Macbeth-Program.Pdf
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Seattle Opera Announces 2021/22 Season— a Return to Live, In-Person Performances
FOR IMMEDIATE RELEASE: May 11, 2021 Contact: Gabrielle Gainor (206) 295-0998, [email protected] Press images: https://seattleopera.smugmug.com/2122 Password: “press” Seattle Opera announces 2021/22 season— a return to live, in-person performances La bohème Orpheus and Eurydice Blue The Marriage of Figaro Plus a special recital by Lawrence Brownlee McCaw Hall and The Opera Center Subscriptions begin at $240 (BRAVO! Club, senior, and student pricing is also available). Single tickets will go on sale closer to each production. seattleopera.org SEATTLE—After more than a year without live, in-person performances due to COVID-19, Seattle Opera will officially return to the theater this fall with its 2021/22 Season. Offerings include immortal favorites (La bohème, The Marriage of Figaro), historic works with a modern twist (Orpheus and Eurydice), plus an award-winning piece speaking to racial injustice in America (Blue). It will take years for Seattle Opera—and the arts sector as a whole—to recover from the pandemic’s economic impact. Feeling the presence and excitement of live performance again is one way that the healing can begin, said General Director Christina Scheppelmann. “The theater, where music, storytelling, lights, performers, and audiences meet, is a space of magic and impact,” Scheppelmann said. “This past year has been difficult and challenging on so many levels. As we process all that we’ve been through, we can come here to enjoy ourselves. We can rediscover the positive moment and outlook we are seeking. Through opera, we can reconnect with our deepest emotions and our shared humanity.” In addition to mainstage productions, the company will offer a special, one-night- only recital by tenor Lawrence Brownlee (April 29, 2022, at McCaw Hall) with pianist John Keene. -
Boston Symphony Orchestra Concert Programs, Season 118, 1998-1999
BOSTON SYMPHONY ORCHESTRA 1 I O Z AWA ' T W E N T Y- F I F 1 H ANNIVERSARY SEASO N 1 1 8th Season • 1 998-99 Bring your Steinway: < With floor plans from acre gated community atop 2,100 to 5,000 square feet, prestigious Fisher Hill you can bring your Concert Jointly marketed by Sotheby's Grand to Longyear. International Realty and You'll be enjoying full-service, Hammond Residential Real Estate. single-floor condominium living at Priced from $1,100,000. its absolutefinest, all harmoniously Call Hammond Real Estate at located on an extraordinary eight- (617) 731-4644, ext. 410. LONGYEAR at Jisner Jiill BROOKLINE Seiji Ozawa, Music Director 25TH ANNIVERSARY SEASON Bernard Haitink, Principal Guest Conductor One Hundred and Eighteenth Season, 1998-99 Trustees of the Boston Symphony Orchestra, Inc. R. Willis Leith, Jr., Chairman Nicholas T. Zervas, President Peter A. Brooke, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer Harvey Chet Krentzman, Vice-Chairman Ray Stata, Vice-Chairman Harlan E. Anderson Deborah B. Davis Edna S. Kalman Vincent M. O'Reilly Gabriella Beranek Nina L. Doggett George Krupp Peter C. Read James E Cleary Nancy J. Fitzpatrick Mrs. August R. Meyer Hannah H. Schneider John F. Cogan, Jr. Charles K. Gifford, Richard P. Morse Thomas G. Sternberg Julian Cohen ex-ojficio Mrs. Robert B. Stephen R. Weiner William F. Connell Avram J. Goldberg Newman Margaret Williams- William M. Crozier, Jr. Thelma E. Goldberg Robert P. O'Block, DeCelles, ex-qfficio Nader F Darehshori Julian T. Houston ex-ojficio Life Trustees Vernon R. -
Harvey Milk Page 1 of 3 Opera Assn
San Francisco Orpheum 1996-1997 Harvey Milk Page 1 of 3 Opera Assn. Theatre Production made possible by a generous grant from Madeleine Haas Russell. Harvey Milk (in English) Opera in three acts by Stewart Wallace Libretto by Michael Korie Commissioned by S. F. Opera, Houston Grand Opera, and New York City Opera The commission for "Harvey Milk" has been funded in substantial part by a generous gift from Drs. Dennis and Susan Carlyle and has been supported by major grants from the Lila Wallace-Reader's Digest Opera for a New America, a project of OPERA America; the Caddell & Conwell Foundation for the Arts; as well as the National Endowment for the Arts. Conductor CAST Donald Runnicles Harvey Milk Robert Orth Production Messenger James Maddalena Christopher Alden Mama Elizabeth Bishop Set designer Young Harvey Adam Jacobs Paul Steinberg Dan White Raymond Very Costume Designer Man at the opera James Maddalena Gabriel Berry Gidon Saks Lighting Designer Bradley Williams Heather Carson Randall Wong Sound Designer William Pickersgill Roger Gans Richard Walker Chorus Director Man in a tranch coat/Cop Raymond Very Ian Robertson Central Park cop David Okerlund Choreographer Joe Randall Wong Ross Perry Jack Michael Chioldi Realized by Craig Bradley Williams Victoria Morgan Beard Juliana Gondek Musical Preparation Mintz James Maddalena Peter Grunberg Horst Brauer Gidon Saks Bryndon Hassman Adelle Eslinger Scott Smith Bradley Williams Kathleen Kelly Concentration camp inmate Randall Wong Ernest Fredric Knell James Maddalena Synthesizer Programmer -
Mahler 5 & Music You Know
CONCERT PROGRAM Friday, January 22, 2016, 10:30am Saturday, January 23, 2016, 8:00pm David Robertson, conductor Timothy McAllister, saxophone JOHN ADAMS Saxophone Concerto (2013) (b. 1947) Animato; Moderato; Tranquillo, suave Molto vivo (a hard driving pulse) Timothy McAllister, saxophone INTERMISSION MAHLER Symphony No. 5 in C-sharp minor (1901-02) (1860-1911) PART I Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt Stürmisch bewegt, mit größter Vehemenz PART II Scherzo. Kräftig, nicht zu schnell PART III Adagietto. Sehr langsam— Rondo-Finale. Allegro 23 ACKNOWLEDGMENTS These concerts are part of the Wells Fargo Advisors Orchestral series. These concerts are presented by St. Louis College of Pharmacy. David Robertson is the Beofor Music Director and Conductor. Timothy McAllister is the Ann and Paul Lux Guest Artist. The concert of Saturday, January 23, is underwritten in part by a generous gift from Rex and Jeanne Sinquefield. The concert of Friday, January 22, 10:30am, features coffee and doughnuts provided through the generosity of Community Coffee and Krispy Kreme, respectively. Pre-Concert Conversations are sponsored by Washington University Physicians. Large print program notes are available through the generosity of Bellefontaine Cemetery and Arboretum and are located at the Customer Service table in the foyer. 24 ON EDGE BY EDDIE SILVA Their music is made of the worlds around them, Gustav Mahler and John Adams. Mahler of that thrilling age, the shift from the 19th to the 20th century, the speed of the modern beginning to TIMELINKS change how people think and act. Also a time of anxiety, especially for a Jewish artist in an anti- Semitic Vienna. -
Edition 1 | 2019-2020
2 AUSTIN OPERA austinopera.org WHAT'S INSIDE Welcome From the Board Chair ���������������������������������������������������������������������������������������� 7 Q&A with Austin Opera General Director & CEO Annie Burridge �������������� 9 Rigoletto Sponsors ������������������������������������������������������������������������������������������������������������� 5 Spotlight Artist: Carolyn Hoehle ��������������������������������������������������������������������� 13 Directors Note ������������������������������������������������������������������������������������������������ 15 Staff ������������������������������������������������������������������������������������������������������������������� 18 Board ���������������������������������������������������������������������������������������������������������������� 19 Title Page ���������������������������������������������������������������������������������������������������������� 21 Production Page �����������������������������������������������������������������������������������������������23 Synopsis ������������������������������������������������������������������������������������������������������������24 Cast �������������������������������������������������������������������������������������������������������������������28 Creative Team ��������������������������������������������������������������������������������������������������32 Chorus ��������������������������������������������������������������������������������������������������������������35 Orchestra -
Alumni Edition | Walnut Hills High School | Cincinnati Ohio | Fall 2014
Chatterbox Alumni Edition | Walnut Hills High School | Cincinnati Ohio | Fall 2014 GREATER CINCINNATI page 3 OHIO MARYLAND NEW YORK VERMONT MASSACHUSETTS WASHINGTON page 4 page 4 page 4 page 4 page 4 page 8 COSTA GUATE- IRELAND FRANCE ITALY CHINA TAIWAN GHANA UGANDA KENYA RICA MALA page 5 page 6 page 6 page 5 page 5 page 3 page 6 page 3 page 6 page 6 WHHS Chatterbox | Fall 2014 | page 2 ENGAGEMENT Walnut Hills High School is considered by many, both alumni and those in the community, as a springboard to the next chapter in life; a six year preparation of honing skills and collecting knowledge to open the doors to colleges or universities where careers are developed. An early resume gathering experience: academic achievements, club affiliations, leadership and volunteer opportunities, art, music and sports possibilities. All of these provide avenues to interact with amazing people who will challenge, enrich Walnut Hills High School and enlighten in ways never thought possible. Alumni Foundation Board of Directors 2014-2015 As members of a large local community, represented by sixty five zip codes in a recent count, students Steve Baker ’82 and faculty alike engage in programs locally, from tutoring at the Evanston Community Center, Peter Bloch ’66 Neil Bortz ’50 volunteering in service projects throughout the city, or sharing our facilities with other community teams Ray Brokamp for programs like swimming, soccer, or football . Collaborations have been nurtured on both the national Calvin Buford ’77 and local level with universities and high schools to discuss best practices and look for innovations in Stan Chesley ’54 education. -
Andrea Chénier Giordano
ANDREA CHÉNIER GIORDANO Argument MT / 3 Andrea Chénier Argument 4 / 5 Andrea Chénier Andrea Chénier torna al Liceu amb la producció de David McVicar. (ROH/Bill Cooper) Fitxa L’autèntic 6 / 7 9 45 André Chénier Alain Verjat Repartiment 10 Entrevista a 53 Sondra Radvanovsky Amb el teló abaixat 12 Andrea Chénier al 61 Gran Teatre del Liceu 17 Argument Jaume Tribó Cronologia 27 English Synopsis 68 Jordi Fernández M. Selecció d’enregistraments Andrea Chénier, Javier Pérez-Senz 35 una òpera verista 77 entre el Romanticisme i el romàntic Biografies Jesús Ruiz Mantilla 80 Andrea Chénier Temporada 2017-18 8 / 9 ANDREA CHÉNIER Dramma storico en quatre actes. Llibret de Luigi Illica. Música d’Umberto Giordano. Estrenes 28 de març de 1896: estrena absoluta al Teatro alla Scala de Milà 12 de novembre de 1898: estrena a Barcelona al Gran Teatre del Liceu 17 d’octubre de 2007: última representació al Liceu Total de representacions al Liceu: 49 Març 2018 Torn Tarifa 9 20:00 1 Durada total aproximada 2h 35m 10 20:00 PB 6 (*): Amb audiodescripció 12 20:00 1 13 20:00 PC 6 15 20:00 1 17 20:00 C 4 18 17:00 T 3 19 20:00 G 5 21 20:00 D 3 22 20:00 B 4 24 20:00 E 2 25 18:00 F 3 27 20:00 A 4 28* 20:00 H 4 Uneix-te a la conversa #AndreaChénierLiceu liceubarcelona.cat facebook.com/liceu @liceu_cat @liceu_opera_barcelona Andrea Chénier Andrea Chénier, poeta Madelon, anciana revolucionària Jonas Kaufmann 9, 12 i 15 de març Anna Tomowa-Sintow Jorge de León 9, 12, 15, 18, 21, 24 i 27 de març 10, 13, 17, 19, 22, 25 i 28 de març Elena Zaremba Antonello Palombi 18, 21, -
Spring 2008-Final
Wagneriana Endloser Grimm! Ewiger Gram! Spring 2008 Der Traurigste bin ich von Allen! Volume 5, Number 2 —Die Walküre From the Editor ven though the much-awaited concert of the Wagner/Liszt piano transcriptions was canceled due to un- avoidable circumstances (the musicians were unable to obtain a visa), the winter and early spring months E brought several stimulating events. On January 19, Vice President Erika Reitshamer gave an audiovisual presentation on Wagner’s early opera Das Liebesverbot. This well-attended event was augmented by photocopies of extended excerpts from the libretto, with frequently amusing commentary by the presenter on Wagner’s influences and foreshadowings of his future operas. February 23 brought the excellent talk by Professor Hans Rudolf Vaget of Smith College. Professor Vaget spoke about Wagner’s English biographer Ernest Newman, whose seminal four-volume book The Life of Richard Wagner has never been surpassed in its thoroughness. In the early part of the twentieth century, the music critic Newman served as a counterbalance to his fellow countryman Houston Stewart Chamberlain, Wagner’s son-in-law and an ardent Nazi. The talk also included aspects of Thomas Mann’s fictional writings on Wagner, as well as the philoso- pher and musician Theodor Adorno and Wagner’s other son-in-law Franz Beidler. On April 19 we learned the extent of Buddhism’s influence on Wagner’s operas thanks to a lecture and book signing by Paul Schofield, author of The Redeemer Reborn: Parsifal as the Fifth Opera of Wagner’s Ring. The audience members were so interested in what Mr. -
Press Release April 30 Paul Sacher
! 6 Meyersville Road Chatham, New Jersey 07928 USA Ph/Fax 800.706.4182 [email protected] www.orchestranextcentury.org ! ! ! FOR IMMEDIATE RELEASE Contact: Gary Schneider 973-457-5724 March 15, 2013 [email protected] To the Point: Orchestra for the Next Century pays tribute to Paul Sacher in concert at New York’s Merkin Concert Hall. Orchestra for the Next Century, Gary M. Schneider, Music Director, follows up its acclaimed NY debut in February at the Ecstatic Music Festival with a tribute to the great Swiss conductor and musical philanthropist Paul Sacher in a concert on April 30, 2013 at 8:00 pm at Merkin Concert Hall in New York City. The concert features two works Sacher commissioned from Stravinsky and Martinů paired with recent works by distinguished American composers Margaret Brouwer and Paul Moravec. Tickets are $25 / $20 for students. For information and tickets, call 212- 501-3330 or online at www.kaufmanmusiccenter.org. Igor Stranvinsky’s Concerto in D for String Orchestra and Bohuslav Martinů’s Double Concerto for Two String Orchestras, Piano and Timpani are among the many important works Sacher commissioned for his Basel Chamber Orchestra. Through his commissioning of new works from many of the most important composers of the 20th century, Sacher is responsible for the existence of an amazing number of landmark compositions, many of which entered the repertory and are performed every year in concert halls around the world. The concert will also include the New York premier of Margaret Brouwer’s Concerto for Violin and Orchestra, featuring the acclaimed Japanese-American violinist Michi Wiancko, for whom it was written. -
Wagner: Das Rheingold
as Rhe ai Pu W i D ol til a n ik m in g n aR , , Y ge iin s n g e eR Rg s t e P l i k e R a a e Y P o V P V h o é a R l n n C e R h D R ü e s g t a R m a e R 2 Das RheingolD Mariinsky Richard WAGNER / Рихард ВагнеР 3 iii. Nehmt euch in acht! / Beware! p19 7’41” (1813–1883) 4 iv. Vergeh, frevelender gauch! – Was sagt der? / enough, blasphemous fool! – What did he say? p21 4’48” 5 v. Ohe! Ohe! Ha-ha-ha! Schreckliche Schlange / Oh! Oh! Ha ha ha! terrible serpent p21 6’00” DAs RhEingolD Vierte szene – scene Four (ThE Rhine GolD / Золото Рейна) 6 i. Da, Vetter, sitze du fest! / Sit tight there, kinsman! p22 4’45” 7 ii. Gezahlt hab’ ich; nun last mich zieh’n / I have paid: now let me depart p23 5’53” GoDs / Боги 8 iii. Bin ich nun frei? Wirklich frei? / am I free now? truly free? p24 3’45” Wotan / Вотан..........................................................................................................................................................................René PaPe / Рене ПАПЕ 9 iv. Fasolt und Fafner nahen von fern / From afar Fasolt and Fafner are approaching p24 5’06” Donner / Доннер.............................................................................................................................................alexei MaRKOV / Алексей Марков 10 v. Gepflanzt sind die Pfähle / These poles we’ve planted p25 6’10” Froh / Фро................................................................................................................................................Sergei SeMISHKUR / Сергей СемишкуР loge / логе..................................................................................................................................................Stephan RügaMeR / Стефан РюгАМЕР 11 vi. Weiche, Wotan, weiche! / Yield, Wotan, yield! p26 5’39” Fricka / Фрикка............................................................................................................................ekaterina gUBaNOVa / Екатерина губАновА 12 vii. -
Citymusic Cleveland Schedules Hybrid Chamber Music Concerts by Daniel Hathaway
CityMusic Cleveland schedules hybrid chamber music concerts by Daniel Hathaway Pivoting from its customary chamber orchestra concerts, last September CityMusic Cleveland announced a series of chamber music programs curated by members of the ensemble celebrating the centenary of the 19th Amendment to the U.S. Constitution, which decreed that “The right of citizens of the United States to vote shall not be denied or abridged by the United States or by any State on account of sex.” Initially offered as live, in-person events for a reduced audience of 100 at the Shrine Church of St. Stanislaus, the series went online after the first two programs due to the progress of the pandemic. Subsequent concerts have been streamed from the Maltz Performing Arts Center. Beginning this week, CityMusic will present pairs of performances — one in-person concert at St. Stan’s, followed by a second performance of the same program streamed from the Maltz. Executive director Eugenia Strauss noted in a press release that the chamber music format will be continued in 2021-2022, when seven groups will be invited to build programs around the themes of peace, equality, and justice, drawing largely on works by female composers and including commissioned pieces. “We hope to return to present orchestral programs in the 22-23 season,” Strauss wrote. NOTE: In-person programs will be performed at the Shrine Church of St. Stanislaus for a limited, socially distanced audience of 100 people. CityMusic Cleveland follows all Center for Disease Control and State of Ohio health guidelines with respect to the safety of our audiences and performers. -
78R1 MF 0518.Pdf
CONTENTS CONCERTS ARTISTS 38 Verdi REQUIEM: Friday May 18 19 Juanjo Mena, Principal Conductor 21 Robert Porco, Director of Choruses 46 Bernstein MASS: Saturday May 19 22 May Festival Chorus May Festival Youth Chorus, SING HALLELUJAH: Sunday May 20 27 56 James Bagwell, director 59 JUANJO MENA’S DEBUT: 30 Guest Conductor, Guest Artists Friday May 25 36 Cincinnati Symphony Orchestra Handel MESSIAH: Saturday May 26 67 FEATURES 12 Bernstein’s MASS, Then and Now 15 Celebrating the Musical Legacy of Leonard Bernstein 16 About Otxote Txanbela 17 Q&A with Juanjo Mena 22 Q&A with Robert Porco 29 Q&A with James Bagwell 57 Q&A with Creative Partner Rollo Dilworth DEPARTMENTS 7 Greetings from the Principal Conductor 8 Your Concert Experience 11 Greetings from the Board Chair and Executive Director 75 In Memoriam 76 Choral Student Fund and ArtsWave Partners 76 Special Thanks 77 Cincinnati Musical Festival Association 79 Annual Fund 81 2017 ArtsWave Community Campaign 82 May Festival Subscribers 84 Administration 2 | MAY FESTIVAL 2018 | mayfestival.com MAY FESTIVAL PROGRAM BOOK STAFF: Vice President of Communications Chris Pinelo Director of Communications Diana Maria Lara Communications Assistant Kayla Moore Editor/Layout McKibben Publications Graphic Designer Regina Kuhns All contents © 2018. The contents cannot be reproduced in any manner, whole or in part, without written permission from the May Festival. CINCINNATI MAY FESTIVAL Music Hall Geraldine V. Chavez Center for the Choral Arts ON THE COVER 2018 marks a true 1241 Elm Street homecoming for the May Festival, as it returns to Cincinnati, OH 45202 the beautifully renovated Music Hall—a treasured Administrative Offices: 513.621.1919 National Historic Landmark that was originally [email protected] constructed for the May Festival.