazz- won Downbeat magazine’s Reader’s in 2018. Clarke considers the new fusion, Clarke is particularly known and Critics Poll for Best Electric Bass album “funky, melodic, musical, for his ferocious bass dexterity Player for many years.
[Show full text]
Recorded Jazz in the 20Th Century
Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana
[Show full text]
555843 Bk Rodrigo EU 8/10/06 2:25 PM Page 12
555843 bk Rodrigo EU 8/10/06 2:25 PM Page 12 SPANISH CLASSICS Also available: RODRIGO Complete Orchestral Music • 9 8.557801 Concierto serenata Sones en la Giralda Concierto de Aranjuez 8.557223 Gwyneth Wentink, Harp Asturias Symphony Orchestra (OSPA) Maximiano Valdés 8.555843 12 555843 bk Rodrigo EU 8/10/06 2:25 PM Page 2 Joaquín Rodrigo (1901-1999) Orquesta Sinfónica del Principado de Asturias Concierto serenata • Sones en la Giralda (Fantasía sevillana) • Concierto de Aranjuez La historia de la Orquesta del Principado se remonta a 1937. Hizo su presentación oficial como Orquesta Sinfónica en Joaquín Rodrigo was born on St Cecilia’s Day, 22nd seek refuge for eighteen months at the Institute for the enero de 1940 bajo la batuta de Amalio López. En 1943 se hace cargo de su dirección Ángel Muñiz Toca, quien a lo November, 1901, in Sagunto in the Spanish province of Blind in Freiburg. In 1938 they were able to make a largo de veinte años realiza una importantísima labor musical a través de toda la provincia y también fuera de Asturias. Valencia. In 1905 an outbreak of diphtheria impaired brief visit to Spain for a summer school in Santander Con ella colaboraron los más importantes solistas del momento. Temporalmente, y por falta de recursos económicos, se the young boy’s vision and within a few years he lost but, failing to secure appropriate employment, were redujo a Orquesta de Cámara, pero a la muerte de Muñiz Toca había recobrado su primitiva forma y en homenaje a éste every vestige of sight.
[Show full text]
Season 20 Season 2011-2012
Season 2020111111----2020202011112222 The Philadelphia Orchestra Thursday, March 11,, at 8:00 Friday, March 22,, at 222:002:00:00:00 Saturday, March 33,, at 8:00 Rafael Frühbeck de Burgos Conductor Pepe Romero Guitar Turina Danzas fantásticas, Op. 22 I. Ecstasy II. Dream III. Orgy Rodrigo Concierto de Aranjuez, for guitar and orchestra I. Allegro con spirito II. Adagio III. Allegro gentile Intermission Palomo from Andalusian Nocturnes, for guitar and orchestra: II. Shattered Smile of a Star IV. Gust of Wind V. Nocturne of Córdoba VI. The Flamenco Stage First Philadelphia Orchestra performances Ravel Bolero This program runs approximately 1 hour, 40 minutes. A regular guest with North America’s top orchestras, Rafael Frühbeck de Burgos conducts the Cincinnati, Boston, Pittsburgh, Saint Louis, and Montreal symphonies, and the Los Angeles and New York philharmonics in the 2011-12 season. He appears annually at the Tanglewood Music Festival and regularly with the National, Chicago, and Toronto symphonies. Born in Burgos, Spain, in 1933, Mr. Frühbeck studied violin, piano, music theory, and composition at the conservatories in Bilbao and Madrid and conducting at Munich’s Hochschule für Musik, where he graduated summa cum laude and was awarded the Richard Strauss Prize. From 2004 to 2011 he was chief conductor and artistic director of the Dresden Philharmonic. With the 2012-13 season he takes up the post of chief conductor of the Danish National Orchestra. Mr. Frühbeck has made extensive tours with such ensembles as London’s Philharmonia Orchestra, the London Symphony, the National Orchestra of Madrid, and the Swedish Radio Orchestra, and he has toured North America with the Vienna Symphony, the Spanish National Orchestra, and the Dresden Philharmonic.
[Show full text]
Concierto De Aranjuez Tuesday Nights at the Pond June 18, 2019 7:00 P.M
The Los Alamos Community Winds extend our sincere appreciation to the following businesses, institutions, and individuals for their generous help and support. Crossroads Bible Church Los Alamos Chamber of Commerce Kelly Myers China Moon Rigoberto’s Rose Chocolatier Bob’s Bar-B-Q Film Festival Café Sushi ¡Flamenco, Pasta Paradiso Pet Pangaea KRSN Los Alamos High School Los Alamos Daily Post Los Alamos Monitor Featuring Guest Soloist Olé! Photocopying and Large Format Posters provided by Aspen Copies Marcos Cavalcante, guitar Poster Mounting provided by Village Arts in a special performance of Joaquin Rodrigo’s Special thanks to L.A.V.A. for poster distribution Upcoming Concerts! Concierto de Aranjuez Tuesday Nights at the Pond June 18, 2019 7:00 p.m. with music by Independence Day Concert Thursday, July 4, 2019 Antonio Alvarez - Suspiros de España Overlook Park Time TBA Georges Bizet – Carmen Suite Evening of Arts and Culture Ernesto Lecuona – Malagueña Friday, October 11, 2019 Fuller Lodge Maurice Ravel – Bolero Season Opener …and more Saturday, October 12, 2019 Crossroads Bible Church Saturday, April 27, 2019 7:00 p,m. 7:00 p.m. The Los Alamos Community Winds rehearse on Tuesdays from 7:00 – 9:00 p.m. White Rock Baptist Church at Los Alamos High School. Participation is open to anyone, but proficiency on a wind or percussion instrument is required. Free Admission For further information, please visit our website at: http://www.lacw.org or email us at [email protected] Suggested Donation - $10.00 per guest Personnel Program Piccolo Trumpet
[Show full text]
Joaquín Rodrigo: an Anniversary Celebration the Guitar and Beyond
JOAQUÍN RODRIGO: AN ANNIVERSARY CELEBRATION THE GUITAR AND BEYOND HISPANIC SOCIETY MUSEUM AND LIBRARY April 4, 2019 Lecture: 6:30 PM Concert: 7 PM Solo Piano and Piano Duet Music by Joaquín Rodrigo (1901-1999) Isabel Pérez Dobarro, piano Douglas Riva, piano Program Sonatina para dos muñecas (Sonatina for Two Dolls) Empieza el día, (The Day Begins) Alegres peripecias (Happy Adventures) Recogimiento (Quiet Time) Vuelta del Cole (Back from School) Douglas Riva Isabel Pérez Dobarro A l’ombre de Torre Bermeja (In the Shadow of Torre Bermeja) Danza de la amapola (Dance of the Poppy) Douglas Riva Serenata Española (Spanish Serenade) Isabel Pérez Dobarro Cuatro estampas andaluzas (Four Andalusian Scenes) El vendedor de chanquetes (The Chanquetes Seller) Crepúsculo sobre el Guadalquivir (Twilight over the Guadalquivir) Seguidillas del diablo (The Devil’s Seguidillas) Barquitos de Cádiz (Little Boats in Cádiz) Douglas Riva Juglares (Minstrels) Isabel Pérez Dobarro Douglas Riva Cuatro piezas para piano (Four Pieces for Piano) Caleseras, Homenaje a Chueca (Homage to Chueca) Fandango del ventorrillo (Fandango in the Tavern) Plegarias de la Infanta de Castilla (Prayer of the Princess of Castile) Danza valenciana (Valencian Dance) Isabel Pérez Dobarro, piano Gran Marcha de los Subsecretarios A buen andar pero sin prisa (At a good tempo but without any hurry) Trio—Tempo ministerial (At a governmental tempo) Isabel Pérez Dobarro Douglas Riva Piano: Steinway and Sons Approximate Duration: 60 minutes Artist Biographies: ISABEL PÉREZ DOBARRO, Piano Isabel Pérez Dobarro has appeared in solo recitals and chamber music concerts at the Stern Auditorium, Zankel Hall, and Weill Recital Hall at Carnegie Hall, Lincoln Center, Steinway Hall, Japan Society, Academy of Arts and Letters, Tenri Cultural Institute, Yamaha Center, DiMenna Center, Liederkranz Foundation, Rachmaninoff Hall at the Tchaikovsky Conservatory in Moscow, Sala Manuel de Falla, Ateneo de Madrid, and Sala Arturo Benedetti Michelangeli in Bolzano, Italy.
[Show full text]
Pictures at an Exhibition 2018 Concierto De Aranjuez for Guitar and Orchestra
Pictures at an Exhibition 2018 Concierto de Aranjuez for Guitar and Orchestra (1939) JOAQUÍN RODRIGO ■ 1901-1999 Though Joaquín Rodrigo, born on November 22, 1901 at Sagunto, Valencia, on Spain’s eastern coast, lost his sight when he was three from diphtheria, he early showed a pronounced aptitude for music. His parents enrolled him in a school for blind children in the nearby city of Valencia, and at age eight, he began formal lessons in harmony, piano and violin; his teachers in composition included Francisco Antich, Enrique Gomá and Eduardo López Chavarri. During the 1920s, Rodrigo established himself as a pianist with performances of challenging recent works by Ravel, Stravinsky and other contemporary composers, and he began composing seriously in 1923 with the Suite para Piano and the Dos Esbozos (“Two Sketches”) for Violin and Piano. His first work for orchestra, Juglares (written, like all of his scores, on a Braille music typewriter and then dictated to a copyist), was played in both Valencia and Madrid in 1924; his Cinco Piezas Infantiles, also for orchestra, won a National Prize the following year. In 1927, he followed the path of his compatriots Albéniz, Granados, Falla and Turina, and moved to Paris, where he enrolled at the Schola Cantorum as a pupil of Paul Dukas. Rodrigo immersed himself in the musical life of the city, befriending Honegger, Milhaud, Ravel and other Parisian luminaries, receiving encouragement from Falla, and enjoying success with a performance of his orchestral Prelude for a Poem to the Alhambra, whose subject matter and distinctly Spanish idiom established the style that consistently characterized his creations.
[Show full text]