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Curriculum Vitae
DAVID MANUEL HERNÁNDEZ 50 College Street Associate Professor, Mount Holyoke College South Hadley, MA 01075 Spanish, Latina/o, and Latin American Studies 424-832-0116 (2018 – present) [email protected] ADMINISTRATIVE POSITIONS 2019, SAW Faculty Director, Speaking, Arguing and Writing Center, Mount Holyoke College PREVIOUS POSITIONS 2012-2018: Assistant Professor, Spanish, Latina/o, and Latin American Studies, Mount Holyoke College 2007-2012: Assistant Professor, César E. Chávez Dept. of Chicana and Chicano Studies, UCLA EDUCATION University of California, Berkeley: Doctor of Philosophy, Comparative Ethnic Studies Conferred, December 2005 University of New Mexico: Master of Arts, American Studies M.A. Minor: Cultural Studies / Comparative Literature Conferred With Distinction, May 1997 University of California, Santa Barbara: Bachelor of Arts, Business Economics Conferred with High Honors, December 1989 AWARDS & FELLOWSHIPS • Mount Holyoke College Faculty Awards Kahn Liberal Arts Institute Faculty Fellow: Theme: "Refugees." Smith College, 2018-2019 Learning Communities Grant, National Endowment for the Humanities, Holyoke Community College, 2018- 2019 Nexus Curriculum Development Grant, Fall 2018 Speaking, Arguing, and Writing (SAW) Faculty Fellow, Spring 2018, Fall 2018 Meribeth E. Cameron Faculty Fellowship, Spring 2016 Faculty Research Grant, Spring-Summer 2013, Spring 2014, Spring 2015, Summer 2016, Spring-Summer 2017, Summer 2018 Arthur Vining Davis Professional Mentoring Grant (Mentor: George Lipsitz), Weissman Center for Leadership, -
Kimberly Marten
Marten CV, p. 1 KIMBERLY MARTEN (formerly, Kimberly Marten Zisk) Department of Political Science Barnard College, Columbia University 3009 Broadway New York, NY 10027 [email protected] DEGREES IN HIGHER EDUCATION 9/85 - 9/90 Stanford University. Ph.D. in Political Science; concentration in international relations, comparative politics, and Soviet politics. Ph.D. received 1/91. Dissertation: “Soviet Reactions to Shifts in U.S. and NATO Military Doctrine in Europe: The Defense Policy Community and Innovation.” Member, Berkeley-Stanford Program in Soviet Studies. 9/81 - 6/85 Harvard University. A.B. in Government, magna cum laude. Undergraduate Honors Thesis: “The Soviet Reaction to the Iranian Revolution, 1979-84.” PROFESSIONAL POSITIONS 9/97 - present Barnard College. Department of Political Science. Chair (7/18 – 6/21, 7/06 – 6/09; Acting Chair, 1/03 – 5/03). Ann Whitney Olin Professor (2013-18, 5-year term appointment). Professor (2005-present). Associate Professor (2000-2005). Assistant Professor (1997-2000). 7/15 – 6/19 Columbia University, Harriman Institute for Russian, Eurasian, and East European (concurrent) Studies. Founding Director, Program on U.S.-Russia Relations. 9/13—6/15 Columbia University. Deputy Director for Development, Harriman Institute. (concurrent) 7/12 – 6/13 Columbia University. Acting Director, Harriman Institute. (concurrent) 7/02 – 5/04 Columbia University. Associate Director of the Harriman Institute. (concurrent) 7/01 - 6/02 Council on Foreign Relations, New York. Resident Fellow (on sabbatical leave from (concurrent) Barnard). 5/02 National Defense Academy, Yokosuka, Japan. Visiting Professor. Invited to give a (concurrent) series of 7 lectures to cadets and graduate students on “Complex Peacekeeping Operations.” 5/00-8/00 Institute for International Policy Studies (Nakasone Institute), Tokyo. -
February 2020
TV & RADIO LISTINGS GUIDE FEBRUARY 2020 PRIMETIME For more information go to witf.org/tv WITF honors the legacy of Black History Month with special • programming including the American Masters premiere of Miles Davis: Birth of the Cool. This deep dive into the world of a beloved musical giant features a mix of never before seen footage and new interviews with Quincy Jones, Carlos Santana, Clive Davis, Wayne Shorter, Marcus Miller, Ron Carter, family members and others. The film’s producers were granted access to the Miles Davis estate providing a great depth of material to utilize in this two-hour documentary airing February 25 at 9pm. Fans of Death in Paradise rejoice! The series will continue to solve crimes on a weekly basis for several more months ahead. Season 7 wraps this month, but Season 8 returns in March. Season 9 is currently airing on BBC in the United Kingdom. The brand-new season travels across the pond and lands on the WITF schedule this summer. I had the opportu- nity to see some of the first images from SERIES MARATHON the new season and it looks like there are some changes in store! I don’t want to HOWARDS END ON MASTERPIECE give anything away, so I’ll keep it vague until we get closer to the premiere of the FEBRUARY 2 • 4–9pm new season. In the meantime, the series continues Thursdays at 9pm. Doc Martin Season 8 concludes this Do you have a Smart TV? If you do, through broadcast, cable, satellite or the month. I’m hopeful to bring you Season WITF is now also available on internet, we’re proud to be your neighbor- 9 with Martin and Louisa in early 2021. -
Chenjerai Kumanyika
Updated on January 14, 2019 Chenjerai Kumanyika Assistant professor Department of Journalism and Media Studies School of Communication and Information 4 Huntington Street New Brunswick, New Jersey 08901 [email protected] EDUCATION Ph.D., Department of Mass Communications, The Pennsylvania State University, May 2013 Dissertation: Producing the Cause: Branded Social Justice, Hip-Hop and the Promotional Public Sphere. Dissertation co-chairs: Matthew McAllister and C. Michael Elavsky B.A., The Pennsylvania State University, Major: African-African American Studies, May 1995 ACADEMIC APPOINTMENTS Assistant professor, Department of Journalism and Media Studies, fall 2017-present Department of Journalism and Media Studies, Associate member, Ph.D. faculty, School of Communication & Information, fall 2017-present Rutgers, the State University of New Jersey Assistant professor, summer 2013-summer 2017 Department of Communication Studies, College of Architecture, Arts and Humanities, Clemson University Instructor, summer 2011-fall 2012 Department of Communication Arts and Sciences, College of Communications, The Pennsylvania State University Co-instructor, fall 2008-spring 2013 Department of Sociology and Criminology, College of Liberal Arts The Pennsylvania State University Graduate teaching assistant, fall 2008-spring 2010 Department of Communication Arts and Sciences, College of Communications The Pennsylvania State University PRIZES, AWARDS, FELLOWSHIPS George Foster Peabody Award, May 2018 For “The Raid,” an episode of the podcast “Uncivil,” for which I was co-creator, co-executive producer, co-producer, and co-host. The award was one of 30 Peabody awards for video or audio storytelling given in 2018 from among about 1,200 electronic media entries across news, entertainment, documentary, children’s, and web-interactive programming. -
JAN 2017 KQED Perks
Member Magazine JAN 2017 KQED Perks 2-for-1 Tickets to PHOTOFAIRS Experience cutting-edge, contemporary artworks by emerging and internationally photography on a global scale. Don’t miss recognized artists working with still and the inaugural launch of PHOTOFAIRS moving images. For more information, visit San Francisco, January 27–29, at Fort photofairs.org. Mason’s Festival Pavilion. The new boutique fair, presenting prominent galleries from For special 2-for-1 ticket offer, enter around the world, is the West Coast’s leading promo code KQED: fortmason.org/ destination for discovering and collecting event/photofairs-san-francisco Free Admission to the de Young See Frank Stella: A Retrospective © 2016 Frank Stella / Artists Rights Society (ARS), New York. 1967. Polymer and fluorescent polymer paint on canvas, 120 x 240 in (308.4 609.6 cm). 1967. Polymer and fluorescent Harran II, Frank Stella, Since bursting into the New York art world On Friday, January 20, and Saturday, in 1959, Frank Stella has challenged and January 21, admission to the de Young expanded the definitions of painting and museum is free to KQED members who sculpture. Frank Stella: A Retrospective includes present a current KQED MemberCard 50 major works that span the artist’s career, and valid ID (up to two tickets per from his legendary early Black paintings through MemberCard). Tickets must be picked up his groundbreaking shaped canvases and relief on-site and are subject to availability. For constructions to recent sculptural works created hours, information about the exhibition and with cutting-edge digital technologies. On view more, visit deyoung.famsf.org. -
John Hockenberry Joined NBC in 1996 As a Correspondent for Dateline NBC and Continued to Report for the Peacock Network Through 2005
John Hockenberry, Series Host John Hockenberry joined NBC in 1996 as a correspondent for Dateline NBC and continued to report for the Peacock Network through 2005. During his nine-year tenure, he matched the three Peabody Awards already received for his radio work with three Emmys (for a total of four) for stories on the Taliban regime in Afghanistan, the horrors and redemption of a life with schizophrenia, and a gripping profile of corrupt cult leader Fredrick Lenz. Hockenberry conducted the first and only candid on-camera interview with a family member of two of the 9/11 hijackers in February of 2002. Hockenberry’s work has included an hour-long documentary on the tragedy of the medically uninsured and his investigative work has scrutinized pharmaceutical industry scandals and discrimination against people with disabilities in employment and housing. While covering breaking news at home and overseas, Hockenberry was also part of live, interactive storytelling segments that allowed the television audience to participate for the first time in a story in real-time. Being a part of NBC’s laboratory for new types of intelligent content has been his signature, from pioneering new kinds of content in the groundbreaking MSNBC show, Edgewise, to the nightly on-location cable talk show, Hockenberry, which distinguished NBC News in its coverage of the crisis in the Balkans. There was also the innovative one-of-a-kind blog-cast live from NBC offices that enhanced the network’s coverage of the 2000 election and anticipated many of the Internet-related developments in politics in 2004. -
Program Submissions
PRI Submission Guidelines About PRI: Celebrated as a driver of innovation in public media, Public Radio International (PRI) was founded in 1983 to diversify and expand the content available on public platforms, enabling U.S. listeners to "hear a different voice™" and to connect with one another and the larger world. PRI leads by identifying critical but unmet content needs and partnering with producers, stations, digital networks and funders to develop multi-platform resources to meet those needs. By creating an environment in which innovation can thrive, PRI supports the creation and distribution of content that would otherwise be unavailable and that brings new voices, global journalism and cultural perspectives to the American public. PRI content is available on pri.org and via podcasts, and is broadcast on over 824 public radio stations. More than 13 million people access PRI content each week through these sources. PRI's newest production is "The Takeaway™," a groundbreaking morning-drive news show co-produced with WNYC Radio. Its best known programming includes "This American Life," produced by Chicago Public Radio; PRI's "The World," a co- production of BBC World Service, PRI and WGBH Radio Boston; "Living on Earth," produced by World Media Foundation Inc.; "Michael Feldman's Whad'Ya Know?," produced by Wisconsin Public Radio; "The Tavis Smiley Show," produced by Smiley Radio Properties Inc.; and "Studio 360 from PRI and WNYC®," produced by PRI and WNYC; as well as 24-hour program services — "Classical 24®," produced by American Public Media; and BBC World Service, produced by the British Broadcasting Corporation. For more information, visit www.pri.org. -
Evaluating Audio Description and BPS Visitorexperience in Titanic Belfast
Evaluating Audio Description and BPS Visitor Experience in Titanic Belfast Xi Wang Queen’s University Belfast, UK Danny Crookes Queen’s University Belfast, UK Sue-Ann Harding Queen’s University Belfast, UK David Johnston Queen’s University Belfast, UK _________________________________________________________ Abstract Citation: Wang, X., Crookes, D., Harding, This paper presents the results of a study that evaluates audio S, & Johnston, D. (2020). Evaluating description (AD) and visitor experience with a group of blind and Audio Description and BPS Visitor Experience in Titanic Belfast. Journal of partially sighted (BPS) visitors to a real-world visitor attraction—Titanic Audiovisual Translation, 3(1), 246–263. Belfast. We apply the 10-facet model of visitor experience of Packer and Editor(s): A. Matamala & J. Pedersen Ballantyne (2016) for the first time in the context of accessibility, and Received: March 2, 2020 through this we highlight accessibility issues which arose during the Accepted: October 12, 2020 study. We identify two categories in our qualitative analysis that the Published: December 21, 2020 model (Packer & Ballantyne, 2016) cannot cover. We also model the Copyright: ©2020 Wang, Crookes, factors that influence visitor experience and apply them to the later Harding & Johnston. This is an open access article distributed under the approach of Packer, Ballantyne, & Bond’s (2018) Dimensions of Visitor terms of the Creative Commons Experience (DoVE) Adjective Checklist. The checklist is based on their Attribution License. This allows for previous 10-facet model, and translated and refined into 15 unrestricted use, distribution, and reproduction in any medium, provided dimensions. Although the DoVE checklist is not specifically designed for the original author and source are the context of accessibility, we found that it is sufficiently credited. -
Two Centuries of Wheelchair Design, from Furniture to Film
Enwheeled: Two Centuries of Wheelchair Design, from Furniture to Film Penny Lynne Wolfson Submitted in partial fulfillment of the Requirements for the degree Master of Arts in the History of the Decorative Arts and Design MA Program in the History of the Decorative Arts and Design Cooper-Hewitt, National Design Museum, Smithsonian Institution and Parsons The New School for Design 2014 2 Fall 08 © 2014 Penny Lynne Wolfson All Rights Reserved 3 ENWHEELED: TWO CENTURIES OF WHEELCHAIR DESIGN, FROM FURNITURE TO FILM TABLE OF CONTENTS LIST OF ILLUSTRATIONS ACKNOWLEDGEMENTS i PREFACE ii INTRODUCTION 1 CHAPTER 1. Wheelchair and User in the Nineteenth Century 31 CHAPTER 2. Twentieth-Century Wheelchair History 48 CHAPTER 3. The Wheelchair in Early Film 69 CHAPTER 4. The Wheelchair in Mid-Century Films 84 CHAPTER 5. The Later Movies: Wheelchair as Self 102 CONCLUSION 130 BIBLIOGRAPHY 135 FILMOGRAPHY 142 APPENDIX 144 ILLUSTRATIONS 150 4 List of Illustrations 1. Rocking armchair adapted to a wheelchair. 1810-1830. Watervliet, NY 2. Pages from the New Haven Folding Chair Co. catalog, 1879 3. “Dimension/Weight Table, “Premier” Everest and Jennings catalog, April 1972 4. Screen shot, Lucky Star (1929), Janet Gaynor and Charles Farrell 5. Man in a Wheelchair, Leon Kossoff, 1959-62. Oil paint on wood 6. Wheelchairs in history: Sarcophagus, 6th century A.D., China; King Philip of Spain’s gout chair, 1595; Stephen Farffler’s hand-operated wheelchair, ca. 1655; and a Bath chair, England, 18th or 19th century 7. Wheeled invalid chair, 1825-40 8. Patent drawing for invalid locomotive chair, T.S. Minniss, 1853 9. -
The 9Th Annual Northeastern U.S. Conference on Disability
Speakers The Honorable Lynnae Ruttledge chored MSNBC program, Edgewise; participated in all coverage for NBC of the Kosovo War; the elections of 1996, 2000, Commissioner, Rehabilitation Services Administration, Office of and 2004; September 11th, and the Iraq War. Additionally, Special Education and Rehabilitative Services, U.S. Department he created and produced the first live-streamed audio Internet of Education, Washington, D.C. program from a journalist’s office in 1999 and 2000. He has Lynnae M. Ruttledge was appointed by President Barack written articles for The Washington Post, The New Yorker, Wired, Obama, to be the Commissioner of the Rehabilitation Services Metroplis and The New York Times. He has written two books: Administration, Office of Sepecial Education and Rehabilita- a memoir, Moving Violations: War Zones, Wheelchairs and tive Services, U.S. Department of Education, Washington, Declarations of Independence, which was published in 1995; and D.C.. She administers a public/private partnership that serves a novel, A River Out of Eden, published in 2001. He has also one million individuals with disabilities annually and places written the off-Broadway, one-man show, Spoke Man, com- in employment almost 200 thousand annually on a budget pleted in 1996. of three billion dollars. Also, she is the acting director of the National Institute on Disability and Rehabilitation Research. Kathleen West-Evans She previously served as the Director of the Washington De- partment of Social and Health Service, Division of Vocational Kathleen West-Evans is the Director of Business Relations for Rehabilitation. Commissioner Ruttledge served for 25 years in the Council of State Administrators of Vocational Rehabilita- the Oregon vocational rehabilitation program, and began her tion (CSAVR). -
Barbara Cochran
Cochran Rethinking Public Media: More Local, More Inclusive, More Interactive More Inclusive, Local, More More Rethinking Media: Public Rethinking PUBLIC MEDIA More Local, More Inclusive, More Interactive A WHITE PAPER BY BARBARA COCHRAN Communications and Society Program 10-021 Communications and Society Program A project of the Aspen Institute Communications and Society Program A project of the Aspen Institute Communications and Society Program and the John S. and James L. Knight Foundation. and the John S. and James L. Knight Foundation. Rethinking Public Media: More Local, More Inclusive, More Interactive A White Paper on the Public Media Recommendations of the Knight Commission on the Information Needs of Communities in a Democracy written by Barbara Cochran Communications and Society Program December 2010 The Aspen Institute and the John S. and James L. Knight Foundation invite you to join the public dialogue around the Knight Commission’s recommendations at www.knightcomm.org or by using Twitter hashtag #knightcomm. Copyright 2010 by The Aspen Institute The Aspen Institute One Dupont Circle, NW Suite 700 Washington, D.C. 20036 Published in the United States of America in 2010 by The Aspen Institute All rights reserved Printed in the United States of America ISBN: 0-89843-536-6 10/021 Individuals are encouraged to cite this paper and its contents. In doing so, please include the following attribution: The Aspen Institute Communications and Society Program,Rethinking Public Media: More Local, More Inclusive, More Interactive, Washington, D.C.: The Aspen Institute, December 2010. For more information, contact: The Aspen Institute Communications and Society Program One Dupont Circle, NW Suite 700 Washington, D.C. -
In Defense of the American Surveillance State
IN DEFENSE OF THE AMERICAN SURVEILLANCE STATE Dr. Gabriel Schoenfeld* ABSTRACT The term “American surveillance state” is something that has come into use by fierce critics of U.S. government counterterrorism efforts, efforts that necessarily contain surveillance as a critical element. A body of opinion has emerged arguing that thanks to the ubiquitous eyes of the National Security Agency, the Central Intelligence Agency, the Federal Bureau of Investigation, the Department of Homeland Security, and thanks also to the widespread distribution of myriad new forms of surveillance technology, privacy in America is being destroyed and George Orwell’s dark vision of Big Brother is on its way to realization. This Article rejects this characterization, and asserts that current counterterrorism efforts are an effective and appropriate response to ongoing threats. While history teaches us the government may at times overstep its bounds, even in today’s current national security climate the U.S. government’s approach is less intrusive than it has been in the past and is critical for protecting the safety of the American people. ARTICLE The term “American surveillance state” is something that has come into use by fierce critics of U.S. government counterterrorism efforts, efforts that necessarily contain surveillance as a critical element.1 A body of opinion has emerged arguing that thanks to the ubiquitous eyes of the National Security Agency, the Central Intelligence Agency, the Federal Bureau of Investigation, the Department of Homeland Security, and thanks also to the widespread distribution of myriad new forms of surveillance technology, privacy in America is being destroyed and George Orwell’s dark vision of Big Brother is on its way to realization.2 * Senior Fellow, Hudson Institute.