WAVERLY BOOKS List
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Fools Crow, James Welch
by James Welch Model Teaching Unit English Language Arts Secondary Level with Montana Common Core Standards Written by Dorothea M. Susag Published by the Montana Office of Public Instruction 2010 Revised 2014 Indian Education for All opi.mt.gov Cover: #955-523, Putting up Tepee poles, Blackfeet Indians [no date]; Photograph courtesy of the Montana Historical Society Research Center Photograph Archives, Helena, MT. by James Welch Model Teaching Unit English Language Arts Secondary Level with Montana Common Core Standards Written by Dorothea M. Susag Published by the Montana Ofce of Public Instruction 2010 Revised 2014 Indian Education for All opi.mt.gov #X1937.01.03, Elk Head Kills a Buffalo Horse Stolen From the Whites, Graphite on paper, 1883-1885; digital image courtesy of the Montana Historical Society, Helena, MT. Anchor Text Welch, James. Fools Crow. New York: Viking/Penguin, 1986. Highly Recommended Teacher Companion Text Goebel, Bruce A. Reading Native American Literature: A Teacher’s Guide. National Council of Teachers of English, 2004. Fast Facts Genre Historical Fiction Suggested Grade Level Grades 9-12 Tribes Blackfeet (Pikuni), Crow Place North and South-central Montana territory Time 1869-1870 Overview Length of Time: To make full use of accompanying non-fiction texts and opportunities for activities that meet the Common Core Standards, Fools Crow is best taught as a four-to-five week English unit—and history if possible-- with Title I support for students who have difficulty reading. Teaching and Learning Objectives: Through reading Fools Crow and participating in this unit, students can develop lasting understandings such as these: a. -
Film Noir - Danger, Darkness and Dames
Online Course: Film Noir - Danger, Darkness and Dames WRITTEN BY CHRIS GARCIA Welcome to Film Noir: Danger, Darkness and Dames! This online course was written by Chris Garcia, an Austin American-Statesman Film Critic. The course was originally offered through Barnes & Noble's online education program and is now available on The Midnight Palace with permission. There are a few ways to get the most out of this class. We certainly recommend registering on our message boards if you aren't currently a member. This will allow you to discuss Film Noir with the other members; we have a category specifically dedicated to noir. Secondly, we also recommend that you purchase the following books. They will serve as a companion to the knowledge offered in this course. You can click each cover to purchase directly. Both of these books are very well written and provide incredible insight in to Film Noir, its many faces, themes and undertones. This course is structured in a way that makes it easy for students to follow along and pick up where they leave off. There are a total of FIVE lessons. Each lesson contains lectures, summaries and an assignment. Note: this course is not graded. The sole purpose is to give students a greater understanding of Dark City, or, Film Noir to the novice gumshoe. Having said that, the assignments are optional but highly recommended. The most important thing is to have fun! Enjoy the course! Jump to a Lesson: Lesson 1, Lesson 2, Lesson 3, Lesson 4, Lesson 5 Lesson 1: The Seeds of Film Noir, and What Noir Means Social and artistic developments forged a new genre. -
XXXI:4) Robert Montgomery, LADY in the LAKE (1947, 105 Min)
September 22, 2015 (XXXI:4) Robert Montgomery, LADY IN THE LAKE (1947, 105 min) (The version of this handout on the website has color images and hot urls.) Directed by Robert Montgomery Written by Steve Fisher (screenplay) based on the novel by Raymond Chandler Produced by George Haight Music by David Snell and Maurice Goldman (uncredited) Cinematography by Paul Vogel Film Editing by Gene Ruggiero Art Direction by E. Preston Ames and Cedric Gibbons Special Effects by A. Arnold Gillespie Robert Montgomery ... Phillip Marlowe Audrey Totter ... Adrienne Fromsett Lloyd Nolan ... Lt. DeGarmot Tom Tully ... Capt. Kane Leon Ames ... Derace Kingsby Jayne Meadows ... Mildred Havelend Pink Horse, 1947 Lady in the Lake, 1945 They Were Expendable, Dick Simmons ... Chris Lavery 1941 Here Comes Mr. Jordan, 1939 Fast and Loose, 1938 Three Morris Ankrum ... Eugene Grayson Loves Has Nancy, 1937 Ever Since Eve, 1937 Night Must Fall, Lila Leeds ... Receptionist 1936 Petticoat Fever, 1935 Biography of a Bachelor Girl, 1934 William Roberts ... Artist Riptide, 1933 Night Flight, 1932 Faithless, 1931 The Man in Kathleen Lockhart ... Mrs. Grayson Possession, 1931 Shipmates, 1930 War Nurse, 1930 Our Blushing Ellay Mort ... Chrystal Kingsby Brides, 1930 The Big House, 1929 Their Own Desire, 1929 Three Eddie Acuff ... Ed, the Coroner (uncredited) Live Ghosts, 1929 The Single Standard. Robert Montgomery (director, actor) (b. May 21, 1904 in Steve Fisher (writer, screenplay) (b. August 29, 1912 in Marine Fishkill Landing, New York—d. September 27, 1981, age 77, in City, Michigan—d. March 27, age 67, in Canoga Park, California) Washington Heights, New York) was nominated for two Academy wrote for 98 various stories for film and television including Awards, once in 1942 for Best Actor in a Leading Role for Here Fantasy Island (TV Series, 11 episodes from 1978 - 1981), 1978 Comes Mr. -
Aspects of Film Noir: Alan Ladd in the 40'S
The Museum of Modern Art 50th Anniversary NO. 38 •JO RELEASE ON OR BEFORE JULY 11, 1980 "ASPECTS OF FILM NOIR: ALAN LAPP IN THE 40*5" OPENS AT MoMA ON JULY 11, 1980 A series of four important Alan Ladd films forms ASPECTS OF FILM NOIR: ALAN LADD IN THE 40'S, an exhibition running from July 11 through July 15, 1980 at The Museum of Modern Art. To be shown in the series are: THIS GUN FOR HIRE, Ladd's first starring role; THE GLASS KEY; THE BLUE DAHLIA; and the 1949 Paramount production of the F. Scott Fitzgerald classic, THE GREAT GATSBY. The films will be shown in 35mm studio prints made available by Universal/MCA and the UCLA Film Archives. Notes from The Museum's Department of Film indicate that "During the 1940's Hollywood studios produced a large number of crime melodramas whose stylistic con sistency has since been given the name of 'Film Noir'. These shadowy and urbane films not only commanded consummate studio craftsmanship, but enabled a charismatic group of performers to express the tensions that provided the thematic content for the 'Film Noir'. At Paramount Pictures during the 1940's perhaps the emblematic figure of the 'Film Noir' was Alan Ladd." The series opens with THIS GUN FOR HIRE at 8:30 PM on Friday, July 11 (to be repeated at 6 PM on Sunday, July 13). The film was directed by Frank Tuttle in 1942 with Ladd, Veronica Lake and Robert Preston and runs 81 minutes. THIS GUN FOR HIRE was the film that launched Ladd's career. -
Many Voices Press Flathead Valley Community College Table of Contents
New Poets of the American West -An anthology of poets from eleven Western states- Uni Gottingen 230 r to 2, ft 341 Many Voices Press Flathead Valley Community College Table of Contents Editor's Note: "In This Spirit I Gathered These Poems" by Lowell Jaeger 1 Introduction: "Many Voices, Many Wests" by Brady Harrison 7 Arizona Dick Bakken Going into Moonlight 20 Sherwin Bitsui (excerpted from: Flood Song) 21 Jefferson Carter Match Race 22 A Centaur 22 Virgil Chabre Wyoming Miners 23 David Chorlton Everyday Opera 24 Jim Harrison Blue 25 Rene Char II 25 Love 26 Larson's Holstein Bull 26 Cynthia Hogue That Wild Chance of Living (2001) 27 Will Inman The Bones that Humans Lacked 28 given names 28 mesquite mother territory 29 To Catch the Truth 29 James Jay Mars Hill 30 Hershman John Two Parts Hydrogen, One Part Oxygen 31 Jane Miller xii (excerpted from Midnights) 32 Jim Natal The Half-Life of Memory 33 Sean Nevin The Carpenter Bee 34 Wildfire Triptych 34 Losing Solomon 37 Simon J. Ortiz just phoenix 38 Michael Rattee Spring 39 II David Ray The Sleepers 40 Illegals 41 Arizona Satori 41 The White Buffalo 42 Judy Ray These Days 43 Alberto Rfos Border Lines (Lineas Fronterizas) 44 Rabbits and Fire 45 Refugio's Hair 46 Mi Biblioteca Publica (My Public Library) 47 Rebecca Seiferle Ghost Riders in the Sky 48 Apache Tears 49 Leslie Marmon Silko How to Hunt Buffalo 50 Laurel Speer Buffalo Stones 52 Candyman 52 Luci Tapahonso After Noon in Yooto 53 Miles Waggener Direction 54 Nicole Walker Canister and Turkey Vulture 55 California Kim Addonizio Yes 58 In the Evening, 59 William Archila Blinking Lights 60 Ellen Bass GateC22 61 Women Walking 62 Ode to Dr. -
Ruth Prawer Jhabvala's Adapted Screenplays
Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone. -
Read Ebook {PDF EPUB} Circle of Nations by John Gattuso
Read Ebook {PDF EPUB} Circle of Nations by John Gattuso NEEL, David 1960- PERSONAL: Native American name, Tlat'lala'wis'; born 1960, in Vancouver, British Columbia, Canada; son of Dave Neel, Sr. (a carver). Education: Attended Mount Royal College, Calgary, Alberta, Canada, 1978-80, and University of Kansas, 1980-82. ADDRESSES: Agent— c/o Author Mail, University of Washington Press, P.O. Box 50096, Seattle, WA 98145-5096. CAREER: Professional photographer and artist in Texas and Mexico, 1982-86, and in British Columbia, Canada, 1986—. Also multimedia artist, carver, and lecturer. Exhibitions: Work represented at Museum of Anthropology, University of British Columbia, National Archives of Canada, Vancouver Museum, and Canadian Museum of Contemporary Photography; also represented in touring exhibitions in United States, Guatemala, Russia, and Korea; work collected at Art Gallery of Greater Victoria, Canada Council ArtBank, Canadian Embassy in Guatemala City, Canadian Museum of Civilization, National Museum of the American Indian, and elsewhere. AWARDS, HONORS: Mungo Martin Memorial Award, 1987; Arness Foundation grant, 1987; BC Indian Arts and Crafts Society grant, 1988; Mungo Martin Memorial Award, 1988; Canada Council grants, 1988; Kodak Canada funding, 1989; Canada Council Explorations Grant: Contemporary Mask series, 1991; artist assistance grant, Canadian Ministry of Municipal Affairs, 1991; community scholar grant, Smithsonian Institution, 1992; British Columbia Arts Council grant, 2002. WRITINGS: (Editor and photographer) Our Chiefs -
The Good Movie Club List
THE GOOD MOVIE CLUB LIST - THE EARLIEST DAYS- (1902) Le Voyage dans la Lune (1903) The Great Train Robbery (1918) The Blue Bird (1919) Broken Blossoms - THE 1920'S- (1920) Das Cabinet des Dr. Caligari (1920) Nosferatu (1921) Orphans of the Storm (1923) Our Hospitality (1924) Sherlock Jr. (1924) The Thief of Bagdad (1925) Battleship Potemkin (1925) The Gold Rush (1926) Die Abenteuer des Prinzen Achmed (1927) The General (1927) Metropolis (1929) Pandora's Box - THE 1930'S- (1930) Morroco (1931) City Lights (1931) Tabu (1931) Dracula (1931) Frankenstein (1932) Love Me Tonight (1932) Shanghai Express (1932) Trouble in Paradise (1933) King Kong (1933) Footlight Parade (1933) She Done Him Wrong (1933) Duck Soup (1933) Queen Christina (1934) It Happened One Night (1934) The Thin Man (1935) Top Hat (1935) A Night at the Opera (1935) The Bride of Frankenstein (1936) Swing Time (1936) Modern Times (1936) Mr. Deeds Goes to Town (1937) Shall we Dance (1937) The Awful Truth (1938) Bringing Up Baby (1938) The Adventures of Robin Hood (1938) Holiday (1938) The Lady Vanishes (1939) Ninotchka (1939) Dorothy and the Wizard of Oz (1939) Gone with the Wind (1939) Stagecoach (1939) Wuthering Heights (1939) Only Angels have Wings (1939) Destry Rides Again - THE 1940'S- (1940) The Philadelphia Story (1940) The Shop Around the Corner (1940) The Grapes of Wrath (1940) His Girl Friday (1940) Rebecca (1940) The Mortal Storm (1941) The Maltese Falcon (1941) The Lady Eve (1941) Citizen Kane (1941) High Sierra (1941) Sullivan's Travels (1942) Casablanca (1942) Now, -
American Book Awards 2004
BEFORE COLUMBUS FOUNDATION PRESENTS THE AMERICAN BOOK AWARDS 2004 America was intended to be a place where freedom from discrimination was the means by which equality was achieved. Today, American culture THE is the most diverse ever on the face of this earth. Recognizing literary excel- lence demands a panoramic perspective. A narrow view strictly to the mainstream ignores all the tributaries that feed it. American literature is AMERICAN not one tradition but all traditions. From those who have been here for thousands of years to the most recent immigrants, we are all contributing to American culture. We are all being translated into a new language. BOOK Everyone should know by now that Columbus did not “discover” America. Rather, we are all still discovering America—and we must continue to do AWARDS so. The Before Columbus Foundation was founded in 1976 as a nonprofit educational and service organization dedicated to the promotion and dissemination of contemporary American multicultural literature. The goals of BCF are to provide recognition and a wider audience for the wealth of cultural and ethnic diversity that constitutes American writing. BCF has always employed the term “multicultural” not as a description of an aspect of American literature, but as a definition of all American litera- ture. BCF believes that the ingredients of America’s so-called “melting pot” are not only distinct, but integral to the unique constitution of American Culture—the whole comprises the parts. In 1978, the Board of Directors of BCF (authors, editors, and publishers representing the multicultural diversity of American Literature) decided that one of its programs should be a book award that would, for the first time, respect and honor excellence in American literature without restric- tion or bias with regard to race, sex, creed, cultural origin, size of press or ad budget, or even genre. -
FROELICK GALLERY Joe Feddersen Born 1953 Omak, WA
FROELICK GALLERY Joe Feddersen Born 1953 Omak, WA Tribal Affiliation The Confederated Tribes of The Colville Reservation (Okanagan and Lakes) Education 1989 Master of Fine Arts, University of Wisconsin, Madison, WA 1983 BFA Printmaking, University of Washington, Seattle, WA 1979 A.A. Applied Arts, Wenatchee Valley College, Wenatchee, WA Solo Exhibitions 2021 Inhabited Landscapes, Froelick Gallery, Portland, OR 2020 Two Generations: Joe Feddersen and Wendy Red Star, Schneider Museum of Art, Southern Oregon University, Ashland, OR 2019 Echo, Froelick Gallery, Portland, OR Echo, Pacific Northwest College of Art, Portland, OR 2018 Cultural Abstractions, curated by Todd Clark, Umpqua Valley Arts Association, Roseburg, OR Joe Feddersen, Graves Gallery, Wenatchee Valley College, Wenatchee, WA 2017 Flotilla, Froelick Gallery, Portland, OR 2015 Canoe Journeys, Froelick Gallery, Portland, OR 2014 Matrix, Spokane Falls Community College, Spokane ,WA 2013 Charmed, Froelick Gallery, Portland, OR 2012 Role Call, Froelick Gallery, Portland, OR Terrain, Larson Gallery, Yakima Valley Community College, Yakima, WA (catalogue) Transitions, MAC Gallery, Wenatchee Valley College, Wenatchee, WA 2010 Codex, Froelick Gallery, Portland, OR Codex, Evergreen Gallery, TESC, Olympia WA, (catalogue) Vital Signs, Hallie Ford Museum, Willamette University, Salem, OR 2009 Vital Signs, Tacoma Art Museum, Tacoma, WA, organized by Hallie Ford Museum of Art Codex, Evergreen Gallery, Evergreen State College, Olympia, WA 2008 Vital Signs, Missoula Art Museum, Missoula, MT, -
List of Shows Master Collection
Classic TV Shows 1950sTvShowOpenings\ AdventureStory\ AllInTheFamily\ AManCalledShenandoah\ AManCalledSloane\ Andromeda\ ATouchOfFrost\ BenCasey\ BeverlyHillbillies\ Bewitched\ Bickersons\ BigTown\ BigValley\ BingCrosbyShow\ BlackSaddle\ Blade\ Bonanza\ BorisKarloffsThriller\ BostonBlackie\ Branded\ BrideAndGroom\ BritishDetectiveMiniSeries\ BritishShows\ BroadcastHouse\ BroadwayOpenHouse\ BrokenArrow\ BuffaloBillJr\ BulldogDrummond\ BurkesLaw\ BurnsAndAllenShow\ ByPopularDemand\ CamelNewsCaravan\ CanadianTV\ CandidCamera\ Cannonball\ CaptainGallantOfTheForeignLegion\ CaptainMidnight\ captainVideo\ CaptainZ-Ro\ Car54WhereAreYou\ Cartoons\ Casablanca\ CaseyJones\ CavalcadeOfAmerica\ CavalcadeOfStars\ ChanceOfALifetime\ CheckMate\ ChesterfieldSoundOff\ ChesterfieldSupperClub\ Chopsticks\ ChroniclesOfNarnia\ CimmarronStrip\ CircusMixedNuts\ CiscoKid\ CityBeneathTheSea\ Climax\ Code3\ CokeTime\ ColgateSummerComedyHour\ ColonelMarchOfScotlandYard-British\ Combat\ Commercials50sAnd60s\ CoronationStreet\ Counterpoint\ Counterspy\ CourtOfLastResort\ CowboyG-Men\ CowboyInAfrica\ Crossroads\ DaddyO\ DadsArmy\ DangerMan-S1\ DangerManSeason2-3\ DangerousAssignment\ DanielBoone\ DarkShadows\ DateWithTheAngles\ DavyCrockett\ DeathValleyDays\ Decoy\ DemonWithAGlassHand\ DennisOKeefeShow\ DennisTheMenace\ DiagnosisUnknown\ DickTracy\ DickVanDykeShow\ DingDongSchool\ DobieGillis\ DorothyCollins\ DoYouTrustYourWife\ Dragnet\ DrHudsonsSecretJournal\ DrIQ\ DrSyn\ DuffysTavern\ DuPontCavalcadeTheater\ DupontTheater\ DustysTrail\ EdgarWallaceMysteries\ ElfegoBaca\ -
NPRC) VIP List, 2009
Description of document: National Archives National Personnel Records Center (NPRC) VIP list, 2009 Requested date: December 2007 Released date: March 2008 Posted date: 04-January-2010 Source of document: National Personnel Records Center Military Personnel Records 9700 Page Avenue St. Louis, MO 63132-5100 Note: NPRC staff has compiled a list of prominent persons whose military records files they hold. They call this their VIP Listing. You can ask for a copy of any of these files simply by submitting a Freedom of Information Act request to the address above. The governmentattic.org web site (“the site”) is noncommercial and free to the public. The site and materials made available on the site, such as this file, are for reference only. The governmentattic.org web site and its principals have made every effort to make this information as complete and as accurate as possible, however, there may be mistakes and omissions, both typographical and in content. The governmentattic.org web site and its principals shall have neither liability nor responsibility to any person or entity with respect to any loss or damage caused, or alleged to have been caused, directly or indirectly, by the information provided on the governmentattic.org web site or in this file. The public records published on the site were obtained from government agencies using proper legal channels. Each document is identified as to the source. Any concerns about the contents of the site should be directed to the agency originating the document in question. GovernmentAttic.org is not responsible for the contents of documents published on the website.