Daily Eastern News: July 17, 1996 Eastern Illinois University
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J. Dennis Thomas. Concert and Live Music Photography. Pro Tips From
CONCERT AND LIVE MUSIC PHOTOGRAPHY Pro Tips from the Pit J. DENNIS THOMAS Focal Press is an imprint of Elsevier 225 Wyman Street, Waltham, MA 02451, USA The Boulevard, Langford Lane, Kidlington, Oxford, OX5 1GB, UK © 2012 Elsevier Inc. Images copyright J. Dennis Thomas. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage and retrieval system, without permission in writing from the publisher. Details on how to seek permission, further information about the Publisher’s permissions policies and our arrangements with organizations such as the Copyright Clearance Center and the Copyright Licensing Agency, can be found at our website: www.elsevier.com/permissions. This book and the individual contributions contained in it are protected under copyright by the Publisher (other than as may be noted herein). Notices Knowledge and best practice in this field are constantly changing. As new research and experience broaden our understanding, changes in research methods, professional practices, or medical treatment may become necessary. Practitioners and researchers must always rely on their own experience and knowledge in evaluating and using any information, methods, compounds, or experiments described herein. In using such information or methods they should be mindful of their own safety and the safety of others, including parties for whom they have a professional responsibility. To the fullest extent of the law, neither the Publisher nor the authors, contributors, or editors, assume any liability for any injury and/or damage to persons or property as a matter of products liability, negligence or otherwise, or from any use or operation of any methods, products, instructions, or ideas contained in the material herein. -
Lightning Bolt: Ecologia De Imagens, Ruídos E Sonoridades Extremas1
Lightning Bolt: ecologia de imagens, ruídos e sonoridades extremas1 FABRÍCIO LOPES DA SILVEIRA Resumo O artigo se detém, exclusivamente, no vídeo “Dracula Mountain”, para a música homônima do duo de noise-rock norte-americano Lightning Bolt. A intenção, de fato, é bastante restrita: trata-se de descrevê-lo e problematizá-lo, pensando-o em contraponto à sonoridade e à performance musical da banda. Ao final, sustenta-se que o vídeo é sintoma e fruto de uma ecologia midiática muito particular e contemporânea, na qual produtos e gêneros (musicais e audiovisuais), bem como Palavras-chave: hábitos de consumo (musicais e audiovisuais), são refeitos e Noise-rock, audiovisual, (re)potencializados, às vezes invertidos. ecologia da mídia VISUALIDADES, Goiânia v.9 n.2 p. 157-175, jul-dez 2011 157 Lightning Bolt: an ecology of imagens, noises and extremes sounds FABRÍCIO LOPES DA SILVEIRA Abstract The article is focused exclusively on the music video “Dracula Mountain”, by north American noise-rock band Lightning Bolt. The aim is, in fact, sufficiently restricted: to describe the video and call it in question, considering it as a counterpoint to the band sonority and musical performance. At the end, we state that the video is both a symptom and a product of a very particular and contemporary media ecology, in which musical and audiovisual products and Keywords: genres, as well as musical and audiovisual consumption Noise-rock, audiovisual, media ecology habits are rebuilt and (re)potentialized, sometimes inverted. 158 VISUALIDADES, Goiânia v.9 n.2 p. 157-175, jul-dez 2011 VISUALIDADES, Goiânia v.9 n.2 p. -
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M M M M M M M M M M M M M M M M M M M M M M M M セ M M M M M M M M M M M M M M M セ M M M M M M セ ...-----------..-- .......... - - - - -- - arcade OCTOBER 17 2008 • 12 the spirit of Cold War Kids. It's as iflead singer Nathan Willett is perpetually and sloppily inebriated, balanc- SU D Y continued ing on the precipice of drunken brilliance and drunken oblivion. His stage presence is controlled, but with a passion and fervor that's remarkable. still feminine voice lends powerful sound to every tune she tack- Their latest release (Loyalty to Loyalty, 2008) stays true to the foundation they built musically in 2006's Rob- les. The Vettes do carry around some '80s influence, but it's tem- bers and Cowards. Voodoo audiences are sure to be impressed with their set for this year's show. Count on a pered with a modern sensibility that saves the music from falling little bit of absurdity and a lot of indie brilliance. -AmyHoliday into kitsch-ville. Fans ofDepeche Mode, the Cranberries and New Wave music in general will dig the Vettes at this year's Voodoo Fest. Known for its showmanship and manic energy, the band is certain to put on a kickass live show. Don't miss the ethereal meandering of 1:50-2:50 at Playstation/Billboard.com stage "Flame" on Voodoo Fest's main Web site. - F.G. Lupe Fiasco has been showing New Orleans a lot oflove lately, speaking at. -
First Cyberfeminist International
editorial In September 1997 the First Cyberfeminist International Who is OBN and what do they do? took place in the Hybrid Workspace at Documenta X, in The Old Boys Network was founded in Berlin in spring Kassel, Germany. 37 women from 12 countries partici- 1997 by Susanne Ackers, Julianne Pierce, Valentina pated. It was the first big meeting of cyberfeminists Djordjevic, Ellen Nonnenmacher and Cornelia Sollfrank. organized by the Old Boys Network (OBN), the first inter- OBN consists of a core-group of 3-5 women, who take national cyberfeminist organisation. responsibility for administrative and organisational tasks, and a worldwide network of associated members. OBN is dedicated to Cyberfeminism. Although cyber- feminism has not been clearly defined--or perhaps OBN’s concern is to build spaces in which we can because it hasn't--the concept has enormous potential. research, experiment, communicate and act. One Cyberfeminism offers many women--including those example is the infrastructure which is being built by weary of same-old feminism--a new vantage point from OBN. It consists of a cyberfeminist Server (currently which to formulate innovative theory and practice, and under construction), the OBN mailing list and the orga- at the same time, to reflect upon traditional feminist nisation of Real-Life meetings. All this activities have the theory and pratice. purpose to give a contextualized presence to different artistic and political formulations under the umbrella of The concept of Cyberfeminism immediately poses a lot Cyberfeminism. Furthermore we create and use different of questions. The most important ones are: 1. What is kinds of spaces, spaces which are more abstract. -
Recess Activities, Inc. Presents Gibby Haynes Paintings
FOR IMMEDIATE RELEASE Recess Activities, Inc. Presents Gibby Haynes Paintings April 26 - June 1, 2011 Red Hook, Brooklyn, April 26, 2011—Gibby Haynes will begin two months of work at Recess’s new Brooklyn outpost as part of its signature program, Session. Haynes’ project will be the second iteration of Recess’s collaboration with Charlotte Kidd and Dustin Yellin from Kidd Yellin Studios in Red Hook. Recess’s original location at 41 Grand Street in SoHo will remain open; both spaces will be free and open to the public. During his premiere US solo presentation, Haynes will adapt the residency room at Kidd Yellin into a production studio for a series of abstract, geometric paintings. Known for his work as a musician in the group Butthole Surfers, Haynes will translate his intimate relationship with sound and the hardcore movement into visual vocabulary. On eight-foot square canvases, the artist will use bold, contrasting colors issuing from the center in echoing circles. Revolving like a record, the canvas becomes vinyl and the paint etches vibration. About the Artist: Gibby Haynes is an American musician, radio personality, painter and the lead singer of the group Butthole Surfers. He received a BA from Trinity University. His work has been featured in exhibitions at Robert Berman Gallery in Santa Monica California and The Station in Houston Texas. Haynes currently lives in Brooklyn, New York with his wife, Melissa, their daughter, and their Westie. Recess Activities at Kidd Yellin 133 Imlay Street Brooklyn, NY . -
Goodbye, Preston"
"GOODBYE, PRESTON" by Mark Hopper & Johnny Smith Based on a true story Mark Hopper 1035 N Sweetzer Ave West Hollywood, CA 90069 415-729-6108 [email protected] WGAw Copyright (c) 2010 This screenplay may not be used or reproduced without the express written permission of the author FADE IN: West Hollywood, California, the early 90's. Dusk. Palm trees and weakening sunshine. A pink sky. Camera pans and rests on a building, THE GOLD COAST, a dive gay bar, situated right on Santa Monica Blvd. Camera begins to zoom into doorway. "Smells Like Teen Spirit" by Nirvana starts to play. CUT TO: INT. THE GOLD COAST - NIGHT A typical gay bar scene. Darkened room, loud music, a moderate amount of flashing lights. Loud laughter and the occasional crack of the pool balls can be heard over the din. Various shots of the action: men playing pool, men at the bar drinking, guys along the wall chatting and/or looking standoff-ish. One final pan and the camera rests on RICHIE HAMILTON, a lanky, long-haired white male in his mid 20's. He’s standing along the wall, observing the crowd. It’s his usual tradition. Maybe spot a familiar face, maybe meet someone new, who knows. Richie tilts back his glass of bourbon for the last sip, drinks, then heads to the bar for another cocktail. Just as he crosses the doorway, he almost bumps into PRESTON, who’s entering the establishment. Preston, also in his mid 20's, is dark-haired, slightly rugged and drop dead gorgeous. -
Vol. XX No. 1 "You Don't Want the Roni! You Can't Handle the Roni!" September 9, .Wrwpra - -- -R-- -- -Agaa-~ P I R~C· Af~ 1~~-- ~ Rers - -A -- Ra a I IWT ~~A - Apy-L
Vol. XX No. 1 "You Don't Want The Roni! You Can't Handle The Roni!" September 9, .wrwpra - -- -R-- -- -agaa-~ P I R~C· aF~ 1~~-- ~ rers - -a -- ra a I IWT ~~a - apY-L t:'e '·'·'· ~~ R '''' """ :·~ ·:·tt.· ISSUES nni/ilS~~And rt AOi^ : : *;' *.:> v:...... ........ gunted riot p( qsque in oacKgrouna ..i.... '.. iiiiii^ I I LLtCfl oreaK jor"ca jatll v at me marcn 1Vi '4~ 4 iiiii:iiii::::iiiiiiji:i ii ... ..•" .'.:..i•.. ...... -. ' t.:. ....... ---.-, ?7 .""" i r ii~i~i :C: t3i;i! i: c &· :I ::. i 3~ k / he riot police Keaay for --- Photos and text by Daniel Yohannes S Flippin' a I , THE STONY BROOK PRESS PAGE 2 bYIP~ II C ---~---I-- - It~LP~ - -- 1L-- -- llp~lL4~b-~ , ~_ --e~c- , ~ I ~ ~ ----- --- - I Ir ISSUES By Daniel Yohannes varied from reminders of the need for better educa- Donations were solicited from the crowd. tion for youth, to the dangers of drugs, AIDS, and "We gotta put some green in this black machine," It was billed as the Million Youth March police brutality. The first major issue raised was that organizers said. Money was passed through many by its organizers, and a poorly-organized, prob- of reparations. Marchers were told that a man hands to a central collection point and thrown lem-causing, hate march by its critics. It was nei- named Silas Muhammad had appeared before a from overlooking windows. Crowds cheered as ther of these things. There were nowhere near a subcommittee of the United Nations Human Rights money seemed to fall from the sky. -
La Pasiva Perifrastica #2
La Pasiva PerifrAstica #2 Mexican Fagzine / Letras Cuir Septiembre 2016 INDICE 3 La derecha está en campaña contra los derechos humanos de la co- munidad LGBT+… Por un hablador irresponsable 7 Contarte en lésbico de Elena Madrigal Héctor 11 Colección de encabezados Por un hablador desconocido 13 Katleen Hanna, Riot Grrl hasta el final Lidia Gatica 9 Title 1 xJvlivsx 19 Sex is not the enemy! Supervixen Está terminantemente permitida y es alentada la reproducción total o parcial de este documento. Nota del Editor Este número resultó en algo muy chingón. Para mí, la perfecta combinación de política y música. Con lo que ha pasado este mes, con tanta marcha por la familia heteronormada y el Trump que se quiere comer a los Estados Unidos y jodernos a los mexicanos en el pro- ceso, uno no puede evitar encabronarse, ¿pero saben qué hay que hacer cuando uno está encabronado, triste o ambos (estado catártico al que llamo emputristeza)? Escu- char punk. No sólo punk, pero mi subgénero favorito: queercore y la música de las Riot Grrls. Súbele el volumen, grita, patalea, arma un slam en tu cuarto y mientras tanto, léete esta zine y checa lo que les traemos ahora. Un colaborador que ha hecho llamar Hablador Irresponsable nos manda una muy bien hecha y muy necesitada crítica a los políticos de izquierda que no se han pronunciado ni en contra del FNF ni a favor de la comunidad LGBTQIA+, mientras que los de dere- cha armaban sus pedas llenas de cisexismo y homofobia. Una vez más, Héctor nos trae una reseña literaria, esta vez de un poemario lésbico, del cual me dejó leer un poema bastante cómico, pero él lo explica mejor que yo, ¡chéquenlo en la página 7! Lidia Gatica ha escrito un artículo sobre Katleen Hanna, para mí, la Riot Grrl más em- blemática, vocalista de Bikini Kill, banda que me enseñó lo que era el queer punk. -
Claimed Studios Self Reliance Music 779
I / * A~V &-2'5:~J~)0 BART CLAHI I.t PT. BT I5'HER "'XEAXBKRS A%9 . AFi&Lkz.TKB 'GMIG'GCIKXIKS 'I . K IUOF IH I tt J It, I I" I, I ,I I I 681 P U B L I S H E R P1NK FLOWER MUS1C PINK FOLDER MUSIC PUBLISH1NG PINK GARDENIA MUSIC PINK HAT MUSIC PUBLISHING CO PINK 1NK MUSIC PINK 1S MELON PUBL1SHING PINK LAVA PINK LION MUSIC PINK NOTES MUS1C PUBLISHING PINK PANNA MUSIC PUBLISHING P1NK PANTHER MUSIC PINK PASSION MUZICK PINK PEN PUBLISHZNG PINK PET MUSIC PINK PLANET PINK POCKETS PUBLISHING PINK RAMBLER MUSIC PINK REVOLVER PINK ROCK PINK SAFFIRE MUSIC PINK SHOES PRODUCTIONS PINK SLIP PUBLISHING PINK SOUNDS MUSIC PINK SUEDE MUSIC PINK SUGAR PINK TENNiS SHOES PRODUCTIONS PiNK TOWEL MUSIC PINK TOWER MUSIC PINK TRAX PINKARD AND PZNKARD MUSIC PINKER TONES PINKKITTI PUBLISH1NG PINKKNEE PUBLISH1NG COMPANY PINKY AND THE BRI MUSIC PINKY FOR THE MINGE PINKY TOES MUSIC P1NKY UNDERGROUND PINKYS PLAYHOUSE PZNN PEAT PRODUCTIONS PINNA PUBLISHING PINNACLE HDUSE PUBLISHING PINOT AURORA PINPOINT HITS PINS AND NEEDLES 1N COGNITO PINSPOTTER MUSIC ZNC PZNSTR1PE CRAWDADDY MUSIC PINT PUBLISHING PINTCH HARD PUBLISHING PINTERNET PUBLZSH1NG P1NTOLOGY PUBLISHING PZO MUSIC PUBLISHING CO PION PIONEER ARTISTS MUSIC P10TR BAL MUSIC PIOUS PUBLISHING PIP'S PUBLISHING PIPCOE MUSIC PIPE DREAMER PUBLISHING PIPE MANIC P1PE MUSIC INTERNATIONAL PIPE OF LIFE PUBLISHING P1PE PICTURES PUBLISHING 882 P U B L I S H E R PIPERMAN PUBLISHING P1PEY MIPEY PUBLISHING CO PIPFIRD MUSIC PIPIN HOT PIRANA NIGAHS MUSIC PIRANAHS ON WAX PIRANHA NOSE PUBL1SHING P1RATA MUSIC PIRHANA GIRL PRODUCTIONS PIRiN -
FEBRUARY 9, 2018 Featuring: TYRRANICIDE SEX PRISONER / HARMS DONE SIX BREW BANTHA VARIOUS ARTISTS: to Live a Lie Volume III
NEW RELEASES FOR FEBRUARY 9, 2018 featuring: TYRRANICIDE SEX PRISONER / HARMS DONE SIX BREW BANTHA VARIOUS ARTISTS: To Live A Lie Volume III Exclusively Distributed by TYRRANICIDE God Save The Scene (Deluxe Edition), CD STREET DATE: FEBRUARY 9, 2018 INFORMATION: Artist Hometown: Pleasanton, CA Key Markets: Worldwide Metal Community For Fans of: THE ACCUSED, DR. KNOW, NO MERCY, CRYPTIC SLAUGHTER TYRRANICIDE originally formed on Halloween of 1984 in Pleasanton, CA under the name of Mayhem. The group eventually solidified its lineup of guitarists/vocalists Jeff Hill and Tim Narducci, drummer Mike Serafin, and Ty Turner on bass before being rechristened TYRRANICIDE prior to recording their first demo in 1986. Existing on the fringe of the fabled Bay Area thrash scene’s heyday, TYRRANICIDE rubbed elbows with everyone from future legends such as METALLICA and EXODUS, to second-wave favorites like SACRILEGE B.C. and ATTITUDE ADJUSTMENT. The band was initially adamant, however, that their thrashing attack not be pigeonholed as simply “speedcore” or “crossover,” desiring instead for their inclusive attitude to welcome a range of different fans. ARTIST: TYRRANICIDE TITLE: God Save The Scene After securing an appearance on the Metal Blade/Death Records Complete Death II compilation (Deluxe Edition) LP in 1987 alongside contemporaries from IMPULSE MANSLAUGHTER to ANGKOR WAT, LABEL: Divebomb Records TYRRANICIDE hit the studio in October of 1988 to track their lone full-length LP, God Save the CAT#: DIVE160-2 Scene. Recorded for a mere $800 and self-released through Hill’s own Whirling Dervish Records, FORMAT: CD the album would go on to become an influential force in the local scene with regard to the D.I.Y. -
London Calling for Study Abroad N
Outside today Saturday Technician North Carolina State University's Student Newspaper Since 1920 breery warmrng up Raleigh, North Carolina November 15, 1996 Volume 77, Number 35 ”‘ 45 L0 27 ”' 55 L0 25 London calling for Study Abroad Access to evaluations top students’ concerns N.(‘ State's Sttidy Abroad program is sponsoring its lltli I Campus administrators everyone else rectiriimcndatron .»\my ('uriirnrris. .icadcuiics .haii‘ ('uriimins ‘~-ilil the purposi- of Pi London lisperience. Hay trig access to teacher "(iivc it to the l‘dc‘lilly Senate.” he for Student Senate. ill\tti\\t‘ti \lll.fi'\L"i 1- to t‘ttittittir' l.r‘.tl'lt .Illtl lirom June Zfs' to July 25. 1997. met with student leaders evaluations is topping students list said “it it s not too espcnsrve. reducing the rcqurrctiicril She wellness trid to te.iil. st liit'lll‘» liow Study Abroad students will take Wednesday to discuss 0T c‘titic‘t‘fiis we‘ll go ahead and do it." presented several reasons why the lU lt‘dtl it l'n‘dlilly lilt' classes and reside at the students’ concerns. A number of area stiltitil‘s. Nippcrt‘s plan is to add lti current Pl: ri-qirircriri-rits lit’t'tl to be ”l css l’l 'ctlllsi‘s ttirtlii’ l’mvcrsrty of London including l‘Nt‘t'hapel Hill and scanlron questions [which are changed dc’ctltltltltsl: lllt‘\L‘ :‘li‘!\_- ‘-lit' Will Last year. more than 50 Bv JEVNll-‘ER SORBER (ieorgia Tctlr. allow students to already preparedl to the ( utiirriins said all other sslrools in \ssocrdti; Provost lrarrk .‘\li.’.tlltu students won Sfiili) to Slllflt) in A's-‘L'AN' NiWs E. -
THE MELVINS (USA) Album: «Hold It In» (Ipecac Recordings, VÖ: 10.10.2014)
THE MELVINS (USA) Album: «Hold It In» (Ipecac Recordings, VÖ: 10.10.2014) The Melvins return with a brand new album: „Hold It In“ To Be released 10 October via Ipecac Recordings. "Hold It In“ is a refreshing piece of fiction in a boring world of fact and bullsh*t," said Buzz Osborne. http://www.themelvins.net/ https://www.facebook.com/melvinsarmy The ever prolific Melvins return with „Hold It In“, their first studio album as a quartet since 2010's The Bride Screamed Murder. Joining Buzz Osborne and Dale Crover for the 12-song album are Butthole Surfers' guitar player Paul Leary and bass player JD Pinkus. The album was recorded in both Los Angeles and Austin earlier this year. "Paul is one of the best guitar players I have ever heard and Pinkus has an outside the box type of approach to both guitar and bass that you just have to let it ride. I can't believe this actually happened. I'm thrilled." "It's very rare you get a chance to work with three folks from the 'Break A Wish' foundation, all at the same time," said Pinkus. "I believe they'll remember their experience with me forever (or until they finally all lose their fight with S.I.D.S)." “Brass Cupcake is possibly my favorite track on „Hold It In“ We wrote this song with Pinkus and Paul in mind, once we knew this project was a go,” explained Dale Crover. “It's our version of what we think pop music should sound like.