AMPAS Invite 2015
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Gabrielle De Louise Archambault
Volume 31 numéro 3 Été 2013 5,95 $ ÉTÉ 2013 Gabrielle de Louise Archambault DOSSIER Cinéma et femmes REVUE DE CINÉMA PUBLIÉE PAR L’ASSOCIATION DES CINÉMAS PARALLÈLES DU QUÉBEC VOLUME 31 NUMÉRO 3 VOLUME DU QUÉBEC PARALLÈLES DES CINÉMAS L’ASSOCIATION PUBLIÉE PAR REVUE DE CINÉMA Envoi Poste-publications No de convention : 40069242 ENTRETIEN SPECTACLE FILMS Denis Côté En allant au cinéma Hannah Arendt La Chasse Mud C0 M49 Y66 K0 Volume 31 numéro 3 Été 2013 2 EN COUVERTURE Gabrielle 2 Entretien avec Louise Archambault SOMMAIRE 8 Commentaire critique ENTRETIEN 12 Denis Côté Scénariste et réalisateur de Vic et Flo ont vu un ours 20 Commentaire critique SPECTACLE 12 59 56 En allant au cinéma FILMS 10 Hannah Arendt de Margarethe von Trotta 58 Au-delà des collines de Cristian Mungiu 59 La Chasse de Thomas Vinterberg 60 The Great Gatsby de Baz Luhrmann 61 Mud de Je Nichols 62 Sarah préfère la course de Chloé Robichaud 10 63 This Must Be the Place de Paolo Sorrentino 23 Introduction au dossier 24 Les pionnières québécoises 28 Au Québec en 2013 38 L’horreur au féminin 42 Le combat émancipateur 46 Du masculin au féminin 50 Les lms les plus populaires 54 Coret 20 Courts et grand talent Volume 31 numéro 3 Été 2013 RÉDACTION ÉDITION ABONNEMENT ANNUEL PAYABLE À L’ACPQ (4 NUMÉROS) Éric Perron, rédacteur en chef Association des cinémas parallèles du Québec (ACPQ) Individuel : 23 $ – Institutionnel : 45,99 $ (taxes comprises) [email protected] Martine Mauroy, directrice générale Étranger : 60 $ (non taxable) 514.252.3021 poste 3413 4545, av. -
Science Fiction Meets Science Fact New Traveling Exhibition Reveals How the Two Connect—And What Could Come Next!
APRIL – MAY 2017 A Newsletter for Members and Friends of the Museum of Science Inside This Issue • From Sci-Fi to Wi-Fi • Cambridge Science Festival • Amazing Amazon! Science Fiction Meets Science Fact New traveling exhibition reveals how the two connect—and what could come next! ake a look at the once-popular flip phone, and it’s hard to miss its similarities with the communicator from the original Star Trek television series. T HAL 9000 from 2001: A Space Odyssey influenced Siri, Alexa, and other electronic voice devices (minus the creepy factor). And many intrepid innovators are still working on turning the hoverboard from Back to the Future Part II into reality. Explore these and other connections between technology and pop culture influences from movies, books, television, and additional art forms in POPnology, the Museum’s newest traveling exhibition opening April 30. Embrace your inner POPnologist in this revolutionary visitor experience that also highlights emerging technologies such as 3-D printed cars and robots through dozens of hands-on experiences, arresting visuals, and more! This Is How We Do It KEVA The exhibit is divided into four areas, each tackling a different way PLANKS CITY technology impacts our lives—“How We Move,” “How We Connect,” “How We Live and Work,” and “How We Play.” See how far we’ve come in the past century and the exciting possibilities that could be just around the corner. Venture into “How We Play,” and stop by the Pentiductor Play Area to learn how to make sounds and music with just your hands. -
Sessões Recomendadas Para Crianças L São, Além Das INFANTIS: FUTURO ANIMADOR E ANIMATV
PETROBRAS apresenta k'FTUJWBM*OUFSOBDJPOBM EF"OJNB}{PEP#SBTJM 3JPEF+BOFJSP BEF+VMIP Centro Cultural Banco do Brasil Centro Cultural Correios Casa França-Brasil Oi Futuro Cinema Odeon-BR Unibanco Arteplex Botafogo 4P1BVMP EF+VMIPBnEF"HPTUP Memorial da América Latina Centro Cultural Banco do Brasil 1 ATENÇÃO: Anima Mundi informa que as sessões recomendadas para crianças L são, além das INFANTIS: FUTURO ANIMADOR e ANIMATV. 14 As demais sessões não são recomendadas para menores de 14 anos. RIO DE JANEIRO Locais De Exibição Obs: Pagam meia-entrada: maiores de 60 (sessenta) anos e crianças até 12 (doze) anos. Centro Cultural Casa França-Brasil Banco do Brasil (CCBB) Rua Visconde de Itaboraí, 78, Centro Rua Primeiro de Março, 66, Centro Informações: (21) 2332-5121 Informações: (21) 3808-2020 Horário de funcionamento: Horário de funcionamento: 10h às 21h Estúdio Aberto: Ter a Dom 13h às 19h, Ingresso: R$ 6,00 (meia entrada R$ 3,00) Entrada franca Sessões gratuitas: Infantis, AnimaTV e Futuro Animador, retirada de senhas somente no dia da sessão Unibanco Arteplex Botafogo com 1 hora de antecedência na bilheteria Praia de Botafogo, 316 Térreo, Botafogo Informações: (21) 2559-8750 Centro Cultural Correios Horário de funcionamento: 12h às 22h Rua Visconde de Itaboraí, 20, Centro Ingresso: R$ 6,00 (meia entrada: R$ 3,00), Informações: (21) 2253-1580 Vendas por dia, a partir da abertura da bilheteria Horário de funcionamento: 11h30 às 19h30 Oi Futuro Flamengo · Sala de Cinema Rua Dois de Dezembro, 63, Flamengo Entrada Franca, Classificação Livre, Informações: -
Annual Report and Accounts 2004/2005
THE BFI PRESENTSANNUAL REPORT AND ACCOUNTS 2004/2005 WWW.BFI.ORG.UK The bfi annual report 2004-2005 2 The British Film Institute at a glance 4 Director’s foreword 9 The bfi’s cultural commitment 13 Governors’ report 13 – 20 Reaching out (13) What you saw (13) Big screen, little screen (14) bfi online (14) Working with our partners (15) Where you saw it (16) Big, bigger, biggest (16) Accessibility (18) Festivals (19) Looking forward: Aims for 2005–2006 Reaching out 22 – 25 Looking after the past to enrich the future (24) Consciousness raising (25) Looking forward: Aims for 2005–2006 Film and TV heritage 26 – 27 Archive Spectacular The Mitchell & Kenyon Collection 28 – 31 Lifelong learning (30) Best practice (30) bfi National Library (30) Sight & Sound (31) bfi Publishing (31) Looking forward: Aims for 2005–2006 Lifelong learning 32 – 35 About the bfi (33) Summary of legal objectives (33) Partnerships and collaborations 36 – 42 How the bfi is governed (37) Governors (37/38) Methods of appointment (39) Organisational structure (40) Statement of Governors’ responsibilities (41) bfi Executive (42) Risk management statement 43 – 54 Financial review (44) Statement of financial activities (45) Consolidated and charity balance sheets (46) Consolidated cash flow statement (47) Reference details (52) Independent auditors’ report 55 – 74 Appendices The bfi annual report 2004-2005 The bfi annual report 2004-2005 The British Film Institute at a glance What we do How we did: The British Film .4 million Up 46% People saw a film distributed Visits to -
Ca' Foscari Short Film Festival 7
Short ca’ foscari short film festival 7 1 15 - 18 MARZO 2017 AUDITORIUM SANTA MARGHERITA - VENEZIA INDICE CONTENTS × Michele Bugliesi Saluti del Rettore, Università Ca’ Foscari Venezia × Michele Bugliesi Greetings from the Rector, Ca’ Foscari University of Venice × Flavio Gregori Saluti del Prorettore alle attività e rapporti culturali, × Flavio Gregori Greetings from the Vice Rector for Cultural activities and relationships, Università Ca’ Foscari Venezia Ca’ Foscari University of Venice × Board × Board × Ringraziamenti × Acknowledgements × Comitato Scientifico × Scientific Board × Giuria Internazionale × International Jury × Catherine Breillat × Catherine Breillat × Małgorzata Zajączkowska × Małgorzata Zajączkowska × Barry Purves × Barry Purves × Giuria Levi Colonna Sonora × Levi Soundtrack Jury × Concorso Internazionale × International Competition × Concorso Istituti Superiori Veneto × Veneto High Schools’ Competition × Premi e menzioni speciali × Prizes and special awards × Programmi Speciali × Special programs × Concorso Music Video × Music Video Competition × Il mondo di Giorgio Carpinteri × The World of Giorgio Carpinteri × Desiderio in movimento - Tentazioni di celluloide × Desire on the move - Celluloid temptations × Film making all’Università Waseda × Film-making at Waseda University Waseda Students Waseda Students Il mondo di Hiroshi Takahashi The World of Hiroshi Takahashi × Workshop: Anymation × Workshop: Anymation × Il mondo di Iimen Masako × The World of Iimen Masako × C’era una volta… la Svizzera × Once upon a time… Switzerland -
ZOOM- Press Kit.Docx
PRESENTS ZOOM PRODUCTION NOTES A film by Pedro Morelli Starring Gael García Bernal, Alison Pill, Mariana Ximenes, Don McKellar Tyler Labine, Jennifer Irwin and Jason Priestley Theatrical Release Date: September 2, 2016 Run Time: 96 Minutes Rating: Not Rated Official Website: www.zoomthefilm.com Facebook: www.facebook.com/screenmediafilm Twitter: @screenmediafilm Instagram: @screenmediafilms Theater List: http://screenmediafilms.net/productions/details/1782/Zoom Trailer: www.youtube.com/watch?v=M80fAF0IU3o Publicity Contact: Prodigy PR, 310-857-2020 Alex Klenert, [email protected] Rob Fleming, [email protected] Screen Media Films, Elevation Pictures, Paris Filmes,and WTFilms present a Rhombus Media and O2 Filmes production, directed by Pedro Morelli and starring Gael García Bernal, Alison Pill, Mariana Ximenes, Don McKellar, Tyler Labine, Jennifer Irwin and Jason Priestley in the feature film ZOOM. ZOOM is a fast-paced, pop-art inspired, multi-plot contemporary comedy. The film consists of three seemingly separate but ultimately interlinked storylines about a comic book artist, a novelist, and a film director. Each character lives in a separate world but authors a story about the life of another. The comic book artist, Emma, works by day at an artificial love doll factory, and is hoping to undergo a secret cosmetic procedure. Emma’s comic tells the story of Edward, a cocky film director with a debilitating secret about his anatomy. The director, Edward, creates a film that features Michelle, an aspiring novelist who escapes to Brazil and abandons her former life as a model. Michelle, pens a novel that tells the tale of Emma, who works at an artificial love doll factory… And so it goes.. -
Swing Into Summer at the Museum New Exhibits, Giant-Screen Films, and More Make for a Sensational Season!
JUNE – JULY 2017 Sparks!A Newsletter for Members and Friends of the Museum of Science Inside This Issue • One-Stop Family Fun • Planetarium Shines at Night • Taking STEM to the Street Cover Photos © TMP Images Swing into Summer at the Museum New exhibits, giant-screen films, and more make for a sensational season! eed help filling your summer calendar? The Museum is your FREEDOM go-to resource for awe-inspiring attractions for children and CHAIR adults alike. Intriguing exhibits (including seasonal favorite N ® POPnology), immersive IMAX and 4-D films, a new evening series in the Planetarium, thought-provoking live presentations, and more ensure you’ll keep the learning and fun going long after school’s out! See It Before It Happens Behind the Scenes: Help us test new exhibits!, a new permanent exhibit next to the Theater of Electricity, gives you a sneak peek into the Museum’s future. Just as the name implies, you get a firsthand look at what goes into producing an exhibit— from the birth of an idea to the finishing touches before it’s ready for prime time. And you can participate in the process by experimenting with the newest ideas before they reach their final form. Swing in front of a screen featuring a 3-D space scene designed to make you feel like you’re moving outside this world in “Starfield Swing.” Then share your thoughts on the experience to make it even better! Check back regularly—the space changes frequently as the Museum’s expert exhibit creators are always working on new projects. -
Apocalyptic Desire and Our Urban Imagination
Apocalyptic DESIRE AND OUR URBAN Imagination AmY murphY University of Southern California INTRODUCTION The trouble with our times is that the future is not what it used to be. Paul Valery For approximately the last three millennia, some portion of the world’s population has subscribed to the notion that the world as we know it is going to be destroyed by the wrath of nature, the will of God, or by human development itself. While many apoca- lyptic references relate back to conservative religious traditions, a great number in circulation today are being promoted by progres- sive secular entities. Eco-theorist scholar Greg Garrard writes that not only has the notion of the apocalypse been present since the beginning of Judeo-Christian time, but the apocalyptic trope has more recently “provided the green movement with some if its most Figure 1. Opening shot of Katsuhiro Otomo’s Akira (1988). striking successes,” in publications such as Rachel Carson’s Silent The apocalyptic trope has proven to be one of the most complic- Spring, Paul Ehrlich’s The Population Bomb and Al Gore’s An In- it, resilient, and powerful metaphors used throughout our history convenient Truth.1 to manipulate human behavior. On one side, it continues to be a central rhetorical element connecting a multitude of conservative As demonstrated by Pixar’s Hollywood feature Wall-e or Hayao Mi- agendas (religious, military, and industrial) to justify an assumed yazaki’s popular anime film Nausicaä of the Valley of the Wind, moral supremacy of one group over other humans as well as nature. -
The Quint V7.2
the quint : an interdisciplinary quarterly from the north 1 contents the quint volume seven issue two EDITORIAL an interdisciplinary quarterly from "Tick -Tock" by Lydia Craig........................................................................................................6 Ditch #1 by Anne Jevne.............................................................................................................8 the north (Post)modernism and Globalization byHaidar Eid....................................................................9 advisory board Lucy in the Sky With Diamonds by Virginia Konchan.............................................................23 Dr. Keith Batterbe ISSN 1920–1028 Ditch #2 by Anne Jevne............................................................................................................24 University of Turku e Autonomous Mind of Waskechak by John George Hansen.................................................25 Dr. Lynn Ecchevarria Raised by His Grandmother Legend: Child of Caribou by Simon Samuel................................44 Yukon College Ditch #3 by Anne Jevne...........................................................................................................50 Dr. Susan Gold the quint welcomes submissions. See our guidelines Milton in Canada: Ideal, Ghost or Inspiration? by Martin Kuester.........................................51 University of Windsor or contact us at: Die Walküre by Virginia Konchan..........................................................................................75 -
Guide to the Papers of the Capri Community Film Society
Capri Community Film Society Papers Guide to the Papers of the Capri Community Film Society Auburn University at Montgomery Archives and Special Collections © AUM Library Written By: Rickey Best & Jason Kneip Last Updated: 2/19/2008 TABLE OF CONTENTS Content Page # Collection Summary 2 Administrative Information 2 Restrictions 2-3 Index Terms 3 Agency History 3-4 1 of 64 Capri Community Film Society Papers Scope and Content 5 Arrangement 5-10 Inventory 10- Collection Summary Creator: Capri Community Film Society Title: Capri Community Film Society Papers Dates: 1983-present Quantity: 6 boxes; 6.0 cu. Ft. Identification: 92/2 Contact Information: AUM Library Archives & Special Collections P.O. Box 244023 Montgomery, AL 36124-4023 Ph: (334) 244-3213 Email: [email protected] Administrative Information Preferred Citation: Capri Community Film Society Papers, Auburn University Montgomery Library, Archives & Special Collections. Acquisition Information: The collection began with an initial transfer on September 19, 1991. A second donation occurred in February, 1995. Since then, regular donations of papers occur on a yearly basis. Processed By: Jermaine Carstarphen, Student Assistant & Rickey Best, Archivist/Special Collections Librarian (1993); Jason Kneip, Archives/Special Collections Librarian. Samantha McNeilly, Archives/Special Collections Assistant. 2 of 64 Capri Community Film Society Papers Restrictions Restrictions on access: Access to membership files is closed for 25 years from date of donation. Restrictions on usage: Researchers are responsible for addressing copyright issues on materials not in the public domain. Index Terms The material is indexed under the following headings in the Auburn University at Montgomery’s Library catalogs – online and offline. -
Dead Zone Back to the Beach I Scored! the 250 Greatest
Volume 10, Number 4 Original Music Soundtracks for Movies and Television FAN MADE MONSTER! Elfman Goes Wonky Exclusive interview on Charlie and Corpse Bride, too! Dead Zone Klimek and Heil meet Romero Back to the Beach John Williams’ Jaws at 30 I Scored! Confessions of a fi rst-time fi lm composer The 250 Greatest AFI’s Film Score Nominees New Feature: Composer’s Corner PLUS: Dozens of CD & DVD Reviews $7.95 U.S. • $8.95 Canada �������������������������������������������� ����������������������� ���������������������� contents ���������������������� �������� ����� ��������� �������� ������ ���� ���������������������������� ������������������������� ��������������� �������������������������������������������������� ����� ��� ��������� ����������� ���� ������������ ������������������������������������������������� ����������������������������������������������� ��������������������� �������������������� ���������������������������������������������� ����������� ����������� ���������� �������� ������������������������������� ���������������������������������� ������������������������������������������ ������������������������������������� ����� ������������������������������������������ ��������������������������������������� ������������������������������� �������������������������� ���������� ���������������������������� ��������������������������������� �������������� ��������������������������������������������� ������������������������� �������������������������������������������� ������������������������������ �������������������������� -
Kristina Reed Joins the Madison Square Garden Company As Senior Vice President, Creative Development and Strategy
Kristina Reed Joins the Madison Square Garden Company as Senior Vice President, Creative Development and Strategy July 22, 2019 NEW YORK, July 22, 2019 (GLOBE NEWSWIRE) -- The Madison Square Garden Company (NYSE:MSG) today announced that Academy Award- winning producer and creator, Kristina Reed, has joined MSG as Senior Vice President, Creative Development and Strategy. In this newly-created position, Ms. Reed will drive the development of creative content for the Company’s state-of-the-art MSG Sphere venues, which will utilize cutting-edge, immersive technology and compelling, multi-sensory storytelling to revolutionize the entertainment experience. Kristina Reed Joins The Madison Square Garden Company As Senior Vice President, Creative Development And Strategy Ms. Reed will be responsible for developing and implementing a slate of content for MSG Sphere venues, from conception to execution. She will work closely with internal and external teams to identify, evaluate and oversee creative development prospects; greenlight content to production; and establish and develop a sustainable digital pipeline for content delivery. Ms. Reed will be charged with developing these projects for both MSG Sphere, as well as other commercial clients. MSG anticipates that the first MSG Sphere, which is currently under construction in Las Vegas, will be completed during calendar year 2021, followed by the second MSG Sphere in London, which is expected approximately a year later, pending necessary approvals. Ms. Reed will report to Jennifer Vogt, President, Creative Content and Production, who recently joined MSG to oversee MSG’s overall content strategy and development for MSG Sphere and other production assets. Ms. Vogt joined MSG from Walt Disney Imagineering after successfully spearheading show design and production for Star Wars, “Galaxy’s Edge,” Disney’s largest single-themed land expansion in its history.