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As General Managers of Public Radio Stations That Serve Millions of Americans in Communities Large and Small, Urban and Rural And;
As General Managers of Public Radio stations that serve millions of Americans in communities large and small, urban and rural and; As Producers of local, regional and national content aired by stations throughout the nation committed to telling the evolving story of America, its proud history, and its committed citizens; We are writing to express our grave concern regarding the House legislation that would prohibit stations from using any Federal funds to pay for national programming and would eliminate CPB’s Program Fund. By prohibiting the use of Federal funds in any national programming, and in particular, by eliminating the CPB Program Fund, millions of Americans will be deprived of critical national and international news, information and cultural programming that cannot be found elsewhere. Local public radio stations will no longer reliably provide the community information and context so necessary to cities and towns challenged by change and faltering economies. Institutions and projects at risk include: - Radio Bilingüe’s national program service, public radio’s principal source of Latino programming - Koahnik Public Media’ Native Voice 1, public radio’s principal source of Native American programming - Youth Media, the California-based media network of young audio and video producers and a key source of a youth voice in the mass media - The Public Insight Network, American Public media’s expanding project to bring citizen experts into public radio journalism - Independent producers who depend upon the Program Fund for money to support production of series such as StoryCorps and This I Believe - Independent organizations dedicated to innovation, training, and excellence in journalism such as the Public Radio Exchange and the Association of Independents in Radio. -
Curriculum Vitae
DAVID MANUEL HERNÁNDEZ 50 College Street Associate Professor, Mount Holyoke College South Hadley, MA 01075 Spanish, Latina/o, and Latin American Studies 424-832-0116 (2018 – present) [email protected] ADMINISTRATIVE POSITIONS 2019, SAW Faculty Director, Speaking, Arguing and Writing Center, Mount Holyoke College PREVIOUS POSITIONS 2012-2018: Assistant Professor, Spanish, Latina/o, and Latin American Studies, Mount Holyoke College 2007-2012: Assistant Professor, César E. Chávez Dept. of Chicana and Chicano Studies, UCLA EDUCATION University of California, Berkeley: Doctor of Philosophy, Comparative Ethnic Studies Conferred, December 2005 University of New Mexico: Master of Arts, American Studies M.A. Minor: Cultural Studies / Comparative Literature Conferred With Distinction, May 1997 University of California, Santa Barbara: Bachelor of Arts, Business Economics Conferred with High Honors, December 1989 AWARDS & FELLOWSHIPS • Mount Holyoke College Faculty Awards Kahn Liberal Arts Institute Faculty Fellow: Theme: "Refugees." Smith College, 2018-2019 Learning Communities Grant, National Endowment for the Humanities, Holyoke Community College, 2018- 2019 Nexus Curriculum Development Grant, Fall 2018 Speaking, Arguing, and Writing (SAW) Faculty Fellow, Spring 2018, Fall 2018 Meribeth E. Cameron Faculty Fellowship, Spring 2016 Faculty Research Grant, Spring-Summer 2013, Spring 2014, Spring 2015, Summer 2016, Spring-Summer 2017, Summer 2018 Arthur Vining Davis Professional Mentoring Grant (Mentor: George Lipsitz), Weissman Center for Leadership, -
WGBH Studio at the Boston Public Library ADVERTISEMENTADVERTISEMENT from the President Where to Tune In
Beyond a Year in Space | 16 Anne of Green Gables: The Good Stars | 20 Jazz 24/7 Honored | 26 ON AIR, ONLINE, ON THE GO MEMBER GUIDE | NOVEMBER 2017 WGBH Studio at the Boston Public Library ADVERTISEMENTADVERTISEMENT From the President Where to Tune in The Next Chapter TV It was just over a year ago that we took a major step in extending our reach into the community and expanding the range of programs and content we offer with the opening of Digital broadcast FiOS RCN Cox Charter (Canada) Bell ExpressVu the WGBH Studio at the Boston Public Library (BPL) in Copley Square. Comcast And it’s been quite a year! Since the studio’s inaugural broadcast of WGBH 2 2.1 2 2 2 2 2 284 Boston Public Radio, we have been inviting the public in on a daily basis to WGBH 2 HD 2.1 802 502 602 1002 782 819 join us, interact with us, share their perspectives and connect in a way that WGBX 44 44.1 16 44 14 804 21 n/a informs our work. Our unique partnership with the BPL, another of Boston’s major cultural WGBX 44 HD 44.1 801 544 n/a n/a n/a n/a institutions, has given us an extraordinary live platform for bringing our World 2.2 956 473 94 807 181 n/a journalism, arts, education and other innovative programming to the WGBH Create 44.3 959 474 95 805 182 n/a audience and library WGBH Kids 44.4 958 472 93 n/a 180 n/a visitors alike. -
FY 2016 and FY 2018
Corporation for Public Broadcasting Appropriation Request and Justification FY2016 and FY2018 Submitted to the Labor, Health and Human Services, Education, and Related Agencies Subcommittee of the House Appropriations Committee and the Labor, Health and Human Services, Education, and Related Agencies Subcommittee of the Senate Appropriations Committee February 2, 2015 This document with links to relevant public broadcasting sites is available on our Web site at: www.cpb.org Table of Contents Financial Summary …………………………..........................................................1 Narrative Summary…………………………………………………………………2 Section I – CPB Fiscal Year 2018 Request .....……………………...……………. 4 Section II – Interconnection Fiscal Year 2016 Request.………...…...…..…..… . 24 Section III – CPB Fiscal Year 2016 Request for Ready To Learn ……...…...…..39 FY 2016 Proposed Appropriations Language……………………….. 42 Appendix A – Inspector General Budget………………………..……..…………43 Appendix B – CPB Appropriations History …………………...………………....44 Appendix C – Formula for Allocating CPB’s Federal Appropriation………….....46 Appendix D – CPB Support for Rural Stations …………………………………. 47 Appendix E – Legislative History of CPB’s Advance Appropriation ………..…. 49 Appendix F – Public Broadcasting’s Interconnection Funding History ….…..…. 51 Appendix G – Ready to Learn Research and Evaluation Studies ……………….. 53 Appendix H – Excerpt from the Report on Alternative Sources of Funding for Public Broadcasting Stations ……………………………………………….…… 58 Appendix I – State Profiles…...………………………………………….….…… 87 Appendix J – The President’s FY 2016 Budget Request...…...…………………131 0 FINANCIAL SUMMARY OF THE CORPORATION FOR PUBLIC BROADCASTING’S (CPB) BUDGET REQUESTS FOR FISCAL YEAR 2016/2018 FY 2018 CPB Funding The Corporation for Public Broadcasting requests a $445 million advance appropriation for Fiscal Year (FY) 2018. This is level funding compared to the amount provided by Congress for both FY 2016 and FY 2017, and is the amount requested by the Administration for FY 2018. -
February 2020
TV & RADIO LISTINGS GUIDE FEBRUARY 2020 PRIMETIME For more information go to witf.org/tv WITF honors the legacy of Black History Month with special • programming including the American Masters premiere of Miles Davis: Birth of the Cool. This deep dive into the world of a beloved musical giant features a mix of never before seen footage and new interviews with Quincy Jones, Carlos Santana, Clive Davis, Wayne Shorter, Marcus Miller, Ron Carter, family members and others. The film’s producers were granted access to the Miles Davis estate providing a great depth of material to utilize in this two-hour documentary airing February 25 at 9pm. Fans of Death in Paradise rejoice! The series will continue to solve crimes on a weekly basis for several more months ahead. Season 7 wraps this month, but Season 8 returns in March. Season 9 is currently airing on BBC in the United Kingdom. The brand-new season travels across the pond and lands on the WITF schedule this summer. I had the opportu- nity to see some of the first images from SERIES MARATHON the new season and it looks like there are some changes in store! I don’t want to HOWARDS END ON MASTERPIECE give anything away, so I’ll keep it vague until we get closer to the premiere of the FEBRUARY 2 • 4–9pm new season. In the meantime, the series continues Thursdays at 9pm. Doc Martin Season 8 concludes this Do you have a Smart TV? If you do, through broadcast, cable, satellite or the month. I’m hopeful to bring you Season WITF is now also available on internet, we’re proud to be your neighbor- 9 with Martin and Louisa in early 2021. -
JAN 2017 KQED Perks
Member Magazine JAN 2017 KQED Perks 2-for-1 Tickets to PHOTOFAIRS Experience cutting-edge, contemporary artworks by emerging and internationally photography on a global scale. Don’t miss recognized artists working with still and the inaugural launch of PHOTOFAIRS moving images. For more information, visit San Francisco, January 27–29, at Fort photofairs.org. Mason’s Festival Pavilion. The new boutique fair, presenting prominent galleries from For special 2-for-1 ticket offer, enter around the world, is the West Coast’s leading promo code KQED: fortmason.org/ destination for discovering and collecting event/photofairs-san-francisco Free Admission to the de Young See Frank Stella: A Retrospective © 2016 Frank Stella / Artists Rights Society (ARS), New York. 1967. Polymer and fluorescent polymer paint on canvas, 120 x 240 in (308.4 609.6 cm). 1967. Polymer and fluorescent Harran II, Frank Stella, Since bursting into the New York art world On Friday, January 20, and Saturday, in 1959, Frank Stella has challenged and January 21, admission to the de Young expanded the definitions of painting and museum is free to KQED members who sculpture. Frank Stella: A Retrospective includes present a current KQED MemberCard 50 major works that span the artist’s career, and valid ID (up to two tickets per from his legendary early Black paintings through MemberCard). Tickets must be picked up his groundbreaking shaped canvases and relief on-site and are subject to availability. For constructions to recent sculptural works created hours, information about the exhibition and with cutting-edge digital technologies. On view more, visit deyoung.famsf.org. -
Evaluating Audio Description and BPS Visitorexperience in Titanic Belfast
Evaluating Audio Description and BPS Visitor Experience in Titanic Belfast Xi Wang Queen’s University Belfast, UK Danny Crookes Queen’s University Belfast, UK Sue-Ann Harding Queen’s University Belfast, UK David Johnston Queen’s University Belfast, UK _________________________________________________________ Abstract Citation: Wang, X., Crookes, D., Harding, This paper presents the results of a study that evaluates audio S, & Johnston, D. (2020). Evaluating description (AD) and visitor experience with a group of blind and Audio Description and BPS Visitor Experience in Titanic Belfast. Journal of partially sighted (BPS) visitors to a real-world visitor attraction—Titanic Audiovisual Translation, 3(1), 246–263. Belfast. We apply the 10-facet model of visitor experience of Packer and Editor(s): A. Matamala & J. Pedersen Ballantyne (2016) for the first time in the context of accessibility, and Received: March 2, 2020 through this we highlight accessibility issues which arose during the Accepted: October 12, 2020 study. We identify two categories in our qualitative analysis that the Published: December 21, 2020 model (Packer & Ballantyne, 2016) cannot cover. We also model the Copyright: ©2020 Wang, Crookes, factors that influence visitor experience and apply them to the later Harding & Johnston. This is an open access article distributed under the approach of Packer, Ballantyne, & Bond’s (2018) Dimensions of Visitor terms of the Creative Commons Experience (DoVE) Adjective Checklist. The checklist is based on their Attribution License. This allows for previous 10-facet model, and translated and refined into 15 unrestricted use, distribution, and reproduction in any medium, provided dimensions. Although the DoVE checklist is not specifically designed for the original author and source are the context of accessibility, we found that it is sufficiently credited. -
Boston Symphony Orchestra Concert Programs, Season 113, 1993-1994
Boston Symphony Orchestra Twentieth Anniversary Season 19 9 3-94 *,* 'K> ye €B€L the architects of ti m e beluQO Soft and elegant. Hand sculpted in Switzerland exclusively in 18 karat gold. Water resistant Five year international limited warranty. Intelligently priced. E.B. HORN Jewelers Since 1839 Positively The Best Value In Jewelry 429 WASHINGTON ST BOSTON 02108 ALL MAJOR CREDIT CARDS ACCEPTED • BUDGET TERMS MAIL OR PHONE ORDERS 542-3902 • OPEN MON. AND THURS. TIL 7 Seiji Ozawa, Music Director One Hundred and Thirteenth Season, 1993-94 Trustees of the Boston Symphony Orchestra, Inc. J. P. Barger, Chairman George H. Kidder, President Mrs. Lewis S. Dabney, Vice-Chairman Nicholas T. Zervas, Vice-Chairman Mrs. John H. Fitzpatrick, Vice-Chairman William J. Poorvu, Vice-Chairman andTreasurer David B. Arnold, Jr. Nina L. Doggett George Krupp Peter A. Brooke Dean Freed R. Willis Leith, Jr. James F. Cleary Avram J. Goldberg Mrs. August R. Meyer John F. Cogan, Jr. Thelma E. Goldberg Molly Beals Millman Julian Cohen Julian T. Houston Mrs. Robert B. Newman William F. Connell Mrs. BelaT. Kalman Peter C. Read William M. Crozier, Jr. Allen Z. Kluchman Richard A. Smith Deborah B. Davis Harvey Chet Krentzman Ray Stata Trustees Emeriti Vernon R. Alden Archie C. Epps Irving W. Rabb Philip K. Allen Mrs. Harris Fahnestock Mrs. George Lee Sargent Allen G. Barry Mrs. John L. Grandin Sidney Stoneman Leo L. Beranek Mrs. George I. Kaplan John Hoyt Stookey AbramT. Collier Albert L. Nickerson John L. Thorndike Nelson J. Darling, Jr. Thomas D. Perry, Jr. Other Officers of the Corporation John Ex Rodgers, Assistant Treasurer Michael G. -
Barbara Cochran
Cochran Rethinking Public Media: More Local, More Inclusive, More Interactive More Inclusive, Local, More More Rethinking Media: Public Rethinking PUBLIC MEDIA More Local, More Inclusive, More Interactive A WHITE PAPER BY BARBARA COCHRAN Communications and Society Program 10-021 Communications and Society Program A project of the Aspen Institute Communications and Society Program A project of the Aspen Institute Communications and Society Program and the John S. and James L. Knight Foundation. and the John S. and James L. Knight Foundation. Rethinking Public Media: More Local, More Inclusive, More Interactive A White Paper on the Public Media Recommendations of the Knight Commission on the Information Needs of Communities in a Democracy written by Barbara Cochran Communications and Society Program December 2010 The Aspen Institute and the John S. and James L. Knight Foundation invite you to join the public dialogue around the Knight Commission’s recommendations at www.knightcomm.org or by using Twitter hashtag #knightcomm. Copyright 2010 by The Aspen Institute The Aspen Institute One Dupont Circle, NW Suite 700 Washington, D.C. 20036 Published in the United States of America in 2010 by The Aspen Institute All rights reserved Printed in the United States of America ISBN: 0-89843-536-6 10/021 Individuals are encouraged to cite this paper and its contents. In doing so, please include the following attribution: The Aspen Institute Communications and Society Program,Rethinking Public Media: More Local, More Inclusive, More Interactive, Washington, D.C.: The Aspen Institute, December 2010. For more information, contact: The Aspen Institute Communications and Society Program One Dupont Circle, NW Suite 700 Washington, D.C. -
WAMC Staff Utica, NY WAMQ, 105.1 FM, Great Barrington, WAMC Executive Staff LIVE at the LINDA BROADCAST MA Alan Chartock | President and CEO WWES, 88.9 FM, Mt
JULY 2020 PROGRAM GUIDE from alan Stations Help WAMC Go Green! Monthly column from Alan Chartock. You may elect to stop receiving our paper PAGE 2 WAMC, 90.3 FM, Albany, NY program guide, and view it on wamc.org. WAMC 1400 AM, Albany, NY Call us to be removed from the PROGRAM NOTES WAMK, 90.9 FM, Kingston, NY paper mailing list: 1-800-323-9262 ext. 133 What’s coming up on WAMC. WOSR, 91.7 FM, Middletown, NY PAGE 3 WCEL, 91.9 FM, Plattsburgh, NY PROGRAM SCHEDULE WCAN, 93.3 FM, Canajoharie, NY Our weekly schedule of programming. WANC, 103.9 FM, Ticonderoga, NY PAGE 4 WRUN-FM, 90.3 FM, Remsen- WAMC Staff Utica, NY WAMQ, 105.1 FM, Great Barrington, WAMC Executive Staff LIVE AT THE LINDA BROADCAST MA Alan Chartock | President and CEO WWES, 88.9 FM, Mt. Kisco, NY SCHEDULE Joe Donahue | Roundtable Host/ Senior WANR, 88.5 FM, Brewster, NY Advisor Listen to your favorite shows on air after WANZ, 90.1, Stamford, NY they have been at The Linda. Stacey Rosenberry | Director of Operations PAGE 5 and Engineering Translators Jordan Yoxall | Chief Financial Officer At the linda PAGE 5 W280DJ, 103.9 FM, Beacon, NY Management Staff W247BM, 97.3 FM, Cooperstown, NY Carl Blackwood | General Manager, The program descriptions W292ES, 106.3 FM, Dover Plains, Linda PAGE 6 NY Tina Renick | Programming Director W243BZ, 96.5 FM, Ellenville, NY Melissa Kees | Underwriting Manager Ashleigh Kinsey | Digital Media W271BF, 102.1 FM, Highland, NY our UNDERWRITERS Administrator W246BJ, 97.1 FM, Hudson, NY PAGE 12 Ian Pickus | News Director W204CJ, 88.7 FM, Lake Placid, NY Amber Sickles | Membership Director W292DX, 106.3 FM, Middletown, NY WAMC-FM broadcasts 365 days a year W215BG, 90.9 FM, Milford, PA WAMC to eastern New York and western New W299AG, 107.7 FM, Newburgh, NY Box 66600 England on 90.3 MHz. -
Student Application Thank You for Your Interest in WRVO Public Media
Student Application Thank you for your interest in WRVO Public Media. Our mission is to provide programming for the needs and interests of central New Yorkers. We offer programing that informs, challenges, provokes, broadens, educates and entertains. WRVO provides significant programming about significant issues for significant audiences. Radio that informs, challenges, provokes, broadens, educates and entertains. Our Coverage WRVO’s 50,000 watt FM signal serves central and northern New York and is supplemented by repeater stations in Syracuse, Clayton, Watertown, Utica, Geneva, Rome, Ithaca, Hamilton, and Norwich, with part-time stations in Cortland and Hamilton. From Penfield Library, we broadcast 24 hours a day, seven days a week. WRVO broadcast programs provided by NPR, Public Radio International (PRI), American Public Media (APM) and the BBC. WRVO also airs a number of independently produced content provided by the Public Radio Exchange (PRX). Finally, we air an old time radio program, Tuned to Yesterday, which is produced in-house; a health and wellness show called Take Care, and an interview program produced in conjunction with the Campbell Public Affairs Institute, in the Maxwell School of Citizenship at Syracuse University, hosted by Grant Reeher. WRVO provides a compelling mix of regional, national, and international news, talk, information and entertainment. Our content is delivered on a variety of platforms including broadcast, internet, streaming, podcasts, and mobile apps. WRVO provides three distinct broadcast streams which provide the ability to listen to a variety of content asynchronously. We look for interns that are self-starters, engaged and willing to learn. We treat our interns the same way we treat our employees and expect the same level of respect in return – consider this a professional position. -
Public Radio International, Lyndon Johnson's Presidency and the War
Narrative Section of a Successful Application The attached document contains the grant narrative of a previously funded grant application. It is not intended to serve as a model, but to give you a sense of how a successful application may be crafted. Every successful application is different, and each applicant is urged to prepare a proposal that reflects its unique project and aspirations. Prospective applicants should consult the Public Programs application guidelines at http://www.neh.gov/grants/public/media- projects-production-grants for instructions. Applicants are also strongly encouraged to consult with the NEH Division of Public Programs staff well before a grant deadline. Note: The attachment only contains the grant narrative, not the entire funded application. In addition, certain portions may have been redacted to protect the privacy interests of an individual and/or to protect confidential commercial and financial information and/or to protect copyrighted materials. Project Title: LBJ’s War: An Oral History Institution: Public Radio International, Inc. Project Director: Melinda Ward Grant Program: Media Projects Production 400 7th Street, S.W., Washington, D.C. 20506 P 202.606.8269 F 202.606.8557 E [email protected] www.neh.gov PUBLIC RADIO INTERNATIONAL (PRI) Request to the National Endowment for the Humanities “LBJ’S War: An Oral History” Project Narrative – January 2016 A. NATURE OF THE REQUEST Public Radio International (PRI) requests a grant of $166,450 in support of LBJ’s War , an innovative oral history project to be produced in partnership with independent radio producer Stephen Atlas. LBJ’s War presents the story of how the U.S.