Liszt in Weimar
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September 2019 Catalogue Issue 41 Prices Valid Until Friday 25 October 2019 Unless Stated Otherwise
September 2019 Catalogue Issue 41 Prices valid until Friday 25 October 2019 unless stated otherwise ‘The lover with the rose in his hand’ from Le Roman de la 0115 982 7500 Rose (French School, c.1480), used as the cover for The Orlando Consort’s new recording of music by Machaut, entitled ‘The single rose’ (Hyperion CDA 68277). [email protected] Your Account Number: {MM:Account Number} {MM:Postcode} {MM:Address5} {MM:Address4} {MM:Address3} {MM:Address2} {MM:Address1} {MM:Name} 1 Welcome! Dear Customer, As summer gives way to autumn (for those of us in the northern hemisphere at least), the record labels start rolling out their big guns in the run-up to the festive season. This year is no exception, with some notable high-profile issues: the complete Tchaikovsky Project from the Czech Philharmonic under Semyon Bychkov, and Richard Strauss tone poems from Chailly in Lucerne (both on Decca); the Beethoven Piano Concertos from Jan Lisiecki, and Mozart Piano Trios from Barenboim (both on DG). The independent labels, too, have some particularly strong releases this month, with Chandos discs including Bartók's Bluebeard’s Castle from Edward Gardner in Bergen, and the keenly awaited second volume of British tone poems under Rumon Gamba. Meanwhile Hyperion bring out another volume (no.79!) of their Romantic Piano Concerto series, more Machaut from the wonderful Orlando Consort (see our cover picture), and Brahms songs from soprano Harriet Burns. Another Hyperion Brahms release features as our 'Disc of the Month': the Violin Sonatas in a superb new recording from star team Alina Ibragimova and Cédric Tiberghien (see below). -
A Structural Analysis of the Relationship Between Programme, Harmony and Form in the Symphonic Poems of Franz Liszt Keith Thomas Johns University of Wollongong
University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 1986 A structural analysis of the relationship between programme, harmony and form in the symphonic poems of Franz Liszt Keith Thomas Johns University of Wollongong Recommended Citation Johns, Keith Thomas, A structural analysis of the relationship between programme, harmony and form in the symphonic poems of Franz Liszt, Doctor of Philosophy thesis, School of Creative Arts, University of Wollongong, 1986. http://ro.uow.edu.au/theses/1927 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] A STRUCTURAL ANALYSIS OF THE RELATIONSHIP BETWEEN PROGRAMME, HARMONY AND FORM IN THE SYMPHONIC POEMS OF FRANZ LISZT. A thesis submitted in fulfilment of the requirements for the award of the degree of DOCTOR OF PHILOSOPHY from THE UNIVERSITY OF WOLLONGONG by KEITH THOMAS JOHNS (M.Litt.,B.A.Hons.,Grad.Dip.Ed., F.L.C.M., F.T.C.L., L.T.C.L. ) SCHOOL OF CREATIVE ARTS 1986 i ABSTRACT This thesis examines the central concern in an analysis of the symphonic poems of Franz Liszt, that is, the relationship between programme,harmony and form. In order to make a thorough and clear analysis of this relationship a structural/semiotic analysis has been developed as the analysis of best fit. Historically it has been fashionable to see Liszt's symphonic poems in terms of sonata form or a form only making sense in terms of the attached programme. Both of these ideas are critically examined in this analysis. -
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Lucy Stoddart is an Adelaide based Soprano and graduate of Bachelor of Music, Classical Performance (Voice) at the Elder Conservatorium under the tutelage of Rosalind Martin and is commencing her honours year in July of 2020. During her time as an undergraduate at the Conservatorium, Lucy was awarded the Guli Magarey Prize (2017) for a female student of singing, the Adelaide Choral Society Prize (2018) for her work in choral music and in 2019, the Rae Cocking Memorial Prize. She has performed in the State Opera of South Australia’s productions of Don Pasquale and Dido and Aeneas. Lucy has worked regularly with the Adelaide Chamber singers, including Bach’s Johannes Passion, conducted by Stephen Layton (2019). In March 2020, Lucy performed in the chorus of Romeo Castelucci’s Mozart’s Requiem as part of the Adelaide Festival. In January 2021, Lucy will participate in the Gondwana National Choral School for the fourth consecutive year and following this will tour to Europe with the ensemble for the second time. Jamie Cock began piano lessons aged 14 with Dianne Spence in Balaklava, going on to complete an Honours Degree in Piano Performance at the Elder Conservatorium studying under Noreen Stokes and Stefan Ammer. He pursued further study in solo and chamber music at the Martinu Academy in Prague with Boris Krajny and at the Musikhochschule Freiburg, Germany under the guidance of Professor Felix Gottlieb. He has presented concerts in Australia, New Zealand, the UK, the US and throughout Europe. Since returning to Australia he has been active in everything from continuo to cabaret, performing with the Adelaide and Sydney Symphony Orchestras, for Recitals Australia, the Adelaide Festival, Melbourne and Adelaide Fringe Festivals, on ABC Classic FM and in collaborations with (among others) the State Opera of South Australia, The Firm, Brink Theatre and the State Theatre Company. -
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552131-32bk VBO Liszt 7/8/06 9:10 PM Page 8 CD1 1 Hungarian Rhapsody No. 2 . 10:47 2 Liebesträume, S541/R211 No.3: Nocturne in A flat major . 4:22 3 12 Etudes d’exécution transcendante, S139 5. Feux follets . 3:55 4 Années de Pèlerinage, Année 2, S161 Sonetto 104 del Petrarca . 6:18 5 Mephisto Waltz No.1, S514/R181 . 11:50 6 Piano Concerto No. 2 in A major, S125/R456 1. Adagio sostenuto assai . 7:56 7 Années de Pèlerinage, Année 1, S160/R10 Au bord d’une source, S160/R10/4 . 3:47 8 6 Consolations, S172/R12 III. Lento placido . 3:28 9 Les Préludes, S97/R414 . .. .. 16:55 Total Timing . 69:52 CD2 1 Prometheus, S99/R416 . 13:27 2 3 Concert Studies, S144/R5 III. Un Sospiro . 5:41 3 6 Etudes d’exécution transcendante, S140/R3a III. La campanella . 4:43 4 Piano Concerto No.1 in E flat major, S124/R455 IV. Allegro marziale animato . 4:21 5 Années de Pèlerinage, Année 3, S163/R10 Les jeux d’eau à la Villa d’Este, S163/R10/4 . 7:26 6 Harmonies Poétiques et Réligieuses, S173/R14 Funérailles . 10:15 7 Valses Oubliées, S215/R37 No.1 . 2:55 8 Rapsodie Espagnole, S254/R90 . 13:15 9 Die Forelle, S564/R248 . 3:59 0 2 Concert Studies, S145/R6 Gnomenreigen . 3:10 ! A Faust Symphony, S108/R425 Final Chorus . 7:32 Total Timing . 77:14 FOR FULL LIST OF LISZT RECORDINGS WITH ARTIST DETAILS AND FOR A GLOSSARY OF MUSICAL TERMS PLEASE GO TO WWW.NAXOS.COM 552131-32bk VBO Liszt 7/8/06 9:10 PM Page 2 FRANZ LISZT (1811–1886) Alles Vergangliche ist nur ein Gleichnis, All transitory things are but a likeness; das Unzulangliche, hier wird’s Ereignis, what is insufficient, here becomes a true event; HIS LIFE das Unbeschreibliche, hier wird es getan, what is unwritten, here is accomplished; Liszt was the son of a steward in the service of the Esterházy family, patrons of Haydn. -
FRANZ LISZT Poems
FRANZ LISZT Poems Prolégomènes à la Divina Commedia Erster Mephisto-Walzer • Consolations Goran Filipec, Piano Franz Liszt (1811–1886) in the earlier 1830s also included Charles Augustin finally alleviated by the presence of Virgil, ‘Le Virgile Consolations • Sposalizio • Ballade No. 2 (first versions) Sainte-Beuve and the year 1830 brought the latter’s serein qui dit: Continuons!’ encombré’ (‘Virgil serene Après une lecture de Dante (second version) publication of his Consolations, a further suggested who says: Let us continue!’), Liszt’s work, widely known Mephisto Waltz – Der Tanz in der Dorfschenke (revised version) source for Liszt’s choice of title, both writers reflecting as the Dante Sonata, opens with ominous descending Liszt’s literary interests and associations. tritones, suggesting the entrance to Hell, with its Franz Liszt was born at Raiding, in Hungary, in 1811, into newer form of orchestral music, the symphonic poem, Liszt later revised his six Consolations, publishing forbidding ‘Lasciate ogni speranza, voi che entrate’ a German-speaking family. His father, Adam Liszt, was a and, as always, to the revision and publication of earlier them in 1850. The first version starts with a gentle E (‘Abandon all hope, you who enter’) in Canto III of the steward in the service of Haydn’s former patrons, the compositions. major Andante con moto, slightly shortened in the second Inferno. The first subject, Presto agitato assai, marked Esterházy Princes. It was from his father that Liszt had In 1861, at the age of 50, Liszt moved to Rome, version. The second Consolation suggests the language also lamentoso, represents the cries of the damned, his first piano lessons, and it was eventually through the following Princess Carolyne, who had settled there a year of Chopin and the third in the first set opens with a Lento, ‘sospiri, pianti ed alti guai’ (‘sighs, plaints and high encouragement of members of the Hungarian nobility that earlier. -
Liszt, His Scholars, and the B-Minor Ballade: a Study of Textural Transformation
LISZT, HIS SCHOLARS, AND THE B-MINOR BALLADE: A STUDY OF TEXTURAL TRANSFORMATION By Stephen Samuel Armstrong A THESIS Submitted to Michigan State University in partial fulfillment of the requirements for the degree of Musicology – Master of Arts 2014 ABSTRACT LISZT, HIS SCHOLARS, AND THE B-MINOR BALLADE: A STUDY OF TEXTURAL TRANSFORMATION By Stephen Samuel Armstrong Franz Liszt (1811-1886) has long been valued as a colorful and controversial figure in nineteenth-century music, but the early debates surrounding his artistic output continue to influence his reception today. The movement of musicology towards cultural studies has provided scholars with a way to study Liszt within his social context while reframing the musical and moral polemics of his biographers, and the discovery of Liszt’s late piano music allows theorists to interpret Liszt as a harbinger of musical modernism while skirting tired debates over the “New German School.” This divided approach has led to a renewed appreciation of Liszt’s place in compositional and cultural history while setting aside the aesthetic values and problems of his music. In this study, I analyze the intersection between biographical, cultural, and music- theoretical studies on Liszt, arguing that the recent emphasis on cultural and theoretical research does not fully engage a number of Liszt’s best works. Following Joseph Kerman’s call for a music-centered approach in musicology, I offer a close-to-the-text reading of Liszt’s Ballade in B minor (1853) as a case study, revealing how a music-centered analysis can nuance cultural and theoretical approaches. A detailed analysis of the Ballade demands that we treat texture and virtuosity as rational structural elements, and this interpretation reveals new avenues possible in both theoretical and cultural literature: musicologists have generally focused on the significance of Liszt’s virtuosity for cultural and biographical studies, while theorists have privileged other, more mainstream compositional devices as markers of innovation. -
YURY FAVORIN Piano
YURY FAVORIN piano DIMANCHE 7 AVRIL 2019 16H 1 Yury Favorin - © Dmitri Bocharov FRANZ LISZT Années de pèlerinage Première année : la Suisse 1. La chapelle de Guillaume Tell - 2. Au lac de Wallenstadt 3. Pastorale - 4. Au bord d’une source 5. Orage - 6. Vallée d’Obermann 7. Églogue - 8. Le mal du pays 9. Les cloches de Genève (45 minutes environ) - Entracte - Deuxième année : l’Italie 1. Sposalizio - 2. Il penseroso 3. Canzonetta del Salvator Rosa - 4. Sonetto 47 del Petrarca 5. Sonetto 104 del Petrarca - 6. Sonetto 123 del Petrarca 7. Après une lecture de Dante (fantasia quasi sonata) Supplément - Venezia e Napoli : 1. Gondoliera - 2. Canzone - 3. Tarentella (60 minutes environ) - Entracte - Troisième année : l’Italie 1. Angelus ! (prière aux anges gardiens) - 2. Aux cyprès de la villa d’Este 3. Aux cyprès de la villa d’Este 2 - 4. Les jeux d’eau à la villa d’Este 5. Sunt lacrymae rerum (en mode hongrois) 6. Marche funèbre (« In magnis et voluisse sat est ») 7. Sursum corda (45 minutes environ) YURY FAVORIN piano Ce concert sera diffusé ultérieurement sur France Musique. 2 3 Plus varié que le cycle des Rhapsodies hongroises ou celui des Études l’idée, à la toute fin de sa vie, d’en composer quatre supplémentaires : histoire d’exécution transcendante, plus développé que l’ensemble des Harmonies de souligner l’unité d’une inspiration, d’une œuvre, d’une vie, au-delà de la poétiques et religieuses, le triple recueil des Années de pèlerinage est l’œuvre manière. de toute une vie. Il évoque à la fois le voyage et la retraite, prend sa source Une somme de références nourrit l’ensemble des Années de pèlerinage : dans les premiers séjours de Liszt en Suisse et en Italie alors qu’il n’a qu’un nostalgies architecturales (chapelles, villa d’Este), impressions naturelles (lacs, peu plus de vingt ans, et trouve son couronnement dans un ensemble de sources, vallées, cyprès), chansons populaires (« Canzonetta », « Tarentella »), pièces composé alors qu’il lui reste moins d'une décennie à vivre. -
2018 American Liszt Society Festival at Furman University, October 11
Founded in 1964 Volume 33, Number 2 2018 American Liszt Society Festival TABLE OF CONTENTS at Furman University, October 11 - 13 1 ALS Festival at Furman University Please join us for the 2018 American Liszt Society Festival and Conference. The Festival will take place October 11 - 13 on the campus of Furman University, Greenville, 2 President’s Message SC. The theme of this Festival is “The Poetic Liszt.” The Festival will focus on the exploration of the many aspects of poetry in Franz Liszt’s life and works. His enthusiasm for literature and poetry is openly reflected in the mottos and quotes Liszt 3 Letter from the Editor put in front of numerous works. But this is not where the affiliations end, and we can assume deeper connections between the art forms of literature and music, as represented 4 Los Angeles International Liszt by this erudite, cosmopolitan composer. These connections will function as a point Competition 2018, by Éva Polgár of departure from whence the Festival seeks to shed light on the many guises in which Liszt’s sensitivity to the written word appeared in his compositions. Membership Updates Highlights will include (subject to change): 5 My Ten Favorite Recordings of Liszt's Piano Music, by TedJ Distler • Epic tales • The complete early Album d’un voyageur To the Memory of a Giant • A special lecture on Chopin by Alan Walker • The Petrarch Sonnets (with and without words) 6 Resurrecting Liszt’s Sardanapalo, by • The rarely heard Melodramas David Trippett • Liszt organ encounters • And a lot more! In Memoriam: Reginald Gerig We are fortunate that “Fall for Greenville” weekend, a downtown food and music 7 Member News festival, will be happening the same weekend as the 2018 ALS Festival. -
CHOPIN and HIS WORLD August 11–13 and 17–20, 2017
SUMMERSCAPE CHOPIN AND HIS WORLD August 11–13 and 17–20, 2017 BARD thank you to our donors The Bard Music Festival thanks its Board of Directors and the many donors who contributed so generously to The Andrew W. Mellon Foundation Challenge Grant. We made it! Your support enabled us to complete the two-for-one match and raise $3 million for an endowment for the festival. Because of you, this unique festival will continue to present chamber and orchestral works, rediscovered pieces, talks and panels, and performances by emerging and favorite musicians for years to come. Bard Music Festival Mellon Challenge Donors Edna and Gary Lachmund Anonymous Alison L. and John C. Lankenau Helen and Roger Alcaly Glenda A. Fowler Law and Alfred J. Law Joshua J. Aronson Dr. Nancy Leonard and Dr. Lawrence Kramer Kathleen Augustine Dr. Leon M. and Fern Lerner John J. Austrian ’91 and Laura M. Austrian Mrs. Mortimer Levitt Mary I. Backlund and Virginia Corsi Catherine and Jacques Luiggi Nancy Banks and Stephen Penman John P. MacKenzie Matthew Beatrice Amy and Thomas O. Maggs Howard and Mary Bell Daniel Maki Bessemer National Gift Fund Charles Marlow Dr. Leon Botstein and Barbara Haskell Katherine Gould-Martin and Robert L. Martin Marvin Bielawski MetLife Foundation David J. Brown Kieley Michasiow-Levy Prof. Mary Caponegro ’78 Andrea and Kenneth L. Miron Anna Celenza Karl Moschner and Hannelore Wilfert Fu-Chen Chan Elizabeth R. and Gary J. Munch Lydia Chapin and David Soeiro Martin L. and Lucy Miller Murray Robert and Isobel Clark Phillip Niles Michelle R. Clayman Michael Nishball Prof. -
Liszt Ferenc
catalogue 86 - March 2020 100 YEARS OF HUNGARIAN MUSIC PRESENTED IN 4 ACTS FRANZ LISZT - NATIONALISM & FOLK IDENTITY - FRANZ LEHAR - OPERETTA & POPULAR SONG HUNGARY 1840 - 1940 J & J LUBR ANO MUSIC ANTIQUARIANS www.lubranomusic.com 6 1 W 79 ater Y 11 ford Way Syosset, N 516 922 2192 • [email protected] Contents Liszt Ferenc (1811-1886) Autographs 6 Printed music (original works) 10 Paraphrases and transcriptions 24 Books and iconography 33 Nationalism & Folk Identity 1840-1867 36 1867-1940 61 Lehár Ferenc (1870-1948) Autographs 72 Printed Music 78 Operetta & Popular Music Glossary Operetta 92 Popular Music 111 ajánlja.................................dedicated ár [-a] ........................................price Index of Publishers & Composers 118 átirta....................................arranged References 120 daljáték................................singspiel ének...........................................voice Conditions of Sale 121 eredeti....................................original hen the Magyars (Hungarians) settled in the Carpathian Basin in the és................................................ and Middle Ages, they brought with them a language and culture distinct felvonás [-ban]..............................act from those around them. Centuries of socio-political dynamics brought fordít [-ás]............................translate W influence from the Latin West, neighboring Slavs, occupying Turks, and one of the füzet ...........................................part largest Romani populations in Europe. This unique combination -
Complete Hungarian Rhapsodies Ebook, Epub
COMPLETE HUNGARIAN RHAPSODIES PDF, EPUB, EBOOK Franz Liszt | 224 pages | 01 Nov 1984 | Dover Publications Inc. | 9780486247441 | English | New York, NY, United States Complete Hungarian Rhapsodies PDF Book New York: The University Society , Music Scores Reg. Table of Contents "No. Disc will play perfectly. The lowest-priced item that has been used or worn previously. In Volume 29 there is a table listing the thematic connections between the various works. Plate A. About this product Product Information All 19 Rhapsodies reproduced directly from an authoritative Russian edition. Gutheil , n. Javascript is not enabled in your browser. Download as PDF Printable version. The site is also available in several languages. We do not know the origin of this theme, nor that of the succeeding Allegretto alla zingarese, which is itself alternated with yet another unknown theme—Allegro vivace. The eighth of the set is full of lavish ornamentation and effects simulating the cimbalom. This work was also later issued for orchestra and for piano duet. Performer Pages Martha Goldstein piano. Franz Liszt. As the music gathers momentum it moves to F sharp minor, with a hint of F sharp major. Leslie has played over 12 miles of music from 16, pages which we estimate totals something between 9 and 10 million notes! The Hungarian Rhapsodies remain undisputedly popular today after almost one hundred and fifty years. Packaging should be the same as what is found in a retail store, unless the item is handmade or was packaged by the manufacturer in non-retail packaging, such as an unprinted box or plastic bag. -
The Consolations of Philosophy by Alain De Botton
ALAIN DE BOTTON The Consolations of Philosophy Alain de Botton is the author of On Love, The Romantic Movement, Kiss and Tell, How Proust Can Change Your Life, The Consolations of Philosophy, and The Art of Travel. His work has been translated into twenty languages. He lives in Washington, D.C., and London, where he is an Associate Research Fellow of the Philosophy Programme of the University of London, School of Advanced Study. The dedicated Web site for Alain de Botton and his work is www.alaindebotton.com. ALSO BY ALAIN DE BOTTON On Love The Romantic Movement Kiss & Tell How Proust Can Change Your Life The Art of Travel FIRST VINTAGE INTERNATIONAL EDITION, APRIL 2001 Copyright © 2000 by Alain de Botton All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Vintage Books, a division of Random House Inc., New York, and simultaneously in Canada by Random House of Canada Limited, Toronto. Originally published in Great Britain by Hamish Hamilton, a division of Penguin Books, Ltd., London and subsequently in hardcover by Pantheon Books, a division of Random House, Inc., New York, in 2000. Vintage is a registered trademark and Vintage International and colophon are trademarks of Random House, Inc. Permissions acknowledgments appear on this page–this page. The Library of Congress has cataloged the Pantheon edition as follows: De Botton, Alain. The consolations of philosophy / Alain de Botton. p. cm. 1. Philosophical counseling. I. Title. BJ595.5.D43 2000 101—DC21 99-052188 eISBN: 978-0-307-83350-1