DOCSLIB.ORG

The Guide As A

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Guide As A OFFICIAL FILM GUIDE www.centuryhouseinc.com night 3029 & 3420 university ave. madison 608.233.4488 Photography exhibit reexamining gender performance and LGBTQ sexual violence through the works of Natalie Kirk & Kyle Krueger. MARCH 30 – APRIL 6, 2017 | WIFILMFEST.ORG 2 IN THIS GUIDE TICKET INFORMATION Page 5 FILM SERIES LIST Page 7 FILM DESCRIPTIONS Page 8 DAILY SCHEDULE AT A GLANCE Movies are meant to be shared. Page 20 FILM CHECKLIST Gathering with your neighbors, laughing together, to offer, with their prismatic ability to allow us to view Page 37 crying together, being frightened or outraged the world as it was (or as it imagined it was). Cinema’s together—this is a communal catharsis you simply history also reminds us that all the vibrant new films in THEATERS & TRANSPORTATION Page 39 won’t get on the couch. The best movies remind us this year’s fest will one day gain an additional hue, as a of our humanity, or perhaps allow us to forget it for documentary record of the moment we are in. a couple hours of bliss. Communities gain strength In Norwegian Wood, Haruki Murakami wrote, “If you by sharing experiences together as one, by creating only read the books that everyone else is reading, you mutual memories. In troubled times, art can be a salve. can only think what everyone else is thinking.” Surely FESTIVAL STAFF FILM PROGRAMMING (UW DEPARTMENT Of course, art alone isn’t going to change the world. the same goes for cinema, with its multiplex hegemony OF COMMUNICATION ARTS) But it can change your mind, by introducing you to on one end and “content” oriented streaming services Professor JJ Murphy, Artistic Director Jim Healy, Director of Programming unfamiliar perspectives. In the hush of a darkened on the other, their reassuring algorithms primed to Mike King, Senior Programmer theater, cinema beckons us into the lives of people of perpetually feed you more of what you already know. Ben Reiser, Wisconsin’s Own Programmer Matt St. John, Wisconsin’s Own Programmer different classes, genders, orientations, ethnicities, Here is a chance to step back and see what the rest & Print Traffic Coordinator politics, and eras than our own—and yet we recognize of the planet is watching, and thinking. At the end of Kristen Johnson, Wisconsin’s Own Programmer ourselves in these stories. Older films have another layer these 8 days, you might see things differently, too. ADMINISTRATION (UW ARTS INSTITUTE) John Baldacchino, Executive Producer Ben Reiser, Festival Coordinator Director of Programming, Senior Programmer – JIM HEALY MIKE KING Staci Francis, Associate Director of Administration Sarah Chapeau, Travel and Lodging Coordinator Christina Martin-Wright, Associate Director for External Relations Terry Kerr, Volunteer & Big Screens Little Folks Educational Coordinator Cathy Sheets, Art Director Kate Lochner, Digital Marketing Specialist Heather Owens, Audience Development & Communications Specialist Lisa Spierer, Assistant Director for Media & Technology Mallory Murphy, Box Office Administration & Assistant Director for Outreach Programs Adriane Melchert, Box Office Manager Amy De Simone, Box Office Manager ABOUT US Karin Kolb, Big Screens, Little Folks Programmer First launched in 1999, the Nancy Heingartner, World Cinema Day Coordinator Wisconsin Film Festival has Aaron Granat, Festival Videographer brought more than 2,150 films to Aliza Rand, Festival Photographer Madison audiences. The Festival Ali Kloster, Editor presents the best new indepen- dent film (feature, documentary FILM PROGRAM DESCRIPTIONS and experimental), world cin- Jim Healy (JH), Kristen Johnson (KJ), Mike The Wisconsin Film Festival is presented by the Uni- UW ARTS INSTITUTE STAFF ema and programming for chil- King (MK), Karin Kolb (KK), Vincent Mollica versity of Wisconsin–Madison Arts Institute in asso- (VM), JJ Murphy (JM), Ben Reiser (BR), Matt dren along with restorations and DIRECTOR’S OFFICE ciation with the Department of Communication Arts. St. John (MSJ) and Kyle Westphal (KW) rediscoveries. The Festival also John Baldacchino, Director 1050 University Avenue, Madison, WI 53706 Sarah Chapeau, Assistant to the Director showcases the works of Wis- PROJECTIONISTS consin filmmakers through our 608-890-2718 Staci Francis, Associate Director of Administration MARCH 30 – APRIL 6, 2017 | WIFILMFEST.ORG Julian Antos, Travis Bird, Justin Dean, Wisconsin’s Own section. [email protected] | artsinstitute.wisc.edu | arts.wisc.edu Kate Hewson, Assistant Director for Academic Programs Tanner Engbretson, Roch Gersbach, Christina Martin-Wright, Associate Director for External Relations Becca Hall and Monique Scheidler CONTACT THE ARTS INSTITUTE WISCONSIN FILM FESTIVAL In the spirit of the Wisconsin Idea, the Arts Institute COMMUNICATION ARTS SUPPORT STAFF 1050 University Ave, Madison, WI 53706 supports and promotes a comprehensive variety of Bob Dischler, Erik Gunneson, Boyd Hillestad, Jason Quist, Peter Sengstock and Michael Trevis 608-262-9009 | 877-963-FILM (3456) arts programs and disciplines, whether it is our own info@wifilmfest.org | wifilmfest.org specific programs or our partners’ events. By work- ing with over 130 faculty and staff affiliates in a wide FESTIVAL TRAILER @wifilmfest (Facebook, Instagram, Twitter) range of departments and arts-related fields, the Arts Eric J Nelson (Heavy Visuals) The Arts on Campus website is a resource for arts DURING THE FESTIVAL Institute is in the position to create/generate condi- Music by Matt Sanborne events on campus. SEE 2017.WIFILMFEST.ORG tions for bold thinking and creative problem solving. Together with our partners, we can further develop arts.wisc.edu EVENT VIDEO STREAMING For additional questions or emergencies, call the Box Office 608-265-2933 and support a vibrant arts community. @uwmadisonarts (Facebook, Instagram, Twitter) Focal Flame 3 MARCH 30 – APRIL 6, 2017 | WIFILMFEST.ORG 4 TICKET INFORMATION HOW TO PURCHASE TICKETS ORDER ONLINE: 2017.wifilmfe s t .o r g Advance tickets will be available online beginning Saturday, March 11 at noon. CALL: (608) 265-2933 Phone lines are open during Union South Ticket Booth hours (see hours of operation below). STOP BY the official Wisconsin Film Festival box office at Union South beginning March 11 or the Sundance Cinemas box office beginning March 31. See box office information for location and hours of operation. Returning ticket buyers will notice a few changes to online purchases, for instance, an account login is EMAIL WITH INQUIRIES AT: boxoffice@wifilmfest.org no longer required! We seek to provide the best possible ticket-buying experience for you, our valued patrons, and are delighted to partner with Vendini for the Festival's ticketing needs this year. BOX OFFICE INFORMATION TICKET PRICES 1. UNION SOUTH TICKET BOOTH 2. SUNDANCE FESTIVAL PASS: STUDENT/SENIOR/MILITARY/ (1308 West Dayton Street, Madison) CINEMAS BOX OFFICE $ SEE WEBSITE UW FACULTY & STAFF: 325 FOR DETAILS (Hilldale, 430 N Midvale $8 HOURS OF OPERATION: Boulevard, Madison) GENERAL: Only 4 discounted tickets allowed per OPENING DAY MARCH 13 – MARCH 31 – APRIL 2: $10 screening, per transaction. Tickets are HOURS OF OPERATION: available to students of any university, college, OF TICKET SALES MARCH 30: 1 hour before the FIRST film of high school, etc; seniors 65 and over; military (Sat, March 11): MON – SAT the day begins until ½ hour after MARCH 31 – APRIL 6: BIG SCREENS, LITTLE FOLKS: personnel; and current UW or UW Health the LAST film of the day begins 1 hour before the film of NOON – 6 PM NOON – 6 PM FIRST faculty/staff. All discounted tickets are subject the day begins until ½ hour after $ 5 to verification. Please carry a valid ID. APRIL 3 - 6: The Union South Ticket Booth will be closed for the remainder of the Festival. the LAST film of the day begins Purchasing ADVANCE TICKETS (a day or more before your film) in person? Visit either of these ALL ONLINE AND PHONE TRANSACTIONS will two box office locations during their respective hours of operation. have a 60¢ PER TICKET FEE applied. Waiting until the DAY OF your film to get tickets? Any available tickets will only be available for purchase at the venue where the film is being shown. ALL TICKET SALES ARE FINAL. No refunds or returns for tickets or vouchers. No refunds or replacements for lost tickets. To guarantee admittance, NOTE: Online sales are available 24/7 until 5:00 PM the night before each screening. After that, any ticket holders must arrive 15 minutes before the start of the film. available tickets can be purchased at the venue door the day of your film. OPENING DAY OF TICKET SALES TIP PURCHASING TICKETS TICKET DELIVERY OPTIONS Arriving at the box office with a completed Ticket Check List (found in our printed DURING THE FESTIVAL USEFUL TIDBITS: Film Guide) will help keep you organized and speed your transaction. Day-of-show tickets are available at each WILL-CALL: Picking up your will-call tickets of the venues, but only for films being Festival Pass holders are given prior to the day of your film? ONLINE SALES TIP shown that day at that location. Tickets priority seating. (See website for Visit the Union South Ticketing This year, online ticket sales will work a little bit differently. If you’d like, use will be available for sale beginning one Festival Pass details.) To guarantee hour prior to the first film being shown Booth or Sundance Cinemas Box our online film guide found at 2017.wifilmfest.org to build a shopping list admittance, ticket holders must arrive at that venue that day. Cash, check or Office. See box office Information of films you’d like to buy tickets for. Then, reference that shopping list when 15 minutes before the start of the film. vouchers only (credit/debit cards will for hours of operation. purchasing tickets on our ticket vending website: go.wisc.edu/2017wff Many films are not rated. Viewer be accepted at Sundance Cinemas). Picking up your will-call tickets and parental discretion is advised.
Load more

Recommended publications
  • CELEBRATING FORTY YEARS of FILMS WORTH TALKING ABOUT 39 Years, 2 Months, and Counting…
    5 JAN 18 1 FEB 18 1 | 5 JAN 18 - 1 FEB 18 88 LOTHIAN ROAD | FILMHOUSECinema.COM CELEBRATING FORTY YEARS OF FILMS WORTH TALKING ABOUT 39 Years, 2 Months, and counting… As you’ll spot deep within this programme (and hinted at on the front cover) January 2018 sees the start of a series of films that lead up to celebrations in October marking the 40th birthday of Filmhouse as a public cinema on Lothian Road. We’ve chosen to screen a film from every year we’ve been bringing the very best cinema to the good people of Edinburgh, and while it is tremendous fun looking back through the history of what has shown here, it was quite an undertaking going through all the old programmes and choosing what to show, and a bit of a personal journey for me as one who started coming here as a customer in the mid-80s (I know, I must have started very young...). At that time, I’d no idea that Filmhouse had only been in existence for less than 10 years – it seemed like such an established, essential institution and impossible to imagine it not existing in a city such as Edinburgh. My only hope is that the cinema is as important today as I felt it was then, and that the giants on whose shoulders we currently stand feel we’re worthy of their legacy. I hope you can join us for at least some of the screenings on this trip down memory lane... And now, back to the now.
    [Show full text]
  • LAND HO! Written and Directed by Martha Stephens & Aaron Katz
    Mongrel Media Presents LAND HO! Written and Directed by Martha Stephens & Aaron Katz Official Selection Sundance Film Festival 2014 Tribeca Film Festival 2014 Los Angeles Film Festival 2014 (95 min., Iceland/USA, 2014) Language: English Distribution Publicity Bonne Smith Star PR 1028 Queen Street West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1H6 Fax: 416-488-8438 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html Directors’ Statement LAND HO! is about getting older. Colin and Mitch, both disappointed by their work and unsuccessful relationships, take to foreign parts in order to escape the isolation they feel. Once friends, they have drifted apart over the years. Each of them has lost the people closest to them and each is looking for some kind of connection. That sets the stage for turning loose two guys who sometimes can’t stand each other, but who desperately need each other. Like many of us, Colin and Mitch strive to find happiness in exploring new territories, connecting to the land, and briefly existing in another life. These men want to escape their circumstances, to feel alive and invigorated, but find that, no matter how far they are from home, the grass is always greener. It’s hard to fully appreciate the moment when one is right in the thick of it. This strange human contradiction is equally humorous and heartbreaking, much like Colin and Mitch’s story. When comedy arises from people genuinely interacting with each other and their environment, it does more than generate laughter.
    [Show full text]
  • Religious Studies 181B Political Islam and the Response of Iranian
    Religious Studies 181B Political Islam and the Response of Iranian Cinema Fall 2012 Wednesdays 5‐7:50 PM HSSB 3001E PROFESSOR JANET AFARY Office: HSSB 3047 Office Hours; Wednesday 2:00‐3:00 PM E‐Mail: [email protected] Assistant: Shayan Samsami E‐Mail: [email protected] Course Description Artistic Iranian Cinema has been influenced by the French New Wave and Italian neorealist styles but has its own distinctly Iranian style of visual poetry and symbolic lanGuaGe, brinGinG to mind the delicate patterns and intricacies of much older Iranian art forms, the Persian carpet and Sufi mystical poems. The many subtleties of Iranian Cinema has also stemmed from the filmmakers’ need to circumvent the harsh censorship rules of the state and the financial limitations imposed on independent filmmakers. Despite these limitations, post‐revolutionary Iranian Cinema has been a reGular feature at major film festivals around the Globe. The minimalist Art Cinema of Iran often blurs the borders between documentary and fiction films. Directors employ non‐professional actors. Male and female directors and actors darinGly explore the themes of Gender inequality and sexual exploitation of women in their work, even thouGh censorship laws forbid female and male actors from touchinG one another. In the process, filmmakers have created aesthetically sublime metaphors that bypass the censors and directly communicate with a universal audience. This course is an introduction to contemporary Iranian cinema and its interaction with Political Islam. Special attention will be paid to how Iranian Realism has 1 developed a more tolerant discourse on Islam, culture, Gender, and ethnicity for Iran and the Iranian plateau, with films about Iran, AfGhanistan, and Central Asia.
    [Show full text]
  • 43E Festival International Du Film De La Rochelle Du 26 Juin Au 5 Juillet 2015 Le Puzzle Des Cinémas Du Monde
    43e Festival International du Film de La Rochelle du 26 juin au 5 juillet 2015 LE PUZZLE DES CINÉMAS DU MONDE Une fois de plus nous revient l’impossible tâche de synthétiser une édition multiforme, tant par le nombre de films présentés que par les contextes dans lesquels ils ont été conçus. Nous ne pouvons nous résoudre à en sélectionner beaucoup moins, ce n’est pas faute d’essayer, et de toutes manières, un contexte économique plutôt inquiétant nous y contraint ; mais qu’une ou plusieurs pièces essentielles viennent à manquer au puzzle mental dont nous tentons, à l’année, de joindre les pièces irrégulières, et le Festival nous paraîtrait bancal. Finalement, ce qui rassemble tous ces films, qu’ils soient encore matériels ou virtuels (50/50), c’est nous, sélectionneuses au long cours. Nous souhaitons proposer aux spectateurs un panorama généreux de la chose filmique, cohérent, harmonieux, digne, sincère, quoique, la sincérité… Ambitieux aussi car nous aimons plus que tout les cinéastes qui prennent des risques et notre devise secrète pourrait bien être : mieux vaut un bon film raté qu’un mauvais film réussi. Et enfin, il nous plaît que les films se parlent, se rencontrent, s’éclairent les uns les autres et entrent en résonance dans l’esprit du festivalier. En 2015, nous avons procédé à un rééquilibrage géographique vers l’Asie, absente depuis plusieurs éditions de la programmation. Tout d’abord, avec le grand Hou Hsiao-hsien qui en est un digne représentant puisqu’il a tourné non seulement à Taïwan, son île natale mais aussi au Japon, à Hongkong et en Chine.
    [Show full text]
  • World Cinema Amsterd Am 2
    WORLD CINEMA AMSTERDAM 2011 3 FOREWORD RAYMOND WALRAVENS 6 WORLD CINEMA AMSTERDAM JURY AWARD 7 OPENING AND CLOSING CEREMONY / AWARDS 8 WORLD CINEMA AMSTERDAM COMPETITION 18 INDIAN CINEMA: COOLLY TAKING ON HOLLYWOOD 20 THE INDIA STORY: WHY WE ARE POISED FOR TAKE-OFF 24 SOUL OF INDIA FEATURES 36 SOUL OF INDIA SHORTS 40 SPECIAL SCREENINGS (OUT OF COMPETITION) 47 WORLD CINEMA AMSTERDAM OPEN AIR 54 PREVIEW, FILM ROUTES AND HET PAROOL FILM DAY 55 PARTIES AND DJS 56 WORLD CINEMA AMSTERDAM ON TOUR 58 THANK YOU 62 INDEX FILMMAKERS A – Z 63 INDEX FILMS A – Z 64 SPONSORS AND PARTNERS WELCOME World Cinema Amsterdam 2011, which takes place WORLD CINEMA AMSTERDAM COMPETITION from 10 to 21 August, will present the best world The 2011 World Cinema Amsterdam competition cinema currently has to offer, with independently program features nine truly exceptional films, taking produced films from Latin America, Asia and Africa. us on a grandiose journey around the world with stops World Cinema Amsterdam is an initiative of in Iran, Kyrgyzstan, India, Congo, Columbia, Argentina independent art cinema Rialto, which has been (twice), Brazil and Turkey and presenting work by promoting the presentation of films and filmmakers established filmmakers as well as directorial debuts by from Africa, Asia and Latin America for many years. new, young talents. In 2006, Rialto started working towards the realization Award winners from renowned international festivals of a long-cherished dream: a self-organized festival such as Cannes and Berlin, but also other films that featuring the many pearls of world cinema. Argentine have captured our attention, will have their Dutch or cinema took center stage at the successful Nuevo Cine European premieres during the festival.
    [Show full text]
  • Reminder List of Productions Eligible for the 86Th Academy Awards
    REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 86TH ACADEMY AWARDS ABOUT TIME Notes Domhnall Gleeson. Rachel McAdams. Bill Nighy. Tom Hollander. Lindsay Duncan. Margot Robbie. Lydia Wilson. Richard Cordery. Joshua McGuire. Tom Hughes. Vanessa Kirby. Will Merrick. Lisa Eichhorn. Clemmie Dugdale. Harry Hadden-Paton. Mitchell Mullen. Jenny Rainsford. Natasha Powell. Mark Healy. Ben Benson. Philip Voss. Tom Godwin. Pal Aron. Catherine Steadman. Andrew Martin Yates. Charlie Barnes. Verity Fullerton. Veronica Owings. Olivia Konten. Sarah Heller. Jaiden Dervish. Jacob Francis. Jago Freud. Ollie Phillips. Sophie Pond. Sophie Brown. Molly Seymour. Matilda Sturridge. Tom Stourton. Rebecca Chew. Jon West. Graham Richard Howgego. Kerrie Liane Studholme. Ken Hazeldine. Barbar Gough. Jon Boden. Charlie Curtis. ADMISSION Tina Fey. Paul Rudd. Michael Sheen. Wallace Shawn. Nat Wolff. Lily Tomlin. Gloria Reuben. Olek Krupa. Sonya Walger. Christopher Evan Welch. Travaris Meeks-Spears. Ann Harada. Ben Levin. Daniel Joseph Levy. Maggie Keenan-Bolger. Elaine Kussack. Michael Genadry. Juliet Brett. John Brodsky. Camille Branton. Sarita Choudhury. Ken Barnett. Travis Bratten. Tanisha Long. Nadia Alexander. Karen Pham. Rob Campbell. Roby Sobieski. Lauren Anne Schaffel. Brian Charles Johnson. Lipica Shah. Jarod Einsohn. Caliaf St. Aubyn. Zita-Ann Geoffroy. Laura Jordan. Sarah Quinn. Jason Blaj. Zachary Unger. Lisa Emery. Mihran Shlougian. Lynne Taylor. Brian d'Arcy James. Leigha Handcock. David Simins. Brad Wilson. Ryan McCarty. Krishna Choudhary. Ricky Jones. Thomas Merckens. Alan Robert Southworth. ADORE Naomi Watts. Robin Wright. Xavier Samuel. James Frecheville. Sophie Lowe. Jessica Tovey. Ben Mendelsohn. Gary Sweet. Alyson Standen. Skye Sutherland. Sarah Henderson. Isaac Cocking. Brody Mathers. Alice Roberts. Charlee Thomas. Drew Fairley. Rowan Witt. Sally Cahill.
    [Show full text]
  • Historia De La Nefrología En El Cine: Enfermedad De Bright1: Historia De Una Pasión (2016)
    RMC Medicina en fotogramas/ Medicine in Film Stills JMM Historia de la nefrología en el cine: enfermedad de Bright1: Historia de una pasión (2016) Ficha técnica Título original: A Quiet Passion. Otros títulos: Una serena pasión(Argentina). País: Reino Unido, Bélgica. Año: 2016. Director: Terence Davies. Fotografía: Florian Hoffmeister. Montaje: Pia Di Ciaula. Guion: Terence Davies. Intérpretes: Duncan Duff, Jennifer Ehle, Cynthia Nixon, Jodhi May, Joanna Bacon, Emma Bell, Sara Vertongen, Rose Williams, Benjamin Wainwright, Keith Carradine, Marieke Bresseleers, David Van Bouwel, Annette Badland, Steve Dan Mills, Catherine Bailey, Noémie Schellens, Miles Richardson, Eric Loren… Color: color. Duración: 125 minutos. Género: biográfico, drama. Idioma original: inglés. Productoras: Hurricane Films, Potemkino, WeatherVane Productions. Sinopsis: “Biopic de la obra y vida de la gran Emily Dickinsona, una poetisa que paso la mayor parte de su vida en casa de sus padres en Amherst, Massachusetts. La mansión en la que vivió sirve de telón de fondo al retrato de una mujer nada convencional de la que se sabe muy poco. Nacida en 1803, fue considerada una niña con talento, pero un trauma emocional la obligó a dejar los estudios. A partir de ese momento, se retiró de la sociedad y empezó a escribir poemas. A pesar de su vida solitaria, su obra transporta a sus lectores a su apa- sionante mundo. Esta es la historia de la poeta estadou- Cartel en español. nidense Emily Dickinson, desde su infancia hasta conver- tirse en la famosa artista que conocemos” (FilmAffinity). Acción: Amherst, Massachusetts, EEUU (1848-1886). Disponible: Historia de una pasión (DVD). Barcelona: CAMEO MEDIA S.L.; 2017.
    [Show full text]
  • The BG News January 15, 1974
    Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 1-15-1974 The BG News January 15, 1974 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News January 15, 1974" (1974). BG News (Student Newspaper). 2920. https://scholarworks.bgsu.edu/bg-news/2920 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. An Independent Bowling Green. Ohio Student Tuesday January IS. 1974 Voice ■me BG news Volume 57 Number 53 Gilligan awaiting energy decision By Janet Romaker allocations and within five days after consolidation The governor said some When asked why Central Stale and expenses at such and such a ic\ci then Board of Regents I'll they were News Editor their issuance, withdrew them school districts are so small "they ohm University were given more their enrollment dropped oft They lose justified in advancing addition Gilligan said cannot offer a full range of courses or lunds. he answered I know the lees from the students and subsidies over the formula aiununt- Sporting a red. white and blue Ohio We are waiting for the third set offer a proper college preparatory reason advanced by the Board ol Irom the stale They have nowhere In He said it is at tin expense of Hag pin in his lapel Oov Gilligan now.
    [Show full text]
  • Geniale-Göttin Presseheft FINAL.Pdf
    GENIALE GÖTTIN Die Geschichte von Hedy Lamarr Ein Dokumentarfilm von Alexandra Dean Eine Produktion von Reframed Pictures KINOSTART: 16. August 2018 2 VERLEIH NFP marketing & distribution* Kantstraße 54 10627 Berlin Tel.: 030 232 55 42 13 Fax: 030 232 5542 19 www.NFP.de VERTRIEB Filmwelt Verleihagentur GmbH Rheinstrasse 24 80803 München Tel.: 089 277752 0 Fax: 089 277752 11 [email protected] PRESSEBETREUUNG filmcontact Kastanienallee 79 10435 Berlin Tel.: 030 279 08 700 Fax: 030 2709 08 795 [email protected] Weitere Presseinformationen und Bildmaterial stehen online für Sie bereit unter www.filmpresskit.de 3 INHALTSVERZEICHNIS Besetzung 5 Stab 5 Technische Daten 5 Inhalt 6 Vita Hedy Lamarr 7 Interview mit Alexandra Dean und Adam Haggiag 8 Director´s Note 11 Biografien 12 4 BESETZUNG Hedy Lamarr, Mel Brooks, Jennifer Hom, Anthony Loder, Wendy Colton, Fleming Meeks, Richard Rhodes, Jan-Christopher Horak, Jeanine Basinger, Peter Bogdanovich, Anne Helen Petersen, Diane Kruger, Stephen Michael Shearer, Robert Osborne, Denise Loder DeLuca, Roy Windham, Manya Breuer, Guy P. Livingston, Tony Rothman, Prof. Danijela Cabric (UCLA), Nino Amarena, Michael Tilson Thomas, Arthur A. McTighe, Lodi Loder, James L. Loder, William J. Birnes, Dr. Lisa Cassileth, David Hughes, Major Darrell Grob. STAB Regie Alexandra Dean Produktion Reframed Pictures In Zusammenarbeit mit American Masters Pictures Produzenten Susan Sarandon, Michael Kantor, Adam Haggiag, Alexandra Dean, Katherine Drew Koproduzenten David Koh, Dan Braun Schnitt Linda Jankura Kamera Buddy Squires Musik Keegan Dewitt TECHNISCHE DATEN Produktionsjahr: 2017 Laufzeit: 90 Min. Format: 2K Flat Ton: 5.1 Audio Sprache: Englisch Produktionsland: USA 5 INHALT Der Hollywood-Star Hedy Lamarr (Mädchen im Rampenlicht, Samson und Delilah) galt einst als weltweit schönste Frau und feierte als Filmschauspielerin besonders in den 1940er Jahren große internationale Erfolge.
    [Show full text]
  • DVD Profiler
    101 Dalmatians II: Patch's London Adventure Animation Family Comedy2003 74 minG Coll.# 1 C Barry Bostwick, Jason Alexander, The endearing tale of Disney's animated classic '101 Dalmatians' continues in the delightful, all-new movie, '101 Dalmatians II: Patch's London A Martin Short, Bobby Lockwood, Adventure'. It's a fun-filled adventure fresh with irresistible original music and loveable new characters, voiced by Jason Alexander, Martin Short and S Susan Blakeslee, Samuel West, Barry Bostwick. Maurice LaMarche, Jeff Bennett, T D.Jim Kammerud P. Carolyn Bates C. W. Garrett K. SchiffM. Geoff Foster 102 Dalmatians Family 2000 100 min G Coll.# 2 C Eric Idle, Glenn Close, Gerard Get ready for outrageous fun in Disney's '102 Dalmatians'. It's a brand-new, hilarious adventure, starring the audacious Oddball, the spotless A Depardieu, Ioan Gruffudd, Alice Dalmatian puppy on a search for her rightful spots, and Waddlesworth, the wisecracking, delusional macaw who thinks he's a Rottweiler. Barking S Evans, Tim McInnerny, Ben mad, this unlikely duo leads a posse of puppies on a mission to outfox the wildly wicked, ever-scheming Cruella De Vil. Filled with chases, close Crompton, Carol MacReady, Ian calls, hilarious antics and thrilling escapes all the way from London through the streets of Paris - and a Parisian bakery - this adventure-packed tale T D.Kevin Lima P. Edward S. Feldman C. Adrian BiddleW. Dodie SmithM. David Newman 16 Blocks: Widescreen Edition Action Suspense/Thriller Drama 2005 102 min PG-13 Coll.# 390 C Bruce Willis, Mos Def, David From 'Lethal Weapon' director Richard Donner comes "a hard-to-beat thriller" (Gene Shalit, 'Today'/NBC-TV).
    [Show full text]
  • Download Detailseite
    BERLINALE SPECIAL A QUIET PASSION GALA Terence Davies Wer war Emily Dickinson? Was für ein Mensch verbirgt sich hinter der Großbritannien/Belgien 2015 Dichterin, die die meiste Zeit ihres Lebens im elterlichen Anwesen 125 Min. · DCP · Farbe in Amherst, Massachusetts, verbrachte? Das Herrenhaus ist der Schauplatz eines Films, der eine eigenwillige Frau porträtiert, von der Regie, Buch Terence Davies Kamera Florian Hoffmeister nur wenige biografische Fakten bekannt sind. Die 1803 geborene Schnitt Pia Di Ciaula s t Dickinson gilt als begabtes Mädchen, muss aber aufgrund seelischer e o Ton Johan Maertens V n a Leiden das Studium abbrechen. Die menschenscheue Frau zieht sich h o Production Design Merjin Sep J : o t o zurück und schreibt Gedichte. Trotz der Enge ihrer eigenen Welt F Art Director Toon Mariën nimmt sie den Leser mit in die Weite. Kostüm Catherine Marchand Geboren 1945 in Kensington, damals ein Terence Davies imaginiert ihre Biografie und erkundet, wie die Arbeiterstadtteil Liverpools. Fuhr mit 16 Regieassistenz Johan Ivens zur See, danach Studium an der Drama einzigartigen Gedichte der Emily Dickinson entstehen konnten. Casting John Hubbard, Ros Hubbard School in Coventry. Hier entstand sein erstes Behutsam gleitet die Kamera in ein Leben, in dem die Poesie immer Production Manager June Beeckmans Drehbuch, das seinem Debütfilm CHILDREN mehr Raum einnimmt. Mit der Außenwelt korrespondiert Emily Produzenten Roy Boulter, Sol Papadopoulos zugrunde liegt. Studium an der National Film Dickinson in Briefen. Mit ihren Geschwistern und dem Geistlichen Executive Producer Andrea Gibson & Television School in London. Erste Erfolge Charles Wadsworth tauscht sie philosophische und alltägliche Co-Produzenten Peter De Maegd, mit den autobiografischen Filmen DISTANT Beobachtungen aus.
    [Show full text]
  • Gazette Attu Ololnntat Iatttj INCORPORATING the ROYAL GAZETTE (Established 1828) and the BERMUDA COLONIST (Established 1866)
    2% &opl (gazette attu Ololnntat iatttj INCORPORATING THE ROYAL GAZETTE (Established 1828) and THE BERMUDA COLONIST (Established 1866) VOL. 17—NO. 240 HAMILTON. BERMUDA, SATURDAY. OCTOBER 8, 1932 3D PER COPY—40/- PER ANNUM COLONIAL PARLIAMENT OPENED BY ACTING GOVERNOR IRISH DELEGATES TO BURGLARY AT ENGLISH ! THE IRISH SITUATION SPORTS SHOP FALLING REVENUE IS Delegates to Conference Named CONFERENCE NAMED We learn that the English Sports REPORTED Shop on Queen St., Messrs. Trim- LONDON, Oct. 7.—The Irish Free ingham Bros., was broken in some­ State Cabinet has announced that time between Thursday noon and the delegates to the land annuities ( Friday morning, and some con­ conference in London will be de Note Of Thankfulness Struck Five-Power Conference Halted tents taken. The burglar effected Valera, McEntee, Finance Minister, his entrance from the rear of the Connor Maguire, Attorney-General Once More premises, scaling a 10 ft iron rail­ and George Ghegan, Minister of British Naval Officer Found Guilty of Serious ing and smashing a window in his Justice. Although the meeting efforts. will discuss their financial differ­ Charge—Canadian Parliament Opened— Considering the central locality ences, said Thomas speaking at BUILDING REGULATIONS LAW Draw for Irish Cesarewitch Sweep Be­ and the many activities adjourning Newport and referring to the re­ the premises, it is disturbing to sumed negotiations, the Irish Free IS FORECAST gun—Business Heads Advise Caution realise that such a daring burglary State and British Governments could be perpetrated without im­ representative must bear in mind the still wider issues of the main­ A falling off in revenue and an It is suitable that we should take in Foreign Investments—New York mediate detection.
    [Show full text]