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Broadcast Bulletin Issue Number 228 22/04/13
Ofcom Broadcast Bulletin Issue number 228 22 April 2013 1 Ofcom Broadcast Bulletin, Issue 228 22 April 2013 Contents Introduction 4 Standards cases In Breach Retention and production of recordings My Channel, 24 December 2012, 04:00 5 Cancer: Forbidden Cures Showcase 2, 8 May 2012, 19:00 8 The Alan Titchmarsh Show ITV, 14 February 2013, 15:00 31 Advertising Scheduling cases In Breach Breach findings table Code on the Scheduling of Television Advertising compliance reports 37 Fairness and Privacy cases Not Upheld Complaint by Mrs Karen Peaston Obese: A Year to Save My Life, Sky1 HD, 30 January 2012 and repeat broadcasts until 13 May 2012 38 Complaint by Miss Karen Richardson EastEnders, BBC 1, 25 December 2012 46 Other Programmes Not in Breach 49 Complaints Assessed, Not Investigated 50 Investigations List 56 2 Ofcom Broadcast Bulletin, Issue 228 22 April 2013 Introduction Under the Communications Act 2003 (“the Act”), Ofcom has a duty to set standards for broadcast content as appear to it best calculated to secure the standards objectives1. Ofcom must include these standards in a code or codes. These are listed below. Ofcom also has a duty to secure that every provider of a notifiable On Demand Programme Services (“ODPS”) complies with certain standards requirements as set out in the Act2. The Broadcast Bulletin reports on the outcome of investigations into alleged breaches of those Ofcom codes below, as well as licence conditions with which broadcasters regulated by Ofcom are required to comply. We also report on the outcome of ODPS sanctions referrals made by ATVOD and the ASA on the basis of their rules and guidance for ODPS. -
CP-ITV3-D300 3-Axis ITV Control Panel
CP-ITV3-D300 3-Axis ITV Control Panel Telemetrics Control Panel for the Sony EVI-D30, EVI-D70, EVI-D100, EVI-HD3V, BRC-300, BRC-700 and Elmo PTC-100 Pan/Tilt Video Cameras enhances function and value for Teleconferencing, Educational, and Security Applications. P/N 92 55418 002 – 11 REV. - Page 1 6 Leighton Place Mahwah, New Jersey 07430 P: 201•848•9818 F: 201•848•9819 CP-ITV3-D300 OPERATING INSTRUCTIONS System with Daisy Chain Wiring Interconnect Cable Interconnect Cable Interconnect Cable 15’ CA-ITV-S15 15’ CA-ITV-S15 15’ CA-ITV-S15 25’ CA-ITV-S25 25’ CA-ITV-S25 25’ CA-ITV-S25 50’ CA-ITV-S50 50’ CA-ITV-S50 50’ CA-ITV-S50 Control Cable 6’ CA-ITV-DIN-6 25’ CA-ITV-DIN-25 *Extension Cable (Optional) 25’ CA-ITV-D-25 300’ CA-ITV-D-300 50’ CA-ITV-D-50 400’ CA-ITV-D-400 100’ CA-ITV-D-100 500’ CA-ITV-D-500 Video Switcher 200’ CA-ITV-D-200 Cables > 500’ use Rs422 kit Comprehensive CVG-SW61CS Control Cable Remote Panel POR T 1 PORT 3 Remote Control 10’ CA-ITV-V10 CAMERA CAMERA Cable * Remote Panel only PRES ET 25’ CA-ITV-P25 PR ES E T available with daisy PO R T 4 PORT 4 chain configuration CP-ITV3-EVI/BRC CP-ITV3-EVI/BRC * For Plenum cables, use part number CA-ITV-DP-XXX (where XXX=feet). PORT DESCRIPTION 1 SONY EVI-D100 CAMERA 2 NOT USED 3 VIDEO SWITCHER (CVG-SW61CS) 4 REMOTE PORT • Connect power, camera data, and video switcher cables to rear panel. -
PSB Report Definitions
Definitions: Channel groups (1) Channel group Output & Spend definition TV Viewing Audience Opinion Legal Definition BBC One, BBC Two, BBC Three, BBC All BBC channels (BBC Four, BBC News, BBC Parliament, CBBC, One, BBC Two, BBC CBeebies, BBC streaming channels, BBC Three, BBC Four, BBC BBC One, BBC Two, BBC HD (to March 2013) and BBC Olympics News , BBC Parliament Three, BBC Four, BBC News, channels (2012 only). ITV Network* (inc ,CBeebies, CBBC, BBC PSB Channels BBC Parliament, ITV/ITV ITV Breakfast), Channel 4, Channel 5 and Alba, all BBC HD Breakfast, Channel 4, Channel S4C (S4C is added to C4 2008-2009 and channels), the Channel 3 5,, BBC CBBC, CBeebies excluded from 2010 onwards post-DSO in services (provided by ITV, Wales). HD variants are included where STV and UTV), Channel 4, applicable (but not +1s). Channel 5, and S4C. BBC One, BBC Two, ITV Network (inc ITV BBC One, BBC Two, ITV/ITV Main five PSB Breakfast), Channel 4, Channel 5. HD BBC One, BBC Two, Breakfast, Channel 4, Channel channels variants are included where applicable ITV/STV/UTV, Channel 4, 5 (but not +1s). Channel 5 BBC One, BBC Two, BBC Three, BBC Four , BBC Main PSB channels News, ITV/STV/UTV, combined Channel 4, Channel 5, S4C Commercial PSB ITV/ITV Breakfast, Channel 4, Channels Channel 5 ITV+1 Network (inc ITV Breakfast) , ITV2, ITV2+1, ITV3, ITV3+1, ITV4, ITV4+1, CITV, Channel 4+1, E4, E4 +1, More4, CITV, ITV2, ITV3, ITV4, Commercial PSB More4 +1, Film4, Film4+1, 4Music, 4Seven, E4, Film4, More4, 5*, Portfolio Channels 4seven, Channel 4 Paralympics channels 5USA (2012 only), Channel 5+1, 5*, 5*+1, 5USA, 5USA+1. -
ITV Partners with Viewability Company Meetrics
PRESS RELEASE ITV partners with viewability company Meetrics First measurements across all channels show viewability rates above industry-wide benchmarks ITV, the UK’s biggest commercial broadcaster, announces that it has partnered with Meetrics, a leading European software company for advertising measurement and analytics, to provide enhanced advertising campaign delivery validation for VOD advertising across ITV Hub platforms. As part of the partnership, Meetrics provides video viewability data and reporting for ITV Hub on connected TV platforms and In-App (Android and iOS) as well as desktop and mobile web campaigns. This enriches the reporting capabilities for VOD campaigns run on ITV Hub and demonstrates the high quality of ITV’s ad inventory on metrics that are important to agencies and advertisers. With the partnership, ITV underlines its commitment to very high transparency standards and quality controls for the benefit of its advertising customers. Meetrics is an independent vendor accredited for various services by the Media Rating Council and committed to strict privacy rules in full accordance with GDPR. With Meetrics as a partner ITV is breaking new ground by being the first broadcaster in the world to make use of the IAB Open Measurement SDK, which is considered the most rigorous standard for In-App viewability measurement. To date, average measurement for campaigns running across ITV Hub showed a viewability rate (according to the MRC definition) of 98%, which is far beyond average, compared to industry viewability benchmarks. The new viewability measurement and reporting will give advertisers huge confidence that ITV can deliver standards on human and viewability measures that outperform the VOD market. -
INDUSTRY REPORT (AN ARTICLE of ITV ) After My Graduation, My
INDUSTRY REPORT (AN ARTICLE OF ITV ) After my graduation, my ambition is to work in ITV channel, for creating movies for children and applying 3d graphics in news channels is my passion in my life. In this report I would like to study about Itv’s News channel functions and nature of works in ITV’s graphics hub etc. ITV is a 24-hour television news channel in the United Kingdom which Launched in 1955 as Independent Television. It started broadcasting from 1 August 2000 to 23 December 2005. Latterly only between 6:00 am and 6:00 pm when ITV4 cut its hours to half day in 2005 and analogue cable, presenting national and international news plus regular business, sport, entertainment and weather summaries. Priority was usually given to breaking news stories. There was also an added focus on British stories, drawing on the resources of the ITV network's regional newsrooms. As a public service broadcaster, the ITV network is obliged to broadcast programming of public importance, including news, current affairs, children's and religious programming as well as party election broadcasts on behalf of the major political parties and political events. Current ITV Channels: • 1.1ITV • 1.2ITV2 • 1.3ITV3 • 1.4ITV4 • 1.5ITVBe • 1.6ITV Box Office • 1.7ITV Encore • 1.8ITV HD • 1.9CITV Uses of Graphics : 3D Graphics have been used to greatest effect in within news. In what can be a chaotic world where footage isn’t always the best quality news graphics play an important role in striping stories down to the bare essentials. -
Het Omzetten, Implementeren En Afdwingen Van Europese Productplaatsingsregels: Een Vergelijkend Casestudie Onderzoek Naar Groot-Brittannië En Vlaanderen
Fall 08 FACULTEIT ECONOMISCHE EN SOCIALE WETTENSCHAPPEN LYNN VAN HAECHT & SOLVAY BUSINESS SCHOOL Rolnummer: 92855 Vakgroep Communicatiewetenschappen Het omzetten, implementeren en afdwingen van Europese productplaatsingsregels: Een vergelijkend casestudie onderzoek naar Groot-Brittannië en Vlaanderen Masterproef ingediend tot het behalen van de graad van Master of Science in de Communicatiewetenschappen Academiejaar 2013-2014 Promotor: Prof. Dr. Karen Donders Aantal woorden (exclusief bijschriften en voetnoten): 24.970 ENGELSE VERTALING: CONVERTING, IMPLEMENTING AND ENFORCING EUROPEAN PRODUCT PLACEMENT POLICY: A COMPARATIVE CASESTUDY RESEARCH OF GREAT BRITAIN AND FLANDERS. 2 DANKWOORD Dit eindwerk vormt het sluitstuk van mijn opleiding Commmunicatiewetenschappen aan de Vrije Universiteit Brussel. Bij dezen wil ik dan ook graag enkele mensen bedanken die hebben bijgedragen tot de voltooiing van deze masterproef. Oprechte dank gaat uit naar mijn promotor, Prof. Dr. Karen Donders, voor de goede begeleiding en deskundig advies. Doorheen het schrijfproces was ze een enorme stimulans en heeft ze me gemotiveerd om dit eindverhandeling tot een goed einde te brengen. Eveneens wil ik haar bedanken voor de goede feedback en de verbeteringen van dit werk. Bijzondere dank gaat uit naar mijn ouders voor hun jarenlange financiële steun en de houvast die ze me gaven in moeilijk en emotionele tijden. Ook wil ik mijn vake bedanken die welwillend mijn verhandeling heeft willen nalezen. Verder wil ik ook mijn vriend Michael bedanken, die me onvoorwaardelijk heeft gesteund tijdens mijn studieloopbaan. 3 ABSTRACT Vandaag de dag leven we in een tijd van globalisering, digitalisering en mediaconvergentie, waarbij content en advertenties over de nationale grenzen heen vloeien via verschillende mediaplatforms. Deze verdere vorming van het medialandschap hebben geleid tot hanteren van nieuwe reclamevormen, omwille van de terugval van de traditionele reclame binnen de televisiemarkt. -
SATURDAY 20TH JANUARY All Programme Timings UK 06:00 Sooty
SATURDAY 20TH JANUARY All programme timings UK All programme timings UK All programme timings UK 06:00 Breakfast 06:00 Sooty 09:50 Black-ish 06:00 Forces News 10:00 Saturday Kitchen Live 06:10 Bottom Knocker Street 10:10 Toddlers Make You Laugh Out Loud 06:30 The Forces Sports Show 11:30 Mary Berry Everyday 06:20 Bottom Knocker Street 11:00 It's Not Rocket Science 07:00 British Motoring Legends 12:00 Football Focus 06:35 Dino Dana 11:55 Brooklyn Nine-Nine 08:00 The Aviators 13:00 BBC News 06:50 Super 4 12:20 Star Trek: Voyager 08:30 Sea Power 13:15 Masters Snooker 07:00 Signed Stories: Share a Story 13:05 Shortlist 09:00 Sea Power 16:30 Final Score 07:05 Ultimate Spider-Man 13:10 Malcolm in the Middle 09:30 Sea Power 17:30 BBC News 07:30 Scrambled! 13:35 Malcolm in the Middle 10:00 The Forces Sports Show 17:40 BBC London News 07:35 The Tom and Jerry Show 13:55 Young & Hungry 10:30 Hogan's Heroes 17:50 And They're Off... for Sport Relief 07:55 Fangbone 14:20 Young & Hungry 11:00 Hogan's Heroes 18:30 Pointless Celebrities 08:10 The Powerpuff Girls 14:40 There's Something About Megan 11:30 Hogan's Heroes 19:20 Wedding Day Winners 08:30 Be Cool, Scooby-Doo! 15:35 Don't Tell the Bride 12:00 Hogan's Heroes Lorraine Kelly and Rob Beckett present a series 09:05 Wishfart 16:20 The Middle 12:30 Hogan's Heroes which sees two pairs of nearlyweds and their 09:25 ITV News 16:45 Modern Family 13:00 R Lee Ermey's Mail Call friends and family compete to win the honeymoon 09:30 James Martin's Saturday Morning 17:05 Shortlist 13:30 R Lee Ermey's Mail Call of a lifetime. -
SATURDAY 28TH JULY 06:00 Breakfast 10:00 Saturday Kitchen
SATURDAY 28TH JULY All programme timings UK All programme timings UK All programme timings UK 06:00 Breakfast 09:50 The Big Bang Theory 06:00 The Forces 500 Back-to-back Music! 10:00 Saturday Kitchen Live 10:15 The Cars That Made Britain Great 07:00 The Forces 500 Back-to-back Music! 11:30 Nadiya's Family Favourites 09:25 Saturday Morning with James Martin 11:05 Carnage 08:00 I Dream of Jeannie 12:00 Bargain Hunt 11:20 James Martin's American Adventure 11:55 Brooklyn Nine-Nine 08:30 I Dream of Jeannie 13:00 BBC News 11:50 Eat, Shop, Save 12:20 Star Trek: Voyager 09:00 I Dream of Jeannie 13:15 Wanted Down Under 12:20 Love Your Garden 13:00 Shortlist 09:30 I Dream of Jeannie 14:00 Money for Nothing 13:20 ITV Lunchtime News 13:05 Modern Family 10:00 I Dream of Jeannie 14:45 Garden Rescue 13:30 ITV Racing: Live from Ascot 13:30 Modern Family 10:30 Hogan's Heroes 15:30 Escape to the Country 16:00 The Chase 13:55 The Fresh Prince of Bel Air 11:00 Hogan's Heroes 16:30 Wedding Day Winners 17:00 WOS Wrestling 14:20 The Fresh Prince of Bel Air 11:30 Hogan's Heroes 17:25 Monsters vs Aliens 14:45 Ashley Banjo's Secret Street Crew 12:00 Hogan's Heroes 18:50 BBC News 15:35 Jamie and Jimmy's Friday Night Feast 12:30 Hogan's Heroes 19:00 BBC London News 16:30 Bang on Budget 13:00 Airwolf The latest news, sport and weather from 17:15 Shortlist 14:00 Goodnight Sweetheart London. -
Angus Mackay Diaries Volume IX (1989 - 1990)
Angus Mackay Diaries Volume IX (1989 - 1990) ANGUS MACKAY DIARY NO. 90 April 17 1989 - June 18 1989. Monday April 1989 Oh dear, the sentimentality and muddle-headedness over the football disaster! Because it is sacred football. How grateful I am that I know nothing and care less about it, any more than motoring! I shall wait, I expect patiently, for both activities to fall apart from the inside, and perhaps, become rational. But oh, how I bleed for those poor dead young people. Tuesday April 18 1989 Now Liverpool Council are offering complete financial support for all the families of the dead, funeral expenses, everything. I wonder if the same would have been if ninety-five people had been suffocated on the stairs after a semi-gala at Liverpool Playhouse. Odd peoples’ love of crowds. I think I must have as little of the herd instinct as anyone. Last night I thought I might go to see A. Hopkins in M. Buller fly which is previewing. When I got there, the foyer was so full at 7.30 for 8.0, that I didn’t even enquire whether there was a ticket, - I turned away and came back home. Another aspect of the whole thing, is the lower middle class male being very very reluctantly dragged into reality. I hope he’s not too upset about it to work. Later. It seemed like next day! Out at 2.15 to buy some summer pyjamas, 3 prs. £41 M and S, Oxford St. Then to buy coffee beans, Gourmet Noir. -
THE CHILDREN's MEDIA YEARBOOK 20 17 ••• Edit E D B Y Te
The Children’s Media Yearbook 2017 ••• EditEd by tErri LANGAN & frANcEs tAffiNdEr 8 The Children’s Media Yearbook is a publication of The Children’s Media Foundation Director, Greg Childs Administrator, Jacqui Wells The Children’s Media Foundation P.O. Box 56614 London W13 0XS [email protected] First published 2017 © Terri Langan & Frances Taffinder for editorial material and selection © Individual authors and contributors for their contributions All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of The Children’s Media Foundation, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organization. You must not circulate this book in any other binding or cover. ISBN 978-0-9575-5188-6 (paperback) ISBN 978-0-9575518-9-3 (digital version) Book design by Jack Noel Welcome to the 7 2017 Yearbook research Greg Childs can reading improve 38 children’s self esteem? editor’s introduction 9 Dr Barbie Clarke and Alison David Terri Langan the realitY of 41 virtual for kids current Alison Norrington can You groW an open 45 affairs and mind through plaY? industrY neWs Rebecca Atkinson children’s media 11 rethinking 47 foundation revieW toddlers and tv Anna Home OBE Cary Bazalgette concerns about kids and fake neWs 51 media 14 Dr Becky Parry Anne Longfield OBE coming of age online: 54 animation uk 17 the case for Youth-led Helen Brunsdon and Kate O’Connor digital -
Knightmare Total
Interface Total Knightmare TOTAL KNIGHTMARE The perils of adapting video games for TV The creators of Knightmare and Last Commander describe the tricky process of introducing video game elements to television shows WRITTEN BY sk your average player what it is AARON POTTER they prefer about video games A compared to other forms of entertainment, and chances are that the word ‘interactive’ will eventually crop up. Where movies, television, and literature are generally passive, video games offer us the ability to affect their characters and locations with change – or at least the illusion of it. This hasn’t, however, stopped a small portion of producers from attempting to rework video game concepts for a television audience on numerous occasions. Games are tough to adapt in any medium, so we spoke to the few experienced creatives – past and present – with a track record of getting it right. There are two ways video games have surfaced on television over the years. We’ve seen shows centred on the discussion of video games (GamesMaster, Games World, and Gamezville, to name a few) and programmes that are either inspired by or directly focused on a single game or genre. The gap left by the former has unequivocally been filled by the glut of personality-driven channels on YouTube, but it’s in the latter where the idea has arguably been more fruitful. ITV’s Knightmare is perhaps the best example; between 1987 and 1994, it inspired the hearts of fantasy enthusiasts with its unique blend of real-space 28 / wfmag.cc Interface Total Knightmare wfmag.cc \ 29 Interface Total Knightmare In Last Commanders, Skye’s red attire was inspired by Claire Redfield’s look in dungeon crawling, puzzle-solving, and virtual appearing on computers like the BBC Micro, Resident Evil 2. -
TV Formats in Europe
TV Formats in Europe Given the prolonged advertising recession and the fact that several major titles have peaked, the TV formats market in Europe is showing remarkable resilience. The value created by the top 100 formats was $2,931 million in 2013 for 84 European channels across the 16 territories and 21 distributors, according to the TV Formats in Europe report. The 2013 figure was 3.3% down on the 2012 total, but up on 2011. The number of hours broadcast reached 28,386 in 2013, nearly the same as 2012. The UK is the TV formats leader in Europe – just ahead of France. The value created by formats for UK broadcasters was $600 million in 2013, down from $677 million in 2012. France recorded $599 million in 2013, up from $547 million in 2012. The UK, France, Germany and Italy accounted for 72% of Europe’s total value created in 2013. The top 10 broadcasters accounted for two-thirds of the total value created in Europe for 2013 – which means that the remaining third was shared by 74 channels. France’s TF1 ($332 million) led the pack again, followed by Italy’s Rai 1 and the UK’s BBC1. The total number of hours broadcast in Europe for the 100 formats was 28,386 in 2013; very close to 2012. The UK was the leader again, despite its 2013 total (3,935) being considerably lower than in 2012 (4,623). Romania took third place, having added 645 hours to its total in 2013. Published in March 2014, this 146-page, PDF-delivered report covers 100 major formats on 84 channels across 16 European territories; with extensive comparison tables.