Alex Ross Perry
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Jason Schwartzman Elisabeth Moss Jonathan Pryce Krysten Ritter Joséphine De La Baume Listen up Philip a Film by Alex Ross Perry
Jason Schwartzman Elisabeth Moss Jonathan Pryce Krysten Ritter Joséphine de La Baume Listen Up Philip a film by Alex Ross Perry Following up his critically acclaimed THE COLOR WHEEL, Alex Ross Perry scripts a complex, intimate and highly idiosyncratic comedy filled withNew Yorkers living their lives somewhere between individuality and isolation. Jason Schwartzman leads an impressive cast including Elisabeth Moss, Krysten Ritter and Jonathan Pryce, balancing Perry’s quick-witted dialogue and their characters’ painful, personal truths. With narration by Eric Bogosian, we switch perspectives as seasons and attitudes change, offering a literary look into the lives of these individuals and the triumph of reality over the human spirit. Listen Up Philip was produced by Washington Square Films (the company’s follow-up film to the acclaimed All Is Lost) and Sailor Bear Productions, the team behind the 2013 Sundance hit Ain’t Them Bodies Saints. SYNOPSIS Anger rages in Philip (Jason Schwartzman) as he awaits the publication of his sure-to-succeed second novel. He feels pushed out of his adopted home city by the constant crowds and noise, a deteriorating relationship with his photographer girlfriend Ashley (Elisabeth Moss), and his own indifference to promoting the novel. When Philip’s idol Ike Zimmerman (Jonathan Pryce) offers his isolated summer home as a refuge, he finally gets the peace and quiet to focus on his favorite subject – himself. Philip faces mistakes and miseries affecting those around him, including his girlfriend, her sister, his idol, his idol’s daughter, and all the ex-girlfriends and enemies that lie in wait on the open streets of New York. -
SEAN PRICE WILLIAMS Director of Photography
SEAN PRICE WILLIAMS Director of Photography FEATURES – Selected Credits TESLA Michael Almereyda Intrinsic Value Films HER SMELL Alex Ross Perry Bow and Arrow Entertainment Official Selection, SXSW Film Festival (2019) Official Selection, Toronto International Film Festival (2018) Official Selection, New York Film Festival (2018) TWO AGAINST NATURE Owen Kline Scott Rudin Prod / Elara Pictures GOOD TIME Ben and Joshua Safdie A24 Official Selection, Cannes Film Festival (2017) Nominated, Best Feature, Gotham Awards (2017) GOLDEN EXITS Alex Ross Perry Washington Square Films Official Selection, Sundance Film Festival (2017) Official Selection, Berlin Film Festival (2017) MARJORIE PRIME Michael Almereyda Film Rise / Passage Pictures Winner, Alfred P. Sloan Feature Film Prize, Sundance Film Festival (2017) THIRST STREET Nathan Silver Washington Square Films Official Selection, Tribeca Film Festival (2017) QUEEN OF EARTH Alex Ross Perry IFC Films Official Selection, Berlin Film Festival (2015) HEAVEN KNOWS WHAT Ben & Joshua Safdie Iconoclast Nominated, John Cassavetes Award, Independent Spirit Awards (2015) Nominated, Best Feature, Gotham Awards (2015) Official Selection, SXSW Film Festival (2015) Official Selection, Toronto International Film Festival (2014) Winner, C.I.C.A.E. Award, Venice Film Festival (2014) CHRISTMAS, AGAIN Charles Poekel Sundance Channel Official Selection, New Directors/New Films Film Festival (2015) Official Selection, Sundance Film Festival (2015) Nominated, John Cassavetes Award, Independent Spirit Awards (2015) SIN -
SEAN PRICE WILLIAMS Director of Photography
SEAN PRICE WILLIAMS Director of Photography FEATURES – Selected Credits TESLA Michael Almereyda Intrinsic Value Films Alfred P. Sloan Feature Film Prize, Sundance Film Festival (2020) HER SMELL Alex Ross Perry Bow and Arrow Entertainment Official Selection, SXSW Film Festival (2019) Official Selection, Toronto International Film Festival (2018) Official Selection, New York Film Festival (2018) TWO AGAINST NATURE Owen Kline Scott Rudin Prod / Elara Pictures GOOD TIME Ben and Joshua Safdie A24 Official Selection, Cannes Film Festival (2017) Nominated, Best Feature, Gotham Awards (2017) GOLDEN EXITS Alex Ross Perry Washington Square Films Official Selection, Sundance Film Festival (2017) Official Selection, Berlin Film Festival (2017) MARJORIE PRIME Michael Almereyda Film Rise / Passage Pictures Winner, Alfred P. Sloan Feature Film Prize, Sundance Film Festival (2017) THIRST STREET Nathan Silver Washington Square Films Official Selection, Tribeca Film Festival (2017) QUEEN OF EARTH Alex Ross Perry IFC Films Official Selection, Berlin Film Festival (2015) HEAVEN KNOWS WHAT Ben & Joshua Safdie Iconoclast Nominated, John Cassavetes Award, Independent Spirit Awards (2015) Nominated, Best Feature, Gotham Awards (2015) Official Selection, SXSW Film Festival (2015) Official Selection, Toronto International Film Festival (2014) Winner, C.I.C.A.E. Award, Venice Film Festival (2014) CHRISTMAS, AGAIN Charles Poekel Sundance Channel Official Selection, New Directors/New Films Film Festival (2015) Official Selection, Sundance Film Festival (2015) Nominated, John Cassavetes Award, Independent Spirit Awards (2015) SIN ALAS Ben Chace Franklin Avenue Films Official Selection, Los Angeles Film Festival (2015) LISTEN UP PHILLIP Alex Ross Perry Washington Square Films Winner, Special Jury Prize, Locarno International Film Festival (2014) Official Selection, Sundance Film Festival (2014) YOUNG BODIES HEAL QUICKLY Andrew T. -
Thirst Street Press-Notes-Web.Pdf
A PSYCHOSEXUAL BLACK COMEDY Press Contacts: Kevin McLean | [email protected] Kara MacLean | [email protected] USA/FRANCE / 2017 / 83 minutes / English with French Subtitles / Color / DCP + Blu-ray Alone and depressed after the suicide of her lover, American flight attendant Gina (Lindsay Burdge, A TEACHER) travels to Paris and hooks up with nightclub bartender Jerome (Damien Bonnard, STAYING VERTICAL) on her layover. But as Gina falls deeper into lust and opts to stay in France, this harmless rendezvous quickly turns into unrequited amour fou. When Jerome’s ex Clémence (Esther Garrel) reenters the picture, Gina is sent on a downward spiral of miscommunication, masochism, and madness. Inspire by European erotic dramas from the 70’s, THIRST STREET burrows deep into the delirious extremes we go to for love. DIRECTOR’S STATEMENT THIRST STREET brings together two of my longest-standing, most nagging obsessions: France and Don Quixote. I spent my junior year of high school as an exchange student in France, in a foolish attempt to live out my dream of being a French poet. I realized within days that I wasn’t French (and never would be) and that poetry wasn’t for me, but nearly two decades later, I still find myself just as obsessed with the place. Our protagonist Gina is my Quixote, unflinching in her quest to find that most important (and ridiculous) thing: love. The emotions of THIRST STREET are just as hysterical as those in my last few movies, but the style here is much more fluid and deliberate, with surreal lighting increasingly threatening to devour the picture. -
Bamcinématek Announces the Full Lineup for the Ninth Annual
BAMcinématek announces the full lineup for the ninth annual BAMcinemaFest, a festival of American independent films with 24 New York premieres, one North American and three world premieres, Jun 14—25 Opening night—New York premiere of Aaron Katz’s Gemini Closing night—New York premiere of Alex Ross Perry’s Golden Exits Centerpiece— World premiere of Jim McKay’s En el Séptimo Día Spotlight—New York premieres of David Lowery’s A Ghost Story & Gillian Robespierre’s Landline Outdoor screening—Jim McKay’s Our Song (2000) in Brooklyn Bridge Park The Wall Street Journal is the title sponsor for BAMcinemaFest, BAMcinématek, and BAM Rose Cinemas. May 3, 2017/Brooklyn, NY—BAMcinématek announces the full lineup for the ninth annual BAMcinemaFest (Jun 14—25), hailed as “The New York film festival for independent films” (The New Yorker). A 12-day festival presenting premieres of emerging voices in American independent cinema, this year’s lineup features 24 New York premieres, one North American premiere, and three world premieres. The Wall Street Journal is proud once again to join BAMcinemaFest as the title sponsor. “I’m incredibly proud of the program our team has put together,” says Gina Duncan, Associate Vice President, Cinema. “From the endearing comedy The Big Sick to the micro-budget Princess Cyd and Lemon, the audacious first feature from Janicza Bravo, the line-up truly reflects the breadth of American independent cinema today. Other highlights include the world premiere of Jim McKay’s, En el Séptimo Día an instant classic all the more powerful for its relevance, Aaron Katz’s sophisticated genre piece, Gemini, Common Carrier, a cinematic mixtape from the Bushwick based filmmaker, James N. -
Golden Exits
Perry,GOLDEN Alex EXITS Ross 52 14036 pos: 19 _ © Sean Price Williams Golden Exits Alex Ross Perry Producer Christos V. Konstantakopoulos, Alex Ross Perry, It’s April and Naomi has come to New York from Australia to work for Nick, Adam Piotrowicz, Katie Stern, Joshua Blum, Craig Butta. an archivist cataloguing the materials belonging to his partner Alyssa’s Production companies Faliro House Productions (Athen, dead father. Nick was given the job by her sister Gwen; both are suspicious Greece), Washington Square Films (New York, USA), Bow of Nick’s preference for female assistants. Naomi doesn’t know anyone in & Arrow Entertainment (Los Angeles, USA), Forager Film the city apart from her childhood acquaintance Buddy. He runs his own Company (Chicago, USA), Webber Gilbert Media Group (Chicago, recording studio and employed Jess to run it; she later became his wife. USA). Written and directed by Alex Ross Perry. Director of Her best friend Sam is Gwen’s personal assistant; Gwen isn’t easy. photography Sean Price Williams. Editor Robert Greene. Naomi and Jess are in their twenties; Sam and Buddy in their thirties; Nick, Music Keegan DeWitt. Sound design Ryan M. Price. Sound Jim Alyssa and Gwen in their forties; none of them are happy. It’s there in their Morgan, Lion Thompson. Production design Fletcher Chancey, faces, captured in tight close-ups which amplify the stubborn sense of Scott Kuzio. discontent. Naomi’s arrival awakens things that could be, that might have With Emily Browning (Naomi), Adam Horovitz (Nick), Jason been, that never will be. Each generation covets the other’s privileges Schwartzman (Buddy), Chloë Sevigny (Alyssa), Mary-Louise while quietly forgetting its own. -
Film.Com/Movies Meet Micro-Budget Filmmaking’S Most Exciting Cinematographer
Film.com/movies Meet Micro-Budget Filmmaking’s Most Exciting Cinematographer Calum Marsh July 17, 2013 Broadly speaking, micro-budget indie films don’t exactly have a reputation for high-quality cinematography, and if anything the smallest films are lauded in spite of how they look, not because of it. Independent productions rarely have the luxury of hiring an experienced DP, and with the advent of affordable, passably “high-end” digital cameras, amateur directors often assume they don’t need one, even though the results usually look, at best, like hyper-glossy TV commercials for cleaning products or Sunny D. The American independent cinema, in other words, is starved for technical competence—so much so that even nominally professional- looking features ought to be applauded for clearing the low bar—and even if we’re occasionally treated to an aesthetic powerhouse like “Computer Chess”, those rarities are decidedly the exception rather than the rule. But if you have been paying attention to the New York indie scene of late, where some of the most exciting films have been emerging in what feels like a kind of post-mumblecore new wave, you may have noticed a recurring credit: Sean Price Williams, who has quickly proven himself to be one of most exciting cinematographers working today. Williams first came to prominence with his eye-catching work on the documentary “Beetle Queen Conquers Tokyo”, which artfully augmented its talking head interview footage with expressive panoramas of the Japanese skyline, and Ronnie Bronstein’s comedy “Frownland”, which distinguished itself from 2007’s mumblecore glut by being one of the few films of its kind to be shot on film. -
SEAN PRICE WILLIAMS Director of Photography
SEAN PRICE WILLIAMS Director of Photography FEATURES – Selected Credits TWO AGAINST NATURE Owen Kline Scott Rudin Prod / Elara Pictures GOLDEN EXITS Alex Ross Perry Washington Square Films Official Selection, Sundance Film Festival (2017) Official Selection, Berlin Film Festival (2017) GOOD TIME Ben and Joshua Safdie A24 Official Selection, In Competition, Cannes Film Festival (2017) Nominated, “Best Feature”, Gotham Awards (2017) MARJORIE PRIME Michael Almereyda Film Rise / Passage Pictures Winner, Alfred P. Sloan Feature Film Prize, Sundance Film Festival (2017) THIRST STREET Nathan Silver Washington Square Films Official Selection, Tribeca Film Festival (2017) QUEEN OF EARTH Alex Ross Perry IFC Films Official Selection, Berlin Film Festival (2015) HEAVEN KNOWS WHAT Ben & Joshua Safdie Iconoclast Nominated, John Cassavetes Award, Independent Spirit Awards (2015) Nominated, “Best Feature”, Gotham Awards (2015) Official Selection, SXSW Film Festival (2015) Official Selection, Toronto International Film Festival (2014) Winner, C.I.C.A.E. Award, Venice Film Festival (2014) CHRISTMAS, AGAIN Charles Poekel Sundance Channel Official Selection, New Directors/New Films Film Festival (2015) Official Selection, Sundance Film Festival (2015) Nominated, John Cassavetes Award, Independent Spirit Awards (2015) SIN ALAS Ben Chace Franklin Avenue Films Nominated, Best Film, Los Angeles Film Festival (2015) LISTEN UP PHILLIP Alex Ross Perry Washington Square Films Winner, Special Jury Prize, Locarno International Film Festival (2014) Official Selection, -
In Defense of Sundance: Examining the Film Festival’S Place in American Independent Cinema in the Age of Netflix and Amazon Adam Soll Claremont Mckenna College
Claremont Colleges Scholarship @ Claremont CMC Senior Theses CMC Student Scholarship 2017 In Defense of Sundance: Examining the Film Festival’s Place in American Independent Cinema in the Age of Netflix and Amazon Adam Soll Claremont McKenna College Recommended Citation Soll, Adam, "In Defense of Sundance: Examining the Film Festival’s Place in American Independent Cinema in the Age of Netflix and Amazon" (2017). CMC Senior Theses. 1630. http://scholarship.claremont.edu/cmc_theses/1630 This Open Access Senior Thesis is brought to you by Scholarship@Claremont. It has been accepted for inclusion in this collection by an authorized administrator. For more information, please contact [email protected]. Claremont McKenna College In Defense of Sundance: Examining the Film Festival’s Place in American Independent Cinema in the Age of Netflix and Amazon submitted to Professor James Morrison by Adam Soll for Senior Thesis Spring Semester April 24th 2017 1 Acknowledgements First and foremost, I would like to thank my reader, Professor James Morrison. Over the past four semesters, your wisdom and guidance have tremendously enriched my love of film and helped me grow as a writer and critical thinker. Thank you to Andrew Ahn, who so generously took the time to discuss his experience working with Sundance as an independent filmmaker. Lastly, thank you to my family, friends, teachers, and mentors for encouraging me to pursue my passion for film and for supporting me in every step of my education. 2 Table of Contents Abstract …………………………………………………………………….3 -
Emerging Filmmaker Alex Ross Perry Celebrated with Museum Retrospective
FOR IMMEDIATE RELEASE EMERGING FILMMAKER ALEX ROSS PERRY CELEBRATED WITH MUSEUM RETROSPECTIVE Museum of the Moving Image to screen the director’s four features, including his newest, Queen of Earth, with Perry and star Elisabeth Moss in person August 22–25, 2015 Astoria, New York (August 13, 2015)— Alex Ross Perry has become one of the most accomplished and provocative American independent filmmakers, with four disparate feature films that reinvent genres, are emotionally transgressive, feature scabrous dark humor, and evoke great cinema of the past while pushing ahead towards new forms. From August 22 through 25, 2015, Museum of the Moving Image will present all of his features, including a special preview screening of the new film Queen of Earth, with Perry and Moss in person, on August 25. “Alex Ross Perry’s two most recent films feature unforgettable and vivid performances—most notably Elisabeth Moss’s daring portrayal of emotional despair in the astonishing Queen of Earth,” said Chief Curator David Schwartz. “The Museum is pleased to offer New Yorkers an opportunity to catch up on an impressive body of work by this unique emerging talent who has incorporated his love of cinema into his own original vision.” The full schedule is included below. Except for Queen of Earth ($25 with discounts for Film Lover members and above), tickets are $12 ($9 for senior citizens and students / $6 for children 6–12 / free for members at the Film Lover level and above). Order tickets online at movingimage.us. SCHEDULE FOR ‘THE FILMS OF ALEX ROSS PERRY,’ AUGUST 22–25, 2015 Screenings take place in either the Sumner M. -
AMY L. FORSYTHE Makeup Dept
AMY L. FORSYTHE Makeup Dept. Head, Local 798 www.amylforsythe.com Selected Television: HALF-EMPTY (Pilot) – Amazon – Augustine Frizzell, pilot director RUSSIAN DOLL (Season 1) – Netflix – Leslye Headland, Amy Poehler, Natasha Lyonne, creators *Cast: Natasha Lyonne, Greta Lee, Charlie Barnett, Elizabeth Ashley, Yul Vazquez STRANGER THINGS (Seasons 1, 2 & 3) – Netflix – Matt Duffer & Ross Duffer, directors *Cast: Winona Ryder, Millie Bobby Brown, Joe Keery, Charlie Heaton *Nominee: Outstanding Makeup for a Single-Camera Series – Primetime Emmy Awards 2017 *Nominee: Best Period/Character Makeup – Makeup & Hair Guild Awards 2018 *Nominee: Best Special Makeup Effects – Makeup & Hair Guild Awards 2018 THE CHARACTERS (Season 1) – Netflix – Andrew Gaynord, director *Cast: Lauren Lapkus, Paul Downs, John Early, Kate Berlant, Tim Robinson, Natasha Rothwell NIGHT TRAIN (Season 1) – Seeso – Puloma Basu, Rob Hatch-Miller, directors *Cast: Wyatt Cenac, Sasheer Zamata, Kurt Braunohler, John Hodgman, Jean Grae, Seaton Smith AKA WYATT CENAC (Season 1) – Topic – Wyatt Cenac, director *Cast: Wyatt Cenac, Seaton Smith MOZART IN THE JUNGLE (Pilot & Season 1) – Amazon – Paul Wietz, director *Cast: Gael Garcia Bernal, Lola Kirke, Bernadette Peters STORYTIME (Pilot) – Comedy Central *Cast: Nicole Byer, Sasheer Zamata, Jack Antonoff, Ali Siddiq Selected Features: AFTER YANG – A24 – Kogonada, director *Cast: Haley Lu Richardson, Colin Farrell HER SMELL – Gunpowder & Sky – Alex Ross Perry, director *Cast: Elisabeth Moss, Agyness Deyn, Gayle Rankin, Cara Delevigne, -
'Her Smell' Review: Elisabeth Moss Is One of the Most Noxious Movie
‘Her Smell’ Review: Elisabeth Moss Is One of the Most Noxious Movie Characters of All Time in Brave and Rewarding Punk Epic TIFF: Alex Ross Perry's intimate punk epic dares you to walk out from the moment it starts, but rewards those who stick it out to the end. David Ehrlich So about that title. It stinks. It’s pungent and rancid. “Her Smell” could have a positive connotation, but you just know that it doesn’t here. There’s a hostility to it, like an odorous barrier you’d have to get through in order to reach the woman exuding it. Viewers familiar with any of Alex Ross Perry’s previous films will probably be holding their noses as they walk into this one. Newbies might want to follow suit. Perry knows what he’s doing. His work has always had the courage to be profoundly unpleasant. We’re talking about a guy whose breakthrough film (“The Color Wheel”) was a micro-budget 16mm road trip comedy that built to a sudden eruption of incest, and whose comparatively star-studded follow- ups (“Listen Up, Philip,” “Queen of Earth,” and “Golden Exits”) have shined a light on some of New York’s shittiest people. The most “likable character” in his entire body of work is a cat named Gadzookey. But if all of Perry’s stories have been hard to stomach, “Her Smell” takes things to impressive new lows before hitting bottom and tunneling out through the other side. It’s truly one of the most noxious movies ever made, which might help to explain why it’s also Perry’s best.