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Before the FEDERAL COMMUNICATIONS COMMISSION Washington, D.C. 20554

In the Matter of ) ) AMC NETWORKS INC., ) Complainant, ) File No.:______) v. ) ) AT&T INC., ) Defendant. )

TO: Chief, Media Bureau

PROGRAM CARRIAGE COMPLAINT OF AMC NETWORKS INC.

Tara M. Corvo Alyssia J. Bryant MINTZ, LEVIN, COHN, FERRIS, GLOVSKY AND POPEO, P.C. 701 Pennsylvania Avenue, NW Suite 900 Washington, DC 20004 (202) 434-7300

Scott A. Rader MINTZ, LEVIN, COHN, FERRIS, GLOVSKY AND POPEO, P.C. Chrysler Center 666 Third Avenue New York, NY 10017 (212) 935-3000

Counsel to AMC Networks Inc.

August 5, 2020 REDACTED - FOR PUBLIC INSPECTION

TABLE OF CONTENTS

INTRODUCTION ...... 1 STATEMENT OF FACTS ...... 5 1. Jurisdiction ...... 5 2. AMCN ...... 5 3. AT&T ...... 6 4. AT&T’s Public Assurances During the Civil Antitrust Litigation ...... 7 5. AT&T’s Discriminatory Conduct ...... 9 i. The Networks...... 9 ii. Competition for and the Cost of Content Is Increasing ...... 12 iii. Significance of Distribution Over Online Video Services and Platforms to the Success of a Network ...... 13 iv. Carriage Negotiations with AT&T ...... 16 ARGUMENT ...... 17 1. AMC and AMC+ Are Similarly Situated to TNT and HBO...... 19 i. Genre ...... 19 ii. Targeted Programming ...... 23 iii. Target Audience ...... 27 iv. Targeted Advertising ...... 28 v. Actual Audience/Ratings ...... 32 vi. Other Factors ...... 34 2. AT&T Is Discriminating Against AMC and AMC+ on the Basis of Non-Affiliation. .. …………………………………………………………………………………………………35 i. AT&T treats its own networks very differently from how it seeks to treat AMCN and AMC+ ...... 35 ii. There is no legitimate business reason for this difference in treatment; AT&T is discriminating against AMC and AMC+ to promote its affiliates ...... 38 3. AT&T’s Discrimination Unreasonably Restrains AMC’s Ability to Compete Fairly. ……………………………………………………………………………………………47 REQUEST FOR RELIEF ...... 51

EXHIBITS

A. Transcript, United States v. AT&T, Inc., No. 1:17-cv-02511-RJL (D.D.C. Mar. 22, 2018, 11:30 a.m.)

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B. Letter from Tara M. Corvo, Member, Mintz to Bruce R. Byrd, Senior Vice President and Assistant General Counsel, AT&T (July 22, 2020)

C. Letter from Bruce R. Byrd, Senior Vice President and Assistant General Counsel, AT&T, to Tara M. Corvo, Member, Mintz (July 24, 2020)

D. Complaint, United States v. AT&T, Inc., No. 1:17-cv-02511-RJL (D.D.C. Nov. 20, 2017)

E. Defendants’ Proposed Findings of Fact and Conclusions of Law, United States. v. AT&T, Inc., No. 1:17-cv-02511-RJL (D.D.C. Aug. 3, 2018)

F. AMC Weekly Programming Schedule (3/30/20-4/5/20 through 7/6/20-7/12/20)

G. TNT Network Economics, S&P Global (last accessed July 27, 2020)

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J. TNT Programming Schedule (8/1/20 through 8/14/20)

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L. {{ }}

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Before the FEDERAL COMMUNICATIONS COMMISSION Washington, D.C. 20554

In the Matter of ) ) AMC NETWORKS INC., ) Complainant ) File No.:______) v. ) ) AT&T INC., ) Defendant. )

TO: Chief, Media Bureau

PROGRAM CARRIAGE COMPLAINT OF AMC NETWORKS INC.

INTRODUCTION

1. Over the last decade, multiple mega mergers and acquisitions in the video programming industry have resulted in numerous multichannel video programming distributors

(“MVPDs”) becoming programming conglomerates with massive market share and bargaining power by acquiring networks and programmers. Foremost among these is AT&T Inc. (“AT&T”), which acquired Time Warner Inc. (“Time Warner”) and its programming networks in 2018. This merger combined AT&T, the nation’s second largest MVPD, and Time Warner, which operates many of the nation’s most popular programming networks, including TNT, TBS, CNN, and HBO.

Against this backdrop of increasing consolidation between programmers and distributors, AMC

Networks Inc. (“AMCN”) is one of the few remaining independent programmers.

2. AMCN’s flagship network, AMC (“AMC”), is among the most successful networks available for distribution today. AMC is well-known and highly valued by consumers for its award-wining original scripted dramas, such as Mad Men, Breaking Bad, The Walking

Dead, Into the Badlands, Killing Eve and Better Call Saul, along with its slate of acquired movies.

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AMC also is one of an increasing number of networks traditionally delivered only as linear networks that have recognized that the future for video content lies with distribution over innovative online video services and platforms that can evolve with and attract prudent viewers to enhance the strength of their linear television offering. AMC has thus begun offering its networks and content in myriad ways via cutting-edge products, services and apps, including by offering unique subscription video on demand (“SVOD”) products and offering video content on an increasing number of online platforms.

3. AT&T is now attempting to stifle AMC’s ability to compete fairly by using its colossal market power as a vertically integrated MVPD to disadvantage AMCN’s linear networks,

AMC and AMC+,1/ in favor of AT&T’s own affiliated networks that are similarly situated to and compete with AMC and AMC+. These affiliated networks include HBO (which competes with and is similarly situated to AMC and AMC+) and TNT (which also competes with and is similarly situated to AMC).

4. AT&T is engaging in this discriminatory conduct even though it repeatedly promised during the civil antitrust litigation filed by the United States Department of Justice challenging its acquisition of Time Warner (the “Civil Antitrust Litigation”) that it would not use its bargaining leverage as a vertically integrated MVPD to cause harm to other MVPDs, evolving online platforms, or programming networks. Now, however, AT&T is attempting to do exactly that. It is attempting to cause severe harm to the smaller and independent network AMC, which offers a fresh, independent and diverse voice on MVPDs’ channel lineups that is highly valued by subscribers, for the benefit of AT&T’s competing and similarly situated networks, TNT and HBO.

1/ See ¶ 23, infra, for a description of AMC+, AMCN’s newest linear network. 2

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5. Specifically, AT&T has presented AMCN with an offer that is clearly discriminatory in light of AT&T’s treatment of its own networks: AMCN either (i) has to {{

}}. Either result would have a severe impact on

AMC’s ability to compete fairly. The most egregious terms in AT&T’s offer include: {{

;2/

}}. These terms are extremely atypical in the marketplace, where AMC is widely distributed and compensated fairly.

6. AT&T claims that the terms it has proposed for its affiliation agreement with

AMCN are economically motivated. AT&T cannot plausibly assert, however, that economics justify the onerous and stifling terms and restrictions that it is seeking to impose on AMCN, because AT&T does not appear to impose such terms and restrictions on its own similarly situated affiliated networks that compete with AMC and AMC+. The only plausible justification for

2/ Specifically, AT&T is requiring AMCN to agree that {{

}} 3

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AT&T’s disparate treatment is discrimination on the basis of affiliation, in which AT&T is seeking to unfairly advantage its own networks, which is precisely what the Commission’s program carriage rules are designed to prevent.

7. Ironically, AT&T itself has lauded the robustness of the Commission’s rules prohibiting anticompetitive behavior in carriage agreements – rules that are designed to prohibit and remedy the very conduct in which it is now engaging. During the Civil Antitrust Litigation,

AT&T repeatedly cited the Commission’s rules as a sufficient measure to ensure that no abuse of its market power would occur as a result of the merger. For example, AT&T’s counsel told the

United States District Court for the District of Columbia that “the entire merged company [AT&T] is going to be subject to the FCC’s rules,” which “deal with vertically integrated companies in this business” and would “take care of” any anti-competitive conduct after the merger.3/

8. This instant action requires AT&T to be held to its word that the Commission can use its regulatory powers – in this case, the program carriage rules – to address AT&T’s discriminatory and anticompetitive use of the disproportionate bargaining power that it now has as a result of the AT&T-Time Warner merger to unlawfully disadvantage a programming competitor.

9. AMCN thus brings this program carriage complaint to seek relief from AT&T’s discriminatory conduct that violates Section 616 of the Communications Act of 1934, as amended, and the Commission’s program carriage rules. The Commission should order AT&T to carry

AMC and AMC+ (along with AMCN’s other programming networks) on fair, reasonable and nondiscriminatory rates, terms and conditions, including barring imposition of the {{

3/ Tr., United States. v. AT&T, Inc., No. 1:17-cv-02511-RJL at 67:11-19 (D.D.C. Mar. 22, 2018, 11:30 a.m.) (“Tr., AT&T Opening Statement”), Ex. A.

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}}, and order AT&T to pay a monetary forfeiture penalty to the

Commission for its violation of the program carriage rules.

STATEMENT OF FACTS

1. Jurisdiction

10. This Complaint is brought in accordance with and pursuant to the jurisdiction provided by Section 616 of the Communications Act of 1934, as amended (“Act”) and Section

76.1302 of the Commission’s rules.4/ The notice required by 47 C.F.R. § 76.1302(b) was provided by letter to AT&T from AMCN’s outside counsel, Tara M. Corvo of the Mintz law firm, on July

22, 2020.5/

2. AMCN

11. AMCN is a “video programming vendor” engaged in producing, creating and distributing video programming content for sale to MVPDs and other distribution services and platforms, as defined in 47 C.F.R. § 76.1300(e).6/ AMCN owns and operates the following domestic linear programming networks and SVOD products: AMC; AMC+; BBC America

(through a joint venture); IFC; Sundance TV; WEtv; WEtv+; IFC Films; Acorn TV; Cocina On;

4/ 47 U.S.C. § 536 (2020); 47 C.F.R. § 76.1302(b) (2020). 5/ See Letter from Tara M. Corvo, Member, Mintz, to Bruce Byrd, Senior Vice President and Assistant General Counsel, AT&T (July 22, 2020), Ex. B. AT&T acknowledged receipt of the pre-filing notice. See Letter from Bruce R. Byrd, Senior Vice President and Assistant General Counsel, AT&T, to Tara M. Corvo, Member, Mintz (July 24, 2020), Ex. C. 6/ See AMC Networks Inc., Annual Report (Form 10-K) (Feb. 27, 2020), at 5 (“AMC 2020 10-K”) (“AMC Networks is a global entertainment company known for its groundbreaking and award-winning original content. We own and operate a suite of focused and targeted video entertainment products that are delivered to viewers on an ever-expanding array of platforms. These include: our linear TV channels carried by traditional and virtual multi-channel video programming (MVPD) distributors; our targeted subscription video on demand (SVOD) services; our digital platforms; and on various social media platforms.”).

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Shudder; Sundance Now; UMC and IFC Films Unlimited.7/ Its mailing address is 11 Penn Plaza,

New York, NY 10001, and its telephone number is (212) 324-8500.

3. AT&T

12. AT&T is a communications conglomerate and the second largest MVPD in the country.8/ It is engaged in the business of making available for purchase multiple channels of video programming as defined in 47 C.F.R. § 76.1300(d).9/ In particular, AT&T distributes video programming through DIRECTV (a Direct Broadcast Satellite MVPD)10/ and U-verse TV (which

AT&T refers to as an “Internet Protocol TV MVPD”)11/ to approximately 20 million subscribers.12/

Its mailing address is 208 S. Akard St., Dallas, Texas, 75202, and its telephone number is (210)

821-4105.

13. In 2018, AT&T acquired Time Warner,13/ and as a result, AT&T now owns several networks that are similarly situated to, and directly compete with, AMC and AMC+, including

7/ See id. 8/ Industry Data, NCTA, https://www.ncta.com/industry-data/top-10-video-subscription-services (last visited July 30, 2020). 9/ See AT&T Inc., Annual Report (Form 10-K) (Feb. 20, 2020), at 1 (“AT&T 2020 10-K”) (AT&T “provides video, including over-the-top (OTT) services, internet and voice communications services to residential customers.”). 10/ See 47 U.S.C. § 522 (13) (2020) (The term “multichannel video programming distributor” means a person such as, but not limited to, a cable operator, a multichannel multipoint distribution service, a direct broadcast satellite service, or a television receive-only satellite program distributor, who makes available for purchase, by subscribers or customers, multiple channels of video programming); see also Assessment and Collection of Regulatory Fees for Fiscal Year 2019, Report and Order and Further Notice of Proposed Rulemaking, 34 FCC Rcd 8189, ¶ 25 (2019) (identifying AT&T as one of the two DBS operators in the United States). 11/ What is IPTV, AT&T, https://www.att.com/Common/about_us/files/pdf/IPTV_background.pdf (“AT&T is the only national service provider to offer a 100-percent IP-based TV service, AT&T U-verse TV.”) (last visited July 30, 2020). 12/ See AT&T 2020 10-K at 5. 13/ Id. at 1.

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TNT (which is similarly situated to and competes with AMC) and HBO (which is similarly situated to and competes with AMC and AMC+).14/

4. AT&T’s Public Assurances During the Civil Antitrust Litigation

14. Analysts predicted that the $85 billion AT&T and Time Warner merger would lead

“to a troubling level of consolidation among already big business and potentially eliminate what few independent [media] players remain.”15/ The United States Department of Justice had similar concerns and filed the Civil Antitrust Litigation seeking to block AT&T’s acquisition of Time

Warner.16/ The Department of Justice argued that AT&T’s acquisition of the plethora of Time

Warner’s programming networks, including TNT and HBO, would substantially lessen competition, hinder Time Warner’s programming rivals, and slow the video programming industry’s transition to new video distribution models that provide greater choice for customers.17/

15. AT&T successfully defended its acquisition in part on the basis that the

Commission’s carriage rules were sufficiently robust to prevent AT&T from favoring its own affiliated networks over unaffiliated networks, which is exactly the circumstance that is being tested here. Among other statements, AT&T represented:

[A]s a vertically merged company, Time Warner, Turner, AT&T, the entire merged company is going to be subject to the FCC’s program access rules, Your Honor. Congress enacted the statute. The FCC promulgated rules. That is a deliberate judgment of Congress, how to deal with vertically integrated companies in this

14/ Id. at 1, 71; see also Defendants’ Proposed Findings of Fact and Conclusions of Law, U.S. v. AT&T, Inc., No. 1:17-cv-02511-RJL ¶ 297 (D.D.C. May 3, 2018) (“Defendant’s Proposed Findings of Fact”) (“HBO competes not only with several other premium networks (including Showtime and The Movie Channel, owned by CBS, and Starz, owned by Lionsgate), but also with other cable networks (such as FX, A&E, and AMC).”), Ex. E; see also ¶ 18, infra. 15/ Richard Levik, The AT&T-Time Warner Merger: Is Bigger Better?, FORBES (July 10, 2018), https://www.forbes.com/sites/richardlevick/2018/07/10/the-att-time-warner-merger-is-bigger- better/#13d731ef69b4. 16/ Complaint, United States v. AT&T Inc., No. 1:17-cv-02511-RJL (D.D.C. Nov. 20, 2017), Ex. D. 17/ Tr., AT&T Opening Statement, at 9:3-5, Ex. A.

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business. And these rules take care of any kind of pricing abuse of the sort alleged by the government.18/

16. In addition, AT&T argued throughout the litigation that it is critical for networks to have the ability to offer programming through a broad array of distributors – both traditional

MVPDs and new online platforms and services, as well as keeping DTC options open – in light of the changing competitive video programming landscape.19/ AT&T even argued that this was the purpose of the acquisition from Time Warner’s perspective, because Time Warner needed to be able to offer its programming networks more broadly in order to compete.20/

17. Now, however, AT&T is seeking to impose the {{ }} on AMC and AMC+ as a condition of carriage, even though AT&T’s similarly situated networks are not subject to any similar restrictions. The harm that this will cause AMC is apparent from

AT&T’s own statements during the Civil Antitrust Litigation, in which AT&T explained the importance of programming networks having access to all of these options:

[C]ompanies, like Google and Facebook and Amazon and Hulu and Netflix . . . . are running away with the industry, Your Honor. They have radically transformed it. And they are directly competing with the distributors you’re going to hear in this case, the programmers you're going to hear in this case. They're all a part of the same business. . . . And if you’re not trying to keep up with these people, you're not going to be in business very long. . . . [T]his is one of the drivers of acquiring Time Warner: In order to take the content which has been generally available throughout the traditional pay-TV system and take that mobile so that anybody with their cell phone or their iPad or some tablet can watch television, whether it's a single show, whether it's a live channel,

18/ Id. at 67:11-19. While AT&T’s statement concerned the program access rules, those rules are the mirror image of the program carriage regime, and the same underlying principles of preventing a vertically merged distributor from using its predatory market power to harm other operators or other programming networks on the basis of lack of affiliation apply to both. 19/ See, e.g., id. at 51:9-52:25; 55:7-56:12. 20/ See, e.g., id. at 55:23-56:5.

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wherever they are, however they want it. . . . And that’s what’s driving this transaction. . . . In the middle there is the network, Turner, and other networks situated just like Turner. They’re a trapped wholesaler. And it worked for years. It was fine. But the world has changed. It’s a brave, new world. And you can’t be a trapped wholesaler anymore.21/

18. Finally, AT&T acknowledged during the Civil Antitrust Litigation that AMC was a primary competitor to HBO. Specifically, AT&T stated that “HBO competes not only with several other premium networks (including Showtime and The Movie Channel, owned by CBS, and Starz, owned by Lionsgate), but also with other cable networks (such as FX, A&E, and

AMC), as well as online distributors such as Netflix and Amazon.”22/ Consequently, there can be no doubt that AMC and HBO are competitors and that AT&T’s discriminatory treatment of AMC and AMC+ on the basis of its non-affiliated status will serve to benefit AT&T’s affiliated networks, including HBO and TNT, to the detriment of AMC and AMC+.

5. AT&T’s Discriminatory Conduct

i. The Networks

19. AMC is AMCN’s flagship programming network that was launched in 1984. It is broadly distributed with penetration of {{ }} to all MVPD subscribers; each MVPD usually distributes AMC on its popular “expanded basic” tier. AMC’s long-time advertising tagline is “Premium on Cable” and the network is well-recognized as on par with premium networks such as HBO with respect to the caliber of scripted high-end original programming series.

21/ Id. at 44:6-13; 44:24-45:1; 50:3-9; 50:13-14; 52:5-10. 22/ Defendants’ Proposed Findings of Fact at ¶ 297 (emphasis added), Ex. E.

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20. AMC’s history includes continued success in various award categories, including in outstanding drama. In particular, AMC’s Mad Men made history when it became the first basic cable series ever to win an Emmy for Outstanding Drama Series in four consecutive years.23/

Overall, Mad Men was nominated for 116 Emmy awards and won 16.24/ AMC’s other critically- acclaimed award-winning shows include Breaking Bad (58 Emmy nominations and 16 Emmy awards),25/ The Walking Dead (16 Emmy nominations and 2 Emmy awards),26/ and Killing Eve

(11 Emmy nominations, and 1 Emmy award).27/

21. AMC also airs classic films and blockbuster hits such as Ghost, Home Alone, Top

Gun and Mad Max.28/

22. As of December 31, 2019, AMC reached {{ }} million subscribers.

23. AMC+ is a newly-launched, ad-free, premium linear programming network that is presently offered a la carte, along with complementary on demand content, to video and broadband subscribers of Comcast, DISH, and SlingTV.29/ The content offered on AMC+ includes

23/ See AMC's ‘Mad Men’ Has Repeated As Winner of the Best Drama Series Emmy, THE WALL STREET J. (Sept. 21, 2009), https://www.wsj.com/articles/SB125350314478427055; Emmy Awards 2011: ‘Modern Family’ Wins Big, ‘Mad Men’ Takes Top Prize, TIME (Sept. 19, 2011), https://newsfeed.time.com/2011/09/19/emmy-awards-2011-modern-family-wins-big-mad-men-takes-top- prize/; Mad Men, AMC, https://www.amc.com/shows/mad-men/exclusives/about. 24/ Mad Men, The Television Academy, https://www.emmys.com/shows/mad-men. 25/ Breaking Bad Ends Its Emmy Run on a High Note, TIME (Aug. 25, 2014), https://time.com/3179800/emmys-2014-breaking-bad-bryan-cranston/ (“The hit series, which concluded its fifth and final season last fall, took home most of the night’s most important trophies on the drama side, including Outstanding Drama Series, Outstanding Lead Actor (Bryan Cranston), Outstanding Supporting Actress (Anna Gunn), Outstanding Supporting Actor (Aaron Paul) and Outstanding Writing.”). 26/ The Walking Dead, The Television Academy, https://www.emmys.com/shows/walking-dead. 27/ Killing Eve, The Television Academy, https://www.emmys.com/shows/killing-eve. 28/ See, e.g., AMC Weekly Programming Schedule (3/30/20-4/5/20 through 7/6/20-7/12/20), Ex. F. 29/ Discover AMC+, https://www.xfinity.com/learn/digital-cable-tv/svod/amc-plus; Watch AMC+ Online, https://www.sling.com/channels/amc-plus; Discover AMC+, https://my.dish.com/subscription-on- demand/amcplus.

REDACTED - FOR PUBLIC INSPECTION selections from AMC’s premier original programming as well as top titles from AMCN’s other networks and products, such as IFC Films Unlimited, Sundance and Shudder.30/ AMCN is deep in negotiations to launch AMC+ on a number of other MVPDs and online distributors.

24. HBO is a premium linear programming network which also offers on-demand content to subscribers. It is well-known for offering award-winning original scripted dramas that compete with AMC’s scripted dramas,31/ such as The Sopranos (112 Emmy nominations and 21

Emmy awards),32/ Game of Thrones (160 Emmy nominations and 59 Emmy awards),33/ and

Westworld (43 Emmy nominations and 9 Emmy awards).34/ As of December 31, 2019, HBO had approximately 43 million subscribers.35/

25. Similar to AMC, TNT is a broadly-distributed ad-supported linear programming network that includes original and acquired series and movies among its offerings. Its high-end scripted content includes The Alienist (6 Emmy nominations and 1 Emmy award) and

Snowpiercer. TNT’s library of acquired movies includes classics and contemporary blockbusters as Saving Private Ryan, Star Trek, Avengers, The Book of Eli, and The Longest Yard.36/ As of

30/ See Press Release, AMC Networks, AMC Networks Offers New Subscription Video on Demand Bundles to Comcast’s XFINITY Customers, (June 10, 2020), https://www.amcnetworks.com/press- releases/amc-networks-offers-new-subscription-video-on-demand-bundles-to-comcasts-xfinity- customers/. 31/ Defendants’ Proposed Findings of Fact, ¶ 297 (“HBO competes not only with several other premium networks (including Showtime and The Movie Channel, owned by CBS, and Starz, owned by Lionsgate), but also with other cable networks (such as FX, A&E, and AMC).”), Ex. E. 32/ The Sopranos, The Television Academy, https://www.emmys.com/shows/sopranos. 33/ Game of Thrones, The Television Academy, https://www.emmys.com/shows/game-thrones. 34/ Westworld, The Television Academy, https://www.emmys.com/shows/westworld. 35/ See AT&T 2020 10-K at 7. HBO’s reported subscriber figure includes subscribers to HBO NOW. 36/ TNT Programming Schedule (8/1/20 through 8/14/20) (accessed on Aug. 1, 2020 at https://www.tntdrama.com/schedule).

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December 31, 2019, TNT reached nearly 87 million subscribers.37/

ii. Competition for and the Cost of Content Is Increasing

26. The video programming distribution industry today includes myriad new players beyond traditional broadcast and cable networks – online video distributors such as YouTube TV and Hulu with Live TV, online subscription video on demand services such as Netflix, and online technology platforms such as Roku, Apple TV and Amazon. Each is researching new ways to offer more personalized viewing experiences to attract and retain viewers. One main means of competing is to offer the best possible cutting-edge content. With so many new players competing for rights to the best content, the video programming industry is engulfed in an ongoing “war” for content rights.38/

27. As one of the nation’s truly independent programmers, AMCN’s networks face unique challenges in maintaining access to the top content that distinguishes their programming line-ups. Its networks are forced to compete with the numerous networks affiliated with MVPDs, which often have access to greater resources, as well as networks affiliated with major film studios or sports teams, which are able to obtain preferential licensing arrangements for popular movies and sporting events.39/

28. Another significant challenge is that because of the increased competition for content, content costs are on the rise, with numerous trade press articles reporting on the increased cost that programmers must pay to acquire rights to develop high-quality content.40/ The costs of

37/ TNT Network Economics, S&P Global (accessed July 27, 2020), Ex. G. 38/ Marc Emmer, Amazon, Apple, Netflix and The War for Content, Forbes (May 23, 2019), https://www.forbes.com/sites/forbeslacouncil/2019/05/23/amazon-apple-netflix-and-the-war-for- content/#5187c17b1791. 39/ AMC 2020 10-K at 16-17. 40/ See, e.g., supra note 38; Taylor Telford, Netflix Raises Prices to Pay for Original Content, WASH. POST (Jan. 15, 2019), https://www.washingtonpost.com/business/2019/01/15/netflix-raises-prices-pay- 12

REDACTED - FOR PUBLIC INSPECTION purchasing and producing quality content that attracts viewers is the single largest cost of operation for a programming network, and these costs are increasing.

29. In order to be able to successfully meet these challenges, it is essential that independent programmers be able to play on a level playing field and receive fair market value for their programming from all distributors, regardless of their size, market concentration or affiliation.

iii. Significance of Distribution Over Online Video Services and Platforms to the Success of a Network

30. The video programming market has evolved since AMCN and AT&T last executed an affiliation agreement on terms which reflected the video programming market at the time. In particular, there have been marked advancements in the types and quality of content, along with modes of exhibition and distribution.41/ In recent years, most programming networks have recognized the importance of distributing through innovative new online distribution services and platforms to strengthen their linear television networks, and some have begun to experiment with offering video programming DTC, to stay relevant to and compete for a savvy audience that is turning to streaming platforms and other methods of distribution for video content in increasing numbers.42/ Indeed, as an article in Variety.com reported at the end of 2019:

original-content/; Apple Reportedly Ups TV Spending by $5 Billion to Compete with Amazon and Netflix, VERGE (Aug. 19, 2019), https://www.theverge.com/2019/8/19/20813005/apple-tv-plus-original-video- spending-6-billion-the-morning-show-amazon-netflix-streaming-wars. 41/ See Blaine Roth, Tuning into On-Demand Streaming Culture—Hollywood Guilds’ Evolution Imperative in Today’s Media Landscape, 27 UCLA Entertainment L. Rev. 141, 152 (2020). 42/ Tr., AT&T Opening Statement at 44:6-45:1 (Mar. 22, 2018) (“[V]ertically integrated companies, like Google and Facebook and Amazon and Hulu and Netflix. But all of these companies are running away with the industry, Your Honor. They have radically transformed it. And they are directly competing with the distributors you're going to hear in this case, the programmers you're going to hear in this case. They’re all a part of the same business. And they pose competitive challenges in two important respects. First of all, they're offering lower-priced pay-TV services. Hulu does. Google does. Others are offering SVOD services. Those are subscription on-demand services, where you cannot get a live channel, but you can get a show you want and you can binge it and you can watch 10 or 20 in a row, all weekend if you want. This 13

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It’s tough out there for a linear network. Even inside the major media conglomerates, the buzz is all about a company’s new digital platform, not its legacy channels. . . . [B]roadcast and cable networks are struggling to maintain relevance in the digital age, to the point where they’re suffering their own existential crises: HBO will soon be a major pillar of WarnerMedia’s HBO Max service, while most of FX’s new series are premiering on Hulu first. . . . [T]he streaming world is where viewers – particularly the younger ones – are flocking, and this year’s ranker of most-watched TV networks demonstrates that.43/

In fact, Time Warner’s former Chief Executive Officer, Jeffrey Bewkes, emphasized the need for all programming networks to be able to compete in this changing landscape, publicly stating: “We are building a foundation for the transformation of television networks, so that they will be available on demand and on mobile devices with a seamless interface for search. . . . This is leading the way for everybody.”44/

31. A recent analysis conducted by AMCN confirmed the need for programmers to have the ability to distribute their services through MVPDs and online services. The analysis showed that residential MVPD subscribers were down by {{ }} in broadcast season 2019/20 compared to the 2015/16 season.45/ By contrast, subscribership to

Amazon Prime Video was up by {{ }} and Netflix subscribership had increased {{

}} during this same timeframe.46/ SVOD penetration grew particularly rapidly among the 25-

is pulling people out of the pay-TV system to sign up for these terrific innovative offerings, oftentimes at much, much lower prices. So they are directly a part of this competitive landscape. And if you're not trying to keep up with these people, you're not going to be in business very long.”), Ex A. 43/ Michael Schneider, Most-Watched Television Networks: Ranking 2019’s Winners and Losers, VARIETY (Dec. 26, 2019), https://variety.com/2019/tv/news/network-ratings-top-channels-fox-news-espn- cnn-cbs-nbc-abc-1203440870/. 44/ John Koblin and Emily Steel, At the Head of the Pack, HBO Shows the Way Forward, NY TIMES (Apr. 13, 2015), https://www.nytimes.com/2015/04/13/business/media/at-the-head-of-the-pack-hbo- shows-the-way-forward.html (emphasis added). 45/ {{ }}, Ex. H. 46/ Id.

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54 demographic, reaching a penetration of {{ }} of people in this demographic in 2019, compared to {{ }} in 2015.47/ And SVOD penetration grew to {{ }} in 2019 among all households, compared to {{ }} in 2015.48/

32. Because of these changing video viewing habits, numerous programmers now provide content through a variety of online platforms and services. These attract new viewers, and also drive some viewers back to the linear television network, where they find other similar content that they enjoy. AT&T is no different with regard to its plans for its affiliated networks. In particular, earlier this year, AT&T stated that it would focus on HBO Max – which launched on

May 27, 2020 – to “capitalize on our premier network, technology and distribution capabilities to provide our premier content in this unique offering.”49/ AT&T’s CEO, John Stankey, subsequently stated on a July 23, 2020 earnings call that HBO Max “is available to consumers through nearly every content distributor in the United States” and that AT&T has “tried repeatedly to make HBO

Max available to all customers using Amazon Fire devices, including those customers that have purchased HBO via Amazon.”50/ Stankey then complained, without a hint of irony, that

“[u]nfortunately, Amazon has taken an approach of treating HBO Max and its customers differently on how they’ve chosen to treat other services and their customers.”51/ Even so, Stankey noted that AT&T has “agreements in place with, among others, Apple TV and Google Chromecast to give customers the right to stream HBO Max on those devices.”52/ Therefore, AT&T’s {{

47/ Id. 48/ Id. 49/ See AT&T 2020 10-K at 2. 50/ See AT&T Inc. Q2 2020 Earnings Call Tr. (July 23, 2020), at 7, THOMSON REUTERS STREETEVENTS, https://investors.att.com/~/media/Files/A/ATT-IR/financial-reports/quarterly-earnings/ 2020/q2-2020/Final%202Q20%20earnings%20transcript%2072320.pdf (last visited Aug. 1, 2020). 51/ Id. at 7-8. 52/ Id. at 8.

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}} is inconsistent with current industry practices, including its own practices with respect to its own networks.

iv. Carriage Negotiations with AT&T

33. Given the importance of AT&T distribution to AMCN’s financial well-being,

AMCN sought to start renewal discussions early, to avoid any last-minute time crunches. It sent a carriage proposal to AT&T on {{ }}.

34. AMCN did not receive an official response until {{ }}. In a drastic departure from prior carriage terms, the proposal contained {{

}}.

35. AMCN responded to AT&T’s carriage proposal on {{

}}.

36. AT&T responded that {{

}}.

37. AT&T also stated that {{

}}.

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38. On July 22, 2020, faced with {{

}} and the need to give the Commission adequate time to consider a standstill petition,

AMCN sent AT&T notice of its intent to file a program carriage complaint. AT&T responded on

July 24, 2020 that it had received the notice, but did not substantively engage on AMCN’s concerns of discriminatory conduct.

39. AMCN had discussions with AT&T on {{

}}.

40. On {{

}}. This Complaint followed.

ARGUMENT

41. Pursuant to Section 616 of the Communications Act, as amended,53/ the

Commission has adopted rules prohibiting an MVPD from engaging “in conduct the effect of which is to unreasonably restrain the ability of an unaffiliated video programming vendor to compete fairly by discriminating in video programming distribution on the basis of affiliation or non-affiliation of vendors in the selection, terms, or conditions for carriage of video programming provided by such vendors.”54/

53/ 47 U.S.C. § 536(a)(2) (2020). 54/ 47 C.F.R. § 76.1301(c) (2020).

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42. The Commission’s rules require that a complainant alleging a violation of the program carriage rules must establish a prima facie case.55/

43. First, to establish a prima facie case of a program carriage violation on the basis of discrimination, a complainant must provide direct or circumstantial evidence of discrimination on the basis of affiliation or non-affiliation.56/ Circumstantial evidence of discrimination includes proof that the video programming vendor “is similarly situated to video programming provided by a programming vendor affiliated with the defendant MVPD, based on a combination of factors, such a genre, ratings, license fee, target audience, target advertisers, target programming, and other factors.”57/ The Commission has stated that “no single factor is necessarily dispositive,

[but] the more factors that are found to be similar, the more likely the programming in question will be considered similarly situated to the affiliated programming.”58/

44. Second, the complainant must submit “evidence that the defendant MVPD has treated the video programming provided by the complainant programming vendor differently than the similarly situated video programming provided by the programming vendor affiliated with the defendant MVPD with respect to the selection, terms, or conditions for carriage.”59/

45. Third, the complainant must show that the differential treatment “has the effect of unreasonably restraining the ability of an unaffiliated video programming vendor to compete

55/ 47 C.F.R. § 76.1302(d) (2020). 56/ Revision of the Commission’s Program Carriage Rules, Leased Commercial Access; Development of Competition and Diversity in Video Programming Distribution and Carriage, Second Report and Order in MB Docket No. 07-42 and Notice of Proposed Rulemaking in MB Docket No. 11-131, 26 FCC Rcd 11494, ¶ 14 (2011) (“Second Report and Order”). 57/ Id. 58/ Id. 59/ Id.

REDACTED - FOR PUBLIC INSPECTION fairly.”60/ This prong is subject to an “expansive interpretation,” and a complainant need not show that without carriage it “cannot compete at all, i.e., would exit the industry, operate at a loss, or suffer some similar major disadvantage.”61/ Rather, the complainant must point to any conduct that has the effect of restraining its ability to compete fairly.62/

46. If the Commission finds that an MVPD has violated the program carriage rules, it will “order appropriate remedies, including, if necessary, mandatory carriage of a video programming vendor’s programming on defendant’s video distribution system, or the establishment of prices, terms, and conditions for the carriage of a video programming vendor’s programming.”63/

1. AMC and AMC+ Are Similarly Situated to TNT and HBO.

47. Under the first prong of the governing standard, AMC and AMC+ clearly are similarly situated to AT&T’s affiliated networks, HBO and TNT, based on a number of factors, including genre, targeted programming, target audience, targeted advertising, actual audience, ratings and other factors.64/

i. Genre

48. Genre is one of many clear similarities between AMC and HBO. AMC’s core, defining genre is premium, scripted, original dramas. Shows on AMC that fall within this genre

60/ 47 C.F.R. § 76.1302(d)(3)(iii)(A). 61/ TCR Sports Broad. Holding, L.L.P. v. Time Warner Cable Inc., Order on Review, 23 FCC Rcd 15783, ¶ 30 (MB 2008), rev'd on other grounds, 25 FCC Rcd 18099 (FCC 2010). 62/ 47 C.F.R. § 76.1302(d)(3)(iii)(A). 63/ 47 C.F.R. § 76.1302(j). 64/ While the Commission will look to the similarity of license fees as a factor, this information is generally proprietary. AT&T is attempting to reduce the license fees of AMC, while the publicly available evidence suggests that the license fees of HBO and TNT are remaining constant or increasing; but prior to discovery, the precise license fees of HBO and TNT are unknown to AMCN.

REDACTED - FOR PUBLIC INSPECTION include award-winning shows such as Mad Men (a drama following the lives of competitive men and women of Madison Avenue advertising set in the 1960s),65/ The Walking Dead (a drama that follows a group of survivors set in a post-apocalyptic America of walkers/zombies and other villains),66/ Breaking Bad (a drama following a man’s transformation from mild family man to a kingpin of the drug trade),67/ Killing Eve (a dark comedy-drama spy thriller),68/ and Better Call

Saul (a spin-off of Breaking Bad).69/ AMC also features a slate of classic and popular movies from the last 20-30 years to supplement this core of original programming.

49. AMC+ has the same genre as AMC. AMC+ offers everything from AMC’s premier content such as The Walking Dead to horror and thriller genre-focused content available on

AMCN’s other programming networks and offerings, such as Shudder.

50. HBO’s core programming falls within the same premium, scripted, original drama genre as AMC and AMC+. Examples of HBO’s recent shows that fall within this genre include

Game of Thrones (a drama following various characters’ battle for the Iron Throne),70/ Westworld

(a dystopian drama following the evolution of artificial intelligence and its impact on humanity),71/

Big Little Lies (a dark comedy following three mothers’ lives that unravel to the point of murder),72/

Succession (a drama following a family that controls one of the biggest media and entertainment

65/ Mad Men, AMC, https://www.amc.com/shows/mad-men/exclusives/about. 66/ The Walking Dead, AMC, https://www.amc.com/shows/the-walking-dead/exclusives/about. 67/ Breaking Bad, AMC, https://www.amc.com/shows/breaking-bad/exclusives/about. 68/ Killing Eve, AMC, https://www.amc.com/shows/killing-eve. 69/ Better Call Saul, AMC, https://www.amc.com/shows/better-call-saul/exclusives/about. 70/ Game of Thrones, HBO, https://www.hbo.com/game-of-thrones. 71/ Westworld, HBO, https://www.hbo.com/westworld. 72/ Big Little Lies, HBO, https://www.hbo.com/big-little-lies.

REDACTED - FOR PUBLIC INSPECTION conglomerates);73/ and Euphoria (a drama following a group of high school students as they navigate life in a world of drugs, sex and mental and emotional trauma).74/ Similar to AMC, HBO fills much of its surrounding programming slate with movies.

51. The television awards that AMC and HBO have been nominated for and won over the past five years confirm the similarity in genre. Both networks are regular competitors in the

Outstanding Drama Series category at the Emmy Awards. For example:

a. In 2015, AMC’s Better Call Saul and Mad Men were nominated for Outstanding

Drama Series and competed against HBO’s Game of Thrones;75/

b. In 2016, AMC’s Better Call Saul was nominated for Outstanding Drama Series and

competed against HBO’s Game of Thrones;76/

c. In 2017, AMC’s Better Call Saul was nominated for Outstanding Drama Series and

competed against HBO’s Westworld;77/ and

d. In 2019, AMC’s Better Call Saul was nominated for Outstanding Drama Series and

competed against HBO’s Game of Thrones and Succession.78/

e. In 2020, AMC’s Better Call Saul and Killing Eve have each been nominated for

73/ Succession, HBO, https://www.hbo.com/succession. 74/ Euphoria, HBO, https://www.hbo.com/euphoria. 75/ 67th Emmy Awards Nominees and Winners, Television Academy, https://www.emmys.com/awards/nominees-winners/2015/outstanding-drama-series. 76/ 68th Emmy Awards Nominees and Winners, Television Academy, https://www.emmys.com/awards/nominees-winners/2016/outstanding-drama-series. 77/ 69th Emmy Awards Nominees and Winners, Television Academy, https://www.emmys.com/awards/nominees-winners/2017/outstanding-drama-series. 78/ 71st Emmy Awards Nominees and Winners, Television Academy, https://www.emmys.com/awards/nominees-winners/2019/outstanding-drama-series.

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Outstanding Drama Series and will be competing against HBO’s Succession.79/

52. Because AMC and HBO both feature high quality scripted original dramas as their core programming, it is not surprising that in 2015, 2017 and 2019, AMC and HBO each had an actor/actress nominated for Outstanding Lead Actor/Actress in a drama series.80/ Likewise in

2020, two actors/actresses on AMC shows and three actors/actresses on HBO shows have been nominated for Outstanding Lead Actor/Actress in a Drama Series, accounting for nearly half of all nominations in this category (5 out of 12). Moreover, half of the total nominations for Outstanding

Supporting Actor/Actress in a Drama Series are from AMC or HBO shows (8 out of 16). Similarly with respect to directors, from 2015 through 2019, HBO had 12 nominations for Outstanding

Directing for a Drama Series, with directors on HBO and AMC shows competing against each other in this category.81/ These nominations powerfully confirm that both AMC and AMC+ (which features AMC programming) and HBO compete directly against each other in the high-end, premium, original scripted drama space and offer premium shows in this genre.

53. In addition, AMCN’s contemporaneous research studies reflect that its original scripted shows are viewed by television customers as falling within the same genre as HBO’s

79/ 72nd Emmy Awards Nominees and Winners, Television Academy, https://www.emmys.com/awards/nominees-winners/2020/outstanding-drama-series. 80/ 67th Emmy Awards Nominees and Winners, Television Academy, https://www.emmys.com/awards/nominees-winners/2015/outstanding-drama-series; 69th Emmy Awards Nominees and Winners, Television Academy, https://www.emmys.com/awards/nominees-winners/2017; 71st Emmy Awards Nominees and Winners, Television Academy, https://www.emmys.com/awards/ nominees-winners/2019. 81/ 67th Emmy Awards Nominees and Winners, Television Academy, https://www.emmys.com/awards/nominees-winners/2015/outstanding-drama-series; 68th Emmy Awards Nominees and Winners, Television Academy, https://www.emmys.com/awards/nominees-winners/2016; 69th Emmy Awards Nominees and Winners, Television Academy, https://www.emmys.com/awards/nominees-winners/2017; 70th Emmy Awards Nominees and Winners, Television Academy, https://www.emmys.com/awards/nominees-winners/2018; 71st Emmy Awards Nominees and Winners, Television Academy, https://www.emmys.com/awards/nominees-winners/2019.

REDACTED - FOR PUBLIC INSPECTION original scripted programming. For example, a survey conducted by Hub Entertainment Research in October 2019 contacted 2,016 television customers who watched at least one hour of television per week in October 2019 and asked them to identify which networks would make them most interested in trying out a new hour-long drama if they were to announce they were airing one.82/

HBO and AMC were two of the top three programming networks selected as networks that would most pique a customer’s interest in watching a new drama.83/

54. TNT is also a strong competitor to AMC with respect to the genre of content that it airs. TNT has described its core genre as encompassing “a dynamic portfolio of thrilling genre fare with new action-adventure, sci-fi/fantasy, mystery/suspense and crime dramas.”84/ Among other recent shows on TNT falling within this drama, TNT’s shows The Last Ship (a drama following survivors in a post-apocalyptic world after a global pandemic wipes out 80% of the world’s population),85/ The Alienist (a thriller set in 1896 about the hunt for a serial killer in New

York City),86/ and Snowpiercer (a dystopian thriller following inhabitants of a perpetually moving train that circles the globe carrying the remnants of humanity after the world has frozen)87/ fall within the same high-end scripted original drama genre as the shows aired by AMC.

ii. Targeted Programming

55. AMC has spent over a decade building a reputation for high-quality, can’t miss television that gives life to a passionate, engaged following. AMC’s targeted original

82/ {{ }}, Ex. I 83/ Id. 84/ Press Release, BOOM: TNT Unveils Dramatic Programming Evolution and Brand Refresh at Upfront, WARNERMEDIA (May 6, 2014), https://www.warnermediagroup.com/newsroom/press- releases/2014/05/06/boom-tnt-unveils-dramatic-programming-evolution-and-brand-refresh. 85/ The Last Ship, TNT, https://www.tntdrama.com/shows/the-last-ship. 86/ The Alienist, TNT, https://www.tntdrama.com/shows/the-alienist. 87/ Snowpiercer, TNT, https://www.tntdrama.com/snowpiercer.

REDACTED - FOR PUBLIC INSPECTION programming consists primarily of high-end original scripted drama that captivates customers and results in deep customer audience engagement. Although AMC is a basic programming network, it is premium in the sense that it offers pedigreed original dramas. AMC has regularly marketed itself as “Premium Television on Basic Cable.”

56. With regard to AMC’s high-end scripted original programming, HBO is the primary competitor to AMC. AMC is regularly compared to HBO as the “best-in-class” in original scripted programming. In this regard, AMC and HBO compete for talent, writers, development, and programming frequently. There are numerous instances of programming that was originally submitted to AMC, but ultimately aired on HBO, reflecting the similarity in the two networks’ targeted programming. As examples, the following shows that were sold to and aired on HBO were previously proposed to AMC:

a. Young Pope (aired on HBO on October 21, 2016);

b. Camping (aired on HBO on October 14, 2018);

c. My Brilliant Friend (aired on HBO on November 18, 2018);

d. Gentleman Jack (aired on HBO on April 22, 2019);

e. Years and Years (aired on HBO on June 24, 2019);

f. His Dark Materials (aired on HBO on November 3, 2019);

g. I Know this Much is True (aired on HBO on May 10, 2020);

h. I May Destroy You (aired on HBO on June 16, 2020); and

i. We Are Who We Are (premiers on HBO in September 2020).

57. In addition, as a result of the similarity in targeted programming, there is significant fluidity with talent, producers and writers between AMC and HBO. For example:

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a. AMC worked for many years with Matt Weiner, who served as the creator,

executive producer, writer and director of AMC’s Mad Men and also produced and

wrote The Sopranos for HBO.88/

b. Max Borenstein, Melissa Bernstein, Jonathan Lisco, Jami O’Brien, Tom Brady,

George Mastras and Alex Woo and are all examples of writers, on-air talent, and/or

producers who have pitched and/or worked with both HBO and AMC throughout

their careers.

c. AMC recently attempted to work with {{ }}, but he

ultimately decided to work with HBO.

d. AMC buys content from AT&T-owned WarnerMedia, and WarnerMedia has a

holiday movie package that AMC purchases every year. {{

}}

58. Mirroring AMC’s objectives with respect to its scripted original programming,

HBO has publicly stated that its intention is to increase customer engagement through high-quality scripted original content. As media outlets have reported, after AT&T bought Time Warner, it immediately made known its intentions for HBO: “ramp up the production of original TV shows and movies.”89/ Another HBO executive has emphasized that HBO’s targeted programming

88/ Matthew Weiner, AMC, https://www.amc.com/shows/mad-men/cast-crew/matthew-weiner (“Matthew Weiner most recently served as creator, executive producer, writer and director on the critically acclaimed drama Mad Men. . . . Weiner’s additional credits include serving as an executive producer and writer on The Sopranos”). 89/ Travis Clark, Netflix and HBO are Fighting over the Original TV Crown, but the Number of Hours Netflix is Putting out is Overwhelming, BUSINESS INSIDER (Feb. 8. 2019) 25

REDACTED - FOR PUBLIC INSPECTION involves not only volume, but also high-end quality, similar to AMC’s sought-after high-end quality scripted drama: “Every show that we’re putting on is of . . . ‘Sunday night quality programming’ . . . [A]ll of these shows that we’re programming are worthy of the HBO brand or we wouldn’t do it.”90/

59. Similarly, TNT is one of the networks that AMC regularly identifies in the marketplace as a competitor for acquired programming. TNT’s focus for original programming is

“broad-appeal dramas” as well as “edgy drama series” like Claws and Animal Kingdom.91/

60. TNT’s focus on dramas for its programming content dates back many years. In

2016, TNT rebranded and incorporated the tagline, “TNT Drama. Boom” to reflect “the kind of powerful emotional moments that make for great drama, moments that can be found in such TNT hits as Falling Skies, Rizzoli & Isles and Major Crimes; this summer’s new dramas The Last Ship,

Legends, Murder in the First; the recently announced series Public Morals, Proof and The

Librarians.”92/ The purpose of this new tagline was to make it clear to viewers that TNT delivers

https://www.businessinsider.in/netflix-and-hbo-are-fighting-over-the-original-tv-crown-but-the-amount- of-hours-netflix-is-putting-out-is-overwhelming/articleshow/67905340.cms. 90/ John Koblin, HBO Made Sunday Night a Showcase. It Wants the Same on Monday, NY TIMES (Feb. 3, 2019) https://www.nytimes.com/2019/02/03/business/media/hbo-monday- night.html#:~:text=the%20main%20story-,HBO%20Made%20Sunday%20Night%20a%20Showcase, Wants%20the%20Same%20on%20Monday.&text=PASADENA%2C%20Calif.&text=With%20HBO's% 20programming%20slate%20growing,scripted%20series%20to%20Monday%20nights. 91/ Nellie Andreeva, Brett Weitz Upped To General Manager Of TNT, TBS, & truTV; Thom Hinkle Named Head Of Original Content For The 3 Networks, DEADLINE (Oct. 1, 2019) https://deadline.com/2019/10/brett-weitz-upped-general-manager-of-tnt-tbs-trutv-qa-future-of-the-3- turner-brands-thom-hinkle-head-of-original-content-1202665925/; Michael Schneider, Warner Media Blurs the Line Between TNT and TBS as It Preps for Its Streaming Future, VARIETY (May 15, 2019) https://variety.com/2019/tv/news/warnermedia-tbs-tnt-snowpiercer-upfronts-1203215822/. 92/ Supra note 84.

REDACTED - FOR PUBLIC INSPECTION thrilling dramas.93/ Most recently, AT&T moved Snowpiercer from TBS to TNT because it is a better fit for the type of programming that TNT seeks to acquire.94/

61. TNT also competes with AMC for acquired content and broad-based genre shows, and TNT airs movies comparable to AMC.95/ AMC and TNT have crossover in talent due to the similarities between the networks.

iii. Target Audience

62. In internal marketing materials, AMCN emphasizes that AMC’s original programming targets and attracts: {{

.96/}} AMC’s target audience includes viewers who typically are younger and more affluent than the typical television viewer and are drawn to AMC’s original scripted series.97/ AMC’s research materials observe that while AMC’s core audience does “love a great relationship drama, they’re always on the lookout for a thought-provoking twist. They’re drawn to dynamic characters and love dissecting complex relationships. . . . Their adventurous tendencies often land them

93/ Id. 94/ “Did it make sense for TBS? Sure, it made sense in a way where we have young males and it’s a great robust audience. But really, it is an incredibly thrilling ride that belongs on TNT. It’s the epitome of what the TNT brand is … so we put it back on TNT, where it belongs.” Michael Schneider, TBS/TNT/TruTV’s Brett Weitz on Defining Networks’ Brands After ‘Snowpiercer’ Dislocation, VARIETY (Jan. 15, 2020) https://variety.com/2020/tv/news/tbs-tnt-trutv-brand-identity-snowpiercer-1203468729/. 95/ Compare, e.g., AMC Programming Schedule, Ex. F, to TNT Programming Schedule (8/1/20 through 8/14/20) (accessed on Aug. 1, 2020 at https://www.tntdrama.com/schedule), Ex. J. 96/ {{ }}, Ex. K. 97/ {{ }}, Ex. H.

REDACTED - FOR PUBLIC INSPECTION hooked on the latest mold-breaking and buzz-worthy dramas across a wide range of networks.”98/

AMC’s original programming typically targets all viewers in the 25-54 age range.

63. Similarly, HBO typically targets viewers in the 25-54 age range who will become heavily engaged in the programming that they consume. As AT&T’s new CEO has stated, “[A]s technology improves and provides more opportunities to consume content, the battle on the content front is for customer engagement. If you think about the battle we’re in right now, it’s a battle for customer engagement.”99/ TNT similarly is focused on appealing to viewers in these same demographics as AMC and HBO.100/ AMC’s internal research studies have identified multiple shows airing on TNT and HBO that would appeal to the same type of passionate target audience that AMC seeks to attract, including {{

}}.

iv. Targeted Advertising

64. AMC and TNT are similar with respect to their targeted advertising, as demonstrated by an advertising marketing survey that AMCN commissioned in 2019 of people who are actively making decisions about media brand selection.101/ In the survey, TNT was identified as a competitor.102/ The study demonstrated that AMC and TNT are viewed similarly

98/ { }}, Ex. L. 99/ See Mike Farrell, Stankey: New AT&T in ‘Battle for Customer Engagement’, MULTICHANNEL NEWS (June 18, 2018) https://www.multichannel.com/news/stankey-new-at-t-in-battle-for-customer- engagement. 100/ See, e.g., supra note 84. 101/ {{ }}, Ex. M. (Pages within the survey pertaining solely to networks other than AMC have not been included within this Exhibit.) 102/ Id. at 27. The 2019 survey grouped together “Turner Entertainment (TBS/TNT Net)” and references in this Paragraph to TNT with respect to the survey are based thereupon. In other years, TNT and TBS were broken out separately. See, e.g. Ex. M, last two pages (containing the first page and page 33 of 2018 Survey).

REDACTED - FOR PUBLIC INSPECTION by advertisers with respect to their targeted advertising and how closely they compete. For example:

a. {{ }} percent of respondents stated that they were strongly considering

advertising on AMC in the next six months, with {{ }} percent of respondents

stating that they were strongly considering advertising on TNT in the same time

period.103/ No other networks in AMC’s competitive set ranked closer to AMC in

this category.104/

b. {{ }} percent of respondents replied that they were strongly intending to advertise

on AMC over the next six months, with {{ }} percent of respondents replying the

same about TNT.105/

c. Of the {{ }} networks included as part of AMC’s competitive set, AMC ranked

{{ }} in the list of respondents’ most prioritized brands, and TNT ranked

{{ }}, with a very small percentage separating them on the list ({{ }}

versus {{ }}).106/

d. When respondents were asked what opinion they would share with others regarding

AMC and its competitors, {{ }} of respondents said they would share a

neutral opinion for both AMC and TNT; and {{ }} of respondents

indicated they would share a positive opinion if asked or would speak positively

103/ Id. at 29. 104/ Id. 105/ Id. at 30. 106/ Id. at 33.

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without being asked about TNT, with {{ }} of respondents indicating this

about AMC.107/

e. The media sales teams of AMC and TNT received similar ratings from respondents

with respect to their knowledge and creativity/innovation, with both networks

ranking in the top half of these categories.108/

f. AMC and TNT received identical scores from respondents with respect to how they

rate on the criterion of Value for Money, and both ranked in the top {{ }} among

AMC’s competitive set in the criteria of Ad Results and Programming.109/

g. AMC and TNT were both ranked in the top half of networks within AMC’s

competitive set with respect to how TV respondents considering the media brand

answered that each network rated on the criteria of Integration Within Content and

Cost/Price.110/

65. Moreover, on a list of 84 ad-supported programming networks based on data from

Standard Media Index (which accesses and aggregates advertising expenditure data from numerous media buying groups), TNT ranked {{ }} among programming networks (excluding sports, news, and kids) in 2019-20 with roughly {{ }} gross dollars spent in advertising on the network, and AMC ranked {{ }}, with roughly {{ }} gross dollars spent in advertising on the network in 2019-20.111/

107/ Id. at 37. 108/ Id. at 86. 109/ Id. at 100. 110/ Id. at 104. 111/ {{ }}, Ex. N.

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66. In addition, TNT ranked sixth in video-on-demand transactions per title in 2019-

20, and AMC ranked seventh.112/ This is a metric that advertisers view to determine the scale and size of their advertising purchases, and the data reflects great similarity between AMC and TNT.

67. Further reflecting the similarities between AMC and TNT with respect to their appeal to advertisers, a research study commissioned by AMC {{

113/

}}.114/

68. HBO does not air advertisements, but because AMC and HBO are so similar, over the last decade, AMC has regularly marketed itself to advertisers as a premium network on basic cable providing a premium advertising environment and premium storytelling time and time again.115/ In this regard, AMC touts that, that unlike HBO, an advertiser can build its brand in

AMC’s premium environment.116/ AMC further pitches itself to advertisers by emphasizing that:

If you are trying to reach elusive, discerning, often SVOD oriented viewers, AMC Networks is here for you. We offer the most ad- supported scripted premium drama in cable. Subscribers to Netflix, HBO, DisneyPlus, Apple and other top streaming services watch AMC Networks more than any other television network group, in fact they do so at a rate that is 65% higher than the next media company. This is a direct result of the continued investment and the highly curated environment we have built for discriminating

112/ { }}, Ex. O. 113/ { }}, Ex. P. 114/ Id. 115/ See, e.g., {{ }}, Ex. Q; {{ }}, Ex. R. 116/ {{ }}, Ex. R.

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viewers. The kinds of viewers your brands should be looking to align with and reach.117/

69. AMC’s marketing approach only works because HBO and AMC offer the same type of premium dramas, seek to acquire the same types of programming, and seek to attract and do attract the same types of audiences, making it viable for AMC to tell advertisers that advertising on AMC is the best way to reach HBO’s audience.

v. Actual Audience/Ratings

70. The same types of engaged and devoted viewers who watch AMC’s award-winning original programming also watch HBO’s original programming. HBO’s Game of Thrones is the closest competition to AMC’s hit show The Walking Dead that attracts passionate super fans who will watch everything available from the franchise.

71. Ratings data reflects that AMC’s actual audience is comparable to HBO’s and

TNT’s actual audience in numerous significant ways. {{

}}118/

72. In addition, AMC, HBO and TNT had comparable viewership in {{

117/ Id. 118/ { }}, Ex. S.

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}}119/

73. Moreover, in the 2019/2020 television season ratings to date (Sept. 23, 2019 through July 12, 2020), {{

120/

}}.121/

74. AMC, HBO and TNT also were all ranked {{

122/

}}.123/

75. {{

119/ { }}, Ex. T. 120/ {{ }}, Ex. U. 121/ {{ }}, Ex. V. 122/ { }}, Ex. W. 123/ { }}, Ex. X.

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124/

}}.125/

76. Confirming that AMC, HBO, and TNT are attracting similar actual audiences, a monthly survey conducted by the research and analytics firm Screen Engine/ASI asked video content consumers who self-identified as fans of AMC which networks or streaming services they watched on a monthly basis in 2020.126/ Each month, Netflix ranked {{ }}, AMC ranked

{{ }}, Amazon Prime Video ranked {{ }}, and HBO ranked {{ }}.127/ This demonstrates that, out of all self-identified AMC fans responding to the survey, more such viewers watched HBO every month than any other cable network (besides AMC), speaking volumes about the similarity in audiences between the two networks. In addition, TNT ranked {{ }} out of the listed cable networks, further demonstrating the similarity in audience between AMC and TNT, as self-identified fans of AMC were more likely to watch TNT than all but {{ }} other listed networks.

vi. Other Factors

77. AMC regularly monitors HBO and TNT as among its primary competitors. For example, in weekly competitive tracking reports circulated by AMCN’s Ad Sales Research team,

124/ { }} Ex. Y. 125/ { }} Ex. Z. 126/ {{ }}, Ex. AA. 127/ Id.

REDACTED - FOR PUBLIC INSPECTION the Ad Sales team regularly references and highlights the performance of TNT and HBO programming as two of the primary networks in AMC’s competitive set.128/

2. AT&T Is Discriminating Against AMC and AMC+ on the Basis of Non- Affiliation.

78. The second prong of the Commission’s program carriage discrimination test asks whether the MVPD is treating the unaffiliated network less favorably than its similarly-situated affiliated networks because of affiliation.129/ There can be no doubt of that treatment in this case.

AT&T’s treatment of its affiliated networks stands in stark contrast to its treatment of AMC and

AMC+. That this difference in treatment is due to a lack of affiliation – and AT&T’s desire to promote the development of its own networks while stifling that of their competitors – could not be plainer.

i. AT&T treats its own networks very differently from how it seeks to treat AMCN and AMC+

79. AT&T Funds Its Networks Fully and Demands that Other Distributors Do the

Same. While it is attempting to {{ }} AT&T is simultaneously increasing what it pays its own networks. AT&T has been pouring money into HBO’s programming content since its acquisition, and AT&T has made it extremely clear recently that, far from reducing its networks’ budgets, it is substantially increasing them, so that they can compete fully in the ongoing war for content. In 2019 alone, AT&T spent a whopping $14.2 billion on original content, and HBO “expanded its production of original content by 50%, to 150

128/ See, e.g., {{ }}, Ex. BB; {{

}}, Ex. CC; {{ }}, Ex. DD; {{ }}, Ex. EE. 129/ 47 C.F.R. § 76.1302(d)(3)(iii)( B)(2).

REDACTED - FOR PUBLIC INSPECTION hours,”130/ to the tune of “about $1.5 billion.”131/ A year earlier, “HBO spent roughly $2.2 billion on content . . . , and their 137 [Emmy] nominations cost the network just under $16 million each.”132/ Reportedly, $500 million was just added “to HBO’s existing $2 billion to $2.5 billion annual content spend.”133/

80. AT&T also seeks to treat AMC differently from the terms it is willing to accept for its own affiliated networks from other MVPDs. AT&T’s 2020 10-K notes that both HBO and

TNT’s “license agreements with its distributors are typically multi-year arrangements that provide for annual service fee increases.”134/

81. AT&T Does Not Subject Its Own Networks to Online Distribution

Restrictions. Although AT&T seeks to impose the {{ }} on AMC and AMC+, it imposes no such restrictions on its own similar networks. To the contrary, HBO and TNT are already carried on a wide variety of online platforms, {{

}} For example, HBO

130/ See Gavin Bridge, Entertainment Companies Spend $121 Billion on Original Content in 2019, VARIETY (Jan. 6, 2020), https://variety.com/2020/biz/news/2019-original-content-spend-121-billion- 1203457940/ (also noting that, to “maintain its market share, Netflix increased their content spend by $3 billion as the streamer increased its content volume by over 50% versus 2018”). 131/ See Adam Levy, Will HBO Max Grow Into Its Content Budget?, THE MOTLEY FOOL (July 22, 2020), https://www.fool.com/investing/2019/10/24/will-hbo-max-grow-into-its-content-budget.aspx. 132/ See Helen Back, Here’s How Much Netflix, Hulu, Amazon, and HBO Spent Per Emmy Nomination, KILL THE CABLE BILL, (July 29, 2019) https://www.killthecablebill.com/cost-per-emmy-nomination/; see also Timothy Green, You Won't Believe How Much Netflix Spent on Each Emmy Nomination, THE MOTLEY FOOL (Sept. 1, 2018) https://www.fool.com/investing/2018/09/01/you-wont-believe-how-much-netflix- spent-on-each-em.aspx (“[E]ach of HBO’s 108 Emmy nominations cost the network just $23 million in terms of content spending.”); Adam Epstein, HBO’s “Watchmen” is weird and dangerous, just like it needs to be, QUARTZ (Oct. 17, 2019) https://qz.com/1729339/hbos-big-watchmen-risk-totally-pays-off/) (noting that the show Watchmen “cost HBO about $15 million per episode”). 133/ See id.; see also Brandon Katz, WarnerMedia to Add an Extra $500 Million to HBO’s Budget, OBSERVER (July 30, 2019) https://observer.com/2019/07/hbo-budget-warnermedia-invest-extra-500- million/ (“WarnerMedia is set to increase HBO’s programming budget—currently $2.5 billion per year— by an additional $500 million for 2019 and 2020.”). 134/ See AT&T 2020 10-K at 7.

REDACTED - FOR PUBLIC INSPECTION content is carried on Hulu135/ and Amazon Prime.136/ TNT content – often, current season content

– is carried on Amazon Prime.137/

82. Moreover, AT&T has explained at length that it understands the importance of a programming network being on online platforms, stating in various forums:

a. “The success of these SVOD and virtual MVPD platforms has meant that video

consumption is increasingly taking place outside of traditional MVPD

services . . . ”138/

b. “[T]he value of a content company is a function of how many people watch the

content. Period. It’s no more complex than that. So content valuations are a

function of distribution. Wide broad distribution. The more distribution, the better

you are.”139/

c. “I believe that distribution is the most important variable for success for any

programmer.”140/

d. “When you’re in distribution it’s all about the scale and reach. You have to be on

all the platforms. Otherwise you don’t have a chance of being successful in this

business, you have to be on every platform.”141/

135/ See HBO on Hulu, https://www.hulu.com/hboclassic (last visited July 30, 2020). 136/ See How to add HBO as a Prime Video Channel, https://help.hbonow.com/Answer/Detail/235 (last visited July 30, 2020). 137/ See Watch TNT on Amazon Prime, https://www.amazon.com/Turner-Entertainment-Networks- Watch-TNT/dp/B00BI583GE (last visited July 30, 2020). 138/ Defendants’ Proposed Findings of Fact, ¶ 44, Ex. E. 139/ Id. ¶ 72. 140/ Id. ¶ 80. 141/ Id.

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e. “We believe it is critical that we extend our brand leadership as a premium pay-TV

provider in the marketplace by providing a direct to consumer video experience

both at home and on mobile devices. . . . We expect our upcoming streaming

platform HBO Max to provide an attractive offering of video options as well as

bundling opportunities for our wireless customers and will drive our direct to

consumer strategy.”142/

f. “Our new HBO Max streaming platform is another component of our strategy to

reach nontraditional video customers and we are investing heavily to launch a

competitive and attractive offering. If we are unable to restrain these costs or

provide programming desired by our customers, it could impact margins and our

ability to attract and retain customers.”143/

ii. There is no legitimate business reason for this difference in treatment; AT&T is discriminating against AMC and AMC+ to promote its affiliates

83. The explanations that AT&T has offered for its proposal do not stand up to scrutiny.

First, {{

}} None of these explanations withstands closer examination.

84. With regard to the {{ }}, as explained above, AT&T has been extremely public about the fact that it is paying HBO substantially more this year. AT&T

142/ See AT&T 2020 10-K at 5-6. 143/ Id. at 18.

REDACTED - FOR PUBLIC INSPECTION also announced in 2020 that, because its “programming costs went up,” it had “to raise our monthly prices for select packages.”144/ Overall, AT&T has noted repeatedly that it is paying more for programming in 2020, using that excuse as a reason to institute a price increase for DIRECTV and

U-Verse subscribers.145/

85. While AT&T may be attempting to pay certain networks less in licensing fees, it would not make good business sense to {{ }} for a must-have network like AMC absent a discriminatory motivation. To the contrary, in the absence of owning and seeking to favor competitive affiliated networks, AT&T would be motivated to help AMC and AMC+ succeed and pay an appropriate price for the networks, because of the immense value they contribute to the

AT&T channel line-up.146/ Indeed, MVPDs frequently acknowledge that the value of their service offering and their ability to attract and retain customers depends on their ability to offer the most popular programming to customers.147/ When engaging in cost-cutting, MVPDs typically target

144/ See Jon Brodkin, AT&T raises DirecTV prices again despite losing millions of customers, ARS TECHNICA (Dec. 10, 2019), https://arstechnica.com/information-technology/2019/12/att-raises-directv- prices-again-despite-losing-millions-of-customers/; see also Mae Abdulbaki, DirecTV Is Raising Prices Again After Already Losing Customers In Droves, CINEMABLEND (Dec. 12, 2019), https://www.cinemablend.com/television/2486622/directv-is-raising-prices-again-after-already-losing- customers-in-droves (DIRECTV explaining that because “our programming costs went up, we have to raise our monthly prices for select packages.”). 145/ Dade Hayes, AT&T Sets DirecTV And U-Verse Price Hikes In 2020, Citing Higher Program Costs, DEADLINE (Dec. 9, 2019) https://deadline.com/2019/12/att-sets-directv-and-u-verse-price-hikes-in-2020- citing-higher-program-costs-1202804956/. 146/ Indeed, as discussed below, AT&T claims that it is imposing the {{

}} 147/ See, e.g., AT&T 2020 10-K at 5; Altice U.S.A, Inc., Annual Report (Form 10-K) (Feb. 14, 2020), at 8, 21 (“Disputes with programmers and the inability to retain or obtain popular programming can adversely affect our relationship with customers and lead to customer losses, which could materially adversely affect our business, financial condition and results of operations.”); Charter Communications, Annual Report (Form 10-K) (Feb. 7, 2020), at 16 (“Our failure to carry programming that is attractive to our customers could adversely impact our customer levels, operations and financial results.”); DISH Network Corp., Annual Report (Form 10-K) (Feb. 19, 2020), at 30, 71 (“Our ability to compete successfully will depend, among other things, on our ability to continue to obtain desirable programming.”).

REDACTED - FOR PUBLIC INSPECTION the lesser-known and lesser-watched networks, not the most highly-valued networks on which they depend to attract subscribers.148/

86. AMCN operates several of the most popular household name-brand programming networks today, including its flagship network, AMC, which has produced award-wining original scripted dramas such as The Walking Dead, Killing Eve, Mad Men, Breaking Bad, Better Call Saul and others. AMC consistently ranks high on the list of programming networks that viewers consider to be “must have” and its viewers are considered to be “superfans,” the most loyal viewers a network can win.149/ Indeed, in a publicly reported summary of the 2019 Beta Research Cable

Subscriber Study, 32% of all female viewers identified AMCN as a channel they “must have.”150/

87. Among AMC’s many acclaimed shows, several have a very large following. In its tenth season, The Walking Dead {{

}}151/ Both

The Walking Dead and Better Call Saul have been {{

}}152/

88. Numerous studies have confirmed that AMC is among the most popular networks, and that viewers see AMC as essential:

148/ See, e.g., Redacted Answer to Program Carriage Complaint, Game Show Network v. Cablevision Systems Corp., File No. CSR-8529-P, ¶¶ 53-55 (filed Dec. 12, 2011) (noting that “customer satisfaction, acquisition, and retention … are primary MVPD concerns in licensing a network because those factors drive subscription revenue.”). 149/ See ¶ 88, infra. 150/ See 09/19/19: Escape rebrands to Court TV Mystery, CYNOPSISMEDIA, https://www.cynopsis.com/09-19-19-escape-rebrands-to-court-tv- mystery/#:~:text=According%20to%20the%202019%20Beta,%25)%20and%20ESPN2%20(35%25). (last visited July 24, 2020). 151/ See {{ }}, Ex. II. 152/ Id.

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a. A public summary of the 2019 Beta Basic Network Evaluation Study ranked AMC

as being a “must have” channel among total women.153/ When adults were asked

for which networks they would definitely switch their cable provider if it was

dropped from their channel lineup, AMC made the short list.154/

b. In an October 2019 viewer survey done by Hub Entertainment Research to examine

how “viewers discover new shows, and why they choose some content over others,”

researchers concluded that viewers “have clear network preferences by genre” and

found that AMC was on the list of “Top 10 Networks” for two different genres,

Hour Drama and New Original Show.155/

c. E-Score® Brand conducted an online survey of 1,500 randomly selected

respondents ages 13 and above and asked those who were aware of a brand “to

evaluate that brand in more depth.”156/ AMC ranked above average among cable

networks in topics including brand awareness and view of the network as “bold,”

“entertaining,” “fun,” “high-quality,” “one-of-favorites,” and “relevant to me.”157/

d. {{

}}

89. {{

153/ See supra note 150. 154/ See id.; see also Michael Balderston, ESPN Most Valued Network Among Viewers, Per Beta Research, TV TECHNOLOGY (Sept. 19, 2019), https://www.tvtechnology.com/news/espn-most-valued- network-among-viewers-per-beta-research (“Beta Research conducted its survey with a national sample of 1,400 cable subscribers age 18 and older, using three questions to measure 45 basic cable networks.”). 155/ See {{ }}, Ex. I. 156/ {{ }} Ex. FF. 157/ Id.

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158/

}}159/

90. AMC’s programming has consistently earned many top awards and accolades.

While these awards are too numerous to list, the most notable include The Walking Dead, which received the Emmy Award each year between 2011 and 2017, the Screen Actors Guild Award in

2019 and 2020, the Saturn Award in 2019, and multiple Gracie Awards in 2019 and 2020.160/

AMCN’s show Mad Men likewise received multiple Emmy Awards each year between 2009-2015 and Golden Globe Awards in 2007-2010, 2012, and 2015.161/ This year, The Terror: Infamy received the Best Pilot Made for Television from ASC Awards.162/ The show Breaking Bad was nominated for 49 Primetime Emmy Awards this decade and won 12 of them. The show Better Call

Saul “has garnered many nominations, including a Peabody Award, 23 Primetime Emmy Awards, eleven Writers Guild of America Awards, five Critics’ Choice Television Awards, a Screen Actors

158/ { }}, Ex. W. 159/ See {{ }}, Ex. GG. 160/ See The Walking Dead, The Television Academy, https://www.emmys.com/shows/walking-dead. 161/ See Mad Men, The Television Academy, https://www.emmys.com/shows/mad-men. 162/ See Competition Awards, ASC https://theasc.com/awards/34th-annual-asc-awards (last visited July 24, 2020).

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Guild Award, and two Golden Globe Awards.”163/ Finally, the highly prestigious International

Emmy Awards recognized McMafia as the Best Drama Series in 2019.164/

91. All in all, AMC finished the decade as the #1 destination for original programming in all of cable for eight consecutive years between 2012 and 2019. It had an Outstanding Drama

Series Emmy nomination for 9 of 10 years this decade and won 4 of them.

92. AT&T’s only response to AMC’s overwhelming popularity with viewers is that

{{ }} This is untrue: AMC’s popularity remains strong in 2020.

93. In a July 2020 survey, respondents who indicated that they watch either AMC,

HBO, or TNT were asked about the value they place on AMC. Over 46% responded that having

AMC as part of their service offering was “critical” or “had a strong impact” on their enjoyment of the service.165/ 40% stated that they would “definitely” or “probably” switch providers if AMC were not available.166/

94. In addition, AMC saw “one of [its] largest spikes in viewership [levels] in March once national social distancing measures were put in place.”167/ And AMCN just learned that 2020 also was another tremendous showing for AMC in Emmy nominations—18 in total. Better Call

Saul received its 5th Outstanding Drama Series nomination and seven Emmy nominations in total;

Killing Eve secured eight Emmy nominations, including for Outstanding Drama Series; Better Call

163/ See Better Call Saul, WIKIPEDIA https://en.wikipedia.org/wiki/Better_Call_Saul (last visited July 24, 2020) (emphases added). 164/ See Jill Goldsmith, International Emmy Awards: ‘McMafia’ Wins Drama Series Prize, DEADLINE (Nov. 25, 2019), https://deadline.com/2019/11/international-emmy-awards-mcmafia-wins-drama-series- prize-1202795209/. 165/ {{ }}, Ex. HH. 166/ Id. 167/ See {{ }}, Ex. II.

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Saul Employee Training: Legal Ethics with Kim was nominated for best Outstanding Short Form

Comedy or Drama; and Doctor Who: The Runaway secured several nominations, including for

Outstanding Derivative Interactive Program.168/

95. Moreover, while there have been brief periods in which AMC’s ratings have fallen,

TNT’s ratings have done the same, and HBO’s have plummeted far more.169/ Thus, changes in ratings cannot be the basis for any legitimate difference in treatment.

96. It is, therefore, unsurprising that AMC is carried by all major MVPDs on their most widely distributed tier and paid carriage fees that reflect its popularity and the value that AMC contributes to the MVPD offering, including in renewal agreements AMC recently concluded with several major distributors.

97. AMCN recently launched a new programming network, AMC+.170/ AMC+ is an ad-free, premium linear programming network that is presently offered a la carte, along with complementary on demand content, to video and broadband subscribers of Comcast, DISH, and

SlingTV.171/ The content offered on AMC+ includes selections from AMC’s premier original programming as well as top titles from AMCN’s other networks and products, such as IFC Films

168/ See 2020 Emmy Nominations Announcement, at https://www.emmys.com/events/72nd-emmy- nominations-announcement (last visited July 28, 2020). 169/ {{

}} Ex. JJ. This data reflects that {{

}} 170/ AMC+ is available on the MVPD channel lineup, and also as a streaming video-on-demand service to broadband subscribers, through Comcast, DISH, and Sling TV. 171/ Discover AMC+, https://www.xfinity.com/learn/digital-cable-tv/svod/amc-plus; Watch AMC+ Online, https://www.sling.com/channels/amc-plus; Discover AMC+, https://my.dish.com/subscription-on- demand/amcplus.

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Unlimited, Sundance and Shudder.172/ AMC+ was immediately touted as “likely to appeal to a large audience,”173/ and distributors have been eager to carry it. AMCN is deep in negotiations to launch AMC+ on a number of other MVPDs and online distributors.

98. AT&T’s attempt to impose the {{ }} on AMC and

AMC+ similarly makes no economic sense apart from a discriminatory motive.

99. While there was a time while online competition was developing when MVPDs commonly attempted to prevent programmers from agreeing to distribute their content via online- based services, such attempts have been largely abandoned by other MVPDs since the Commission and the Department of Justice made quite clear that such behavior is anticompetitive.174/ Today, while MVPDs commonly ask programmers to refrain from making popular content available on the Internet for free, they do not seek to bar programmers from being part of online services, recognizing, as AT&T has elsewhere and for its own networks,175/ that programmers need to have the ability to be on those platforms to remain funded, competitive and relevant.176/ AMCN has not been required by any other MVPD to refrain from {{

}} It makes no business sense absent anticompetitive

172/ See id. 173/ Ben Munson, AMC+ is a big new streaming service, but it’s only on Comcast for now,” FIERCE VIDEO (June 11, 2020), https://www.fiercevideo.com/video/amc-a-big-new-streaming-service-but-it-s- only-comcast-for-now. 174/ See, e.g., Applications of Comcast Corporation, General Electric Company and NBC Universal, Inc. For Consent to Assign Licenses and Transfer Control of Licensees, Order, 26 FCC Rcd 4238, ¶ 73 (2011) (“demand of restrictive online rights in exchange for carriage may also cause harms to consumer choice, diversity, and broadband investment”). 175/ Complaint ¶¶ 4, 16, 30-32, supra. 176/ See Cynthia Littleton and Brett Lang, Inside CEO John Stankey’s ‘Action-Oriented’ Approach to Reposition WarnerMedia, VARIETY (July 30, 2019) https://variety.com/2019/biz/features/john-stankey- warnermedia-ceo-hbo-warner-bros-1203281473/ (“‘If you’re going to be relevant in entertainment distribution moving forward, you’re going to have to have a scaled product that gets into the most households,’ Stankey says.”). 45

REDACTED - FOR PUBLIC INSPECTION motives for AT&T to seek to impose such an outdated restriction.

100. Given everything that AMC has to offer to AT&T and to its viewers, any reasonable

MVPD would do everything possible to enable AMC to continue to attract new viewers and to produce new and excellent content. In the absence of anticompetitive intent, it would make no business or economic sense whatsoever to cut off the lifeline of the network by preventing it from

{{

}}

101. Moreover, examination of AT&T’s asserted rationales reveals an inconsistency that betrays the credibility of their argument: if AT&T believes that AMC and AMC+ have the power to draw subscribers to its video service offering, thus justifying its attempt to {{

}}, then it must recognize that value when negotiating license fees for linear carriage.

102. It makes no business sense for AT&T to hinder the development of networks on which it depends to attract and retain subscribers, unless AT&T’s actions are designed and intended to give its affiliated networks a substantial competitive edge in the marketplace. While

{{ }}, AT&T is heavily funding its own networks. While {{

}}, AT&T is allowing its own networks to have the widest possible distribution. This disparate treatment will benefit HBO and

TNT tremendously – in terms of less competition for content (driving prices down), less competition for viewers, and a greater opportunity to gain substantial early leverage in the online video marketplace. These financial incentives are precisely the kind proscribed by Section 616.

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3. AT&T’s Discrimination Unreasonably Restrains AMC’s Ability to Compete Fairly.

103. As the final prong of the Commission’s discrimination analysis, the complainant must show that the differential treatment “has the effect of unreasonably restraining the ability of an unaffiliated video programming vendor to compete fairly.”177/ This element is subject to an

“expansive interpretation,” in furtherance of the policy underlying Section 616 and the “concern[s] about the incentive and ability of vertically-integrated MVPDs . . . to favor their affiliated programming services . . . .”178/ Here, AMC and AMC+ do not need show that, “without carriage,

[they] cannot compete at all, i.e., would exit the industry, operate at a loss, or suffer some similar major disadvantage.”179/ Rather, they must point to any conduct that has the effect of restraining their ability to compete fairly.180/

104. Here, AT&T’s anticompetitive actions – {{

}} – will directly harm AMC’s and

AMC+’s ability to compete fairly, causing long-term effects on AMC’s ability to continue to thrive, and AMC+’s ability to grow a subscriber base.

105. First, a {{ }} from one of its largest distributors could have severe repercussions on AMC’s ability to compete in the television marketplace both now and far into the future. AMC relies on a steady flow of license fee-based income in order to pay for the content it already has acquired (for which payments are due over time), and to continue

177/ 47 C.F.R. § 76.1302(d(3)(iii)(A). 178/ TCR Sports Broad. Holding, L.L.P. v. Time Warner Cable Inc., Order on Review, 23 FCC Rcd 15783, ¶ 30 (MB 2008), rev'd on other grounds, 25 FCC Rcd 18099 (FCC 2010). 179/ Id. 180/ Id. (emphasis added).

REDACTED - FOR PUBLIC INSPECTION to compete for and produce the top new content that defines the network, the rights to which are often secured months before airing – as AT&T is well aware, since it does the same.181/

106. In addition, the revenue loss from this new agreement would be even greater, since

AT&T insists on {{

}} Associated advertising revenues, which are calculated based on the number of subscribers, will also drop.

107. Moreover, securing the rights to a top show when it becomes available not only results in the rights to that content, but often leads to spin-off shows, associated content, merchandising, and other opportunities that provide an income flow for many years.182/ If AMC cannot bid today on the programs that it believes would best keep the network popular and valuable, because it is not assured of the necessary income stream from license fees, the repercussions of that lack of funding will last far into the future.183/

181/ See AT&T 2020 10-K at 19 (“We must continually add new subscribers both to replace canceled subscribers and to grow our business. If we do not grow as expected, given, in particular, that a significant portion of our content costs are committed and contracted over several years based on minimum subscriber delivery levels, we may not be able to adjust our expenditures or increase our (per subscriber) revenues commensurate with the lowered growth rate such that our margins, liquidity and results of operations may be adversely impacted.”). 182/ AT&T, in fact, touts this as one way of making programming more valuable, saying “Our television programming also supports Warner Bros.’ key brands and franchises, which helps generate consumer product and brand licensing revenues based on the programming for years beyond the initial airing of the programming on television.” AT&T 2020 10-K at 8. 183/ It is widely recognized that networks like AMC, which define themselves by offering high end scripted drama, face growing pressure to procure new and exciting content to compete with streaming services that are seeking to distinguish themselves by spending more on content. The “streaming industry requires unfathomable investments” and there “will be upwards of $35 billion spent on content across the board” in 2020 alone. See Brandon Katz, How Much Does It Cost to Fight in the Streaming Wars?, OBSERVER (Oct. 23, 2019) https://observer.com/2019/10/netflix-disney-apple-amazon-hbo-max-peacock- content-budgets/ (noting that $500 million was just added “to HBO’s existing $2 billion to $2.5 billion annual content spend” and its new platform is expected to launch “upwards of 10,000 hours of programming.”); see also Levy, supra note 131 (noting that AT&T “is pouring a lot of money into content” generally, and it further “committed to increasing HBO’s original productions budget by 50% to about $1.5 48

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108. Second, {{

}}

109. Third, AT&T’s insistence on {{

}}

110. Fourth, {{

billion” in 2020); Bridge, supra note 130 (stating that U.S, media and entertainment companies “spent over $120 billion on original content” in 2019, which is a “whopping sum fueled by the increasing investment of players including AT&T’s HBO, which expanded its production of original content by 50%, to 150 hours;” and that Netflix, likewise, “increased their content spend by $3 billion as the streamer increased its content volume by over 50% versus 2018.”).

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}}

111. Fifth, the launch of a new network like AMC+ is an especially critical time to build subscribers, reputation and “buzz.” If AMC+ is unable to attract sufficient viewership because it is {{ }}. Even a delay in launch would deprive AMC and AMC+ of a “first to market” opportunity to attract subscribers, and so would benefit HBO and TNT, who could capture subscribers looking for similar channels.

112. Finally, federal media policy has long recognized the importance of promoting diverse viewpoints, even well before Congress identified the promotion of diversity of views and information as one of the main purposes of the 1992 Cable Act.184/ As some of the few remaining independent programmers, AMC and AMC+ add a unique and innovative voice to the channel line-up that should be protected. AT&T’s actions are threatening AMC and AMC+ with the loss of that voice.

113. Each of these harms hinders AMC and AMC+’s ability to compete fairly in the marketplace. As acquiring high-end content becomes more expensive and the battle to obtain it more competitive,185/ and as more and more Americans watch video over multiple platforms,186/ these harms will be compounded.

184/ See 47 U.S.C. § 521(4). Congress emphasized this priority throughout the Communications Act. See, e.g., 47 U.S.C. § 257(b) (“[T]he Commission shall seek to promote the policies and purposes of this chapter favoring diversity of media voices . . . .”). The Commission on numerous occasions has acknowledged the importance of “viewpoint diversity,” see, e.g., Cross-Ownership of Broadcast Stations and Newspapers, Report and Order, 18 FCC Rcd 13620, ¶ 19 (2003); A National Broadband Plan for Our Future, Notice of Inquiry, 24 FCC Rcd 4342, ¶ 101 (2009) (noting “the policies and purposes of the Act favoring, among other things, a diversity of media voices”). Courts have also found that promoting media diversity is a proper Commission goal and, further, that the Commission is authorized to apply rules promoting source diversity. See FCC v. NCCB, 436 U.S. 775, 794 (1978). 185/ The “streaming industry requires unfathomable investments from deep-pocketed backers” and there “will be upwards of $35 billion spent on content across the board” in 2020. See Katz, supra note 183. 186/ See Todd Spangler, Cord-Cutting Keeps Churning: U.S. Pay-TV Cancelers to Hit 33 Million in 50

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REQUEST FOR RELIEF

114. The fundamental facts set forth in this Complaint are indisputable. There can be no legitimate disagreement as to whether AMC and AMC+ are similarly situated to HBO and

TNT, or whether AT&T is treating its own affiliated networks differently from AMC and AMC+ on no basis other than non-affiliation. It would be advantageous for AT&T’s affiliated networks for AMC and AMC+ to be severely impaired in their ability to compete. The Media Bureau should not let this happen and should grant the request for relief based on the pleadings.

115. Because AMCN has established that AT&T violated Section 616 of the

Communications Act of 1934, as amended, and the Commission’s program carriage rules, by attempting to discriminate against AMC and AMC+ in the rates, terms and conditions of carriage, the Media Bureau should order AT&T to carry AMC and AMC+ on fair, reasonable and nondiscriminatory rates, terms and conditions, and should further bar AT&T from imposing the {{ }}. The Bureau also should impose the maximum permissible forfeiture on AT&T for violation of Section 616 and the Commission’s rules.

116. If AT&T seeks Commission review of the Media Bureau’s order requiring nondiscriminatory carriage of AMC, AT&T should be required, at AMCN’s option, to carry AMC and AMC+ on the terms ordered by the Media Bureau for an additional period equal to the time elapsed between the staff decision and the Commission’s ruling.

117. Alternatively, if the Bureau determines that it cannot resolve this case on the pleadings, it should expedite resolution of this dispute by making all factual and legal findings that can be made without a hearing and designating for hearing only the limited issues that

2018 (Study), VARIETY (July 24, 2018) https://variety.com/2018/digital/news/cord-cutting-2018-estimates- 33-million-us-study-1202881488/ (while the traditional MVPD “universe shrinks, the number of viewers accessing over-the-top, internet-delivered video services keeps growing.”).

REDACTED - FOR PUBLIC INSPECTION require further fact finding. See Second Report and Order ¶ 18 (encouraging the Media Bureau

“to either resolve cases on the merits based on the pleadings without referring the matter to an

ALJ, or narrow the factual issues in dispute that warrant discovery or referral to an ALJ”).

Respectfully submitted,

/s/ Tara M. Corvo Tara M. Corvo Alyssia J. Bryant MINTZ, LEVIN, COHN, FERRIS, GLOVSKY AND POPEO, P.C. 701 Pennsylvania Avenue, NW Suite 900 Washington, DC 20004 (202) 434-7300

Scott A. Rader MINTZ, LEVIN, COHN, FERRIS, GLOVSKY AND POPEO, P.C. Chrysler Center 666 Third Avenue New York, NY 10017 (212) 935-3000

Counsel to AMC Networks, Inc.

August 5, 2020

REDACTED - FOR PUBLIC INSPECTION

VERIFICATION

I, Clifford A. Bail, Executive Vice President-Deputy General Counsel, AMC Networks Inc., have read the foregoing Program Carriage Complaint of AMC Networks Inc. and hereby declare under penalty of perjury, that the factual information contained herein is true and correct to the best of my knowledge, information and belief.

______Clifford A. Bail

REDACTED - FOR PUBLIC INSPECTION

CERTIFICATE OF SERVICE

I, Tara M. Corvo, hereby certify that on this 5th day of August, 2020, I caused a true and correct copy of the foregoing Program Carriage Complaint of AMC Networks Inc. to be served by first class mail, postage prepaid, and by electronic mail upon:

Bruce Byrd Senior Vice President and Assistant General Counsel AT&T Communications 208 S. Akard St. Dallas, Texas, 75202 [email protected]

/s/ Tara M. Corvo Tara M. Corvo

REDACTED - FOR PUBLIC INSPECTION

Before the FEDERAL COMMUNICATIONS COMMISSION Washington, D.C. 20554

In the Matter of ) ) AMC NETWORKS INC., ) Complainant, ) File No.:______) v. ) ) AT&T INC., ) Defendant. )

TO: Chief, Media Bureau

EXHIBITS TO THE PROGRAM CARRIAGE COMPLAINT OF AMC NETWORKS INC. REDACTED - FOR PUBLIC INSPECTION

TABLE OF CONTENTS

EXHIBIT PDF Page No.

Exhibit A. Transcript, United States v. AT&T, Inc., No. 1:17-cv-02511-RJL (D.D.C. Mar. 22, 2018, 11:30 a.m.)...... 5

Exhibit B. Letter from Tara M. Corvo, Member, Mintz to Bruce R. Byrd, Senior Vice President and Assistant General Counsel, AT&T (July 22, 2020) ...... 16

Exhibit C. Letter from Bruce R. Byrd, Senior Vice President and Assistant General Counsel, AT&T, to Tara M. Corvo, Member, Mintz (July 24, 2020) ...... 20

Exhibit D. Complaint, United States v. AT&T, Inc., No. 1:17-cv-02511-RJL (D.D.C. Nov. 20, 2017) ...... 23

Exhibit E. Defendants’ Proposed Findings of Fact and Conclusions of Law, United States. v. AT&T, Inc., No. 1:17-cv-02511-RJL (D.D.C. Aug. 3, 2018) ...... 25

Exhibit F. AMC Weekly Programming Schedule (3/30/20-4/5/20 through 7/6/20- 7/12/20)…………...... …………………………………………………………………29

Exhibit G. TNT Network Economics, S&P Global (last accessed July 27, 2020) ...... 45

Exhibit H. {{ }} ...... 48

Exhibit I. {{ }} ...... 50

Exhibit J. TNT Programming Schedule (8/1/20 through 8/14/20) ...... 52

Exhibit K. {{ }} ...... 67

Exhibit L. {{ }} ...... 69

Exhibit M. {{ }}...... 71

Exhibit N. {{ }} ...... 73

Exhibit O. {{ }} ...... 75

Exhibit P. {{ }} ...... 77

Exhibit Q. {{ }} ...... 79 REDACTED - FOR PUBLIC INSPECTION

Exhibit R. {{ }} ...... 81

Exhibit S. {{ }} ...... 83

Exhibit T. {{ }} ...... 85

Exhibit U. {{ }} ...... 87

Exhibit V. {{ }} ...... 89

Exhibit W. {{ s}} ...... 91

Exhibit X. {{ }} ...... 93

Exhibit Y. {{ }} ...... 95

Exhibit Z. {{ }} ...... 97

Exhibit AA. {{ }} ...... 99

Exhibit BB. {{

}} ...... 101

Exhibit CC. {{ }} ...... 103

Exhibit DD. {{

}} ...... 105

Exhibit EE. {{

}} ...... 107

Exhibit FF. {{ }} ...... 109

Exhibit GG. {{ }} ...... 111

Exhibit HH. {{ }} ...... 113 REDACTED - FOR PUBLIC INSPECTION

Exhibit II. {{ }} ...... 115

Exhibit JJ. {{ }} ...... 117 REDACTED - FOR PUBLIC INSPECTION

EXHIBIT A Case 1:17- age 1 of 72 REDACTED - FOR PUBLIC INSPECTION

IN THE UNITED STATES DISTRICT COURT FOR THE DISTRICT OF COLUMBIA

UNITED STATES OF AMERICA, ) ) Plaintiff, ) CV No. 17-2511 ) ) Washington, D.C. vs. ) March 22, 2018 ) 11:30 a.m. AT&T, INC., ET AL., ) ) Day 1 Defendants. ) ______)

TRANSCRIPT OF BENCH TRIAL PROCEEDINGS BEFORE THE HONORABLE RICHARD J. LEON UNITED STATES SENIOR DISTRICT JUDGE

APPEARANCES: For the Government: Craig W. Conrath Eric D. Welsh Jared A. Hughes Donald G. Kempf, Jr. Lisa A. Scanlon Alexis K. Brown-Reilly U.S. DEPARTMENT OF JUSTICE Antitrust Division 450 Fifth Street, NW Washington, D.C. 20530 (202) 532-4560 [email protected] [email protected] [email protected] [email protected] [email protected] [email protected]

[email protected] Case 1:17- age 9 of 72 REDACTED - FOR PUBLIC INSPECTION 9

1 cable TV bill goes up is a dollar they can't spend on

2 something else.

3 The evidence will show that this merger will hurt

4 those pay-TV consumers, would harm competition in the market

5 for pay TV. Prices would go up; innovation would go down.

6 That's why this merger would violate the antitrust

7 laws, Section 7 of the Clayton Act, to be specific.

8 What does Clayton Act, Section 7, ask the Court to

9 do?

10 Well, we talked about that maybe a day or so

11 ago --

12 THE COURT: Yeah.

13 MR. CONRATH: -- a couple times. It asks the

14 Court to make a prediction. The statute says no company can

15 acquire another company if the effect "may be substantially

16 to lessen competition."

17 Now, no one could know for sure what would happen

18 in the future, but Congress has tasked the Court with the

19 responsibility to look at the specific group of consumers

20 who are affected by the merger and ask whether they'll be

21 harmed by it.

22 The Courts, including the Supreme Court, have been

23 clear about what this directive means. It means if there's

24 even a reasonable probability or appreciable danger of harm

25 to consumers in the affected market, the merger should not

[email protected] Case 1:17-c ge 44 of 72 REDACTED - FOR PUBLIC INSPECTION 44

1 conditions.

2 Let me start with the market condition.

3 If you could put that up.

4 We talked about this a couple of days ago.

5 Mr. Conrath was attempting to suggest that we

6 shouldn't look at all these vertically integrated companies,

7 like Google and Facebook and Amazon and Hulu and Netflix.

8 But all of these companies are running away with the

9 industry, Your Honor. They have radically transformed it.

10 And they are directly competing with the

11 distributors you're going to hear in this case, the

12 programmers you're going to hear in this case. They're all

13 a part of the same business. And they pose competitive

14 challenges in two important respects.

15 First of all, they're offering lower-priced pay-TV

16 services. Hulu does. Google does. Others are offering

17 SVOD services. Those are subscription on-demand services,

18 where you cannot get a live channel, but you can get a show

19 you want and you can binge it and you can watch 10 or 20 in

20 a row, all weekend if you want.

21 This is pulling people out of the pay-TV system to

22 sign up for these terrific innovative offerings, oftentimes

23 at much, much lower prices. So they are directly a part of

24 this competitive landscape. And if you're not trying to

25 keep up with these people, you're not going to be in

[email protected] Case 1:17-c ge 45 of 72 REDACTED - FOR PUBLIC INSPECTION 45

1 business very long.

2 But, secondly, and most importantly -- and,

3 frankly, the government ignores this entirely -- they are

4 dominating the world of advertising. And they are competing

5 with cable and satellite television for ad dollars. And

6 it's because they have massive amounts of customer

7 information; they know what their customers want; they know

8 their preferences; and they can feed customers very relevant

9 ads.

10 I'm a big sports fan. They feed me sports ads,

11 okay? So they don't give me ads about artwork, okay?

12 They're now moving into the TV business and taking

13 away ad dollars out of the TV business.

14 Now, look what happens, because it has a direct

15 effect on consumers.

16 As the television industry -- I mentioned this a

17 couple of days ago -- now has a dual-revenue stream and has

18 had for years. The networks like Turner and others get

19 money from the distributors for all the subscriptions that

20 they sell to subscribers; but, secondly, they get money from

21 advertisers, a dual-revenue stream.

22 It used to be they only got it from advertisers.

23 Now, and in the case of Turner, it's typically been

24 50 percent advertising revenue, 50 percent subscription

25 revenue.

[email protected] Case 1:17-c ge 50 of 72 REDACTED - FOR PUBLIC INSPECTION 50

1 large part, what is driving this transaction. And you are

2 going to hear Randall Stephenson, the chairman and CEO, and

3 other witnesses testify that this is one of the drivers of

4 acquiring Time Warner: In order to take the content which

5 has been generally available throughout the traditional

6 pay-TV system and take that mobile so that anybody with

7 their cell phone or their iPad or some tablet can watch

8 television, whether it's a single show, whether it's a live

9 channel, wherever they are, however they want it. On a

10 train, on a subway, even on an airplane, you can get the

11 WiFi.

12 That's their world, and that's the world that

13 they're moving to. And that's what's driving this

14 transaction.

15 I mean, the government is accusing us of trying to

16 buy Time Warner to impede the growth of some of these new

17 delivery systems.

18 Your Honor, that's preposterous.

19 AT&T and DirecTV are directly involved in these

20 new systems.

21 You'll see there, DirecTV Now, that is a virtual

22 MVPD. That's the very type of service that the government

23 is claiming we're trying to suppress by this merger. That

24 makes no sense.

25 The more people can watch these channels on a

[email protected] Case 1:17-c ge 51 of 72 REDACTED - FOR PUBLIC INSPECTION 51

1 device, the more they're using the device, the more they're

2 connected to AT&T's wireless network, the better it is for

3 AT&T's business.

4 The wireless part of their business is the biggest

5 part. The more Time Warner's content, the more Turner's

6 networks can be exploded out into the mobile environment,

7 the more money they make, because these other companies pay

8 license fees. It generates enormous advertising revenue.

9 We're not trying to suppress or impede this

10 transformation. It's the government's theory, Your Honor,

11 that that is fundamentally stuck in the past.

12 The government is pretending that we're trying

13 this case back in 1980 or '90 before any of this came along.

14 This transformation is what makes this merger an imperative.

15 Your Honor, from Time Warner's perspective, you

16 have to ask yourself: Why would they be interested in

17 merging?

18 Very importantly, Time Warner has been a great,

19 great company for many, many years, producing all kinds of

20 content: movies, television shows, the Turner networks.

21 But they are a wholesaler.

22 If you look at Turner, for example, right in the

23 middle of that chart, they are a wholesaler. They don't

24 have a direct relationship with the customer. They've got

25 to go through one of those distributors in order to have

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1 their networks delivered directly to the customer.

2 The customer has the direct relationship with the

3 distributors: with Charter, with DirecTV, with Cox and all

4 those other companies.

5 In the middle there is the network, Turner, and

6 other networks situated just like Turner. They're a trapped

7 wholesaler. They're a trapped wholesaler. And it worked

8 for years. It was fine. But the world has changed.

9 It's a brave, new world. And you can't be a

10 trapped wholesaler anymore. Why not? A couple of reasons.

11 Number one, you need to have a direct relationship

12 with your customer these days. That's why all those other

13 vertically integrated companies are running away with it.

14 They have a direct relationship.

15 They acquire the content. They aggregate it.

16 They deliver it. They have your billing records. They have

17 customer information about you. They can create what it is

18 you want and give it to you where you want it. That's the

19 beauty of vertical integration.

20 When you're a wholesaler, you're just selling to a

21 retailer, and the retailer has the relationship.

22 So from Time Warner's perspective, what's

23 imperative is to now have that direct relationship with the

24 customer, to get the information from the customer so they

25 can make better programming.

[email protected] Case 1:17-c ge 55 of 72 REDACTED - FOR PUBLIC INSPECTION 55

1 growing rapidly.

2 And there are many others. As you can see in that

3 box right there, you have YouTube TV, you have

4 PlayStation Vue, and you have several others. It is a

5 growing part of the business, and AT&T and Time Warner want

6 to grow right along with it.

7 The second part of Mr. Stephenson,

8 Randall Stephenson's vision, in addition to buying DirecTV

9 and taking that out to the Internet world, was to now buy

10 some content that he could then enable for mobile users.

11 And the problem with what you're going to hear in

12 the trial, Your Honor, is that distributors like DirecTV

13 have been trying hard to obtain the rights from people who

14 own content to do new and innovative things.

15 Imagine you picking up your mobile phone and

16 watching a five-minute clip of your favorite new show or all

17 your favorite television shows reduced down to a highlight

18 reel or something like that so you can catch up real quick.

19 You can't get the rights from content owners to do

20 that. They won't let you experiment with their content.

21 They call that bargaining friction. And you're going to

22 hear about bargaining friction.

23 But when you own the content, you've eliminated

24 the friction. You can now do what you want with the

25 content, and you can make new innovative uses of it.

[email protected] Case 1:17-c ge 56 of 72 REDACTED - FOR PUBLIC INSPECTION 56

1 And as people start to see it, others will follow;

2 and then the content becomes even more valuable.

3 And so that is very much part of the rationale for

4 this merger, is to be able to do things with content that

5 you can't do unless you own it.

6 And Mr. Bewkes of Time Warner, Mr. Stephenson of

7 AT&T are going to get on that witness stand there,

8 Your Honor, and they're going to tell you exactly why they

9 made this deal and why it's a perfect fit for both companies

10 and why all the things the government is saying make no

11 economic sense and are the very opposite of what they're

12 trying to do with this merger.

13 Now, let me turn to what I previously called the

14 government's shrinking case. And the reason I called it

15 that, Your Honor, is because if a vertical merger were to be

16 a rare horse, a rare breed of horse, it would be the kind of

17 case where you control a critical input.

18 Imagine that a company that makes airplanes bought

19 the company that made the navigation software for the

20 airplane. And they bought that and they controlled it, and

21 nobody else could get their hands on it. That would be a

22 problem, okay? Because they were foreclosing it or

23 withholding from the rest of the market.

24 There is no claim of withholding content in this

25 case. Despite everything that you heard from Mr. Conrath,

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1 This is a rough-type estimate. And even if you

2 accepted everything he said as true, 45 cents a month is

3 within the range that it might as well be zero, because

4 there's no level of confidence associated with that

5 calculation.

6 So even if you took the 45 cents, you can't use it

7 as an accurate predictor of what would happen. In reality,

8 Your Honor, if you correct for any number of these flaws,

9 you're going to end up with a number well below zero, giving

10 everybody a price decrease.

11 Another important thing Professor Shapiro

12 disregarded, as a vertically merged company, Time Warner,

13 Turner, AT&T, the entire merged company is going to be

14 subject to the FCC's program access rules, Your Honor.

15 Congress enacted the statute. The FCC promulgated rules.

16 That is a deliberate judgment of Congress, how to deal with

17 vertically integrated companies in this business.

18 And these rules take care of any kind of pricing

19 abuse of the sort alleged by the government. And if there's

20 any problem there, any mischief, the program access rules

21 prevent that.

22 If you're going to model what people are going to

23 do in the future, you have to take into account the law that

24 governs their business. He did not take into account the

25 law.

[email protected] REDACTED - FOR PUBLIC INSPECTION

EXHIBIT B REDACTED - FOR PUBLIC INSPECTION

Tara M. Corvo 701 Pennsylvania Avenue, NW 202 434 7359 Suite 900 [email protected] Washington, DC 20004 202 434 7300 mintz.com

July 22, 2020

VIA FIRST CLASS MAIL AND ELECTRONIC MAIL

Bruce Byrd Senior Vice President and Assistant General Counsel AT&T Communications 208 S. Akard St. Dallas, Texas, 75202 [email protected]

Re: Pre-filing Notice of Program Carriage Violation

Dear Mr. Byrd:

We are writing on behalf of our client, AMC Networks Inc. (“AMC”), to bring your attention to AT&T’s discriminatory behavior in the ongoing negotiations between AMC and AT&T Services, Inc. and DIRECTV, LLC (collectively, “AT&T”) to renew the parties’ affiliation agreements that are set to expire August 31, 2020.

Section 616 of the Communications Act of 1934, as amended, and the rules and regulations of the Federal Communications Commission (“FCC”), prohibit vertically integrated distributors such as AT&T from discriminating against unaffiliated programmers on the basis of affiliation in the rates, terms and conditions of carriage in a manner that restrains the ability of an unaffiliated programming vendor to compete. AT&T’s current carriage offer fails to meet these required standards.

Specifically, by both insisting on drastic fee reductions for AMC’s networks and barring AMC from distributing its networks either directly to consumers or by making them widely available through online video platforms, AT&T is interfering with AMC’s ability to generate revenue and remain relevant to today’s consumers. These terms would reduce AMC’s ability to invest in the quality content that distinguishes AMC’s networks in the marketplace and to continue to attract and retain viewers. Given that AT&T does not impose these restrictions on its own networks, such behavior is a flagrant attempt to give AT&T’s own networks a competitive advantage over AMC’s networks. Because AMC’s flagship network, AMC Network (“AMCN”) and its newest offering, AMC+, compete for content and viewers directly with AT&T’s similarly situated network HBO, and AMCN competes for content, advertising, and viewers with AT&T’s similarly situated network, TNT, AT&T’s carriage offer cannot survive program carriage scrutiny.

BOSTON LONDON LOS ANGELES NEW YORK SAN DIEGO SAN FRANCISCO WASHINGTON

MINTZ, LEVIN, COHN, FERRIS, GLOVSKY AND POPEO, P.C. REDACTED - FOR PUBLIC INSPECTION

MINTZ

July 22, 2020 Page 2

Pursuant to 47 C.F.R. § 76.1302(b), AMC hereby provides notice of its intent to file a program carriage complaint with the FCC based on AT&T’s discrimination on the basis of affiliation or non-affiliation in the selection, terms and conditions of carriage of AMC’s networks AMCN and AMC+ in violation of Section 616 of the Communications Act of 1934, as amended, and Section 76.1301(c) of the FCC’s regulations.

AMC has asked us to communicate its earnest desire that the parties work in good faith to find a constructive resolution to these issues so that the parties execute an affiliation agreement beneficial to both AMC and AT&T and avoid the need for AMC to take any further steps.

Please inform us promptly of your response.

Sincerely,

/s/

Tara M. Corvo

cc: Jamie Gallagher General Counsel AMC Networks Inc. [email protected]

Clifford Bail EVP and Deputy General Counsel AMC Networks Inc. [email protected]

Joshua Reader President, Distribution & Development AMC Networks Inc. [email protected]

Robert Thun Senior Vice President, Content and Programming AT&T Communications [email protected]

David McAtee, Senior Executive Vice President and General Counsel AT&T Inc. [email protected] REDACTED - FOR PUBLIC INSPECTION

MINTZ

July 22, 2020 Page 3

Brooke Mallette Vice President – Associate General Counsel AT&T Communications [email protected] REDACTED - FOR PUBLIC INSPECTION

EXHIBIT C REDACTED - FOR PUBLIC INSPECTION Bruce R. Byrd AT&T T: 214.757.3748 Senior Vice President and 208 S. Akard Street M: 202.286.2676 Assistant General Counsel Dallas, TX 75202 [email protected]

CONFIDENTIAL

Via E-mail [email protected]

July 24, 2020

Tara Corvo Mintz, Levin, Cohn, Ferris, Glovsky and Popeo, P.C. 701 Pennsylvania Ave., NW, Suite 900 Washington, DC 20004

Re: Prefiling Notice of Program Carriage Complaint

Dear Ms. Corvo:

This will acknowledge receipt of your letter notifying me of AMC Network Inc.’s intent to file a program carriage complaint against DIRECTV, LLC and AT&T Services, Inc. The assertions in your letter are unfounded, but AT&T will continue to negotiate in good faith to attempt to reach an agreement for continued carriage of AMC’s programming services.

We reserve all rights and remedies with respect to this matter.

Sincerely,

Bruce R. Byrd cc:

Jamie Gallagher General Counsel AMC Networks Inc. [email protected]

Ms. Tara Corvo REDACTED - FOR PUBLIC INSPECTION July 24, 2020 Page 2

Clifford Bail EVP and Deputy General Counsel AMC Networks Inc. [email protected]

Joshua Reader President, Distribution & Development AMC Networks Inc. [email protected]

Robert Thun Senior Vice President, Content and Programming AT&T [email protected]

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EXHIBIT D Case 1: 1 of 23 REDACTED - FOR PUBLIC INSPECTION

UNITED STATES DISTRICT COURT FOR THE DISTRICT OF COLUMBIA

UNITED STATES OF AMERICA 450 Fifth Street, NW Washington, DC 20530;

Plaintiff,

AT&T INC. 208 South Akard Street, Dallas, TX 75202;

DIRECTV GROUP HOLDINGS, LLC 2260 E. Imperial Hwy, El Segundo, CA 90245; and

TIME WARNER INC. One Time Warner Center, New York, NY 10019;

Defendants.

COMPLAINT

AT&T/DirecTV is the nation’s largest distributor of traditional subscription television.

Time Warner owns many of the country’s top TV networks, including TNT, TBS, CNN, and

HBO. In this proposed $108 billion transaction—one of the largest in American history—AT&T seeks to acquire control of Time Warner and its popular TV programming. As AT&T has expressly recognized, however, distributors that control popular programming “have the incentive and ability to use (and indeed have used whenever and wherever they can) that control as a weapon to hinder competition.” Specifically, as DirecTV has explained, such vertically integrated programmers “can much more credibly threaten to withhold programming from rival

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EXHIBIT E Case 1:17-cv-02511-RJL Document 120 Filed 05/03/18 Page 1 of 179 REDACTED - FOR PUBLIC INSPECTION ** PUBLIC VERSION – REDACTED **

UNITED STATES DISTRICT COURT FOR THE DISTRICT OF COLUMBIA

) UNITED STATES OF AMERICA, ) ) Plaintiff, ) ) v. ) Case No. 1:17-cv-02511-RJL ) AT&T INC., DIRECTV GROUP HOLDINGS, ) LLC, and TIME WARNER INC., ) ) Defendants. )

DEFENDANTS’ PROPOSED FINDINGS OF FACT AND CONCLUSIONS OF LAW

Case 1:17-cv-02511-RJL Document 120 Filed 05/03/18 Page 22 of 179 REDACTED - FOR PUBLIC INSPECTION

have Netflix, we have Google coming in, you have Amazon Prime. These are all big firms,

Apple and Facebook we know are coming in.”).

44. The success of these SVOD and virtual MVPD platforms has meant that video

consumption is increasingly taking place outside of traditional MVPD services like those offered

by DIRECTV and U-verse. See Tr. 3449:12-18 (Stephenson (AT&T)); Tr. 1829:3-9 (Merrill

(AT&T)); Tr. 891:18-25 (Rigdon (Comcast)). AT&T is now competing for customers’ attention

with Facebook, Amazon, Apple, Netflix, and Google (sometimes called the “FAANG”

companies) and other vertically integrated technology giants. See Tr. 3214:8-14 (Stankey

(AT&T)) (“The time-and-attention competition now from the likes of Facebook, from the likes

of Google, from the likes of Netflix, they’re distracting people from other things they used to do.

And somehow, we have to build products that continue to command customers’ time and

attention. That’s the battle here.”). This trend is likely to continue, as the tech giants focus more

and more on premium video to drive engagement. See Tr. 3387:25-3388:3 (Stephenson

(AT&T)) (“The one area that drives engagement like no place else . . . is premium content.

Premium video . . . . That drives engagement so the [FAANG], if you will, are all focused on

premium video.”).

45. As a result, AT&T/DIRECTV’s position as a traditional video distributor is declining at an accelerated pace. See PX455-136 to -37. “DirecTV[] lost 1.2 million [traditional pay-TV] subscribers in 2017” alone. Tr. 3450:7-8 (Stephenson (AT&T)); see Tr. 3369:13-16

(Stankey (AT&T)) (discussing the “inflection change” where the “decline of the traditional pay-

TV bundle started faster than [AT&T] assumed”); Tr. 3004:6-7 (Christopher (AT&T)) (“In 2016,

our traditional video business lost 133,000 customers.”). For this reason, it is unsurprising that

AT&T has been concerned that it is not receiving rights to innovative features like split-screen

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Case 1:17-cv-02511-RJL Document 120 Filed 05/03/18 Page 135 of 179 REDACTED - FOR PUBLIC INSPECTION

programming, we had to get people to subscribe to it, the more, the better. And that’s how we paid for what we were doing.”). The majority of MVPD subscribers—more than two-thirds—do not subscribe to HBO. See Tr. 1529:16-17 (Patel (AT&T)) (reporting 30% penetration nationally); Tr. 3073:22-23 (Bewkes (Time Warner)) (“I think the national average is in the 30, low 30 percent range.”).

297. HBO competes not only with several other premium networks (including Showtime and The Movie Channel, owned by CBS, and Starz, owned by Lionsgate), but also with other cable networks (such as FX, A&E, and AMC), as well as online distributors such as Netflix and

Amazon. See Tr. 886:16-22 (Rigdon (Comcast)) (acknowledging that he has characterized

Netflix “as a competitor to HBO and a substitute for HBO” because it “is another offering that

you can give to consumers instead of HBO or Showtime”); Tr. 1493:18-1494:3 (Sutton (HBO))

(HBO competes with SVODs like Netflix for viewers’ time, for distribution, and for

programming content); see also DX709.0003 ([REDACTED]). And Netflix has a programming

budget over twice that of HBO’s. See Tr. 3099:13-15 (Bewkes (Time Warner)). As HBO

executive Simon Sutton testified, “There was a time when very few people were making the kind of shows we make. Now, it seems that almost every week, there’s an announcement of somebody else making it.” Tr. 1494:16-18; see also DX709.0003 ([REDACTED]).

298. The government does not argue that the merged firm would have an incentive to withhold HBO from either MVPDs or virtual MVPDs or that the merger would produce any incentive to raise prices for the service. See Tr. 2290:15-23 (Shapiro). Instead, it has alleged

narrowly that the merged company will gain the incentive and ability to prevent rival distributors

from using HBO as a promotional tool to attract and retain subscribers and that such conduct will

substantially lessen competition. See Compl. ¶ 39.

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REDACTED - FOR PUBLIC INSPECTION

EXHIBIT F AMC Linear ~ From 03/30/2020 to 04/05/2020 Exported On: 03/26/2020 11:12 AM

REDACTED - FOR PUBLIC INSPECTION Mon, March 30 Tue, March 31 Wed, April 1 Thu, April 2 Fri, April 3 Sat, April 4 Sun, April 5 06:00 AM Paid Programming Paid Programming Paid Programming Paid Programming Paid Programming Mad Max Walking Dead, The: 10-001: 06:00 AM 06:00 AM 1979 HD Lines We Cross 06:30 AM Walking Dead, The: 10-002: We 06:30 AM Are The End of The World 07:00 AM 06:34 AM HD 07:00 AM

07:30 AM Walking Dead, The: 10-003: 07:30 AM Ghosts 08:00 AM Mad Max Beyond Thunderdome 07:37 AM HD 08:00 AM 08:00 AM 1985 HD 08:30 AM Walking Dead, The: 10-004: 08:30 AM Silence The Whisperers 09:00 AM Three Stooges, The: 080: Back From Three Stooges, The: 069: Three Three Stooges, The: 42M & 49M: 9:00 Rudy The Three Stooges: 003: 9:00 08:45 AM HD 09:00 AM The Front Missing Links Three Stooges, The: 052: 9:15 09:00 AM 1993 HD AM HD 09:00 AM HD 09:00 AM HD 09:30 AM Green Mile, The Few Good Men, A AM HD Runaway Bride 09:30 AM 09:30 AM 1999 HD 09:30 AM 1992 HD Sahara (2005) (This title will be joined in 09:30 AM 1999 HD Walking Dead, The: 10-005: 10:00 AM 09:45 AM 2005 HD progress) What It Always Is 10:00 AM 09:49 AM HD 10:30 AM Two and a Half Men: 04-013: 10:30 AM Don't Worry Speed Racer Walking Dead, The: 10-006: 11:00 AM Ace Ventura: When Nature Calls Two and a Half Men: 04-014: Bonds 11:00 AM 11:00 AM 1995 HD That's Summer Sausage, Not 10:56 AM HD 11:30 AM Two and a Half Men: 04-015: 11:30 AM My Damn Stalker 12:00 PM Ghost Two and a Half Men: 04-016: Walking Dead, The: 10-007: 12:00 PM 12:00 PM 1990 HD Young People Have Phlegm Open Your Eyes 12:30 PM Speed Two and a Half Men: 04-017: I 12:02 PM HD 12:30 PM 12:30 PM 1994 HD Killers (2010) Merely Slept with a Commie 01:00 PM 12:45 PM 2010 HD Ace Ventura: Pet Detective Two and a Half Men: 04-018: Walking Dead, The: 10-008: The 01:00 PM 01:00 PM 1994 HD It Never Rains in Hooterville World Before 01:30 PM Few Good Men, A Two and a Half Men: 04-019: 01:06 PM HD 01:30 PM 01:30 PM 1992 HD Smooth as a Ken Doll 02:00 PM Two and a Half Men: 04-020: 02:00 PM Aunt Myra Doesn't Pee a Lot Walking Dead, The: 10-009: 02:30 PM Two and a Half Men: 04-021: Squeeze 02:30 PM Tucked, Taped and Gorgeous 02:25 PM 03:00 PM Book of Eli, The Laugh Out Loud Marathon Home Alone Footloose Outsiders, The 03:00 PM 03:00 PM 2010 HD Ace Ventura: When Nature Calls 03:00 PM 1990 HD 03:00 PM 1984 HD 03:00 PM 1983 HD Walking Dead, The: 10-010: 03:30 PM 03:00 PM 1995 HD Stalker 03:30 PM 03:29 PM HD 04:00 PM 04:00 PM

04:30 PM Book of Eli, The Walking Dead, The: 10-011: 04:30 PM 04:30 PM 2010 HD Morning Star 05:00 PM Laugh Out Loud Marathon Top Gun 04:35 PM HD 05:00 PM Ace Ventura: Pet Detective 05:00 PM 1986 HD 05:30 PM Road House 05:00 PM 1994 HD Jumanji Major League Walking Dead, The: 10-012: 05:30 PM 05:30 PM 1989 HD 05:30 PM 1995 HD 05:30 PM 1989 HD Walk With Us 06:00 PM 05:39 PM HD 06:00 PM

06:30 PM Walking Dead, The: 10-013: 06:30 PM What We Become 07:00 PM Action Month Laugh Out Loud Marathon 06:42 PM HD 07:00 PM Transporter 2 Home Alone 07:30 PM 07:00 PM 2005 07:00 PM 1990 HD Gran Torino 07:30 PM 07:30 PM 2008 HD Walking Dead, The: 10-014: 08:00 PM Action Month Major League AMC Double Feature: Tom Look at the Flowers 08:00 PM Taken 08:00 PM 1989 HD Cruise 07:54 PM HD 08:30 PM 08:00 PM 2008 HD Top Gun 08:30 PM 08:00 PM 1986 HD 09:00 PM Better Call Saul: 05-007: JMM Walking Dead, The: 10-015: 09:00 PM 09:00 PM HD [P] The Tower 09:30 PM Laugh Out Loud Marathon 09:00 PM HD [P] 09:30 PM Jumanji 10:00 PM Dispatches from Elsewhere: Taken 09:30 PM 1995 HD Line of Duty: 01-001 Talking Dead: 10-015 10:00 PM 01-006: Everyone 10:00 PM 2008 HD 10:00 PM HD [P] 10:02 PM [P] 10:30 PM 10:08 PM HD [P] Footloose AMC Double Feature: Tom 10:30 PM 10:30 PM 1984 HD Cruise 11:00 PM Better Call Saul: 05-007: JMM Outsiders, The Walking Dead, The: 10-015: The 11:00 PM 11:10 PM HD 10:30 PM 1983 HD Gran Torino Tower 11:30 PM 11:25 PM 2008 HD 11:02 PM HD 11:30 PM

12:00 AM Speed Laugh Out Loud Marathon Ride with Norman Reedus: 04- 12:00 AM Dispatches from Elsewhere: 01- 12:00 AM 1994 HD Ace Ventura: Pet Detective 005: Uruguay with Becky 12:30 AM 006: Everyone 12:00 AM 1994 HD Walking Dead, The: 10-014: Goebel 12:30 AM 12:18 AM HD Look at the Flowers 12:03 AM HD [P] 01:00 AM Lodge 49: 01-007: Solemn Duty 12:30 AM HD Walking Dead, The: 10-015: The 01:00 AM Better Call Saul: 05-007: JMM of the Squirem, The Tower 01:30 AM 01:20 AM HD 01:00 AM HD Talking Dead: 10-014 01:04 AM HD 01:30 AM 01:36 AM Line of Duty: 01-001 02:00 AM Lodge 49: 01-004: Sunday Lodge 49: 01-008: Something 01:55 AM HD Talking Dead: 10-015 02:00 AM Dispatches from Elsewhere: 01- 02:00 AM HD from Nothing 02:05 AM 02:30 AM 006: Everyone Lodge 49: 01-001: As Above, So 02:06 AM HD Better Call Saul: 05-007: JMM 02:30 AM 02:28 AM HD Below 02:36 AM HD 03:00 AM 02:30 AM HD Lodge 49: 01-005: Paradise Lodge 49: 01-009: Apogee Ride with Norman Reedus: 04- 03:00 AM 03:01 AM HD 03:10 AM HD Mad Max 005: Uruguay with Becky 03:30 AM Better Call Saul: 05-007: JMM Lodge 49: 01-002: Moments of Dispatches from Elsewhere: 01- 03:20 AM 1979 HD Goebel 03:30 AM 03:30 AM HD Truth in Service 006: Everyone 03:05 AM HD 04:00 AM 03:41 AM HD Lodge 49: 01-006: Mysteries, Lodge 49: 01-010: Full Fathom 03:44 AM HD Walking Dead, The: 10-015: The 04:00 AM The Five Tower 04:30 AM Ride with Norman Reedus: 04- Lodge 49: 01-003: Corpus 04:07 AM HD 04:12 AM HD 04:06 AM HD 04:30 AM 004: Costa Rica with Dom 04:44 AM HD Walking Dead, The: 10-014: 05:00 AM Rocket Three Stooges, The: 054: 5:11 Look at the Flowers The Three Stooges: 114: 05:00 AM 04:38 AM HD AM HD The Three Stooges: 056: 5:27 04:46 AM HD Walking Dead, The: 10-001: 05:07 AM HD 05:30 AM Three Stooges, The: 42M: 5:39 AM HD Three Stooges, The: 055: 5:35 AM HD Lines We Cross The Three Stooges: 115: 05:30 AM Three Stooges, The: 52M &57M: 5:49 AM HD The Three Stooges: 9M & 10M: 05:48 AM HD The Three Stooges: 057M: 5:55 Three Stooges, The: 150M: 5:52 05:20 AM HD 05:33 AM HD AMC Linear ~ From 04/06/2020 to 04/12/2020 Exported On: 04/3/2020 11:12 AM

REDACTED - FOR PUBLIC INSPECTION Mon, April 6 Tue, April 7 Wed, April 8 Thu, April 9 Fri, April 10 Sat, April 11 Sun, April 12 06:00 AM Paid Programming Paid Programming Paid Programming Paid Programming Paid Programming Karate Kid, The Ender's Game 06:00 AM 06:00 AM 1984 HD 05:15 AM 2013 HD 06:30 AM 06:30 AM

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07:30 AM 07:30 AM Lord of the Rings, The: The Two 08:00 AM Towers 08:00 AM 07:50 AM 2002 HD 08:30 AM 08:30 AM

09:00 AM Ace Ventura: Pet Detective Coach Carter The Three Stooges: 32M & Ride with Norman Reedus: 04- Three Stooges, The: 014: 9:00 Two and a Half Men: 04-022: 09:00 AM 09:00 AM 1994 HD 09:00 AM 2005 HD Three Stooges, The: 035: 005: Uruguay with Becky AM HD Mr. McGlue's Feedbag 09:30 AM Horses' Collars Goebel Road Warrior, The Two and a Half Men: 04-023: 09:30 AM Eraser 09:00 AM HD 09:30 AM 1981 HD Anteaters. They're Just Crazy- 10:00 AM 09:45 AM 1996 HD Blade: Trinity Two and a Half Men: 04-024: 10:00 AM 10:01 AM 2004 HD Prostitutes and Gelato 10:30 AM Two and a Half Men: 08-001: 10:30 AM Three Girls and a Guy Named 11:00 AM Karate Kid Part III, The Two and a Half Men: 08-002: 11:00 AM 11:00 AM 1989 HD A Bottle of Wine and a 11:30 AM Mad Max Beyond Thunderdome Two and a Half Men: 08-003: 11:30 AM 11:30 AM 1985 HD A Pudding-Filled Cactus Hunger Games, The 12:00 PM Stripes Two and a Half Men: 08-004: 11:50 AM 2012 HD 12:00 PM 12:00 PM 1981 HD Blade: Trinity Hookers, Hookers, Hookers 12:30 PM 12:15 PM 2004 [P] Fantastic 4: Rise of the Silver Two and a Half Men: 08-005: 12:30 PM Surfer The Immortal Mr. Billy Joel 01:00 PM 12:31 PM 2007 HD Two and a Half Men: 08-006: 01:00 PM Twanging Your Magic Clanger 01:30 PM Coach Carter Lord of the Rings Marathon 01:30 PM 01:30 PM 2005 HD Lord of the Rings, The: The Two 02:00 PM Under Siege Towers 02:00 PM 02:00 PM 1992 HD 01:30 PM 2002 HD 02:30 PM Caddyshack Fantastic 4 02:30 PM 02:30 PM 1980 HD Blade 02:31 PM 2005 HD Hunger Games, The: Catching 03:00 PM 02:45 PM 1998 Fire 03:00 PM 02:55 PM 2013 HD 03:30 PM 03:30 PM

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04:30 PM Stripes Eraser Top Gun 04:30 PM 04:30 PM 1981 HD 04:30 PM 1996 HD 04:30 PM 1986 HD 05:00 PM Star Trek 05:00 PM 05:00 PM 2009 HD 05:30 PM Blade II Lord of the Rings Marathon 05:30 PM 05:30 PM 2002 Lord of the Rings, The: The 06:00 PM Return of the King AMC Premiere Event 06:00 PM 05:30 PM 2003 HD White House Down 06:30 PM 06:00 PM 2013 HD [P] 06:30 PM

07:00 PM Caddyshack Blade AMC Double Feature: The 07:00 PM 07:00 PM 1980 HD 07:00 PM 1998 HD [P] Karate Kid 07:30 PM Karate Kid, The 07:30 PM 07:00 PM 1984 HD 08:00 PM Star Trek Top Gun 08:00 PM 08:00 PM 2009 HD 08:00 PM 1986 HD 08:30 PM 08:30 PM

09:00 PM Better Call Saul: 05-008: Killing Eve: 03-001: Slowly 09:00 PM Bagman Slowly Catchy Monkey 09:30 PM 09:00 PM HD [P] 09:00 PM [P] 09:30 PM Blade II 10:00 PM 09:45 PM 2002 [P] AMC Double Feature: The Line of Duty: 01-002 Killers (2010) 10:00 PM Dispatches from Elsewhere: Karate Kid 10:00 PM [P] 10:01 PM 2010 HD 10:30 PM 01-007: Cave of Kelpius Under Siege Karate Kid Part II, The 10:30 PM 10:15 PM HD [P] Fantastic 4 10:30 PM 1992 HD 10:00 PM 1986 HD 11:00 PM 10:59 PM 2005 HD 11:00 PM Better Call Saul: 05-008: Lord of the Rings, The: The 11:30 PM Bagman Return of the King 11:30 PM 11:15 PM HD 11:20 PM 2003 HD 12:00 AM 12:00 AM Walking Dead, The: 10-015: The Ride with Norman Reedus: 04- 12:30 AM Dispatches from Elsewhere: 01- Tower Walking Dead, The: 10-015: The 006: Kentucky with Clifton 12:30 AM 007: Cave of Kelpius 12:15 AM HD Tower Collins Jr. 01:00 AM 12:30 AM HD Walking Dead, The: 09-008: 12:32 AM HD 12:16 AM HD [P] 01:00 AM Dispatches from Elsewhere: 01- Walking Dead, The: 09-004: Evolution Killing Eve: 03-001: Slowly 01:30 AM Better Call Saul: 05-008: 007: Cave of Kelpius Obliged, The 01:00 AM HD Talking Dead: 10-015 Slowly Catchy Monkey 01:30 AM Bagman 01:16 AM HD 01:29 AM HD 01:33 AM 01:17 AM 02:00 AM 01:30 AM HD Walking Dead, The: 09-009: 02:00 AM Walking Dead, The: 09-001: Adaptation Ride with Norman Reedus: 04- 02:30 AM New Beginning, A Walking Dead, The: 09-005: 02:03 AM HD Ride with Norman Reedus: 04- 006: Kentucky with Clifton 02:30 AM Dispatches from Elsewhere: 01- 02:16 AM HD What Comes After 005: Uruguay with Becky Collins Jr. 03:00 AM 007: Cave of Kelpius 02:33 AM HD Goebel 02:18 AM HD 03:00 AM 02:45 AM HD Walking Dead, The: 09-010: 02:33 AM HD Killing Eve: 03-001: Slowly 03:30 AM Walking Dead, The: 09-002: Walking Dead, The: 09-006: Omega Line of Duty: 01-001 Slowly Catchy Monkey 03:30 AM Better Call Saul: 05-008: Bridge, The Who Are You Now? 03:16 AM HD 03:34 AM HD Line of Duty: 01-002 03:19 AM 04:00 AM Bagman 03:41 AM HD 03:38 AM HD 03:55 AM 04:00 AM 03:45 AM HD Walking Dead, The: 09-011: Better Call Saul: 05-008: 04:30 AM Bounty Bagman 04:30 AM Walking Dead, The: 09-003: Walking Dead, The: 09-007: 04:22 AM HD Walking Dead, The: 10-015: The 04:20 AM HD 05:00 AM The Three Stooges: 005: An Warning Signs Stradivarius Tower 05:00 AM Ache In Every Stake 04:46 AM HD 04:57 AM HD Killing Eve: Previously on Killing 04:59 AM HD Ender's Game 05:30 AM Three Stooges, The: 007: Back Three Stooges,Eve The: 103: 05:15 AM 2013 HD Three Stooges, The: 104: Punch 05:30 AM To The Woods Three Stooges, The: 033M: Hoi Three Stooges, The: 104M: Drunks AMC Linear ~ From 04/13/2020 to 04/19/2020 Exported On: 4/14/2020

REDACTED - FOR PUBLIC INSPECTION Mon, April 13 Tue, April 14 Wed, April 15 Thu, April 16 Fri, April 17 Sat, April 18 Sun, April 19 06:00 AM Paid Programming Paid Programming Paid Programming Paid Programming Paid Programming Departed, The Line of Duty: 01-003 06:00 AM 06:03 AM 2006 HD 05:12 AM HD 06:30 AM Under Siege 06:30 AM 06:32 AM 1992 HD 07:00 AM 07:00 AM

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09:00 AM Three Stooges, The: 016: Crash Three Stooges, The: 017: Dizzy Saving Private Ryan Ride with Norman Reedus: 04- Karate Kid, The Troy 09:00 AM Goes The Hash Detectives 09:00 AM 1998 HD 006: Kentucky with Clifton 09:00 AM 1984 HD 09:00 AM 2004 HD 09:30 AM Firm, The (1993) Few Good Men, A Collins Jr. Perfect Storm, The 09:30 AM 09:30 AM 1993 HD 09:30 AM 1992 HD 09:00 AM HD 09:31 AM 2000 HD 10:00 AM Ace Ventura: When Nature Calls (This title will be joined in 10:00 AM 10:01 AM 1995 HD progress) 10:30 AM 10:30 AM

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11:30 AM Ace Ventura: Pet Detective 11:30 AM 11:30 AM 1994 HD 12:00 PM Karate Kid, The 12:00 PM 12:01 PM 1984 HD 12:30 PM Few Good Men, A Saving Private Ryan Two and a Half Men: 08-007: Ocean's Marathon 12:30 PM 12:30 PM 1992 HD 12:30 PM 1998 HD The Crazy Bitch Gazette Ocean's Eleven 01:00 PM Mad Max Two and a Half Men: 08-008: 12:30 PM 2001 01:00 PM 01:00 PM 1979 HD Springtime on a Stick 01:30 PM Home Alone Two and a Half Men: 08-009: 01:30 PM 01:30 PM 1990 HD A Good Time in Central Africa 02:00 PM Two and a Half Men: 08-010: 02:00 PM Ow, Ow, Don't Stop 02:30 PM Two and a Half Men: 08-011: 02:30 PM Dead from the Waist Down 03:00 PM Speed Karate Kid Part II, The Two and a Half Men: 08-012: Ocean's Marathon 03:00 PM 03:00 PM 1994 HD 03:00 PM 1986 HD Chocolate Diddlers or My Ocean's Twelve 03:30 PM White House Down Two and a Half Men: 08-013: 03:00 PM 2004 HD 03:30 PM 03:30 PM 2013 HD Skunk, Dog Crap and Ketchup 04:00 PM Jumanji Two and a Half Men: 08-014: 04:00 PM 04:00 PM 1995 HD Lookin' for Japanese Subs 04:30 PM Gran Torino Two and a Half Men: 08-015: 04:30 PM 04:30 PM 2008 HD Three Hookers and a Philly 05:00 PM Two and a Half Men: 08-016: 05:00 PM That Darn Priest 05:30 PM Top Gun Major League Ocean's Eleven 05:30 PM 05:30 PM 1986 HD 05:30 PM 1989 HD 05:30 PM 2001 HD 06:00 PM Ocean's Marathon 06:00 PM Ocean's Thirteen 06:30 PM Gran Torino AMC Double Feature: Mark 06:00 PM 2007 06:30 PM 06:30 PM 2008 HD Wahlberg 07:00 PM Top Gun Departed, The 07:00 PM 07:00 PM 1986 HD 06:30 PM 2006 HD 07:30 PM 07:30 PM

08:00 PM Major League Jumanji Ocean's Twelve 08:00 PM 08:00 PM 1989 HD 08:00 PM 1995 HD 08:00 PM 2004 HD 08:30 PM 08:30 PM

09:00 PM Better Call Saul: 05-009: Bad Killing Eve: 03-002: 09:00 PM Choice Road Management Sucks 09:30 PM 09:00 PM HD [P] Speed 09:00 PM [P] 09:30 PM 09:30 PM 1994 HD 10:00 PM Friday Night In with The Killing Eve: 03-002: 10:00 PM Dispatches from Elsewhere: Morgans: 01-001 Management Sucks 10:30 PM 01-008: Lee Karate Kid Part II, The Home Alone AMC Double Feature: Mark 10:00 PM 10:30 PM 10:25 PM HD [P] 10:30 PM 1986 HD 10:30 PM 1990 HD Wahlberg 11:00 PM Perfect Storm, The Line of Duty: 01-003 Ocean's Thirteen 11:00 PM Better Call Saul: 05-009: Bad 10:30 PM 2000 HD 11:00 PM HD [P] 11:00 PM 2007 HD 11:30 PM Choice Road 11:30 PM 11:28 PM HD 12:00 AM Killing Eve: 03-001: Slowly 12:00 AM Slowly Catchy Monkey Under Siege 12:30 AM 12:00 AM 12:20 AM 1992 HD 12:30 AM Dispatches from Elsewhere: 01- 01:00 AM 008: Lee Line of Duty: 01-002 Dispatches from Elsewhere: 01- Ride with Norman Reedus: 04- 01:00 AM 12:53 AM HD 01:01 AM 008: Lee 006: Kentucky with Clifton Fear the Walking Dead: 03-004: 01:30 AM 01:00 AM HD Collins Jr. 100 01:30 AM Better Call Saul: 05-009: Bad 01:00 AM HD 01:29 AM HD 02:00 AM Choice Road Walking Dead, The: 09-014: Fear the Walking Dead: 03-001: Inferno (2016) 02:00 AM 01:56 AM HD Better Call Saul: 05-009: Bad Scars Eye of the Beholder 02:00 AM 2016 [P] 02:30 AM Choice Road 02:03 AM HD 02:01 AM HD Fear the Walking Dead: 03-005: 02:30 AM 02:21 AM HD Burning in Water, Drowning in Line of Duty: 01-003 03:00 AM Walking Dead, The: 09-015: Fear the Walking Dead: 03-002: Flame 02:49 AM HD 03:00 AM Dispatches from Elsewhere: 01- Calm Before, The The New Frontier 02:30 AM HD 03:30 AM 008: Lee 03:09 AM HD 03:10 AM HD Fear the Walking Dead: 03-006: 03:30 AM 03:21 AM HD Walking Dead, The: 09-012: Red Dirt 04:00 AM Guardians 03:31 AM HD Dispatches from Elsewhere: 01- 04:00 AM Better Call Saul: 05-009: Bad 03:46 AM HD Fear the Walking Dead: 03-003: 008: Lee 04:30 AM Choice Road Walking Dead, The: 09-016: TEOTWAWKI Fear the Walking Dead: 03-007: 04:09 AM HD 04:30 AM 04:24 AM HD Walking Dead, The: 09-013: Storm, The 04:20 AM HD The Unveiling 05:00 AM Chokepoint 04:33 AM HD 04:32 AM HD Line of Duty: 01-003 Killing Eve: 03-002: 05:00 AM 04:50 AM HD Three Stooges, The: 088: Grips, 05:12 AM HD Management Sucks 05:30 AM Walking Dead, The: Season 10 Grunts And Groans Friday Night In with The 05:00 AM 05:30 AM Three Stooges, The: 40M: 5:49 Three Stooges, The: 093M: I'm Three Stooges: 64M & 66M & Three Stooges, The: 074M: Morgans: 01-001 AMC Linear ~ From 04/20/2020 to 04/26/2020 Exported On: 04/16/2020 11:12 AM

REDACTED - FOR PUBLIC INSPECTION Mon, April 20 Tue, April 21 Wed, April 22 Thu, April 23 Fri, April 24 Sat, April 25 Sun, April 26 06:00 AM Paid Programming Paid Programming Paid Programming Paid Programming Paid Programming Fear the Walking Dead: 03-016: Road Warrior, The 06:00 AM Coach Carter 04:55 AM 1981 HD 06:30 AM 06:28 AM 2005 HD 06:30 AM

07:00 AM Hunt for Red October, The 07:00 AM 07:00 AM 1990 HD 07:30 AM 07:30 AM

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09:00 AM Three Stooges, The: 062: Se7en Blade II Three Stooges, The: 030: Half- Rudy 09:00 AM Squareheads Of The Round 09:00 AM 1995 HD 09:00 AM 2002 HD Wits Holiday 09:00 AM 1993 HD 09:30 AM Three Stooges, The: 069: Three Firm, The (1993) Two and a Half Men: 09-001: 09:30 AM Missing Links (This title will be joined in 09:30 AM 1993 HD (This title will be joined in Nice to Meet You, Walden 10:00 AM Along Came a Spider progress) progress) Two and a Half Men: 09-002: Departed, The 10:00 AM 10:00 AM 2001 HD People Who Love Peepholes 10:00 AM 2006 HD 10:30 AM Two and a Half Men: 09-003: 10:30 AM Big Girls Don't Throw Food 11:00 AM Coach Carter Two and a Half Men: 09-004: 11:00 AM Blade 11:00 AM 2005 HD Nine Magic Fingers 11:30 AM 11:15 AM 1998 HD Two and a Half Men: 09-005: 11:30 AM A Giant Cat Holding a Churro 12:00 PM Speed Two and a Half Men: 09-006: 12:00 PM 12:00 PM 1994 HD The Squat and Hover 12:30 PM Se7en The Departed Two and a Half Men: 09-007: 12:30 PM 12:30 PM 1995 HD 12:30 PM 2006 HD Those Fancy Japanese Toilets 01:00 PM Two and a Half Men: 09-008: 01:00 PM Thanks for the Intercourse 01:30 PM Two and a Half Men: 09-009: Walk Among the Tombstones, A 01:30 PM Frodo's Headshots 01:30 PM 2014 HD 02:00 PM Ender's Game Perfect Storm, The Two and a Half Men: 09-010: 02:00 PM 02:00 PM 2013 HD 02:00 PM 2000 HD A Fishbowl Full of Glass Eyes 02:30 PM U.S. Marshals Unforgiven 02:30 PM 02:30 PM 1998 HD 02:30 PM 1992 HD 03:00 PM 03:00 PM

03:30 PM Speed 03:30 PM 03:30 PM 1994 HD 04:00 PM Lord of the Rings, The: The Two American Sniper 04:00 PM Towers 04:00 PM 2014 HD 04:30 PM Lord of the Rings, The: The 04:00 PM 2002 HD 04:30 PM Return of the King 05:00 PM 04:30 PM 2003 HD Top Gun 05:00 PM 05:00 PM 1986 HD 05:30 PM Under Siege Gran Torino 05:30 PM 05:30 PM 1992 HD 05:30 PM 2008 HD 06:00 PM U.S. Marshals 06:00 PM 06:00 PM 1998 HD 06:30 PM 06:30 PM

07:00 PM Taken 07:00 PM 07:00 PM 2008 HD 07:30 PM AMC Double Feature: Clint 07:30 PM Eastwood 08:00 PM Lord of the Rings, The: The Top Gun Gran Torino American Sniper 08:00 PM Return of the King 08:00 PM 1986 HD 07:30 PM 2008 HD 08:00 PM 2014 HD 08:30 PM 08:00 PM 2003 HD 08:30 PM

09:00 PM Better Call Saul: 05-010: Lord of the Rings, The: The Two Killing Eve: 03-003 09:00 PM Something Unforgivable Towers 09:00 PM [P] 09:30 PM 09:00 PM HD [P] 09:00 PM 2002 HD 09:30 PM

10:00 PM Friday Night In with The Killing Eve: 03-003 10:00 PM Dispatches from Elsewhere: Morgans: 01-002 10:01 PM 10:30 PM 01-009: The Creator Perfect Storm, The AMC Double Feature: Clint 10:30 PM 10:25 PM HD [P] 10:30 PM 2000 HD Eastwood 11:00 PM Unforgiven Line of Duty: 01-004 Taken 11:00 PM 10:30 PM 1992 HD 11:00 PM HD [P] 11:01 PM 2008 HD 11:30 PM Better Call Saul: 05-010: 11:30 PM Something Unforgivable 12:00 AM 11:30 PM HD 12:00 AM Hunt for Red October, The 12:30 AM Under Siege 12:25 AM 1990 HD 12:30 AM Dispatches from Elsewhere: 01- 12:30 AM 1992 HD 01:00 AM 009: The Creator Killing Eve: 03-002: Walk Among the Tombstones, A 01:00 AM 12:55 AM HD Management Sucks 01:01 AM 2014 HD 01:30 AM 01:00 AM Fear the Walking Dead: 03-012: Dispatches from Elsewhere: 01- 01:30 AM Brother's Keeper 009: The Creator 02:00 AM Better Call Saul: 05-010: Better Call Saul: 05-010: 01:30 AM HD 01:31 AM HD 02:00 AM Something Unforgivable Something Unforgivable 02:30 AM 02:00 AM HD 02:00 AM HD Fear the Walking Dead: 03-013: Ride with Norman Reedus: 04- 02:30 AM This Land is Your Land 006: Kentucky with Clifton 03:00 AM Fear the Walking Dead: 03-008: 02:30 AM HD Collins Jr. 03:00 AM Dispatches from Elsewhere: 01- Children of Wrath Fear the Walking Dead: 03-010: 02:37 AM HD 03:30 AM 009: The Creator 03:00 AM HD The Diviner Fear the Walking Dead: 03-014: Friday Night In with The Line of Duty: 01-004 Killing Eve: 03-003 03:30 AM 03:25 AM HD 03:25 AM HD El Matadero Morgans: 01-002 03:30 AM HD 03:31 AM 04:00 AM Fear the Walking Dead: 03-009: 03:32 AM Three Stooges, The: 042M: Men 04:00 AM Minotaur Fear the Walking Dead: 03-011: Fear the Walking Dead: 03-015: 04:30 AM Better Call Saul: 05-010: 04:13 AM HD La Serpiente The Three Stooges: 011: Busy Things Bad Begun Dispatches from Elsewhere: 01- 04:30 AM Something Unforgivable 04:27 AM HD Buddies 04:19 AM Road Warrior, The 009: The Creator 05:00 AM 04:30 AM HD The Three Stooges: 012: Cactus 04:55 AM 1981 HD 04:31 AM HD 05:00 AM Three Stooges, The: 102: Pain The Three Stooges: 010: Booby Three Stooges, The: 013: Fear the Walking Dead: 03-016: 05:30 AM In The Pullman, A Dupes Calling All Curs Sleigh Ride Three Stooges, The: 107: Sing 05:30 AM Three Stooges, The: 173M: 5:55 Three Stooges, The: 184M The Three Stooges: 032M: Three Stooges, The: 052M: 5:53 05:26 AM HD A Song Of Six Pants AMC Linear ~ From 04/27/2020 to 05/03/2020 Exported On: 04/14/2020 11:12 AM

REDACTED - FOR PUBLIC INSPECTION Mon, April 27 Tue, April 28 Wed, April 29 Thu, April 30 Fri, May 1 Sat, May 2 Sun, May 3 06:00 AM Paid Programming Paid Programming Paid Programming Paid Programming Paid Programming Patriot, The Mad Max 06:00 AM 04:00 AM 2000 HD 05:45 AM 1979 HD 06:30 AM 06:30 AM

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07:30 AM Few Good Men, A 07:30 AM 07:30 AM 1992 HD Road Warrior, The 08:00 AM 07:50 AM 1981 HD 08:00 AM

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09:00 AM Death Warrant Three Stooges, The: 048: Oily Three Stooges, The: 080: Back Knight's Tale, A 5th Wave, The 09:00 AM 09:00 AM 1990 HD To Bed, Oily To Rise From The Front 09:00 AM 2001 HD 09:00 AM 2016 HD 09:30 AM Lord of the Rings, The: The Ace Ventura: Pet Detective 09:30 AM (This title will be joined in Return of the King 09:30 AM 1994 HD Knight and Day 10:00 AM progress) 09:30 AM 2003 HD 09:55 AM 2010 HD 10:00 AM

10:30 AM Troy Two and a Half Men: 10-001: I 10:30 AM 10:30 AM 2004 HD Changed My Mind About the 11:00 AM Two and a Half Men: 10-002: 11:00 AM A Big Bag of Dog 11:30 AM Knight's Tale, A Aliens vs. Predator: Requiem Two and a Half Men: 10-003: 11:30 AM 11:30 AM 2001 HD 11:30 AM 2007 HD Four Balls, Two Bats and One 12:00 PM Inferno (2016) Two and a Half Men: 10-004: 12:00 PM 12:00 PM 2016 HD You Do Know What the Rock, The 12:30 PM Two and a Half Men: 10-005: 12:25 PM 1996 HD 12:30 PM That's Not What They Call It in 01:00 PM Two and a Half Men: 10-006: 01:00 PM Ferrets, Attack! 01:30 PM Star Trek Two and a Half Men: 10-007: 01:30 PM 01:30 PM 2009 HD Avoid the Chinese Mustard 02:00 PM Lord of the Rings, The: The Gladiator Two and a Half Men: 10-008: 02:00 PM Return of the King 02:00 PM 2000 HD Something My Gynecologist 02:30 PM 02:00 PM 2003 HD Jumanji Two and a Half Men: 10-009: I 02:30 PM 02:30 PM 1995 HD Scream When I Pee 03:00 PM Gangster Squad Two and a Half Men: 10-010: 03:00 PM 03:00 PM 2013 HD One Nut Johnson 03:30 PM Cocktail G.I. Jane 03:30 PM 03:30 PM 1988 HD 03:30 PM 1997 04:00 PM 04:00 PM

04:30 PM U.S. Marshals 04:30 PM 04:30 PM 1998 HD 05:00 PM Perfect Storm, The 05:00 PM 05:00 PM 2000 HD 05:30 PM Eraser Gran Torino Top Gun 05:30 PM 05:30 PM 1996 HD 05:30 PM 2008 HD 05:30 PM 1986 HD 06:00 PM 06:00 PM

06:30 PM AMC Celebrates Twister 06:30 PM Gladiator 06:30 PM 1996 07:00 PM 06:30 PM 2000 HD 07:00 PM

07:30 PM Flashback Friday 07:30 PM Top Gun 08:00 PM Jumanji Gran Torino U.S. Marshals 07:30 PM 1986 HD G.I. Jane 08:00 PM 08:00 PM 1995 HD 08:00 PM 2008 HD 08:00 PM 1998 HD 08:00 PM 1997 08:30 PM 08:30 PM

09:00 PM Killing Eve: 03-004: Still Got It 09:00 PM 09:00 PM [P] 09:30 PM 09:30 PM

10:00 PM Dispatches from Elsewhere: Friday Night In with The Killing Eve: 03-004: Still Got It 10:00 PM 01-010: The Boy Morgans: 01-003 10:01 PM 10:30 PM 10:00 PM [P] Perfect Storm, The Gangster Squad Flashback Friday 10:30 PM 10:30 PM 2000 HD 10:30 PM 2013 HD [P] Cocktail 11:00 PM Dispatches from Elsewhere: 01- Star Trek 10:30 PM 1988 HD [P] Line of Duty: 01-005 Twister 11:00 PM 010: The Boy 11:00 PM 2009 HD 11:00 PM HD [P] 11:02 PM 1996 HD 11:30 PM 11:14 PM 11:30 PM

12:00 AM 12:00 AM Eraser Rock, The 12:30 AM 12:28 AM 1996 HD Few Good Men, A 12:20 AM 1996 HD 12:30 AM 12:30 AM 1992 HD 01:00 AM Dispatches from Elsewhere: 01- 01:00 AM 010: The Boy 01:30 AM Son, The: 01-001: First Son of 01:00 AM HD Knight and Day 01:30 AM Texas 01:32 AM 2010 HD 02:00 AM 01:30 AM HD Son, The: 01-005: No Prisoners Son, The: 01-008: Honey Hunt 02:00 AM 02:14 AM HD 02:00 AM HD 02:30 AM Son, The: 01-002: Plum Tree, 02:30 AM Dispatches from Elsewhere: 01- The 03:00 AM 010: The Boy 02:39 AM HD Son, The: 01-006: Buffalo Son, The: 01-009: Prophecy, 03:00 AM 02:58 AM Hunter, The The Killing Eve: 03-003 03:30 AM Son, The: 01-003: Second 03:14 AM HD 03:00 AM HD Friday Night In with The 03:25 AM 03:30 AM Empire Morgans: 01-003 04:00 AM Line of Duty: 01-004 03:39 AM HD Son, The: 01-007: Marriage Son, The: 01-010: Scalps Patriot, The Killing Eve: 03-004: Still Got It 04:00 AM 04:12 AM Bond 04:00 AM HD 04:00 AM 2000 HD Line of Duty: 01-005 04:02 AM 04:30 AM Son, The: 01-004: Death Song 04:14 AM HD 04:25 AM HD 04:30 AM 04:39 AM HD 05:00 AM Three Stooges, The: 084: Even Three Stooges, The: 092: I'll Three Stooges, The: 058: Sock- 05:00 AM As I.O.U. Never Heil Again A-Bye Baby 05:30 AM Three Stooges, The: 050: 5:37 Three Stooges, The: 064M: Three Stooges, The: 085: Three Stooges, The: 098: Three Stooges, The: 059: So 05:30 AM AM HD Three Stooges, The: 66M & Fuelin' Around Monkey Businessmen Mad Max Long, Mr. Chumps AMC Linear ~ From 05/04/2020 to 05/10/2020 Exported On: 04/24/2020 09:55 AM

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09:00 AM Poseidon Three Stooges, The: 079: Three Stooges, The: 087: Sniper Three Stooges, The: 098: 09:00 AM 09:00 AM 2006 HD 09:00 AM HD 09:00 AM HD 09:00 AM 1993 HD 09:00 AM HD 09:30 AM Three Stooges, The: 080: Three Stooges, The: 088: Patriot, The Two and a Half Men: 10-011: 09:30 AM 09:30 AM HD 09:30 AM HD 09:30 AM 2000 HD Give Santa a Tail-Hole 10:00 AM Firm, The (1993) Saving Private Ryan Two and a Half Men: 10-012: 10:00 AM 10:00 AM 1993 HD 10:00 AM 1998 HD Welcome to Alancrest 10:30 AM Two and a Half Men: 10-013: 10:30 AM Grab a Feather and Get In Killers (2010) 11:00 AM Halloween Marathon Blackhat Two and a Half Men: 10-014: 10:49 AM 2010 HD 11:00 AM Halloween II 11:00 AM 2015 HD [P] Run, Steven Staven! Run! 11:30 AM 11:00 AM 2009 HD Two and a Half Men: 10-015: 11:30 AM Paint It, Pierce It or Plug It 12:00 PM Two and a Half Men: 10-016: 12:00 PM Advantage: Fat, Flying Baby 12:30 PM Two and a Half Men: 10-017: 12:30 PM Throgwarten Middle School 01:00 PM Hunt for Red October, The Unforgiven Two and a Half Men: 10-018: Mission: Impossible 01:00 PM 01:00 PM 1990 HD 01:00 PM 1992 HD The 9:04 from Pemberton 01:03 PM 1996 HD 01:30 PM Halloween Marathon Two and a Half Men: 10-019: 01:30 PM Halloween Big Episode. Someone Stole a 02:00 PM 01:30 PM 2007 HD U.S. Marshals Perfect Storm, The Two and a Half Men: 10-020: 02:00 PM 02:00 PM 1998 HD 02:00 PM 2000 HD Bazinga! That's from a TV 02:30 PM Shawshank Redemption, The 02:30 PM 02:30 PM 1994 HD 03:00 PM 03:00 PM

03:30 PM Mission: Impossible II 03:30 PM 03:32 PM 2000 HD 04:00 PM Halloween Marathon Saving Private Ryan Tombstone 04:00 PM Halloween 4: The Return of 04:00 PM 1998 HD 04:00 PM 1993 HD 04:30 PM Michael Myers 04:30 PM 04:00 PM 1988 HD 05:00 PM American Sniper Fury 05:00 PM 05:00 PM 2014 HD 05:00 PM 2014 HD 05:30 PM Erin Brockovich 05:30 PM 05:30 PM 2000 HD 06:00 PM Halloween Marathon 06:00 PM Halloween 5: Revenge of 06:30 PM Michael Myers, The Con Air 06:30 PM 06:00 PM 1989 HD 06:30 PM 1997 HD 07:00 PM Flashback Friday 07:00 PM Shawshank Redemption, The 07:30 PM 07:00 PM 1994 HD 07:30 PM

08:00 PM Halloween Marathon American Sniper Fury Tombstone 08:00 PM Halloween 08:00 PM 2014 HD 08:00 PM 2014 HD 08:00 PM 1993 HD 08:30 PM 08:00 PM 1978 HD Twister 08:30 PM 08:30 PM 1996 HD 09:00 PM Killing Eve: 03-005 09:00 PM 09:00 PM [P] 09:30 PM 09:30 PM

10:00 PM Creepshow: 01-001: Gray Friday Night In with The Killing Eve: 03-005 10:00 PM Matter/House of the Dead Morgans: 01-004 10:00 PM 10:30 PM 10:00 PM HD [P] Flashback Friday 10:30 PM Erin Brockovich 11:00 PM Creepshow: 01-001: Gray U.S. Marshals Perfect Storm, The Unforgiven 10:30 PM 2000 HD Line of Duty: 02-001 Con Air 11:00 PM Matter/House of the Dead 11:05 PM 1998 HD 11:00 PM 2000 HD 11:00 PM 1992 HD 11:00 PM HD [P] 11:00 PM 1997 HD 11:30 PM 11:04 PM HD 11:30 PM

12:00 AM Halloween 12:00 AM 12:08 AM 1978 HD Twister 12:30 AM 12:25 AM 1996 HD 12:30 AM

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01:30 AM Son, The: 02-008: All Their Mission: Impossible II 01:30 AM Guilty Stains 01:30 AM 2000 HD 02:00 AM Halloween Creepshow: 01-001: Gray Line of Duty: 01-005 Son, The: 02-005: Hot Oil 01:33 AM HD 02:00 AM 02:08 AM 2007 HD Matter/House of the Dead 02:05 AM HD 02:00 AM HD 02:30 AM 02:05 AM HD Son, The: 02-009: Bear, The 02:30 AM 02:34 AM HD Killing Eve: 03-004: Still Got It 03:00 AM Son, The: 02-001: Numunuu Son, The: 02-006: Blue Light, 02:55 AM 03:00 AM 03:09 AM HD Son, The: 02-003: Blind Tiger, The 03:30 AM The 03:01 AM HD Son, The: 02-010: Legend 03:30 AM 03:25 AM HD 03:35 AM HD Line of Duty: 02-001 04:00 AM Son, The: 02-002: Ten Dollars Son, The: 02-007: Somebody 03:56 AM HD 04:00 AM and a Plucked Goose Son, The: 02-004: Scalped a Get a Shovel 04:30 AM Creepshow: 01-001: Gray 04:14 AM HD Dog 04:06 AM HD Three Stooges, The: 064M: Killing Eve: 03-005 04:30 AM Matter/House of the Dead 04:26 AM HD Three Stooges, The: 066M: 04:30 AM 05:00 AM 04:38 AM HD Three Stooges, The: 091: Punisher: War Zone 05:00 AM Three Stooges, The: 079: Ants Three Stooges, The: 089: 05:07 AM HD 04:55 AM 2008 HD Inside Man 05:30 AM Three Stooges, The: 074M: In The Pantry Higher Than A Kite Three Stooges, The: 093: 05:21 AM 2006 HD Three Stooges, The: 102: 05:30 AM Three Stooges, The: 075M &92M: 5:50 Three Stooges, The: 93M & 99M: Three Stooges, The: 104M: 05:34 AM HD 05:30 AM HD AMC Linear ~ From 05/11/2020 to 05/17/2020 Exported On: 05/5/2020 09:55 AM

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03:30 PM Beetlejuice Top Gun 03:30 PM 03:30 PM 1988 HD 03:30 PM 1986 HD 04:00 PM 04:00 PM Hangover, The 04:30 PM 04:15 PM 2009 HD 04:30 PM White House Down 05:00 PM Star Trek 04:55 PM 2013 HD 05:00 PM 05:00 PM 2009 HD 05:30 PM Karate Kid Part II, The Fantastic 4 Perfect Storm, The 05:30 PM 05:30 PM 1986 HD 05:30 PM 2005 HD 05:30 PM 2000 HD 06:00 PM G.I. Jane 06:00 PM 06:00 PM 1997 06:30 PM Flashback Friday 06:30 PM Gladiator 07:00 PM 06:30 PM 2000 HD 07:00 PM

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08:00 PM Beetlejuice Star Trek White House Down Hangover, The 08:00 PM 08:00 PM 1988 HD [P] 08:00 PM 2009 HD 08:00 PM 2013 HD 08:00 PM 2009 HD 08:30 PM Top Gun 08:30 PM 08:30 PM 1986 HD 09:00 PM Killing Eve: 03-006 09:00 PM 09:00 PM [P] 09:30 PM 09:30 PM

10:00 PM Creepshow: 01-002: Bad Wolf Friday Night In with The Killing Eve: 03-006 10:00 PM Down/The Finger Major League Morgans: 01-005: Episode 5 10:00 PM 10:30 PM 10:00 PM HD [P] 10:20 PM 1989 HD Flashback Friday 10:30 PM Perfect Storm, The 11:00 PM Creepshow: 01-002: Bad Wolf Legion Hitman 10:30 PM 2000 HD Line of Duty: 02-002 G.I. Jane 11:00 PM Down/The Finger 11:00 PM 2010 HD [P] 11:05 PM 2007 HD 11:00 PM HD [P] 11:00 PM 1997 11:30 PM 11:01 PM HD 11:30 PM

12:00 AM Bride of Chucky 12:00 AM 12:02 AM 1998 HD Brick Mansions 12:30 AM 12:25 AM 2014 HD [P] 12:30 AM Creepshow: 01-002: Bad Wolf 01:00 AM Preacher: 02-007: Pig Down/The Finger 01:00 AM Preacher: 02-003: Damsels 01:05 AM HD 12:50 AM HD 01:30 AM 01:20 AM HD Sahara (2005) 01:30 AM Preacher: 02-011: Backdoors 01:30 AM 2005 HD 02:00 AM Creepshow: 01-002: Bad Wolf Preacher: 02-008: Holes 01:51 AM HD Few Good Men, A 02:00 AM Down/The Finger Preacher: 02-004: Viktor 02:08 AM HD Line of Duty: 02-002 02:00 AM 1992 HD 02:30 AM 02:02 AM HD 02:24 AM HD 02:25 AM HD 02:30 AM Preacher: 02-012: On Your 03:00 AM Preacher: 02-001: On the Road Preacher: 02-009: Puzzle Piece Knees 03:00 AM 03:03 AM HD Preacher: 02-005: Dallas 03:10 AM HD 02:55 AM HD 03:30 AM 03:28 AM HD 03:30 AM Killing Eve: 03-005 04:00 AM Preacher: 02-002: Mumbai Sky Preacher: 02-010: Dirty Little Preacher: 02-013: End of the 03:50 AM 04:00 AM Tower Preacher: 02-006: Sokosha Secret Road, The 04:30 AM 04:06 AM HD 04:28 AM HD 04:10 AM HD 04:00 AM HD Friday Night In with The 04:30 AM Morgans: 01-005: Episode 5 Line of Duty: 02-002 05:00 AM Friday Night In with The Three Stooges, The: 008: Stir Crazy 04:50 AM HD Killing Eve: 03-006 05:00 AM Morgans: 01-004 05:13 AM HD Three Stooges, The: 016: 05:00 AM 1980 HD 05:00 AM 05:30 AM Three Stooges, The: 094: Three Stooges, The: 006: The Three Stooges: 011: 05:17 AM HD 05:30 AM 05:37 AM HD 05:33 AM HD 05:37 AM HD Three Stooges, The: 10M &23M: 5:47 AMC Linear ~ From 05/18/2020 to 05/24/2020 Exported On: 05/18/2020 09:55 AM

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07:00 AM Inferno (2016) 07:00 AM 07:00 AM 2016 HD 07:30 AM 07:30 AM

08:00 AM 08:00 AM The Godfather Marathon 08:30 AM Godfather, The: Part III 08:30 AM 08:20 AM 1990 HD 09:00 AM Three Stooges, The: 52M &57M: 9:00 The Three Stooges: 110: Snitch Three Stooges, The: 033: Walk Among the Tombstones, A 09:00 AM The Three Stooges: 118: 09:00 AM HD 09:00 AM 2013 HD 09:00 AM HD 09:00 AM 2014 HD 09:30 AM 09:15 AM HD Fantastic 4: Rise of the Silver Three Stooges, The: 035: 09:30 AM Spider-Man 3 Surfer (This title will be joined in 09:30 AM HD (This title will be joined in 10:00 AM 09:45 AM 2007 HD 09:30 AM 2007 HD progress) Saving Private Ryan progress) Two and a Half Men: 11-007: 10:00 AM 10:00 AM 1998 HD Some Kind of Lesbian Zombie 10:30 AM Two and a Half Men: 11-008: 10:30 AM Mr. Walden, He Die. I Clean 11:00 AM Longest Yard, The Inferno (2016) Two and a Half Men: 11-009: 11:00 AM 11:00 AM 2005 HD 11:00 AM 2016 HD Numero Uno Accidente 11:30 AM Fantastic 4 Two and a Half Men: 11-010: 11:30 AM 11:30 AM 2005 HD On Vodka, on Soda, on 12:00 PM Two and a Half Men: 11-011: 12:00 PM Tazed in the Lady Nuts The Godfather Marathon 12:30 PM Two and a Half Men: 11-012: Godfather, The 12:30 PM Legion Baseball. Boobs. Boobs. 12:22 PM 1972 HD 01:00 PM 12:45 PM 2010 HD Two and a Half Men: 11-013: 01:00 PM Bite Me, Supreme Court 01:30 PM Gladiator Two and a Half Men: 11-014: 01:30 PM 01:30 PM 2000 HD Three Fingers of Creme de 02:00 PM Snitch U.S. Marshals Hitman Two and a Half Men: 11-015: 02:00 PM 02:00 PM 2013 HD 02:00 PM 1998 HD 02:00 PM 2007 HD Cab Fare and a Bottle of 02:30 PM Two and a Half Men: 11-016: 02:30 PM How to Get Rid of Alan Harper 03:00 PM Fantastic 4: Rise of the Silver G.I. Jane 03:00 PM Surfer 03:00 PM 1997 HD 03:30 PM 03:00 PM 2007 HD 03:30 PM

04:00 PM Fury 04:00 PM 04:00 PM 2014 HD The Godfather Marathon 04:30 PM Gladiator Godfather, The: Part II 04:30 PM 04:30 PM 2000 HD 04:25 PM 1974 HD 05:00 PM Fantastic 4 Shawshank Redemption, The Tombstone 05:00 PM 05:00 PM 2005 HD 05:00 PM 1994 HD 05:00 PM 1993 HD 05:30 PM 05:30 PM

06:00 PM Knight and Day 06:00 PM 06:00 PM 2010 HD 06:30 PM 06:30 PM

07:00 PM Flashback Friday: Double Demi 07:00 PM G.I. Jane 07:30 PM Dawn of the Dead 07:00 PM 1997 HD 07:30 PM 07:30 PM 2004 HD 08:00 PM Shawshank Redemption, The Tombstone Fury 08:00 PM 08:00 PM 1994 HD 08:00 PM 1993 HD 08:00 PM 2014 HD 08:30 PM Con Air 08:30 PM 08:30 PM 1997 HD 09:00 PM Killing Eve: 03-007 09:00 PM 09:00 PM [P] 09:30 PM 09:30 PM

10:00 PM Creepshow: 01-003: All Friday Night In with The Killing Eve: 03-007 10:00 PM Hallows Eve/The Man in the Morgans: 01-006: Episode 6 10:01 PM 10:30 PM Suitcase Flashback Friday: Double Demi 10:30 PM 10:00 PM HD [P] Ghost 11:00 PM Creepshow: 01-003: All Hallows Longest Yard, The U.S. Marshals Hitman 10:30 PM 1990 HD Line of Duty: 02-003 Godfather, The: Part II 11:00 PM Eve/The Man in the Suitcase 11:00 PM 2005 HD 11:00 PM 1998 HD 11:00 PM 2007 HD 11:00 PM HD [P] 11:02 PM 1974 HD 11:30 PM 11:02 PM HD 11:30 PM

12:00 AM Dawn of the Dead 12:00 AM 12:04 AM 2004 HD Con Air 12:30 AM 12:25 AM 1997 HD 12:30 AM

01:00 AM Lodge 49: 02-007: Exile 01:00 AM 01:05 AM HD 01:30 AM Lodge 49: 02-001: All Circles Knight and Day 01:30 AM Vanish 01:30 AM 2010 HD 02:00 AM 01:30 AM HD Lodge 49: 02-004: Conjunctio Lodge 49: 02-008: Zugzwang 02:00 AM 02:00 AM HD 02:12 AM HD 02:30 AM Aliens vs. Predator: Requiem Lodge 49: 02-002: The Slide 02:30 AM 02:34 AM 2007 HD 02:40 AM HD Killing Eve: 03-006 03:00 AM Lodge 49: 02-005: Estrella y 02:55 AM 03:00 AM Mar Lodge 49: 02-009: Le Reve 03:30 AM 03:06 AM HD Impossible Killing Eve: 03-007 03:30 AM Lodge 49: 02-003: 03:16 AM HD Creepshow: 01-003: All Hallows 03:32 AM 04:00 AM DisOrientation Lodge 49: 02-006: Circles Friday Night In with The Eve/The Man in the Suitcase 04:00 AM 03:47 AM HD 04:12 AM HD Lodge 49: 02-010: The Door Morgans: 01-006: Episode 6 03:54 AM HD 04:30 AM Creepshow: 01-003: All Hallows 04:21 AM HD Along Came a Spider Line of Duty: 02-003 04:30 AM Eve/The Man in the Suitcase Three Stooges, The: 017: 04:30 AM 2001 HD Line of Duty: 02-003 04:33 AM HD 05:00 AM 04:34 AM HD 04:54 AM HD 04:56 AM HD 05:00 AM Three Stooges, The: 018: Three Stooges, The: 030: Three Stooges, The: 100: 05:30 AM The Three Stooges: 021: 05:24 AM HD 05:19 AM HD 05:28 AM HD 05:30 AM 05:36 AM HD Three Stooges, The: 075M: Three Stooges, The: 117M: Three Stooges, The: 118M: You AMC Linear ~ From 05/25/2020 to 05/31/2020 Exported On: 05/18/2020 09:55 AM

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04:00 PM Shawshank Redemption, The 04:00 PM 04:00 PM 1994 HD Footloose 04:30 PM Memorial Day Marathon 04:17 PM 1984 HD 04:30 PM American Sniper 05:00 PM 04:30 PM 2014 HD White House Down 05:00 PM 05:00 PM 2013 HD 05:30 PM Top Gun Con Air 05:30 PM 05:30 PM 1986 HD 05:30 PM 1997 HD 06:00 PM U.S. Marshals 06:00 PM 06:00 PM 1998 HD 06:30 PM 06:30 PM Hangover, The 07:00 PM Flashback Friday 06:45 PM 2009 HD 07:00 PM Tombstone 07:30 PM Memorial Day Marathon 07:00 PM 1993 HD 07:30 PM Top Gun 08:00 PM 07:30 PM 1986 HD White House Down Con Air Shawshank Redemption, The 08:00 PM 08:00 PM 2013 HD 08:00 PM 1997 HD 08:00 PM 1994 HD 08:30 PM 08:30 PM

09:00 PM The Transporter Killing Eve: 03-008 09:00 PM 09:00 PM 2002 HD 09:00 PM [P] 09:30 PM 09:30 PM

10:00 PM Creepshow: 01-004: The Friday Night In with The Quiz: 01-001 10:00 PM Companion/Lydia Lane's Morgans: 01-007: Episode 7 10:03 PM HD [P] 10:30 PM Better Half Rock, The Flashback Friday 10:30 PM 10:00 PM HD [P] 10:35 PM 1996 HD U.S. Marshals 11:00 PM Creepshow: 01-004: The Star Trek Erin Brockovich 10:30 PM 1998 HD Line of Duty: 02-004 Killing Eve: 03-008 11:00 PM Companion/Lydia Lane's Better 11:05 PM 2009 HD 11:05 PM 2000 HD 11:00 PM HD [P] 11:08 PM 11:30 PM Half 11:30 PM 11:00 PM HD 12:00 AM Legion Quiz: 01-001 12:00 AM 12:00 AM 2010 HD The Transporter 12:09 AM HD 12:30 AM 12:25 AM 2002 HD 12:30 AM

01:00 AM Killing Eve: 03-008 01:00 AM 01:14 AM 01:30 AM Fear the Walking Dead: 04-006: Friday Night In with The 01:30 AM Just in Case Morgans: 01-007: Episode 7 02:00 AM Fear the Walking Dead: 04-003: 01:35 AM HD Fear the Walking Dead: 04-010: Fear the Walking Dead: 04-013: 02:00 AM Creepshow: 01-004: The Good Out Here Close Your Eyes Blackjack Killing Eve: 03-007 Quiz: 01-001 02:30 AM Companion/Lydia Lane's Better 02:05 AM HD Fear the Walking Dead: 04-007: 02:05 AM HD 02:00 AM HD 02:24 AM 02:15 AM HD 02:30 AM Half The Wrong Side of Where You 03:00 AM 02:15 AM HD Fear the Walking Dead: 04-004: Are Now Fear the Walking Dead: 04-011: Fear the Walking Dead: 04-014: 03:00 AM Fear the Walking Dead: 04-001: Buried 02:39 AM HD The Code MM 54 Line of Duty: 02-004 Line of Duty: 02-004 03:30 AM What's Your Story? 03:09 AM HD Fear the Walking Dead: 04-008: 03:12 AM HD 03:04 AM HD 03:25 AM HD 03:20 AM HD 03:30 AM 03:15 AM HD No One's Gone 04:00 AM 03:40 AM HD Fear the Walking Dead: 04-015: 04:00 AM Fear the Walking Dead: 04-002: Fear the Walking Dead: 04-005: Fear the Walking Dead: 04-012: I Lose People... 04:30 AM Another Day in the Diamond Laura Weak 04:07 AM HD 04:30 AM 04:24 AM HD 04:15 AM HD Fear the Walking Dead: 04-009: 04:18 AM HD Creepshow: 01-004: The Killing Eve: 03-008 05:00 AM People Like Us Fear the Walking Dead: 04-016: Companion/Lydia Lane's Better 04:45 AM 05:00 AM Three Stooges, The: 050: Three Stooges, The: 048: 04:45 AM HD Three Stooges, The: 058: … I Lose Myself Half 05:30 AM 05:26 AM HD 05:20 AM HD 05:20 AM HD 05:11 AM HD 04:50 AM HD 05:30 AM The Three Stooges: 026M: The Three Stooges, The: 069M: Three Stooges, The: 74M &93M: 5:48 Three Stooges, The: 092M: I'll Before I Go to Sleep Three Stooges, The: 8M & 9M: AMC Linear ~ From 06/01/2020 to 06/07/2020 Exported On: 06/4/2020 09:36 AM

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09:00 AM Stir Crazy Punisher: War Zone Three Stooges, The: 014: Cash Three Stooges, The: 016: Crash Major League II 09:00 AM 09:00 AM 1980 HD 09:00 AM 2008 HD And Carry Goes The Hash 09:00 AM 1994 HD 09:30 AM Poseidon Bronx Tale, A 09:30 AM (This title will be joined in 09:30 AM 2006 HD 09:30 AM 1993 HD 10:00 AM progress) Two and a Half Men: 12-006: Gangster Squad 10:00 AM Alan Shot a Little Girl 10:00 AM 2013 HD 10:30 AM xXx: State of the Union Two and a Half Men: 12-007: 10:30 AM 10:30 AM 2005 HD Sex with an Animated Ed 11:00 AM Longest Yard, The Two and a Half Men: 12-008: 11:00 AM 11:00 AM 2005 HD Family, Buble, Deep-Fried 11:30 AM xXx Cocktail Two and a Half Men: 12-009: 11:30 AM 11:30 AM 2002 HD 11:30 AM 1988 HD Bouncy, Bouncy, Bouncy, 12:00 PM Blackhat Two and a Half Men: 12-010: 12:00 PM 12:00 PM 2015 HD Here I Come, Pants! 12:30 PM Two and a Half Men: 12-011: Ocean's Marathon 12:30 PM For Whom the Booty Calls Ocean's Eleven 01:00 PM Dark Knight Rises, The Two and a Half Men: 12-012: 12:30 PM 2001 01:00 PM 01:00 PM 2012 HD A Beer-Battered Rip-Off 01:30 PM Zombieland Summer Rental Two and a Half Men: 12-013: 01:30 PM 01:30 PM 2009 HD 01:30 PM 1985 HD Boompa Loved His Hookers 02:00 PM Two and a Half Men: 12-014: 02:00 PM Don't Give a Monkey a Gun 02:30 PM Silence of the Lambs, The Two and a Half Men: 12-015: 02:30 PM 02:30 PM 1991 HD Of Course He's Dead - Part 1 03:00 PM Fury National Lampoon's Vacation 03:00 PM 03:00 PM 2014 HD 03:00 PM 1983 HD Ocean's Marathon 03:30 PM xXx: State of the Union Major League Ocean's Twelve 03:30 PM 03:30 PM 2005 HD 03:30 PM 1989 HD 03:15 PM 2004 HD 04:00 PM 04:00 PM

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05:00 PM xXx Man on Fire Few Good Men, A 05:00 PM 05:00 PM 2002 HD 05:00 PM 2004 HD 05:00 PM 1992 HD 05:30 PM 05:30 PM

06:00 PM AMC Premiere Event Rambo Vegas Vacation 06:00 PM Dark Knight Rises, The 06:00 PM 2008 06:00 PM 1997 HD Ocean's Marathon 06:30 PM 06:00 PM 2012 [P] Ocean's Thirteen 06:30 PM 06:15 PM 2007 07:00 PM 07:00 PM

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08:00 PM Man on Fire Rambo Major League Crazy 80s American Sniper 08:00 PM 08:00 PM 2004 HD 08:00 PM 2008 08:00 PM 1989 HD National Lampoon's Vacation 08:00 PM 2014 HD 08:30 PM 08:00 PM 1983 HD 08:30 PM

09:00 PM Quiz: 01-002 09:00 PM 09:00 PM HD [P] 09:30 PM 09:30 PM

10:00 PM Creepshow: 01-005: Night of Fury Sherman's Showcase: 01- Quiz: 01-002 10:00 PM the Paw/Times is Tough in 10:00 PM 2014 HD 001: Meet Sherman 10:05 PM HD 10:30 PM Musky Holler Major League II Crazy 80s 10:30 PM 10:00 PM HD [P] 10:30 PM 1994 HD [P] National Lampoon's European 11:00 PM Creepshow: 01-005: Night of the Silence of the Lambs, The Vacation Line of Duty: 02-005 Ocean's Twelve 11:00 PM Paw/Times is Tough in Musky 11:00 PM 1991 HD 10:30 PM 1985 HD 11:00 PM HD [P] 11:10 PM 2004 HD 11:30 PM Holler 11:30 PM 11:01 PM HD 12:00 AM Zombieland 12:00 AM 12:02 AM 2009 HD American Sniper 12:30 AM Crazy 80s 12:25 AM 2014 HD 12:30 AM National Lampoon's Christmas 01:00 AM Walking Dead, The: 08-007: Walking Dead, The: 08-011: Vacation 01:00 AM Time for After Dead or Alive Or 12:30 AM 1989 HD 01:30 AM Walking Dead, The: 08-003: 01:00 AM HD 01:00 AM HD 01:30 AM Monsters 02:00 AM Creepshow: 01-005: Night of the 01:30 AM HD Walking Dead, The: 08-008: Walking Dead, The: 08-012: Ocean's Eleven 02:00 AM Paw/Times is Tough in Musky How It's Gotta Be Key, The 02:10 AM 2001 02:30 AM Holler Walking Dead, The: 08-004: 02:03 AM 02:05 AM HD 02:30 AM 02:02 AM HD Some Guy Sherman's Showcase: 01-001: 03:00 AM Walking Dead, The: 08-001: 02:30 AM HD Walking Dead, The: 08-013: Do Meet Sherman 03:00 AM Mercy Not Send Us Astray Walking Dead, The: 08-015: Line of Duty: 02-005 03:30 AM 03:03 AM HD Walking Dead, The: 08-005: Big Walking Dead, The: 08-009: 03:11 AM HD Worth 03:25 AM HD 03:30 AM Scary U, The Honor 03:15 AM HD 04:00 AM Walking Dead, The: 08-002: 03:30 AM HD 03:33 AM HD Walking Dead, The: 08-014: Still 04:00 AM Damned, The Gotta Mean Something Walking Dead, The: 08-016: 04:30 AM 04:11 AM HD Walking Dead, The: 08-006: 04:12 AM HD Wrath 04:30 AM King, the Widow, and Rick, The Walking Dead, The: 08-010: 04:28 AM HD Creepshow: 01-005: Night of the Quiz: 01-002 05:00 AM The Three Stooges: 010: Booby 04:43 AM HD Lost and the Plunderers, The Paw/Times is Tough in Musky 04:55 AM HD 05:00 AM Dupes 04:56 AM HD Three Stooges, The: 017: Dizzy Holler 05:30 AM The Three Stooges: 011: Busy Detectives The Three Stooges: 26M: 5:38 04:50 AM HD 05:30 AM Buddies The Three Stooges: 8M & 9M: Three Stooges, The: 023M: The Three Stooges: 32M &33M: Quiz: 01-001 AMC Linear ~ From 06/08/2020 to 06/14/2020 Exported On: 06/8/2020 09:36 AM

REDACTED - FOR PUBLIC INSPECTION Mon, June 8 Tue, June 9 Wed, June 10 Thu, June 11 Fri, June 12 Sat, June 13 Sun, June 14 06:00 AM Paid Programming Paid Programming Paid Programming Paid Programming Paid Programming Fear the Walking Dead: 05-015: Line of Duty: 02-006 06:00 AM Fear the Walking Dead: 05-016: 05:30 AM HD 06:30 AM End of the Line 06:30 AM 06:17 AM HD Quiz: 01-002 07:00 AM 06:55 AM HD 07:00 AM

07:30 AM Line of Duty: 02-005 07:30 AM 07:30 AM HD 08:00 AM Face/Off 08:00 AM 08:00 AM 1997 HD 08:30 AM 08:30 AM Brick Mansions 09:00 AM Three Stooges, The: 40M NOS4A2: Bonus Edition: 01- K-9 Summer Rental Spider-Man 3 08:55 AM 2014 HD 09:00 AM Mad Max 001: The Shorter Way 09:00 AM 1989 HD 09:00 AM 1985 HD 09:00 AM 2007 HD 09:30 AM 09:15 AM 1979 HD 09:00 AM HD [P] 09:30 AM (This title will be joined in (This title will be joined in 10:00 AM progress) progress) 10:00 AM NOS4A2: Bonus Edition: 01- 10:30 AM 002: The Graveyard of What Saving Private Ryan 10:30 AM Might Be 10:30 AM 1998 HD 11:00 AM 10:18 AM HD [P] Summer Rental Two and a Half Men: 01-001: Erin Brockovich 11:00 AM Road Warrior, The NOS4A2: Bonus Edition: 01- 11:00 AM 1985 HD Pilot 11:00 AM 2000 HD 11:30 AM 11:15 AM 1981 HD 003: The Gas Mask Man Two and a Half Men: 01-002: 11:30 AM 11:26 AM HD [P] Big Flappy Bastards 12:00 PM Hunted, The Two and a Half Men: 01-003: 12:00 PM 12:00 PM 2003 HD Go East on Sunset Until You 12:30 PM NOS4A2: 01-004: Bonus Two and a Half Men: 01-004: If I 12:30 PM Edition: The House of Sleep Can't Write My Chocolate Song, 01:00 PM 12:32 PM HD [P] Karate Kid, The Two and a Half Men: 01-005: 01:00 PM Hunt for Red October, The 01:00 PM 1984 HD Last Thing You Want is to Wind 01:30 PM 01:15 PM 1990 HD NOS4A2: Bonus Edition: 01- Two and a Half Men: 01-006: 01:30 PM 005: The Wraith Did You Check with the Captain 02:00 PM 01:38 PM HD [P] Gladiator Two and a Half Men: 01-007: If Silence of the Lambs, The 02:00 PM 02:00 PM 2000 HD They Do Go Either Way They're 02:00 PM 1991 HD 02:30 PM Knight and Day Two and a Half Men: 01-008: 02:30 PM NOS4A2: Bonus Edition: 01- 02:30 PM 2010 HD Twenty-five Little Pre-pubers 03:00 PM 006: The Dark Tunnels Two and a Half Men: 01-009: 03:00 PM 02:45 PM HD [P] Phase One, Complete 03:30 PM Two and a Half Men: 01-010: 03:30 PM NOS4A2: Bonus Edition: 01- Merry Thanksgiving 04:00 PM 007: Scissors for the Drifter Saving Private Ryan Caddyshack 04:00 PM Ocean's Thirteen 03:49 PM HD [P] 04:00 PM 1998 HD 04:00 PM 1980 HD 04:30 PM 04:15 PM 2007 Cocktail 04:30 PM NOS4A2: Bonus Edition: 01- 04:30 PM 1988 HD 05:00 PM 008: Parnassus Fury 05:00 PM 04:54 PM HD [P] 05:00 PM 2014 HD 05:30 PM Crazy 80s 05:30 PM Caddyshack 06:00 PM NOS4A2: Bonus Edition: 01- 05:30 PM 1980 HD Snitch 06:00 PM 009: Sleigh House 06:00 PM 2013 HD 06:30 PM 06:02 PM HD [P] Top Gun 06:30 PM 06:30 PM 1986 HD 07:00 PM Independence Day NOS4A2: Bonus Edition: 01- 07:00 PM 07:00 PM 1996 HD 010: Gunbarrel 07:30 PM 07:02 PM HD [P] Crazy 80s 07:30 PM Footloose 08:00 PM Beetlejuice Fury Gladiator 07:30 PM 1984 HD 08:00 PM 08:07 PM 1988 HD 08:00 PM 2014 HD 08:00 PM 2000 HD 08:30 PM Day After Tomorrow, The 08:30 PM 08:30 PM 2004 HD 09:00 PM Quiz: 01-003 09:00 PM 09:00 PM HD [P] 09:30 PM 09:30 PM

10:00 PM Creepshow: 01-006: Karate Kid, The Friday Night In with The 10:00 PM Skincrawlers/On the Silver 10:07 PM 1984 HD Morgans: 01-009: Episode 9 Quiz: 01-003 10:30 PM Waters of Lake Champlain 10:00 PM [P] 10:15 PM HD 10:30 PM 10:00 PM HD [P] 11:00 PM Creepshow: 01-006: Knight and Day Hip Hop: The Songs That Shook Line of Duty: 02-006 11:00 PM Skincrawlers/On the Silver 11:00 PM 2010 HD America: 01-002: Alright: 2015 11:00 PM HD [P] 11:30 PM Waters of Lake Champlain Hunted, The 11:00 PM HD Top Gun 11:30 PM 11:03 PM HD 11:30 PM 2003 HD 11:30 PM 1986 HD 12:00 AM Independence Day Friday Night In with The 12:00 AM 12:06 AM 1996 HD Morgans: 01-009: Episode 9 Day After Tomorrow, The 12:30 AM 12:00 AM 12:25 AM 2004 HD 12:30 AM

01:00 AM Beetlejuice Fear the Walking Dead: 05-011: 01:00 AM 01:07 AM 1988 HD You're Still Here 01:30 AM Creepshow: 01-006: Fear the Walking Dead: 05-007: 01:00 AM HD 01:30 AM Skincrawlers/On the Silver Still Standing 02:00 AM Waters of Lake Champlain 01:30 AM HD Fear the Walking Dead: 05-012: Cocktail 02:00 AM 01:30 AM HD Ner Tamid 02:00 AM 1988 HD 02:30 AM Fear the Walking Dead: 05-004: Fear the Walking Dead: 05-008: 02:03 AM HD 02:30 AM Skidmark Is Anybody Out There? 03:00 AM Creepshow: 01-006: Fear the Walking Dead: 05-002: 02:33 AM HD 02:34 AM HD Fear the Walking Dead: 05-013: Snitch 03:00 AM Skincrawlers/On the Silver The Hurt That Will Happen Leave What You Don't 03:00 AM 2013 HD 03:30 AM Waters of Lake Champlain 03:07 AM HD Fear the Walking Dead: 05-005: Fear the Walking Dead: 05-009: 03:03 AM HD 03:30 AM 03:06 AM HD The End of Everything Channel 4 04:00 AM Fear the Walking Dead: 05-001: Fear the Walking Dead: 05-003: 03:37 AM HD 03:38 AM HD Fear the Walking Dead: 05-014: Quiz: 01-003 04:00 AM Here to Help Humbug's Gulch Today and Tomorrow 04:00 AM HD 04:30 AM 04:09 AM HD 04:07 AM HD Fear the Walking Dead: 05-006: Fear the Walking Dead: 05-010: 04:07 AM HD 04:30 AM The Little Prince 210 Words Per Minute 05:00 AM Three Stooges, The: 006: A The Three Stooges: 004: All The 04:44 AM HD 04:44 AM HD Fear the Walking Dead: 05-015: 05:00 AM Plumbing We Will Go World's A Stooge Channel 5 Three Stooges, The: 030: Half- 05:30 AM The Three Stooges: 012: Cactus Three Stooges, The: 013: 05:12 AM HD Line of Duty: 02-006 Wits Holiday 05:30 AM Makes Perfect Calling All Curs The Three Stooges: 49M &52M: The Three Stooges: 057M: 5:53 05:30 AM HD Three Stooges, The: 64M AMC Linear ~ From 06/15/2020 to 06/21/2020 Exported On: 06/15/2020 09:36 AM

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07:30 AM Zombieland 07:30 AM 07:33 AM 2009 HD 08:00 AM Ocean's Eleven 08:00 AM 08:00 AM 2001 08:30 AM 08:30 AM

09:00 AM Three Stooges, The: 033: Hoi Three Stooges, The: 040: If A Punisher: War Zone Three Stooges, The: 045: Mutts Hip Hop: The Songs That Shook 09:00 AM Polloi Body Meets A Body 09:00 AM 2008 HD To You America: 01-003: Rock Box: 09:30 AM Erin Brockovich Three Stooges, The: 042: Men Three Stooges, The: 047: Nutty 1984 Two and a Half Men: 01-011: 09:30 AM 09:30 AM 2000 HD In Black (This title will be joined in But Nice Railroad Ties Alan Harper, Frontier 10:00 AM Few Good Men, A progress) Brick Mansions 09:45 AM 2019 [P] Two and a Half Men: 01-012: 10:00 AM 10:00 AM 1992 HD 10:00 AM 2014 HD Ballerina's Tale, A Camel Filters and Pheremones 10:30 AM Spider-Man 3 10:15 AM 2015 [P] Two and a Half Men: 01-013: 10:30 AM 10:30 AM 2007 HD Sarah Like Puny Alan Ocean's Twelve 11:00 AM Two and a Half Men: 01-014: I 10:45 AM 2004 HD 11:00 AM Can't Afford Hyenas 11:30 AM Two and a Half Men: 01-015: 11:30 AM Round One to the Hot Crazy 12:00 PM Blackhat Two and a Half Men: 01-016: 12:00 PM 12:00 PM 2015 HD Black Power Mixtape 1967- That Was Saliva, Alan 12:30 PM Silence of the Lambs, The 1975 Two and a Half Men: 01-017: 12:30 PM 12:30 PM 1991 HD 12:15 PM 2011 [P] Ate the Hamburgers, Wearing 01:00 PM Star Trek Two and a Half Men: 01-018: An 01:00 PM 01:00 PM 2009 HD Old Flame with a New Wick 01:30 PM 40-Year-Old Virgin, The Two and a Half Men: 01-019: I 01:30 PM 01:30 PM 2005 Remember the Coat Room, I Clark Griswold Father's Day 02:00 PM Two and a Half Men: 01-020: Marathon 02:00 PM Hey, I Can Pee Outside in the National Lampoon's European 02:30 PM Hip Hop: The Songs That Shook Ocean's Marathon Vacation 02:30 PM America: 01-001: Jesus Walks: Ocean's Eleven 01:45 PM 1985 HD 03:00 PM Few Good Men, A Man on Fire 2004 02:30 PM 2001 03:00 PM 03:00 PM 1992 HD 03:00 PM 2004 HD 02:30 PM HD 03:30 PM Hip Hop: The Songs That Shook 03:30 PM America: 01-002: Alright: 2015 Clark Griswold Father's Day 04:00 PM Fury Wolf of Wall Street 03:30 PM HD Marathon 04:00 PM 04:00 PM 2014 HD 04:00 PM 2013 HD National Lampoon's Vacation 04:30 PM Independence Day 03:45 PM 1983 HD 04:30 PM 04:30 PM 1996 HD 05:00 PM 05:00 PM Ocean's Marathon 05:30 PM Ocean's Twelve 05:30 PM 05:15 PM 2004 HD Clark Griswold Father's Day 06:00 PM Hunted, The Taken Marathon 06:00 PM 06:00 PM 2003 HD 06:00 PM 2008 HD Vegas Vacation 06:30 PM 05:45 PM 1997 HD 06:30 PM

07:00 PM Wolf of Wall Street 07:00 PM 07:00 PM 2013 HD [P] 07:30 PM Coming To America 07:30 PM 07:30 PM 1988 [P] Clark Griswold Father's Day 08:00 PM Fury Taken Rambo Marathon 08:00 PM 08:00 PM 2014 HD 08:00 PM 2008 HD 08:00 PM 2008 Ocean's Marathon National Lampoon's Christmas 08:30 PM Ocean's Thirteen Vacation 08:30 PM 08:15 PM 2007 07:45 PM 1989 HD 09:00 PM 09:00 PM

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10:00 PM Man on Fire Total Recall Sherman's Showcase: Black NOS4A2: 02-001: Bad Mother 10:00 PM 10:00 PM 2004 HD 10:00 PM 1990 HD History Month Spectacular 10:00 PM HD [P] 10:30 PM 10:00 PM [P] 10:30 PM

11:00 PM Star Trek 40-Year-Old Virgin, The Hip Hop: The Songs That Shook Line of Duty: 03-001 NOS4A2: 02-001: Bad Mother 11:00 PM 11:00 PM 2009 HD 11:00 PM 2005 [P] America: 01-006: Ladies First: 11:00 PM HD [P] 11:06 PM HD 11:30 PM 1989 11:30 PM 11:04 PM HD 12:00 AM Coming To America National Lampoon's Christmas 12:00 AM 12:04 AM 1988 HD Ocean's Thirteen Vacation 12:30 AM Rambo 12:25 AM 2007 12:12 AM 1989 HD 12:30 AM 12:30 AM 2008 HD 01:00 AM NOS4A2: A Look at Season 2 01:00 AM TURN: Washington's Spies: 03- 01:30 AM TURN: Washington's Spies: 03- 005: Hypocrisy, Fraud, and 01:30 AM 001: Valediction Tyranny 02:00 AM Hunted, The 01:30 AM HD TURN: Washington's Spies: 03- 02:00 AM 02:00 AM 2003 HD 006: Many Mickles Make A National Lampoon's European 02:30 AM TURN: Washington's Spies: 03- Muckle Line of Duty: 02-006 Independence Day Vacation 02:30 AM 002: Cold Murdering Bastards 02:06 AM HD 02:30 AM HD 02:34 AM 1996 HD 02:27 AM 1985 HD 03:00 AM 02:32 AM HD TURN: Washington's Spies: 03- Line of Duty: 03-001 03:00 AM 007: Judgment 03:10 AM HD 03:30 AM TURN: Washington's Spies: 03- 03:07 AM HD 03:30 AM 003: Benediction TURN: Washington's Spies: 03- 04:00 AM Aliens vs. Predator: Requiem 03:33 AM HD TURN: Washington's Spies: 03- 009: Blade On The Feather 04:00 AM 04:00 AM 2007 HD 008: Mended 03:55 AM HD NOS4A2: 02-001: Bad Mother 04:30 AM TURN: Washington's Spies: 03- 04:08 AM HD Three Stooges, The: 074M: 04:27 AM HD 04:30 AM 004: Hearts and Minds TURN: Washington's Spies: 03- Zombieland 05:00 AM 04:34 AM HD The Three Stooges: 020: Dutiful 010: Trial and Execution 04:45 AM 2009 HD 05:00 AM But Dumb 04:56 AM HD 05:30 AM Three Stooges, The: 019: Dizzy The Three Stooges: 021: False Aliens vs. Predator: Requiem The Three Stooges: 051: 05:30 AM Pilots Alarms 05:34 AM 2007 HD Playing The Ponies AMC Linear ~ From 06/22/2020 to 06/28/2020 Exported On: 06/16/2020 09:36 AM

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07:30 AM Two and a Half Men: 01-021: No 07:30 AM Sniffling, No Wowing 08:00 AM Two and a Half Men: 01-022: 08:00 AM My Doctor Has a Cow Puppet 08:30 AM Two and a Half Men: 01-023: Lethal Weapon 08:30 AM Just Like Buffalo 08:30 AM 1987 HD 09:00 AM Three Stooges, The: 069: Three Three Stooges, The: 058: Sock- Aliens vs. Predator: Requiem Three Stooges, The: 64M Footloose Two and a Half Men: 01-024: 09:00 AM Missing Links A-Bye Baby 09:00 AM 2007 HD Secret Life of Walter Mitty, 09:00 AM 1984 HD Can You Feel My Finger? 09:30 AM Stir Crazy Summer Rental The Two and a Half Men: 02-001: 09:30 AM 09:30 AM 1980 HD 09:30 AM 1985 HD 09:15 AM 2013 HD [P] (This title will be joined in Back Off Mary Poppins 10:00 AM progress) Two and a Half Men: 02-002: 10:00 AM Enjoy Those Garlic Balls 10:30 AM Major League II Two and a Half Men: 02-003: A 10:30 AM 10:30 AM 1994 HD Bag Full of Jawea 11:00 AM Snitch Two and a Half Men: 02-004: Lethal Weapon 2 11:00 AM 11:00 AM 2013 HD Go Get Mommy's Bra 11:00 AM 1989 HD 11:30 AM Summer Rental Knight and Day Two and a Half Men: 02-005: 11:30 AM 11:30 AM 1985 HD 11:30 AM 2010 HD Footloose Bad News from the Clinic? 12:00 PM 11:45 AM 1984 HD Two and a Half Men: 02-006: 12:00 PM The Price of Healthy Gums is 12:30 PM Lethal Weapon Marathon 12:30 PM Lethal Weapon 01:00 PM National Lampoon's European 12:30 PM 1987 HD 01:00 PM Vacation 01:30 PM National Lampoon's Vacation Star Trek 01:00 PM 1985 HD Lethal Weapon 3 01:30 PM 01:30 PM 1983 HD 01:30 PM 2009 HD 01:30 PM 1992 HD 02:00 PM Man on Fire 02:00 PM 02:00 PM 2004 HD Major League II 02:30 PM 02:15 PM 1994 HD 02:30 PM

03:00 PM National Lampoon's Vacation Lethal Weapon Marathon 03:00 PM 03:00 PM 1983 HD Lethal Weapon 2 03:30 PM Vegas Vacation 03:00 PM 1989 HD 03:30 PM 03:30 PM 1997 HD 04:00 PM Lethal Weapon 4 04:00 PM 04:00 PM 1998 HD 04:30 PM Gladiator 04:30 PM 04:30 PM 2000 HD National Lampoon's Christmas 05:00 PM White House Down Vacation Vegas Vacation 05:00 PM 05:00 PM 2013 HD 04:45 PM 1989 HD 05:00 PM 1997 HD 05:30 PM Knight and Day Lethal Weapon Marathon 05:30 PM 05:30 PM 2010 HD Lethal Weapon 3 06:00 PM 05:30 PM 1992 HD 06:00 PM

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07:00 PM National Lampoon's Vacation Crazy 80s Independence Day 07:00 PM 07:00 PM 1983 HD Karate Kid, The 07:00 PM 1996 HD 07:30 PM 07:00 PM 1984 HD 07:30 PM

08:00 PM White House Down Gladiator Day After Tomorrow, The Lethal Weapon Marathon 08:00 PM 08:00 PM 2013 HD 08:00 PM 2000 HD 08:00 PM 2004 HD Lethal Weapon 4 08:30 PM 08:00 PM 1998 HD 08:30 PM

09:00 PM Vegas Vacation 09:00 PM 09:00 PM 1997 HD 09:30 PM 09:30 PM

10:00 PM Friday Night In with The NOS4A2: 02-002: Good 10:00 PM Morgans: 01-010: Episode 10 Father 10:30 PM Day After Tomorrow, The Crazy 80's 10:00 PM HD [P] 10:30 PM 10:30 PM 2004 HD Caddyshack 11:00 PM Man on Fire National Lampoon's European 10:30 PM 1980 HD Line of Duty: 03-002 NOS4A2: 02-002: Good Father 11:00 PM 11:00 PM 2004 HD Vacation 11:00 PM HD [P] 11:07 PM HD 11:30 PM Star Trek 11:00 PM 1985 HD 11:30 PM 11:30 PM 2009 HD 12:00 AM White House Down 12:00 AM Fury 12:14 AM 2013 HD 12:30 AM Karate Kid, The 12:25 AM 2014 HD 12:30 AM 12:30 AM 1984 HD 01:00 AM NOS4A2: 02-001: Bad Mother National Lampoon's Christmas 01:00 AM 01:00 AM HD Vacation 01:30 AM 01:00 AM 1989 HD 01:30 AM

02:00 AM NOS4A2: 02-001: Bad Mother Halt and Catch Fire: 03-006: 02:00 AM 02:00 AM HD And She Was 02:30 AM Halt and Catch Fire: 03-003: 02:06 AM HD 02:30 AM Flipping the Switch 03:00 AM Halt and Catch Fire: 03-001: 02:30 AM HD Halt and Catch Fire: 03-007: NOS4A2: 02-002: Good Father 03:00 AM Valley of the Heart's Delight Threshold, The Halt and Catch Fire: 03-009: Brick Mansions 03:14 AM HD 03:30 AM 03:06 AM HD Halt and Catch Fire: 03-004: 03:08 AM HD NIM Friday Night In with The 03:25 AM 2014 HD 03:30 AM Rules of Honorable Play 03:15 AM HD Morgans: 01-010: Episode 10 04:00 AM Halt and Catch Fire: 03-002: 03:31 AM HD Halt and Catch Fire: 03-008: Line of Duty: 03-001 04:00 AM One Way or Another You Are Not Safe Halt and Catch Fire: 03-010: 04:00 AM HD Line of Duty: 03-002 04:30 AM 04:08 AM HD Halt and Catch Fire: 03-005: 04:14 AM HD NeXT 04:21 AM HD 04:30 AM Yerba Buena 04:19 AM HD 05:00 AM The Three Stooges: 024: From 04:33 AM HD 05:00 AM Nurse To Worse Three Stooges, The: 062: Caddyshack 05:30 AM The Three Stooges: 025: A Gem Three Stooges, The: 117M: Squareheads Of The Round The Three Stooges: 073: Uncivil 05:25 AM 1980 HD Fury 05:30 AM Of A Jam Three Stooges, The: 118M Three Stooges, The: 066M: Warriors 05:30 AM 2014 HD Three Stooges, The: 104M AMC Linear ~ From 06/29/2020 to 07/05/2020 Exported On: 05/19/2020 09:36 AM

REDACTED - FOR PUBLIC INSPECTION Mon, June 29 Tue, June 30 Wed, July 1 Thu, July 2 Fri, July 3 Sat, July 4 Sun, July 5 06:00 AM Paid Programming Paid Programming Paid Programming Paid Programming Paid Programming Two and a Half Men: 02-007: A NOS4A2: 02-002: Good Father 06:00 AM Kosher Slaughterhouse Out in Batman Marathon 06:30 AM Two and a Half Men: 02-008: Batman Forever 06:30 AM Frankenstein and the Horny 06:20 AM 1995 HD 07:00 AM Two and a Half Men: 02-009: 07:00 AM Yes, Monsignor 07:30 AM Two and a Half Men: 02-010: 07:30 AM The Salmon Under My Sweater 08:00 AM Two and a Half Men: 02-011: 08:00 AM Last Chance to See Those 08:30 AM Two and a Half Men: 02-012: A 08:30 AM Lungful of Alan Batman Marathon 09:00 AM Line of Duty: 03-002 Three Stooges, The: 007: Back Three Stooges, The: 074: Mad Max Three Stooges, The: 079: Ants Two and a Half Men: 02-013: Batman & Robin 09:00 AM 09:00 AM HD To The Woods Violent Is The Word For Curly 09:00 AM 1979 HD In The Pantry Zejdz Zmoich Wlosow (Get Off 08:55 AM 1997 HD 09:30 AM Ocean's Eleven Lethal Weapon Three Stooges, The: 080: Back Two and a Half Men: 02-014: 09:30 AM 09:30 AM 2001 09:30 AM 1987 HD From The Front Those Big Pink Things with 10:00 AM Blackhat Two and a Half Men: 02-015: 10:00 AM White House Down 10:00 AM 2015 HD Smell the Umbrella Stand 10:30 AM 10:25 AM 2013 HD Two and a Half Men: 02-016: 10:30 AM Can You Eat Human Flesh with 11:00 AM Punisher: War Zone Rambo 11:00 AM 11:00 AM 2008 HD 11:00 AM 2008 11:30 AM 11:30 AM Batman Marathon 12:00 PM Lethal Weapon 2 Batman 12:00 PM Ocean's Twelve 12:00 PM 1989 HD 11:55 AM 1989 HD 12:30 PM 12:15 PM 2004 HD 12:30 PM

01:00 PM Zombieland Total Recall (2012) Independence Day Marathon 01:00 PM 01:00 PM 2009 HD 01:00 PM 2012 HD Independence Day 01:30 PM Independence Day 01:00 PM 1996 HD 01:30 PM 01:30 PM 1996 HD 02:00 PM 02:00 PM

02:30 PM Lethal Weapon 3 02:30 PM 02:30 PM 1992 HD 03:00 PM Ferris Bueller's Day Off Batman Marathon 03:00 PM Ocean's Thirteen 03:00 PM 1986 HD Batman Returns 03:30 PM 03:15 PM 2007 Demolition Man 03:00 PM 1992 HD 03:30 PM 03:30 PM 1993 HD 04:00 PM Independence Day Marathon 04:00 PM Independence Day 04:30 PM Ocean's Eleven 04:00 PM 1996 HD 04:30 PM 04:30 PM 2001 05:00 PM Lethal Weapon 4 05:00 PM 05:00 PM 1998 HD 05:30 PM Major League 05:30 PM 05:30 PM 1989 HD 06:00 PM Lethal Weapon Rambo Marathon Batman Marathon 06:00 PM 06:00 PM 1987 HD First Blood Dark Knight Rises, The 06:30 PM 06:00 PM 1982 HD 06:00 PM 2012 HD 06:30 PM

07:00 PM Independence Day Marathon 07:00 PM Ocean's Twelve Independence Day 07:30 PM 07:15 PM 2004 HD 07:00 PM 1996 HD 07:30 PM

08:00 PM Major League Demolition Man Rambo Marathon 08:00 PM 08:00 PM 1989 HD 08:00 PM 1993 HD Rambo 08:30 PM Lethal Weapon 2 08:00 PM 2008 08:30 PM 08:30 PM 1989 HD 09:00 PM 09:00 PM

09:30 PM 09:30 PM

10:00 PM Friday Night In with The Independence Day Marathon NOS4A2: 02-003: The Night 10:00 PM Ocean's Thirteen Morgans: 01-008: Episode 8 Independence Day Road 10:30 PM 10:15 PM 2007 Ferris Bueller's Day Off Total Recall (2012) Rambo Marathon 10:00 PM 1996 HD 10:00 PM HD [P] 10:30 PM 10:30 PM 1986 HD 10:30 PM 2012 HD Rambo: First Blood Part II 11:00 PM Lethal Weapon 3 10:30 PM 1985 HD NOS4A2: 02-003: The Night 11:00 PM 11:00 PM 1992 HD Road 11:30 PM 11:06 PM HD 11:30 PM

12:00 AM Batman 12:00 AM 12:11 AM 1989 HD 12:30 AM Rambo Marathon 12:30 AM Rambo III 01:00 AM Into the Badlands: 03-001: Enter Preacher: 03-001: Angelville Preacher: 03-005: Coffin, The 12:30 AM 1988 HD X-Men 2 01:00 AM the Phoenix 01:00 AM HD 01:00 AM HD 01:00 AM 2003 HD 01:30 AM 01:00 AM HD Into the Badlands: 03-005: Carry 01:30 AM Tiger to Mountain 02:00 AM Into the Badlands: 03-002: 01:30 AM HD Preacher: 03-002: Sonsabitches Preacher: 03-006: Les enfants 02:00 AM Moon Rises, Raven Seeks 02:00 AM HD du sang 02:30 AM 02:01 AM HD Into the Badlands: 03-006: Black 02:04 AM HD 02:30 AM Wind Howls 03:00 AM Into the Badlands: 03-003: 02:31 AM HD Preacher: 03-003: Gonna Hurt Preacher: 03-007: Hilter Friday Night In with The Walking Tall 03:00 AM Leopard Snares Rabbit 03:02 AM HD 03:04 AM HD Morgans: 01-008: Episode 8 03:10 AM 2004 HD 03:30 AM 03:02 AM HD Into the Badlands: 03-007: Preacher: 03-009: Schwanzkopf 03:30 AM Dragonfly's Last Dance 03:30 AM HD 04:00 AM Into the Badlands: 03-004: Blind 03:32 AM Preacher: 03-004: Tombs, The Preacher: 03-008: Tom/Brady, Three Stooges, The: 150M: 04:00 AM Cannibal Assassins 04:03 AM HD The NOS4A2: 02-001: Bad Mother 04:30 AM 04:03 AM HD Into the Badlands: 03-008: 04:08 AM HD Preacher: 03-010: Light Above, 04:09 AM HD 04:30 AM Leopard Catches Cloud The NOS4A2: 02-003: The Night 05:00 AM The Three Stooges: 031: 04:33 AM HD Three Stooges, The: 074: The Three Stooges: 077: Yes, 04:30 AM HD NOS4A2: 02-002: Good Father Road 05:00 AM Healthy, Wealthy And Dumb Violent Is The Word For Curly We Have No Bonanza 05:14 AM HD 04:55 AM HD 05:30 AM Three Stooges, The: 032: Three Stooges, The: 034: Hold The Three Stooges: 076: We The Three Stooges: 078: The 05:30 AM Heavenly Daze That Lion Want Our Mummy Yoke's On Me Three Stooges, The: 117M AMC Linear ~ From 07/06/2020 to 07/12/2020 Exported On: 06/17/2020 11:24 AM

REDACTED - FOR PUBLIC INSPECTION Mon, July 6 Tue, July 7 Wed, July 8 Thu, July 9 Fri, July 10 Sat, July 11 Sun, July 12 06:00 AM Paid Programming Paid Programming Paid Programming Paid Programming Paid Programming Young Guns Dances With Wolves 06:00 AM 04:30 AM 1988 HD 06:00 AM 1990 HD 06:30 AM 06:30 AM

07:00 AM Road House 07:00 AM 07:00 AM 1989 HD 07:30 AM 07:30 AM

08:00 AM 08:00 AM

08:30 AM 08:30 AM

09:00 AM Punisher: War Zone Three Stooges, The: 082: Crime Erin Brockovich Better Call Saul: Bonus Marauders 09:00 AM 09:00 AM 2008 HD On Their Hands 09:00 AM 2000 HD Edition 05-001: Magic Man 09:00 AM 2016 09:30 AM (This title will be joined in Three Stooges, The: 087: Gents 09:00 AM HD [P] Two and a Half Men: 02-017: 09:30 AM progress) Without Cents (This title will be joined in (This title will be joined in Woo-hoo, a Hernia Exam! 10:00 AM Inception progress) progress) Two and a Half Men: 02-018: Braveheart 10:00 AM Batman Returns 10:00 AM 2010 HD Better Call Saul: Bonus It Was 'Mame,' Mom 10:00 AM 1995 HD 10:30 AM 10:15 AM 1992 HD Edition 05-002: 50% Off Two and a Half Men: 02-019: 10:30 AM 10:16 AM HD [P] A Low Guttural Tongue- 11:00 AM Two and a Half Men: 02-020: I 11:00 AM Better Call Saul: Bonus Few Good Men, A Always Wanted a Shaved 11:30 AM Christine Edition 05-003: The Guy For 11:15 AM 1992 HD Two and a Half Men: 02-021: 11:30 AM 11:30 AM 1983 HD This A Sympathetic Crotch to Cry 12:00 PM 11:20 AM HD [P] Two and a Half Men: 02-022: 12:00 PM That Old Hose Bag Is My 12:30 PM Better Call Saul: Bonus Two and a Half Men: 02-023: 12:30 PM Edition 05-004: Namaste Squab, Squab, Squab, Squab, 01:00 PM Erin Brockovich 12:35 PM HD [P] Two and a Half Men: 02-024: 01:00 PM Dark Knight Rises, The 01:00 PM 2000 HD Does This Smell Funny to 01:30 PM 01:15 PM 2012 HD The Silence of the Lambs Two and a Half Men: 03-001: 01:30 PM 01:30 PM 1991 HD Better Call Saul: Bonus Weekend in Bangkok with Two 02:00 PM Edition 05-005: Dedicado a Two and a Half Men: 03-002: Clear and Present Danger 02:00 PM Max Escape Plan Principal Gallagher's Lesbian 02:00 PM 1994 HD 02:30 PM 01:40 PM HD [P] 02:15 PM 2013 HD Jack Ryan Marathon 02:30 PM The Hunt for Red October 03:00 PM Better Call Saul: Bonus 02:30 PM 1990 HD 03:00 PM Edition 05-006: Wexler v. 03:30 PM Goodman 03:30 PM 02:50 PM HD [P] 04:00 PM Dances With Wolves The Green Mile Better Call Saul: Bonus 04:00 PM 04:00 PM 1990 HD 04:00 PM 1999 HD Edition 05-007: JMM 04:30 PM 04:00 PM HD [P] 04:30 PM Point Break (1991) 05:00 PM 04:45 PM 1991 HD Jack Ryan: Shadow Recruit 05:00 PM Godzilla (2014) Better Call Saul: Bonus 05:00 PM 2014 HD 05:30 PM 05:15 PM 2014 HD [P] Edition 05-008: Bagman Jack Ryan Marathon 05:30 PM 05:07 PM HD [P] Clear and Present Danger 06:00 PM 05:30 PM 1994 HD 06:00 PM

06:30 PM Better Call Saul: Bonus 06:30 PM Edition 05-009: Bad Choice 07:00 PM Road 07:00 PM 06:22 PM HD [P] 07:30 PM Crazy 80s I Am Number Four 07:30 PM Better Call Saul: Bonus Road House 07:30 PM 2011 HD 08:00 PM Wakefield The Green Mile Rambo Edition 05-010: Something 07:30 PM 1989 HD 08:00 PM 08:00 PM 2016 HD [P] 08:00 PM 1999 HD 08:00 PM 2008 Unforgivable 08:30 PM 07:48 PM HD [P] Jack Ryan Marathon 08:30 PM AMC Premiere Event 09:00 PM Jack Ryan: Shadow Recruit 09:00 PM Point Break (1991) 08:30 PM 2014 HD [P] 09:30 PM 09:15 PM 1991 HD 09:30 PM

10:00 PM First Blood Friday Night In with The NOS4A2: 02-004: The Lake 10:00 PM 10:00 PM 1982 HD Morgans: 01-011: Episode 11 House 10:30 PM Godzilla (2014) Crazy 80s 10:00 PM HD [P] 10:30 PM 10:30 PM 2014 HD Young Guns 11:00 PM 10:30 PM 1988 HD Line of Duty: 03-003 NOS4A2: 02-004: The Lake 11:00 PM 11:00 PM [P] House 11:30 PM 11:06 PM HD 11:30 PM

12:00 AM The Silence of the Lambs Hunted, The Escape Plan I Am Number Four 12:00 AM 12:00 AM 1991 HD 12:00 AM 2003 HD 12:00 AM 2013 HD The Hunt for Red October 12:11 AM 2011 HD 12:30 AM 12:25 AM 1990 HD 12:30 AM

01:00 AM Few Good Men, A 01:00 AM Preacher: 04-001: Masada 01:00 AM 1992 HD 01:30 AM 01:15 AM HD 01:30 AM

02:00 AM Preacher: 04-008: Fear of the 02:00 AM Preacher: 04-002: Last Supper Lord 02:30 AM 02:15 AM HD Preacher: 04-005: Bleak City 02:00 AM HD Marauders Warriors, The 02:30 AM 02:30 AM HD 02:30 AM 2016 [P] 02:41 AM 1979 HD 03:00 AM Preacher: 04-009: Overture 03:00 AM Preacher: 04-003: Deviant 03:00 AM HD 03:30 AM 03:15 AM HD Preacher: 04-006: The Lost NOS4A2: 02-003: The Night 03:30 AM Apostle Road 04:00 AM 03:33 AM HD Preacher: 04-010: End of the Friday Night In with The 03:30 AM HD 04:00 AM Preacher: 04-004: Search and World Morgans: 01-011: Episode 11 04:30 AM Rescue Preacher: 04-007: Messiahs 04:05 AM HD Young Guns Line of Duty: 03-003 NOS4A2: 02-004: The Lake 04:30 AM 04:16 AM HD 04:33 AM HD 04:30 AM 1988 HD 04:35 AM House 05:00 AM Three Stooges, The: 098: 04:41 AM HD 05:00 AM Three Stooges, The: 082: Crime Three Stooges, The: 088: Grips, Monkey Businessmen 05:30 AM On Their Hands Three Stooges, The: 089: Grunts And Groans Three Stooges, The: 018: Dizzy 05:30 AM Three Stooges, The: 173M Higher Than A Kite Three Stooges, The: 190M: Up Doctors The Three Stooges: 8M & 9M: REDACTED - FOR PUBLIC INSPECTION

EXHIBIT G TNT (US) | Network Economics Page 1 of 2 REDACTED - FOR PUBLIC INSPECTION

TNT (US) | Network Economics

Periods : Eight Years 2017Y 2018Y 2019Y 2020Y 2021Y 2022Y 2023Y 2024Y Subscribers 90.4 89.6 86.8 79.5 72.5 66.5 61.9 58.1 (M)

Average 90.7 90.0 88.2 83.2 76.0 69.5 64.2 60.0 Subscribers (M)

Affiliate 2.12 2.38 2.57 2.20 2.92 3.09 3.28 3.47 Revenue per Avg Sub/ Month ($)

Gross 1,264,330 1,202,355 1,091,732 744,518 935,670 929,358 874,477 832,872 Advertising Revenue ($000)

Net 1,074,681 1,022,002 927,972 632,840 795,320 789,954 743,306 707,941 Advertising Revenue ($000)

Affiliate 2,303,499 2,570,540 2,721,206 2,196,834 2,660,467 2,578,067 2,522,936 2,499,092 Revenue ($000)

Other 37,915 40,380 42,803 45,371 48,093 50,979 54,037 57,280 Operating Revenue ($000)

Operating 3,416,095 3,632,922 3,691,981 2,875,045 3,503,880 3,419,000 3,320,279 3,264,312 Revenue, Net ($000)

Operating 218,130 221,947 217,508 206,633 196,301 186,486 177,162 168,304 SG&A Expense ($000)

Total 1,666,059 1,781,017 1,681,017 1,335,638 1,642,516 1,609,666 1,577,472 1,545,923 Programming Expense ($000)

Total 1,884,189 2,002,965 1,898,526 1,542,271 1,838,817 1,796,152 1,754,634 1,714,227 Operating Expenses ($000)

Cash Flow 1,531,905 1,629,957 1,793,455 1,332,775 1,665,062 1,622,848 1,565,645 1,550,086 ($000)

Cash Flow 44.84 44.87 48.58 46.36 47.52 47.47 47.15 47.49 Margin (%)

Average 24 0.56 0.52 0.46 Hour Rating

Average Prime 0.94 0.96 0.84 Time Rating

https://platform.marketintelligence.spglobal.com/SNL.Services.Export.Service/v2/Export/... 7/27/2020 TNT (US) | Network Economics Page 2 of 2 REDACTED - FOR PUBLIC INSPECTION

2017Y 2018Y 2019Y 2020Y 2021Y 2022Y 2023Y 2024Y Average 24 505.0 470.0 404.0 Hour TVHH Delivery (000)

Average Prime 852.0 866.0 742.0 Time TVHH Delivery (000)

Operator or 4 4 4 Local Avails 30 per Hour

Network Avails 22 22 22 30 per Hour

30 Sec Avails 26 26 26 per Hour

Operator or 35,040 35,040 35,040 Local Avails 30 per Year

Natl 30 Sec 193,614 188,773 188,773 Avails per Year

30 Sec Avails 228,654 223,813 223,813 per Year

Calculated 12.93 13.55 14.32 CPM ($)

Calculated 12.50 4.80 5.63 CPM Growth (%)

Beginning in 2017, network economics methodology accounts for subscribers and revenue from virtual multichannel services. European broadcast network Subscriber values represent network reach. © 2020 Kagan, a division of S&P Global Market Intelligence, estimates. All rights reserved. This report and the financial metrics herein are estimates and projections prepared by Kagan, with portions based upon data obtained from The Nielsen Company. The information contained in this report was obtained from various sources which we believe to be reliable, but we do not guarantee its accuracy or completeness. Opinions and projections contained in this report are the opinions and conclusions of Kagan based upon the data available to it and are not intended to be statements of fact. The information, opinions and projections contained in this report speak only as of the date of this report and are subject to change without notice.

Portions of data are © 2020 The Nielsen Company. The information contained herein is the copyrighted property of Nielsen Media Research, Inc. Unauthorized use of this copyrighted material is expressly prohibited. All Rights Reserved.

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Licensed to [email protected]

https://platform.marketintelligence.spglobal.com/SNL.Services.Export.Service/v2/Export/... 7/27/2020 REDACTED - FOR PUBLIC INSPECTION

EXHIBIT H REDACTED - FOR PUBLIC INSPECTION

REDACTED REDACTED - FOR PUBLIC INSPECTION

EXHIBIT I REDACTED - FOR PUBLIC INSPECTION

REDACTED REDACTED - FOR PUBLIC INSPECTION

EXHIBIT J 8/1/2020 Schedule | TNTdrama.com REDACTED - FOR PUBLIC INSPECTION

SCHEDULE EASTERN

SATURDAY, AUGUST 1

+ Show Earlier Times

5:30 PM The Town

8:00 PM The Commuter

10:15 PM Star Trek

SUNDAY, AUGUST 2

1:00 AM The Commuter

3:00 AM NCIS: New Orleans S4|E17: Treasure Hunt

4:00 AM NCIS: New Orleans S4|E18: Welcome To The Jungle

5:00 AM NCIS: New Orleans S4|E19: High Stakes

6:00 AM NCIS: New Orleans S3|E21: Krewe

7:00 AM NCIS: New Orleans S3|E22: Knockout

8:00 AM NCIS: New Orleans S3|E23: Down The Rabbit Hole

9:00 AM NCIS: New Orleans S3|E24: Poetic Justice

10:00 AM NCIS: New Orleans S4|E1: Rogue Nation

11:00 AM NCIS: New Orleans S4|E2: #1 Fan

12:00 PM Star Trek

2:45 PM Captain America: Civil War

5:45 PM Avengers: Infinity War

By using this site, you agree to TNT’s Terms of Use and 9:00 PM The Alienist: Angel Of Darkness Privacy Policy. × S2|E5: Belly Of The Beast https://www.tntdrama.com/schedule 1/14 8/1/2020 Schedule | TNTdrama.com SREDACTED2|E5: Belly O f- TFORhe B ePUBLICast INSPECTION

10:02 PM The Alienist: Angel Of Darkness

S2|E6: Memento Mori

11:02 PM The Alienist: Angel Of Darkness S2|E5: Belly Of The Beast

MONDAY, AUGUST 3

12:04 AM The Alienist: Angel Of Darkness S2|E6: Memento Mori

1:04 AM Charmed S6|E15: I Dream Of Phoebe

2:04 AM Charmed S6|E16: The Courtship Of Wyatt's Father

3:04 AM Charmed S6|E17: Hyde School Reunion

4:00 AM Charmed S6|E18: Spin City

5:00 AM Charmed S6|E19: Crimes And Witch-Demeanors

6:00 AM Charmed S6|E20: A Wrong Day's Journey Into Right

7:00 AM Charmed S6|E21: Witch Wars

8:00 AM Charmed S6|E22: It's A Bad, Bad, Bad, Bad World, Part 1

9:00 AM Charmed S6|E23: It's A Bad, Bad, Bad, Bad World, Part 2

10:00 AM Supernatural S10|E13: Halt & Catch Fire

11:00 AM Supernatural S10|E14: The Executioner's Song

12:00 PM Supernatural S10|E15: The Things They Carried

1:00 PM Supernatural S10|E16: Paint It Black

2:00 PM Pirates Of The Caribbean: Dead Men T By using this site, you agree to TNT’s Terms of Use and Privacy Policy. × https://www.tntdrama.com/schedule 2/14 8/1/2020 Schedule | TNTdrama.com 4:45 PM AREDACTEDvengers: Infi n-i tFORy War PUBLIC INSPECTION

8:00 PM San Andreas

10:30 PM The Longest Yard

TUESDAY, AUGUST 4

1:00 AM Bones S11|E10: The Doom In The Boom

2:00 AM Bones S11|E11: The Death In The Defense

3:00 AM Bones S11|E12: The Murder Of The Meninist

4:00 AM Bones S11|E13: The Monster In The Closet

5:00 AM Bones S11|E14: The Last Shot At A Second Chance

6:00 AM Charmed

S7|E1: A Call To Arms

7:00 AM Charmed

S7|E2: The Bare Witch Project

8:00 AM Charmed

S7|E3: Cheaper By The Coven

9:00 AM Charmed

S7|E4: Charrrmed!

10:00 AM Supernatural S10|E17: Inside Man

11:00 AM Supernatural S10|E18: Book Of The Damned

12:00 PM Supernatural S10|E19: The Werther Project

1:00 PM Supernatural S10|E20: Angel Heart

2:00 PM Supernatural S10|E21: Dark Dynasty

3:00 PM Supernatural S10|E22: The Prisoner 4:00 PM By using this site, you agree to TNT’s Terms of Use and The Longest Yard Privacy Policy. × https://www.tntdrama.com/schedule 3/14 8/1/2020 Schedule | TNTdrama.com 6:30 PM NREDACTEDBA On TNT 19 -- 2FOR0 PUBLIC INSPECTION Boston Celtics @ Miami Heat

9:00 PM NBA On TNT 19-20 Houston Rockets @ Portland Trail Blazers

11:30 PM NBA On TNT 19-20 Inside The NBA

WEDNESDAY, AUGUST 5 12:30 AM NBA On TNT 19-20 Boston Celtics @ Miami Heat

3:00 AM NCIS: New Orleans

S4|E20: Powder Keg 4:00 AM NCIS: New Orleans

S4|E21: Mind Games 5:00 AM NCIS: New Orleans

S4|E22: The Assassination Of Dwayne Pride 6:00 AM Charmed

S7|E5: Styx Feet Under 7:00 AM Charmed

S7|E6: Once In A Blue Moon 8:00 AM Charmed

S7|E7: Someone To Witch Over Me 9:00 AM Charmed

5:15 PM By using thisT hseit eM, agyonui fagicerenet tSoe vTeNnT’s Terms of Use and Privacy Policy. × 8 00 PM https://www.tntdrama.com/schedule All Elit W tli D it 4/14 8/1/2020 8:00 PM Schedule | TNTdrama.com AlREDACTEDl Elite Wrest l-i nFORg: D yPUBLICnamite INSPECTION S2|E32: Ep44 - Dynamite 8/5/2020 10:00 PM Saving Private Ryan

THURSDAY, AUGUST 6 1:45 AM 2 Guns

4:00 AM NCIS: New Orleans

S4|E23: Checkmate Part 1 5:00 AM NCIS: New Orleans

S4|E24: Checkmate Part 2 6:00 AM Charmed

S7|E9: There's Something About Leo 7:00 AM Charmed

S7|E10: Witchness Protection 8:00 AM Charmed

S7|E11: Ordinary Witches 9:00 AM Charmed

S7|E12: Extreme Makeover: World Edition 10:00 AM Supernatural S11|E5: Thin Lizzie 11:00 AM Supernatural S11|E6: Our Little World 12:00 PM Supernatural S11|E7: Plush 1:00 PM Supernatural S11|E8: Just My Imagination 2:00 PM Supernatural S11|E9: O Brother Where Are Thou? 3:00 PM Supernatural S11|E10: The Devil In The Details 4:00 PM NBA On TNT 19-20 Miami Heat @ Milwaukee Bucks

6:30 PM NBA On TNT 19-20

Los Angeles Clippers @ Dallas Mavericks 9:00 PM NBA On TNT 19-20

Los Angeles Lakers @ Houston Rockets By using this site, you agree to TNT’s Terms of Use and 11:30 PM NBA On TNT 19-20 Privacy Policy. × https://www.tntdrama.com/schedule 5/14 8/1/2020 Inside The NBA Schedule | TNTdrama.com REDACTED - FOR PUBLIC INSPECTION

FRIDAY, AUGUST 7 12:30 AM NBA On TNT 19-20

Los Angeles Lakers @ Houston Rockets 3:00 AM NCIS: New Orleans

S1|E1: Musician Heal Thyself 4:00 AM NCIS: New Orleans

S1|E2: Carrier 5:00 AM NCIS: New Orleans

S1|E3: Breaking Brig 6:00 AM Charmed

S7|E13: Charmageddon 7:00 AM Charmed

S7|E14: Carpe Demon 8:00 AM Charmed

S7|E15: Show Ghouls 9:00 AM Charmed

S7|E16: The Seven Year Witch 10:00 AM NCIS: New Orleans

S4|E3: The Asset 11:00 AM NCIS: New Orleans

S4|E4: Dead Man Calling 12:00 PM NCIS: New Orleans

S4|E5: Viral 1:00 PM NCIS: New Orleans

S4|E6: Acceptable Loss 2:00 PM NCIS: New Orleans

S4|E7: The Accident 3:00 PM Bones

S11|E15: The Fight In The Fixer 4:00 PM Bones

S11|E16: The Strike In The Chord 5:00 PM Bones

S11|E17: The Secret In The Service 6:00 PM NBA On TNT 19-20 By using thisN BsiAte P, ryeo-uG amagreee to TNT’s Terms of Use and Privacy Policy. × https://www.tntdrama.com/schedule 6/14 8/1/2020 6:30 PM NBA On TNT 19-20 Schedule | TNTdrama.com REDACTED - FOR PUBLIC INSPECTION Orlando Magic @ Philadelphia 76ers 9:00 PM NBA On TNT 19-20

Boston Celtics @ Toronto Raptors 11:30 PM NBA On TNT 19-20 Inside The NBA

SATURDAY, AUGUST 8 12:30 AM NBA On TNT 19-20

Orlando Magic @ Philadelphia 76ers 3:00 AM NCIS: New Orleans

S1|E4: The Recruits 4:00 AM NCIS: New Orleans

S1|E5: It Happened Last Night 5:00 AM NCIS: New Orleans

S1|E6: Master Of Horror 6:00 AM NCIS: New Orleans

S4|E8: Sins Of The Father 7:00 AM NCIS: New Orleans

S4|E9: Hard Knock Life 8:00 AM NCIS: New Orleans

S4|E10: Mirror, Mirror 9:00 AM NCIS: New Orleans

S4|E11: Monster 10:00 AM Collateral

12:30 PM NBA On TNT 19-20 NBA Pre-Game

1:00 PM NBA On TNT 19-20

Los Angeles Clippers @ Portland Trail Blazers 3:30 PM NBA On TNT 19-20

Utah Jazz @ Denver Nuggets 6:00 PM NBA On TNT 19-20

Los Angeles Lakers @ Indiana Pacers 8:30 PM

Shaq Life S1|E1: You Don't Know Shaq 9:00 PM By using this site, you agree to TNT’s Terms of Use and Shaq Life Privacy Policy. S1|E2: Shaq Of All Trades ×

https://www.tntdrama.com/schedule 7/14 8/1/2020 Schedule | TNTdrama.com REDACTED - FOR PUBLIC INSPECTION 9:30 PM Edge Of Tomorrow

11:45 PM Jack Reacher

SUNDAY, AUGUST 9

2:30 AM NCIS: New Orleans S1|E7: Watch Over Me

3:30 AM NBA On TNT 19-20 Los Angeles Lakers @ Indiana Pacers

6:00 AM NCIS: New Orleans S4|E12: Identity Crisis

7:00 AM NCIS: New Orleans S4|E13: Ties That Bind

8:00 AM NCIS: New Orleans S4|E14: A New Dawn

9:00 AM NCIS: New Orleans S4|E15: The Last Mile

10:00 AM NCIS: New Orleans S4|E16: Empathy

11:00 AM Hercules: The Thracian Wars

1:00 PM Avengers: Age Of Ultron

4:00 PM Ant-Man

6:30 PM Ant-Man And The Wasp

9:00 PM The Alienist S2|E7: Last Exit To Brooklyn

9:58 PM The Alienist S2|E8: Better Angels

11:06 PM The Alienist S2|E7: Last Exit To Brooklyn

MONDAY, AUGUST 10

12:04 AM The Alienist S2|E8: Better Angels

1:12 AM Hercules: The Thracian Wars

3:12 AM Charmed S7|E17: Scry Hard By using this site, you agree to TNT’s Terms of Use and Privacy Policy. × 4:06 AM Charmed https://www.tntdrama.com/schedule 8/14 8/1/2020 Schedule | TNTdrama.com 4:06 AM CREDACTEDharmed - FOR PUBLIC INSPECTION S7|E18: Little Box Of Horrors

5:00 AM Charmed S7|E19: Freaky Phoebe

6:00 AM Charmed S7|E20: Imaginary Fiends

7:00 AM Charmed S7|E21: Death Becomes Them

8:00 AM Charmed S7|E22: Something Wicca This Way Goes

9:00 AM Charmed S8|E1: Still Charmed & Kicking

10:00 AM Supernatural S11|E11: Into The Mystic

11:00 AM Supernatural S11|E12: Don't You Forget About Me

12:00 PM Supernatural S11|E13: Love Hurts

1:00 PM Supernatural S11|E14: The Vessel

2:00 PM Supernatural S11|E15: Beyond The Mat

3:00 PM Supernatural S11|E16: Safe House

4:00 PM Ant-Man And The Wasp

6:30 PM The Accountant

9:00 PM NBA On TNT 19-20 Denver Nuggets @ Los Angeles Lakers

11:30 PM NBA On TNT 19-20 Inside The NBA

TUESDAY, AUGUST 11

12:30 AM NBA On TNT 19-20 Denver Nuggets @ Los Angeles Lakers

3:00 AM Bones S11|E18: The Movie In The Making

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5:00 AM Bones S11|E20: The Stiff In The Cliff

6:00 AM Charmed S8|E2: Malice In Wonderland

7:00 AM Charmed S8|E3: Run, Piper, Run

8:00 AM Charmed S8|E4: Desperate Housewitches

9:00 AM Charmed S8|E5: Rewitched

10:00 AM Supernatural S11|E17: Red Meat

11:00 AM Supernatural S11|E18: Hell's Angel

12:00 PM Supernatural S11|E19: The Chitters

1:00 PM Supernatural S11|E20: Don't Call Me Shurley

2:00 PM Supernatural S11|E21: All In The Family

3:00 PM Supernatural S11|E22: We Happy Few

4:00 PM Eagle Eye

6:30 PM NBA On TNT 19-20 Boston Celtics @ Memphis Grizzlies

9:00 PM NBA On TNT 19-20 New Orleans Pelicans @ Sacramento Kings

11:30 PM NBA On TNT 19-20 Inside The NBA

WEDNESDAY, AUGUST 12

12:30 AM NBA On TNT 19-20 Boston Celtics @ Memphis Grizzlies

3:00 AM NCIS: New Orleans S1|E8: Love Hurts By using this site, you agree to TNT’s Terms of Use and Privacy Policy. × https://www.tntdrama.com/schedule 4 00 AM NCIS N O l 10/14 8/1/2020 Schedule | TNTdrama.com 4:00 AM NREDACTEDCIS: New Orl e- anFORs PUBLIC INSPECTION S1|E9: Chasing Ghosts

5:00 AM NCIS: New Orleans S1|E10: Stolen Valor

6:00 AM Charmed S8|E6: Kill Billie, Vol. 1

7:00 AM Charmed S8|E7: The Lost Picture Show

8:00 AM Charmed S8|E8: Battle Of The Hexes

9:00 AM Charmed S8|E9: Hulkus Pocus

10:00 AM Supernatural S11|E23: Alpha And Omega

11:00 AM Supernatural S12|E1: Keep Calm And Carry On

12:00 PM Supernatural S12|E2: Mamma Mia

1:00 PM Supernatural S12|E3: The Foundry

2:00 PM Supernatural S12|E4: American Nightmare

3:00 PM The Book Of Eli

5:30 PM Mad Max: Fury Road

8:00 PM All Elite Wrestling: Dynamite S2|E33: Ep45 - Dynamite 8/12/2020

10:00 PM Riddick

THURSDAY, AUGUST 13

12:30 AM The Book Of Eli

3:00 AM NCIS: New Orleans S1|E11: Baitfish

4:00 AM NCIS: New Orleans S1|E12: The Abyss

5:00 AM NCIS: New Orleans By using thisS 1s|itEe1,3 y:o Tuh age Wreale ktoin TgN DTe’sad Terms of Use and Privacy Policy. × https://www.tntdrama.com/schedule 11/14 8/1/2020 Schedule | TNTdrama.com REDACTED - FOR PUBLIC INSPECTION 6:00 AM Charmed S8|E10: Vaya Con Leos

7:00 AM Charmed S8|E11: Mr. & Mrs. Witch

8:00 AM Charmed S8|E12: Payback's A Witch

9:00 AM Charmed S8|E13: Repo Manor

10:00 AM Supernatural S12|E5: The One You've Been Waiting For

11:00 AM Supernatural S12|E6: Celebrating The Life Of Asa Fox

12:00 PM Supernatural S12|E7: Rock Never Dies

1:00 PM Supernatural S12|E8: LOTUS

2:00 PM Supernatural S12|E9: First Blood

3:00 PM Supernatural S12|E10: Lily Sunder Has Some Regrets

4:00 PM NBA On TNT 19-20 Regular Season Game: TBD

6:30 PM NBA On TNT 19-20 Regular Season Game: TBD

9:00 PM NBA On TNT 19-20 Regular Season Game: TBD

11:30 PM NBA On TNT 19-20 Inside The NBA

FRIDAY, AUGUST 14

12:30 AM NBA On TNT 19-20

3:00 AM NCIS: New Orleans S1|E14: Careful What You Wish For

4:00 AM NCIS: New Orleans S1|E15: Le Carnivale De La Mort

5:00 AM NCIS: New Orleans By using thisS 1s|itEe1,6 y:o Mu yag Brreoeth teor 'TsN KTe’se pTerrms of Use and Privacy Policy. × https://www.tntdrama.com/schedule 12/14 8/1/2020 Schedule | TNTdrama.com REDACTED - FOR PUBLIC INSPECTION 6:00 AM Charmed S8|E14: 12 Angry Zen

7:00 AM Charmed S8|E15: The Last Temptation Of Christy

8:00 AM Charmed S8|E16: Engaged And Confused

9:00 AM Charmed S8|E17: Generation Hex

10:00 AM NCIS: New Orleans S4|E17: Treasure Hunt

11:00 AM NCIS: New Orleans S4|E18: Welcome To The Jungle

12:00 PM NCIS: New Orleans S4|E19: High Stakes

1:00 PM NCIS: New Orleans S4|E20: Powder Keg

2:00 PM NCIS: New Orleans S4|E21: Mind Games

3:00 PM Bones S11|E21: The Jewel In The Crown

4:00 PM Bones S11|E22: The Nightmare Within The Nightmare

5:00 PM Bones S12|E1: The Hope In The Horror

6:00 PM Bones S12|E2: The Brain In The Bot

7:00 PM Bones S12|E3: The New Tricks In The Old Dogs

8:00 PM Tag

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